counteraction and be exterminated. Yet Cubism - and this is the most amazing power of formative arts - attracted heavy doses of both praise and censure, while playing the role as the bearer of a uropian theor y of reform, and lasted throughout the postwar years to this day.

Already a quarter of a century ago, Hans Belting pointed out that the study of the modern age turned art history into a history of the "avant-garde" that constantly repeats itself and is a process of adjoining the variety of geniuses that peak above others. However, the creation of new expressive forms often comes from latent personal qualities of the genius artist himself or from his undiscovered biographical background. His ultimate intention is inexplicable otherwise. In contrast, the "followers" of such geniuses who daringly accepted those expressive forms and who developed a rich repertoire of visual dictums from there never fail to fully reveal their motivations and objectives. If so, is it really valid to deem them - and undoubtedly most of our Asian Cubists are among them -as mere followers who are "not as essential"? What we must first do in order to discuss Cubism in Asia, is to liberate ourselves from such shackles of the history of Modernism and to scrutinize their socio-political as well art historical backgrounds.

Texts in the "Reflectio n on the Symposium" section translated by Koh no Haruko.

378

,,,t, 1;7-. r. 7071-,v Panelists' Profiles

Jt~ 1[ (tcc1J:tc · .MG ) I Tatehata Akira 00:iLOO~JiWiJillllil:R( B ;;t;c)

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383

Panelists ' Profiles

Keynot e Speech

Tatehata Akira Director, The National Museum of Art, Osaka Uapan )

Born in Kyoto in 1947. Gradua ted from Scho ol of Lette rs, Arcs and Sciences, Waseda Universiry. Cur ator of th e National Museum of Art , Osaka and professor of Tama Art University before takin g curr ent position in 2005. Specializes in modern and cont emp o-rary arr. Japan ese commi ssioner for th e Venice Biennal e (1990, 93 ), ar tistic dir ector of Yokoham a Triennal e 2001, and curator of many exhibit ion s of mod ern / contemp orary art in Asia. Also, a poe t and winn er of Rekitei Prize of New Poet (1991) and Takam i Jun Award (2005). Lives in Osaka.

Session 1

Mizusawa Tsutomu C hief Curator, The Museum of Modern Art, Kamak ura & Hayama (japan )

Born in Yokohama in 1952. Ob tained MA from Keio Uni versity,Japan and join ed the Museum of Mod ern Art , Kamakura as curator in 1978. Specializes in Germ an modern / con temporary art and Japanese mod ern/ cont emporary arr and its encount er with foreign cultur e. Author of Kono Owari 110 Toki ni mo (Even at th e End ) (Shicho-sha , 1989) and Tenza,0suru Ch11shi11 (Interspersed Center) (Co -author / editor , Shunju sha, 1995), among oth ers. Curated many exhibition s, including "MOBO , MOGA / Mod ern Boy, Mod ern Girl: Japanese Mod ern Art 1910-1935" (1998). Lives in Kanagawa prefectur e.

Omuka Toshiharu Professor, Graduate School of Comprehensive Hu man Sciences , Unive rsity ofTsukuba (japa n)

Born in Tokyo in 195 1. Ob tained MA from Waseda University and Ph.D. from University of Tsukub a. Assistant cura to r of Hokk aido Museum of Modern Art, Sappo ro (1978- 1985). Jo ined Uni versity of Tsukuba in 1985. Chair of Doctoral Program in Art and Design since 2004. Awarded Mainichi Shupp an Bunka sho Shoresho Prize for Ta,shoki shinko bijutsu undo no kenk:yu [Mod ern Art Movement and Avant -Garde in Japan 1920-1927] in 1995. Recent studies include artistic interactions between Far Eastern Russia and Japan in the 1910s and 1920s, and making of masterpi eces, among oth ers. Lives in lbaraki prefectur e.

Shen Kuiyi Assoc iate Professor, De partment of Visual Arts, U niversity of California , San Diego (China / USA )

Born in Shanghai , China in 1954. Obtain ed BA from Shan ghai Normal Uni versity, Chin a and Ph.D. in art histo ry from Ohi o State University, USA. Contribut es boo ks and essays on mod ern and con temporary Chin ese art, and Sino-Japanese artistic exchanges in the late 19t h and early 20th centuri es, including A Century in Crisis: Tradition and Modernity in the Art of Twentieth Century China (co-author, Gug genh eim Museum Publi cations, 1998 ) and "The Lure of the West: Impr essionism in China '" (2005). Lives in Californi a.

384

John Clark Professor, Department of Arc History and Theory, University of Sydney (Australia)

Born in Grim sby, UK in 1946. Obtain ed Ph.D. from Th e Uni versity of Sheffield, UK. Author of m any book s and articles, including Modernity i11 Asian Art (Editor / contributor, Wild Poeny Press, 1993 ) and Modern Asian Art (Honolulu: University o f Hawai' i Press, 1998 ). Specializes in mod ern and cont emporar y art in Asia. Two book dr afts now in submi ssion,Modernities of Chinese Art and Modernities compared: Chinese a11d Thai Art i11 the /980s and 1990s. C urr entl y researchin g on th e new biennial s in Asia. Lives in Sydn ey.

Session 2

Hayashi Michio Associate Professor, Faculty of Comparat ive Cu lture, Sop hia Unive rsity (Japan)

Born in Hakodat e in 1959. Obtain ed Ph.D. from th e Departm ent of Art Hi stor y and Archaeolo gy, Columbia Univ ersity. Curr ent po sition since 2003, specializing in Weste rn art history and art cr iticism . Author of Painting Dies Twice, or Never, vol.1-4 (Tokyo: Art Trace, 2003-, vols. 5-7 to be publi shed soon ). Recent catalogu e essays includ e "Paintin g, Degree Ze ro - RR's Whi sper" ("Robert Ryman " exhibirion , 2004 ) and "An Eye Open to Traces ofLighr : Thought s on Ryuji Miyamoto " ("Ryuji Miyamoto Retro spective" exhibition , 2004 ). Lives in Tokyo.

Jim Supangkat Art Critic / Chief Curator, CP Foundation (Indonesia )

Born in Makassar, Indon esia in 1948. Gradu ated from Faculty o f Fine Art and Design , Bandung Institut e of Techno logy in 1975, and began career as sculptor and initi ated rhe Indon esia New Art Movement th e same year. Became full -tim e art critic and ind epen-dent curator in the late 1980s. From th e 1990s onward s, act ively involved in introdu cing Indonesian art int ernation ally and estab lishin g regional art forum s mainly in South east Asia. Lives in Bandun g.

Patrick D. Flores Professor, Arr Studies Depanmenc, University of the Philippines Diliman (The Philippines)

Born in Manila , th e Philippin es in 1969. Received degrees in hum aniti es, art histor y, and Philippin e studi es at Uni versiry o f th e Philippin es Diliman . Co ntribut es essays on art and popul ar cu ltur e to local and int ernationa l publ ication s. Publi cation s includ e book s on the humaniti es, co lonial art, and cinema. Also, curator of Arts Division, National Museum of the Philippin es. C urr ently researchin g on cur ato rs of cont emporar y art in South east Asia. Lives in Manila.

385

Ahmad Mashadi Senior Curator, Singapore Art Museum (Singapore)

Born in Singapore in 1966. Graduated from Nat ional University of Singapore and joined Singapore Art Museum as curator of its inaugural exh ibition in 1996. Curaro rial projects include "SEN ! Singapore 2004 ~ 49th Venice Biennale (2001 ), and 26th Sao Paulo Biennial (2004 ). Specializes in contemporary art in Sout heast Asia. Lives in Singapore.

Session 3

Matsumoto Tohru Chief Curator, The National Museum of Modern Art, Tokyo (Japan)

Born in Tokyo in 1955.Completed graduate course in aesthetics and art history at Kyoto Universi ty and joined Th e National Museum of Modern Art , Tokyo in 1980. Curated exhibition s includ e"Kand insky Retrospective" (1987) and "Yayoi Kusama" (2004). Academic papers includ e" Kaiga no keishiki ro naiyo-Kandinsky no kaiga-ron wo megutte [Forms and Context in Painting; On Theories of Kandin sky's Paintingt Gey·,11s11-no Riron to Rekishi [Theory and Hisrory of Art ] (Shibunkaku, 1990). Lives in Kanagawa prefecture.

Kim Young-na Professor, Department of Archaeology and Art History, Seoul National University (Korea)

Born in Seoul, Korea. Received MA and Ph.D. from Ohio State University. Became professor of Duksong Women's University in 1980 and joined Department of Archaeo l-ogy and Art Hi story at Seoul Nationa l University in 1995. Author of many books and art icles on 20th century Korean art and Western modern art, including Tradition, Modernity and Identity, Modem and Contemporary Art in Korea (The Korea Foundation, Hollym Publisher , 2005 ). Lives in Seoul.

Tanaka Masayuki Curator, The National Museum of Western Art (Japan)

Born in Tokyo in 1963. Gradua ted Department of Art Hisrory, Faculty of Letters, The University of Tokyo in 1987. Subsequent ly co mpl eted graduate course , then studied at Institu te of Fine Arcs at New York University from 1990 ro 1995.Joined The Nat iona l Museum of Western Art as curaror in 1996. Spec ializes in Western modern and contemporary art hisrory. Curated exh ibiti ons includ e "Picasso's World of Ch ildr en" (2000 ) and "Henri Matisse: Process and Variation" (2004 ). Lives in Tokyo.

Bert Wincher-Tamaki Associate Professor, Department of Art History, University of California, Irvine (USA)

Born in Pennsy lvania , USA in 1959. Author of Art in the Encounter ofNations;}apanese and American Artists in the Early Postwar Years (University of Hawai'i Press, 2000 ) and co-aut hor with Louise Cort of Jsamu Noguchi and Modem Japanese Ceramics: A Close Embrace of the Earth (Unive rsity of Califo rni a Press, 2003 ). Current book project is titled Painterly Eugenics; Designingjapanese Bodies in Western Painting (Yoga). Lives in California.

386

Session 4

Tsuji Shigebumi Professor, Faculty of Humanities, Otemae University/ Director, Nishinomiya City Otani Memorial Museum of Art (Japan)

Born in Tokyo in 1933 . Graduat ed Faculty of Fine Ans , Tokyo Nat ion al Uni versity of Fine Arts and Mu sic in 1958, and obtain ed Ph.D. from Princeto n Univers ity. Curre nt position since 2000; prior positions include professor at Osaka Univ ersity. Specia lizes in late antiqui ty, Byzantine / medieva l periods , and icono graph y. Author of Idea no Yadon· [Dwelling s of Idea : Plato nism and the Art from Classical Ant iquit y to Byzanti um ] (Sh inchosha, 1976) and "Bekken Post-Imag e ron no Bijutsu -shi -gaku [Art History after the Age of'Word- lm ageT Ote111aejo11rnal of Humanities, V (2005 ). Lives in Kobe.

Ushiroshoji Masahiro Professor, Faculty of Humanities, Kyushu University (Japan}

Born in Kita-Kyushu in 1954. Graduated from School of Lette rs, Kyushu Un iversity and join ed Fukuoka Art Museum as curator in 1978. Curator of Fukuoka Asian Art Mu seum from 1999, and current po sition from 2002. C urated man y exhibition s of modern / cont emporar y art in Asia, includin g "Th e Birth of Modern Art in Southeast Asia: Art ists and Movement s" (1997 ) and the first two Fukuoka Asian Art Trienn ales (1999, 2002 ). Also, au th or of man y books and articl es in thi s field . Lives in Fukuoka.

Karen Cor dero Reim an Distinguished Professor, Art History Department, Universidad lberoamericana {Mexico)

Born in Rome , New York, USA. Studied at Swarthmore College and compl eted gradua te studi es in art history at Yale Univer sity. Foundin g memb er of th e research cen ter and journa l of Curare: A Critical Space far the Arts. Author of num erous publ icat ion s on 20th centu ry Mexican art , and also th e relations between th e so-ca lled fine and popular arts, historiography, and representation of th e bod y, gender and sexual identit y in Mexican art. Also involved in variou s exhibition s. Cu rrently working on a pub lication compa ring the presentatio n and narrat ion of th e history of 20th centur y Mexican art in art histo rical texts and mus eum exhibiti ons. Lives in Mexico City since 1982.

Tatehata Akira See Keynote Speech.

• The data, including positions and affiliations, are as of September 2005.

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Cubism in Asia Project

The project consists of th e following compo nents : I ) Internat ion al Workshop 2) Exhibition 3) International Symp osi um (ope n to th e public ) 4) Publi cation

Project Advisors: Tatehata Akira (formerly Professor, Tama Arr University/ Director, The National Museum of Art, Osaka] Hayashi Michio [Associate Professor, Faculty of Comparative Culture, Sophia University] Us h iros hoji Masahiro [Professor, Faculty of Humanities, Kyushu University]

Project Di rector : Furuichi Yasuko [Exhibition Coordinator, Visual Arts Division, Arts Department, The Japan Foundat ion]

1) International Wor kshop Dates: February 2, 2004 (Mon )- February 3, 2004 (Tue) Venue: Th e Japan Foundat ion Conference H all Or ganizer: The Japa n Foundation

Parti cipant s: (in alph abetical order by fami ly nam e, positions /a ffiliations as February 2004) Patrick D. Flores [Professor, Art Studies Department, University of the Philippines, The Philippines] Ha yas hi Mic h io [Associate Professor, Faculty of Comparative Culture, Soph ia Universiry,Japan]

Su tee Kunavich anont [Artist, Thailand] Li Chao [Associate Professor, College of Fine Arts, Shanghai University, China] Ahmad Mashadi [Senior Curator, Singapore An Museum, Singapore] Mok Soo -h yun [Curator,Jikji Museum, Korea]-to present Kim Young-na's pape r Gayacri Devi Sinh a [Art Critic/ Curator, India] Tatehata Akira [Professor, Tama Art University,Japan] Ushiroshoji Masahiro [Professor, Faculty of Humanities, Kyushu University.Japan] Jagat h Weerasinghe [Artist, Sri Lanka] Rizki A. Zaelani [Art Critic/C uracor, Indonesia)

Research Trip s 2004 Mar ch Korea (Seou l), Th e Philipp ines (Mani la), Singapore August India (New Delh i, Mumbai ), Sri Lanka (Colombo ), Malaysia (Kuala Lumpur ) August Ch ina (Beij ing, Sha nghai, Hangzhou, Guangzhou ) October-November Th ailand (Bangkok ), Indonesia (Jakarta, Bandung )

2005 February Hon g Kong , Taiwan (Taipei ) Apr il The Philippin es (Manil a)

393

2) Exhibition Dat es & Venues: [Tokyo] August 9, 2005 (Tue )-Occober 2, 2005 (Sun ) Th e Nationa l Mu seum of Modern Art, Tokyo [Seoul ] November 11, 2005 (Fri)- Januar y 30, 2006 (Mon ) Th e Nationa l Museum of Contemporary Art, Korea (Deoksug ung ) [Singapore ] Februa ry 18, 2006 (Sat )-Ap ril 9, 2006 (Sun ) Singapore Art Museum

Orga nizers: The Japan Foundation The Natio n al Museum of Mod ern Art, Tokyo The National Museum of Co ntemporary Art, Korea Singapo re Art Museum

Co ncept: (in alphabet ica l order by family name ) Choi Eun-ju [Director, The National Museum of Contemporary Art, Deoksugung } Joyce Fan [Curator, Singapore Arc Museum] Furuichi Yasuko [Exhibition Coordinator, The japan Foundation] Kim In-hye [Assistant Curator, The National Museum of Contemporary Art, Korea]

H ayash i Michio [Associate Professor, Faculty of Comparative Culture, Sophia University] Ahmad Mashadi [Senior Curator, Singapore Art Museum ]

Matsu moto Tohru [Chief Curator, The National Museum of Modern Arc, Tokyo] Miwa Kenjin [Curator, The National Museum of Modern Art, Tokyo] Tatehata Akira [Director, The National Museum of Art, Osaka] Ushiroshoji Masahiro [Professor, Faculty of Humanities, Kyushu University]

Project Managem ent: The Nationa l Museum of Modern Art, Tokyo Mat sumoro Tohru / Miwa Ken jin / Suzuki Katsuo The National Museum of Contemporary Art , Korea Chu ng Jun -mo / Choi Eun-ju / Kim ln-hye Singapore Art Museum Ahmad Mashadi /Joyce Fan / Cindy Wong The Japan Foundation Tokyo: Furuichi Yasuko/ Hoa shi Aki/lshigami Mori Beijing: Kuriyama Masayuki / Huang Haicun Seou l: Kim Young-shin / Machida Haruko Bangkok: Uchida Hi roshi /Ampush inee Unchidt i Jakarta: Tsukamoto Norihisa / Saco Maho / Diana Nugroho / Okano Takayasu Kuala Lumpur: Shimada Seiya/ Kugai Kyoko /Anuar Bin Ham zah Manila: Suzuki Tsutomu / lizawa Nobuaki / Uesugi Hi roaki / Patri cia Rose Barbara Diaz New Delhi: Fuka zawa Yoh/ Ho shina Teruyuki / Shalini Agarwal

394

Countr ies represented in the exhibition: China, Indi a, lnd ones ia,Japan , Korea, Malaysia, the Philippin es, Singapore, Sri Lanka, Thailand , Vietnam

Artists and Artwork s: Over 120 wor ks of 76 arti sts were selected from th e 11 countries listed above, based on the findings from th e Int ernational Workshop in 2004 and research trips in th e regional cities. (Number of works vary by venue. )

3) Int ernational Sympo sium Internat iona l sympo sia are planned in conjunct ion with the tour of th e exh ibiti on in thr ee cit ies. Agenda and pan elists are decided by the local organizer s t0 reflect th e local interest and issues.

[Tokyo] "Cubi sm in Asia: Unbound ed Dialogue s" Dates: Septe mb er IO, 2005 (Sat)- September 11, 2005 (Sun ) Venu e: The Japan Foundation Forum , Tokyo Organi zer: The Japan Foundation

Panelists: (in alphabet ical order by family nam e, positions /affiliations as of September 2005) John Clark [Professor, Department of Art History and Theory, University of Sydney, Australia] Patrick D. Flores [Professor, Art Studies Department, University of the Philippines Diliman, The Ph ilippines ]

Hayashi Michio [Associate Professor, Faculty of Comparative Culture, Sophia Universiry,Japan] Kim Young-na [Professor, Department of Archaeology and Art History, Seoul National University, Korea]

Ahmad Ma sh adi [Senior Curator, Singapo re Art Museum , Singapo re]

Mat su moto Tohru [Chief Curator, The Natio nal Museum of Modern Art, Tokyo,Japan]

Mizusawa Tsutomu [Chief Curator, The Museum of Modern Art, Kamakura & Hayama,Japan] Omuka Toshih aru [Professor, Graduate School of Comprehensive Human Sciences, University of Tsukuba,Japan ]

Karen Co rdero Reima n [Distinguished Professor, Art History Department, Universidad lberoamericana, Mexico] Shen Kuiyi (Associate Professor, Department of Visual Arts, University of California, San Diego, C hin a / USA]

Jim Supan gkat [Art Critic/ Chief Curator, CP Foundation, Indonesia] Tanaka Masayuki [Curator, The National Museum of Western Art.Japan] Tatehata Akira (Director, The National Museum of Art, Osaka,Japan] Tsuji Sh igebumi [Professor, Faculty of Humanities, Orcmae University/ Director, Nishinomiya City Otani Memorial Museum of Arc.Japan] Ushirosho ji Masahiro [Professor, Faculty of Humanities, Kyushu University,Japan] Bert Winther-Tamaki [Associate Professor, Department of Art History, University of California, Irvine, USA]

395

[Seoul ] "Asian Art in the 20th century" Date: November 19, 2005 (Sat) Venue: The Korea Foundation Culture Center Organizers: Th e National Museum Contemporary Art, Korea / The Korea Foundation

Panelists (in alphabetica l order by fami ly name ): Joyce Fan [Curator, Singapore Art Museum, Singapore] Patrick D. Flores [Professor, Art Studies Department, University of the Philippines Diliman, The Philippines ]

Agung Hujatnikajennong [Curator, Selasar Sunaryo Art Space, Indonesia] Roobina Karode [Lecturer, The Jawahrlal Nehru University, India) Kim Young-na [Profess?r, Department of Archaeology and Arr History, Seoul National University, Korea] Ornuka Toshiharu [Professor, Graduate School of Comprehensive Human Sciences, University of Tsukuba ,Japan ]

[Singapore ] "Cubism in Asia: Unbounded Dialogues " Dates: March 25, 2006 (Sat)- March 26, 2006 (Sun ) Venue: Singapo re Art Museum Organ izer: Singapore Art Museum Supporter : Museum , NUS Centre for the Arts

Panelists: Patrick D. Flores (Professor, Art Studies Department, University of the Philippines Diliman, The Philippines ]

T K. Saba pa thy [Adjunct Associate Professor, Department of Architecture, National University of Singapore, Singapore] Joyce Fan [Curator, Singapore Art Museum, Singapore] Hayashi Michio [Associate Professor, Faculty of Comparative Culture, Sophia University,Japan] R. Siva Kumar [Professor, Department of Art History, Visvabharati University, India] Ahmad Mashadi [Senior Curator, Singapore Arr Museum, Singapore] Jim Supangkat [Art Critic/Chief Curator, CP Foundation, Indonesia] Ushiroshoji Masahiro [Professor, Faculty of Humanities, Kyushu University,Japan] C. J. Wee Wan-ling [Professor, Department of English Language & Literature, Nanyang Technological University, Singapore]

4. Publication Exhibition Catalogues: Cubism in Asia: Unbounded Dialogues (Japanese / English ) Publi shed September 2005 Cubism in Asia: Unbounded Dialogu es (Korean / English ) Publi shed November 2005 Cubism in Asia: Unbounded Dialogu es (Chinese / English ) Publi shed February 2006

396

Int erna tional Symposium Reports Cubi sm in Asia: Unbounded Dialogues (Japanese / English ) Publi shed Februar y 2006 Asian Art in th e 20th Ce ntu ry (Korean / English ) Publish ed March 2006 Cubism in Asia: Unbounded Dialogu es (Chinese / English ) to be published in 2006

397

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Acknowledgements

The Japan Foundation would like to thank the following members for their generous assistance in making this symposium possible.

Tatehata Akira [Director, The National Museum of Art,Osaka ) Hayashi Michio [Associate Professor, Faculty of Comparative Culture, Sophia Univers ity) Mizusawa Tsutomu [Chief Curator, The Museum of Modern Art, Kamakura & Haya ma ] Matsumoto Tohru [Chief Curator, The Natio nal Museum of Modern Art, Tokyo] Tsuji Shigebumi [Professor, Faculty of Humanities, Otemae University / Director, Nishinomiya City Otani Memorial Museum of Art ]

Sympos ium Staff: Furuichi Yasuko [Exhib ition Coord inator, Visual Arcs Division, Arts Department, The Japan Foundation ) Yamada Etsuko [Visual Arcs Division, Arts Department, The Japan Foundation ) Hoashi Aki (Assistant Coordinator ]

Simultaneous Interpretation: Yoshida Miyako Sakai ltsuko Nemoto Seiji

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11:li: [il~'l(irl(J~{ll' 'r 107-6021 JliJ;i:J:11/!J!,[,,,\>J/;i 1-12-32 7-7 ~IC !v20P/i Tel.03-5562-3529 Fax.03-5562-3500 http: //www.jpf.go.jp

11:frlcl: 2006Jf2}l 151] © 2006[ij!:\:,, iiti/li;>z<:o,llif. lt •

International Symposium 2005 "Cubism in Asia: Unbounded Dialogues" Report

Editor: Furuichi Yasuko Assistant Editor: Hoashi Aki

Editing Support: Miwa Kenjin, Kim ln-hye,Joyce Fan

Translators: Japanese to English Stanley N. Anderson, Koh no H aruko English co Japanese Kinoshita Tecsuo, Fujihara Erimi, Omuka Hiromi

English Proofreader: Stan ley N. Anderson

Language Assistance: lnami Kazumi, Karo Takeshi, Kawano Akiko, Saco Koji. Machida Haruko

Photographer: Takei Taizo Designed by: Kondo Kazuya, Matsumoto Masaki Printed by: APOLLO -SHA Co., Ltd.

PubJ;shed by, The Japan Foundation Ark Mori Bldg. 20F, 1-12-32 Akasaka, Minato-ku, Tokyo 107-6021 Tel .81-3-5562-3529 Fax.81-3-5562-3500 http: //www.jpf.go.jp

Published on February 15, 2006 © 2006 The Japan Foundation ::all right s reserved

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