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Color, Depth, and Motion in Vision CMSC 636 Penny Rheingans University of Maryland Baltimore County Characteristics of Color Perception Fundamental, independent visual process after-images color deficient vision Relative, not absolute Interactions between color and other visual properties

Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

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Page 1: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Color, Depth, and Motionin Vision

CMSC 636

Penny RheingansUniversity of Maryland Baltimore County

Characteristics of Color Perception

• Fundamental, independent visual process– after-images– color deficient vision

• Relative, not absolute• Interactions between color and other visual

properties

Page 2: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Color Pathway

• Red, green, and blue cones• Retinal ganglion cells• Parvocellular layers in LGN• Areas in visual cortex– V1: blobs– V2: thick stripes– V4: color

Page 3: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Parvocellular Division

• Role in vision– discrimination of fine detail– color

• Characteristics– color: sensitive to wavelength variations– acuity: small RF centers– speed: relatively slow response

Perceptual Distortions

• Color-deficiency• Interactions between color components– saturation - brightness (Helmholtz-Kohlraush effect)– brightness - hue (Bezold-Brucke Phenomenon)

• Simultaneous contrast– brightness– hue

• Small field achrominance• Effects of color on perceived size

Page 4: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Bezold-Brucke Phenomenon

• Hurvich ‘81, pg. 73.

Simultaneous Contrast

Page 5: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Simultaneous Contrast

Small Field Achrominance

• Wandell ‘95, cp. 3.

Page 6: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Color-size Illusion

• Cleveland and McGill ‘83.

Depth Perception

Page 7: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Magnocellular Division

• Discriminates objects from one another• Characteristics (relative to parvocellular path)– color : insensitive to wavelength variations– acuity : larger RF centers– speed : faster and more transient response– contrast : more sensitive to low contrast stimuli

• Observed characteristics of motion perception– color-blind: impaired at equiluminance– quickness– high contrast sensitivity– low acuity : impaired at high spatial frequencies

Depth Pathway

• Red and green cones• Type A retinal ganglion cells• Magnocellular layers in LGN• Primary visual cortex– disparity tuned neurons (thick stripes in V2)

• Middle Temporal Lobe (MT)

Page 8: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Motor Cues

• Vergence• Accomodation

Binocular Cues

• Depth cues resulting from two views (one fromeach eye)

• Include:– retinal disparity ( stronger for close objects)– neurons sensitive to particular disparities

Page 9: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Monocular Cues

• Depth cues available in single eye image• Include:– Occlusion– Size– Perspective– Head-motion parallax– Kinetic depth effect (object-motion parallax)

Motion and Interaction

Page 10: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Roles of Motion Processing

• Required for Pattern Vision• Driving Eye Movements• Time to Collision• Exproprioceptive Information• Perception of Moving Objects• Depth from Motion• Encoding 3D Shape• Image Segmentation

Characteristics of Motion Perception

• Fundamental, independent visual process– motion aftereffects– motion blindness

• Based primarily on brightness• Ability to interpret structure degrades in

periphery• Spatio-temporal interactions

Page 11: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Motion Pathway

• Red and green cones• Type A retinal ganglion cells• Magnocellular layers in LGN• Area 4B in primary visual cortex– direction selectivity– velocity selectivity– expansion/contraction of visual field– global rotation

• Middle temporal lobe

Apparent Motion

• Def: perception of motion without stimuluscontinuity (stroboscopic and cine)

• Influences– spatial frequency characteristics– global field effects– number of frames– expectations from reality

• Limitations– maximum of 300 msec interstimulus interval– decreased size constancy (max ~8 Hz)– decreased sense of observer motion

Page 12: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Depth from Motion

• Motion depth cues– head motion parallax– kinetic depth effect– magnitude of motion indicates relative depth

• Applications– indicating relative object positions– compensating for lack of other depth cues

• Limits– relative, not absolute depth– perceived size, perceived depth related

Page 13: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Head Motion Parallax

• Bruce and Green ‘90, p. 231.

Kinetic Depth Effect

• Bruce and Green ‘90, pg. 162.

Page 14: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

3D Structure from Motion

• Relative motion conveys info about 3D shape• Rigidity assumption• Applications– understanding of irregular/unfamiliar shapes– disambiguation of 2D projections

• Limits– 2 frames (large number of structured points)– 2-3 points (many frames)– 15 arc min (maximum displacement)

Page 15: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Structure from Motion

• Bruce and Green ‘90,pg. 328.

Page 16: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Image Segmentation

• Discontinuities in optical velocity field indicateobject boundaries

• Boundaries can be detected on the basis ofmotion alone

• Applications– disambiguation of complex scenes– grouping of similar objects

At Equiliminance

• Motion perception of gratings degrades• Depth perception disappears• Depth from relative motion disappears• Shape from relative motion disappears

Page 17: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Interaction vs. Animation

• Exploration vs. Presentation– efficiency– flexibility

• Active vs. Passive Participation– immediacy– control– development– understanding

Interactive Control

• Scene– viewpoint and direction– object position and orientation

• Content– variables– timestep

• Representation– techniques– parameters

Page 18: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Experimental Findings

• Control necessary for development– Held and Hein ‘63

• Dynamic control improves shape identification– van Damme ‘94– Rheingans ‘92, ‘93

• Control inproves assembly performance– Smets and Overbeeke ‘95

• Differences between types of control– Ware and Francke ‘96– Pausch, Proffit, Williams ‘97– Usoh, et al. ‘99

Kitten Carousel

• Held and Hein ‘63.

Page 19: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Experimental Findings

• Control necessary for development– Held and Hein ‘63

• Dynamic control improves shape identification– van Damme ‘94– Rheingans ‘92, ‘93

• Control inproves assembly performance– Smets and Overbeeke ‘95

• Differences between types of control– Ware and Francke ‘96– Pausch, Proffit, Williams ‘97– Usoh, et al. ‘99

Shape Identification

• van Damme ‘94, p. 18.

Page 20: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Effects of Control

None CompletePace

Change

Jerky

Smooth

Control

Slide Show

Constant Loop

Interactive

Dynamic

Slide Projector

Multispeed Loop

• Rheingans ‘92, ‘93, ‘97.

Experimental Findings

• Control necessary for development– Held and Hein ‘63

• Dynamic control improves shape identification– van Damme ‘94– Rheingans ‘92, ‘93

• Control inproves assembly performance– Smets and Overbeeke ‘95

• Differences between types of control– Ware and Francke ‘96– Pausch, Proffit, Williams ‘97– Usoh, et al. ‘99

Page 21: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Assembly Performance

• Smets and Overbeeke ‘95, p. 47.

Experimental Findings

• Control necessary for development– Held and Hein ‘63

• Dynamic control improves shape identification– van Damme ‘94– Rheingans ‘92, ‘93

• Control inproves assembly performance– Smets and Overbeeke ‘95

• Differences between types of control– Ware and Francke ‘96– Pausch, Proffit, Williams ‘97– Usoh, et al. ‘99

Page 22: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Type of Control

• Ware and Francke ‘96, p. 122.

Pausch, Proffit, Williams ‘97

Page 23: Color, Depth, and Motion in Visionrheingan/435/CDMvis.pdf · Depth from Motion •Motion depth cues –head motion parallax –kinetic depth effect –magnitude of motion indicates

Usoh, Arthur, Whitton, Bastos, Steed, Slater, Brooks ‘99