CU Presents Magazine Artist Series Winter 2014, Feb. 13

Global performance. World-class entertainment.You have to be here.

experience themagic

Global performance. World-class entertainment.You have to be here.

2 0 1 3 – 2 0 1 4 S e a s o n

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ET2014Stepping Out

February 21–23, 2014Dairy Center for the Arts, BoulderBox Office: 303.444.SEAT (7328)

20132014SEASON• Storybook Ballet C’est La Vie a student performance March 7–9

• Coppélia a family-friendly ballet for Mother’s Day May 11

• Ballet in the Park free outdoor concerts June 22–29

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A unique and varied concertof contemporary dance theatre.

Photography by Sue Daniels

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Table of ContentsCU Presents Staff 6CU Presents Ticket Policy 6Theatre/Dance Season 8Shakespeare Season 20Program CenterFaculty Tuesdays 22Artist Series Donors 24Takács Quartet Donors 26CU Opera Donors 28Upcoming AS Presentations 30CU Opera Ad 32CU Presents Season Ad 34

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ADVERTISING INFORMATIONThis program is produced for CU Presents by The Publishing House, a division of Colorado Word Works, Inc.

Angie Flachman Johnson, PublisherAnnette Allen, Art Director and Production CoordinatorStacey Krull, Graphic Design & LayoutWilbur E. Flachman, President

For advertising information, call 303-428-9529

7380 Lowell Blvd., Westminster, CO 80030www.coloradoartspubs.com

College of Music Advisory Board

James Austin, Interim DeanChristopher BrauchliRobert F. BuntingJan BurtonColeen ConantMartha Coffi n EvansTyler M. FormanJonathan R. FoxDavid W. FulkerGrace GammLissy GarrisonLloyd GelmanDoree D. HickmanDavid G. HummerDaryl K. JamesGary S. JoinerCaryl F. KassoyRobert KorenblatThurston E. ManningErma M. ManteyJoseph T. NeglerSusan J. OlenwineMichele RitterRebecca J. RoserSteven K. TaniguchiJeannie ThompsonJack Walker

Dear Friends,

The advent of a new year is a time of beginnings, of optimism and fresh perspective. CU Presents seeks to offer our patrons experiences that likewise refresh and renew perspective, and engage them with the larger world. The next few months will feature everything from athletic Taiko drumming to music as varied as the Venice Baroque Orchestra and jazz fusion greats Chick Corea and Béla Fleck.

We’re proud to bring such distinguished and diverse artistry right to your doorstep in beautiful Boulder. If not for CU Presents, our community might never get to experience such world-class entertainment right here at home.

This winter will also feature dozens of free concerts by faculty and students at CU-Boulder’s nationally recognized College of Music as well as many affordable performances, from traditional to edgy, by faculty and students in the Department of Theatre and Dance.

We thank you for coming, and we hope to see you many more times this winter and spring as you enjoy the very best of the performing arts on the CU-Boulder campus. Have a great time!

From the Executive Director

Warm regards,

Joan McLean BraunExecutive Director

Global performance. World-class entertainment. You have to be here.

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Chick Corea & Béla FleckFriday, Jan. 17, 7:30 p.m.Macky Auditorium

Keyboardist Chick Corea and banjoist Béla Fleck will take you on an enchanting journey from blues to bluegrass, country to classical. It’s a unique fusion of virtuoso talents who have 35 Grammys between them.

Global performance. World-class entertainment. Global performance. World-class entertainment. Global performance. World-class entertainment. You have to be here.You have to be here.

humor

Roser Visiting Artist Grant

University of Colorado BoulderTheatre & Dance Dance

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Congratulationsto the University of Colorado College of Music, whose efforts have brought entertainment, learning, melody,

percussion and passion to our community.

We’re proud to sponsor the University of Colorado College of Music.

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Photography © Mike Youtz

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Every gift makes a big difference! Our concerts and productions depend on private donations from audience members like you. We encourage you to use the envelope in the center of this program to make a gift that will help us continue to bring global performance and world class entertainment to Boulder! Simply give your envelope to an usher or mail it back to us. Donations can also be made online at cupresents.org or by calling 303-735-6070. Thank-you for your support!

Every Journey Begins with a Single Step.


Every gift makes a big difference! Our concerts and productions depend on private donations from audience members like you. We encourage you to use the envelope in the center of this program to make a gift that will help us continue to bring global performance and world class entertainment to Boulder! Simply give your envelope to an usher or mail it back to us. Donations can also be made online at cupresents.org or by calling 303-735-6070. Thank-you for your support!

Every Journey Begins with a Single Step.

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VENICE BAROQUE ORCHESTRAThursday, Feb. 13, 7:30 p.m.Macky Auditorium

One of the world’s premier ensembles devoted to period instrument performance, the Venice Baroque Orchestra has performed around the world and won critical acclaim. The orchestra brings freshness, ebullience and experimentation to early music.

Global performance. World-class entertainment. Global performance. World-class entertainment. You have to be here.

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TAOPhoenix RisingPhoenix RisingPhoenix RisingPhoenix RisingMonday, Feb. 24, 7:30 p.m.Macky Auditorium

TAO fuses the explosive power of Taiko drumming with fiery athleticism and color into a thrilling modern interpretation of this ancient art form, performed by men and women who have trained for years in the mountains of Japan.

Global performance. World-class entertainment. Global performance. World-class entertainment. You have to be here.You have to be here.

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Wolfgang A. MozartSymphony No. 40 in G Minor

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Concert at 7:30 pm Pre-Concert Talk at 6:30 pm

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VENICE BAROQUE ORCHESTRAMario Brunello, cello

PROGRAM

Overture from Bajazet, RV 703 Antonio Vivaldi (1678-1741)

Concerto in C Major for cello, strings and basso continuo, RV 400 Allegro Largo Allegro non molto

Concerto in G Minor for 2 cellos, strings and basso continuo, RV 531 Allegro Largo Allegro

Daniele Bovo, 2nd cello

Concerto in D Minor for cello, strings and basso continuo, RV 405 Allegro Adagio Allegro

INTERMISSION

Sonata in C Major for cello and basso continuo, n. 17 G 17 Luigi Boccherini Allegro (1743-1805) Largo assai Rondo allegro

Concerto n. 5 in E-flat Major for cello and orchestra, G 474 Allegro Largo Allegro - Rondo

Quintet in C Major for two violins, viola, and two cellos, op. 30 n. 6, “La musica notturna nelle strade di Madrid” Le campane de l’Ave Maria Il tamburo dei Soldati Minuetto dei Ciechi Il Rosario (Largo assai, allegro, largo come prima) Passa Calle (Allegro vivo) Il Tamburo Ritirata (Maestoso)

Pietro Pompei, percussion

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Antonio Vivaldi (1678-1741)The enormous body of work left by Vivaldi still boggles the mind: 500 concertos, dozens and dozens of chamber works, sacred pieces and operas. And, no doubt, many dozens more have been lost. Most of the concertos emerged during his 37 years working with the young ladies at the Ospedale della Pietà, one of four famed orphanages for foundlings in Venice (orphaned or deserted boys became apprentices to merchants and tradesmen). When he was ordained as a priest in 1703, Vivaldi was named violin-master at the Pietà, where he provided music lessons and compositions for a select group of talented young instrumentalists and singers, in hopes of improving their future chances of gaining a husband. For years, his charges performed (usually behind a screen for purposes of modesty) at the popular series of Sunday concerts. Though the composer undoubtedly served as soloist in his violin concertos, the more talented students were showcased in his various concertos for flute, oboe, bassoon, mandolin, recorder, trumpet, viola d'amore, cello, etc. Though the violin was his instrument of choice, it's clear that the composer was attracted to the wide range and singing tone of the cello, at that time barely emerging from its subordinate role as a supportive continuo voice. His fondness for the cello is evidenced by the 27 solo concertos and 10 sonatas written for it. (Note: The RV numbering refers to the Ryon-Verzeichnis, the Vivaldi catalog published by Peter Ryom in 1974. Ryom organized the works by genre, not by year of composition.)

Overture from Bajazet, RV 703This three-movement sinfonia opens the opera Bajazet (also known as Il Tamerlano), assembled by Vivaldi in 1735. We can't say he composed the opera, since many of the arias, particularly those sung by the villains Tamerlano, Irene and Andronico, were penned by at least four other composers—a common practice then, known as pasticcio. The gruesome story, also the subject of some 50 operas as well as the influential Elizabethan play by Christopher Marlowe, tells of the fierce battles in the late 14th century between the Tartar tyrant Tamerlano and the Ottoman sultan Bajazet, whose armies fought furiously (Notice the military touch provided by the horns).

Cello Concerto in C, RV 400Cello Concerto in D minor, RV 405Whoever was the original soloist in these two solo concertos must have certainly known their way around the instrument, since Vivaldi calls for virtuosic playing in the vivid, vivacious outer movements and soulful singing in the central largos. Notice how the composer makes use of the full range of the cello, often sending the soloist scampering way up the neck, particularly in the opening allegro. Observe, as well, those brief, unexpected (intentionally witty?) pauses in the D-minor’s outer movements.

Concerto for Two Cellos, RV 531This is Vivaldi’s only (surviving) double-cello concerto, and, like those for pairs of violins, mandolins, trumpets, etc., the composer calls on the soloists to engage in

spirited dialogue right from the get-go. The two cellos toss off plenty of echo-like phrases that cascade off of each other (something of a Vivaldi trademark!). All that energetic ping-ponging is as fun to watch as it is to hear, though the composer wisely expands the soloists’ ongoing dialogue with question-and-answer ideas and close-harmony passages—the latter heard most effectively in the largo.

Luigi Boccherini (1743-1805)A native of Lucca, west of Florence, the Italian cellist and composer Luigi Boccherini was born into a richly talented family of musicians, poets and dancers. His father, a double-bass player, gave the boy lessons on the more conveniently sized cello, and by age 13 Luigi was a respected concert artist. A year later, father and son joined the orchestra of Vienna’s court theater. It didn't take long for the young cellist to begin touring the continent, mostly with violinist Filippo Manfredi, finding particular success in Paris. In 1768, the pair settled in Spain, where Boccherini’s reputation as a composer grew. His compositional life in Madrid centered around the court of the Infante Don Luis, kid brother of King Carlos III. Not all was joy and success, however. He was deeply shaken by the deaths in 1785 of his wife and Don Luis. More tragedy would haunt him in 1803 with the passing of two daughters and, in the following year, by the death of another daughter and his second wife. Professionally, his reputation throughout Europe never flagged. He was named court composer in absentia to Friedrich Wilhelm, an amateur cellist who became Prussian king in 1787. While he received numerous commissions from Portuguese and French patrons, Boccherini remained rooted in Spain, where he lived out his life. Details of his compositional history are difficult to nail down, thanks to the liberal re-numbering of his French publisher Pleyel, but it’s obvious that his output, totaling more than 460 works, emphasizes the cello—including dozens of sonatas, a dozen concertos and, significantly, around 140 string quintets (string quartets with a second cello rather than the more typical second viola). Boccherini is credited with inventing the cello quintet, born after he began teaming up with Don Luis’ resident string quartet. Though composers such as Mozart, Beethoven, Dvorák and Brahms would prefer the added viola in their quintets, Franz Schubert utilized Boccherini's two-cello format in the Austrian's glorious C Major Quintet. (As with the Vivaldi catalog, Boccherini’s output has been ordered by genre in the authoritative 1969 publication by musicologist Yves Gérard.)

Cello Sonata in C, G.17Every now and then, another Boccherini cello sonata surfaces—but the number seems to be holding at around 40. Unlike other cello sonatas (by Bach Beethoven, Brahms and many others), Boccherini did not designate the keyboard as accompanying instrument. Instead, his scores are written for "Violoncello e Basso," the latter reference indicating a second cello. Most likely, these were intended for the composer and his father (a double-bassist who was familiar enough with the cello). Though Boccherini did not include a figured bass in his scores,

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Gustav Holst’s

The PlanetsUniversity Choir, University Singers and University Symphony Orchestra

Tuesday, April 29, 7:30 p.m.Macky Auditorium

Holst’s beloved Romantic suite explores the myth and magic of the Solar System and the gods of Rome. The program will be accompanied by awe-inspiring, multi-media NASA imagery of Mercury, Venus, Mars, Jupiter, Saturn, Uranus and Neptune.

Global performance. World-class entertainment. Global performance. World-class entertainment. You have to be here.

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which would imply a chordal accompaniment, some performances of these sonatas nonetheless feature an added keyboard or guitar. This C Major Sonata offers a nice introduction to the composer’s accessible, sometimes energetic approach to composition, while providing evidence of his prowess on the cello. Particularly attention-grabbing is the brilliant, perpetual-motion final movement.

Cello Concerto in E-flat, G. 474This work, one of 12 youthful cello concertos, shows up as No. 1 in Gérard’s catalog, but is often labeled as No. 5, demonstrating the challenge of accurately numbering Boccherini's huge output. The composer had apparently compiled a partial catalog of his music, but that document was destroyed during the Spanish Civil War. In any case, the dozen concertos offer more proof of Boccherini's performing skills, as the outer movements provide plenty of virtuosic passagework, while the lovely central Largo assai calls for a rich, singing tone, and the concluding Rondo allegro offers opportunities for jaunty bouncing rround the fingerboard, not to mention an extended, show-offy cadenza.

Quintet in C, “La musica notturna nelle strade di Madrid,” G. 324“This piece is absolutely useless, even ridiculous, outside Spain.” Was this a comment from some disgusted music critic? Hardly. This was from Boccherini’s attached note to his publisher. Truth is, he was correct—that is, unless the

listener is informed about the work’s comings and goings. This quintet was likely written to cheer up the composer’s patron, Don Luis, who’d been banished from Madrid after marrying beneath his station. In this delightful programmatic piece, describing “night music in the streets of Madrid,” the sights and sounds of that far-away city are nostalgically recalled with numerous clever effects. It opens with Madrid’s church bells ringing the Ave Maria, followed by a military drum roll. Next, we hear a minuet representing the scandal reports from the street’s blind beggars, as they play their guitars (cellos are instructed to be placed on the knees and strummed!). Then, the Rosary Prayer, a charming duet for violin and cello, punctuated now and then by a pair of plucked notes. The following Passa Calle (meaning “to pass along the streets,” not to be confused with the Baroque passacaglia) captures the energetic music of lower-class street singers known as Monolos, heard in a Spanish-flavored tune of three chords in pizzicato that accompany the viola’s spirited song. Finally, another military drum roll leads to the ritirata, the marching retreat of Madrid’s Military Night Watch. In Boccherini’s note to his publisher, he imagines the listener “sitting next to the window on a summer’s night in a Madrid flat and that the band can be heard in the far-off distance.” As the musicians approach, the volume increases, then fades away as the contingent continues its nightly rounds. —Marc Shulgold

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Founded in 1997 by Baroque scholar and harpsichordist Andrea Marcon, the Venice Baroque Orchestra is recognized as one of the premier ensembles devoted to period instrument performance. The Orchestra has received wide critical acclaim for its concert and opera performances throughout North America, Europe, South America, Japan and Korea.

Highlights of the current season have included a nine-city United States tour of the orchestra’s Baroque concertos program featuring internal soloists; the seasonal opening concert of Rome’s Auditorium Parco della Musica chamber hall, and performances across Europe with countertenor Philippe Jaroussky, violinist Giuliano Carmignola, mezzo-soprano Romina Basso and cellist Gautier Capuçon.

Highlights of the 2011/12 season included Vivaldi’s Stabat Mater and Gloria at the Bruge Concertgebouw; concerts in Lisbon and France with soprano Patricia Petibon; performances of their pasticcio of Metastasio’s L’Olimpiade in London, Dijon, Brussels, Paris, Athens and Siena; performances with Mr. Carmignola at the Enescu Festival, and the Gstaad and Dubrovnik festivals; in Italy and Russia with Ms. Basso, with recorder player Anna Fusek in the Czech Republic, and with Simone Kermes in Poland, as well as performances of Baroque multi-instrument concertos throughout Europe.

The 2010/11 season featured a 28-city tour of the United States with violinist Robert McDuffie in premiere performances of Philip Glass’s new violin concerto, The American Four Seasons; a tour of Japan and Korea with Mr. Carmignola; concerts in Austria and France with soprano Patricia Petibon; Vivaldi’s La senna festeggiante at Amsterdam’s Concertgebouw; Baroque cello concertos with Mr. Capuçon in Germany; Pergolesi’s Stabat Mater at Théâtre des Champs Elysées with soprano Veronica Cangemi and contralto Sara Mingardo; a U. S. tour with Mr. Carmignola and violinist Giulio Plotino; Vivaldi arias with Ms. Basso in Amsterdam’s Concertgebouw, Monteverdi’s Vespers in Leipzig, and a tour of festivals in Austria, Germany and Switzerland featuring mezzo-soprano Magdalena Kožená.

Committed to the rediscovery of 17th- and 18th-century masterpieces, the VBO has given the modern-day premieres of Francesco Cavalli’s L’Orione, Vivaldi’s Atenaide, Andromeda liberata, Benedetto Marcello’s La morte d’Adone and Il trionfo della poesia e della musica, and Boccherini’s La Clementina. With Teatro La Fenice in Venice, the orchestra has staged Cimarosa’s L’Olimpiade, Handel’s Siroe, and Galuppi’s L’Olimpiade, and reprised Siroe at the Brooklyn Academy of Music in New York in its first full staging in the United States.

The orchestra’s recent disc for Naïve, a pasticcio of Metastasio’s L’Olimpiade featuring the recording premieres of many 18th-century opera arias, was released in 2012 and awarded Choc du Monde de la Musique. The VBO has an extensive discography with Sony and Deutsche Grammophon. Their world premiere recording of Andromeda liberata for DG was followed by recordings of violin concertos with Mr. Carmignola; Vivaldi sinfonias and concertos for strings; Vivaldi motets and arias with soprano Simone Kermes, two discs with Ms. Kožená—Handel arias and Vivaldi arias; Vivaldi violin concertos with Viktoria Mullova and Mr. Carmignola, and Italian arias with Ms. Petibon. The orchestra’s earlier discography on Sony with Mr. Carmignola includes The Four Seasons, previously unrecorded Vivaldi concertos, and a collection of Bach arias featuring Angelika Kirchschlager. The orchestra has been honored with the Diapason d’Or, Choc du Monde de la Musique, Echo Award and the Edison Award.

In addition to frequent radio broadcast of their concerts, the orchestra has been seen worldwide through several television specials, including films by the BBC, ARTE, NTR (Netherlands), and NHK. They have been the subject of three recent video recordings, in Romania, Croatia and Lisbon. Their performances will also be featured on Swiss TV in an upcoming documentary on Vivaldi.

The Venice Baroque Orchestra is supported by Fondazione Cassamarca in Treviso.

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The Tempest The Merry Wives of Windsor I Hate Hamlet Henry IV: Part 1 Henry IV: Part 2 2014 SEASON

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January 14: MUSIC FROM MY HEART: A collection of favorites: Join fl utist Christina Jennings for an evening of beautiful and powerful music by Phillipe Gaubert, George Rochberg, Jake Heggie, and Toru Takemitsu. CU piano faculty Margaret McDonald and Colorado Symphony’s principal fl utist, Brook Ferguson will also perform.

January 21: AROUND-THE-WORLD TOUR WITH THE STRING FACULTY: For the fi rst time ever, the string faculty comes together for an evening of chamber music. Journey with Lina Bahn, Charles Wetherbee, Erika Eckert, Judith Glyde, Paul Erhard, Nicolò Spera, and Janet Harriman through a wonderful program of works by Luigi BoccherinI, Fandango for guitar and strings; Carl Ditters von Dittersdorf, Quintet for strings; Carter Pann, “She Steals Me” for two violins and bass, François de Foss, for guitar, violin and cello; and Arnold Bax, Fantasy Sonata for Viola and Harp.

January 28: MUSIC OF TIME AND SPACE: David Korevaar pairs Schubert’s great A Major Sonata, D. 959, with Fauré’s Theme and Variations and Nocturnes 6 and 7 as well as Barcarolle’s 5 and 8. February 4: HOT OFF THE PRESS! Faculty composer Daniel Kellogg will present two world premieres and a performance by the Colorado New Music Ensemble. The premieres will feature a violin duet performed by Charles Wetherbee and Lina Bahn, and a trio of Christina Jennings, fl ute, Matthew Dane, viola, and Hsing-ay Hsu, piano. The concert will conclude with Divinum Mysterium, a 35-minute work.

February 18: Andrew Cooperstock, piano “AROUND THE WORLD IN 90 MINUTES”Professor of Piano Andrew Cooperstock welcomes friends Judith Glyde, Thomas Riis, Patrick Mason, Jacob Beeman, and William Terwilliger for a musical trip around the world, featuring works by Bright Sheng (China), Kwabena Nketia (Ghana), John Williams (US), Sergei Rachmaninoff (Russia), and more. Please join us for a fantastical voyage!

February 25: Erika Eckert, viola and Friends: FAMILY: A MUSICAL PORTRAIT. Through music, texts and memorial Dedications, Composers Hillary Tann, Arvo Pärt, Dan Welcher, Peter Seabourne, and Paul Coletti and Poets Menna Elfyn, R. S. Thomas, Clemens Wenzelslaus, Brentano De La Roche, and Annie Dillard Share their feelings on children, parents, and loved ones lost. Join Erika Eckert, Margaret McDonald, Jennifer Bird-Arvidsson, Abigail Nims, Patrick Mason, Judith Glyde, and Charles Wetherbee for this wonderful musical portrait in honor of family.

March 4: HINDEMITH AND FAURÉ: Geraldine Walther, viola, and David Korevaar will present two very different Hindemith Sonatas followed by Lina Bahn, violin, Britt Swenson, violin, and Judith Glyde, cello, in the premiere of Gabriel Fauré’s Second Piano Quintet using Carlo Caballero’s new edition. March 11: GYPSY JAZZ MARIMBA MAMBO: Doug Walter, marimba and vibraphone joined by Jacob Herold, saxophone, Jeff Jenkins, piano, Carl Dixon, hand drums;, and Steve Mullins, guitar & mandolin will perform a mix of virtuoso jazz, fl amenco on fi re, serious Gospel, Latin jam and slippery little devils.

March 18: LIGHT AND SHADOWS: Exploring the emotional heights and depths of German Romantic Lieder from Schubert to Berg: Jennifer Bird-Arvidsson, soprano, David Korevaar, piano joined by Abigail Nims, mezzo-soprano.

2013-2014

Faculty Tuesdays recitals are held at 7:30 p.m. in Grusin Music Hall in the Imig Music Building. All performances are free and open to the public.


Pub House

| 303-492-8008 | 23

The Violin and the Voice: In Concert with Edward Dusinberre

Ars Nova Singers welcomes the first violinist of the Takacs Quartet in a special one-night-only collaboration at Macky Auditorium. Join us for this rare opportunity to hear one of the great

violinists of our time, performing with Ars Nova Singers in contemporary works by Knut Nystedt, Rudi Tas, and Reed Criddle, as well as Edward’s first Boulder performance

of the famous Chaconne (from Partita No. 2 in D minor) by Johann Sebastian Bach.

Saturday, February 8, 2014, 7:30pmMacky Auditorium, Boulder

Tickets: $35 / $25 / $15, available at macky.colorado.edu

_www.arsnovasingers.com

Ars Nova Singers 28th Season _ Connections ^ 2013-2014

ARTIST SERIES

The Artist Series presents performances of fi ne music and performing arts to which the community would otherwise not have access. The highest quality emerging and internationally recognized artists provide world-class performances and residency activities that enhance the learning environment at the University of Colorado Boulder and the cultural life of the community. The Artist Series includes a variety of presentations from many cultures and traditions.

Mission Statement

Colorado Public RadioDaily CameraMark H. Carson and Associates, P.C.Emerson Process/MicroMotionHotel BoulderadoHurdle’s JewelryFriends of the Artist SeriesJames and Associates, LLCKUNCKUVORoser Visiting Artist FundWestern States Arts Federation

Boulder WeeklyWoodsongsFlowers in BloomLiquor MartSage and Savory

Janet E. Ackermann and Scott R. Wiesner Charitable FundPaul Bechtner FoundationCarson-Pfaffl in Family FoundationA. G. Edwards & Sons, Inc.National Endowment for the ArtsNewton Family FundWestern States Arts Federation Tour WestPolk Family Charitable FundGeorge F. Reynolds EndowmentScripps Company

Gregory Silvus and Melanie Miller

AnonymousDick and Diane DunnDaryl and Kay JamesMary LamyLouise Pearson and Grant Couch

Mark and Margaret CarsonChris and Barbara ChristoffersenOlivia EdwardsKahleen and Tony FlippoSuzanne and David HooverRobert and Sandra McCalmonCorp sponsorship?????

Scott Wiesner and Janet AckermannJoan McLean BraunMichael and Carol GallucciDoree and Jerry HickmanSusan and Jon LounsburyHeidi and Jerry LynchJerry and Jamie OrtenMikhy and Michael RitterAlicia and Juan RodriguezDaniel and Boyce SherTheodore and Ruth SmithLawrence and Ann Brennan Thomas

A FriendGil and Nancy BermanEllen and Dean BoalNorma Ekstrand and Tom CampbellCharles and Martha EverillJudy GouldMyra JacksonKathryn Keller and William Wedum Gregory and Gladeane LefferdinkHarold and Joan LeinbachJeff and Janet MartinJudy and Alan MegibowSally Powell-Ashby amd John AshbyElizabeth RauchLuana and Paul RubinDouglas TaylorCenter Copy Boulder, Inc.

MEMBER

David BeausangGeraldine BooneChris and Margot BrauchliOtto and Ruth BuhlerShirley CarnahanPauline and Noel ClarkPaul CohenSandra and Lawrence CohnTerry and Colleen ConantSylvia and Burt DarmourDouglas and Rita DartKenneth and Sally DellGermaine EagletonFran EvansLeslie and Merrill GlustromJo and David HillLarry and Barbara JonesIsabel LeeJulia LeeJudah and Alice LevineKay and Paul McCormickRobert and Marilyn PeltzerKim and Richard PlumridgeRandall Kenneth RutschMary and Andrew SkumanichCourtland and Carolyn SpicerZoe StiversEllen and Adam TschidaVince and Caroline Wayland

CONTRIBUTORBENEFACTOR

SPONSOR

PATRON

SUPPORTER

PARTNER IN THE ARTS

FOUNDATIONS AND MATCHING GIFTS

FRIENDS OF THE ARTIST SERIES


CONCERT SPONSORS

Gil BermanRodolfo J. BetancourtEllen T. BoalJoan McLean BraunJohn S. DavisDiane DunnMichael A. GallucciLissy GarrsonLaima G. HaleyDaryl K. James, PresidentMaryan K. JarossRuth C. KahnKathryn S. KellerJerry C. M. OrtenLouise PearsonGregory L. SilvusEllen TaxmanNicholas J. Vocatura

DONORS

ARTIST SERIES ADVISORY BOARD

Make all gifts payable to the University of Colorado

Foundation and mail to

ARTIST SERIES, CU College of Music, 301 UCB, Boulder, CO

80309-0301.For credit card payments,

questions or additional information, please call the

College of Music Development offi ce at 303-735-6070.

Roser VisitingArtist Fund

Mark H. Carson

Thank you to the City and County of Broomfi eld and the 1st Bank Center

for providing advertising space on their LED sign on US 36.

Pub House

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FOR YOURPRINTING NEEDS

The Publishing House has more than 40 years experience in the printing business. That’s right – PRINTING! Besides producing magazines and programs as Colorado’s Performing Arts Publications, we also deliver high-quality print jobs.

• Brochures • Flyers/Posters• Marketing Materials • Souvenir Books• Postcards • Annual Reports• Newsletters • And more

Please contact Art Director Annette Allen at 303.428.9529, Ext. 204, or email [email protected]

TAKÁCS SOCIETY

The Takács Society is formed by the College of Music and provides the resources critical to supporting the work of the Takács Quartet—to advance their teaching endeavors, provide scholarships that are essential to attracting and retaining exceptionally gifted young artists, and sponsor guest artists in the Takács performance series.

Albert and Nancy BoggessChris and Barbara ChristoffersenNorma JohnsonGary and Judith JuddThe Takács Quartet

Janet and David RobertsonMarion Thurnauer and Alexander Trifunac

Thomas and Carol CechCatharine Hawkins FoundationCarol Lena KovnerWilmington Trust

Anne Heinz and Ran YaronPatricia and William JohnsonRobert KehoeWalter and Eileen KintschRay and Margot LaPanseNewton Family Fund, Inc.Virginia NewtonNeil and Martha PalmerMikhy and Michael RitterJohn and Carson TaylorLawrence and Ann Brennan Thomas

Make all gifts payable to the University of Colorado Foundation and mail to

TAKÁCS SOCIETY, CU College of Music, 301 UCB, Boulder, CO 80309-0301For credit card payments, questions or additional information,please call the

College of Music Development Offi ce at 303-735-6070.

ENDOWMENT GIFTS

BENEFACTOR

SPONSOR

PATRON

Stanley and Virginia BoucherWilliam and Alice BradleyChristopher and Margot BrauchliPamela and Barry GatzHarold and Joan LeinbachPaul and Nancy LevittPatricia and Robert LisenskyAnnyce MayerLise MennPatricia ThompsonAlice Dodge Wallace

CONTRIBUTOR

SUPPORTER

MEMBER

Lois AbbottNeil and Marcia Geissinger AshbyMaria and Jesse AweidaHarold and Ingrid BecherMarda BuchholzKevin and Diana BunnellPatricia ButlerShirley CarnahanPenny CheneryNoel and Pauline ClarkRichard Collins and Judith ReidHelen CorbettCharlotte CorbridgeClara DeserBarbara and Carl DiehlCarolyn and Don EtterJean and Bob FischerLloyd and Mary GelamanSteve Goldhaver and Mariana VertensteinDianne and Kenneth HacettRichard and Catharine HarrisRussell and Ann HayesBruce and Kyongguen JohnsonMireille KeyAlice and Judah LevineAlbert and Virginia LundellHeidi and Jerry LynchCaroline MaldeJohn and Nancy MalvilleJ. Richard and Marjorie McIntoshJosef and Sara MichlSandra Moriarty Sue and James PalmerFaith and Roy PtersonAntonia and Timothy Piwonka-CorleArthur and Ina RifkinJoanna and Mark RosenblumRuth Shanberge In Memory of Karen McMurrayMary and Andrew SkumanichTodd and Gretchen SlikerGretje SloanJan and Charles SquierShirley and Mark SteeleBerkley TagueBetty Lou ThackerPatricia ThompsonArthur and Laurie TraversMary and Peter Van EttenBetty Van ZandtChristopher and Leanne WaltherRita and Lawrence WeissJim and Nurit WolfBill Woo


GRUSIN MUSIC HALL CHAIR PURCHASES

If you would like to name a seat in Grusin Music Hall, please call

the College of Music Development Offi ce at

303-735-6070.

Takács Scholarship in Memory of Fay ShwayderDuncan CampbellHarry CampbellMargaret and Edward CampbellNorma JohnsonJudith and Gary JuddJonathan Zeschin, Essential Advisors

Chair named In Memory of Joyce Gellhorn Anonymous Linda Boley Alice and William Bradley Ted Engelmann Arthur and Madeline Estin Janice Harvey Jennifer Kamper Jane and Roger Larson Alice Levine Ruby Marr Judi Oser Julie Phillips Barbara Roach Margie Warsavage

Jane Byers Charles (Chuck) ByersFrances DahlbergMadeline Day Madeline Mahr Day Patsy Lynch WoodL. E. Gatterer Larry Gatterer Charlene GattererLloyd and Mary GelmanDoree Hickman Doree Hickman Jerry HickmanGeorge Lichter George Lichter FamilyAlice and Judah Levine In Memory of Joyce GellhornMaxine Mark In Memory of Thomas R. MarkMaxine MarkKris McCusker In Memory of Phyllis Sweetland McCuskerLise MennValorie Mooney Valorie Mooney William MooneyMutsumi Moteki In Memory of Hugh and Juanita KirtleyRebecca Roser In Memory of Pearl and Mel Pedgrift In Honor of Professor David KorevaarEdith Stevens In Memory of Richard C. McLeanTheory Department In Honor of Dean Daniel SherTravis Vardell Kenneth A. Vardell

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The Center Stage Club offers performing arts enthusiasts the chance to get ahead

of the upcoming performances.

From CU Presents to the latest Broadway shows, Center Stage Club provides advance digital copies of magazines distributed at performing arts events.

www.centerstageclub.com

FOLLOW THE REGION’S PERFORMING ARTS BEFORE, DURING AND AFTER

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www.coloradoartspubs.comTo learn about advertising in our arts publications,

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FRIENDS OF CU OPERAThe CU Opera Program is recognized nationwide as one of the fi nest programs of its kind in the country. Its success is a refl ection of outstanding faculty, exceptionally gifted students, professional production standards, and, ultimately, the successful placement of students after graduation in the professional world. You are invited to be a part of the tradition of excellence that has come to characterize CU Opera. Your support is pivotal to maintaining the stature of this seminal program. To explore the role you can take in supporting CU Opera, please contact our development offi ce at 303-735-6070.

Corporate and Foundation SupportAcademy Retirement CommunityAetna Foundation, Inc.Blackhawk TrustBoulder Valley Rotary ClubColorado Academy of Lifelong LearningDenver Lyric Opera GuildFrasca Food & WineJAS VenturesPolk Family Charitable FundLouis and Harold Price FoundationThe Schramm Foundation The following have permanentendowments established in recognition of CU Opera, its donors and its students.

Nancy and Ted Anderson Music AwardsDaryl and Lauren Boyle Music Theater ScholarshipDaryl and Lauren Boyle Voice ScholarshipDeWitt and Billie Marie Brennan Memorial Music ScholarshipBerton Coffi n Graduate Scholarship in VoiceBerton Coffi n Fellowship FundViola Vestal Coulter Foundation Voice Scholarship in Honor of Harold A. NorblomWilma and Perry Louis Cunningham Scholarship in VoiceBarbara M. Doscher ScholarshipWallace F. Fiske Performance AwardsAnn and Gordon Getty FoundationDennis Jackson Opera ScholarshipDale R. Johnson Opera ScholarshipLacy CU Opera EndowmentEd and Kay McDowell Opera EndowmentClaudia Boettcher Merthan Vocal ScholarshipTrudi Mielziner Graduate Opera ScholarshipCharlotte Orr Reid Memorial Vocal ScholarshipGregory Philip Ranno Excellence in Music ScholarshipAnthony and Dorothy Riddle Lyric Theater Performance PrizeWilliam Earl Rose, Sr. Scholarship FundGalen & Ada Belle Files Spencer FoundationBeth and Bill Suitts CU Opera EndowmentHoward B. Waltz Music ScholarshipPaula Marie and H. Rolan Zick Endowment

Bob GrahamLouis and Harold Price FoundationAnn Oglesby and Denny BrownGalen & Ada Belle Spencer FoundationAcademy Retirement CommunityThe Schramm Foundation

Denver Lyric Opera Guild

Eleanor CaulkinsChris and Barbara ChristoffersenBetsy and Albert HandRobert and Mikee KapelkeDorothy RiddleChristopher and Kimberly RiddleRiddle Family Foundation

Mark and Margaret CarsonWlalter and Mary-Ruth DuncanJames and Sally KneserTheodore and Ruth SmithLawrence and Ann Brennan ThomasElizabeth and George Ulbrick

A FriendJason and Elizabeth BaldwinColorado Academy of Lifelong LearningJeanine Forman-HamLloyd and Mary GelmanCurtis and Mary HillMyra JacksonHarold and Joan LeinbachRobert and Patricia MeyersDavid and Ann PhillipsDaniel and Boyce Sher

Judith Auer and George LawrenceJames and Judith BowersAllene CashWallace and Beryl ClarkStephen DiltsJ. Michael DorseyEllen and John GilleSteve Goldhaber and Mariana VertensteinJudy GouldJanet HanleyBarbara and John HillPam Jones and Mark BianchiSusan and Albin KolwiczMarion and Frank KreithC. Nicholas and Mollie Lee In Memory of Waye B. DanielsPatricia and Robert LisenskyHeidi and Jerry LynchBruce and Jeanette MackenzieJanet and Scott Martin In Memory of Karen McMurry

CORPORATE, FOUNDATIONS, AND ENDOWMENT SUPPORT

BENEFACTOR

SPONSOR

PATRON

SUPPORTER

CONTRIBUTOR

MEMBER

Marian MathesonByron and Catharine McCalmonDenise McCleary and Paul Von BehrenMargaret OakesRobert and Marilyn PeltzerDennis PetersonGail Promboin and Robert BurnhamAlicia and Juan RodriguezElaine SchnabelAndrew and Mary SkumanichJoyce Thurmer In Memory of Karen McMurryRichard and Caroline Van Pelt

VOCAL ADVISORY BOARD

Lawrence H. AndersonStephen BrunsNicholas R. CarthyMartha Coffi n Evans, chairLissy GarrisonLeigh K. HolmanGlenny LeGendreKathleen M. NessAnn OglesbyShirley J. RiggsStephanie RudyJulie Ann SilverReed F. Williams


FRIENDS OF CU OPERAThe CU Opera Program is recognized nationwide as one of the fi nest programs of its kind in the country. Its success is a refl ection of outstanding faculty, exceptionally gifted students, professional production standards, and, ultimately, the successful placement of students after graduation in the professional world. You are invited to be a part of the tradition of excellence that has come to characterize CU Opera. Your support is pivotal to maintaining the stature of this seminal program. To explore the role you can take in supporting CU Opera, please contact our development offi ce at 303-735-6070.

Corporate and Foundation SupportAcademy Retirement CommunityAetna Foundation, Inc.Blackhawk TrustBoulder Valley Rotary ClubColorado Academy of Lifelong LearningDenver Lyric Opera GuildFrasca Food & WineJAS VenturesPolk Family Charitable FundLouis and Harold Price FoundationThe Schramm Foundation The following have permanentendowments established in recognition of CU Opera, its donors and its students.

Nancy and Ted Anderson Music AwardsDaryl and Lauren Boyle Music Theater ScholarshipDaryl and Lauren Boyle Voice ScholarshipDeWitt and Billie Marie Brennan Memorial Music ScholarshipBerton Coffi n Graduate Scholarship in VoiceBerton Coffi n Fellowship FundViola Vestal Coulter Foundation Voice Scholarship in Honor of Harold A. NorblomWilma and Perry Louis Cunningham Scholarship in VoiceBarbara M. Doscher ScholarshipWallace F. Fiske Performance AwardsAnn and Gordon Getty FoundationDennis Jackson Opera ScholarshipDale R. Johnson Opera ScholarshipLacy CU Opera EndowmentEd and Kay McDowell Opera EndowmentClaudia Boettcher Merthan Vocal ScholarshipTrudi Mielziner Graduate Opera ScholarshipCharlotte Orr Reid Memorial Vocal ScholarshipGregory Philip Ranno Excellence in Music ScholarshipAnthony and Dorothy Riddle Lyric Theater Performance PrizeWilliam Earl Rose, Sr. Scholarship FundGalen & Ada Belle Files Spencer FoundationBeth and Bill Suitts CU Opera EndowmentHoward B. Waltz Music ScholarshipPaula Marie and H. Rolan Zick Endowment

Bob GrahamLouis and Harold Price FoundationAnn Oglesby and Denny BrownGalen & Ada Belle Spencer FoundationAcademy Retirement CommunityThe Schramm Foundation

Denver Lyric Opera Guild

Eleanor CaulkinsChris and Barbara ChristoffersenBetsy and Albert HandRobert and Mikee KapelkeDorothy RiddleChristopher and Kimberly RiddleRiddle Family Foundation

Mark and Margaret CarsonWlalter and Mary-Ruth DuncanJames and Sally KneserTheodore and Ruth SmithLawrence and Ann Brennan ThomasElizabeth and George Ulbrick

A FriendJason and Elizabeth BaldwinColorado Academy of Lifelong LearningJeanine Forman-HamLloyd and Mary GelmanCurtis and Mary HillMyra JacksonHarold and Joan LeinbachRobert and Patricia MeyersDavid and Ann PhillipsDaniel and Boyce Sher

Judith Auer and George LawrenceJames and Judith BowersAllene CashWallace and Beryl ClarkStephen DiltsJ. Michael DorseyEllen and John GilleSteve Goldhaber and Mariana VertensteinJudy GouldJanet HanleyBarbara and John HillPam Jones and Mark BianchiSusan and Albin KolwiczMarion and Frank KreithC. Nicholas and Mollie Lee In Memory of Waye B. DanielsPatricia and Robert LisenskyHeidi and Jerry LynchBruce and Jeanette MackenzieJanet and Scott Martin In Memory of Karen McMurry

CORPORATE, FOUNDATIONS, AND ENDOWMENT SUPPORT

BENEFACTOR

SPONSOR

PATRON

SUPPORTER

CONTRIBUTOR

MEMBER

Marian MathesonByron and Catharine McCalmonDenise McCleary and Paul Von BehrenMargaret OakesRobert and Marilyn PeltzerDennis PetersonGail Promboin and Robert BurnhamAlicia and Juan RodriguezElaine SchnabelAndrew and Mary SkumanichJoyce Thurmer In Memory of Karen McMurryRichard and Caroline Van Pelt

VOCAL ADVISORY BOARD

Lawrence H. AndersonStephen BrunsNicholas R. CarthyMartha Coffi n Evans, chairLissy GarrisonLeigh K. HolmanGlenny LeGendreKathleen M. NessAnn OglesbyShirley J. RiggsStephanie RudyJulie Ann SilverReed F. Williams


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CU OPERA reat repertoire, lavish scenery, amazing voices, and outstanding value—these are the hallmarks of CU Opera. Director Leigh Holman and Music Director Nicholas Carthy bring you the best of classical and contemporary opera in three fascinating productions each season and in CU New Opera Workshop in the summer.

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Hansel and Gretel(sung in English)

by Engelbert Humperdinck

Humperdinck’s enchanting opera of the classic Grimm fairy tale follows two children into the forest, where they fi nd a gingerbread house . . . and its hungry witch.

March 14, 7:30 p.m.March 15, 7:30 p.m.March 16, 2 p.m.Macky Auditorium

Side by Side by Sondheim(sung in English)

by Stephen Sondheim

More than a revue of the incomparable Broadway composer’s work, Side by Side by Sondheim features his best-known tunes alongside narration exploring the context of each piece.

April 24, 7:30 p.m.April 25, 7:30 p.m.April 26, 7:30 p.m.April 27, 2 p.m.Music Theatre

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CU New Opera Workshop

CU NOW will present the world premiere of The Master, an opera by composer Alberto Caruso with a libretto by noted Irish author Colm Toibin from his acclaimed novel of the same name. The production will be directed by Ron Daniels, associate director of the Royal Shakespeare Theater in London and will feature students from the CU College of Music. CU New Opera Workshop is a three-week event, held every summer, giving advanced student singers the opportunity to work with professional composers, playwrights and directors in creating new works for the musical stage.

June 13, 7:30 p.m.June 14, 7:30 p.m.June 15, 2 p.m.ATLAS Black Box Theatre

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Global performance. World-class entertainment. Global performance. World-class entertainment. You have to be here.2 0 1 3 – 2 0 1 4 S e a s o n

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1/17 Chick Corea & Béla Fleck

2/13 Venice Baroque Orchestra

2/24 TAO - Phoenix Rising

3/19 Fahrenheit 451 by Aquila Theatre

4/5 Eddie Palmieri Salsa Orchestra

Plus CU Opera, Takács Quartet, and CU Symphony Orchestra

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Documents

CU Presents Magazine Artist Series Winter 2014, Feb. 13