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Crave
bass flute & harp
2014
! i"
Crave (2014) "Bass"Flute"Harp""Approximate"duration:"6’"Written"for" " " " " " " " " "Text"by"the"Composer""
!!!
!! ! ! ! ! ! !!!Instrumental!Disposition:::!!
! ! ! ! ! ! ! ! (spkr)! ! (spkr)!! ! ! ! ! ! ! Bass!Flute! ! ! !!Harp!
!!
!! ! ! !!!!!!!!!AUDIENCE!
!!
(the!instrumentalists!are!facing!each!other,!the!speakers!are!placed!beside!them,!opposite!the!audience)!
!!
! ii"
Instrumental!Performance!Indications!!General:!"Accidentals"are"held"through"the"measure.""
Amplification:!"The"duo"should"be"slightly"amplified"for"reinforcement"purposes,"in"order"to"
bring"out"the"vocalizations."Microphones"such"as"a"Shure"WHJ30"or"a"DPA"Vocal"Mic"are"ideal"but"any"high"quality"hypercardioid,"directional"microphone"is"sufficient.""
"Small"box"speakers"(such"as"the"Meyer"Sound"UPJJ1P"or"comparable)"are"ideal.""!
Vocalization:!!Both"players"are"asked"to"speak,"declaim,"and"sometimes"sing."
!Text:!"The"text"began"as"a"series"of"singleJwords"that"could"operate"as"sentences."They"
are"then"grouped"together,"adding"pronouns"and"prepositions"to"form"longer"
but"clipped,"staccato"sentences."The"inspiration"for"the"text"and"its"rhythmic"
character"comes"from"playwright"Sarah"Kane’s"piece"Crave.""!
A!note!on!the!text:!!Most"of"the"piece"is"performed"in"a"free,"sprechstimmeJlike"manner."""The"overarching"mood"and"emotion"of"the"piece"is"anhedonic"flatness."Much"of"the"delivery"should"be"objective,"straightforward"and"without"empathy."When"traditional""singing""is"called"upon,"it"is"important"to"lack"typical"expressiveness."The!delivery!should!be!punchy,!extremely!percussive,!and!should!be!an!integrated!part!of!the!overall!instrumental!texture.!!The"text"is"fragmented"in"many"instances"throughout"the"piece"in"a"sort"of"musical"aphasia."The"pronunciation"in"these"instances"should"remain"consistent"as"if"the"whole"word"were"to"be"pronounced.""
Words"may"also"be"fragmented"into"single"vowel"and"consonant"sounds"and"are"contained"within"brackets"[!]."These"should"be"pronounced"according"to"the"context"given."In"most"instances,"they"subscribe"to"the"sounds"in"the"International"Phonetic"Alphabet.""Vowels:"[I]"–"open"“i”"as"in"sit,!will,!myth"[a]"–"combination"of"bright"“ah”"(as"in"French:"dame,!table)![E] – open"“e”"as"in"well,!tether,!excuse![o] –"as"in"opus,!over [i] –"as"in"English:"even;"French:"hiver [u] –"as"in"English:"even;"French:"hiver Fricatives:"[t] –"as"in"tea [k] –"as"in"cup [s] –"as"in"switch [f] –"as"in"fly "Often,"the"consonants"will"be"followed"by"vowels."This"indicates"the"shape"of"the"mouth"cavity"as"the"fricative"is"pronounced."In"the"following"example,"the"mouth"cavity"becomes"more"resonant"and"open"as"the"its"shape"transitions"from"the"closed"“i""(“ee”)"shape"to"the"“u”"(“oo”)"shape.""This"transition"is"most"apparent"in"the"shape"the"lips"make,"moving"from"“smiling”"to"“pursed.”""[ki] — [kI]"—"[kE]"—"[ka] — [ko] — [ku] "
Vocal!Staves:!!There"are"two"types"of"staves"styles"used"in"Crave"for"the"voice:"
"Regular!staff:"all"nonJsinging"is"performed"at"a"pitch"relative"to"its"position"on"the"staff"(in"this"example,"the"inhalation"should"be"performed"at"a"higher"“pitch”"than"if"lower"on"the"staff)."
"!
! iii"
!!single@line!staff:"Only"relative"register"positions"are"given."The"text"should"be"delivered"in"the"player’s"speaking"range"in"relation"to"the"middle"line,"which"indicates"normal"speaking"register."""
"Performed/sung"at"notated"pitch"or"at"approximate"pitch"""
"Performed"in"a"“speaking”"timbre"at"approximate"“pitch”"(“pitch”"here"refers"to"
the"place"in"the"vocal"range"where"the"speaking"is"the"be"performed)""
"Performed"in"a"“speaking”"timbre"with"some"breathiness""
"" "Performed"in"a"very"breathy,"almost"whispered"way""
!Noteheads"indicate"“breath"only.”"Upbow"and"downbow"markings"indicate"inhale"and"exhale,"respectively."This"breathing"should"be"done"with"the"mouth"open"in"order"to"be"audible"and"at"a"“pitch”"relative"to"its"position"on"the"staff.""Breathing"is"articulated"using"one"of"three"different"syllables:"[hE]!–"the"“e”Jsound"in"heaven,"wet![ha]!–"the"“a”"in"father,"water![f]"–"giving"the"breathing"a"stronger"sound"as"the"air"hits"the"teeth"[s]"–"giving"the"breathing"a"stronger"sound"as"it"hits"the"roof"of"the"mouth""
Bass!Flute:""
"or"" "TongueJstop"
"Tongue"pizzicato"
"
""&""" """FlutterJtongue"
"
"Indicates"“breathy”"timbre,"almost"no"discernible"pitch"content;"“toneless”"
"
"Indicates"a"mixture"of"“breathy”"timbre"and"pitch""
"Indicates"a"“sniff”"or"strongly"articulated"inhalation"through"the"nose""
"Indicates"an"fluttertongue"by"rolling"the"“R,”"almost"without"any"breath,"covering"the"embouchure"hole"with"the"tips"of"the"lips""""""
! iv"
"
"Indicates"a"timbre"that"is"mostly"“breathy”"and"diffuse"and"one"that"is"a"combination"of"pitch"content"and"breath,"respectively."The"arrow"between"them"indicates"a"gradual"transformation"""from"one"timbre"to"the"other."
"
""Indicates"“ordinario”"playing"""
!!Indicates"a"smooth"transition"from"one"consonant"to"the"next.""
"Embouchure"notation:"(l"–"r)"“open"embouchure,”"“halfJclosed"embouchure,”"“closed"embouchure.”"The"arrow"indicates"a"smooth"transition"from"one"position"to"another.""
"Indicates"audible"inhale"(“upJbow”)"and"exhale"(“downJbow”)"into"flute"with"CLOSED"MOUTHPIECE"(indicated"by"the"black"square);"accompanied"by"breath"articulations"[hE]"(as"in"head,"heavy,"hell)"or"the"fricative"[s]!(as"in"switch)""![k],![t],![f]" fricatives"are"often"vocalized"into"the"flute"with"OPEN!MOUTHPIECE!(indicated!by!the!white!rectangle)."These"should"be"very"percussive"and"sharp."It"is"helpful"to"make"a"“smiley"face”"with"the"mouth"in"order"to"shorten"the"distance"between"the"airJexplosion"and"the"mouthpiece."!
!!!!!!!
Flute!Overblow:!Flute"overblowing"is"notated"two"(2)"ways"in"the"part:"""
! !!Larger"noteheads"indicate"the"fingered"pitch,"while"smaller"noteheads"indicate"the"overblown"partials."As"the"dynamic"level"increases,"the"overblown"spectrum"becomes"richer"&"noisier."!
"Encircled"numbers"correlate"to"the"harmonic"“regions”"above"the"fingered"pitch"(fundamental)."
!Decoupling:!
""When"the"flute"is"divided"into"2"staves,"the"top"stave"indicates"mouth"and"embouchure"articulations."Depending"on"where"the"articulation"falls"in"comparison"to"the"staffJline"determines"its"relative"“pitch”"or"“height.”"The"bottom"staff"indicates"pitches"to"be"fingered."""Fingered"notes"have"separate"dynamics"and"should"either"be"unheard"(“ppp”"or"“pp”)"or"emphasized"as"keyJclicks"(“sff”"or"“ff”).!!
÷
ã
&
85
85
85
44
44
44
Voice
(B)Fl.
134‰ yä Œ Œ Jy_- ‰ y3
when I close
.q>
JZ J_>$
3
˙b æ eb œ œb œb œn œb œn ‰ œb œA œ œ6
< k >< si >< u >
< hE >
Íp F # ff sub. p sub. Ï
F ßy_ " ‰ Œ Jy.
my
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_$
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_$ _% _$ _%5
œb œb œ œ œ œ " œb œ œb ® ‰ œb œb œb œ
< hE > < s >
Ï# #
< k >
F
÷
ã
&
44
44
44
84
84
84
Voice
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~
136 .y_ j_ y. ‰ . ‰ _- ‰3
eye s I
q 2 >
œb œb œn œb œ œ œ œ œ œ œ# œ œb œb œ œ œ œ œb œn œb œn œn œb œn œb œ œb œn œn œb œ
< si > < sh >
# F Í ƒ
y_â ‰ Œ Ósee
‰ )>$ Œ Ó
œ Œ Ó
ç
ß
46 Push (2)
! v"
Harp!Note:"many"of"the"notation"symbols"come"from"the"site"http://www.harpnotation.com,"developed"by"the"harpist"Gunnhildur"Einarsdóttir.""A"small"woodblock"and"a"piece"of"Styrofoam"are"necessary"for"this"piece"The"lowest"octave"of"the"harp"is"prepared"with"“looselyJfitted”"aluminum"foil""The"harp"is"notated"on"four"staves"but"only"up"to"three"staves"are"used"at"one"time."From"top"to"bottom,"the"staves"indicate"
"1) Vocalization"&"Singing"(see"first"section"of"performance"indications)"2) Treble"Clef"playing"3) Percussive"playing"on"the"soundboard"4) Bass"Clef"playing"
"
""
"Indicates"a"deadJstroke"with"woodblock."The"player"strikes"the"prepared"strings"as"forcefully"as"possible"and"the"block"remains"“on”"the"strings"in"order"to"inhibit"their"vibrations"
"Indicates"a"longitudinal"scrape"up"and"down"with"the"woodblock."The"player"rubs/scrapes"the"woodblock"along"the"prepared"strings"lengthwise"while"keeping"the"block"“on”"the"strings""
"Indicates"a"longitudinal"tremolo"(as"fast"as"possible)"with"the"woodblock"while"keeping"the"block"“on”"the"strings""
"Indicates"rubbing"the"lowest,"metalJwound"string"region"in"a"circular"motion"while"keeping"the"block"“on”"the"strings""
"Indicates"a"Hand"Mute"(a"gesture"is"performed"while"the"other"hand"mutes"the"string(s)"indicated,"producing"a"percussive"effect)."This"can"be"accomplished"with"a"hand"or"with"the"woodblock""
"Indicates"a"short"muted"glissando."One"hand"mutes"the"indicated"strings,"while"the"other"hand"is"turned"and"the"fingernails"of"fingers"2,"3,"4"forcefully"perform"the"glissando"(a"kind"of"sharp"“wrist"flick”).""!
!Play"using"the"fingernail."The"harpist"turns"the"hand"slightly"away"from"the"normal"playing"position"and"plucks"the"strings"with"his/her"fingernails."
! vi"
"
"Indicates"“whistling”"sound."Whistling"sounds"are"produced"by"placing"the"palm"of"the"hand"horizontally"over"the"strings"and"then"sliding"it"quickly"upwards"or"downwards."In"Crave,!the"hand"stays"on"the"strings.""
"Indicates"rubbing"the"strings."With"an"open"palm,"rub"the"string"vertically"continuously"as"long"as"the"duration"line"indicates.""
""Indicates"“string"buzz.”"A"string"buzz"is"produced"by"plucking"a"string"with"so"much"force"that"it"clashes"against"the"next"string"creating"a"buzzing"sound."""
"Indicates"a"“halfJpedal"buzz.”"A"pedal"buzz"is"produced"by"holding"the"pedal"halfway"between"two"pedal"positions."Therefore,"as"it"is"played,"the"string"vibrates"against"the"metal"of"the"tuning"disc."It"is"possible"to"hold"the"pedal"in"half"position"before"playing"the"string,"to"produce"an"immediate"buzz,"or"to"move"the"pedal"into"the"half"position"after"the"string"has"been"played."
!!
At!the!sound!board!"
"Indicates"playing"près!de!la!table""
"Indicates"a"Bartók"pizzicato."The"finger"plucks"the"string"close"to"the"soundboard"and"then"immediately"slides"off"the"string"to"hit"the"soundboard."""
"The!middle!staff:!"JThe"xJnotehead"on"the"left"indicates"striking"the"soundboard"with"the"knuckles."JThe"squareJnotehead"on"the"right"indicates"striking"the"soundboard"with"an"open"palm."""
!!!!"
÷
&
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&÷
?
84
84
84
83
83
83
163
163
163
Harp
Bass Flute
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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ebw
$
$
˙
˙
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œ�rub the strings with palm
[f][ko]
Senza misura, ~8-10"
Senza misura, ~8-10"
%
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oOOPpOop
Voice
soundboard
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q
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q
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$
j@>
j@>
j@>
j@>
R.H.
L.H.
Ïstrike w. woodblock (R.H.)(dead strokes)
e = 96-88, savage, unrelenting, primal
Sfe = 96-88, savage, unrelenting, primal
[ki] [u] [ki] [u] [ki] [u] [ki] [u]
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q
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q
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q
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p[u]
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j@>
j@>
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[u][u]
1
Cravefor
and
© 2014, ASCAP
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163
163
163
84
84
84
83
83
83
84
84
84
163
163
163
Hp.
B. Fl.
!
5
5_
q
_ _ _b œ>_ œ_ œn_
œ>_
8:6
5
$
r@>
& r@>�
fff poss. Ï
ord.
Z>4
q
® Z>
q
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q
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q
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$
j@>
j@>
j@>
j@>
[ki] [u] [ki] [u] [ki] [u] [ki] [u]
Ï Ï Ï Ï
R.H.
L.H.
[ki]
Ï p
(as before)
[u][u][u][u]
Ï ÏÏ
[ki] [ki] [ki]
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q
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q
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q
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$
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j@>
j@>
J Z>
Z3
q
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3
œb œ œ œb œ œ œn œ œ œn œb œ œb œ œ œ œ œn œ œn10 10
$
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æ j@æ @> @
æ j@æ
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%
Crave
2
÷
&
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?
163
163
163
83
83
83
167
167
167
Hp.
B. Fl.
!
Ÿ~~~~~~~~~~~~~~~~~~~~
9 .J æ
9 eb.Jœ
9
$
r@>
& r@>�
Ï
pfff poss.
ord.
J
Z>
Z3
q
3
œ œ œb œ œb œ œ œb œ œb œ œ œn œ œn5
10
$
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[ki] [u]
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3
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$
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Crave
3
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167
167
167
84
84
84
82
82
82
..
..
..
..
..
..
..
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165
165
Hp.
B. Fl.
~~~~~~~~~~~~~~~~~~~~
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!
13 .J æ .
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[s] [s]
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ord.
w. the knuckles
Jœœe
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jyyJ
yJy
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(vibrate woodblockon the strings to create a metallic sound)
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Crave
4
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165
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84
84
84
83
83
83
82
82
82
Hp.
B. Fl.
!
~~~~ ~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~
16 Z>4 ® .
Jq
16 œb œœ œb œe.Jœ#
5
16
$
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[ki]
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[u]
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w q ® ‰ JZ1 3
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6 5 3
$
y> & ‰ 6> & ‰
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� @>�3
( fff poss.)
w. open palm of the hand
[hE]
p f p Sfp ÏZ
>4Z
>_># ‰
3
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5
‰ ‰œ>T
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3
p fff sub.
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82
82
82
83
83
83
167
167
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82
82
82
85
85
85
Hp.
B. Fl.
(!)
~~~~~~~~~~ ~~~~~~~~~~~~~~~ ~~~
Ÿ~~~~~~~~~~~~
~~~~~~~~~R
Ÿ~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~
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20
$
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fff sub.p
f "fff "
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3
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Sff
ƒ ƒ
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. J
Z
J 4
R 2
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7
5
‰ ‰ & & rœ>
T
jœ
jy y @> @>�J
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ƒ
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[s] [a]
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> j_qæ
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6
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85
85
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83
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82
82
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83
83
83
Hp.
B. Fl.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~
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24
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24
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,
3 5
$
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[ko]
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Rall.
Rall.
p F
Sf
[f]
Eb Fb
.
_># y4
˘ .Z>
q
œb œ œ œb œ ejœ# œ œ# œ œ# œn œ
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e ‰ jœb >œ# > œ> œ>
3
‰ & @>�j@
ß p
mute w. woodblock
ƒ Ï
Sff
a tempo, e = 96-88
fp sub.
[s] [a]
ord.ß ƒ p
a tempo, e = 96-88
[f] [kI]
B
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ejœ# e
jœ#
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[kI] [kI][f] [f]
fff poss. fff poss.
Dn
Crave
7
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83
83
83
84
84
84
Hp.
B. Fl.
'
(!)
Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~R27 Z2
w4
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3
27
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7
Jœ> Jœ> ‰
‰ j@æ
@æ @>3
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ƒ
f p sub.
[s] [a]
p sub. ƒ
[s] [I]
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3
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6
ejœ# ebœ œ œ œ œ# œ
3
œ> œ> œb >œ>
œb> ‰
œb >‰
5
3
j@
j@ ‰ ‰
(
p pF ff poss.
[f]
ƒF
loco
f molto cresc.
put down the woodblock
Crave
8
÷
&
&÷
?
83
83
83
84
84
84
Hp.
B. Fl.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
!
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~
30
_"
_
30
˙
301>
& ‰ ‰ ‰
6> & ‰ ‰ ‰
$
fff poss.
(
[ko]
Sfftake the styrofoam bar
_ _
˙
$
‰ ‰_�_�
( no cresc.
molto cresc.
rub stringsw. styrofoam bar
_ __># _>"
.œ
$
_�
_�
_� _�_�
_�
_ _
ff poss.
[f] [ha]
"Sf "
Crave
9
÷
&
&
&
?
84
84
84
83
83
83
163
163
163
83
83
83
Hp.
B. Fl.
(!)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~ ~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~
33
J_> J J yZ>#
33
˙
$
33
$
._ ._ _�
._ ._ _
wa tch
"ff " p Sf
w. styrofoam (accel.)
"ff " p "sff "
C
ooOPpOop
& y> y y
œ œ œ# œ œ œ
$
$
‰ &œ�
jœ�‰ &
œ� J
œ�
plea [s]
F p
put down the styrofoam
p
rub the strings with palm
Ry> yy &
r >
& & Ry_>
$
rœ� R
œo œ#>P
eb
R
œ�
[E] wai[tE]
ƒ
234"ff "
f Sf
let.
F
loco
._>y
Z>#_" _# _" _# _" _#
6
eb.œ
y_> & ‰ Jy_>#
$
. .jtrK
œ�‰
RÔ
œ
wai [tE] [ha] [hE]
"ff " p Sf p sub. ƒ
scrape string w.fingernail
"f " p"sff "
go. I
ß
Crave
10
÷
&
&
&
?
167
167
167
85
85
85
Hp.
B. Fl.
~~~~~~~~~~~~~~R
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
37
J_>"
_ & & . _>#
37
.œ
$
37
$
Jœ>o
‰ ‰
[ha] [f]
p
f
y. ._ ._ _ _># y>
œ œ œ# œ œ œ
jy_> ‰ ‰
‰ ‰ œb >o
œ>
o
‰ & œ# >« ‰
I [f] [a] [ha]you
f p sub. ƒ p
where?
P
ff poss.
>. >. >. >. _ j_ y>_ y _># ® &5
.Jy>_ Ry_ ‰ r
œ_.
‰ ‰ & œ> œb >
Rœœb >
3
?
.œ>P eb ‰ Jœ# >« &
don' [tE][ha]
f sub. p f p f
ç Ï
plea[s] [E]
Í ff poss.
leave.
F
234
Crave
11
÷
&
&
?
?
85
85
85
163
163
163
86
86
86
163
163
163
Hp.
B. Fl.
!
40 y. ._ _ _ _># y> ®
40
‰ ‰ _. _fl & ‰ ‰ y_.3
3
40
‰ ‰ ‰ ‰Jœœ
b >&
jœœ�
rœœ
& ‰ .œ# > œn ‰Jœœ R
œœ
I [f] [a][ha]
f p sub.
[ki] [u]
Sf p
p
come. back. come.
ß
ƒloco
E# __ n
& RZ># r
y>_
r_. & &
$
& .œ>P eb
go.
f
stay.
p
ç
234
>. >. ® >. ® >. >. ® & >. ® >. >. ® >. ® >. >. ® >. ® ® >.
.˙
_. _. ® _. ® _. _. ® & _. ® _. _. ® _. ® _. _. ® _. ® ® _.1.
&1.
&1.
&1.
‰1.
&1.
3
$
I need. I I need. I need. need. need.more.
I more.
poco cresc.
Cn
poco cresc.
ppp sub.
pp sub.
p sub.
Crave
12
÷
&
&
&÷
?
163
163
163
84
84
84
167
167
167
84
84
84
Hp.
B. Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
43 ry>_ R
_>#Ry>
43
.jœ
Ry> & &
43
$
R6> & &j@œ@>
&
[ht]
yes.
f
[ha]
Sf
why?
F
w. open palm of the hand
_q
_b _ _ œ_ œ#_œ_ œ#Z
_ & _#
> ye#n >
‰5 5
3
jy_> ‰ & _. ‰3
$
J
œ
œœ
b >T
‰ Œ
[ht][f]
f
now. there.
ß
oOOPOOop
.J_>
yZ># j
_æ ry_.
ebœ .Jœ
‰ ‰ & R_># &
$
‰ ‰ & Rœb >« &
wai [tE]
p Sfflz.
i[f] you
pp sub. p %
No.
f
ƒ
"f "
Crave
13
÷
&
&
&
?
84
84
84
165
165
165
84
84
84
Hp.
B. Fl.
~~~~~~~~~~R
becoming tenser
46
Πy._Z3 j
_æ3
46
œ œ œ œ# œb œ
.y_-_- ‰ & y
_.
‰3 3
46
‰ œ
T
.œb œ#&
œ
œ
&
‰5
3
Jœ>« ‰
then,
p p F p
F p ß
on ly, go.
p
f
f
Jy> y y & ry. y
Z># _" _
,3
3
‰ ‰ ‰ & . y> ,5
‰jœ#
œœ>j
œ«>
‰ œb œœ œbP
>œ
3
5
‰ ‰ & œ# œ œ ‰5
plea[s] [E]
f
don'[tE] [ha]
p f
No.
f
$
$
.y_-_- ‰ R
y_.3
‰ ‰ rœœœœb >P
$
F p ß
go.wai [tE]
Rall.
Rall.
f
Crave
14
÷
&
&
?
84
84
84
Hp.
B. Fl.
49 jyÿ._>
_y ._> y. ._>
_y
3
3
49
49
œœ
‰ œb ‰ œ ‰3 3
Jœ ‰ ‰ ‰P
I ha [tE] you I nee
e = 72-66
R.H.
L.H.
(
ƒ
(
�
cresc.
[d]
as percussive as possible, "hard-edged"
ff poss.
e = 72-66
D
Jy ‰ _> y _> __# & yÿ
3
œb ‰ œ ‰ œ ‰3 3
$
you more. Inee [d] [f]
y> y. y & y> y _># _> _ y
œb ‰ œ ‰ œ ‰3 3
$
[s] [p]lee drown wan [tI][s]
Crave
15
÷
&
&
&
?
Hp.
B. Fl.
52 _> _ y & y_.y_>
y_. _" _# _" _# _" _#6
52
$
52 œb ‰ œ ‰ œ ‰3 3
$ &
wai [tI] No. Ne ver.
R.H.
L.H.
(
[f]
y_" _#> & . _. yfl _
"_#_"
_# _" _# y._ y_3 3
‰ ‰ ‰ .œb - œ
œb ‰ œ ‰ œ ‰3 3
œ œ œ œb œ# œ (repeat pitches in any order,as fast as possible
P
I
No. A gain. Ne ver
p
[s] [f]
‰ Jy_ ‰ Jy ‰
3
& œb - œ & ‰ .œ- œ
œb ‰ œ ‰ œ ‰3 3
sleep, drown,
Ne ver.
sim.
Crave
16
÷
&
&
&
&
Hp.
B. Fl.
55
y_>#
y_>" j_ _â
3
55
‰ œb - œ œ- œ & .œ- œ3
55 œb ‰ œ ‰ œ ‰3 3
wait, I watch.
here. now. on
( p )
[f] [f]
R.H.
L.H.
(
._ y. y & y . .__>#yfl_ yfl
_3
‰ ‰ œb - & .œ- œ
œb ‰ œ ‰ Jœ3
I leave.
No thing.the [E] dge
p
o [f]
‰ yfl_ & yfl
_ & _" _# _" _# _" _#6
‰ œb - & .œ- œ ‰
& œb ® .œ & œ & . œ
No. thing.
let. me.
p
Accel.
Accel.
[f]
Crave
17
÷
&
&
&
&
163
163
163
83
83
83
82
82
82
84
84
84
Hp.
B. Fl.
58
& yfl_ ‰ yfl
_ ‰ & yfl_3
58
Jœb - J_>#
‰ .œ> œ ‰3
58
‰ œb & œ & . œ &œ
œ œ
3
3
‰ ?
No.No. thing.
go.
%
R.H.
L.H.
(
ß
[hE] here.
%
GF#
f
& ryfl_ &
& & Rœœ# >
$
where.
ƒ
ç
Tempo 1, e = 96-88
why?
‰ & y> ® __>#
‰ .y_> y_ ‰
œœ# œ
œb œ‰ J
œ# T>5
& œ# >«E#
ß
lea ve.
fß
[hE]
çTempo 1, e = 96-88
$
$
crazy, wild
Ï
Crave
18
÷
&
&
&
?
84
84
84
..
..
..
..
..
..
..
..
..
.. 83
83
83
84
84
84
Hp.
B. Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
62
_">
j_ _ _>#3
62
˙
$
62
$
$
[f]
Repeat 4x
Repeat 4x
f p SfE
oOOPOpOp
_">
j_ _ _>#3
œ œb œ œ œb œ œb œ œb œ œn œb œn œb œn œb œ œ œb œ
10 10
‰ ‰ y._ y._ & & . y._
$
$
[f]
too sick to
(
p F
f p Sf._>
yZ># & . _"
eb.œ
‰ ‰ œ>P
e ®
$
[tE] [hE]
"ff " p Sf ƒ
figh
Ï234
Crave
19
÷
&
&
&
?
84
84
84
83
83
83
84
84
84
Hp.
B. Fl.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
65
J _ & ‰ ‰
65
˙
$
65
jœ#
Pj j J
$
Ørustling, no pitch!
Rall.
Rall.
Œ ‰ ‰"
$
$
J J J J
"
$
p Ø
_" ._# _ & & . _"
eb.œ
j_â ‰ ‰
jœ#P
$
a tempo, e = 96-88
a tempo, e = 96-88
let.
F
[hE] [hE]
ff poss.
Accel.
Accel.
Ø % Ø p
sim.
(
Crave
20
÷
&
&
&
?
84
84
84
Hp.
B. Fl.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
68
J_# ‰ Œ
68
˙
j_â ‰ Œ
68 jœ#
P
J
J
$
F
Ø p
me.
$
$
J J
J J
$Ø P
(e = 124-116 )
(e = 124-116 )
$
$
J1.
&1 1
® ‰1
& .1
5 3
$Ø cresc.
Rall.
Rall.
Crave
21
÷
&
&
&
?
161
161
161
84
84
84
163
163
163
83
83
83
163
163
163
Hp.
B. Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~ Ÿ~~~~~~~~~~~~~~~
71
._">
j_
71
eb˙
71
‰ J1
&1
‰3
$
[hE]
"ff " p
P
(
R_>#
rœ
ry_>
Rœ>P
$
[hE]
"Sf "
ff sub.234
f
go.
Fn Gb
y y ® Jw3
Jq ‰
ejœ ebJœ œb ‰
‰ ‰ ‰ jy._
œ & ‰ ‰ jœœ>$
[sI]
n. ƒord.
p sub. fTempo 1, e = 96-88
Tempo 1, e = 96-88
(muted)
too
F
y y. ry.3
œ>œ> rœb >
3
y>_ y. &3
Jœœ> &
$
[tE] [tI]
tire [d]
ß
( ff )
[tu]
Jq
JZ3
qy _>#
œ œ œ œ œ# œ œn œ œbœ œ œ œ œ# œ
5 5 5
Jy> Jy y. y &
œ œ# œ œ
œb
& & ®
..œœP
>
5
[ki] [s]
ƒ p ƒ
[s] pea [kI]
f ß
(
Crave
22
÷
&
&
&
?
163
163
163
84
84
84
82
82
82
84
84
84
Hp.
B. Fl.
Ÿ~~~~~~~~
76
‰ ry.76
‰ rœb >
$
76
$
$
( ff )
[tu]
Sf
An
Jqæ J
æ æ
œ œ# œ œb œ œb œ œ œb œn œ œb œ ejœ"
5
‰ yä y Œ
‰ œœœbP
>œ> e & ‰"
$
flz.
( (F
%
ƒ ç234
figh [tI]
p ß
‰ & y.
‰ & œb >
‰ & y
‰ & œœœbP>
$
( ff )
[tu]
Sf
ƒ
too
p
‰ ‰ ‰ y> ® y
‰ ‰ ‰ jœb >
‰ ‰ ‰ & y. y
$
‰ ‰ ‰ & œœœbP>
[sI] [kI]
n. f
( ff )
ƒ
si-ck
p ß
Crave
23
÷
&
&
&
?
163
163
163
84
84
84
Hp.
B. Fl.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~R80
& y. ‰ Œ
80
& œb > ‰ Œ
& y ‰ Œ
80
& œœœbP> ‰ Œ
$
( ff )
[tu]
Sf
ƒ
too
p
A#
& ryfl Ry.
& rœb > Rœ>
& Ry> Ry.
$
& RœœœbP>Rœ>«
( ff )
[tE] [tI]
ƒ
tire [d]
ƒ
ß
‰ y. & Œ
‰ œb > & Œ
& y ‰ Œ
& œœœbP
> &œœœb >
Œ
$
( ff )
[tu]
Sf
ƒ
too
p
4> y. r_æ j
_æ j_æ j
_æU
œ œ œ œb œ œ œ œ œb œn œ œ œb œ œ œU
y. y & ‰ ‰ ‰U
‰ ‰ œœ
b œ# Jœ> & &U
œœœb P>œ# >
eb & ‰ jœœ-
%
[kI]
f ( F (
ßp
da-rk
ƒ ç
234
p sub.
Crave
24
÷
&
&&
?
83
83
83
84
84
84
Hp.
B. Fl.
84 jyfl ‰ Jy & . y.y &
3
84
˙
$84
$
$
f
[tE] [ti] [tu][ti]
enigmatic, the mutterings of anemotionally disturbed person
G
oOOPOOop
yfl & ‰ & y ‰
˙
$
$
$
[to] [ti]
y_>#
_. _. _. & ® _. _. _>#5
.œ
$
$
$
[tE] [f] go a–way go now [f]
Crave
25
÷
&
&&
?
84
84
84
83
83
83
84
84
84
Hp.
B. Fl. Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~
87
y_>#
_. & ‰ & _. y.87 jœ>
rœ> ebrœ jœ œ œ œ>
$87
$
$
[tE] [tE][f] now. go.
Sf % Sf
y _ .j_ Ry jœ3
rœ> ebrœ œ Jœ>3
$
$
$
[ti] [tu]a way
% Sf
Jy J y y &
œb œ œ œb œ œb œ œb œ œ œ œn œb œn œb55 5
$
$
$
[s] [I] [kE]
p f ß
take woodblock
%
Crave
26
÷
&
&&
?
84
84
84
83
83
83
Hp.
B. Fl.
90 4>y y
J_"
J _ y ®
90
œ œ# œ œb œ œb œ œ œb œn œ œb œ œ œn œ œ œ5
5
$90
$
$
[tu][kI][hu] [ti]
p sub. f ßF
‰ yfl & ‰ ‰
‰ jœb > ‰ ‰
$
$
$
[tE]
f
ƒ
yy
_> _>#_. _. _. _.
_># ® y.
jœb >jœ jœ œ œ>
$
$
$
[tE] [kE] [kE] No. [f]
take me not here
[f]
sƒ p sub. Sf
Crave
27
÷
&
&&
?
83
83
83
84
84
84
83
83
83
Hp.
B. Fl.
~~~~~~~~~~~R93 _>#y. ® y. j
_æ yy.
3
93
.œb œ> jœ œb > œ>3
$93
$
$
[tE] [tu][ti][f] [kE]
% Sf % Sf
Jy
J J y. yfl
œ œ# œ œb œ œb œ œ œb œn œ œb œ œ œn œ œ œ5
5
$
$
$
[s] pea [kI]
p f ß
%
JZ4
J æ J
qæ
œb œ œ œb œ œb œ œb œ œ œ œn œb œn œb55 5
$
$
$
ord.
p sub. ƒflz.
Crave
28
÷
&
&
&
?
84
84
84
Hp.
B. Fl.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~R
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~
!
96
_" _# _" _# _" _# y ® y & yfl6
96
ebœ œ œn œ œb
j_> ‰ y. y &
96
$
‰ & œœœbP
>& œ>
(
f ƒ n. f ß
[hE] [s] [kI] [tu]
f
No. don' [tE]
all dampening is donewith the woodblock (L.H.)
ƒ
p ß
Z> ._æj_æ j
_æ j_æ
œb œ œb œ œ œ œ œ œ œ œ œ œ œ œb œ
$
j@æ j
@æ j@æ j
@æ
ppp sub. F (
sƒ ppp sub.(w. woodblock)
œ_Z
œ_ œ_ œb_ ® ®._
q
Jœ_
Z
œ_ œ#_ œ_ _
q
_# _n5 6
‰ œ>P
e#‰ ‰
3
Jœ>«
‰ ‰ ‰
F ƒ p ƒ
Sf
234
ƒ p
loco
Crave
29
÷
&
&
&
?
83
83
83
84
84
84
Hp.
B. Fl.
!
~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~
99
99
‰ œ_Z
œ_ œb_ & œw
œn œ œb œ œb_Z
œb_ œ_ ®
3 5
J_ _ y Œ
99
‰ ‰ jœ> œ>3
‰ & œ
«>
œb
>‰ &
œ>�Rœ
F f
ƒ
brea the.
p ff poss.
‰ . Z>4
q _>#
&,
‰ œ œb œ œb œ œb œ œ œb &6
3
$
œ> œ> ‰ ‰,
jJyy
..yy @>Rj@>�
,
%
(vibrate woodblockon the strings to create a metallic sound)
Sf
[ki] [u]
Ï
[f]
$
jy. ‰ ‰ & . y.
$
$put down the woodblock
F
let. go.
ß
H
Crave
30
&
&
?
83
83
83
Hp.
B. Fl.
102
œœ œ œb œb Jœn
q
Jœœœœœe
##w
œ
q
œb5
102
œ œœ œ# œb œ
œb œœ & œœb œb œ>
®œ>
e ®6
3
‰ ‰ ‰ ® œb> e
&
p ƒ Sf
Sf
f p ƒ p
C#
loco
œœe
œœe
# œœeb
bb_n ># œœ
ebbn œœ
eœœen
n#®
œœeb
œœe & e _
"_# _" _# _" _#
6
& & œ# œ œ œ# œbœ ‰
6
& & .œ œœœœbb >‰?
f Ï
Sff
F F
[ha][hE]
ß
Dn __ b
ord.
J_" j_ ‰
‰ ‰ ‰
‰ ‰ ‰
fff poss. p
[hE]
Db
Crave
31
÷
&
&
&
?
84
84
84
Hp.
B. Fl.
105
$
105
$
$105
$
$
® yây.
‰ ® œ œb œb > ‰ œœ œ œb œ
5
jy._ ‰ ‰ j
y>_ ‰3
jœœP> ‰ ‰ jœœ> J
œœb >3
$
ƒ
P
let. go.
f p
don' [tE]
f
Jœq œœœœœ
e##w
œ
q
œœeb
bb œœeb
bn œœen
n#_>#
œœe
œœe _>#
œœe
3
& œœb œb œ
œ œœ# œ# œ
œœRÔ
œ œb
œœ
œ
>
RÔ
3p f p f sub.
leave hand on the strings("dead stroke slide")
�
ƒ p F
[hE] [hE]
ß ß
(use one hand)
�
Crave
32
÷
&
&
&
?
83
83
83
Hp.
B. Fl.
108 rKyâ yy. &
108
®œœe
œœe
#_>#
e _"
_# _" _# _" _# & . œ œb œb > &
6
‰ ‰ _. _. _. ® & _. _.108
®
œ œb
œœRÔ
‰ ‰ ‰
œœ�
œœ�
œœ�
œœ�
œœ�
œœ� Jœ>«
‰6
let. me. go. let. me.
�
Sf
cresc.
F
[ha] [hE]
ßfff poss.
"ff "
don' [tE]
f
%
® yây.
‰ ® œ œb œb > ‰ ‰
& y._ ‰ Jy._ jy._ & y._ y._3
‰ œb > & ‰ œ> &
‰ ‰j
Jœœ�
j
Jœœ� ‰
3
let. let. go. let.me.
don' [tE]
f
"ff "
P
& y> y.yâ
y. RÔy># ,
& œb œ>œ œb œb> ® ‰ & . œ>
,
‰ Jy> ‰ & y. y y. & ,3
$
‰ Jœœb >P ‰ Œ3
don' [tE]
f
wai[tI] [f]
ß
go. li[s] ten.
ß F f
take woodblock
ƒ
Crave
33
&
&
&
?
83
83
83
165
165
165
83
83
83
Hp.
B. Fl.
!
111œ#3Z
_ œ#_ œ_ ® œ_ œ_ ® œ_ ® œb4_ œ_
œ_
$
111
$
j@>
‰ & . @>�ƒ
(dead stroke)
f Ï
D#
& œ#3
_ œ#_ œ_ ® œ_ œ_ ® œ4
_ œb_ œ_
_># & ® y> ® y> &
$
j@>
‰ & . @>�Sf
f Ï
[f] [kE] No.
f poss. molto cresc. possibile
& œb4_ œ_ œ_ ® _bq
_ R_3
_># & ® y> ® &
œ> œb > œ# > œ> & ®
œ>3
j@>�
‰ &
Ï f
f ƒ
(use one hand)
[f] [kE]
Crave
34
&
&
&
?
83
83
83
165
165
165
83
83
83
84
84
84
Hp.
B. Fl.
!
114
‰ œ#Z
œ œ4w
œb œ œnZ
&
._># y> _># & & y>
114
& œ> Jœ>P
$
ord. ord.
F ƒ F
ç p
[f] [f][kE] you.
ff poss.
Accel.
Accel.
œbw
œ œ œ# œ œ œ#æ œnæœnæ R
œn4
æ5
$
œ# œ œ & œRœb >
3
j@>�
‰ &
ord.
f p ƒ
flz.
f fff poss.
œ#2 œ# œ ® œ œ ® œ3> & œ œ2
& . œ# ¯ & œ œ &
œ# > ‰
j@>�
‰ ‰
e = 108-100, as fast as possible, neurotic, obssessive
e = 108-100, as fast as possible, neurotic, obssessive
F f F
I hate you.
p smoldering yet punchy, barely strong enough to be heard
I
Crave
35
&
&
&
?
84
84
84
82
82
82
83
83
83
84
84
84
Hp.
B. Fl.
117 .œ4> _# œ#
2
œ# œ ® œ œ ® œ3> & œ œ
2
‰ & . œ# ¯ & œ œ &
117
$
$
[s]
Sf F f F
I need. you.
® œ œb œ œ ® œ# œ
œ# ¯ & ® .œ
$
$
need. more.
.œ>4
œ# ® œ3
œb œ œ ® œ# œ2
‰ œ# ¯ & ® œ
$
$
[s]
Sf F
can you.
Crave
36
&
&
&
?
84
84
84
82
82
82
165
165
165
Hp.
B. Fl.
120
& œb œ œ ® œb œn œ# œ œ# œ œn œ
4
_#
œ# ¯ & ® .œ ‰ ‰
120
$
$
ƒ
[s]
would you.
.œ
4
> _# œ#
3
œ œ# œ œn4
œ & œb3
œ ® œ#
‰ ‰ & œ# ¯ & œ
$
$
Sf F f
will you.
œ œ2
® œ> ® œ œ®
& œ# ¯ .œ œ
$
$
F
con trol con
Crave
37
&
&
&
?
165
165
165
83
83
83
82
82
82
Hp.
B. Fl.
123
œ4
œ ® œ œ>® ® œ
2
œ ®
& œ# ¯ ® œ œ ® ® œ
123
$
$
Ï
trol re-lax con
Dn
œ œ ® œ4 œ>
® ® œ2
œ ®
& œ# ¯ ® œ œ ® ® œ
$
$
trol re-lax con
® œ# œ œ ® œ# œ ® ® œ œ œ
œ# ¯ & .œ œ œ &
$
$
F
trol and no thing.
.œ>
4
_# ® œ#
2
œ ® ® œ# œ œ
‰ .œ# ¯ œ œ &
$
$
[s]
Sf F
no where. here.
Crave
38
÷
&
&
?
82
82
82
84
84
84
Hp.
B. Fl.
!
'
127
$
127
.œ>4
_# ® œ#
2
œ ®
127 œ œ œ
j@>
& . @>�( drunken, sporadic (be sure to leave space);
like haphazard morse-code
Ï
Sf
[s]
_"
_
˙
$
[ko]
Rall.
Rall.
pp sub.
_ _
˙
$
_ _
˙
$
Crave
39
&
&
?
83
83
83
Hp.
B. Fl.
'
(')
131 _# _# _ & _ _ _ _ _‰ & _ _ _
5 5 5
131 e e e
$
(
whistle tones
e = 80-69
sim.
e = 80-69
J
_ _# & . &_ _ ® ‰ & _ _ ®
5 5 5
$
_ _b _ _® ‰ _ _# _# & .
5 5 5
$
Crave
40
÷
&
&
?
82
82
82
84
84
84
Hp.
B. Fl.
(')
!
134
JZ
>4Z
>J
q
3
134 œb œ œ œb œ œ œn œb œ œb œ œ œ# œn œ#5
5 5
134 œ> œ>&
œ>‰
3
@> @>& @>
‰3
fff sub.
ff sub. sƒ p sub. ƒord.
. Z
œ œb œ œb œ œ œ œb œ œn5 5
&œ>
‰
& @>‰
p
_># & ‰ Œ
œ# œ & ‰ Œ
œœ# œœ œœ
@>�‰ Œ
Sf
[hE]
( (as before)
"Sf "
Crave
41
&
&
?Hp.
B. Fl.
(')
'137
$
137 ee# ee ee
$
‰ & _J_ ._ ®
$
(
whistle tones
& _# _# _ & _ _® & . _ _ ‰
5 5 5
$
Crave
42
&
&
?
83
83
83
Hp.
B. Fl.
(')
(')140 _# _ _ _ _# & . _ _ ®
_ _ _® & _ &
5 5 5 5
140 ee# ee ee
$growing more regular, even
no cresc.
‰ & _# _® _ _ _# _ ® ‰
5 5
$
Accel.
Accel.
& _# _# _ _ ‰_ _ _
&5 5 5
Jœœ# >
$Sf
Crave
43
&
&
?
165
165
165
163
163
163
83
83
83
165
165
165
Hp.
B. Fl.
~~~~~~~~~~~~~~~~~~~~~~~~~~!
143
$
143
$
@> @>�‰ & @>
3
Tempo 1, e = 96-88 Savage
Tempo 1, e = 96-88 Savage
fff sub.
K
$
œ> œb > œ# > œ> œ>
j@>�
‰ &ƒ Ï
$
œ# > œ> œ>
j@>
r@>�
σ
Sff
$
$œ
jJ @> @�>
®
(vibrate woodblockon the strings to create a metallic sound)
Î
Sfff
Crave
44
&
&
?
165
165
165
163
163
163
84
84
84
83
83
83
Hp.
B. Fl.
!
147
$
147 œ> & œ# > œ>œ# > œ>
Rœ>
5 5
j@>
‰ &Ï
$
& œ# > œ>
@> @�> @>�Sff
$
$œ>
>
j
j
@>‰L.V.
SfffÎ
‰ ‰ ‰"
$
& @>‰ ‰"L.V.
more! put down the woodblock
short
short
Crave
45
&
&
÷
?
84
84
84
83
83
83
84
84
84
Hp.
B. Fl.
151
$
151 jJœœ# æ j
Jœœæ ..œœ
æ
6
$
cluster glissando
f Ï
Sff
L
$
jJœœ# æ j
Jœœæ j
Jœœæ ..œœ
æ
6
$
f Ï
$
jJœœ# æ
6 6
œœæ
RÔ
..œœæ
y
$
f ( f )
$
œœ# æ
y
œœæ
yRÔ 6
œœæ œœ
æ œœæ
RÔ
jJœœæ rK
RÔœœ
œœ
6
®
RÔ�
Ï
loco
Crave
46
&
&
÷
?
Hp.
B. Fl.
155
$
155
œœ# æ œœæ œœæ œœæj
Jœœæ
jJœœæ
y 6
œœR
Sfff Ï
(L.H.)
�
$
‰ ‰ ®
6
œœR
‰
�
Accel. poss.
Accel. poss.
$
œœ# æœ
«>RÔ
R1>
‰
y 6
j
Jœœ
rRœœæ
3(L.H.)
�
Crave
47
÷
&
&
÷
?
..
..
..
..
..
..
..
..
..
..
Hp.
B. Fl.
158
$
158
$
158
œœ
6
œœ# æ
RÔ
&œ
«y
®
6
œœR
® œœæœœæ
1>rK
6
3
5
� �
$
$
jœ#,
Jœ> >
>
®
& && .
6
Î
p sub.
L.V.
fff sub.
_">
j_ _ y> &3
˙n >
$
$
[f]
f p
Repeat 8x
[ht]
Sf
Repeat 8x
ƒ
giusto a tempo, e = 96-88
giusto a tempo, e = 96-88
M
Cn
Crave
48
÷
&
&
÷
?
327
327
327
326
326
326
Hp.
B. Fl.
161
_"> _
161 œ œb œ œ œb œ œb œ œb œ œn œb œn œb œn œb œ œ œb œ
10 10
161
$
$
[f]
fRall.
Rall.
(
y> & ‰ Œ
$
1
œ#
œœ œ
œb œ œœ#
œ
6
œ 5
[ht]
SfTempo 1, e = 96-88
Tempo 1, e = 96-88
ƒ
Sf
ƒtempo is flexible here
p sub.
$
$
y
œœb œ#
6
œœ
$f mechanical but gaining
momentum; becoming crazed
Crave
49
÷
&
&
÷
?
326
326
326
325
325
325
82
82
82
329
329
329
327
327
327
Hp.
B. Fl.
164
$
164
$
164
6
œœb œ# œ
œ#
$cresc.
$
$
6
œœb œ# œ
$
$
$
y
œ#
6
œœb œ# œ
œ
$
$
$
y
œ# œœ#
6
œ œœ
$Gn
$
$
y
œœ
6
œ# œœ
y
œ
$
Crave
50
÷
&
&
÷
?
327
327
327
165
165
165
83
83
83
Hp.
B. Fl.
169
$
169
$
169
y
œœ
6
œ# œ
œ#Sffz
ffff poss.
$
$
® œ# œœ
®œ>
® œ# œ®
$
decresc. poco a poco
poco Rall.
poco Rall.
$
$
œœ
œ œ ® jœœb ‰ jœœb5
3
$
p
Crave
51
÷
&
&
?
84
84
84
Hp.
B. Fl.
~~~~~~~~~R172 .J
w r_
q æ _æ_>#
172
172
‰ & . œœ>
‰ ‰ œœ
œ œ &5
f
Accel. al fine
Accel. al finegiusto a tempo, e = 96-88
L.H.
R.H.
giusto a tempo, e = 96-88
[hE]
Ïp
%
. .Z> _># . .Z
> _># . .Z> _>#
$
. .œ>P eb . .œ> e . .œ> e
234
234
234
Ï sim.
Ï Sf sim.
[hE] [hE] [hE]
. .Z> _># . .Z
> _># . .Z> _># _
&
$
. .œ> eb . .œ> e . .œ> e & œ>«234
234
234
Sffz
1 October 2014Darmstadt, Germany/Oakland, CA USA
[hE] [hE] [hE]
Crave
52
