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CONTEMPORARY FURNITURE FOR HOSPITALITY AND CONTRACT PROJECTS

Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

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Page 1: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

Contemporary Furniture For Hospitality and ContraCt projeCts

Page 2: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

02.03

sum-mary

s u m m a r y

tHe History 04.05

FaCtories 06.07

aBout liGne roset ContraCts 08 – 13

desiGners 14.15 tHe ColleCtion 16 – 111

tHe outdoor ColleCtion 18 – 25

tHe seat ColleCtion 26 – 63

tHe CHair ColleCtion 64 – 89

tHe desK ColleCtion 90 – 95

tHe taBle ColleCtion 96 – 103

tHe oCCasional taBle ColleCtion 104 – 107

tHe liGHt ColleCtion 108 – 111

reFerenCes 112 – 138

Page 3: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

04.05

in 1860 antoine roset opened a wood processing factory in montagnieu, in the ain province of France. Very quickly he and his son, emile, began producing wooden umbrellas, walking sticks, and chair frames.

ligne roset has become a remarkable force and a leader in the international design world with 200 exclusive ligne roset stores worldwide, 750 retail distributors worldwide, and a presence in dozens of countries.

looking to the future, ligne roset aims to continue to explore the limitless world of design-forward inspiration by working with designers from a broad spectrum of cultures and backgrounds. this trend is set to continue, illustrating afresh that the ligne roset brand is constantly evolving and seeking new challenges for the future.

oVer 150 years oF expe-rienCe

t h e h I s t O r y

Page 4: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

6.7

Roset group has 5 manufacturing facilities in the Rhône Alps region of France.

design, production, and distribution are centralized in one plant, ensuring quality control throughout the entire process.

Continuous investment in cutting edge technology ensures that the brand remains ahead of the competition.

f a c t O r I e s 06.07

Page 5: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

08.09a b O u t l I g n e r O s e t c O n t r a c t s

tHe oBjeCtiVe oF tHe liGne rosetContraCts teamsis to reConCileContemporaryFurnisHinG &Quality desiGnWitH tHe HiGHlyspeCiFiC teCHniCalreQuirementsoF Hotels andotHer puBliC spaCes. this is true of teams whether they are in r&d or on the factory f loor, in quality control or the planning department, in paris, london, new york, or Briord.

Page 6: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

10.1110.11a b O u t l I g n e r O s e t c O n t r a c t s

a few key words form the basis of the ligne roset work ethic: attention, adaptation, personalization, and implementation.the phrase, ‘sur-mesure,’ or ‘custom-made’, applies just as much to small production runs of our products as to large runs.

any designer that has chosen to put their trust in ligne roset will not tell you otherwise; in Chicago as in Hamburg and in Barcelona as in monte Carlo, the furniture they design is produced very precisely. roset always respects their qualitative, aesthetic, budgetary, and functional specifications.

Because each project is first and foremost a tale of memorable encounters, ligne roset encourages you to visit their factories and discover all of the solutions their industrial base can offer.

Visit the hotels in which ligne roset has already worked and evaluate their savoir-faire for yourself.

speaK to someone on one oF tHe liGne roset teams and BrinG your projeCt to liFe.

Page 7: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

12.13a b O u t l I g n e r O s e t c O n t r a c t s

ligne roset creations are the culmination of various crafts: combining high-quality industrial know-how with the talent of designers and the creativity of interior architects. together, they share a love of materials – fabric, leather, solid wood, veneer – which they unite with state-of-the-art techniques and, of course, the handiwork of true professionals such as seamstresses, upholsterers, cabinetmakers, etc.

ligne roset takes it as fact that the success of an object in a public space is closely linked to the planning,experience, and potential of its manufacturer. therefore, they have instituted a very specific approach to furniture destined for contract projects that is at once industrial, technical, and logistical. Whatever the stage of the project, the ligne roset Contracts brand is discernable by the service rendered by its dedicated teams.

their esteemed reputation is exactly what hotels, museums, libraries, restaurants, apartment buildings, and their interior designers, are seeking when they call on ligne roset Contracts to conceive, develop, and produce the furniture they envision.

this is because, like them, ligne roset devotes themselves wholeheartedly to the satisfaction of their clients.

desiGn & manuFaC-turinG

Page 8: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

14.15D e s I g n e r s

CHristian lundWall didier Gomez FlaHaut desiGnisaBelle jaCQuart jean-pHilippe nuelmarie-CHristine dornerVp desiGnpatriCK jouinpierre-yVes roCHonprojeCt oranGeyasmine maHmoudieH...the role of architects and designers in the preparation of models from the collection and in the design of custom-built products is a crucial one. since each project tells its own story, ligne roset is ready to be a fully cooperative player in their stylistic quest from minimalistic to glamorous, neo-classic or new aged. With them, ligne roset creates original collections and products that reflect their eclecticism in which function and aesthetics are dominant.

Page 9: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

Known for its artful collaborations with both established and up-and-coming talents in contemporary design, Ligne Roset offers consumers an entire lifestyle in which to live both boldly and beautifully via its furniture collections and complimentary decorative accessories, lighting, rugs, textiles and occasional items.

Creativity is a key value of the Ligne Roset brand: if a new product demands new materials or production methods, the company will work to acquire and/or integrate them into their process. Seats, pieces of furniture, lighting, textiles, rugs, or bed linens: the idea precedes and the technique follows.

the CoLLeC-tion

Page 10: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

18.19

ALUChAiR / FiFtY 20.21 GRiLLAGe 22.23 PetRA / SeRPentine 24.25 the oUtdooR CoLLeCtion

O U T D O O R

Page 11: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

20.21O U T D O O R

j a c q u e s f e r r i e r ALUChAiR

32¼

32¼

18½

18½

23

23

indoor/outdoor chair designed

for the French Pavilion at

the Shanghai World expo.

Back legs in laser-cut aluminum,

front legs in folded stainless steel,

all finished in satin mastic,

argile or elephant lacquer.

Seat/back shell in pierced injected

plastic finished in satin argile

or mastic lacquer.

optional removable woolen

seat pad – choice of grège,

gris or anthracite.

F iFtYd ö g g & a r n v e d d e s i g n s t u d i o

13½

44¼

44¼

29

23½

29

34¾

26½

34¾

Structure and base in sanded

black lacquered steel with

anti-corrosion treatment, finished

in UV-resistant black polyester

lacquer. Seat and back woven

with 1378" of black or tobacco

colored mass-dyed polypropylene

cord with UV-resistant treatment.

optional seat/lumbar cushion

in ‘dry-Feel’ foam covered

in dina (100 % polypropylene)

or tempête (100 % acrylic)

fabrics which are both washable,

light-resistant, waterproof

and fungicidally-treated.

Page 12: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

22.23O U T D O O R

GRiLLAGef r a n ç o i s a z a m b o u r g

28¼

28¼

61

61

27½

27¼

Base in sanded tubular steel.

Seat formed entirely from a sheet

of metal which is cut in staggered

rows and folded in different places

b efore having metal wire soldered

to the exterior. Full anti-corrosion

treatment and white, light blue or

black anti-UV polyester lacquer.

optional seat pad in 100 % acrylic

tempête fabric (washable,

light resistant, waterproof &

fungicidally-treated).

72

9969

28¼

3927¼

28¼

34

28¾

39

20

27½

27¼

23½

27½

72

9969

Page 13: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

24.25O U T D O O R

c l a u d i o d o n d o l i & m a r c o p o c c iPetRA

32¾

16½20¼

Chair with polyurethane shell

and 4 varnished aluminum legs.

Stackable (in sixes), light (4 kg),

designed for use either outdoors

or indoors. Available in white,

beige or black.

SeRPentine é l é o n o r e n a l e t

29¼

30¾22¾

Bridge chair with quilted ‘lumps’

interwoven with the structure.

Frame in pale green, grey-blue

or anthracite-colored tubular

steel. Seat perforated in steel

sheet.

Finish: one coat of anti-rust

treatment + 1 of powder polyester

coating. exclusively available

in tempête 100 % acrylic fabric

(washable, light-resistant,

waterproof, fungicidally-treated).

83

51 42

74

58 78

Page 14: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

PUMPKin 56.57 RiVe dRoite 58.59 SiMPLe BRidGe /SiMPLiSSiMo 60.61

tAZiA / toRii 62.63 the SeAt CoLLeCtion

AndA 28.29 ARChi / CittA 30.31 ConFLUenCeS 32.33

eLYSee 34.35

eX / FACett 36.37 FeLt / FiL 38.39 FLAX 40.41

FRenCh Line 42.43

GUGGen 44.45

hARRY / Le Bo 46.47

LoU / LUCA 48.49 LUCA SoFt 50.51

MALhoUn 52.53 ottoMAn / PLURieL 54.55

26.27S E A T S

Page 15: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

28.29S E A T S

AndAp i e r r e p a u l i n

15¾

31

31

39

39

17¾

34¼

34¼

39

39

17¾

30¼

30¼

33½

33½

Available in two versions

with a high or low back, plus

a footstool, and in fixed or rotating

version with base in epoxy black

lacquered steel. A monocolor

model which can be made up

in fabric or hide. Colored wools

are recommended. Removable

covers.

79

77 87

40

45

99

85 99

79

77 87

99

85 99

Page 16: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

30.31S E A T S

p i e r r e p a u l i nARChi

16¼

37¾

37¾

24¾

25¼

34¾

14¼

35¾

35¾

A reproduction of the CM 194 hd

fireside chair and CM 195 hd

armchair, designed by Pierre

Paulin in 1955. Bases finished in

brilliant chrome or satin black

lacquer. Armchair has steel

armrests clad in foam. Suitable

for all fabrics, microfibres and

hides. Removable covers.

CittA d i d i e r g o m e z

Similar/dissimilar armchair and

settees. Feet in dark brown

or ebony-stained solid beech.

Fabrics run horizontally.

this model is particularly suitable

for thick hides, wools, velours/

chenilles and Alcantara.

Removable covers, except in

the case of Alcantara and hide.

96

91 88

41

36 63

96

91 64

30

32¼

32¼

29¼

73½

87½

34¼

34¼

34¼

76

87 74

82

18787

82

22287

Page 17: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

32.33S E A T S

ConFLUenCeSp h i l i p p e n i g r o

13½

30¾

32¾

32¾

33½

32¾

32¾

33½

33½

33½

33½

37½

57

49½

69

69

69

92½

94½

124

13¾

40¼

58¼

67

41

92¼

92¼

41¼

59¾

62¼

Monocolor chair and footstool; toi et moi,

small conversation settee, large conversation

settee, 2-seat settee, 3-seat settee and 4-seat

settee, either mono or multicolored.

optional lumbar cushion, armrests and sofa

end table. exclusively available in: Balder,

Coda, divina, extrema, tonga Scuba, or diva

and indiana hide. Removable covers.

34

35 85

78

102 95

83

148 145

83

126 170

85

104 175

83

175 234

85

104.5 235

85

152 240

85

158 250

85

158 315

Page 18: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

34.35S E A T S

eLYSeep i e r r e p a u l i n

13

27½

27½

35½

35½

67

25½

30¼

31½

the first major production run

of the seating designed by Pierre

Paulin in 1971 for the President

Pompidou’s smoking room/library

at the elysée Palace. Base in matte

black lacquered machined MdF.

A monocolor model which may

be made up in fabric – running

horizontally (Balder, Bee, Coda,

divina, harald, hermod, toscane,

Scuba) – or leather (diva, toro).

Fully removable covers.

17080

70

9077

70

9065

33

Page 19: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

36.37S E A T S

c h r i s t i a n g h i o neX

28¾

32¼31½

Model designed for the

bedrooms of the Renaissance

hotel, Aix en Provence.

Seat with elastic-webbed

suspension. May be made up

in a bi-color or bi-material

version.

Feet h 2¾" in chromed wire

Ø ¾".

FACett r o n a n & e r w a n b o u r o u l l e c

12½

33

34¼

12½

33

33

25½

34¼

34¼

48¾

57

74¾

28

32

32

28

32

32

Rotating chair: base in epoxy

black lacquered steel. Stitching

is either toning or with contrasting

thread in ecru, anthracite, grey,

red or blue.

Fabric is used horizontally.

exclusively available in:

Balder, Bee, Coda, Cravache,

divina, extrema, or diva, indiana

and toro hide. Removable covers.

32

71 65

32

71 124

87

8781

84

8781

84

81 145

84

19081

Page 20: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

38.39S E A T S

d e l o l i n d oFeLt

13¾

27½

23½

23½

16½

28

Seat and back in moulded beech

multi-ply assembled on two sets of

flat profile legs, also in multi-ply.

Covers are fully removable,

being held in place by completely

invisible zip fastenings.

exclusively available in Alcantara,

Bee, divina, Feutre, extrema AU.

FiL p a s c a l m o u r g u e

28¾

25¼28

Brilliant-chromed base. Seat

and back covers in synderme

hide – choice of noir, blanc,

brun, beige, gris, gris beige,

rouge, rouge vif, jaune,

naturel, vert goyave – or

in natural cowhide, which

therefore renders each fireside

chair a unique piece.

73

6471

Page 21: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

40.41S E A T S

FLAXp h i l i p p e n i g r o

14¼

27¼

24½

30

20

31½

Structure and base in solid

American walnut. All types

of covering materials may

be used. Removable covers

(except seat when in leather

or microfiber).

36

51 62

69

80 76.5

Page 22: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

42.43S E A T S

FRenCh Lined i d i e r g o m e z

29½

28¾29½

Seat/back structure in solid beech.

Armrests and base in ebony-stained solid oak.

natural materials (wools, leather) are strongly

recommended.

75

7375

Page 23: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

44.45S E A T S

GUGGena n d r é k i k o s k i

28¾

2424

Fireside chair inspired by

the chair of the same name,

designed for the restaurant

of the Gugge nheim Museum,

new York. Cross-shaped

brilliant-chromed steel base

rotates 360°. one-piece seat/back

with three-band quilted effect

on back achieved by two rows

of stitching.

exclusively available in: Alcantara,

divina, extrema, Scuba, or indiana

and diva hides. Covers may be

removed by a professional.

73

61 61

Page 24: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

46.47S E A T S

e r i c j o u r d a nhARRY

15¾

32¾

32¾

36½

36½

61

14½

37

37

Range of armchairs and settees,

either highly contemporary

or very classical, depending

on the version. Choice of ‘sti-

letto’ feet or sleigh base (height

4¼" or 6" ). All types of covering

materials may be used.

Covers may be removed by a

professional.

Le Bop i e r r e - y v e s r o c h o n

17¾

32¼

19¾

27½

19¾

18

Rotating armchair with brilliant-

chromed base. 6 buttons Ø 1" or 9

buttons Ø ¾".

optional lumbar cushion.

non-removable covers.

40

37 93

83

94 93

83

94 155

82

70

45

50

Page 25: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

48.49S E A T S

p a t r i c k j o u i nLoU

29¼

26½29½

Armchair designed for the bar

of the Mandarin oriental hotel,

Paris, now complemented

by a settee and footstool.

Base in brilliant-chromed or satin

black lacquered steel. Shell

in injected polyester resin.

Suitable for use with all covering

materials. non-removable covers.

LUCAj e a n - p h i l i p p e n u e l

26¾

26¾

26¾

26¾

24

30

30

51¼

24

30¼

30¼

24

Small armchair and small settee

with 4 brilliant-chromed feet

(or alternatively dark brown

beech). Large rotating armchair

with brilliant-chromed rotating

cross-shaped base (pivots 360°,

without return function) or

in fixed version with 4 brilliantch-

romed feet. Seat cushion may

be upholstered in a different

fabric to the frame.

Removable covers.

74

6775

68

77 76

68

77 76

68

61 61

68

61 130

Page 26: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

50.51S E A T S

LUCA SoFtj e a n - p h i l i p p e n u e l

27

28¾

26¾

23½

25¼

21¾

A range which arose from the

Radisson Blu project in nantes.

Low armchair with matte black

base and high armchair on feet

or castors. exclusively available

in: Alpaca, Balder, Bee, Cravache,

divina, extrema, harald, hermod,

Scuba, toscane, or diva, indiana

or toro hide.

6055

73

6864

68.5

Page 27: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

52.53S E A T S

MALhoUnd i d i e r g o m e z

25¼/27¼

25¼/27¼

25¼/27¼

106¼

88½

78¾

39¼

39¼

39¼

Brilliant-polished aluminum base,

h 1¼" or 3¼". toning square

padded buttons clipped to the

back and cushions. All kinds of

covering materials may be used

(fabrics run horizontally).

270100

69.5

225100

69.5

69.5

200135

Page 28: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

54.55S E A T S

n o é d u c h a u f o u r - l a w r a n c eottoMAn

14½

26¾

26¾

26¾

26¾

35

39¼

39¼

65

78¾

31½

36½

36½

36½

36½

A model inspired by the

traditional Moroccan footstool

for a hotel project in Marrakesh.

Armchairs are available in fixed

and swiveling versions (epoxy

black lacquered steel base).

Available in bicolor and

bi-material versions. All types

of covering materials may

be used. Removable covers

(except swiveling armchair).

PLURieLf r a n ç o i s b a u c h e t

15

26½

26½

27½

30¾

30¾

17¼

32¼

32¼

Fixed version of armchair has cast

aluminum base; the base of the

rotating version is in epoxy black

lacquered steel. All types of

covering materials may be used.

Removable covers (except where

structure is covered in microfiber

or leather).

20093

68

16593

68

10093

68

10093

68

8980

37

7882

67

7882

67

7044

38

Page 29: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

56.57S E A T S

PUMPKinp i e r r e p a u l i n

14½

27½

27½

32¾

32¾

27½

27½

29¼

41¼

41¼

41¼

41¼

70

98½

29¼

32¾

32¾

32¾

32¾

32¾

32¾

the first major production run

of the seating designed in 1971

for the Pompidous’ private

apartments at the elysée Palace.

the armchairs are available

in fixed or rotating version –

with epoxy black lacquered

steel base – and with high

or low backs.

exclusively available in: Alpaca,

Balder, Bee, Coda, extra, Felix,

hektor, divina, extrema, toscane,

or diva, indiana or toro leather.

Removable covers.

74

37

10583

70

10583

70

105

83

83

105

83

83

70

17883

25083

70

Page 30: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

58.59S E A T S

RiVe dRoited i d i e r g o m e z

27¼

33¾

32¼

32¼

33½

34¼

epoxy graphite lacquered metal feet. high

or low-backed armchair. exclusively available

in: Alpaca, divina, harald, hermod, Scuba,

toscane; or Catala, diva and indiana leather.

Seat cushions have removable covers.

86

8287

69

8285

Page 31: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

j e a n n o u v e lSiMPLe BRidGe

16½

29½

29½

19¾

25¼

45

20¾

26

26

A reissue of the elémentaire range from 1990.

Jean nouvel’s logo is fixed beneath the seat.

exclusively available in: Bee, divina, Scuba,

or diva and indiana leather.

75

11466

75

6466

42

5350

60.61S E A T S

SiMPLiSSiMoj e a n n o u v e l

A label bearing the logo of Jean nouvel is fixed

beneath the seat. Base in matte lacquered

tubular steel. Frames of seat and back in bent

soldered tubular steel and MdF. the upholstery

hugs the curves of the structure and allows

the fabric to gather in the four corners.

exclusively available in: Bee, divina, Scuba.

35

12049

74

12069

74

6069

35

6049

13¾

13¾

29¼

29¼

23½

47¼

23½

47¼

19¼

19¼

27¼

27¼

Page 32: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

62.63S E A T S

p a s c a l m o u r g u etAZiA

16¼

30

30

23¼

23¼

23¼

20¾

22½

22½

Footstool and fireside chair with

curved wood back, either finished

in ebony-stained oak veneer

or upholstered.

All types of covering materials

may be used. Removable cover

(except leather or microfibers).

toRiin o é d u c h a u f o u r - l a w r a n c e

17¼

31½

19¾

27½

17¾

25½

Based on the armchair originally

designed for the Megu

restaurant at the Alpina hotel,

Gstaad. Structure in natural,

anthracite or red-stained solid

beech. Fully removable covers.

All types of covering materials

(fabrics or leathers) may be used.

41

5953

76

5957

76

5957

Page 33: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

ALSteR / Bonnie 66.67

FACett / FeLt 68.69

FRenCh Line 70.71

GUGGen 72.73

LUCA / LUCA SoFt 74.75

MARCeLLo / MARCeLLA 76.77

PAM 78.79

PAoLA / PetRo 80.81

PetRUS 82.83

RoCheR / St JAMeS 84.85

SALA 86.87

SLASh / tV 88.89 the ChAiR CoLLeCtion

64.65C H A I R S

Page 34: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

66.67C H A I R S

e m m a n u e l d i e t r i c hALSteR

32¾/ 36

32¼

32¼

27½

24

25¼

27½

23¼

23¼

Brilliant-chromed base rotates

360° (with automatic recall to the

initial position), or brilliant-chro-

med telescopic (seat height varies

between 19" and 22¾") 5-branch

base on auto-locking

castors which freely rotates 360°,

or brilliant-chromed ‘sleigh’ base.

exclusively available in: extrema,

divina, Scuba, indiana hide.

Bonniep i e r r e - y v e s r o c h o n

41¾

35

19

20½

20½

24½

Front feet and armrests

in brilliant-chromed extruded

tubing. Rear feet in stained

solid beech.

height of armrests: 26"

for brasserie bridge and

35½" for the bar bridge.

non-removable cover.

82

61 59

88.6

7070

82

64 59

6252

89

106

48 52

Page 35: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

68.69C H A I R S

r o n a n & e r w a n b o u r o u l l e cFACett

32

32

26½

18

23½

22½

toning stitching, or in contrasting

ecru, anthracite, grey, red or blue

thread. Fabrics run horizontally.

exclusively available in: Balder,

Bee, Cravache, Coda, divina,

extrema, or diva or indiana hide.

Removable covers. height of

armrests of chair with arms: 26"

to front and 27½" to rear.

FeLtd e l o l i n d o

33¼

17½21¾

Seat and back in molded beech

multi-ply assembled on two sets

of flat profile steel legs. Covers

are fully removable, being held

in place by completely invisible

zip fastenings.

exclusively available in Alcantara,

Bee, divina, Feutre.

6067

81

5746

81

Page 36: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

70.71C H A I R S

FRenCh Lined i d i e r g o m e z

35¾

33

33

39¼

18½

18½

22¾

18½

21¼

21¼

22½

22½

Base in ebony-stained solid oak,

with matching armrests for the bridge

chair. height of armrests: 26¼".

Cover of bridge chair is not removable.

Chair has removable cover, except in leather.

84

47 54

100

58 60

100

47 57

Page 37: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

72.73C H A I R S

GUGGena n d r é k i k o s k i

32¼

32¼

32¼

19¼

19¼

19¼

23½

23½

23½

Chair designed for the resta urant

of the Guggenheim Museum,

new York. Rotating base (360°–

brilliant-chromed cross-shaped

base or cross-shaped wire base,

or 4 anthracite-stained solid beech

legs. three band quilted effect

on back effected by two rows

of stitching. exclusively available

in divina or Scuba, or diva

or indiana hide. Cover may be

removed by an upholsterer.

82

49 60

82

49 60

82

49 60

Page 38: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

74.75C H A I R S

j e a n - p h i l i p p e n u e lLUCABrilliant-chromed base, with

brilliant-chromed handhold

in back of both chair and chair

with arms. height of armrests

of chair with arms: 25¼".

Removable cover.

LUCA SoFtj e a n - p h i l i p p e n u e l

28¾

28¾

28¾

33¾

28¾

28¾

23½

23½

23½

15¾

21¼

21¼

21¾

21¾

21¾

17¾

21¼

21¼

the Luca Soft range was designed

as part of the Radisson Blu

de nantes project. Bridge chair

with 4 matte black metal or

anthracite-stained solid beech

legs, or with matte black metal

cantilevered base. exclusively

available in: Alpaca, Balder,

Bee, Cravache, divina, extrema,

harald, hermod, Scuba, toscane,

or diva, indiana or toro hide.

86

40 45

73

54 54

73

54 54

5560

73

5560

73

5560

73

Page 39: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

76.77C H A I R S

n a t h a n y o n gMARCeLLoWalnut with lacquered varnished

finish on seat and front of back.

Reverse in walnut with lacquered

‘open pore’ finish which allows the

wood grain to shine through.

MARCeLLAn a t h a n y o n g

33¾ 33¾

17¾ 17¾19 19

Back in solid walnut. Quilted seat

covered in a choice of fabrics or

hides.

Page 40: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

78.79C H A I R S

PAMc l a u d i o d o n d o l i & m a r c o p o c c i

35¼

34¼

33¾

15¾

17

16

17

17¼

17¼

Piston-operated bar stool with

matte chromed structure and

brilliant-chromed footrest;

seat finished in walnut veneer

or dark brown/ebony-stained

oak veneer, or covered in white,

brown, black, beige, grey,

grey-beige, yellow, natural, red,

bright red or guava-colored

synderme, or in grenadine, green,

crystal or orange translucent

PMMA, or black or white opaque

PMMA. in its lowest position

the seat height is 20" or 21¼",

with a maximum height of 23½"

or 25½" depending on the

version.

89.5

4340

89.5

4340

89.5

4340

Page 41: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

80.81C H A I R S

c l a u d i o d o n d o l i & m a r c o p o c c iPAoLAStackable chair (max. 8) with

brilliant-chromed steel base;

also available in non-stackable

version with base in satin

varnished solid natural ash.

Seat/back shell in white reinforced

techno polymer. high chair with

brilliant-chromed steel base.

PetRoc l a u d i o d o n d o l i & m a r c o p o c c i

32

32

30

18

17¾

19½21

20¾

18

Polyurethane shell covered

in pigmented undressed hide –

choice of white, pearl white,

grey-beige or black. Base

in brilliant-chromed steel wire.

81.5

52.545

81

46 53.5

Page 42: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

82.83C H A I R S

PetRUSc l a u d i o d o n d o l i & m a r c o p o c c i

25¼ / 35

16¼174341.5

64 / 89

Piston-operated bar stool

with polyurethane shell finished

in white, beige or black lacquer.

Structure finished in matching

satin-finish lacquer.

Page 43: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

84.85C H A I R S

h e r t e l & k l a r h o e f e rRoCheRShell in satin black, white or argile

reinforced techno polymer. Base

lacquered to match shell, or in

brilliant-chromed finish with black

or white shell. optional quilted

cushion in Alcantara, divina or

indiana hide.

St JAMeSj e a n n o u v e l

33¼20½

31½

31½

20½ 20½

20½

32

22½ 20½

26

26

A revisitation of the chair, chair

with arms, and footstool created

for a hotel restaurant project in

Bouliac. Base in varnished epoxy

aluminum lacquered steel.

exclusively available in tempête

or Uniform fabric. Covers of back,

armrests and seat are very easily

removable.

84.5

5257

80

52 66

80

81 66

52

52 52

Page 44: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

86.87C H A I R S

SALAp a s c a l m o u r g u e

45

38½

32¾

32¾

32¾

32¾

32¾ / 35½

32¾

19¼

19¼

22¾

19¼

19¼

19¼

19¼

19¼

21¾

21¾

22½

21¾

21¾

21¾

21¾

21¾

Chair with brilliant-chromed

‘sleigh’ base, 4 brilliant-chromed

square-section legs, circular base

with brilliant-chromed plate and

360° rotating stem, brilliant-chro-

med 5-branch telescopic base

(seat height variable between

19" and 22") on lockable castors,

or wire mesh-style base in brilli-

ant-chromed or black lacquered

steel.

height of armrests of chair with

arms: 26¾". Seat height of bar

chairs: 25¼" or 31½".

Removable covers.

98

5549

114

5549

83

5549

83/90

5549

83

5758

83

5549

83

5549

Page 45: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

88.89C H A I R S

p h i l i p p e b o i s s e l i e rSLAShBanquette seating, made to your

width specification, with o ptional

retractable armrest (height

22¾") located to the right of the

banquette. epoxy aluminum

lacquered base. non-removable

covers.

tVp i e r r e p a u l i n

3032¾

33½ > 62 1923½ 22½

A reproduction of an original

chair from the early career of

Pierre Paulin (1953). Legs in

tubular steel – choice of black

lacquer or brilliant chrome.

Removable cover.

76

85>23060

83

5748

Page 46: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

ReWRite 92.93

tAniS / URSULine 94.95 the deSK CoLLeCtion

90.91D E S K S

Page 47: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

92.93D E S K S

ReWRiteg a m f r a t e s i

58¼

39¾29½

desk with legs in sold walnut

and top in walnut veneered MdF,

with the exception of the slit cable

port in the rear section which

is made of solid walnut. Bubble/

screen in fiberglass clad in fire

retardant polyether foam and

covered in divina wool (choice

of colors) on both its internal

and external faces. Chest in white

lacquered steel to take transfor-

mers and cables, located beneath

the top.

148

75 101.2

Page 48: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

94.95D E S K S

p i e r r e p a u l i ntAniSA reproduction of the CM 141

desk, designed by Pierre Paulin

in 1954. Block of 2 drawers

in natural walnut with top in black

Corian or satin-finish black

laminate, to match the base in

black-lacquered tubular and flat

steel. thickness of top 1¼".

URSULinep i e r r e p a u l i n

29¼ 35½

51¼ 47¼23½ 25½

Work surface and edging in

natural walnut with base and

chests in satin-finish brown

lacquer, or all in satin-finish

white lacquer.

thickness of top 1".

74

60 130

89.9

65 120.20

Page 49: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

CitAdine / dReAM 98.99

inoX / PiAZZA 100.101

SeRAM / tABLe-C 102.103 the tABLe CoLLeCtion

96.97T A B L E S

Page 50: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

98.99T A B L E S

CitAdinedining table which folds like a

console and can thus be placed

against a wall when not in use

(depth of table when folded:

23½"). 8¾" thick satin white lac-

quered top and steel base,

or with top in lati cendré veneer

and elephant lacquered base,

both with straight edges. Accom-

modates 4 persons.

dReAM

28¾

28¾

28¾

28¾

47¼

47¼

47¼

27½47¼

47¼

47¼

27½

Chromed or satin-finished base;

1¼" thick laminated made-to-mea-

sure top. other finishes available

on request.

73

120

73

120

73

120

73

7070

Page 51: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

100.101T A B L E S

inoXBase in brushed or polished

stainless steel. Round or square

stem; round or square base.

1¼" thick made-to-measure

laminated top. other finishes

available on request.

PiAZZA

44½

30

29¾

19¾

23½

35½19¾

23½

26¾

dining/café table. Black, red or

white lacquered base with piston/

stem in brilliant-chromed steel.

elliptical top in clear toughened

glass. the height of the top is

continuously adjustable between

29¾" and 39¾".

m i c h a e l k o e n i g

110

50

73

6060

75.5 / 100.7

68 90

Page 52: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

102.103T A B L E S

p a t r i c k p a g n o n & c l a u d e p e l h a î t r eSeRAMBase and crosspieces in gloss

black anodized aluminum or in

gloss white lacquered aluminum;

1½ thick top in black-colored

ceramic, or ¼" thick top in toug-

hened black or white lacquered

glass.

tABLe-C

29½

29½

29¼

70¾

86½

27½39¼

39¼

27½

1½" thick top size 27½ × 27½"

in black laminated MdF with MdF

edges lacquered to match. Central

pedestal with round stem and

square base, both in epoxy black

lacquer. other finishes available

on request.

c l a u d i o c o l u c c i

75

180100

75

220100

73

6060

Page 53: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

BoBine / CiRCLeS / Good MoRninG / LUPo / teAtiMe / LinoSA / MeidA / PARiGi / RoCheR / RYthMe / SALAM / PoPPY PAtteRSon / StUMP / thot / WARP / MoRtAiSe 106.107 the oCCASionAL tABLe CoLLeCtion

104.105O C C A S I O n A L T A B L E S

Page 54: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

106.107O C C A S I O n A L T A B L E S

BoBine – michael koenig

height-adjustable low table with top in white lacquered clear glass and base in brilliant-chromed steel. Ø 31½

h 17¾ / 28¼.

height-adjustable table with top in clear toughened glass or lacquered clear glass, or in walnut. Ø 31½ h 28¾ /

38½ (clear toughened glass or lacquered clear glass). Ø 31½ h 30 / 43¼ (walnut). Ø 39¼ h 28¾ / 38½ (clear

toughened glass)

MoRtAiSe – yota kakuda

A multi-use bedside/occasional table. An assocation of blocks of natural satin varnished solid oak and tops

in satin black lacquered MdF, brought together by tenon and mortice joints. each item is equipped with felt

gliders. night chest : h 20¾ W 15¾ d 18½. occasional table : h 16¾ W 16 d 16

CiRCLeS – maria jeglinska

occasional table in epoxy satin black lacquered

steel. Small : h 17 Ø 14¼. Large : h 20¾ Ø 16½

(brilliant-polished stainless steel top)

RoCheR – hertel & klarhoefer

Structure in MdF clad in American walnut veneer, or

in folded, soldered sheet aluminum. Width of upper

section: 11¾. h 17¾ W 16½ d 16½

RYthMe – angie anakis

Matte red or matte black lacquered circular steel

base.

Clear toughened glass top. h 11¾ W 35½ L 43¼

SALAM – noé duchaufour-lawrance

Structure in epoxy lacquered steel; top in clear toug-

hened enamelled glass. Available in black or white.

h 11¾ W 22¾ L 39¼

Good MoRninG – alban-sebastien gilles

Brilliant-chromed base; brilliant-polished stainless

steel top; or with varnished aluminum lacquered top;

or entirely in black or white lacquer, finished with

‘car bodywork’ varnish on the top. h 21¾ Ø 17¾

LinoSA – pierre charpin

top in 12 mm thick ‘cristal’ glass (anthracite grey or

white silk-screen printed motif). the motif plots the

shape of the top, giving the illusion of undulation.

Legs in brushed stainless steel. h 9¾ W 16½ L 47¼

(grey) – h 9¾ W 28 L 35½ (white).

MeidA – noé duchaufour-lawrance

Structure in epoxy lacquered steel; top in clear toug-

hened enamelled glass. Available in black or white.

h 17 Ø 23½

PARiGi – studio catoir

Base in gloss black lacquered turned solid limewood

and top in natural varnished solid sycamore.

h 19¾ Ø 15¾

WARP – olivier schick

Base in epoxy lacquered steel ; top with handhold

in satin black or white lacquered MdF. h 25½ Ø 20¾

LUPo – pierre paulin

A reproduction of a 1953 piece: base and top –

with two scooped-out handles – in black-stained

solid oak. h 15¼ W 28¼ d 19¾

teAtiMe – müller & wulff

Removable top, exterior in sawn natural oak, interior

satin pink lacquered. Structure in brilliant chrome.

h 13¾ W 22¾ d 25¼

StUMP – pierre charpin

Grey-veined white Carrara marble, hewn from

one piece, polished then finished with an anti-stain

treatment. h 17¾ W 11¾ d 14¼

thot – pierre paulin

top and legs in natural satin varnished solid walnut;

or legs in satin black-stained solid beech and top in

satin black-stained ash veneered MdF.

h 19¾ Ø 21¾

PoPPY PAtteRSon – numéro 111

exterior in sawn natural oak. Silk grey lacquered

top. h 9¾ W 35½ L 37½

Page 55: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

BLooM / PARAnoïd2 110.111 the LiGht CoLLeCtion

108.109L I G H T I n G

Page 56: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

110.111L I G H T I n G

BLooMShade in black or white sculpted

foam, Ø approx. 21½.

Supplied with 1 x e 27 20 W

eco Fluo globe bulb.

Ceiling light : h 72¾ Ø 21¾

Floor lamp : h 72¾ W 66¼ Ø 21¾

PARAnoïd2Reading light with black or

white woven protective cover,

flexible and directional, equipped

with Led bulb. the 3 articulated

spindles are equipped with

ribbons of decorative Leds.

h 47¼ W 15¾

h i r o s h i k a w a n o s w a n n b o u r o t t e

Page 57: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

112.113

MEGU rEstaUrantnoÉ dUchaUfoUr-LawrancEGstaad, Switzerland

r e f e r e n c e s

MEGUthE Standard SOUth CaPE OWnErS CLUb radiSSOn bLU aLta PEYraSOPhiE'S hYatt inStitUt PaUL bOCUSE FitzWiLLiaM LE SErMaY CLiniC nEVaïKUbE SOFitEL Jardin dES rOSESPUrO

Page 58: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

4.5

thE standardshawn haUsMan dEsiGnhollywood, United States

r e f e r e n c e s 114.115

Page 59: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

116.117

soUth caPE ownErs cLUb dEsiGnErGyeongsangnam-do, Korea

r e f e r e n c e s

Page 60: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

8.9

radisson bLU hotEL JEan-PhiLiPPE nUELnantes, France

r e f e r e n c e s 118.119

Page 61: Contemporary Furniture For Hospitality and ContraCt projeCts · abOut lIgne rOset cOntracts 1010.11 a few key words form the basis of the ligne roset work ethic: attention, adaptation,

120.121r e f e r e n c e s

aLta PEyra hotEL & sPa rEGis daLLiErSt Véran, France

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r e f e r e n c e s

soPhiE's rEstaUrant andrE kikoski architEctChicago, United States

122.123

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14.15

hyatt rEGEncy – VaLodE & PistrE architEctsEkaterinburg, russia

r e f e r e n c e s 124.125

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r e f e r e n c e s

institUt PaUL bocUsEPiErrE-yVEs rochonLyon, France

126.127

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128.129r e f e r e n c e s

thE fitzwiLLiaM hotEL VaLodE & PistrE architEctsbelfast, northern ireland

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130.131r e f e r e n c e s

LE sErMay cLinic LiGnE rosEt & xanadU Challes-les-eaux, France

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132.133r e f e r e n c e s

nEVaï hotEL yasMinE MahMoUdiEh intErior architEctVerbier, Switzerland

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134.135r e f e r e n c e s

kUbE hotEL – dEsiGnErGroupe Murano hotels & resorts, France

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136.137r e f e r e n c e s

sofitEL Jardin dEs rosEs didiEr GoMEz & kariM chakor rabat, Morocco

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PUro – bLackshEEP Wroclaw, Poland

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