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M.ARCH.( ARCHITECTURAL CONSERVATION)
At Sinhgad College Of Architecture, Pune
WHAT WE LACK IN PRESENT EDUCATIONAL
SYSTEM?
• NO PHILOSOPHICAL
BASE FOR
ARCHITECTURAL
PRACTICES
Introduction of subject
of History, theory and
criticism
Introduction of other
M.ARCH.( ARCHITECTURAL CONSERVATION)
At Sinhgad College Of Architecture, Pune
• INTEGRATION OF OTHER
RELEVANT STREAMS
Introduction of other
streams as sociology,
anthropology,
management,
archaeology and
museology, Computer
applications as
photogrammetry, GIS
TRAINING DEMANDS……!!!
• PLANNING
• HISTORY
• ARCHITECTURE
• SOCIOLOGY
• ANTHROPOLOGY
STRESS ON
MULTIDISCIPLINARY
NATURE
M.ARCH.( ARCHITECTURAL CONSERVATION)
At Sinhgad College Of Architecture, Pune
• STRUCTURAL MECHANICS
• ECOLOGY
• ECONOMICS
• LAW
NATURE
How the course is structured?
SEM – I Introduction to Allied fields like
planning, anthropology, sociology,
Computer skills enhancement,
introduction to Conservation field,
Technical aspects
Identifying Heritage
SEM- II Focussing on vernacular
architecture, advanced techniques
and materials, Management
Formulating Conservation Policy and Adaptive Reuse
Theoretical background Application in Studio
M.ARCH.( ARCHITECTURAL CONSERVATION)
At Sinhgad College Of Architecture, Pune
and materials, Management
Concepts, Archaology and
Museology
and Adaptive Reuse
SEM- III Studying policies and legal aspects,
Research paper, Historic housing
and landscape studies
Designing in Context, Urban Area Conservation
SEM- IV Dissertation
Professional Training
EVENTS BY THE DEPARTMENT
CELEBRATING WORLD HERITAGE DAY BY
ORGANISING AN AWARENESS CAMPAIGN
M.ARCH.( ARCHITECTURAL CONSERVATION)
At Sinhgad College Of Architecture, Pune
EXPLORING
OUR PAST WITH
EXPERTS MEDIA PUBLICITY TO THE
WORKS DONE BY STUDENTS
Annual World Heritage Day celebrations on 18th April celebrated religiously at the
historic sites and Bharat Itihas Sansodhan Mandal ,Pune with series of guest seminars on
newly explored heritage areas by eminent historians, scholars and department students.
Q.I.P FOR STUDENTS AND PROFESSIONALS IN COLABRATION WITH N.I.A.S.A
TRADITIONAL MATERIAL WORKSHOPS – FOR ARCHITECTURAL STUDENTS
HERITAGE WALKS & ORIENTATION PROGRAMS FOR ARCHITECTURAL STUDENTS AND PROFESSIONALS
PERIODICAL ACADEMIC REVIEWS, JURIES & EXHIBITIONS
STUDY TOURS
SITE VISITS
SERIES OF INTERACTIVE SESSIONS ON CONSERVATION PHILOSOPHY & ITS VARIED
THEORY WITH A CRITICAL HOLISTIC APPROACH – AR.NARENDRA DENGLE
SPECIAL LECTURES ON HISTORY AND ITS VARIED INTERPRETATION BY RENOWNED
ARCHITECT AND HISTORIAN – DR.AVINASH SOWANI
SERIES OF INTERACTIVES
SESSIONS WITH SPECIAL
EXPERTS ON
PHOTOGRAMMETRY-
ER.AGASHE
EXPORING GIS AS TOOL OF
HERITAGE MAPPING –
WORKSHOP BY DR. NIKHIL
SHEJWALKAR
SERIES OF TECHNICAL SESSIONS WITH
SPECIAL EXPERTS ON NON DESTRUCTIVE
TESTS - ER. RAVI RANADE
SPECIAL LECTURES ON STRUCTURAL
CONSERVATION AND ART CONSERVATION
– AR. S.GIRIKUMAR
SERIES OF LECTURES ON STRUCTURAL
BEHAVIORS AND FAILURES OF
TRADITIONAL BUILDINGS – ER. NENE
STUDENTS WORKS Tombs/ Burial Structures:
M.ARCH.( ARCHITECTURAL CONSERVATION)
At Sinhgad College Of Architecture, Pune
STUDY OF REGIONAL ARCHITECTURE
HISTORY THEORY AND CRITICISM
Interpretation CentreDesigning in context,Shivaji Market Cantonment, Pune
ContentsContentsContentsContents----
• Introduction• Aims & Objectives• Location and History• Study-Area Level• Issues-
1.Area Level2.Building Level
• Case Study• Proposal
1.Area Level2.Building Level
• Designing Interpretation FINAL PROPOSAL
M.ARCH.( ARCHITECTURAL CONSERVATION)
At Sinhgad College Of Architecture, Pune
• Designing Interpretation Center
8.3
7m
1.9
7m
1.7
4m
2.0
5m
27.07m
1.55m
6.3
9m
4.5
9m
2.07m
3.5
m
1.52m
Existing damaged fascia Existing damaged fascia Existing damaged fascia Existing damaged fascia stone To be replaced stone To be replaced stone To be replaced stone To be replaced with new fascia stonewith new fascia stonewith new fascia stonewith new fascia stone
Existing damaged fascia stoneExisting damaged fascia stoneExisting damaged fascia stoneExisting damaged fascia stoneTo be replaced with new fascia To be replaced with new fascia To be replaced with new fascia To be replaced with new fascia stonestonestonestone
Remove damaged stone Remove damaged stone Remove damaged stone Remove damaged stone work to provide new work to provide new work to provide new work to provide new dressed ashlar masonrydressed ashlar masonrydressed ashlar masonrydressed ashlar masonry
Existing signboard to be Existing signboard to be Existing signboard to be Existing signboard to be replaced by new onereplaced by new onereplaced by new onereplaced by new one
Missing Turret be reconstructedMissing Turret be reconstructedMissing Turret be reconstructedMissing Turret be reconstructedExisting vegetation to be removedExisting vegetation to be removedExisting vegetation to be removedExisting vegetation to be removed
Existing blocked windows Existing blocked windows Existing blocked windows Existing blocked windows to be opened up and new to be opened up and new to be opened up and new to be opened up and new windows to be installedwindows to be installedwindows to be installedwindows to be installed
FINAL PROPOSAL
Some parts of the palace exhibit decorative glazed tiles. The patterns created resemble carpets
Some passages and rooms in the later phase of construction nave geometrical patterns
The courtyard has typical Farsbandi flooring.
The Old Darbar hall shows typical Maratha Patali work flooring with cowdung finish.
At Some places, the flooring needs instant attention and cleaning.
The main door is a combination of a typical gothic style and Maratha Devadi' door
A typical door with a beautifully carved handle to pull at the junction of the styles.
A four leaf folding door with louvers and segmental arch
The main door leading to second courtyard has the typical Ganeshpatti above it.
Door frames facing termite attacks. Some requireminor repairs,painting / polishing.
From student’s Dissertation
M.ARCH.( ARCHITECTURAL CONSERVATION)
At Sinhgad College Of Architecture, Pune
window showing influence of Gothic style with a key stone as a prominent feature.
a typical Maratha Window seen prominently in the part constructed in the first phase,in Darbar Hall
with some fixed glass ventilators of different shapes
Window in 2nd phase, with segmental arch ventilator.
Many windows need repairs. Coloured Glass panes are replaced by opaque glass
Introduction to Conservation – LOUVRE PYRAMID
CRITICAL APPRICIATION OF A MODERN BUILDING IN A HISTORIC
CONTEXTView from the Louvre courtyard showing the joining of the Louvre (foreground)
and the Tuileries Palace (background), now a large empty space. I. M. Pei's
pyramid now stands in the foreground, instead of the grove of trees this work has
been largely critiscied and appriciated as well and stand as best example to
define the context critically.The museum is housed in
the Louvre Palace (Palais
du Louvre) which began as
a fortress built in the late
12th century under Philip II.
This museum was actually This museum was actually
built as the fort for Philip II
and some remains of the
fort are still present, not
exactly in its best shape.
Architectural History Theory &
Criticism I
ARNOLD. J. TOYNBEE(14 April 1889 – 22 October 1975)
Friedrich Nietzsche
It involved critical reviewing the
ideologies and philosophies of
eminent personalities which
contributed in defining the
perception of history, society and
life in totality which became the
base for conservation movement in
formulating itself from the roots of
interpretations…
ANTONIO GRAMSCI
(1891 TO 1937)
(14 April 1889 – 22 October 1975)
Karl Heinrich Marx
(5 May 1818 – 14 March 1883) LEOPOLD VON RANKE
Conservation Studio I
Shaniwar wada
Budhwar peth
Ga
ne
sh p
eth
Kasaba peth
Abandoned
Commercial
and
Residential
Phadke haud
Chowk
Narhari Chowk
Sonya M. Chowk
Moti Chowk
Budhwar peth
Durjansingh
paga
Someshwar t.
Shukrawar peth
Ravivar peth
•Shaniwar wada as political center.As migrants
came the area land Developed for mixed use-
residence and commercial use
land use plan
Mixed use
Commercial
residential
Religious
Public utility
institutional
Abandone
d
Vacant
Godown
Survey map (1872)
Upper fl.
Converted as
godown
Commercial
Adinath Chowk
Lal Bahaddur
Shastri c.
Identification of heritage potential of traditional commercial lanes of Raviwar peth pune.
CONTENTS
At squares roads are at right anglesSant narhari chowk
Corners are round in square in today’s
context
Path
Part III
•Physical Planning
•Socio Cultural Aspects
•Built Heritage
•Residential Typology
•Commercial and Mixed
Use
•Religious Typology
•Institutional
Identifying Heritage Potential
of Traditional
Commercial Lane,
Raviwar Peth , Pune
At squares roads are at right angles
Nowadays
structures
are cut in
round at
squares
Sant narhari chowkPath
Someshwar a famous landmark in Raviwar peth near Durjansingh Paga
Now on the back side of Someshwar road is developed . modern structures
Are existed in Paga area.
Computer application
Students explore the potentials of various soft wares in
Analysis of heritage through GIS mapping and replicating
various elements and components of traditional architectural
styles.
Aims and Objectives of the Policy
Town level
• Heritage Map of Junnar
Conservation Studio II
Area level analysis of Junnar city – Heritage Character of the city
• Shukrawar Peth
• Streetscapes and Building Heights
HEIGHT 19’
HEIGHT 19’
•Height Restricted to maximum of 19 feet
•Even the new buildings built are sensitive towards the height
•The height is taken as the average height of the top most sloping roof
Chronological development of solapur
Solapur is a heterogeneous city with different functions
concentrating at different location. The landuse pattern
within the city is governed by physical, cultural and
economical functions. The landuse pattern influences the
urban form, environment as well as economical development
of the city thus presenting opportunities for, or significant
constrains to growth.
Historic city
Aims & Objectives
•Need for research
•To understand concept Landscape & its
paradigms in today's context
•Hindu tradition of landscape design
•Understanding Islamic History in world & Indian
scenario (political history)
•Understanding Islamic landscape
•Understanding Islamic architecture in India
•Studying different elements of Islamic landscape
Research Paper
Done by
Vaidehi Lavand
Sinhgad College of Architecture
M. Arch. Conservation Sem IV
Research Methodology
Sem III (2010-11)
Subject: Research Methodology
Influence of Islamic landscape planning on Deccan Landscape planning in India during medieval period
Faculty
Dr. M. V. Telang Prof. Vaishali Latkar
•Studying different elements of Islamic landscape
& philosophy behind
•Studying landscape development patterns in
Deccan region during Medieval period
•Finding Influence of Islamic landscape design
pattern on landscape design pattern of Deccan
region
•Identifying evidences, remains of Islamic garden
elements in Ahmadnagar & Aurangabad
METHODOLOGY
Policy formulation for conservation of tulshibag precinct
Conservation principle for
historical precinct
Legal structure and legislative backupFor implementation
Issues and potentialsFrom research
Public demandsAnd trends-
Funding agencies
Annual budgeting
PresentLegal structureFinancial analysis
Conservation Studio III
historical precinct research
Future requirement and threats
case study Indian/ other countries
Present development control rules
Studio – by ar sandeep j. joshi M arch –conservation- Sinhagad college of architecture.pune.Faculty-Dr M.V.TELANG ,Ar. Vaishali Latkar , Ar. Sonal Karanjekar
OBJECTIVES
•Identification of heritage precinct
•Analyzing the activity patterns and their changing trends
•Analyzing the heritage structures for conservation
•Understanding significance of cultural value in the socio-economic pattern of precinct.
•Identifying issues in conservation of heritage structure
•Checking the historical fabric with existing urban pattern
•Formulating policies and their implementation.
Chronology of development of tulshibag1763 1806 1814 1918
Conservation Studio III
Tulshibag drgs curtsy ar.kiran kalamdani
Studio – by ar sandeep j. joshi M arch –conservation- Sinhagad college of architecture.pune.Faculty-Dr M.V.TELANG ,Ar. Vaishali Latkar , Ar. Sonal Karanjekar
RE
SID
EN
T
IAL
CO
MM
ER
CI
PR
OP
OS
ED
SIT
E
Conservation Studio III- design in
historic context
CO
MM
ER
CI
AL
• Protection/Preserva
Protection/Preserva
Protection/Preserva
Protection/Preserva
tion/reconstruction
tion/reconstruction
tion/reconstruction
tion/reconstruction ˘̆̆̆
ocial,cultural,architect
ocial,cultural,architect
ocial,cultural,architect
ocial,cultural,architect
ural and structural
ural and structural
ural and structural
ural and structural −− −−
• Revive the historical
Revive the historical
Revive the historical
Revive the historical
identity of the place.
identity of the place.
identity of the place.
identity of the place.
• Religious place with
Religious place with
Religious place with
Religious place with
ladies shopping
ladies shopping
ladies shopping
ladies shopping
area.(activities alike
area.(activities alike
area.(activities alike
area.(activities alike
bhajans kirtans etc)
bhajans kirtans etc)
bhajans kirtans etc)
bhajans kirtans etc)
• By new building
By new building
By new building
By new building
these historical
these historical
these historical
these historical
building should not look
building should not look
building should not look
building should not look
out of context.
out of context.
out of context.
out of context.
• Yet should fulfills the
Yet should fulfills the
Yet should fulfills the
Yet should fulfills the
urban demands and
urban demands and
urban demands and
urban demands and
pressures of growing
pressures of growing
pressures of growing
pressures of growing
city.
city.
city.
city.
• Visual connections
Visual connections
Visual connections
Visual connections
needed for the
needed for the
needed for the
needed for the
historic structure .
historic structure .
historic structure .
historic structure .
• Taking cognizance of
Taking cognizance of
Taking cognizance of
Taking cognizance of
use of structure,
use of structure,
use of structure,
use of structure,
material ,character,
material ,character,
material ,character,
material ,character,
scale and proportion
scale and proportion
scale and proportion
scale and proportion
to suite the old
to suite the old
to suite the old
to suite the old
deve
deve
deve
development
lopment
lopment
lopment.
Zoning
Zoning
Zoning
Zoning
Concept
Concept
Concept
Concept−− −− sketch
sketch
sketch
sketch
Aim & Objectives
To formulate a comprehensive Conservation Policy for Fort
To identify issues regarding
Fort heritage
To understand
the character of
the Fort in
terms of it’s
built & un built
heritage
To understand
the Fort as a
cultural
resource
To understand the various
historical factors involved in the development
process
To develop a
methodology
for Political,
economical,
national,
environmental,
aesthetic
significance of
fort
Trace the origin & development of a historical
town Ahmadnagar
1.2Dissertation
Sinhgad College of
Architecture
M. Arch. Conservation Sem IV
Thesis
Sem IV (2010-11)
Management Framework for Ahmadnagar fort
Introduction & historic layers of Ahmadnagar
Faculty -Dr. M. V.
Telang, Prof.
Vaishali Latkar
Sign
1.3 Rationale
Defense structures like forts built in medieval period are either in ruin
condition or inaccessible for common public nearby. Due to lack of
open spaces, pollution in historic core these redundant defense sites
can pose as vibrant public spaces for traditional historic cities.
Thesis TopicFramework for Management of Ahmadnagar Fort
BHINGAR
BHINGAR
HILL
NAGARDEVL
A
FORTOLD
TOWN
AURANGZEB’S
TOMB
DAMADI
MOSQU
E
BAHER
Y
KOTLA
BAG
ROZA
BEHAST BAG
1
2
3 5
HERITAGE MAP - AHMADNAGAR
2.5 Relation of Historic City & Landfort of Ahmadnagar
Dissertation
Sinhgad College of
Architecture
M. Arch. Conservation Sem IV
Thesis
Sem IV (2010-11)
Management Framework for Ahmadnagar fort
Introduction & historic layers of Ahmadnagar
Faculty -Dr. M. V.
Telang, Prof.
Vaishali Latkar
Sign
BHINGAR
RIVER &
NALA
SINA RIVER MOTOBA
G
4
1- CHENGIZKHANI COURT
2-JAMA MOSQUE
3-CHAGIZKHANS PALACE
4-VISHRAM BAG
5
5-KASIMKHAN’S PALACE
100 CINTRA STREET WORKING DRAWINGS & SKETCHES
Detail drawings made for Professional Training
Sinhgad College of Architecture
M. Arch. Conservation Sem IV
Professional
Training
Sem IV (2010-11)
Professional training at Jimmy Lim Design consultants, Penang Malaysia
Faculty –Ar. Vaishali Latkar ,Ar. Sonal Karanjikar
Sign
Detail drawings made for
WD as well for contractorProfessional Training