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Critical Media Methods Seminar 5

Critical Media Methods

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Critical Media Methods. Seminar 5. Today ’ s Seminar. Review of the lecture Activity: Taking ‘ Good ’ Photos Task brief. Critical Media Methods. Review of the Lecture. Critical Media Methods. Review of Lecture. Visual methods are interested in sensorial, emotive and experiential data - PowerPoint PPT Presentation

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Page 1: Critical Media Methods

Critical Media Methods

Seminar 5

Page 2: Critical Media Methods

Today’s Seminar

•Review of the lecture

•Activity: Taking ‘Good’ Photos

•Task briefCri

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Page 3: Critical Media Methods

Review of the Lecture

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Page 4: Critical Media Methods

Review of Lecture• Visual methods are interested in

sensorial, emotive and experiential data

• Important. But very difficult to capture!

• ‘Visual’ is also aspect of mediated culture. Visual methods have good link with M&C.C

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Page 5: Critical Media Methods

Review of Lecture

• History of visual methods and shift from cultural object to research:

• Early C20th = photo-journalism

• Mid C20th = ethnography

• 1980s = method in own right

• Now = digital era

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Page 6: Critical Media Methods

Review of Lecture

• Photo-documentation, ‘shooting to a script’

• Photo-elicitation, photo + interview

• Photo-essay, researcher’s story

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Page 7: Critical Media Methods

Review of Lecture

•Questions?

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Page 8: Critical Media Methods

Activity 1: Taking Good

Photos

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Page 9: Critical Media Methods

Visual Methodshttps://vimeo.com/31203628

1Find someone who wants to share

2Hook – listen, find emotional point

3Clear narrative

4Lots of them!

5Simple.

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Page 10: Critical Media Methods

Visual MethodsIndividually go back to one of the photographs you discussed in the lecture.

•What makes this a ‘good’ photo? Is it technique or meaning?

•Does the photo have a story?Cri

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Page 11: Critical Media Methods

Visual MethodsText your chosen photos to each other.

Using one of your computers, create a story out of all of your images that shows the links between them (this can be a new story, think here about Prop, Todorov etc).

Present your new stories back to the class – what meanings does it have?C

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Page 12: Critical Media Methods

For Next Week

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Page 13: Critical Media Methods

Weekly Task

• Using either photo-documentation, photo-elicitation or photo-essay techniques, explore an area of your own lives where you consider yourselves, as a group, to be an active or devoted audience.

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Page 14: Critical Media Methods

Weekly Task• To do this, you will need to plan your

approach:

• Will you interview each other about your photos?

• Will you find already available photos, or produce some yourselves?

• Will you only use photographs, or will you add maps, drawings etc?

• How will you present your ideas?

• What technologies will you use – mobile phones, webcams, specialist cameras?C

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Page 15: Critical Media Methods

Weekly Task

• In your behind the scenes video, you will need to show the processes that went into conducting your visual methods, as well as the ideas and theories behind them. Justify your approach in relation to the idea of ‘active audience’.

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Page 16: Critical Media Methods

Weekly Task

• As you create your behind the scenes video of using this method, you also need to think/talk about:

• - the theory, concepts and ideas behind the method;- how you have applied the method;- what you found;- what you learnt/experienced.

• Use this week’s reading to help identify important points for discussion.

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Page 17: Critical Media Methods

Tutorial Times• You will be handed a piece of paper

with your tutorial time for next week.

•All tutorials will take place in ET130.

• Please make sure that you all arrive together as a group and on time.C

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Page 18: Critical Media Methods

•Questions?

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