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COMMERCIAL DELIVERY SPECIFICATIONS FOR SCREENVISION MEDIA IN-CINEMA When providing your source master, please adhere to the following specifications: VIDEO Format: Apple Pro Res 422 HQ (preferred), Uncompressed Resolution: 1920 x 1080 Frame Rate: 24fps (preferred), 23.98 Aspect Ratio: FLAT (16:9,1.85) or SCOPE (2.35) AUDIO Embedded Audio– Stereo or 5.1 Stereo: CH1=LT, CH2=RT Dolby 5.1: CH1=L, CH2+R, CH3=C, CH4-Sub, CH5=LS, CH6=RS, CH7=LT, CH8=RT IMPORTANT: 5.1 audio mix must include LT/RT on CH7 and CH8 (complete down mix) *All assets are subject to quality and content review. ADDITIONAL FORMATS Screenvision can accommodate other formats that are not on our core specifications. Please contact our Senior Manager of Creative Services, Yvette Ridgard, with any questions. DELIVERY The preferred methodof delivery is a digital file viaAspera. URL- http://tinyurl.com/kq74ufx Fill in the information in the fields provided. Uponsuccessful uploading of creative, please confirm with the contacts below. You may need to download Aspera Connect. URL- http://tinyurl.com/ldjtyb8 CONTACTS Email: [email protected] Yvette Ridgard CatDacalanio 212.497.0421 212.497.0472

COMMERCIAL DELIVERY SPECIFICATIONS FOR SCREENVISION MEDIA IN-CINEMA · 2016. 7. 7. · COMMERCIAL DELIVERY SPECIFICATIONS FOR SCREENVISION MEDIA IN-CINEMA CONTACTS Email: [email protected]

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Page 1: COMMERCIAL DELIVERY SPECIFICATIONS FOR SCREENVISION MEDIA IN-CINEMA · 2016. 7. 7. · COMMERCIAL DELIVERY SPECIFICATIONS FOR SCREENVISION MEDIA IN-CINEMA CONTACTS Email: CreativeServices@Screenvision.com

COMMERCIAL DELIVERY SPECIFICATIONS FOR SCREENVISION MEDIA IN-CINEMA

When providing your source master, please adhere to the following specifications:

VIDEO• Format: Apple Pro Res 422 HQ (preferred), Uncompressed• Resolution: 1920 x 1080• Frame Rate: 24fps (preferred), 23.98• Aspect Ratio: FLAT (16:9,1.85) or SCOPE (2.35)

AUDIO• Embedded Audio– Stereo or 5.1 • Stereo: CH1=LT, CH2=RT• Dolby 5.1: CH1=L, CH2+R, CH3=C, CH4-Sub, CH5=LS, CH6=RS, CH7=LT, CH8=RT

• IMPORTANT: 5.1 audiomix must include LT/RT on CH7 and CH8 (complete downmix)*All assets are subject to quality andcontent review.

ADDITIONAL FORMATSScreenvision can accommodate other formats that are not on our core specifications. Pleasecontactour Senior Manager of Creative Services, Yvette Ridgard, with any questions.

DELIVERYThe preferred methodof delivery is a digital file viaAspera.URL- http://tinyurl.com/kq74ufx

Fill in the information in the fields provided. Uponsuccessful uploading of creative, pleaseconfirm with the contacts below.

You may need to download Aspera Connect.URL- http://tinyurl.com/ldjtyb8

CONTACTSEmail: [email protected] Ridgard CatDacalanio212.497.0421 212.497.0472

Page 2: COMMERCIAL DELIVERY SPECIFICATIONS FOR SCREENVISION MEDIA IN-CINEMA · 2016. 7. 7. · COMMERCIAL DELIVERY SPECIFICATIONS FOR SCREENVISION MEDIA IN-CINEMA CONTACTS Email: CreativeServices@Screenvision.com

COMMERCIAL DELIVERY SPECIFICATIONS FOR SCREENVISION MEDIA IN-CINEMA

Aspect Ratio and Title Safe

FLAT SCOPE

The aspect ratio of Screenvision Media’s pre-show may depend on the feature that will follow. Advertisements with aspect ratios that differ from the feature will have letterboxing added to the sides or the top and bottom in order to fit the image on screen.

FLAT AD IN SCOPE SCOPE AD IN FLAT

Image Safe Area- Titling must fit within the title safe zone to ensure that all text remains on screen.

Advertisements with titles that fall outside of the title safe zone may undergo a minor shrink in order to fit all text on screen.

CONTACTSEmail: [email protected] Ridgard Cat Dacalanio212.497.0421 212.497.0472

Page 3: COMMERCIAL DELIVERY SPECIFICATIONS FOR SCREENVISION MEDIA IN-CINEMA · 2016. 7. 7. · COMMERCIAL DELIVERY SPECIFICATIONS FOR SCREENVISION MEDIA IN-CINEMA CONTACTS Email: CreativeServices@Screenvision.com

COMMERCIAL DELIVERY SPECIFICATIONS FOR SCREENVISION MEDIA IN-CINEMA

CONTACTSEmail: [email protected] Ridgard Cat Dacalanio212.497.0421 212.497.0472

AUDIO – 5.1 Surround and Levels• Please provide a stereo mix embedded within the video file. 5.1 audio is

acceptable but MUST be accompanied by a stereo mix in order to accommodate our whole network.

• If providing 5.1 audio, the mix is not required to be Dolby Certified• Please conform creative audio levels to the standards issued by the CALM Act

as illustrated on the Dolby Media Meter below