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COMMUNICATION SCIENCE 3INTERNATIONAL COMMUNICATION
Media, Culture and Globalisation
Introduction & OverviewLecture 1
Instructor: Mr.T.G. Mokgosi
WHAT IS INTERNATIONAL COMMUNICATION?
The term international communication
means every aspect of communication
involved in the flow of cultural products
across national boundries- from direct
satellite broadcasting to individual “reading”
of cultural commodities from other countries.
International communication is defined
as communication that occurs across
international borders.
International communication is also
defined as the transmission or transfer of
media products (or the media system
itself) across national borders.
International communication refers to a
more socio-political and economic analysis of
communication across national boundaries.
International communication refers to the
global dimension across the globe, between
nations for the expansion of national
(imperial) and corporate (business) power.
GLOBAL MASS COMMUNICATION
Global mass communication is a multifaceted
phenomenon that takes a variety of forms.
According to McQuail (2000; p.220) these include:
Direct transmission or distribution of media
channels or complete publications from one
country to audiences in other countries.
Certain international media, such as MTV
Europe, CNN International, BBC Word etc
Content items such as (films, music, TV
programmes, journalism items) that are
imported to make up part of domestic
media output
Formats and genres of foreign origin
that are adapted or remade to suit
domestic audience
International news: items whether
about a foreign country or made in a
foreign country, that appear in domestic
media
Miscellaneous content such as
sporting events, advertising and pictures
that have a foreign reference or origin.
THE HISTORICAL CONTEXT OF
INTERNATIONAL
COMMUNICATION
Reading: Thussu, Chapter 1
POLITICS, COMMUNICATION AND POWER
There are important connections
between media, communication and
power both in terms of means of
communication (Information and
Communication Technology) and the
content of the information communicated.
The nexus of economic, military and
political power has always depended on
efficient systems of communication. (D.
Kissan Thussu).
In short, control over communication
systems allows such powers to control key
messages (for propaganda purposes) and to
influence socio-economic development.
I) COMMUNICATION AND EMPIRES
Communication has always been critical to the
establishment and maintenance of power over
distance.
Form the Persian; Greek and roman empires to the
British, sufficient network of communication were
essential for the imposition of imperial authority, as
well as for the international trade and commerce on
which they were based.
Indeed, the extant of the efficiency of
communication.
Communications networks and technologies
were key to the mechanics of distributed
government, military campaigns and trade.
GREATER NEED FOR INTERNATIONAL COMMUNICATION
The growth of international trade and
investment required a constant source of
reliable data about international trade and
economic affairs, while the British Empire
required a steady supply of information
essential for maintaining political
alliances and military security.
II) THE TELEGRAPH AND 19TH C. IMPERIAL COMMUNICATION
The bottom line is that control of telegraph
cables was crucial to maintaining an empire
thus, political and economic success
3) INTERNATIONAL NEWS AGENCIES
The newspaper industry played an important role
in the development of international communication
and increases the demand of news.
The establishment of the news agencies was the
most important development in the newspaper
industry of the nineteenth century altering the
process of news dissemination, nationally and
internationally.
Commercial newspapers were early adopters of the
telegraph. International news agencies were
established soon thereafter
1835 Havas—French,
1849 Wollf—German
1851 Reuters—English
All were international, all were subsidized by their
domestic government, all services privately owned
newspapers
Their effect was to control international
information markets
What is important about the formation of
international news agencies is that it links content
to control over ICTs (telegraph cables) and control
over the information circulating through that
network, important both for the formation of
public opinion, but as importantly for financial
markets
1) PROPAGANDA, THE COLD WAR AND INTERNATIONAL COMMUNICATION
The second world war saw an explosion in
international broadcasting as propaganda tool on
both sides (communist and capitalist)
Propaganda was also a key battle ground during
the Cold War
Radio Moscow vs. the Voice of America/Radio
Free Europe
In 1951 the US established a “Psychological
Strategy Board’ to advise the US president on the
most effective forms of “international
anticommunist propaganda”.
Radio Free Europe was set up under its auspices as
a part of a broader strategy of psychological
warfare in Europe funded by the CIA
The key point here is that there was a clear
connection made between the power over
communication systems and the ability to alter
public opinion and thinking.
From US side, the goal was simple: win the ‘war’ in
favour of capitalism, the ‘free market’ and
consumerism.
The key battle grounds were the developing world
in Asia and Africa and Eastern Europe (Third World).
2) NEW WORLD INFORMATION/COMMUNICATION ORDER
(NWICO)
Going into the final battle in forming
international communication as we know it today,
there was one last stand between competing
visions of how it might be structured.
The developing word—made up largely of former
colonies—had a broad list of demands, including:
An end to the one-way flow of information—from North to
South
An end to information ‘haves’ and ‘have nots’
A shift from horizontal flows of information (from the top
down, from north to south, etc) to vertical flows
An end to information as commodity subject to market logic
An end to the international information and communication
system helping to reproduce international inequality
MEDIA AND DEVELOPMENT
The Mass Media were seen as an
important vehicle for socio-economic
development not as a commercial means to
‘entertain’ and sell products
THE MAC BRIDE COMMISSION
The international communication for the
study of the communication problems that
was established under the chairmanship of
Sean Mac Bride by UNESCO occupies a
prominent place in the debate regarding the
establishment of a NWICO.
The commission report, commonly known
as the Mac Bride report, gave intellectual
justification for evolving a new global.
The commission was established to study
for main aspects of global communication:
1.The current state of world communication;
2.The problems surrounding a free and balanced flow
of information;
3.How the needs of the developing countries link with
the flow;
4.How in light of the NIEO, a NWICO could be created,
and how the media could become the vehicle for
educating opinion about world problems.
THE MACBRIDE REPORT
Report Summary: A democratic
communication system is fundamental to
both a more democratic social order and
human rights.
THE MACBRIDE COMMISSION’S KEY RECOMMENDATIONS
Developing countries needed greater access to
information and less dependence on existing
communication systems
Democratic communication policies should be a
priority for all developing countries
Educational and informational use of
communication should be given equal priority with
entertainment
Communication systems (i.e. print,
broadcasting, and telecommunications)
must be developed on a national level
Funding, for such development, can come
in part from international initiative
The focus should be less on profits and
more on maximizing the free flow of
information
Telecommunications should remain under
state control to ensure the focus is on the
free flow of information, not corporate profits
Finally, both the electro-magnetic spectrum
and geostationary orbit—both finite natural
resources—should be more equitably shared
as the common property of humanity
One specific recommendations was the need to
foster non-corporate and non-state media (opening
media access to)
i) radical opposition in politics
ii) community media
iii) trade unions
The idea was to establish a countervailing force to
the dominant forms of corporate media to make
media systems more democratic
Called for a number of Communication Rights and
Freedoms
Rights to communicate and receive information-
related political, economic, social and cultural rights
Freedoms of the press (from state and corporate
control) of expression
THEORIZING INTERNATIONAL COMMUNICATION Reading: Thussu, Chapter 2
International communication has borrowed and/or
adapted theories and paradigms from
(sub)disciplines such as international relations and
media studies and applies these to discourses
related to global communication (Madikiza &
Bornman: 2007 pp.11–44)
Two broad but often interrelated approaches to
theorizing communication can be seen:
The Political-Economy Approach: concerned with the
underlying structures of economic and political power
relations (roots in the critique of capitalism (Marx), but it
evolved over the years to incorporate a wide range of
critical thinkers – question of relationship between
economic, political and cultural power – examination of
the pattern of ownership and production in the media and
communication industries)
Cultural Studies: focused more on the role of
communication and media in creating and maintaining
shared values and meanings (started in Britain in the
1970s with the study of popular and mass culture and
their role in the reproduction of social hegemony and
inequality – now more concerned with how media texts
work to create meaning, and how culturally situated
individuals work to gather meaning from texts –
discovery of polysemic texts).
SIMILARITIES BETWEEN POLITICAL ECONOMY APPROCH & CULTURAL STUDIES APPROCH
Both seek to identify & critique dominant
interests in the media and cultural spheres
Both focuses on power distribution
between the working class and the bourgeoisie
1. FREE FLOW OF INFORMATION
The free-flow principle reflected Western
(specifically US) opposition to the state regulation
and censorship of the media by its communist
opponents and its use for propaganda.
The ‘free flow’ doctrine was essentially a part of
the liberal, free-market discourse that
championed the rights of media proprietors to
sell wherever and whatever they wished.
The concept of ‘free flow’ served both economic and
political purposes – media organisations of the
media-rich countries hoped to dissuade others from
erecting trade barriers to their products or from
making it difficult to gather news or make
programmes on their territories (arguments drew on
premises of democracy, freedom of expression, the
media’s role as ‘public watchdog’ and their assumed
global relevance.
For the businessmen, ‘free flow’ assisted
them in advertising and marketing their
goods and services in foreign markets,
through media vehicles whose information
and entertainment products championed
the Western way of life and its values of
capitalism and individualism.
For Western governments, ‘free flow’
helped to ensure the continuing and
unreciprocated influence of Western media
on global markets, strengthening the West
in its ideological battle with the Soviet
Union.
2. MODERNISATION THEORY
complementary to the doctrine of ‘free-
flow of information in international
communication was the key to the process
of modernization and development for the
so-called ‘Third World’.
The theory arose from the notion that
international mass communication could be used
to spread the message of modernity and transfer
the economic and political models of the West to
the newly independent countries of the South.
Modernisation/ development theory is
based on the belief that the mass media would
help transform traditional societies.
Lerner ()examined the degree to which people in
the Middle East were exposed to national and
international media, especially radio. – proposed
that contact with the media helped the process of
transition from a ‘traditional’ to a ‘modernized’
state, as the media is said to enable individuals to
experience events in far-off places, forcing them
to reassess their traditional way of life.
Schramm (key modernization theorist):
saw the mass media as a ‘bridge to a
wider world’, as the vehicle for
transferring new ideas and models from
the North to the South, and, within the
South, from urban to rural areas.
3. DEPENDENCY THEORY
aimed to provide an alternative framework
to analyse international communication
central was the view that transnational
corporations (TNCs) exercise control over the
developing countries by setting the terms for
global trade – dominating markets,
resources, production and labour.
Development for these countries was
shaped in a way to strengthen the
dominance of the developed nations and to
maintain the ‘peripheral’ nations in a position
of dependence – to make conditions suitable
for ‘dependent development’
Outcome of such relationships: ‘the
development of underdevelopment’
The dependency theorists aimed to show the
links between discourse of ‘modernisation’ and
the policies of transnational media and
communication corporations and their backers
among Western governments.
4.MEDIA AND CULTURAL IMPERIALISM
Oliver Boyd-Barret defined media Imperialism-
is defined as “the process whereby the ownership,
structure, distribution of content of the media in any
one country are singly or together subject to
substantial external pressures from the media
interests of any other country or countries without
proportionate reciprocation of influence by the
country so affected (1977: 117)
The absence of reciprocation of media
influence by the affected country combines both
the elements of cultural invasion by another
power and element of imbalance of power
resources between the countries concerned.
The two element of invasion and imbalance of
power resources justify the use of the term
‘imperialism’.
McQuail notes that the term implies a
deliberate attempt to dominate, invade or
subvert the ‘cultural space’ of others and
suggest a degree of coercion in the
relationship.
The ‘invading’ nation’s cultural and other
values are imposed on the audiences of the
‘invaded’ nation.
MEDIA AND CULTURAL IMPERIALISM THESIS
Global media promote relations of
dependency rather than economic growth
The imbalance in the flow of mass media
content undermines cultural autonomy or
holds back its development
The unequal relationship in the flow of news
increases the relative global power of large
and wealthy news producing countries and
hinder the growth of an appropriate national
identity and self-image
Global media flow give rise to a state of
cultural homogenisation leading to a dominant
form of culture that no specific connection with
real experience to most of the people.
CRITICISMS
clear definitions of fundamental terms are
absent (e.g. imperialism)
lack of empirical evidence to support the
arguments ignores the question of media form
and content as well as the role of the audience
media texts can be polysemic and are
amendable to different interpretations by
audiences who are not merely passive
consumers, but active participants in the
process of negotiating meaning (Fiske)
does not take on board issues such as how
global media texts work in national contexts,
ignoring local patterns of media consumption.
Limitation of cultural and media
imperialism approach: it does not fully
take into account the role of the national
elites, especially in the developing world.
4. HEGEMONY (GRAMSCI 1891-1937)
The dominant social group/nation has the
capacity to excercise intellectual and moral
directionover society at large and to build a
news system of social alliances to support its
aims–not instrumented by military force, but
rather by building consent by ideological control
of cultural production and distribution –
‘common sense’
This happens when this group excersise
control over mass media, schools, religion
etc
The dominant class then coersively
imposses its will on subodinate classes
In international communication, the notion
of hegemony is widely used to conceptualize
political function of the mass media, as a
key player in propagating and maintaining
the dominant ideology and also to explain
the process of media and communication
production, with dominant ideology shaping
production of news and entertainment.
It is thus argued that although the media in
the West are notionally free from direct
governmental control, they nevertheless act
as agents to legitimise the dominant ideology.
5. CRITICAL THEORY
The industrial production of cultural
goods – films, radio programmes, music
and magazines, etc. – as a global
movement, they (critical theorist) argued
that in capitalist societies the trend was
toward producing culture as a commodity.
Adorno and Horkheimer believed that
cultural products manifested the same
kind of management practices,
technological rationality and
organizational schemes as the mass
production industrial goods such as
cars.
This industrially produced and co modified culture,
led to the deterioration of the philosophical role of
culture.
Instead, this mediated culture contribute to the
incorporation of the working classes into the
structures of advanced capitalism and it limiting
their horizons to political and economic goals that
could be realized within the capitalist system
without challenging it.
The critical theorist argued that the
development of the ‘culture industry’
and its ability to ideologically inoculate
the masses against socialist ideas
benefited the ruling classes.
The concentration of the ownership of
a cultural production in a few producers
resulted in a standardized commercial
commodity, contributing to what they
called a ‘mass culture’ influenced by the
mass media and one which thrived on
the market rules of supply and demand.
In their view, such a process
undermined the critical engagement of
masses with important socio– political
issues and insured a politically passive
social behavior and the subordination of
the working classes to the ruling elite.
In an international context the idea of
‘mass culture’ and media and cultural
industries has influenced debates about
the flow of information between countries.
etc. – as a global movement, they argued
that in capitalist societies the trend was
toward producing culture as a commodity.
6. THE THEORY OF PUBLIC SPHERE
The public sphere is define as an arena,
independent of government and also enjoying
autonomy from partisan economics forces, which
is dedicated to rational debate (i.e. to debate and
discussion which not ‘interest’, ‘disguised’ or
‘manipulated’) and which is both accessible to
entry and open to inspection by the citizenry
(Holub, 1991).
The public sphere provides a useful concepts in
understanding democratic potential of
communication processes.
The globalisation of media and communication
led to the evolution of a ‘global public sphere’
where issues of international significance –
environment, human rights, gender and ethnic
equality can be articulated through the global mass
media.
7.THEORIES OF THE INFORMATION SOCIETY
According to its supporters, an international
information society is being created via the
Internet, which will digitally link every home,
office and business in a networked society
based on what has been termed the ‘knowledge
economy’ – these networks provide the
infrastructure for a global information society
(Negroponte)
Criticism: these changes are technologically
determined and ignore the social economic
and political dimensions of technological
innovation.
‘The medium is the message’: media
technology has more social effect on
different societies and cultures than media
content (McLuhan)
’Global village’: new communication and
information technologies would help bring
people closer together (McLuhan)
It is argued that US society has moved
from an industrial to a post-industrial
society, characterised by the dominant of
information and information-related
industries (Bell) – the ‘information age’
8. DISCOURSES OF GLOBALISATION
New information and communication have made
global interconnectivity a reality
Globalisation is seen as fostering international
economic integration and as a mechanism for
promoting global liberal capitalism – it is to be
welcomed for the effect that it has in promoting
global markets and liberal democracy (liberal
interpretation)
Idea of cosmopolitan: emphasises
social and cultural life – the expansion of
information and communication
technologies coupled with market-led
liberal democracies are contributing to
the creation of what has been called a
global civil society.
‘Glocalisation’: expresses the global
production of the local and the localisation of
the global.
Global culture includes the proliferation of
media technologies, especially cable
television and satellite (creates ‘global
village’)
Models such as globalisation and
international communism forget the
complexity of the interaction of class with
nationalism, religion, race, ethnicity and
feminism to produce local political
struggles.
GLOBAL COMMUNICATION INFRASTRUCTURE Reading: Thussu, Chapter 3
The process of deregulation and
privatisation in the communications and
media industries combined with new digital
information and communication
Technologies to enable a quantum leap in
international communication, illustrated
most vividly in the satellite industry.
FREE TRADE IN GLOBAL COMMUNICATION
The new information and communication
technologies have helped to create a
global communication infrastructure
based on regional and global satellite
networks, used for telecommunications,
broadcasting and electronic commerce
PRIVATIZING SPACE (THE GLOBAL SATELLITE INDUSTRY)
For most of the 20th century, the state was the main
provider of national telecommunications infrastructure
and equipment and regulator of international traffic (e.g.
PTT)
People began to oppose national monopolies, arguing
that a competitive environment would improve services
and reduce costs
In 1984 US President Ronald Reagan announced as ‘open
skies’ policy, breaking the public monopoly and allowing
private telecommunications networks to operate in the
national telecommunication arena.
The general shift from the public–service role of
telecommunication to private competition and
deregulation had a major impact on international
telecommunication policy, shaped by the USA, Britain and
Europe, all of whom have companies with global
ambitions.
Uruguay Round of the General Agreement on
Tariffs and Trade (GATT): established in 1947 to
provide a framework for international trade
after WWII – included trade in services for the
first time on a par with the traditional
commercial and manufacturing sectors
(reflected the neo-liberal push towards opening
up protected markets)
However, there was tension between the free-
marketers and those who argued for a more
regulated system to protect domestic markets
and interests
The WTO argued that dismantling barriers to
the free flow of information was essential for
economic growth – it is not possible to have
significant trade in goods and services without a
free trade of information
General Agreement on Trade Services: first
multilateral, legally enforceable agreement
covering trade and investment in the services
sector and the one with the most potential
impact on international communication (most
significant component: GATS Annex on
Telecommunications – equal accessibility for
both foreign and national suppliers)
PRIVATIZING NEWS AVENUES (THE WORLD OF NEWS CORPORATION)
Global news and information networks/News
agencies:
AP (USA; world’s largest news gathering
organisation)
Reuters (UK; largest financial information provider)
Agence France Presse (AFP) (France; financial
provider of news)
Other major agencies: United Press
International (UPI, USA), Xinhua (China),
ITAR-TASS (Russia), (WTO, IMF)
These players dominate the global
financial news services and international
television news (especially AP and
Reuters)
CNN is the world leader in international
news channels (in front of BBC and Sky
News) – symbolises globalisation of
American television journalism,
influencing news agendas across the
world and shaping international
communication
THE GLOBAL MEDIA MARKETPLACE Reading: Thussu, Chapter 4
The deregulation and liberalization of the
international communication sector in the 1990s were
paralleled in the media industries and, in conjunction
with the new communication technologies of satellite
and cable, have resulted in the concentration of
media power in the hands of a few large
transnational corporations, undermining media
plurality and democratic discourse .
The largest growing application of international
communication infrastructure is for the delivery of
media products information, news and
entertainment.
The convergence of both media and technologies,
and the process of vertical integration of the media
industries to achieve this aim, have resulted in the
concentration of media power in the hand of a few
large transnational companies, with implications for
global democracy.
With deregulation and the relaxation of
cross-media ownership restrictions,
media companies look to broaden and
deepen their existing interests which has
lead to convergence and acquisitions
MEDIA CONGLOMERATES
Time Warner (USA; entertainment & infotainment
company – CNN/Warner Bros)
Disney (USA; film & entertainment company – Disney
Channel, ESPN)
Sony (Japan; electronics & multimedia entertainment –
Columbia Pictures)
Bertelsmann (Germany; largest publisher of books and
magazines)
Viacom/CBS (USA; large entertainment company –
Paramount Pictures/MTV)
Media power being concentrated in hands few
corporations (mainly American) conglomerates may
act like an alliance in production and distribution of
global information and entertainment (McChesney,
Bagdikian).
In other words, the media may become the
mouthpiece for these corporations and their
supporters in governments (existent relationship
between the media and the government).
A significant proportion of the revenue of leading
media companies comes from television (partly due
to establishment of satellite TV) – mainly
documentaries and adult entertainment TV (easily
exported to all nations/cultures), but also sport and
popular music
Global cinema and television screens are dominated
by Hollywood, and English-language publishing is
predominant (led by the USA/ UK: ‘duopoly’)
TELEVISING SPORT GLOBALLYCOMMERCIALISATION
Historically sports have been used as forms of entertainment
However, they have never been more commercialised than
today
Commercial sports are organised and played to make money
as entertainment events
They depend on gate receipts, sponsorships and sale of
media rights.
Therefore commercial sports are more suited to certain
conditions i.e.
1.most prevalent in market economies where
material rewards are high
2.Most prevalent in market economies where
material rewards are high
3.Usually exist in densely populated cities for large
spectator base
4.Require people in a society to have time, money
transportation and availability to media outlets
(print and electronic)
5. Commercial sports require large amounts of capital
to build and maintain stadiums and arenas (therefore
naming rights are important for $)
6. Commercial sports are most likely to flourish in
cultures where lifestyles involve high rates of
consumption and emphasise material status symbols
(therefore everything associated with sports can be
marketed and sold - i.e. autographs, merchandise,
even team names)
CLASS RELATIONS AND COMMERCIAL SPORTS
Which sports have become commercialised in
society?
Often those sports followed and watched by people
who possess or control economic forces in society
E.g. Golf - the sport does not lend itself to a sporting
“spectacle” in terms of high spectator numbers yet
TV coverage is immense - a lot of money involved
Those who play golf are wealthy powerful people
and are important in terms of sponsorships and
advertising
However, why does women’s golf attain less TV and
media?
And then, which women attract the majority of
attention?
Despite these being gender issues they ultimately
come down to money and market economies
Arguably any sport can be marketed and
promoted as an important sport to watch.
When wealthy and powerful people are
interested in a sport, it will be covered,
promoted and presented as if it has a cultural
significance in society
SPORT AS BIG BUSINESS
Corporations understand the importance of
sport as a marketing and branding tool for
their product
Athletes and sporting teams have a global
marketing capacity
Even sports stadiums have been branded
BIG SPORT IS BIG MONEY
Hosting the Olympics is not about prestige, it is
about money
Politicians know what hosting the Olympics will
mean to the economy (and votes)-increased
tourism, global exposure, more jobs-building
venues-roads, infrastructure money for public
amenities, jubilant voters etc
A successful national or global sporting team can
mean important revenue for the city e.g.
Manchester United, Chicago Bulls, Adelaide
Crows, Port Power (notice these are all male
sports)
Big sport also creates huge revenue for media
outlets - Locally, Nationally, Globally
DO SPORTS DEPEND ON THE MEDIA?
No, when they exist for the players themselves
Yes, when they are forms of commercial
entertainment
–Media coverage attracts attention and
provides news of results
–Television has been a key factor in the growth
and expansion of commercial sport (Television
expands commercial value of sports)
HAVE THE MEDIA CORRUPTED SPORTS?
This is not likely because:
•Sports are not shaped primarily by the media
in general or TV in particular
(Sports are social constructions that emerge in connection with
many different social relationships)
•The media, including TV, do not operate in a
political and economic vacuum
(Government regulates the media, and economic factors set
limits to control)
DO THE MEDIA DEPEND ON SPORTS?
•Most media do not depend on sports for content or
sales
•Daily newspapers have depended on “sports
sections” to boost circulation and advertising
revenues
•Many television companies have depended on sports
to fill program schedules, attract male viewers and
the sponsors that want to reach them (Many
sport events have audiences with clearly identifiable “demographics”-
ie watch the ads-KFC cricketers box during cricket, footy pie)
TRENDS IN TELEVISED SPORTS
•Rights fees have escalated rapidly since the 1960s
•Sports programming has increased dramatically
•As more events are covered, ratings for particular events
have decreased (Audience fragmentation has occurred- basketball
from Winter to Summer, Uncle Toby Super Series surf lifesaving pulled
completely)
•Television companies use sports events to promote other
programming
•Television companies increasingly own teams and events
(particularly in the US-although 7 Network and Telstra Dome have close links)
CORPORATE SPONSORSHIP
•Many male executives of large media corporations love
sports and the notion of being linked to sports
•Masculine culture is deeply embedded in these
corporations (i.e. masculinised hierarchy)
•When sport emphasizes competition, domination, and
achievement, executives feel that these are crucial
factors in their companies (They will pay big money to
hire coaches to motivate employees around these themes
….also pay large sums to sponsor teams and events)
SETTING THE GLOBAL NEWS AGENDA
News, more than any cultural form, carries the
burden of defining the world in which citizens
operate” [Lewis]
Unlike news, maps are objective to the most
part.
News affects our mental maps (how we see
the world, and from which angle).
–News stories are selected (agenda setting)
Certain news however is not reported on.
–Africa is the least reported continent in the
Western World
News Agencies (AFP, Reuters, AP) set news
agendas
–The ‘institutional gatekeeper’ are the news
agencies.
News Agencies are relatively monopolistic.
Decolonization after WWII News Nation
States News flows keep mirroring the
centre periphery.
UNESCO tried to form a contra-flow of news
–Idea was that 3rd world countries would
receive truthful representations.
Yet, news in developing countries is often
channelled through London or Paris.
There is limited agency is African
countries and for foreign news, they rely
on world agencies as they have no foreign
correspondents .
NEWS AGENCIES IN THE DEVELOPING WORLD
–Rely on the state for economic survival
–Depend on the agencies of ex-imperial powers
for world news
–Are told that national news agencies in the
national scope are not to be trusted.
THE NEW WORLD INFORMATION AND COMMUNICATION ORDER (NWICO) CONTROVERSY
–Developed during and after the cold war
–Developing countries are the victims of
domination in information
–Subject to imperialism
–The motive (is almost) always to control
–Trends in mass media led to concentration and
monopolization
Greater risk of on-sidedness and conformity
–Greater gap between rich and poor
–Imbalance in news flows
–News is framed (generally negative for third
world)
This has NOT changed over the years, as
news is reported on in ethnocentric ways
(where one society feels it is better than all
others).
IDEOLOGICAL SHIFTS WITHIN UNESCO
–1950s: Free flow was key for the Western world.
Info available for those with the necessary
resources
–1960s/70s: Free flow actually seen as “one-way”
flow. National news agencies in the developing
world seen ideological support for politics
–1984: USA and UK leave UNESCO due to one
way flow.
NEWS AGENCIES TODAY
–Three Leading News Agencies: AP, Reuters
and AFP
–Fewer corporations are providing information
using fewer resources
–Age of hyper-commercialism and
infotainment
–Western Societies decline in the amount of
quality of foreign news reporting.
News agencies are forming CNN, BBC, Al Jazeera
Still too western
Agenda Setting and Imperialism
Increased homogenization
TRADITIONAL MODEL
–News coverage: reliable news on national
and international level for customers
–Distribution: distribute it via global
networks telex or satellite
–Everybody can publish
–Everybody can distribute
–No longer single agency of news
“Perceived economic value of content is
approaching zero”
TODAY’S MODEL
INTERNATIONAL JOURNALISM AFTER 911 (WEST VS. MIDDLE EAST)
Current research has demonstrated that
the majority of the news that is found on
the Internet come from only a handful of
preeminent media outlets.
The rise of news networks such as Al-
Jazeera pushed for a reassessment of those
claims.
Al-Jazeera English offers an alternative
mode of news journalism that fosters a
stereotypical attitude towards the “other”
The advent of Al-Jazeera redefine the
traditional wartime news angle of reporting
in the U.S. media, reconfiguring the counter-
hegemonic debate in U.S. war reporting.
images tend to be modified through re-
broadcasting by other news network.
Counter-hegemonic contra-flows have
pushed U.S. local news stations to be
defensive and offensive towards their reports
concerning different world views, perceived
as threatening to the U.S. national security.
U.S. news networks consistently “self-
censored all counter-hegemonic news
material from Al-Jazeera, without regard to
the principles of objectivity and impartiality”
(Samuel-Azran, 2010: 42).
HOW DO THEY DO SO?
News on the War in Afghanistan was “framed as a
targeted attack on the Taliban’s terrorists regime”.
Most of the images were consistent with U.S.
Administration demands.
NEWS MEDIA AND THE FOREIGN POLICY
There is a great debate about the
relationship between the news media and
the foreign policy decision-making process,
and the impact the former may have on the
latter.
Two theories have risen to explain this
matter, the so-called "CNN effect" and the
"manufacturing consent" thesis.
The globalisation of certain television formats may
give the impression of homogenisation, but
television is simultaneously global and national,
shaped by the globalisation of media economics and
the pull of local and national cultures
Many global media corporations also produce
regional editions of their newspapers and magazines
to provide a regional perspective on issues relevant
to their respective readers
THE "CNN EFFECT"
The so-called "CNN effect", is understood in a
variety of ways.
1.The capability of the news media (television
in particular) to "shape the policy agenda”.
2.The "power" of news journalism "to move
governments.
3. The idea that real-time communications
technology could provoke major responses from
domestic audiences and political elites to global
events.
4. The argument that the media drives Western
conflict management by forcing Western
governments to intervene militarily in humanitarian
crises against their will.
THE MANUFACTURING CONSENT THEORY
The manufacturing consent theory "argues
that the media does not create policy, but
rather that news media is mobilized
(manipulated even) into supporting
government policy”.
There are two ways in which manufacturing
consent may take place:
The executive version, in which there is
framing that, conforms to the official
agenda; and
The elite version, in which news
coverage is critical of executive policy as
a consequence of elite dissensus.
MEDIA, FOREIGN POLICY AND EVENTS
The relevance of the relationship between the
news media and foreign policy makers goes
beyond the fact that the former cover foreign
events and the latter make policies regarding
foreign events.
The importance of this relationship, thus,
relies on two claims about it:
Firstly, the claims that the coverage of certain
events has the potential to drive the policies that
foreign policy makers conduct regarding the
events covered (the CNN effect),
Secondly, the claim that foreign policy makers
are the ones who drive media attention towards
certain foreign events, and even determine the
way those events are being framed
(Manufacturing consent).
COMMUNICATION AND CULTURAL GLOBALIZATION Reading: Thussu, Chapter 5
The general pattern of the media ownership
indicates that the west, led by the USA, dominates
the international flow of information and
entertainment in all major media sectors.
Some argue that such globally transmitted
programming will promote a shared media culture, a
global village based on the English language and
Western lifestyles and values
But what is the impact of such one way flows of
global information and entertainment on
national and regional media cultures?
It has been argued that international
communication and media are leading to the
homogenization of culture, but the patterns of
global/national/local interaction may be more
complex.
Hybridity: how global genres are adapted
to suit national cultural codes
Television has a much wider reach than the
print media, as millions of people still
cannot read or write
Television is thus central to a ‘global mass
culture’ – dominated ‘by the image, imagery
and styles of mass advertising’ (Hall)
One reason for the global appeal of US
popular culture is its openness and
mingling of a multiplicity of cultures, many
of which are themselves imports from
outside the USA.
THREE REASONS FOR THE WORLDWIDE SUCCESS OF US TELEVISION
The universality of some of its themes and
formulae (makes programmes psychologically
accessible)
The polyvalent/open potential of many of the
stories (their value as projective mechanisms
and as material for negotiation and play in the
families of man)
The sheer availability of American programmes in a
marketplace where national producers cannot fill more
than a fraction of the hours they feel they must
provide
NB: The fact that particular television programmes
have had such worldwide success, is not necessarily
due to their entertainment quality or interest, but
rather because they are promoted by the huge media
conglomerates (global branding and the
internationalisation of the advertising industry)
With the proliferation of television globally
(more channels/networks) dedicated children’s
channels have become an integral part of the
international television market (also linked to
global toy market)
Advantage for children’s TV channels:
animation translates well in overseas market
(minimal need for cultural interpretation)
UNESCO studies have proven that there
is generally a one-way traffic, mainly in
entertainment-oriented programming,
from the major Western-exporting
nations to the rest of the world
One key result of the privatisation and
proliferation of television outlets, and the
growing glocalisation of US media
products, is that American film and
television exports have witnessed a
massive increase between 1922 and 2004
(Europe continues to be the largest market
for American film and TV content).
The global flow of consumerist messages
through international television has been seen
by some as evidence of a new form of cultural
imperialism, especially in the non-Western world
(Schiller) – mainly due to the extensive reach of
the US-based media, helping the USA to use its
‘soft’ power to promote its national interests
US presence on European television has
increased substantially, but are often dubbed
into local languages/contexts (content is based
on American-style popular entertainment forms,
but have nationally specific themes and setting)
The British lead the European television scene
In non-Western nations (e.g. sub-Saharan
Africa), the poverty existent makes it difficult
for local television channels to make their
own programmes, forcing them to depend
technically and financially on international
organisations or Western media corporations
GLOBAL CINEMA: HOLLYWOOD HEGEMONY
One key reason for US dominations of the global
entertainment market is its film industry
(Hollywood)
One of the most contested issues in global film
exports has been the trade of films between the
USA and Europe (EU is dominant by American
productions, while European films only cover 2% of
the American film market)
In developing countries, many of whom
have no film industry of their own, Hollywood
films account for a majority of their film
imports
Concerns have been raised about the
imbalance in global flows of media products
– “asymmetries in flows of ideas and good”
The standardisation of programmes on the
world’s cinema and television screens risks
the disappearance of cultural and linguistic
identities which many societies consider to
be a basic component of their national
sovereignty – risks cultural diversity
(UNESCO)
Concerns about the impact of the US domination of
international communication and media on culture
and linked with the question of language and
cultural identity and the rise of English as the global
language.
English has become the main language due to the
British domination of the global in the 19th and first
half of the 20th century, including the domination
over the telegraph.
Only those authors who can write in English,
or whose works are translated into English,
are considered ‘international’, and have
success in the international market
LOCAL CULTURE IN GLOBAL MEDIA
International media organisations are
increasingly becoming conscious of the
varying tastes of their consumers in
different parts of the world – increase in
trend towards the regionalisation and
localisation of media content
Wherever one looks one can find similar types
of programmes being broadcasted, although the
language and the context may be localised
The globalisation of certain television formats
may give the impression of homogenisation, but
television is simultaneously global and national,
shaped by the globalisation of media economics
and the pull of local and national cultures
Many global media corporations also produce
regional editions of their newspapers and
magazines to provide a regional perspective on
issues relevant to their respective readers
Routine viewing in one particular cultural and
political context may vary considerably between
and within nations, also in terms of rural/ urban,
male/ female and class distinctions
Western programming is still watched by
a relatively small percentage of the
population in much of the non-Western
world – yet the people who do watch it
have significant power and influence – thus
it is promoting a globalised, ‘Westernised’
elite which believes in the supremacy of the
market and liberal democracy, as defined by the
West
Rather than creating a homogenised culture,
globalisation of Western culture may be
producing ‘heterogeneous disjunctures’: the
global-local cultural interaction is leading to a
hybrid culture, which blurs the boundaries
between the modern and the traditional, the
high and low culture, and their national and
global culture – glocalisation.
Glocalisation: cultural fusion as a result of
adaptation of Western media genres to suit
local languages, styles and cultural
conventions, using new communication
technologies (e.g. Zee TV – mixes English
and Hindi content).
GLOBAL ADVERTISING
Advertising is also being regionalised to cater
national and regional priorities
The flow of music culture is an example of
cultural movement
CONTRAFLOW IN GLOBAL MEDIA Reading: Thussu, Chapter 6
The globalisation of Western media has been a major
influence in shaping media cultures internationally
While there are forces for convergence and
homogenisation, the spread of the US model of
professional/commercial television has also brought
beneficial changes to some national and regional
media industries (e.g. revival of culture and creative
industries)
Westernisation has parallels with
‘Easternisation’ and ‘South-South flows’ (e.g.
Japanese animation, Indian films, etc.)
FACTORS:
The availability of digital technology and
satellite networks has enabled the
development of regional broadcasting
A privatised and deregulated broadcasting and
telecommunication environment has enabled an
increasing flow of content from the global South to the
North
The availability of myriad television channels has
complicated the national media discourse (viewers can
have simultaneous access to a variety of local,
regional, national and international channels, thus
being able to engage in different levels of mediated
discourse)
In countries where the medias systems were
tightly regulated by the state apparatus,
globalisation has brought a fresh and more
international perspective (e.g. enhanced media
professionalism and more freedom of the press)
Global television has also created the
phenomenon of global ‘media events’ (e.g.
Olympic Game, natural or human disasters)
The use of television for political purposes is
on the increase, as visual media can have
tremendous power to influence political and
social attitudes (e.g. ‘spin’)
The Western style of professional television
journalism has influenced programme-making
in many countries (e.g. current-affairs
structure)
ADVANTAGES OF THE GLOBALISATION OF WESTERN TELEVISION:
created jobs in the media industry
it has a liberatory potential that can
contribute to strengthening liberal
democratic culture, through its ‘modernity’
its promotes gender equality and freedom.
ALTERNATIVE GLOBALIZATION
The growing Western cultural presence has also
produced discontent in some countries (e.g. Islamic
World; due to 9/11 – anti-American and anti-Islamic
sentiments) – clash of civilisations/fundamentalisms
‘Westoxication’: the adoption and flaunting of
superficial consumerist attributes of fads and
commodities, originating in the USA.
Non-Western countries have tried to
restrict the reception of Western satellite
TV by introducing licensing regimes (often
banned on the grounds that the content
is inappropriate to that particular culture)
Partly as a reaction to perceived Westernisation
of their culture and partly as a reaction to the
alleged distortion in representations of non-
Western cultures in the global media, many
countries have experienced a cultural revival,
often influenced by religious groups and
encouraged by political establishments, acting as
a barrier to the flow of Western media products
GLOBAL COUNTERFLOW OF MEDIA PRODUCTS
Evidence shows that new trans-border
television networks are appearing from
the periphery to the centres of global
media and communication industries.
The deregulation of broadcasting, which
has been a catalyst for the extension of
private television networks, has also made it
possible for private satellite broadcasters to
aim beyond the borders of the country
where the network is based (in contrast to
state/public broadcasters).
Reason for the proliferation of transnational
channels: the physical movement of people from
one geographical location to another, carrying
with them aspects of their culture – ‘ethnoscape’
The Southern presence in the metropolitan
centres of the world has been brought about by
‘deterritorialisation’: the loss of the ‘natural’
relation of culture to geographical and social
territories.
The nature of ‘culture mixing’ can lead to
a hybridisation of cultures
Diasporic communities use different
types of media to keep in touch with their
culture, nowadays through satellite
television channels
The demand for such channels also reflects the
lack of provision for minority communities by
mainstream media and national broadcasters
Examples international players of contraflow from
‘Global South’:
1.Latin American telenovelas,
2.Al Jazeera, Phoenix (China) and
3.the Indian Film Industry (Bollywood)
These examples do not show that the
Western media domination has diminished –
the emergence of regional players contributing
to a ‘decentred’ cultural imperialism is not
likely to have significant impact on the Western
hegemony of global media cultures
Nevertheless, there does exist a blurring of
boundaries, mixing of genres, languages and
a contraflow of cultural products from the
peripheries to the centres – transculturation,
hybridity and indigenisation.
The desire to experience the new is
balanced by that to protect cultural
sovereignty
INTERNATIONAL COMMUNICATION IN THE INTERNET AGE Reading: Thussu, Chapter 7
International communication has been
shaped by technological innovation –
fibre optics, satellites and the Internet
have enabled the trade of information
instantly across the globe
The origins of the Internet lie in the US
Department of Defence’s APRANET, created
in 1969 during the Cold War threats.
The explosion in the use of Internet took off
with the establishment of the World Wide
Web in 1989
The Internet has been the fastest growing
tool of communication
The unprecedented growth in the volume of
international communication and the conduct of
business through the Internet has made it
imperative for transnational corporations to
demand the harmonisation of standards of
equipment and frequencies so that
telecommunication and broadcasting
equipment can be used across national borders.
It is in the interests of the countries and
corporations that dominate global trade to
ensure that electronic commerce operates in
a free-market environment.
FROM A 'FREE FLOW OF INFORMATION' TO 'FREE FLOW OF COMMERCE
Technological developments, combined with the
liberalisation in trade and telecommunications,
have acted as catalysts for e-commerce – made
possible because of the opening up of global
markets in telecommunications services and
information technology products (due to the
WTO agreements)
One of the biggest potential growth areas for e-
commerce is Asia, due to its rapid growth in
Internet users and its booming economy
Googlisation of global communication: the rapid
rise of search media which arranges the world’s
information and makes it universally accessible and
useful – focuses on the issue of access and to the
relations between commercial interests and media.
MEDIA ON-LINE
Major newspapers have started a web edition and
all major broadcasters have a presence on the
Internet (first seen as a supplement to the main
media source)
In this media environment, the boundaries between
advertising and programming are constantly blurring
The international media survive/depend more and
more on advertising
By being able to monitor and record patterns of
Internet use, governments can control citizens’
political activities, while businesses can have
access to private information (back accounts,
insurance details, etc.) which can be traded for
marketing purposes – this type of information has
security and privacy implications, since it can also
be misused by governments and corporations.
THE INTERNET AS A POLITICAL TOOL
The commercialisation of the Internet is
perceived by some as betraying the initial
promise of its potential to create a ‘global
public sphere’ and an alternative forum.
The Internet was once seen as a mass medium
whose fundamental principles were based in access
to free information and a decentralised information
network – opened up possibilities of digital
dialogues across the world
Unlike traditional communication (top-down, one-
to-many model), online communication was seen as
a many-to-many dialogue and thus more
democratic.
However, the Internet has also provided a platform
for extremist organisations (hate propaganda).
Internationally, the most significant political role
that the Internet has played is in promoting links
between community groups, non-governmental
organisations and political activists from different
parts of the world.
The Internet has influenced the mass
media in a substantial way: not only has
it provided a new platform for media
organisations to reach consumers, but it
has also changed the timeframe of news
production, distribution and speed (24-
hour broadcasting and accessibility).
The Internet has also become a great source for
journalists, which allows them to include different
perspectives and background information in their
news reporting.
Power is moving away from journalists as
gatekeepers over what the public knows – citizens
are assuming a more active role as assemblers,
editors and even creators of their own news (e.g.
blogs)
In many countries the growing use of the Internet
and its potential power to provide alternative
viewpoints and exchange of information beyond
national borders have generated anxiety
In the digital era, filtering software and protocols
may in fact make censorship easier (they can
simple route all Internet traffic through electronic
gateways).