13
Crime Scene Photography

Crime Scene Photography

  • Upload
    chul

  • View
    96

  • Download
    0

Embed Size (px)

DESCRIPTION

Crime Scene Photography. Crime Scene Photography. Testimonial evidence is faulty. Admissions of guilt are not iron clad. Jurors are influenced by what they can see and experience in the courtroom. - PowerPoint PPT Presentation

Citation preview

Page 1: Crime Scene Photography

Crime Scene Photography

Page 2: Crime Scene Photography

Crime Scene Photography Testimonial evidence is faulty. Admissions of guilt are not iron clad. Jurors are influenced by what they can

see and experience in the courtroom. Photographs of the crime scene and

evidence is a powerful tool in bringing the jury to the crime scene.

Page 3: Crime Scene Photography

Getting the Evidence into Court In order to be effective your evidence

must be admitted into court evidence. The following guidelines must be

followed. Do not disturb the scene Get a complete set of pictures Pay attention to camera angles Record all data

Page 4: Crime Scene Photography

Rule #1 Do NOT Disturb the Scene This is the cardinal rule of crime scene

photography Both later investigators and jurors need

to see the scene as it was when the police arrived

Leave scales and labels out of your first series of pictures

After the scene has been photographed in its original state, you shoot a second series of evidence pictures.

Page 5: Crime Scene Photography

Rule #2 Complete Set of Pictures You must move around the scene to see

everything - So must the camera Generally speaking, each important

object in the scene should appear in at least three pictures

The overview should cover the entire scene to bring out the relationships between the objects. The mid range shot shows and important object and its immediate surroundings. Finally, each close-up shows a key detail clearly.

Page 6: Crime Scene Photography

Rule #3 Pay Attention to Angles Relationships of size and distance may be

distorted by the wrong viewpoint Shoot most pictures with the camera at eye

level. This is the height from which people normally see things and that makes it easier to judge perspective.

Ask yourself questions such as: Does this picture reveal the true position of the

witness to the crime? Does the picture distort what I am shooting? Am I shooting from the perspective of an

observer.

Page 7: Crime Scene Photography

Rule #4 Record all Data Make a sketch of where each picture

was shot Write the details of each shot

Location, date, time, photographer, camera settings

Some court systems put more emphasis on print film

Label all pictures and negatives.

Page 8: Crime Scene Photography

Taking the Pictures A crime scene photographer has

command of the art of photography. All pictures must be

Sharp Focused Properly exposed Framed properly Have proper lighting

Page 9: Crime Scene Photography

Lighting- The Critical Element Lighting is critical in photography The direction from which the light

comes determines where shadows fall Sometimes these shadows completely

obscure details in the picture On the other hand, shadows may reveal

details which would otherwise be invisible

Let’s look at 3 types of natural light; back, side, and front lighting

Page 10: Crime Scene Photography

Back Lighting The light source is behind the object A light directly behind the subject

creates a silhouette Furthermore, any light shining directly

into the lens can cause a “flare” and/or a “halo” effect.

This has little value in crime scene photography

Page 11: Crime Scene Photography

Side Lighting Side lighting puts shadows on the unlit

side of the subject This may be very good or very bad,

depending on the situation These shadows are often essential to

bring out the fine texture that is found in a cloth sample, a footprint or a tool mark

On the other hand, when you shoot into a subject, the shadows obscure important interior details

Page 12: Crime Scene Photography

Front Lighting The light source is behind you and the

object being photographed This is essentially shadow less. It,

therefore, gives the best representation of most crime scenes

When you do not have a specific need for shadows in a scene, you will normally be wise to light it from the front

Page 13: Crime Scene Photography

Not Enough Light? Exposure times can be altered to

brighten photographs Longer exposure times required a

tripod and no movement of the camera Alternate light sources

Ultraviolet Infrared fluorescent