4
1 | Page Creating Texture with Metal Embossing Grade: 3rd Medium: Metal Learning Objective: Students will observe and create visual and tactile texture to make an interesting composition. They will learn and use art vocabulary. They will use art tools responsibly. They will use good craftsmanship. Author: Laurelle Graves Elements of Art Line: the flat path of a dot through space used by artists to control the viewer’s eye movement; a long narrow mark or stroke made on or in a surface. Texture: actual texture is how something feels when touched; visual texture (also called simulated texture) is how something appears to feel. Principles of Design Pattern: repetition of elements in an organized way. This creates unity. Unity: the connection of parts so as to create a sense of completeness. Materials & Supplies Colored pencils (blunt tips, not sharp) Graphite pencils Oil pastels Black construction paper cut into 9” squares 36 or 38 Gauge Aluminum Foil cut into 6” squares Tacky Glue Sheets of fun foam Steel wool (optional) Sharpies (optional)

Creating Texture with Metal Embossing - isfdn.orgisfdn.org/core/files/isfdn/uploads/files/Metal EmbossingConference_final.pdf · will use good craftsmanship. Author : ... Re8.1.3)

  • Upload
    others

  • View
    5

  • Download
    0

Embed Size (px)

Citation preview

Page 1: Creating Texture with Metal Embossing - isfdn.orgisfdn.org/core/files/isfdn/uploads/files/Metal EmbossingConference_final.pdf · will use good craftsmanship. Author : ... Re8.1.3)

1 | P a g e

CreatingTexturewithMetalEmbossing

Grade:3rdMedium:MetalLearningObjective:Studentswillobserveandcreatevisualandtactiletexturetomakeaninterestingcomposition.Theywilllearnanduseartvocabulary.Theywillusearttoolsresponsibly.Theywillusegoodcraftsmanship.

Author:LaurelleGraves

ElementsofArtLine:theflatpathofadotthroughspaceusedbyartiststocontroltheviewer’seyemovement;alongnarrowmarkorstrokemadeonorinasurface.Texture:actualtextureishowsomethingfeelswhentouched;visualtexture(alsocalledsimulatedtexture)ishowsomethingappearstofeel.PrinciplesofDesignPattern:repetitionofelementsinanorganizedway.Thiscreatesunity.Unity:theconnectionofpartssoastocreateasenseofcompleteness.Materials&Supplies

• Coloredpencils(blunttips,notsharp)• Graphitepencils• Oilpastels• Blackconstructionpapercutinto9”

squares

• 36or38GaugeAluminumFoilcutinto6”squares

• TackyGlue• Sheetsoffunfoam

• Steelwool(optional)• Sharpies(optional)

Page 2: Creating Texture with Metal Embossing - isfdn.orgisfdn.org/core/files/isfdn/uploads/files/Metal EmbossingConference_final.pdf · will use good craftsmanship. Author : ... Re8.1.3)

2 | P a g e

AdvancedPreparationCutthemetalandconstructionpaper.Themetalcomesina12”widthsoa6x6”sizeworkswell.Findexamplesofvisualtextureinartworkandexamplesoftactileortexturedembossedorhammeredmetalpiecestoshowstudents. AnartworkwithanamazingarrayofvisualtextureisTheArnolfiPortraitbyJanVanEyckorOliveTreesbyVincentVanGogh.ThePointilliststyleofpaintingusespatternsofdots.DiscussionPointsThisisagreatprojecttopairwithanyworkofart.Havestudentsexamineagreatworkofartandtrytofindasmanyexamplesofvisualtextureastheycan.Thentaskthemtotransferthosetexturesintotheirmetalproject.Askthestudentswhattheartistwastryingtoconveythroughtheuseoftexture.Whatisthetexturecommunicating?

Introducetheelements,principlesandvocabularywordsusedinthislessonbywritingthemonthewhiteboard.Definethemeaningofeachandaskhowtheyapplytothelessonsofar.

InstructionsforLessonBeforethelessonsbegins:Givethestudentsa2x2”inchpieceofmetaltopracticeon.Askthemtotestpressingdownsoastocreateasmuchdepthaspossiblewithoutpushingthroughthepiece.Thentaskthemtopushhardenoughtopokethrough.Thishelpsthemlearntheamountofpressureneededtoemboss.Explainthattheyshouldbuilddepthslowlybygoingovertheirlinesmultipletimes.Workfrombothsidesofthemetal.

1. Giveeachstudenta6x6”inchpieceofmetal,afoamsheet,coloredpencil,andassortmentofoilpastels(atleast5differentcolors).

2. Havethestudentsplacetheirmetalontopofthefunfoamsheet.3. Onthebacksideofthemetal,havestudentsdrawadiagonallinedividingthemetalintwo.Itis

morevisuallyinterestingiftheyoffsetthelinesratherthandrawingthemfromcornertocorner.4. Ononehalfoftheline,drawoneadditionallinefromthecenterlineoutwardtotheedgeofthe

metal.Again,itismorevisuallyinterestingifthestudentsdonotdrawthelinedirectlythroughthecornerofthemetal.

5. Ontheotherhalf,drawtwoadditionallinescomingoutfromthecenterlineandextendingouttotheedgeofthemetal.Themetalshouldnowbedividedinto5sections.Refertophotoonfrontpage.

6. Remindstudentsofthedifferencebetweentactiletextureandvisualtexture.Havethemcreateadifferentpatternineachsection.Continuetohavethestudentsworkonthefrontandbackofthemetaltocreateadifferentpatternineachsection.Encouragethestudentstoallowthepatterntocontinueoffoftheedgeofthemetal.Thisisthemosttimeconsumingstep.

7. Ifyouhaveusedcoloredmetal,youcanlightlysandtheraisedimageswiththesteelwool.Thiswillremovethecolorcoatingandleaveanaluminumfinish.Thisreallyemphasizesthepatternscreated.Youcanalsoemphasizethedesignwithsharpiesatthispointaswell.Bothoftheseareoptionalsteps.

Page 3: Creating Texture with Metal Embossing - isfdn.orgisfdn.org/core/files/isfdn/uploads/files/Metal EmbossingConference_final.pdf · will use good craftsmanship. Author : ... Re8.1.3)

3 | P a g e

8. Afterall5sectionsaredecorated,thestudentscangluetheirmetalintothemiddleofthe9x9”squareconstructionpaper.

9. Studentswillnowmoveontousingtheoilpastels.Theywillchoosethefirstof5differentcolors.Theywillbecreatingvisualtexturebyextendingtheirpatternsontotheconstructionpaperwiththeoilpastels.Havethestudentsdrawthefirstpatternwiththeirfirstcolorofoilpastel.

10. Continueextendingthepatternoutforeachsectionwithanadditionalcolorofoilpastel.Tips&Tricks

• Whenmakingrepetitivemarks,goslowlysothattheyareuniforminsizeanddistanceapart.• Drawsomesimplemarksonthewhiteboard:spirals,dots,dashes,asterisksetc.tosuggest

patterns.• Usedullcoloredpencilstoembossthemetal.Thewaxypropertyhelpsthepencilsglideacrossthe

metal.Thecolordoesn’ttransferandthetipsarelesspronetobreak.Besurethepencilisdull.Ifthepencilistoosharp,itwillpiercethemetal.

• Ifcreatinganoriginaldrawingtotransferontothemetal,firstuseagraphitepencil.Attachthedrawingtometalandtracetotransferwithcoloredpencil.Colorhelpsstudentstellwhichlinestheyhavealreadytransferred.

• Useathinsheetoffunfoamunderthemetalwhenembossing.Thisisaninexpensivematerialthatcanbereusedmanytimesbeforehavingtobereplaced.Thefoamgivesanexcellentcushiontoembossupon.

• 36or38gaugemetalcanbeeasilycutwithaguillotinestylepapercutter.Youcanalsousemetalshearsortinsnipsbutyouwillgetthecleanest,straightestlinesfromtheguillotinepapercutter.

• Makesurestudentsunderstandthattheedgesaresharp!Donotrunfingersalongtheedge.ReflectionPoint(AssessmentofLearningObjectivesStudentswillobserveandcreatevisualandtactiletexturetomakeaninterestingcomposition.Theywilllearnanduseartvocabulary.Theywillusearttoolsresponsibly.Theywillusegoodcraftsmanship.

21stCenturyThinkingSkillsObserving,MakingConnections,Visualizing,Sequencing,Comparing/Contrasting,ProblemSolving,DecisionMaking,Evaluating.

WAStateLearningStandards(VA:Cr1.2.3)a.Applyknowledgeofavailableresources,tools,andtechnologiestoinvestigatepersonalideasthroughtheartmakingprocess.(VA:Cr2.1.3)a.Createpersonallysatisfyingartwork,usingavarietyofartisticprocessesandmaterials.(VA:Cr2.2.3)a.Demonstrateanunderstandingofthesafeandproficientuseofmaterials,tools,andequipmentforavarietyofartisticprocesses.(VA:Cr3.1.3)a.Elaboratevisualinformationbyaddingdetailsinanartworktoenhanceemergingmeaning.

Page 4: Creating Texture with Metal Embossing - isfdn.orgisfdn.org/core/files/isfdn/uploads/files/Metal EmbossingConference_final.pdf · will use good craftsmanship. Author : ... Re8.1.3)

4 | P a g e

(VA:Re8.1.3)a.Interpretartbyanalyzinguseofmediatocreatesubjectmatter,characteristicsofform,andmood.(VA:Cn10.1.3)a.Developaworkofartbasedonobservationsofsurroundings.(VA:Cr1.1.4)a.Brainstormmultipleapproachestoacreativeartordesignproblem.(VA:Cr2.1.4)a.Exploreandinventart-makingtechniquesandapproaches.(VA:Re8.1.4)a.Interpretartbyreferringtocontextualinformationandanalyzingrelevantsubjectmatter,characteristicsofform,anduseofmedia.(VA:Cr1.2.5)a.Identifyanddemonstratediversemethodsofartisticinvestigationtochooseanapproachforbeginningaworkofart.(VA:Cr2.1.5)a.Experimentanddevelopskillsinmultipleart-makingtechniquesandapproachesthroughpractice.(VA:Cr2.2.5)a.Demonstratequalitycraftsmanshipthroughcareforanduseofmaterials,tools,andequipment.(VA:Re7.1.5)a.Compareone'sowninterpretationofaworkofartwiththeinterpretationofothers.(VA:Cn10.1.5)a.Applyformalandconceptualvocabulariesofartanddesigntoviewsurroundingsinnewwaysthroughart-making.

ArtsIntegrationOpportunitiesWriting:proceduralessay,orpersuasiveessay:“whichtexture,visualortactile,ismyfavoriteandwhy?”Math:devisewaystoquicklycountthemarkswithineachpattern.