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Color Relativity and Josef Albers

Color Relativity and Josef AlbersJosef Albers. Local Color vs. Relative Color Local Color – Actual color on the surface of an object at full light. Relative

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Page 2: Color Relativity and Josef AlbersJosef Albers. Local Color vs. Relative Color Local Color – Actual color on the surface of an object at full light. Relative

Local Color vs. Relative Color

• Local Color – Actual color on the surface of an object at full light.

• Relative Color – Local color as affected by light or surrounding hues.

Page 3: Color Relativity and Josef AlbersJosef Albers. Local Color vs. Relative Color Local Color – Actual color on the surface of an object at full light. Relative

How does the idea of relativity relate?

• Chevereul – The Principles of Harmony and Contrast of Colors 1839

• Afterimage (successive contrast) – after saturating the eye with a color and looking away, the eye will balance itself by creating an afterimage of that color’s complement even when the hue is not present.

Page 4: Color Relativity and Josef AlbersJosef Albers. Local Color vs. Relative Color Local Color – Actual color on the surface of an object at full light. Relative
Page 5: Color Relativity and Josef AlbersJosef Albers. Local Color vs. Relative Color Local Color – Actual color on the surface of an object at full light. Relative
Page 6: Color Relativity and Josef AlbersJosef Albers. Local Color vs. Relative Color Local Color – Actual color on the surface of an object at full light. Relative

Other findings:• Simultaneous Contrast:– Using the idea of “afterimage,” simultaneous contrast

refers to how a surrounding color affects a local color by forcing it’s complement.

Page 7: Color Relativity and Josef AlbersJosef Albers. Local Color vs. Relative Color Local Color – Actual color on the surface of an object at full light. Relative

Contrast Reversal

• Much like afterimage, however an entire design reverses color when the eye looks away to a blank area.

Page 8: Color Relativity and Josef AlbersJosef Albers. Local Color vs. Relative Color Local Color – Actual color on the surface of an object at full light. Relative

Josef Albers• German Painter and Educator in the Bauhaus

and later in the United States.• Interaction of Color 1963 – outlines specific

exercises in color for students focusing on aspects of color interaction.

Page 9: Color Relativity and Josef AlbersJosef Albers. Local Color vs. Relative Color Local Color – Actual color on the surface of an object at full light. Relative

Principles of Color Interaction(Can function separately or simultaneously)

• Light/Dark Value Contrast– Color will appear darker on a lighter ground

and lighter on a darker ground

• Complementary Reaction or Effect– When the eye “seeks” the complement of

the dominant color in the relative color• Subtraction– The dominant color subtracts itself from

the relative color– Equation based: YO-O=Y, BV-V=B, etc.

Page 10: Color Relativity and Josef AlbersJosef Albers. Local Color vs. Relative Color Local Color – Actual color on the surface of an object at full light. Relative

Light/Dark Shift:

Page 11: Color Relativity and Josef AlbersJosef Albers. Local Color vs. Relative Color Local Color – Actual color on the surface of an object at full light. Relative

Complementary Shift:

Page 12: Color Relativity and Josef AlbersJosef Albers. Local Color vs. Relative Color Local Color – Actual color on the surface of an object at full light. Relative

Subtraction:

Page 13: Color Relativity and Josef AlbersJosef Albers. Local Color vs. Relative Color Local Color – Actual color on the surface of an object at full light. Relative

Make 2 Colors Appear Similar:

Page 14: Color Relativity and Josef AlbersJosef Albers. Local Color vs. Relative Color Local Color – Actual color on the surface of an object at full light. Relative

Make 2 Colors Appear Similar: