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7/23/2019 CMX Manual
1/4
SCHWA
CMXSTEREO MICROSHIFTER
VST / AU USERS MANUAL
7/23/2019 CMX Manual
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CMX thickens and enhances monophonic audio by doubling the signal and
applying small amounts of pitch shift and/or time delay to each side.
This technique is often applied to vocals or lead lines. With a light hand,
CMX can add just enough fullness to give a part extra presence in a mix.
With a heavier hand, CMX can create a rich and polished expensiveproduction sound. The added presence is especially effective in musical
styles that make minimal use of reverb.
Pitch/delay doubling has long been a not-so-secret weapon of producers
with access to top-shelf hardware pitch shifters. Effective doubling
requires tiny, smooth pitch shifts, free from any hint of phase error, aliasing,
or cyclic artifacts.
CMX uses a new, unique pitch identification and shifting algorithm from
Schwa that is designed and optimized for small, precise pitch shifts, from
one cent to a quarter-tone, with perfect phase coherence and maximum
smoothness. You can use CMX on exposed, high-quality vocal tracks with
complete confidence.
NOTE: For maximum smoothness and total phase coherence, CMX
adapts its pitch shifting algorithm to the dominant pitch in the input audio.
For this reason, CMX is best suited for monophonic audio, such as vocals
and lead lines, as opposed to polyphonic audio such as choirs and chords.
7/23/2019 CMX Manual
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WIDE / NAR ROW
Th is ro ck er af fe ct s th e st er eo wi dt h of th e do ub le dsignal. Use narrow widths for a more focused,
ti gh te r so un d; at wi de r se tt in gs , th e au di o wi ll ta keon a more open, bigger, transparent feel.
DETECTOR HPF (advanced)
Hidden on the generic user interface of CMX is acontrol to set the lowest frequency (HPF) of the pitchdetection circuit. For most applications the defaultsetting (100 Hz) is appropriate.
CMX STEREO MICROSHIFTER
Each concentric knob controls one of thedoubled audio outputs. The inner knobcontrols the pitch shift, and the outer knobcontrols the time delay. N ote that adjusting
th e ti me de la y wi ll ca us e a mo me nt ar ybypass of that shifter, to avoid a temporarychorus-l ike pitch distortion while the timedelay is moving .
BYPASS
Th is mo me nt ar y sw it ch is us ef ul fo r a qu ic k co mp ar is on of th e CM X ef fe ct ag ai ns t th edry audio. CMX can be very effective at l ight setti ngs: because the audio wil l not sound
overly processed, the momentary bypass is helpful for an aural reminder that a l i tt leCMX can go a long way.
COLOR
Th is ro ck er ad ds so me ta st ef ulharmonic distortion to the output,
fo r us es wh er e a mo re an al og fe elis appropr iate.
WET / DRY
Th is ro ck er co nt ro ls ho wmuch of the CMX output ismixed with the unaffectedsignal. At the the middleof this control, the doubledCMX output is mixed inequal measure with the drymono input.
7/23/2019 CMX Manual
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CMX SCHWA MMIX
Th es e bu tt on s de te rm in e ho w th e mo us e co nt ro ls CM X s kn ob s an d ro ck er s. Th e kn ob s an d ro ck er s ca neach be set to either relative or absolute mouse control.
Wh en th e kn ob s ar e se t to re la ti ve mo de (d ef au lt ), dr ag gi ng up wa rd s al wa ys in cr ea se s th e kn ob va lu e an ddragging downwards always decreases. In absolute mode, the knob wil l always point to the mouse cursor;
drag the mouse clockwise to increase the knob value and counterclockwise to decrease.
Wh en th e ro ck er s ar e se t to re la ti ve mo de (d ef au lt ), th e ro ck er po si ti on wi ll ch an ge on ly as yo u dr ag th emouse. In absolute mode, the rocker wil l always snap to the mouse cursor on the first cl ick.
Design by White Tie .
Thanks to Olaf Riepen, Tallisman, Mercado Negro & Dimitar Nalbantov. Game screen uses theled real font by Matthew WelchIf you have any support needs, or any questions on usage or anything else regarding this plugin, please visit the forums at www.stillwellaudio.com
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