2
Design | medicomsystem.it Il centro storico di Craco è stato inserito nella Watch list 2010 del World Monuments Fund (WMF) Welcome to Craco CRACO CINEMA 2014 PRESENTA con il contributo di in collaborazione con UNIONE EUROPEA REGIONE BASILICATA COMUNE DI CRACO PARCO MUSEALE SCENOGRAFICO MUSEUM SCENOGRAPHIC PARK The first wrien document,was documented about 1060, a bubble of Arnaldo, Bishop of Tricarico to the priest and the community of Craco. However,archaeological research tracing the origine of Human selements, minds back to the Iron Age (VIII-IX century a.C). The oldest building is the Norman tower (about 1040 a.C), which is visible from the surrounding area like the valley of Salandrella, the Ionian coast, Mount Pollino and all its neighbors. A legend tells that Craco in the beginning was called Monte D'Oro. In reality, Craco, in ancient mes, was called Grachium, the Lan word which means, recent plowing field. Craco is crossed by only a river, the Cavone. Head office of one of the 78 universies in the juriscon of Basilicata, Craco contributed financially to the maintenance costs of the castles already begun by Frederick II and connued by the Angioini. Throughout the course of the sixteenth century, Craco was highly increased in populaon. This is what emerges from family texaon,where the fiscal fires passed from 362 in 1521, from maximum peak of 518 in 1561 with 2590 inhabitants. In the last three years of the French Government (1813-1815), the populaon of Craco stood at 1.760/1.770 inhabitant. The natural increase in those years was always negave because there was a high infant mortality, the majority of the populaon, as menoned earlier, was devoted to agriculture,livestock and its related acvity, but there was also a considerable number of arsans and some professionals (doctors,notaries). The clergies in 1815 numbered to sixteen, while eighteen were the monks in the monastery of St. Peter, built in 1630 by Baroni Penna di Amendolara. In 1881 the populaon had exceeded the threshold of 2,000 inhabitants. Towards the end of the nineteenth century the city limits had reached its maximum expansion. There were several palaces in various parts of the town. The most famous,sll in the memory of our elders, were the building Rigirone,Cammarota,Simone,Grossi,Miadonna,and the palace Carbone. In addion to the noble palaces, of parcu- lar architectural beauty were public buildings like the town hall,schools, cinema and shops. Today everything is slid along the ground. Among the monuments the most important was undoubtedly the monument to the fall in war,erected in 1929 to commemorate the vicms of WWI. Unfortunately, the monument was among the first structures to collapse. Another important building is the monastery dedicated to St. Peter,which was built in 1630, the convent of the Franciscans Observant friars had 18 monks from which recalls the monk Nicholas Onora Columella (1735-1822) who was an expert in agricultural and natural sciences, and was appointed by Joachimo Murat, the first professor of the Faculty of Agronomy at the University Federico II. In 1792 Pope Pius VI donated to the monks for their convent an embalamed body of st.Vincent,a martyr of 300 a.C. The mother church was dedicated to st Nicholas V the bishop, (the patron saint of Craco) was built around XIV century. In the church, there were marble altars of baroque art and decoreted throughout ll 80s, aſter the desecraon of the church and the subsequent abandonment,became a resource for many thieves. In fact, today the church is completely empty as a symbol of human incivility. The chapel of Our Lady of the Star(Madonna della stella) 1600 is about 1 km from the village built near a natural water spring called by the people"crachesi" fountain piscicchio. Craco venerates the Madonna della Stella, celebrated the first Sunday of May. Another suggesve chapel was the Virgin of Monserrato, which was located at the Square of the Old Town,which was completely destroyed by the landslide. The territory of Craco has always been affected by a complex system of landslide with many fronts. In the book of history speaks of many landslides that have affected this town at different mes: 1600.1805,1857,1870 and 1933. the people "crachesi", despite the difficules that most affected this earth,they never abandoned their town. The hill is made up of “variegated clays” that is red clay,green and dark gray,which are strongly prepared for hydrological instability. The top of the relief instead is constuted by the “conglo merate of Craco”, polygenic conglomerate,composed of limestone elements, sandstone,and marly arenaceous , roughly rounded, slightly to moderate cemented by a sandy-clayed matrix wih degree of cementaon varies from point to point. The landslide has ancient origins and so natural,but that of 1963 was primarily consequent of the features that the urban expansion of the 900 contributed to the sliding. The leakage of the driche networks and waste water, that is tanks and wells also contributed. In the period between the 60s and 80s Craco lost more than half of the cizens, because the landslide,it also added to the scarcity of work and many were forced to emigrate to North Italy and abroad.Currently the populaon of Craco has780 inhabitants. The landscape context, that is the connuity of the colors and its parcular harmony and unique geomorphology over the past forty years have made it more natural sets sought by the great Italian and interna- onal cinema. Some films shot in Craco: The Wolf by Alberrto Lauada, The me of the beginning by Luigi Di Gianni, Christ Stopped at Eboli by Francesco Rosi, King David by Bruce Bareford, Savig Grace by Tom Con, Class of Iron, The Night Sun by Paolo, Viorio Taviani, Scorched Earth by Fabio Segatori, The passion of Christ by Mel Gibson, Navity by Catherine Hardwicke, The Big Queson directed by Francesco Cabras, Alberto Molinari, Nine Poems in Basilicata by Antonello Farea, James Bond 007-Quantum of Solace directed by Marc Foster, Daniel Craig and Giancarlo Giannini, Basilicata coast to coast by Rocco Papaleo, Murder in the Dark by Dagen Merrill , A Village Doctor by Liugi di Gianni. The future direcon given to the site of Craco is to valorise and recover scienfic purpose, cultural, film producon, tourism, whit residencies and workshop for arsts. To this purpose we established scenic park museum with workshop of art, film and design made of scienfic infrastructure to create a laboratory research , experimenta- on and training on new technologies and soil conservaon and environmental monitoring. The mayor presented a programme demanding an intervenon from the State and the Basilicata region. BRIEF HISTORY OF CRACO Sig. Lisan Nicola: 3922033704 [email protected] | [email protected] Sig. Montemurro Vincenzo: 3294781495 Sig. Ragone Pasquale : 3405793682 Sig. Lavaia Innocenzo: 3293010610 Le visite si possono effeuare tu i giorni dell’anno con l’orario esvo dalle 10,00 AM alle 08,00 PM, e l’orario invernale dalle 10,00 AM all’imbrunire. VIisite serali o nourne solo su prenotazione. PRENOTAZIONI PERCORSO DI VISITA IN SICUREZZA e-mail: [email protected] www.comune.craco.mt.it info line: 0835 459005 - fax 0835 459243 Por 2014 -2020

COMUNE DI · PDF fileClaudio Monteverdi, Toccata da “Orfeo”; Adriano Banchieri, Contrappunto bestiale alla Mente; Giorgio Mainerio, Schiarazula Marazula; Antonio

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Page 1: COMUNE DI  · PDF fileClaudio Monteverdi, Toccata da “Orfeo”; Adriano Banchieri, Contrappunto bestiale alla Mente; Giorgio Mainerio, Schiarazula Marazula; Antonio

Desig

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edicom

system.it

Il centro storico di Craco è stato inserito nella Watchlist 2010 del World Monuments Fund (WMF)

Welcome to Craco

CRACO CINEMA 2014PRESENTA

con il contributo di

in collaborazione con

UNIONE EUROPEAREGIONE BASILICATA

COMUNE DI CRACO

PARCO MUSEALE SCENOGRAFICOMUSEUM SCENOGRAPHIC PARK

The first written document,was documented about 1060, a bubble of Arnaldo, Bishop of Tricarico to the priest and the community of Craco. However,archaeological research tracing the origine of Human settlements, minds back to the Iron Age (VIII-IX century a.C). The oldest building is the Norman tower (about 1040 a.C), which is visible from the surrounding area like the valley of Salandrella, the Ionian coast, Mount Pollino and all its neighbors. A legend tells that Craco in the beginning was called Monte D'Oro. In reality, Craco, in ancient times, was called Grachium, the Latin word which means, recent plowing field. Craco is crossed by only a river, the Cavone.Head office of one of the 78 universities in the jurisction of Basilicata, Craco contributed financially to the maintenance costs of the castles already begun by Frederick II and continued by the Angioini. Throughout the course of the sixteenth century, Craco was highly increased in population. This is what emerges from family texation,where the fiscal fires passed from 362 in 1521, from maximum peak of 518 in 1561 with 2590 inhabitants. In the last three years of the French Government (1813-1815), the population of Craco stood at 1.760/1.770 inhabitant. The natural increase in those years was always negative because there was a high infant mortality, the majority of the population, as mentioned earlier, was devoted to agriculture,livestock and its related activity, but there was also a considerable number of artisans and some professionals (doctors,notaries). The clergies in 1815 numbered to sixteen, while eighteen were the monks in the monastery of St. Peter, built in 1630 by Baroni Penna di Amendolara. In 1881 the population had exceeded the threshold of 2,000 inhabitants.Towards the end of the nineteenth century the city limits had reached its maximum expansion. There were several palaces in various parts of the town. The most famous,still in the memory of our elders, were the building Rigirone,Cammarota,Simonetti,Grossi,Miadonna,and the palace Carbone. In addition to the noble palaces, of particu-lar architectural beauty were public buildings like the town hall,schools, cinema and shops. Today everything is slid along the ground. Among the monuments the most important was undoubtedly the monument to the fall in war,erected in 1929 to commemorate the victims of WWI. Unfortunately, the monument was among the first structures to collapse.Another important building is the monastery dedicated to St. Peter,which was built in 1630, the convent of the Franciscans Observant friars had 18 monks from which recalls the monk Nicholas Onorati Columella (1735-1822) who was an expert in agricultural and natural sciences, and was appointed by Joachimo Murat, the first professor of the Faculty of Agronomy at the University Federico II. In 1792 Pope Pius VI donated to the monks for their convent an embalamed body of st.Vincent,a martyr of 300 a.C. The mother church was dedicated to st Nicholas V the bishop, (the patron saint of Craco) was built around XIV century. In the church, there were marble altars of baroque art and decoreted throughout till 80s, after the desecration of the church and the subsequent abandonment,became a resource for many thieves. In fact, today the church is completely empty as a symbol of human incivility.The chapel of Our Lady of the Star(Madonna della stella) 1600 is about 1 km from the village built near a natural water spring called by the people"crachesi" fountain piscicchio.Craco venerates the Madonna della Stella, celebrated the first Sunday of May.Another suggestive chapel was the Virgin of Monserrato, which was located at the Square of the Old Town,which was completely destroyed by the landslide.The territory of Craco has always been affected by a complex system of landslide with many fronts. In the book of history speaks of many landslides that have affected this town at different times: 1600.1805,1857,1870 and 1933. the people

"crachesi", despite the difficulties that most affected this earth,they never abandoned their town.The hill is made up of “variegated clays” that is red clay,green and dark gray,which are strongly prepared for hydrological instability. The top of the relief instead is constituted by the “conglomerate of Craco”, polygenic conglomerate,composed of limestone elements, sandstone,and marly arenaceous , roughly rounded, slightly to moderate cemented by a sandy-clayed matrix wih degree of cementation varies from point to point. The landslide has ancient origins and so natural,but that of 1963 was primarily consequent of the features that the urban expansion of the 900 contributed to the sliding. The leakage of the driche networks and waste water, that is tanks and wells also contributed. In the period between the 60s and 80s Craco lost more than half of the citizens, because the landslide,it also added to the scarcity of work and many were forced to emigrate to North Italy and abroad.Currently the population of Craco has780 inhabitants. The landscape context, that is the continuity of the colors and its particular harmony and unique geomorphology over the past forty years have made it more natural sets sought by the great Italian and interna-tional cinema. Some films shot in Craco: The Wolf by Alberrto Lattuada, The time of the beginning by Luigi Di Gianni, Christ Stopped at Eboli by Francesco Rosi, King David by Bruce Bareford, Savig Grace by Tom Conti, Class of Iron, The Night Sun by Paolo, Vittorio Taviani, Scorched Earth by Fabio Segatori, The passion of Christ by Mel Gibson, Nativity by Catherine Hardwicke, The Big Question directed by Francesco Cabras, Alberto Molinari, Nine Poems in Basilicata by Antonello Faretta, James Bond 007-Quantum of Solace directed by Marc Foster, Daniel Craig and Giancarlo Giannini, Basilicata coast to coast by Rocco Papaleo, Murder in the Dark by Dagen Merrill , A Village Doctor by Liugi di Gianni.The future direction given to the site of Craco is to valorise and recover scientific purpose, cultural, film production, tourism, whit residencies and workshop for artists.To this purpose we established scenic park museum with workshop of art, film and design made of scientific infrastructure to create a laboratory research , experimenta-tion and training on new technologies and soil conservation and environmental monitoring. The mayor presented a programme demanding an intervention from the State and the Basilicata region.

BRIEF HISTORY OF CRACO

Sig. Lisanti Nicola: 3922033704 [email protected] | [email protected]

Sig. Montemurro Vincenzo: 3294781495 Sig. Ragone Pasquale : 3405793682 Sig. Lavaia Innocenzo: 3293010610

Le visite si possono effettuare tutti i giorni dell’anno con l’orario estivo dalle 10,00 AM alle 08,00 PM, e l’orario invernale dalle 10,00 AM all’imbrunire.

VIisite serali o notturne solo su prenotazione.

PRENOTAZIONI PERCORSO DI VISITA IN SICUREZZA

e-mail: [email protected] www.comune.craco.mt.it

info line: 0835 459005 - fax 0835 459243

Por 2014 -2020

Page 2: COMUNE DI  · PDF fileClaudio Monteverdi, Toccata da “Orfeo”; Adriano Banchieri, Contrappunto bestiale alla Mente; Giorgio Mainerio, Schiarazula Marazula; Antonio

STJEPKO GUT & ITALIAN CONNECTION

FINALE del BASILIJAZZ MUSIC CONTEST

GUIDO DI LEONE GROUP

2° edizione

DUO FLAUTO e CHITARRA| Ra�aele Bifulco e Giuseppe Grieco

CALENDARIO 2014

CRACOCINEMA

Live Jazz al Monastero di S .Pietro Mostre e Laboratori Le stanze della Memoria , Mostra fotografica di Ninì Candela

STREET ART

Altri Eventi

CRACO ART MOVIE PRODUCTION in collaborazione con

2014Passeggiando nei �lm realizzati a Craco - Walking in the Movies Archivio storico e Mostra permanente delle produzioni cinematogra�che realizzate a Craco

Sabato 25 Ottobre - Centro storico Craco Sant’Angelo

Mercoledì 10 Dicembre - Monastero di S.Pietro

Sabato 2 Agosto ore 18.00

RADICI

Fiera dell’arte e dell’innovazione in onore di S. Vincenzo Martire

TERRA MADRE DAY in collaborazione con Slow Food

Il Comune di CRACO sul WEB

www.youtube.com/comunecraco

www.issuu.com/comunecraco Iscriviti al Gruppo

MONASTERO di S. Pietro Tutti i giorni al

Domenica 3 Agosto ore 21.00

MUSICHE di: M. Ravel Sonata n.2 e n. 3. G.F. Handel: Passacaglia; B.Campagnoli: Adagio, Allegro, Andante dalla Sonata n. 2 per vl. e vc.; Denza, Verdi, Paganini, Rossini; R. Kreutzer Sonata n.1 op.16. Sonata n. 3 op. 16; M.Viotti: Adagio, Allegro, Andante dalla Sonata n.2 per vl. e vc.; B.Romberg: Adagio, Allegro, Andante dal Primo Tema di Mozart per vl. e vc.

Claudio Monteverdi, Toccata da “Orfeo”; Adriano Banchieri, Contrappunto bestiale alla Mente; Giorgio Mainerio, Schiarazula Marazula; Antonio Vivaldi, Florilegio dalle Quattro StagioniFlauto Solista: Raffaele BifulcoVincenzo Bellini, Sinfonia da “Norma”; Gioacchino Rossini, Ouverture da “L’Italiana in Algeri”; Pietro Mascagni, Intermezzo da “Cavalleria Rusticana” Franz Doppler, Fantasia per Due Flauti su “Rigoletto” di VerdiFlauti Solisti: Raffaele Bifulco e Marcella Piccinini Gioacchino Rossini, Ouverture da “Il Barbiere di Siviglia”; Pablo de Sarasate, Fantasia sulla Carmen Op.25Flauto Solista: Raffaele Bifulco

Classic Live dedicato a Gabriella Cipriani

Venerdì 25 LuglioMusiche di: P.Mascagni, G.Donizetti, G.Rossini, G.Verdi, G.Puccini, N.Paganini.

Sabato 02 Agosto - ore 21 .00 - Repertorio: Un … So�o di Musica italiana

Sabato 9 Agosto

Sabato 23 Agosto - ore 21.00 - Monastero di S. Pietro

Venerdì 8 Agosto

ORE 18.30 LUNGO I PERCORSI DI VISITA

- ore 21.00 | Monastero di S. Pietro - ore 21.00 | Cine-Teatro G.M.Volontè, Craco Peschiera

QUARTET CLASSIC | VOCE : Alessandra Parravano / PIANOFORTE: Silvia Russo / VIOLINO: Mariangela Lorenzo / VIOLONCELLO: Giancarlo Tuzio

FREILACH ENSEMBLE HAPPY KLETZMER

Orchestra I Flauti di Toscanini |12 Flauti (dall’ottavino al �auto contrabbasso)FLAUTO SOLISTA: M° Ra�aele Bifulco - DIRET TORE: M° Paolo Totti

Sabato 30 Agosto ore 21.00

Martedì 12 Agosto ore 21.00

Evento di Inaugurazione

Location: Torre Normanna e Largo Niccolò Machiavelli

video e digital art presso spazio digitale

25-26-27 Luglio 7-8-9-12 Agosto - ore 17.30-20.00

Largo Machiavelli Torre Normanna Craco Sant'Angelo Centro storico

“ P e r m e l a M u s i c a è p u r o g o d i m e n t o d e l d e t t a g l i o , d i q u e l l a n o t a

p i c c o l i s s i m a , b r e v i s s i m a , q u a s i i n v i s i b i l e c h e t i f a s a l i r e

u n b r i v i d o e c h e t i f a p e n s a r ec h e v a l e l a p e n a f a r e i l M u s i c i s t a . ”

Gabriella

È uno dei jazzisti più famosi della Serbia; ha studiato tromba jazz presso la Swiss Jazz School di Berna, in Svizzera e presso il Berklee College of Music di Boston, Massachusetts. Come direttore d'orchestra, ha vinto il primo posto nel 1° concorso austriaco di Big Band. È stato membro del gruppo Lionel Hampton All Stars per due anni. Ha fatto tournée internazionali, performance e registrazioni con Sal Nistico, Clark Terry, Wild Bill Davis, Benny Bailey, Horace Parlan, Mel Lewis, Kenny Washington, Johhny Griffin, Jimmy Heath, James Moody, Clifford Jordan, Ernie Willkins, Joe Newman, Davenport Wallace, Jon Faddis,Nicholas Payton, Frank Wess, Alvin Queen, e Dusko Gojkovic.È docente presso il Graz Institut for Jazz dal 1984. Tiene workshop e masterclass in numerose università in tutto il mondo:Royal Academy Den Haag, il Conserva-torio di Rotterdam, New Schooldi New York, Università dell’ Arkansas UAPB, UNH DurhamUniversity, Conservatorio di Parigi, Amsterdam Jazz Academy.

Contest musicale aperto a tutte le band della comunità europea. I brani dei gruppi selezionati dalla giuria di preselezione verranno caricati sul sito www.basilijazz.it e votati dal pubblico (sarà possibile visualizzare i voti in tempo reale), i 6 gruppi più votati verranno nuovamente selezionati da una giuria di esperti che decreterà 2 finalisti. Gli stessi si esibiranno in un concerto di 45 minuti ciascuno e la giuria deciderà chi si aggiudicherà il primo premio in danaro del valore di 500,00 € più un contratto per la partecipazione all'edizione 2015 del Multiculturità Jazz Summer Festival.

Musicista jazz, chitarrista, didatta, è nato a Bari nel 1964, dove attualmente vive. Il compimento dei suoi studi e l’inserimento nel mondo della musica avviene con l’aiuto di validi musicisti pugliesi, le prime esperienze professionali al seguito del padre, il crooner Nino Di Leone. Successivamente, dal 1980, approfondisce lo studio del jazz con Tomaso Lama e frequenta i seminari di Siena jazz. Da musicisti quali Wes Montgomery, Barney Kessel, Joe Pass e Jim Hall trae spunti di ricerca stilistica. I progetti artistici nei quali si è cimentato nel corso degli anni e le collaborazioni con altri musicisti sono molteplici, quasi tutti documentati da incisioni. Ha collaborato con musicisti del calibro di Mal Waldron, Dave Liebman, Michele Hendricks, Bobby Durham, Lew Tabackin, Gerry Dodgion, Harold Danko. L’intensa attività concertistica, lo vede impegnato anche all’estero: Belgio, Germania, Svizzera, Etiopia, Grecia, Israele, Marocco, Cina, Australia, Emirati Arabi, Montenegro, Spagna, Cuba e Albania. Ha apportato un notevole contributo artistico e culturale alla sua città con l’istituzione della scuola di musica Il Pentagramma, valida struttura nonché fucina di talenti. Nel 2002 Guido Di Leone ha scritto il testo didattico Metodo facile e completo di Teoria Jazz edito dalla casa editrice Sinfonica Jazz del gruppo Carisch. Dal 2004 Docente di chitarra jazz presso il Conservatorio N. Piccinni di Bari per il Corso di Diploma Accademico di Musica Jazz. Tiene seminari di chitarra e armonia jazz in varie scuole, università e conservatori e coadiuva ai corsi di improvvisazione jazz per cantanti tenuti a Spoleto da Michele Hendricks.

Venerdì 18 Luglio / Sabato 19 Luglio / Domenica 20 Luglio / Venerdì 25 Luglio / Sabato 26 Luglio / Domenica 27 Luglio / Domenica 3 Agosto / Giovedì 7 Agosto / Venerdì 8 Agosto /

VIOLINO: Anna Di Battista / CLARINETTO: Umberto Galante / VIOLONCELLO: Antonio di Marzio / ARPA: Anna C.Scammacca / PERCUSSIONI: Pasquale Nicoletti / VOCI IN SCENA: Anna Rosa Matera - Anna Onorati

Laboratorio di Fashion Design Con VinGal e le ricamatrici di Craco

DUO VIOLINO e FISARMONICA|

Mariangela Lorenzo e Gabriele D'AngellaLunedì 4 Agosto

DUO VIOLINO e VIOLONCELLO|

Mariangela Lorenzo e Giancarlo Tuzio

al Monastero di S .Pietro

Amazing Cracowww.vimeo.com/99980624