llllTEllTI HIGHEST POSITION

ON BILLBOARD SONG TITLE RECORDING ARTIST CHART DATE PAGE

BIOGRAPHICAL NOTES 4

SOUVENIR PHOTO SECTION 18

AIN'T GOT NO HOME Clarence "Frogman" Henry 30 12-5-56 24 Marianne Faithful 22 11-28-64

AS TEARS GO BY The Rolling Stones 6 12-25-65 30 The Regents 13 5-21-61

BARBARA ANN The Beach Bo}'.'.s 2 1-11-66 36

BOOK OF LOVE The Monotones 5 3-15-58 33

BRISTOL STOMP The Dovells 2 9-17-61 38

BUT I DO Clarence "Frogman" Henry 4 2-26-61 43

DON'T HANG UP The Orlons 4 10-13-62 46

GOODNIGHT, IT'S TIME TO GO The SQaniels l 4-15-54 50

G.T.O. Ronny & The Daytonas 4 8-1-64 52

HAPPY, HAPPY BIRTHDA Y BABY The Tune Weavers 5· 9-7-57 56

IF YOU WANNA BE HAPPY Jimm!'.'. Soul l 3-30-63 59

I GO TO PIECES Peter & Gordon 9 1-9-65 62

IKNOW Barbara George 3 11-19-61 68

I LIKE IT LIKE THA T Chris Kenner 2 6-4-61 70

l'M GONNA GET MARRIED Llol'.'.d Price 3 8-16-59 65

ITCHY, TWITCHY FEELING Bobbl'.'. Hendricks 25 8-10-58 72

IT'S JUST A MATTER OF TIME Brook Benton 3 2-1-59 76

l'VE HAD IT The Bell Notes 6 2-1-59 78

JUDY'S TURN TO CRY Lesley Gore 5 7-6-63 80

JOHNNY B. GOODE Chuck Berrl'.'. 8 4-19-58 82

JUSTA DREAM Jimmy Clanton 4 7-5-58 84

KISSES SWEETER THAN WINE Jimmie Rodgers 7 11-9-57 90

LAND OF A THOUSAND DANCES Wilson Pickett 6 7-30-66 92

LET ME IN The Sensations 4 1-7-62 87

(THE} LION SLEEPS TONIGHT The Tokens l 11-19-61 94

LITTLE TOWN FLIRT DelShannon 12 12-22-62 96

(A) LOVER'S QUESTION Clyde McPhatter 6 10-12-58 101

MASHED POT A TO TIME Dee Dee SharQ 2 3-3-62 104

MOHAIR SAM Charlie Rich 21 8-28-65 106

llllTEllTI HIGHEST POSITION ON BILLBOARD

SONG TITLE RECORDING ARTIST CHART DATE PAGE NEW ORLEANS Gary "U.S." Bonds 6 10-23-60 112

The Dells 2 8-15-56 OH, WHAT A NIGHT The Dells 10 8-16-69 114

ONLY YOU The Platters 5 11-2-55 109

OVER THE MOUNT AIN, ACROSS THE SEA Johnnie & Joe 8 5-8-57 118 Cathy Jean & The Roommates 12 3-5-61

PLEASE LOVE ME FOREVER Bobby Vinton 6 9-30-67 128

POPSICLES AND ICICLES The Murmaids 3 11-23-63 120

PRETTY LITTLE ANGEL EVES Curtis Lee 7 7-9-61 122

PRETTY GIRLS EVERYWHERE Eugene Church 36 12-21-58 130

(A) QUARTER TO THREE Gary "U.S." Bonds l 11-23-57 136

RAINDROPS Dee Clark 2 5-7-61 125

ROCK & ROLL MUSIC Chuch Berry 8 11-2-57 140

ROCKIN' PNEUMONIA & THE BOOGIE WOOGIE FLU Huey "Piano" Smith 52 8-3-57 133

ROLL OVER BEETHOVEN Chuck Berry 29 6-20-56 142

SEA CRUISE Frankie Ford 14 2-15-59 146

SCHOOL IS OUT Gary "U.S." Bonds 5 7-30-61 149

SEE YOU LA TER, ALLIGATOR Bill Haley & The Comets 6 12-28-55 152 The Rays 3 10-5-57

SILHOUETTES Herman's Hermits 5 4-3-65 158

SIXTEEN CANDLES The Crests 2 11-30-58 162

SOME KIND OF WONDERFUL Fantastic Johnny C. 8 11-16-68 155

SOMETHING YOU GOT Chuck Jackson & Maxine Brown 55 4-24-65 164 SUSIE-Q Dale Hawkins 29 6-5-57 170

TELL IT LIKE IT IS Aaron Neville 2 12-3-66 172

TWILIGHT TIME The Platters l 3-29-58 174

(THE) WAH-WATUSI The Orlons 2 6-9-62 167

WHA T'S THE MATTER BABY? Timi Yuro 12 7-14-62 176

WHISPERING BELLS The Dell-Vikings 9 6-29-58 178

WHY, BABY, WHY? Pat Boone 6 3-6-57 184

WHY DON'T THEY UNDERST AND? George Hamilton IV 17 11-23-57 180

ffi2 WOMAN, A LOVER, A FRIEND Jackie Wilson 15 7-17-60 182

VES, l'M READY Barbara Mason 5 5-15-65 187

YOU'RE SO FINE The Falcons 17 4-26-59 190

4 BIOGRAPHICAL NOTES (A BLAST FROM THE PAST)

THE AMERICAN BREED Members: Al Ciner - rhythm guitar - May 14, 1947

Gary Liozzo - lead guitar, lead vocals - August 16, 1945 Lee Graziano - drums - November 9, 1943 Charles Colbern - bass - August 30, 1944

Hometown: Chicago, lllinois

Members of The American Breed first met in Chicago during the early sixties and decided to form a band to perform in local teen-age clubs. By 1967 the group had developed an enormous regional following and had attracted the attention ol Bill Traut of the local Dunwich produc­tion company, who began producing their recordings for the West Coast Acta label. Their first few records became minor hits, but their fourth release "Bend Me, Shape Me" brought them major success. They were asked to sing a tune called "A Quiet Place" in the film 'No Way To Treat A Lady', and they followed with several more hits.

By 1969 The American Breed had faded from popularity and the group decided to change its base ol operations to Los Angeles. Alter numerous personnel changes, including the addition of a keyboard player named Kevin Murpney and a female lead singer, they evolved into a group called Ask Rufus (named atter a newspaper column). They eventually became known as Rufus, which, led by Chaka Khan, has become one of today's most popular "soul" groups.

THE BEACH BOYS Members: Mike Love - lead vocalist ·sax - March 15, 1941

Brian Wilson - keyboard and bass - June 20, 1942 Carl Wilson - guitar - December 21, 1946 Dennis Wilson - drums - December 4, 1944 Alan Jardine - rhythm guitar - September 3, 1942

Hometown: Hawthorne, California

The California-generated Beach boys form a bridge between the great Rock and Roll years of the fifties and the Beatles-led British invasion of the early sixties. Dennis Wilson had long wanted to write a song about the popular West Coast sport of surfing, so he convinced his brother Brian and his cousin Mike Love to give him a hand. The result was a tune called "Surfin"', which was released on Candix, a local label, and the song became a regional hit early in 1962.

Nick Venet, a producer for Capitol records, heard the group, liked its sound, and sig ned them. In July 1962, the Beach Boys had their first na­tional hit with "Surfin' Safari". They followed this initial pair of surfing songs with other sangs teen-agers could relate to about cars and rac­ing, the West Coast, and gi ris.

In the mid-sixties the group had an incredible number of hits, including three number-one records: "I Get Around", "Help Me, Rhonda" and "Good Vibrations". Brian left the group in the late sixties to concentrate on writing and arranging. In 1969 the group left Capitol and sig ned with Warner Brothers' Reprise records. The group still records and plays concert dates.

Members: Carl Bonura - sax - dual lead Ray Ceroni - guitar - dual lead Lenny Giamblavo - bass Pete Kane - piano John Casey - drums

Hometown: Long Island, New York

THE BELL NOTES

New York discjockey Alan Frederics heard the fellows playing in Long Island, and became interested in the group. He arranged an audition with Time records in New York, where they were eventually sig ned to a contract. Their first release in February of 1959, called "l've Had It" became a solid smash for the group.

BROOK BENTON Real Name: Benjamin Franklin Peay Born: September 19, 1931 Hometown: Camden, South Carolina

In the early fifties, Brook joined Bill Landford's Spiritual Quartet and traveled across the country. Brook mel songwriter Clyde Olis and the two of them collaborated on several hits in 1958 "Looking Back" tor Nat King Cole and "Lover's Question" for Clyde McPhatter.

Brook's real success as a singer did not occur until early 1959, when he signed with Mercury records and released the first of many hits for the label, called "lt's Just A Matter Of Time" a song that he wrote with Clyde Otis and Belford Hendricks. His biggest chart record came in May of 1961 with another song he had written with Olis called "The Boll Weevil Song". In 1960, with Dinah Washington he recorded two chart hits thai both he and Otis had written called "Baby (You Got What It Takes)" and "A Rockin' Good Way". In January of 1970, he came back with another top-ten hit on Cotillion records called "Rainy Night in Georgia".

Brook has had eighteen gold records and was one of the early artists who wrote his own material. Today he lives with his wife and family in New York and continues to do concert tours and work in major clubs around the country.

CHUCK BERRY Real Name: Charles Edward Anderson Berry Bom: October 18, 1926 Hometown: Wentzville, Missouri

In 1952, Chuck started his own group called the Chuck Berry combo and began playing local clubs in east St. Louis, at this time contemplat­ing a career as either a hairdresser, a singer, or a photographer.

A vacation trip to Chicago in 1955 was the deciding factor in his decision. During this trip Chuck met blues singer Muddy Waters, who en­couraged Chuck to go and see Leonard and Phil Chess, the two brothers who owned Chess records. Chuck auditioned for them with a song he had written called "Ida Red". They liked the song, but suggested he change the title. Remembering the name of a cow from a third grade

. story, Chuck renamed the song "Maybellene". The song was recorded, a contract was signed, and the beginning of a legend was launched in July 1955, with his first of many hits.

Chuck detines his music as giving a feeling of adventure or joy. In some of his songs he would write of personal experiences, like "School Days", which were his own high school experiences. So was "Sweet Little Sixteen" another experience he had while on tour. He wrote about one little eleven-year-old at the show who was busy collecting autographs for her wallet. The song became one of his biggest hits in early 1958. Later that same year he wrote and recorded a song that is said to be a musical autobiography -"Johnny B. Goode". Chuck feels thai music is a "food for mood". He is a true rock and roll giant. He has been a tremendous influence on guitar players around the world.

Today Chuck continues to record for Chess records. He also has houses in Hollywood and Wentzville, Missouri.

GARY "U.S." BONDS Real Name: Gary Anderson. then changed to Ulysses Samuel Bonds Bom: June6,1939 Hometown: Jacksonville, Florida

Gary started singing as a youngster. At three, his family moved to Norfolk, Virginia, where he lived until he was twenty-one. While in Norfolk he mel Frank Guida who liked his style and wanted to record him, on Legrand label. Frank also suggested Gary change is name to "U.S." Bonds as a gimmick. So in the fall of 1960, Gary signed with Legrand and recorded "New Orleans" which became a smash hit. "Quarter To Three" which was his next hit, was recorded accidentally. A group known as Daddy G had a song out called "Night With Daddy G". Gary and his group played almost the identical music track, while Gary improvised some words and the group started a jam session. No one knew the tape recorder was on, and they accidentally recorded Gary's biggest hit. It was the number one song all across the country du ring the summer of 1961.

Today Gary lives in the New York area and is doing very well singing in various rock shows around the country.

PAT BOONE Real Name: Charles Eugene Pat Boone Bom: June 1, 1934 Hometown: Nashville, Tennessee

Pat is a descendant of frontiersman Daniel Boone. He attended high school in Nashville. Here he married Western star Red Foley's daughter, Shirley. Pat went to David Lipscomb College in Nashville, then transferred to North Texas State, where he won a local talent show and was encouraged to audition for Ted Mack's Amateur Hour. He did, and won, then went to Arthur Godfrey's Talent Scout show in 1954 and won again, and became a regular on the show.

His early recording career began on Republic records in Nashville, with songs like "Until You Tell Me So". But it wasn't until Hugh Cherry of WMAK radio Nashville introduced him to Randy Wood, president of Dot records, that things started to happen. Randy was impressed with Pat's voice and clean-cut image so he signed him to a recording contract. His frist record for Dot was "Two Hearts, Two Kisses" in 1955. It wasn't until November of the same year that Pat had any success, which he found in a Fals Domino song called "Ain't That A Shame". His white buck shoes that were his trademark were used quite accidentally. Pat wore !hose shoes on TV every week at the beginning, because they were the only shoes he had. When they caught on, he continued to wear them as part of his clean-cut image. His two favorite songs are "Love Letters In The Sand" and "Speedy Gonzales".

THE CRESTS Members: Johnny Maestro (Real name: Mastrangelo) -lead -Brooklyn, New York -Bom: May 7, 1939

Jay Carter (1939) -bass -Brooklyn, New York, -replaced by Eddie Wright in 1960 Harrold Torres (1940) -second tenor -Staten Island, New York -replaced by Chuck Foote in 1960 Tommy Gough (1940) -first tenor -Staten Island, New York -replaced by Leonard Alexander in 1960.

The group first formed in the late fifties and signed with Joyce records. In 1958 they signed with George Paxton, president of Coed records and recorded "Pretty Little Angel". In November of that year they had their first smash hit "Sixteen Candies" which carried into 1959 as their biggest hit.

Johnny left the group in 1961 to go as a single artist on Coedwith "Model Gir!". His career without the Crests went downhill. I wasn't until 1968 when he formed another group The Brooklyn Bridge, and became their lead voice, that his career went back on the upswing. Today Johnny sings lead with The Brooklyn Bridge (of "The Worst That Could Happen" farne) and resides outside of New York City.

5

6 THE DEL VIKINGS

Members: Norman Wright - lead - Philadelphia, Pennsylvania - Bom: Oct. 21, 1937 Corinthian "Kripp" Johnson - first tenor - Cambridge, Maryland Donald "Gus" Bakus - second tenor - Southampton, LI, New York David Lerchey - baritone - New Albany, lndiana Clarence E. Quick - bass - Brooklyn, New York

The five fellows formed a singing group in 1955, while stationed in the Air Force in Pittsburgh. They practiced in the service club each day. In late 1956, Clarence wrote a song at the piano in five minutes called "Come Go With Me" which he suggested the group record. This was the same time they had won the "Tops In Blues" show sponsored by the Air Force.

They went to the home of a friend named Barry Kaye, a Pittsburgh discjockey and recorded the song in his basement. The room was so small and poorly equipped acoustically that some of the members had to get into a closet to get the sound they were looking for. They sold the song to Fee-Bee records where it became an instant hit. A few months later, in early 1957, Dot records purchased the recording and released it nationally, and signed the group to the label. The fellows chose to call themselves the Del Vikings atter going through some books in a library and running across the accounts of the Vikings. They took that name and just added "Del" to it. The Del Vikings, which had Dave and Gus, two white members and Kripp, Norman and Clarence, who were black, were one of the few mixed groups with a hit recording.

After "Come Go With me" became a national hit, Mercury records tried to lure the group to record for them, atter their discharge from the Air Force. All of them except Kripp had been under twenty-one when they signed with Dot, so, except for Kripp, they were not legally bound by Dot. So when Mercury offered more money, they all left for the new label. Kripp remained with Dot and formed another Del Vikings group with all black members, while the other tour members went to Mercury and added another black member named William Blakely. At Mercury they recorded "Cool Shake" on which Gus sang lead, and "Sunday Kind Of Love" on which Norman sang lead. These were the two biggest hits they had for Mercury. Dot released "Whispering Bells" with Kripp singing lead. During th'e summer of 1957, there were two Del Viking hits on the charts, "Whispering Bells" on Dot and "Cool Shake" on Mercury, at the same time. This led to many legal entanglements to be resolved.

By December 1, 1957, Mercury got complete control of the group name. Kripp left Dot to work for Fee-Bee music and Chuck Jackson, an unknown at the time in Kripp's group, began a solo career that would get him hits on Wand records in 1961, with songs like "I Don't Want To Gry". The Mercury Del Vikings continued, but with no other major hits.

Today Gus lives in Europe, Norman in New York City, Clarence in Brooklyn, and Kripp in Pittsburg. Norman and Clarence sang with two other members of the Del Vikings several years ago, but have not sung together since.

THE DOVELLS Members: Len Barry (lead) Bom: June 12, 1942

Jerry Summers (first tenor) Bom: December 29, 1942 Mike Dennis (second tenor) Bom: June 3, 1943 Arnie Satin (baritone) Bom: May 11, 1943 Danny Brooks (bass) Barn: April 1, 1942

Hometown: Philadelphia, Pennsylvania

The group w~s. for~ed i_n 1957 ~nd they s_ang at local school tunetions. They wrote several tunes as a group like "No, No, No", which gained same recognit1on in Ph1ladelph1a. Alter ilttle success, the group disbanded. In December 1960, they got together again to audition for Dave Ap~ell, the A & R d_ire~tor ol P~rkway records in Philly. He sig ned them to the label. In the summer of 1961, they recorded "The Bristol Stomp" wh1ch became their b1ggest hit. Len Barry left the group in 1963 and a couple of years later, he had a hit with the song "1-2-3". Today most of the fellows reside in Philadelphia, where Mike and Jerry sing together with a third member as the Dovells.

MARIANNE FAITHFULL Bom: 1948 Hometown: Hempstead, North Longon, England

Marianne is the daughter of Dr. Robert G. Faithfull, a professor at the Univ. of London and Ava Sacher-Masoch, Baroness Erisso. At age eight she entered St. Joseph's Convent School and gave no thought to music. However, a stroke of fate in 1964 changed her life entirely and she never returned to school. She and a friend accompanied Peter Asher (soon to become famous a hall of Peter & Gordon) to a show-business party. One of the other guests was Andrew Loog Oldham, manager of the rolling Stones. Oldham was so taken with Marianne's name and ap­pearance that he sig ned her immediately without even asking il she could sing ! Fortunately she could, and Rolling Stones Mick Jagger and Keith Richard reworked an old English madrigal into the sang that would become her first release "As Tears Go By".

Although Marianne had several additional international hits, she did a considerable amount of film and stage work in the late sixties, in­cluding being seen regularly on British television. However, it was for her continual personal difficulties thai she was best imown well into the early seventies.

After nearly two years in retirement, Marianne Faithfull reemerged in 1973 to resume her stage career.

Members: Eddie Floyd -lead Joe Stubbs -tenor Bonny Rice -baritone Willie Schoefield -bass Lance Finnie -guitar

Hometown: Detroit, Michigan

THE FALCONS

Bonny Rice formed the group in early 1959 in Detroit, and they began toget some local engagements. Later guitarist Lance Finnie & Willie Schoefield wrote a song which the group began to practice with. They finally got a recording contract with Unart and decided to record Lance & Willie's song as their firs! endeavor. "You're So Fine" was released in April 1959 and became a national hit.

In late 1961 Wilson Pickett joined the group as lead singer. They signed a new contract with Lupine Records and recorded their only other real hit "I Found A Love" released in March 1962. Pickett lefl the group shorty atter, signing with Double-L records in 1963 and later with Atlantic in 1965.

Eddie Floyd signed with Stax records in 1966 and recorded "Knock On Wood" which was the first of many hits. Joe Stubbs was the brother of Levi Stubbs, the lead singer of the Four Tops.

FRANKIE FORD Hometown: Fretna, Louisiana

Frankie went to Holy Name of Mary High School and won a musical scholarship to Southeastern College in Hammond, Louisiana. In January 1959, Frankie recorded a song thai Huey "Piano" Smith had written and given to Frankie to record. The result was the song "Sea Cruise", which became a top twenty song for Frankie in January 1959.

BARBARA GEORGE Born: August 16, 1942 Hometown: New Orleans, Louisiana

Barbara began singing in a church choir in New Orleans at seventeen. She later began appearing at local clubs. In late 1961, she was signed by AFO records. "I Know" her firstand biggest hit was released inOctober of thai year. Barbara had written the song herself. This was follow­ed by' "You Talk About Love" and "Send For Me".

LESLEY GORE Bom: May 2, 1946 Hometown: Tenafly, New Jersey

Lesley became interested in singing as a youngster when her cousin Alan introduced her to his jazz record collection. Her favorites were June Christy, Chris Connor and Anita O'Day.

In early 1963, while a senior in high school, Lesley was heard singing with her cousin's band by Quincy Jones of Mercury records. She was signed to the label. A few months later, while Lesley and Quincy were going over some demo records, they found a song thai seemed right for her. They recorded it and released it in April 1963, and in a short time "lt's My Party" became a number one national hit.

Altera string of hits with Quincy Jones as her producer, she lefl Mercury in late 1967. She signed with Bob Crewe in 1968 atter he started his own label.

In 1971, she began writing her own material and a year later she signed with Mowest records, a division of Motown. She released her firs! album with them in August of 1972.

Today Lesley lives in Los Angeles and still records for Mowest and makes occasional concert appearances.

BILL HALEY & THE COMETS Members: Bill Haley (William John Clifton Haley, Jr.) -guitar -Born: March 1927 -Highland Park, Michigan

John Grande -accordion and piano Billy Williamson -steel guitar Rudy Pompelli -sax -1928 Al Rex -bass Francis Beecher -Spanish guitar Don Raymond -drums

Hometown: Chester, Pennsylvania

Bill came from a musical family. His mother was a church organist and his dad played the banjo. Both encouraged Bill to learn the guitar. At fifteen Bill lefl home to trave! with the Oown Homers. Later he became musical di rector and head of his own band which played on a smal! radio station in Chester. The aggregation was known as Bill Haley's Saddlemen, and in 1951 they began to record for Essex records. One of their first recorded efforts was "We're Going To Rock This Joint Tonight".

7

8 In 1952 the name of the group was changed to the Comets. A couple of moderate hits followed: "Dance With The Dolly" and "Patty Cake". About this time, Bill wrote a song fora friend named Danny Cedarone, who was then heading up a group called The Esquire Boys. The song "Rock-a-Beatin! Bo"ogie" wa a hit for the group. When Bill Haley and the Comets recorded the same song, Alan Freed, who worked for WJW radio in Cleveland, Ohio, at the time was so intrigued by the song's words, "Rock, Rock, Rock Everybody, Roll, Roll, Roll Everybody'', that it is said he coined the phrase rock and roll.

In May 1953, the group had their first major hit with "Crazy Man Crazy". They had their first of many hits for Decca in 1954 with "Shake, Rattle and Roll". In 1955 they had their biggest all-timeseller, and the song that has sold more records than any other single pop hit, over 22-V. milion copies since 1955, "Rock Around The Clock". (The song was featured in Blackboard Jungle.)

Bill's identifying trademark was the little spit curl that he always tumbled over his forehead. Today Bill lives in New Mexico but continues to travel all over the world playing his own special brand ol rock and roll. Rudy Pompelli is the only original member to remain with Bill.

GEORGE HAMIL TON IV Bom: July 19, 1937 Hometown: Winston-Salem, NC

The president of WTOB-TV secured George an audition on Arthur Godfrey's Talent Scout show and George was signed to appear for one week. He later became a regular on the Grand Ole Opry. In the fall of 1956, George recorded his first major hit, "A Rose And A Baby Ruth" on Colonial records.

DALE HAWKINS Bom: August 30, 1938 Hometown: Bossier, Louisiana

Guitar-playing Dale got a chance to go into a recording studio in 1957. He recorded a song he had written with two other friends called "Susie­Q". It was sold to Checker records of Chicago, and went on to become his first hit in May 1957. His other records were "La-do-dada", "A House, A Car And A Wedding Ring", and "Yeah Yeah".

BOBBY HENDRICKS Bom: February 22, 1938 Hometown: Columbus, Ohio

Bobby started singing in Columbus, with a group called the Five Crowns. Next he sang with the Swallows. He left the group to sing as lead singer with the Drifters for about eight months. He sang lead on "Moonlight Bay" and "Drip Drop". In 1958, Bobby and guitar player Jimmy Oliver wrote "ltchy Twitchy Feeling". Sue records released the record that summer. His only other major hit came in November 1960 witti a song called "Psycho".

CLARENCE "FROGMAN" HENRY Bom: 1937 Hometown: Algiers, Louisiana

Clarence's first professional job was a singer-pianist with Bobby Michell's band in 1955. Pascal Marcello, owner of the Joy Lounge in New Orleans, introduced Clarence Chess of Chess records. This resulted in a contract with Chess's subsidiary Argo records. In October 1956, he recorded a song called "Ain't Got No Home", his first hit for the label. He got his nickname "Frogman" because he sang in three different voices in the song, the lowest voice sounding like a frog.

HERMAN'S HERMITS Members: Herman (Peter Blair Denis Bernard Noone) - lead vocals, piano, guitar - Bom: November 5, 1947 - Manchester, England

Karl Anthony Greene - guitar, harmonica - Bom: July 31, 1947 - Salford, England Keith Hopwood - guitar - Bom: October 26, 1946 - Manchester, England Derek "Lek" Leckenby - guitar - Bom: May 14, 1945 - Leeds, England Barry Whitham - drums - Bom: July 21, 1946 - Manchester, England

A major component of the mid-sixties "British invasion", Herman's Hermits achieved the height of popularity in the United States without ever making any real impact in their own country.

The group began in 1963, when child actor Peter Noone attended a Manchester youth-club performance of a group known as The Heartbeats. The group needed someone to fill in that day and Noone, who had had some voice training, offered to help. The audience reaction was so overwhelming that they decided to form a permanent group. This evolved into Herman's Hermits, featuring the above line-up. Their name was chosen because Noone was thought to resemble Sherman in the TV cartoon "Rocky & His Friends"; the nickname eventually became "Her­man".

After establishing a strong reputation in Manchester, the group came to the attention of producer Mickie Most and began recording in 1964. Their first success came later that year with a cover version of the Earl-Jean hit, "l'm lnto Something Good". They continued with a long string of hits that lasted nearly tour years and appeared in the film 'When The Boys Meet The Girls'. They eventually disbanded in 1970.

Today Peter Noone records as a solo singer and occasionally works as an actor. The Hermits, featuring a new lead singer, have regrouped.

Members: Jim West (lead) Born: January 7, 1941 Al Candaleria (bass) Born: March 7, 1941 Darron Stankey (tenor) Born: July 5, 1942

Hometown: Sun Valley, California

THE INNOCENTS

In 1958, at a party, Jim asked to join Al and Darron, who had been singing as a duo. They worked together as a trio and went to Indigo records for an audition in 1960. This led to a recording contract and their first release in August 1960 "Honest I Do". After that song, they backed up Kathy Young, on the same label, on the song "A Thousand Stars".

CHUCKJACKSON Real Name: Charles Jackson Born: July 22, 1937 Hometown: Latta, So. Carolina

While a student at South Carolina State College in the late fifties, Chuck decided to leave school and return to Pittsburgh. Chuck then audi­tioned for Joe Averback, who was managing the Del Vikings, who had a major hit with "Come Go With Me". Dave Lerchey, the group's baritone, was leaving the group. Chuck replaced him from 1957 until 1959.

In 1959 he left the group and signed a contract with Clock records. After tour or five bad recordings, Chuck left the label and went on tour with his good friend Jackie Wilson. At the Apollo theater in New York, Chuck met Luther Dixon, a writer and producer for Scepter records. Luther liked Chuck's style and had him signed to Scepter's subsidiary, Wand records.

In late 1960, Chuck and Luther collaborated on "I Don't Want To Cry" in January which became Chuck's first major hit for the label. Burt Bacharach wrote a song called "Any Day Now" that he wanted Chuck to record. Scepter president had Tommy Hunt record the song. Burt, however, refused to let them release it. Altera year, Scepter let Chuck record it and it became his biggest all-time seller.

Today Chuck and his family live in Teaneck, New Jersey. He records for MCA records and still travels and performs around the country.

JOHNNIE AND JOE Members: Johnnie Richardson -Born: June 29, 1945 -Montgomery, Alabama

Joe Rivers -Born: March 20, 1937 -Charleston, South Carolina

In the spring of 1957, while living in the Bronx, Joe heard a song that his neighbor Rex Garvin had written and liked the song very much. Joe took Rex over to Zell Sanders' house to rehearse the song. Zell liked the song but felt that someone should sing background on it. Zell had her daughter Johnnie rehearse the song with Joe and they finally recorded it. The recording was sold to Chess records and in April 1957 "Over The Mountain, Across The Sea" became a national hit.

Although the duo went their separate ways during the sixties, today they both still live in the Bronx and are still singing at local clubs as John­nie and Joe.

JANIS JOPLIN Born: January 19, 1943 Died: October 3, 1970 Hometown: Port Arthur, Texas

Affectionately known as "Pearl", Janis Joplin had only a brief career but was able, during that period, to rise to the absolute heights of rock super-stardorn.

She began singing during her early teen years, patterning herself alter such blues figures as Bessie Smith and Huddie (Leadbelly) Ledbetter. She traveled about during the mid-sixties, eventually settled in San Francisco, becoming close friends with Chet Helms, a fellow she had previously known in her home state of Texas. Helms brought her together with Big Brother & The Holding Company, which led to her legen­dary appearance at the 1967 Monterey Pop Festival, her management offer from Albert Grossman (who also handled the likes of Bob Dylan and Peter, Paul & Mary) and her meteoric rise to farne.

Alter her last public appearance with Big Brother on December 1, 1968, Janis embarked on a solo career and formed her own back-up group, The Ful! Tilt Boogie Band (containing Sam Andrew from Big Brother). Beginning with the release of her first solo album "I Got Dem 01' Kozmic Blues Again Mama'', she was to reign for the next two years as rock music's leading female vocalist. However, her career came to a tragic and abrupt end on October 3, 1970, when her body was found at Hollywood's Landmark Motor Hotel. A victim of accidental drug overdose, Janis was cremated and her ashes scattered at sea near Stinson Beach in Marin County, California.

CHRIS KENNER Chris was a popular songwriter who worked out of New Orleans in the fifties. In New Orleans Chris met Joe Banashak of lnstant records. Joe liked Chris's style and asked him to record for his label. •

In early 1961, Chris recorded a song he wrote called "I Like Jt Like Thai", which became a national smash. Two years later he had another chart record with "Land of 1,000 Dances", which he also wrote with Fats Domino. The song was only mildly popular for him but It was a big seller for both Cannibal & The Headhunters and Wilson Pickett later on in the sixties.

10 LULU Real Name: Marie McDonald McLaughlin Lawrie Born: Nov. 3,' 1948 Hometown: Lennoxtown, Scotland

Marie Lawrie began singing at the age of three and was performing at concert parties in local pubs by the time she was nine. She acquired her stage name when someone in her audience described her as a "lulu of a singer".

After graduating from Glasgow's Whitehill Senior Secondary School, she began a period of residency at Scotland's Lindella Club. She drew a great deal of attention, receiving offers from several backing groups and settling in with a band called The Luvvers. Lulu & The Luvvers were signed by the British Decca label, where they achieved a major hit with the standard "Shout". In 1967 Lulu was on a British tour with The Beach Boys when she was seen by the producer of the movie "To sir With Love" and offered a leading role. Her recording of the movie's theme reached number one and was one of a string of pop hits thai lasted into the early seventies.

Today Lulu is a major international club attraction. Although she was married fora time to Maurice Gibb of The Bee Gees, they are presently separated.

CURTIS LEE Bom: October 28, 1941 Hometown: Yuma, Arizona

Singer Ray Peterson and his manager Stan Shulman saw Curtis performing at a club in Tucson. They were impressed with his aet and con­vinced him to go to New York and record for Dunes records. He debuted on the label with "Pledge of Love". The record went nowhere. However, during the summer of 1961, he recorded a song he had written along with Tommy Boyce "Pretty Little Angel Eyes". It became his biggest hit.

BARBARA MASON Bom: August 9, 1947 Hometown: Philadelphia, Pennsylvania

Barbara began her show-business career by putting together local talent shows as a youngster. She was a proficient piano player by the time she was fourteen. She organized a vocal group with some friends during the mid-sixties and auditioned fora small local club. Present in the audience was Arthur McDougal III (later promotion director of Motown), who strongly encouraged her to pursue a solo career. He introduced her to manager Jim Bishop and her recording career was soon on its way.

In 1965 Barbara affiliated with the Arctic label and achieved a top-five hit with "Ves l'm Ready". She continued with a string of chart entries which lasted through the end of 1967.

After a brief hiatus in her recording activities, Barbara signed with Buddah in 1972 and began working with Curtis Mayfield. She has achieved a number of major hits, including "Give Me Your Love" from the sound track of the movie 'Superfly'.

CL YDE McPHATTER Bom: 1931 Died: June 13, 1972 Hometown: Durham, North Carolina

Clyde was a choir boy at Mt. Calvary Baptist Church in Durham. At age twelve, he moved to New York and continued singing in churches. In 1950 he joined the singing group The Dominoes, recording songs with them like "Do Something For Me" and "Sixty Minute Man" in 1951, "Have Mercy Baby" and "l'd Be Satisfied" in 1952, and "The Bells" and "These Foolish Things" in 1953, all on Federal records.

Clyde left The Dominoes in September 1953, to form his own group, The Drifters. In October 1953, they released the first of many hits for Atlantic records, "Money Honey". In 1954, Clyde was drafted. On leave from the Army, he recorded his first solo hit in late 1955, "Seven Days". In 1956, he had a smash hit with "Treasure Of Love".

Clydemetan untimely death in June 1972, when he died of a heart attack at the age of forty-one, at his home in Teaneck, New Jersey.

THE MONOTONES Members: Charles Patrick - lead - Bom: September 11, 1938

Warren Davis - first tenor - Bom: March 1, 1939 George Malone - second tenor - Born: January 5, 1940 Warren Ryanes - baritone - Born: December 14, 1937 John Smith - bass - Born: May 13, 1938 John Ryanes - bass - Born: November 16, 1940 - Died: May 30, 1972

Hometown: Newark, New Jersey

The fellows lived in the same housing project called Baxter Terrace, in Newark. In 1954, while in high school, they decided to form a singing group. They were very content just playing local tunetions and really did not consider a recording career. They were looking fora group name when they heard of another group in Newark called The Monotones, who were not really making use of the name. Consequently, they decided to borrow the name forthemselves, since they felt "one sound" described their style.

11 In 1957, Charles Patrick was listening to the radio one day when he had an idea fora song. It seems that while he was looking at some sheet music entitled "Book Of Love", a song written by Al Still man for the Four Lads, Charles heard the Pepsodent commercial for toothpaste with the line "wonder where the yellow went". From there he used the line "I wonder, wonder, wonder who! who wrote the book of love" as an idea fora song. He went home and got together with George Malone and Warren Davis of the group and they finished the song.

Although they had the song, they never thought of recording it themselves. When another singing group from Newark, The Kodaks, wanted to record "The Book Of Love", the Monotones decided to do it themselves. They recorded the song in January 1958 and sold the tape to Argo records, which released it. A few months later it went on to become a pop chart hit and a rock and roll classic.

Today all the fellows still live in New Jersey and sing together as the Monotones on occasion with the exception of John Ryanes, one of the two original bass singers, who died in May 1972.

Members: Carol Fischer -1948 Terry Fischer -1946 Sally Gordon -1946

Hometown: Los Angeles, California

THE MURMAIDS

The Fischer girls are the daughters of the late Carl Fischer, noted musical arranger and director for Frankie Laine. Sally Gordon was a long­time friend and neighbor. Mrs. Fischer brought the group to the attention of Ruth Conte, the president of Chattahoochee records. At the time, Kim Fowley, the recording director for the label, had just acquired a tune written by neighbor David Gates (later to form the group Bread), which they felt was suitable for the girls.

In October 1963, the gi ris recorded "Popsicles And lcicles" while they were all in college. It turned out to be a national hit and the only one they ever had.

AARON NEVILLE Hometown: New Orleans, Louisiana

Aaron Neville is the brother of veteran musician Art Neville, keyboard player for The Meters. In 1954 both Art and Aaron were members ol an R & B group called The Hawketts. During the following years, the brothers pursued largely separate careers and became fixtures on the New Orleans music scene, Aaron as an artist for the Mint label.

During the mid-sixties a former teacher named Warren Parker teamed up with two ol the area's musicians, Red Tyler and George Davis, to form a record company called Parlo. Signing Aaron Neville as their first artist, they launched their company with Neville's recording ol "Tell It Like It Is" which became an overwhelming regional hit, eventually reaching the top ol the charts.

Neville was able to achieve only one more chart entry before Parlo ran into difficulties and ceased operations. Today he continues to perform around the New Orleans area and often works as a studio musician and vocalist.

THE OUTSIDERS Members: Sonny Gerace -lead vocals -1947 -Cleveland, Ohio

William Bruno -lead guitar -1945 -Pittsburgh, Pennsylvania Tom King -rhythm guitar -1943 -Cleveland, Ohio Merdin Prince Gunnar "Mert" Madsen -bass, harmonica -1943 -Denmark Ricky Baker -drums -1948 -Cleveland, Ohio

Known originally as The Starfires, this group was organized in 1965 by Tom King, a veteran of several Cleveland semi-pro bands. Beginning with "Mert" Madsen, he recruited the other members from the midwestern club circuit and built them into one of the area's leading attrac­tions before the year's end.

Late in 1965, the group began circulating tapes of their material to record companies, meeting with a receptive ear and a contract offer from Capitol. Their initial release "Time Won't Let Me" reached the top live and prompted the release of an album of the same name. They con­tinued with a string of hits through the end of 1966, including a remake of the lsley Brother's "Respectable".

As their popularity faded, The Outsiders eventually disbanded during the late sixties. In 1972 Sonny Geraci, along with one ol The Outsiders' back-up musicians, Walter Nims, emerged in a new group called Climax.

PETER & GORDON Members: Peter Asher -Bom: June 22, 1944 -London, England

Gordon Trueman Riviere Waller -Bom: June 4, 1945 -Braemaer, Scotland

Peter and Gordon met and began performing at Westminster Boys School in London. In 1963 they began circulating demo tapes to record companies hoping to obtain a contract. Their cause was greatly aided by the faet that Peter's sister, actress Jane Asher, was dating Beatle Paul McCartney at the time, and they were signed early in 1964 by EMI. They launched their career with a Lennon-McCartney song "World Without Love" which became a sizable British hit and reached the top of the American charts. They followed with "Nobody I Know" and a dozen additional hits extending well into 1967. These included a Del Shannon tune "I Go To Pieces" and" Woman" a song written by Paul Mc­Cartney under the pseudonym of Bernard Webb!

12 Peter & Gordon separated late in 1967, Gordon to perform as a solo artist and Peter to become a producer for Apple Records. Peter eventually left Apple to manage James Taylor and to build him into a major star. Today he is an extremely successful independent record producer, while Gordon haS' continued his career as a solo performer.

WILSON PICKETT Bom: March 18, 1941 Hometown: Detroit, Michigan

In 1962 Wilson, who had sung rhythm and blues since he was a youngster, joined a Detroit group called the Falcons (who three years earlier had had a hit with "You're So Fine"). They recorded "I Found A Love" for LuPine records. It became a moderate hit in March af that year.

Producer Robert Bateman convinced Wilson to go out as a single and he signed with Double-L records, premiering in March 1963 with "lf You Need Me".

In 1965, he signed with Atlantic records and in June of !hat year had the firs! of many hits when "In The Midnight Hour" was released.

THE PLATTERS Members: Tony Williams - lead - April 5, 1938 - Elizabeth, New Jersey

Zola Taylor - Los Angeles David Lynch - second tenor - St. Louis, Missouri Paul Robi - baritone - New Orleans, Louisiana (repalced Alex Hodge) Herb Reed - bass - Kansas City, Missouri

Tony, David, Herb & Alex Hodge formed the Platters in Los Angeles in 1953. Shortly thereafter, Tony had the group audition for songwriter Buck Ram, who liked their sound. Buck worked with the group fora while and got them a recording contract with Federal records in Cincin­nati. After a couple of records, Buck recruited a fifteen-year-old singer named Zola Taylor to add a little different sound. At this time, Alex Hodge left and was replaced by Paul Robi.

In 1955, Buck had the group record his song "Only You" which was rather poorly done. Sales were only moderate, and Federal became disen­chanted with the group. So Buck began looking fora major label to take them. Since Buck was ready to make a recording deal with Mercury for another group he managed, the Penguis & (who had had a major hit with "Earth Angel" an Dootone records), Buck told Mercury that the only way they would be able to sign the Penguins was to sign the Platters as well. Mercury finally gave in.

In the summer af 1955, the group rerecorded "Only You"for Mercury, which became the group's first national hit.Later that year they recorded another Buck Ram song "The Great Pretender" which became the number one song and the group's biggest all-time seller.

From1955 until 1960,the group had tour number one sangs and sixteen gold records. They became the most popular vocal group af the fifties.

Tony and his wife Helen live in New York City and are singing along with their son and two other members as Tony Williams and the Platters. Zola Taylor lives in Los Angeles, as does David Lynch and Paul Robi. Zola and Paul sing with separate groups, while Dave works fora juke-box company. Herb Reed lives in Atlanta, Georgia, and has a singing group that he travels with.

THE RAYS Members: Harold "Hal" Miller - lead - Bom: January 17, 1931

Walter Ford - tenor - Barn: September 5, 1931 Davey Jones - second tenor - Barn: 1931 Harry James - baritone - Born: 1932

Hometown: New York, New York

In 1955, Hal and Davey sang with a group called The Four Fellows ("Soldier Boy" on Glory records) and then decided to leave the group. They got together with Walter and Harry and formed a new group, calling themselves the Rays on the recommendation of their vocal arranger, Jimmy Duggan.

They went with Chess records and recorded"Tippity Top" which was mild ly popular.At this time they met songwriters Bob Crewe and Frank Slay, Jr., who signed them to their label, SYZ records.

In May 1957, while Bob was riding a train through Pennsylvania, it stoppedata town where he saw two people silhouetted on a shade. This gave him an idea fora song. He took it to Frank Slay, and they wrote "Silhouettes'', which they had the group record. Bob gave the record to Hy Lit, a discjockey at WFIL in Philadelphia, who took it home to listen to with a dozen others. He put them on his record pla~·er and proceed­ed to take a nap while the records played. "Silhouettes" was the last record an the stack and wound up being played a half-dozen times before Hal got up to shut the machine off. He was so taken by the song that he took it with him to play on his show the next day. The rest is history. The song was released on Cameo records and by September 1957, it was a national hit.

Today Hal lives in Brooklyn. Walt and Harry own real estate agencies, while Davey operates a bar in Brooklyn. The group gets togetherfor a rare appearance with only Hal and Walter of the original members.

Members: Guy Villari -lead -August 11, 1942 Sal Cuomo -first tenor -August 10, 1939 Charles Fassert -second tenor -1939 Don Jacobucci -baritone -August 8, 1938 Tony Gravagna -bass -1939

Hometown: Bronx, New York

THE REGENTS

The group first got together in 1959 and began singing on street corners in the Bronx. They called themselves the Regents, because Guy Villari was smoking Regent cigarettes and the group did some recording at Regent Sound studio.

In 1959 the group recorded a song that charles Fassert's brother Fred had written, "Barbara-Ann". Several years later they took the recording to Lou Cicchetti who owned Cousins records. Lou liked the song and called a friend, Morris Diamond, to listen to the recording. Morris agreed and they decided to release it on Cousins records.

The song was released in April 1961 and sold rapidly in the New York area. The song went on to become a national hit that summer.

Their follow-up "Runaround" was also a national hit du ring the summer of 1961. Their last major hit for Gee records was a song called "Liar". In 1962 the group changed their name to the Runarounds and recorded songs like "Unbelievable" and "Let Them Talk"which were only mild­ly popular, on K-C records.

Today Guy lives on Long Island and works as a record distributor in Long Island City. Don is a businessman in Florida, while Chuck is in California. Guy still sings on weekends with Ronnie Lapinsky and Bob Falcone as the Regents in the New York area.

CHARLIE RICH Born: December 12, 1932 Hometown: Colt, Arkansas

Asa lover of music during his adolescense, Charlie joined a combo. After graduating from high school, he entered the University of Arkansas as a music major, concentrating on the piano. Later he enlisted in the Air Force. There Rich formed his own group called The Velvetones. They played around the base but broke up when Charlie was discharged.

Charlie returned to Arkansas and began farming. Still, music was in his blood. He managed toget some weekend bookings around the Mem­phis area and was heard by a talent scout for Phillips International Records. He was signed, but only as a session pianist for Judd Records (Judd Phillips was the brother of Sam Phillips). Sam later heard Rich's singing and signed him as a vocalist/pianist to the Phillips Interna­tional label.

After a trio of singles, Rich hit it big with "Lonely Weekends" in 1960. He continued making records for Phillips International, but it wasn't un­til his move to Smash Records that Charlie Rich found chart success with the 1965 rocker "Mohari Sam". Today Rich is a highly successful country artist.

Born: September 18, 1933 Hometown: Carnas, Washington

JIMMIE RODGERS

Asa youngster, Jimmie went to Seattle to try his hand at singing and worked in the area fora while. During the Korean War, he enlisted in the Air Force and did a lot of singing while in the service. After his discharge, he pursued a professional career.

In early 1957, he auditioned for Hugo and Luigi at Roulette records, with a song called "Honeycomb". They liked the song, had Jimmie record it and in July 1957 saw it zoom to the top of the charts -the only number one hit he ever had. In 1961, after a long string of "rockabilly" hits for Roulette, Jimmie signed with Dot records.

Ina rock and roll age which emphasized a heavy beat and group harmonies, Jimmie's art was unique. His folk sound proved to be a very suc­cessful blend.

In Los Angeles on December 2, 1967, Jimmie was found in his car with a fractured skull -a mysterious incident which almost claimed his life. Today he makes few public appearances.

THE ROLLING STONES Members: Michael Philip Jagger (lead vocals) Born: July 26, 1943 -England

Keith Richard (lead guitar) Bom: December 18, 1943 -England Brian Jones (rhythm guitar) Born: February 28, 1942 -England -Died: July 3, 1969 -replaced by Mick Taylor (lefl group in

1975) replaced by Ron Wood Bom: June 1, 1947 -England William Wyman (bass) Bom: October 24, 1941 -England Charles Robert Watts (drums) Bom: June 2, 1941 -England

Thoroughly immersed in "raunchy" American blues and R & B, the Rolling Stones emerged during the mid-sixties as a complete antithesis to The Beatles and all other groups spearheadlng the "British invasion". Their irreverent approach to rock 'n' roll soon established them as the world's leading R & R band, a position thai they are acknowledged by most to continue to occupy today.

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14 The group's history traces back to the early sixties, when two school friends, Keith Richard and Mick Jagger, began sitting in with a band call­ed Alex Komer's Blues Ine. The drummer was Charlie Watts and the three eventually came together with Brian Jones and Will Wyman as the Rolling Stones. After building a substantial cult foliowing, they attracted the attention of an aspiring young manager named Andrew Loog Oldham. With Eric Easton, Oldham began handling The Stones and obtained a recording contract with British Decca. Both their singles and their albums have been setting international sales records ever since.

Apart from recording activities, the career of the Rolling Stones has been marked by a number of events. During the late sixties, the group suf­fered a number of drug-related arrests, a situation that led to the departure of Brian Jones. Shortly atter his resignation, he was found drown­ed in the swimming pool of his home.

Today the Rolling Stones continues as a quintet, living once again in England, atter having briefly relocated in France.

Members: Fred Parris - lead - 1936 Rich Freeman - tenor - 1940 West Forbes - second tenor - 1937 Lewis Peeples - harmony - 1937 Sy Hopkins - bass - 1938

Hometown: New Haven, Connecticut

THE FIVE SATINS

In 1954, Fred Parris was the leader of a group called the Scarletts. He was also partial to a group called the Velvets. lt's not hard to see how Fred picked "Satin" as the name of the new group he formed in 1956. Guard duty in the Army at three A.M. inspired Fred to write the group's greatest hit "In The Still Of The Night". The record was first released on a small Connecticut label and later sold to Ember records in New York. lronically, the tune was the "B" side of the record. The long-forgotten "A" side was The Jones Girl".

By the early sixties the group had quit touring and recording and returned to the New Haven area to pursue their respective livelihoods.

In 1969 the members got back togetherfor a rock and roll revival show at Madison Square Garden in New York. The responsa to their ap­pearance was so great they had been singing together ever since.

Members: Yvonne Baker - lead Richard Curtain - tenor Sam Armstrong - baritone Alphonso Howell - bass

Hometown: Philadelphia, Pennsylvania

THE SENSATIONS

In 1954, Alphonso and Yvonne formed the Sensations with several other members, and with Yvonne as lead, recorded "Yes Sir, That's My Baby" and "Please Mr. D.J." for Atco records in 1956. Later Yvonne left the group toget married and raise a family.

In March 1961, Alphonso persuaded Yvonne to come out of retirement, adding Sam and Richard to re-form the group. They signed with Argo records and in July of that year released their first hit "Music, Music, Music".

In January 1962, they had their biggest all-time se lier when they recorded a song Yvonne had· written called "Let Me In".

DEL SHANNON Real Name: Charles Westover Bom: December 30, 1939 Hometown: Grand Rapids, Michigan

Del started playing the guitar at age fourteen. After high school graduation in 1957, he entered the service and later appeared in the Seventh Army's musical produetions. After his discharge, he appeared in local clubs in Michigan, where disc jockey Ollie McLaughlin of station WHRV in Ann Arbor had Del audition for Harry Balk and Irving Micahnik of Embee produetions in Detroit. A recording session was set up in early 1961 when "Runaway" emerged. It was sold to Big Top records and became a number one hit. Today Del does occasional rock shows while recording for United Artists.

DEE DEE SHARP Real Name: Dione LaRue Bom: September 9, 1945 Hometown: Philadelphia, Pennsylvania

Dee Dee sang at an early age in her grandfather's church choir and learned to play the piano. In 1961, she answered Cameo records' ad in a Philadelphia paper fora girl who could read music, play the piano, and sing. She was hired and sang background on several songs, including Chubby Checker's hit "Slow Twistin"'. In February 1962, she recorded her first single "Mashed Potato Time" which became her biggest hit. Today Dee Dee still lives in Philadelphia, but no longer does any singing. She is married to record producer Kenny Gamble.

HUEY "PIANO" SMITH Born: October 10, 1924 Hometown: New Orleans, Louisiana

Huey went to McDowell High and Xavier College in New Orleans. In 1957, he became the pianist for Earl King's band. It was while he was per­forming with the band that the president of New Orleans's Ace records, John Vincent, heard him and signed him to his label.

In July 1957, Huey recorded an instrumental called "Rocking Pneumonia And The Boogie Woogie Flu" and decided to do the same song on the flip side, but this time with lyrics. He wrote and recorded the song and it went on to become his first hit, in the summer of 1957.

In March 1958 came his biggest hit "Don't You Just Know It". In 1959, he wrote "Sea Cruise" fora protege of his named Frankie Ford. Huey's band played on the record and it became a big hit that spring.

JIMMY SOUL Real Name: James McCleese Born: 1942 Hometown: Portsmouth, Virginia

Back in 1962, Frank Guida, song writer and record producer, decided to combine the Latin & soul sounds. Frank had been to Trinidad in the mid-forties and he enjoyed the calypso beat. In 1945, he had brought back a song called "Matilda" which Harry Belafonte had a hit with in the fifties.

In 1962, Frank took the same basic sound, changed the tempo, and released it as "Twistin' Matilda" at the height of the twist craze. He asked a local singer named James McCleese to record the song. Frank felt he had to change the young man's name. "Soul" was a new concept at that time, so James McCleese became Jimmy Soul. "Twistin' Matilda" became a national hit by the summer ot 1962.

In the spring of 1963, Jimmy recorded a song that Frank, his wife Carmela, and their friend Joseph Royster had written, "It You Wanna Be Happy" which was a spinoff of the calypso standard "Ug ly Woman". The song became a number one national hit. Atter that song Jimmy went into the Army and never had another hit.

THE SPANIELS Members: James "Pookie" Hudson -lead -Bom: June 11, 1934

Ernest Warren -1st tenor -replaced by James Cochran Willis C. Jackson -second tenor -replaced by Donald Porter Opal Cortney Jr. -baritone -replaced by Carl Rainge Gerald Gregory -bass -replaced by Lester Williams

Hometown: Gary, lndiana

The fellows started singing together at Roosevelt High in Gary, lndiana in the early fifties. They called themselves the Spaniels to be dif­ferent, since there were so many groups at the time named atter various birds, like the Orioles, the Wrens, the Ravens and the Crows.

Just before high school graduation, they were singing at a school dance when discjockey Vivian Carter heard them. She liked the group so well that when she went to Chicago to form Vee Jay records with her husband James Bracken (Vivian, "Vee"; Jimmy "Jay") in 1953, the Spaniels were the first artists she signed.

Their first hit for the label was "Baby lt's You" followed in 1954 by their biggest seller"Goodnite Sweetheart, Goodnite" written by Pookie and Calvin Carter. Around 1955, Ernest, Willis, Opal and Gerald were replaced by James, Donald, Carl & Lester.

Today Pookie lives and works in Washington, D.C. as an assistant superintendent of an apartment complex, while the other fellows all live and work in Chicago. On rare occasions they get together for a revival rock show in New York.

THE TOKENS Members: Jay Siegal -lead singer -guitar -October 20, 1939

Mitchell Margo -first tenor -piano and drums -May 25, 1947 Philip Margo -baritone -piano, drums & guitar -April 1, 1942 Henry Medress -second tenor -piano and bass -November 19, 1938

Hometown: Brooklyn, New York

The fellows first started singing in the fifties with Neil Sedaka as their vocalist. Atter Neil left the group, they remained together, thirteen­year-old Mitchell going to school as an eighth grader and brother Phil, along with Jay and Hank, attending Brooklyn College. Their manager, Seymour Barash, arranged for them to go to Warwick records in early 1961, where they recorded their only major hit for the label "Tonight I Fell In Love".

In late 1961 they signed with RCA and recorded "The Lion Sleeps Tonight", which became a number one song.

Today, Hank works with Dave Appell. Together they produced all Tony Orlando and Dawn big hits. Jay, Mitch, and Phil record for Atlantic records as Cross Country.

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16 BOBBY VINTON Real Name: Stanl~y Bobby Vinton Bom: April 16, 1941 Hometown: Canonsburg, Pennsylvania

Asa youngster, Bobby played the clarinet and became interested in the "bigband" sounds of Les Brown and Stan Kenton. His father had his own band in the Pittsburgh area and also greatly influenced Bobby. He formed his own band while in high school in the late fifties, and began to play at nearby Duquesne University.

In 1960, Bobby signed with Epic and recorded two albums of band music called "Dancing At The Hop" and "Bobby Vinton Plays For Li'I Darlin's". Neither album did very well. Epic was about to drop him from the label when he noticed that his contract called for two more songs. He told Epic that he wanted to try singing them. At the session Bobby recorded "Mr. Lonely" and "Roses Are Red". In May 1962 "Roses Are Red" was released and went on to become a number one national hit. Other hits followed, and Bobby decided to leave the band and go out on his own as a solo artist.

He had several other number one songs like "Blue Velvet", "There! l've Said It Again" and finally "Mr. Lonely" (Bobby's favorite recording). He described his sound as "sentimental and sincere"; his love songs were much welcomed during the heavy rock of the early sixties.

Bobby moved to Los Angeles in 1971 with his wife and tour children.

THE TUNE WEAVERS Members: Margo J. Sylvia - lead - Bom: April 4, 1936

John Sylvia - Bom: September 8, 1935 Charlotte Davis - Bom: November 12, 1936 Gilbert J. Lopez - Bom: July 4, 1934

Hometown: Boston, Massachusetts.

When Gilbert Lopez got out of the service in the mid-fifties, he asked his sister Margo to join him as a duo and begin singing around Boston. Although Margo liked the idea, her husband John did not want her traveling without him. Gilbert suggested thai John join the gorup. Cousin Charlotte was added and the group was bom. They first called themselves the Tone Weavers, but when a discjockey emceeing a local dance called them the Tune Weavers by mistake, they decided to let the name stick.

After rehearsing the hits of other groups, Gilbert suggested that they record some original material. They rehearsed a song Margo had written some five years earlier called "Happy, Happy Birthday Baby" and decided to use it in their stage show.

While appearing at a night club, they did the song and Frank Paul heard it. He had them record it and then decided to manage the group. They had copies of the song made and distributed to Boston radio stations, but with no responsa. Some eight months later, Paul sent several copies to Philadelphia, where a discjockey played the song by accident one night and was deluged with enthusiastic phone calls. The disc jockey called his friends at Chess records in Chicago and told them about the song. They got in touch with Paul and a deal was made to release it on their Checker label. In August of 1957, the song became a national hit.

After the one hit, the group left Checker records, never to have another national smash. Today Margo is divorced and works as a solo per­former. Her former husband John is a therapist at Boston State College. Brother John manages an electric plant on the Cape, while cousin Charlotte is a housewife in Boston.

SARAH VAUGHAN Bom: March 27, 1924 Hometown: Newark, New Jersey

Sarah began singing in a church choir and later entered a talent show in the early 40's at the Apollo Theatre in Harlem, where she won first prize. Consequently Earl "Fatha" Hines hired her to sing with his band along with another new vocalist named Billy Eckstine. When Billy left Hines's band to form his own, he took Sarah with him. She worked with Billy for a while, then decided to go out as a solo performer.

By the late forties, her reputation as a singer had begun to spread and she was being booked into many of the top clubs in the country. She did some records for Musicraft and Columbia and had several chart records. It wasn't until she went to Mercury in 1954, however, thai she got the big pop hits, beginning with her great ballad "Make Yourself Comfortable" in late 1954.

Her biggest hit on Mercury came in the summer of 1959, a song called "Broken-Hearted Melody", the lyrics being written by a then-unknown lyricist named Hal David, who later would become part of the Bacharach and David songwriting team.

JACKIE WILSON Bom: June 9, 1934 Hometown: Detroit, Michigan

As a teenager in Detroit, Jackie won the Golden Gloves at the age of sixteen. He even thought of becoming a professional fighter, but was persuaded to pursue a somewhat more stable career: singing.

17 One of the groups he admired was the Dominoes and particularly Clyde McPhatter. In 1953, Jackie went to audition for the group, as he had heard Clyde was going to leave. Clyde did indeed leave the Dominoes !hat year to form a new group called the Drifters and Jackie's dream was realized when he became the Dominoes' new lead voice. In 1957, Jackie lefl the Dominoes to go out as a solo artist. He was managed first by Al Green, and atter Al's death, by Nat Tarnapool.

In September 1957, Jackie's career was launched with "Reet Petite'', a sang by a young unknown writer from Detroit, Berry Gordy, Jr. (who later became head of Motown Records). In March 1958, Jackie had his first gold record with another Berry Gordy ballad "To Be Loved". He recorded his biggest seller in early 1960, the double-sided hit "Doggin' Around" and "Night".

Jackie's career al most came to a premature end in 1961. He was shot in the stomach by a female fan while trying to prevent her from shooting herself. In faet, he still carries the bulle! in his body today.

Today Jackie lives with his wife Lynn and son Thor in Atlanta, Georgia, while he continues to record for Brunswick and trave! all over the country.

TIMI YURO Real Name: Rosemarie Yuro Bom: August 4, 1941 Hometown: Chicago, lllinois

In 1952, Timi's tamily moved to Los Angeles, where she began singing in her mother's ltalian restaurant. About eight years later, Liberty records president, Al Bennett, signed her to his label, but was not pleased with the initial results. Bennett gave it some more thought, and decided to have her work with veteran writer and producer Clyde Otis, who had just joined liberty.

The outcome of their first session together was her biggest hit "Hurt" in the summer of 1961.

Beach Boys

Monotones Herman's Hermits

Pat Boone

Dale Hawkins

Bill Haley and the Comets

Marianne Faithful

Bobby Vinton

Wilson Pickett The Orlons

Johnnie and Joe

Clyde McPhatter The Crests

I Dee Dee Sharp

ilolling Stones Jimmie Rogers

The Falcons

• The Del Vikings The Rays

Barbara Mason George Hamilton IV Chuck Jackson

24

AIN'T GOT NO HOME Words and Music by Clarence Henry

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AS TEARS GO BY Words and Music by Mick Jogger, Keith Richard and Andew Loog Oldham

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BOOK OF LOVE Words and Music by Warren Davis. George Malone and Charles Patrick

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li tell me, Oh, who wrote the Book dar - ling ba - by you know ba - by, I love you yes

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an - swer, Was it some - one from bo ok of love, find out why book of love, ours is the one

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your heart, Chap -ter Two, you

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36 BARBARA ANN Words and Music by Fred Fassert

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© 1961 Cousins Music. Ine. and Adam R. Levy Music All Rights Reserved

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37

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{ Went to a dance, look - in' for ro-mance, Saw Bar-bar Ann, so I Plaved my fav- 'ri.te tune, danced with Bet - ty Lou, Tried Peg-gy Sue, But I

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- bar - bar - bar Ann.

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38

BRISTOL STOMP Words and Music by Kai Mann and Dave Appell

Moderately

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© 1961 Kalmann Musie. Ine. This arrangement © 1980 Kalmann Musie. Ine. All Rights Reserved

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spm - . ' mn ev - 'ry Fri day night, Bris - tul at a D. J. hop,

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Real -ly sum -pin' when the joint IS jump -in' when they do the

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Brist - ol Stomp. It's got that groov-y beat -

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"li "li

f\ " • " ~ ·---. • ,-3--, - - - - - -~ ~- - -. J . ,.. ,.. - • • "

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that makes you stomp y'r feet, _ So come on get lll

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line y'r gon - na fe el fine.

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42

• And when she danc-es with me, We'll fall In

-•

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love you'll see,_ The Brist -ol Stomp -'ll make you

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mme all __ mine.

(\ ... i • • Repeat & fade

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sharp as a pist -ol when they do the Brist -ol Stomp

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BUT I DO (I DON'T KNOW WHY I LOVE YOU)

Words and Music by Robert Guidry and Paul Gayten

Moderato

Cm7

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" . .. - -- ... - - - - - ' ~ ... - - .... -" - .. - -

~ I I I -6" I don't know why I love you But I Do, __

can 't sleep nights be - eau se I fe el so rest-less,

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don 't know why I don 't know what to

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on - ly know I'm since you 've been a

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"

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cry so, But I do, I feel so

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lone - ly and way, I

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Do. __ help - less.

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-that I want cry bot, nightl

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don 't know why I love you But I Do. I

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Do.~~-----~ My days have been so lone -ly, my

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film m Gm7

mlil m nights have been so blue, __ _ I don't know how I stand it, But I

F7

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mm Do. _________ _

Each night I sit a lone and tell my -

45

Cm?

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self __ That I will fall in love with some-one

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else. __ I guess I'm wast - in' time,__ But I' ve

Bdim Cm7 F7+ 112 B~ El> Bb Bb

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Do. I Do.

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46

DON'T HANG UP Words and Music by Kai Mann and Dave Appell

Medium Tempo

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Up,

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--. ·~ Don't Hang

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© 1963 Kai Mann Musie. Ine. This arrangement © 1980 Kai Mann Musie. Ine. All Rights Reserved

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Oh, don't

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you do it now,

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47

ri .li I ' "' " ' • - . -. - - ~ - -· -" - _, - -I~ - I

Don't Hang Up like you al - ways do, I I to ok a walk with Ma - ry Lou, We

'Cause you got some ex - plain - in' too, Who I did - n't say our love 18 through, What

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-------· • -. - ,.. - .. - . -· 'I

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f\ .li I I I - - -- - ,.. - . -· - - -\J _, - - - - -~ - I " -

know you think I was un - true, 1'11 ex - plain the went a - ro und to VIS - it Sue, She had some boys I was that chick I saw with you, So talk fast like you

if we made a goof or two, 'Cause mak . ' - m up 18

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facts to you, nev - er knew, Don't Hang al - ways do, fun to do,

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48

il • n

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" r, -' -· --- .. --~

--- I!!) -Give me a chance or

Up. They to ok a ride so You got one chance or

'Cause no one else will

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4th time To Coda Å ffi:EB æIB y It. a. m±ti ~~~~~-~ ~~~~~~~~~ 'I :; ,_

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our ro -mance lS through. ha -by I wcnt

our ro -mance lS through. ev -er do but

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too. We stopped at the

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49

l'I ... - I I I - - . ., - • • ... - - - - - - - ... - -~ - - - ~ ... '!J I - -

rec - ord hop_ I had to be a sport, We

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f\ " I I I I - - . n ... - - - - - ... ..... " \I - - - - - --

I!) -stomped and we did the slop then you walked In,

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D.S. al Coda

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And I was caught.

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Coda

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you.

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@) " I li'

• I I I I I ... -.. - "'-· -.. " • "' - ,.. - - ". - - . -" r ,_. ,_ _, ,.. ,... ... - - " - - ... I V -

50 GOODNIGHT, IT'S TIME TO GO (GOODNIGHT, SWEETHEART, GOODNIGHT)

Words and Music by James Hudson

With a slow beat

__..

G Em

Good-night,sweet-heart,wel~it's time to go,_

~

G

Good-uight,·sweet-heart;well,it~

U"

mp-ref

G 67

I hate to leave you,but I

Am7 D7 G Am7D7 G· Em

D7

© 1953 Are Music Corp. All Rights Reserved

good night.

G Em

Good-night, sweet-heart,well,it's time to go,_

•

Good-night, sweet-heart, well,it's

G

I hate to leal·eyou,butl

-....L-

0 Om

G G7

G Am7 D7 G

GOOD - NIGHT, sweet heart, good- night.

0

Ba - by, -Might hear it

G

51

0 Om

three - o'- clock in the and my

0 Om

And right, long,

\~~~~~~~~~

~~~~~~~~~~~ A7 G lm

be - cause _ I you know I hate to

so. Good- night, sweet-heart,well, it's go.

D7 G Em Am7 D7 G G7

Good-night,sweet-heart,well,U's time to go,_

Om G Am7 D7 07-9 D9 112· G6 A~6 G6

say,- GOOD - NIGHT, sweet-heart, good - night. NIGRT.

\~~~~~~~~~ ~~~~~~~~~~~

'

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I

52

G. T.·o. Words and Music by John Wilkin

Witha Lively Beat

I --

I

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• ---- I!) I µ -Lit -tie G. T. --

Y ou ought to sec her on a Gon-na save all my

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fine; mile;

O· ' f\ ~

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t ,~· -- --&--

I . --· ---~

---------- -V

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© 1964. 1980 Buckhorn Music Publishers Used by permission of Charles Ryckman Music Publishing All Rights Reserved

ml ,...._ "

------0. you're real-ly look -ing _ ro ad course or a quart-cr __ mon ey and buy a G. T._

- . ---·--

~

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--------

li ~

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Three deuc-es and a four speed This lit -tie mod -i -fied pon -ton

Gct a hel -met and a roll bar

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u------ " ~ fll_ ~ ~

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r r-~ ,.. r

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F 53

I'\ - li - - -

V ~ - -·- - ~ - -" - - - -- - - - - - -~ I L-1

--- and a three eight-y nme. Lis - ten to her tach - ing --- has got pien - ty of style. She beats the gas- ers and the --- and I'll be read - y to go. Take it out to Po

fl -,,,, - -V - - "_ - - - -- - - . - - - - - -@) --· f --e-- --· - r r I

~ -. - -- .. - - - - - . ~ , - - - - - - - - - - -· ' -- V -" " " " ". "

I\ I I --- - ---- - ~ . - - - - - - -~ ~ -V - - ...

" - -~ I I I - ........ I I

up now, Lis - ten to her -- whine; rail jobs, real - ly drives them _ wild; mo - na, And let 'em -- know, yeah,

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1. 2. (\ ..--... - I - I - - . - - -V - - - - ". " "" - - - -~ • " - - I

------ Come on and turn it on, wind it up, blow it out, G. T. --

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54 F

-11 ---. . - . . ' ~ .. -- @) I

l r w- 0. Wa wa

Yeah, yeah, lit -tle

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r wa wa wa wa wa wa.~~~~~-~~~~~~~~-Wa G. T. O._ Yeah, yeah, lit -tle G. T. 0.

_._

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r u-wa wa wa wa wa wa. --

Yeah, yeah, lit -tle G. T. 0. -Yeah, yeah, lit -tle

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55

f\ I L -" ~ ~ ..,

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V - - .... - . - -- - - - - - - - - -~ V I V I --e- r t...r U-" .... T

--- Wa wa wa wa wa wa wa --"I G. T. 0. --

' Yeah lit - tle G. T. __

, - ' ., V - - - - . -

" - - - - - "" - - - - -) - - - - ~~ l:n1.._.,-"1

I ~ ~ ~ ........ -. - - - - - -. - - - - - - - - - - - - --.. ... ... ..... ....

I - - - - - - - - - - - - - - - - - - -- . " " " " I I I I

F -m 3. f\ - -. - . - " . . . " -- • ' --

@) -,J -,J ~ -,J _._ • " - •.._,,•

wa. yeah. that I'm the cool est thing 0.

- a

I\ I " - . . .,

V . ,.. " . - - --

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• • • • I I I I ~

round; Lit - tie bud-dy gon-na shut you _ down, When I

F

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turn it on, wind it up, blow it out G. T. - 0.

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- - - - - -~-. - - - - - - - r- r- - - " -.. - - - - ," . -. - - - - - - - - - - - - - - - - - - - - .

V

• • " • "

56

HAPPY, HAPPY BIRTHDA Y BABY Words and Music by margo Sylvia and Gilbert Lopez

Slow beat

~ t!l!!:l (Tacet)

m --. -. ~ ..... .... -- • " .... --" • -..4J.._4"

Hap -py, Hap -py Birth -day, Ba -by,_

~

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-· -- ..,. ..... "

--" " ~ ·~· l :

. --· --. - , -. ,

-

i i )_ -. - ' ~ -' ' --· 11) -~· ". - new; __ Thought I'd drop

,, . -- ...; . --. "} -I ". ~: :i"'

". -'t : #:j "-~ .

-.. -~

, -- --- --

i • day would find me _ be-side you. --

© 1956 Are Music Corp. All Rights Reserved

I

-

---· -a line

---· -

~

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~ -~ ~

." - --· ---- -----Al-thoughyou'rewithsome-bod -y

~ 3

..... ...., -· - --· ---- ----- --

' -- -- ....

i i J

-. .... .... . ---. .-

• " . ---• to say That I wish this_ hap -py

_!l

-' -'

-~

---- " :t ". -t --•

" : . .... r

(Tacet)

Hap -py, Hap -py Birth -day,

57

No, I can't call you my ba - by;.-

~-------

\ ! .... I "'I

G7

m i ii - -- ~ ~.

~ - - - - -' - -· - -· - - - - - - -I} ". - - " ". - - - " ". -

Seems like years a-go we met On a day I- can't for - get, 'Caus e that' s when we fell in

\ lJ " ""'I -- . -- - ... - -~ -. - . - - - - ~ - - - -. - -. ',)-::,~ ". - 'i: - - :1 ". - 1 - " :tt ". - 1 : •

. -- - - . - -. - - . - -, - . - -" - .,; - .,; - --c F c F ....

love._ Do you re - mem-ber ------- the names we had-· _ for each

\ = I I ... I """ . - - - - - - -· -- -· . -· -· ~ ~ J

J -

{Yiu

I. r -

t~ oth - er?_ was your} pret - ty, were m~ were my was your

\ I I " • • ' • - - - . .. . - - - - -- -- ·- . . .. . - ·- . -- . . .

' 1 .... ~L-~ .__~ . - - TI ... .:___ ... ·

s s .= ~ .'!/ a --· . . - - - - - - - - _ _,, - -

~ ---~ -. ~ ---~ - ... "li .+•" "

58

'1 ij . ~z 11

' , -=@). I Pr J. i(sJ ;J J I ;J n µµEZ D. j I i (Tacet) s

ba-by, -How could we say-_ good -bye? Hope I did -n 't spoil your

'} ,.._ I ~ /J

-----· -- • " -t -· -.----•:--------· - • TI 11 ::e· I .... ---". * ~ ..........

I ~

I

8 8 li ·~·· I~! ---I~----

---- " tt•• " -

s i birth-day, -) I'm not aet -ing

LThough I'm aet -ing like a J la -dy; -

fool -ish,

. ::----___------===---

I --~

-r

-I

" ·i i i i G7

mm • ---· --... --- --· --· ---

~ ~

-..... - ',) ". --" ". --" --

So 1'11 close this note to you, With good luck and-wish-es too, Hap-py, Hap-py Birth-day,

\ 8 -" ~.

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--· -" --- --~

-~

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1r-;.ll-mm ·--- Ba -by.-· -Hap-py, Hap-py Birth-day, Ba -by.------

. .

I

.

I

IF YOU WANNA BE HAPPY Words and Music by Frank J. Guido, C. Guido and Joseph Royster

Moderately FastG7 en - )_: r. -

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I

n~ - - . ~,

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ti. JJ.' • - -- - --"" t)

,.,, .u. - - - . - - ~ -" -. - - - -

I) -i I• 1 ··- ~" "_" ··----- -, • - ...... .... -- -,; -----

07

'I ... æ - . u . - - -" - . - -

I

life, nev - er make a

'I ... - --u - -11 •

·- ' -.. -- - - -- ~ ~ , I I

© 1962, 1963 Rockmosters, Ine. All Rights Reserved

- - --

. .

- -

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I~ - • .?; ?::

• " " . ...... -·· ...... -· - ., ._ -,J' - -,J' ·- -,j'

Am7

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If you wan - na be hap - py

- I I

- . - -..... _, - - ,.. -- - -I r

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li Em

il r--- ~ ,... - - ~ - - - --pret - ty wo - man your wife.

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59

,. ... ... . .

. - - . - - - ~ - " - •

. . . . -· . - -.r- -.

- - -- .... - -for the rest of your

I I

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• I -- -~

-

I ' - - -- - - --

So from my per -

I ' - _, -... - - --· -

I ~-

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60

G

m ~ ~(D~s:-aLCoda ToCoda $1 fim

son-al point of view, get an ug -ly girl to mar -ry you.--If you wan-na be

lå G

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--A pret -ty { wo -man makes a man look small--and ver -y make an ug -ly wo -manyour wife, ---you'll be

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--- of -ten caus-es his down -fall._ As soon as he mar-ries her, then she starts-hap -py for the rest of your life. An ug -ly wo-man cooks your meals on time,_

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- do - in' the things that will break his heart.

').ir-. and she'll al - ways treat you

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•t - ___,, - Don't let your friends say you have

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Coda ~

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im G • 'I .U. ,..._. -- - ' - - -,_ r- - " ... ... r-- - - ,_ ..... ~ " • \I

4!) ~ - -mar - ry her an - y- way. __ Though her face

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match, take it from me,_ she's a bet - ter

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But if you kind. If

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no taste, go

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is ug - ly and

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catch. __ If you

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-- -

61

(;7

li D.S.*

- -- - --I

you wan - na be

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- - -- - -

a - head and

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her eyes don't

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li D.S.* and fade af ter I st ending ---- -- - -

I

wan - na be

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62

I GO·TO PIECES Words and Music by Del Shannon

Moderately

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When I see her com -in' down the street,_ I get so shak -y and I I !

I tell my arms they 'll hold some -one __ new, An -oth -er love __ that i I

I go to plac -es we used __ to go, But I know she'll

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feel so weak,_ I tell my eyes look the oth -er way,_ will be true, __ But they won 't lis-ten they don 't seem_ to care, nev -er show, She's hurt me so much_ in -side,

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--- © 1964. 1980 Mole Hole Music and Rights~ Music c/o Bug Music Group. Hollywood. Ca. 9002 ' All Rights Reserved

F 63

I'\ ' li

" -- . - . ~ - - -V - - - - - - - - - - - - ~ - -" - - - - - -~ I I , -

But they don 't seem to hear a word I say and :} They reach for her but she's not there and Go To Piec - es and I Now I hope she's sat - is - fied _cause

f\ " I • ." - ". ""' -- -V - - - - - - - -· - - - - - - --" - - - . --- - - - - - -~

f I i" VT~l ~ I ~ .. - I I .. .

I - -· " - - -· - " - " - - - -• • - ~ •• • • • "

F

li i

want to cry; ___ _ Go to piec - es and I al - most die eve - ry

f\ I ,_.,

I - - -- . . , . - - . -V - - - - - " - - - uo . . - - - - - - - •

~ - -time -- my ha - by pass-es by.

I\ I - I - . ., - " . - - - - ~ -· . V - - - - - ~ - - -· .

" - - - - - - - - - .-i - - -· @) i r r V i r r ... • 4• - -< r r . ~ --.. - . . . - -· - ' -· - - " - . - . . - - - - - - -". • "*' -#- •• • • - - - ~

64 F

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by. I re -mem-ber what she said when she said: "Good-bye,_

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Ba -by, we 'll meet a -gain soon, may -he; But un -til we

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do all my hest to you." I'm so lone -ly,

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65

l'M GONNA GET MARRIED Words and Music by L. Price and H. Logan

.i.i Moderately

- - - - -I - - ~

I I - ,., * -\

.0. " - I I

I -- -- - - - - -' - ' - - - -r - - - -- -r r r r

i John - ny you're too young,_------------~ you're so

But l'm gon - na get mar - ried,

i E7

mm young, -------- You're too young John - n:v, you're so smart,

My name she'll

© 1959 Lloyd & Logan Music. All Rights Reserved

r car - ry, But

66

F C

æm li

It

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ol>

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fire. floor.

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G

To Coda l:ttW m ing heart.

• >-

fim How come my heart de -How come ev -'ry time she

fim i Burn -ing for the love and de -sire·---

thrills me

fim -· -.....

How come How come

- . -· - -· - --

from head __ to toe. __ _

-· --I ev -'ry time ev -'ry time

-I

-· - -· ~

-· -- ---

= -

-I she l'm

I

---

--

It it

[)7

m sets lifts

-I le ave with

I

---

-

my soul me right off

,

I

me her

I r~

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on the

,

' it she

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---

D7

j " ' -- - .. -· - , - -t I

mar - ry but not hol - ler and bump

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$ Coda

D7 e G

mm Too ... I

~

- ~ - - -' f-

ach - ing heart.

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._ .. - -I - - ~

I I -~

"- -\'ou're so -~ - - -'

I I

mar - ried,

" } I . . - -' • r • "

I

--- -I

..,,., ... •

Bm7 El

æm m

- -· - -- - - - ~ -I

to hide an ach - ing my head in - to a

~ = I

~ ~- ~ ~ - - - - -- -· - -• •• • q• " i - -

07 -

I It

may be makes me want

G

too young to to jump and

67

m John - ny you're I

3rd time to Coda

too • I -~. . .. ~ ". - -

~

heart. door.

. -· - - - . ~ - - . • I

--• -

young, ______________________ _

.. . ~ . " -· - -· -.. -f- I -= l -= I

But l'm gon - na get

~ . . - -· ~ ~. ~ --· - -· - -I r· ]'" r· f r . . - -. - ~ -~ .

I

(;

Repeat and fade

- , I

voung too ,.

". ~ .

~ - ,.

~ " " " r r my name she'll car - ry,

\. - -=

~ -r ' r r f r r i

i - ~

~ ' ~ ~ - -- -,; - -

l

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t l

68

I KNOW Words and Music by Barbara George

Moderately

f\ --- V

. @)

f\ -

L

-' V

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. -.. - . -r .... ' V

-- -

fl - ------ . -- ---- @) ~

• - -

love me no more, no more, want me no more, no more,

f\ --. . , : . . . V

1!!)

" il

- . -.. " " . -,.. --" .

--

© 1961 At Last Publishing Co. This arrangement© 1980 At Last Publishing Co. All Rights Reserved

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I Know you don't (2) ---you don't

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-----il "

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-- ----·· "-=---" • no, no more; __ And I don't_

no, no more;_ And it had_

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-more. more.

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did you

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want to be to be

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Yeah, yeah, Ain't no

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was no have put me

love you at Ain 't no use m me hang - in'

... - .... .... -......--hurt-ed --

some-one

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l've use

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joy; down;

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'ro und.

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lov . mg you I

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lo ved so m me

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If I can't If you don't

69 F

li I . , -,.. - ... - -

more, an . y more, lovin' you

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hard ev -'ry-thing I cry-in' now _ all - be -cause

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F

li

love you right, ha - by,_ want me no more, ha - by,_

2nd time Repeat & Fade

2. I Know

70 I LIKE IT LIKE THA T Words and Music by Chris Kenner and Allen T oussaint

B~

Moderate Rock li ~

come on,__ let me show you where it's at! Come on,_

F7

•

© 1961, 1965 Thursday Music Corp. All Rights Reserved

Tue

F7

• name of the place is "I

'.&

(stop time)

'>

B~ 0

I L(F7)

li

Like It Like

a -down the I lost my

~. '.:::>..

B~

•

track,_ shoes,_

'--"

'.::>

The They

F7

"I I mm :;-

, .. -' name

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--of the place

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--is

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And And

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F7

mm we're all

gon - na rock a - way they kept say-in' was

all "Go,

F7 ~

mm

take was

our man,

Sal- ly, yell-ing,

71

and

blues._ go!'_'_

Come oil:""­Come on,_

let me

let me show you where it's at! Tue

. . - a :: ... - - - ,. . - -

~· ~ ~ .... _,, y' I

Like It Like That. " Now the Like It Like That!" I . : . - - ~ - -- -

~ -~ " .,; .,; l " 4 a . - . -- -

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(

72

ITCHY, TWITCHY FEELING Words and Music by Jimmy Oliver

Moderately

li fl .lio li ...

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" -· V • -

..... -

.... -~

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!) -'-----• _, • • -Sit -ting here _ won-d'ring what it's all a -bout,_ This You come in the house_ with your hair on end,_ No

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=i =i '-"

. • • Ml Ll . - . J

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makes where

you shout. _ you 've been. _

You You

tune in on come in the

band-stand,they are

© 1958 EmKay Music This arrangement © 1980 EmKay Music All Rights Reserved

house still

-J

-.

-- -LJ -•

rock and roll mu -sic that -bod -y had to ask __ you

----- ~ -=i -" ~

- ---

jump-in' like mad,_ And the jump-in' like mad,_. l've seen a

I\ " "" "'"~ TL 11

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fl " li -~ "

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Lr danc-ing they are do - mg

lot of peo - ple with it, but you've

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-=4i

-:4j

- •

. -..,

-_.u • • •

-- You start to -- You start to

.

~=d • • • . -. - - --

I I

arms and legs are flap - ping like a arms and legs are flap - ping like a

G7

li - - --.......__. • • • -.

don't look bad. - You got that It -got it bad. - You got that It -

- - -~ qf - .t. ._. .

~ =t

. . .... -,;- ... .., -

- - - . • • "li •

rock-ing and a - reel ~ng. rock-ing and a - reel mg.

- . • • "li

... ~- ~· =4i

--- - --,J • I

hound-dog's mouth a-yap-ping.You're a - rock hound-dog's mouth a-yap-ping,You're a ·rock

-• • • -

chy Twit-chy Feel chy Twit-chy Feel

• _. "li

.... -

--

mg ing

.... • il

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73

. ......__,,,,

mg, __ ing, __

=:=-__; - -

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• • Soon you Soon you

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and a · and a -

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74

'l ... ".1 . TI . ~ . TT r

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roll mg. You don't un -der-stand it but it sure feels nice,_ You roll -ing. I don't un -der-stand it why you go, go, go. __ There

f'I ... -- " . ~

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I!) -L_j -Lr L......J

-·-.. • I I'-.---Lr thought you might try it 'bout once or twice. -You start-ed with that dance _ they

must be some-thing 'bout this mu-sic that I don't know. -I went to a hop and it

f\ ... -" " TI

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L.J " " " I r r • • • -"-. • • • call the stroll, _ But you felt much bet -ter doing the rock and roll. -Be-cause that did-n 't take long. _ I got the feel -in' some-thing was _ go -ing wrong._ Be-cause that

f\ ... ::>

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• " rock - ~ng rock - mg

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has got you starts you

rock-ing and a - reel rock-ing and a - reel

75

~ng. __ mg. __

Soon your arms and legs are flap-ping like a Soon your arms and legs are flap-ping like a

hound-dog's mouth a-yap-ping.You're a­hound-dog's mouth a-yap-ping. You 're a-

1. 2.

-- . - . . - ~ -• • • • • • • • and a - roll - mg. roll - mg. Soon your and a -

. . . . • • ~ ~ " ~ • •

~ -

- . -

~ - ~ . - _, ~ - - - - - - - -I • I

arms and legs are flap-ping like a hound-dog's mouth a-yap-ping.You're a-rock-ing and a roll - ing. Soon your

76

IT'S J'UST A MATTER OF TIME Words and Music by Clyde Otis, Brook Benton, Belford Hendricks

'"oderately with expression

!h. . E>

li li ~ li E>7

li --~

" -. . . . ~ . ~

--· -· . " . -·· -" ~ ,...

-· --· ----- u -'--"----I r '· Some -day some -way you'll re -a -lize that you've been blind Yes

! "

I ~ I I l I

-.. . -· -· -· . -" . " . -· -

" ------~

- u u --'6----I i r T. t I .......

"""""" L 'O

: . . . . ---. - -. ---- V " ----.. -------- -6-'6--~

ii li m 118 IT'S JUST A MAT-TER OF TIME

E>

li li /3'-

E>

li E>7

li fi I ---

~ -

~

. . . . -~ . ~ . ----· - -

~

---- -. --w w -. -

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Go on_ go on_ un -til you reach the end_ of the line But

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-· ~.

~· ---· ----~ - tJ -~ ---I i r T. t

U'

I I -,...,,_ ,........ -

l

--. -. --:- . " - &-

© 1958 Eden Music Corp. All Rights Reserved

. - . -- ---.. --. -. - -. -:-- ------ &-*"

77

li il li ~--++--+-------~-.----+--+----tt--~i==;p=-~o---------~---++----~-"-.----=~~-;;-~

a -ga1n IT'S JUST A MAT-TER OF TI:\lE Aft- t'r I

\~~~~~~~~~~ ~-

l ~----=---+--+---~~-+---+-+---+--------.---Il I 3

l ~ . - - -- " - - -· - . -- -· - - - - - - ~ - - - - - .... ~· ~ -,1 r - I - -gave you __ ev-'ry thing I had you laughed and called me a clown Re-mem-ber

I ti I L

~ I ~ ~ - .

I'. ~ . -· . - -· - - - - -· -· - -·- - - - - - - - -tJ 6- t>& u- V '.1.,L

_}"'-, u

I ,......., I ,...., ,.......,_ ,.......,, ... . - - . --.. - - - - . - -I " - - "_ - - - - .. ~ . . .. - - -- - -5,7

li must come down

11 I ::. . . ·- . :: - " .. ··-- ~ " - ... ~ :: - ~· - - - . ~ .. ~·

t) " ... .-.: -true love IT's JUST A MAT-TER OF TIME. TIME.

11 I . L -· = " - - -- ~ -- - - ..... - qr ~I " " g ~: • ø-

I ,...., ,...,.,., l ,____

" .. = - - . -- - - ! I ~ - - . - - - ~ .. - - - - - -- - -

V - -e-----~ ~ " ~ :;::...

78

l'VE HAD IT Music by Ray Ceroni

Moderate four-beat Rock

F

fl C7 Bb7

--... -------- .... ,.. ... -- ~ I IJ J I IJ

' I

' r

' I r I r r r

la la la_ la la la la la_

fl -' ' -

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.

fl I l I I . F -' -' '

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When I saw-her on the cor -ner, When you say-that you' 11 keep a date,_

fl -... I -'

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-- "

© 1958, 1959 Brent Music Corp. © Assigned 1978 to Slow Dancing Music. Ine" New York, N.Y. All Rights Reserved

--

Bb7

F

"' ' ' --" - ---------- I r la la la la la_ la la la.

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-- 1"" -

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~

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Bb7 I

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r r I r I r r r I r Then I knew_that I was a gon -er. l'VE Then you show_ up two hours late,_

-~

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79

C7 Bb7 F F jll\ • I l . • I

' ' ' ' " I - - - . ,, ~. - -. . ~ - - -· r.J r .J • "' - - - - -li . ~ ' ~ -4 r I I I l - r When you say_ that

HADITI_ Well, l'VE HAD IT! When you say_ that you ~ ' -"" - " " . , -. ... ~ -. - • • . r - . ~ • • -- - .

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F Bb7 C7 Bb7 jll\ ' I'> " Il "

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I should phone,- Then I do- and there's no-bod-y home,_ l'VE HAD IT!_ Well, I'VE love me, hon - ey, When you real - ly mean my mon - ey,

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80

JUDY'S TURN TO CRY Words and Music by Beverly Ross and Edna Lewis

Moderately Bright

1 ~J: . &. • 1 11 • • h 1 • . 1 • , h 1 , 1 • ,.. , n 1 1 1 1 1 • . 11 J

Verse Ej, B!,7

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1.When Ju -dy left with John -ny at my par -ty, (2. It) hurt me so to see them dance to -geth -er, (3. One) night I saw them kiss -ing at a par -ty,

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came back wear-ing his ring, __ I sat down and cried felt like mak -ing a scene,~ Then my tears just fell I kissed some oth -er guy, __ John-ny jumped--up

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© 1963 Glamorous Music, Ine. All Rights Reserved

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Now 'cause 'cause

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that Ju he

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was dy's

still

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a fool -ish smile-was so loved_ me, that's

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Chorus Bb Bl,+ Eb • I

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1. 'Cause now it's} 2. But now it's Ju - dy's Turn To Cry, Ju - dy's 3. So now it's

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Turn To Cry, Ju - dy's Turn To Cry,

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'Cause John- ny's come back to me._

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82

JOHNNY B. GOODE

4

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Words and Music by Chuck Berry

Witha beat >-

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N{w Or -t~s, 'Way f

' r; ' ' _f'.: t.Deep down in Lou-si -an -a, close to back up ID the woods a-mong the

car -ry his gui -tar__ in a gun-ny sack, Oo sit be-neath the tree_ by the moth-er told him, "Sane day you will be a man And you will be the lead-er of a

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~b-in ~de of efrth and r r

ev -er -greens; There stood an old_ wood, Where rail-road track; Ol' en-gineer in the train_ sit -tin' in the shade, - big old band; Man-y peo-pie com-in' from_ miles a -round, To

l l I ~ -" l ~ I li. I

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_r • r • lived a com-try boy-named

Strum-miø'with tbe rhy-thm that the hear you play )'ODr mu-sic till the

' . . -

. -

© 1958 Are Music Corp. All Rights Reserved

I .

I .

-. -- -

--

' ' --. --. . . --- . . .. JOHN-NY B. -"1 " ,.. " " OOODE. Whod nev-er ev -er learned to read or driv -ers made._ The peo-pie pus-in' by, -they would

SUD goes down._ May -be some day your name -'Il be in

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write so well, But he could play a gui - tar_ just like a - ring- in' a bell. ~ stop and say Oh my, but that lit- tie coun- try boy_ could play. Go! Go!_ Jights_ A- say- in' JOHN-NY B. GOODE- to . ht" - ni& •

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æm l \,. - . . . - - - - . - - . ~ ~ = - - - . - - . . . ' - - . . ' . . T . . . ~ ' . . I " I .r. I " I r " I QI - Go!_ John- ny! Go! Oo!_ Go!_ John - ny! Go! o._

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- Go!_ John- ny! Oo! Oo!_ Go!_ John- ny! Go! Go!_ > > > > > :::.

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JOHN-NY B. OOODE. { 2. He used to 3. -- His

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OOfi film

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84

JUSTA DREAM Words and Music by Jimmy Clanton & C. Matassa

fl ~ . ,. . . , ~

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Just A

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All our plans and all our

mine, _______ _

" JJ, -I --a'

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" -- !) • I know that we could nev -er

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© 1958 Aee Publishers. Ine. This arrangement © 1980 Aee Publishers. Ine. All Rights Reserved

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Dream,_ Just A Dream,

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schemes, _____ _

Those lies I tell my -self each

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last,

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How could I think you'd be

time. ______ _

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We just can 't seem to in the

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85

Just A Dream I dream in va1n, ______ _

I\ .i.I -11 " - - - -·- -- - -., - - - - - -. - . - - -· " - . -·~ "

With you I'd Oll - ly live m pam. Your

I\ .i.I ol - I I I I ~ I I I

It - " ... - - -·- ~ ~ -- - - - - - - - . - -- - '~ . - - - ,_

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pie - ture ____ _ is al - ways with me, _____ _ I can still hear that same mourn-ful

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song, And now I sit here cry - ing,

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86

t ---..,

Please leave me a lone. Why,_why_ do I

G

li i i . love you, How can I live In mis -er y,

I know that I __ won't for · get you, ____ _ But now I know it's too

~• 2.

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la te for me. la te for me.

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LET ME IN 87

Words and Music by Yvonne Baker

" Very Bright

I - 11• ...,, . . " .-J - -'

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I can see the danc - ing, The sil - hou -ettes on the shade, I hear the --- -

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mu - sic, ___ _ All the lov-ers on par - ade. 0-pen up, ____ _ I want to

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come in a - gain. I

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© 1962 Are Music Corp. and Kae Williams Music Corp. All Rights Reserved

G7 c

mm il .-J -- - u ... _-&-_____.-&-

thought you were my fri end.

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Pit -ter, pat -ter of those fe et,

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Mov -vin' and a groov -in' with that beat.

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Jump-in' and stomp -in1

on the floor.

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LET ME IN, 0 -pen up, Why don 't you

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0 - pen __ up that door? Wee - oo, wee -oo,

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Oo wee - oo, Wee-oo, wee-oo,

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Oo wee - 00, wee-oo.

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" -- Repeat three times and fade out æm - l - -I - -- - '- •• • -- - ... ,_ - - .,.

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Oo wee - oo.

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I I f' r f' r f' r f' r I r ~~

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90

KISSES SWEETER THAN WINE Words and Music by Paul Campbel! and Joel Newman

Slowly, but with a steady beat

Chorus c Em

• 0

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Oh, Kiss-es Sweet -er Than

--c En; Am7

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... -" "'-..... " ' --... ------

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4! I -......__,,-Oh, Kiss-es Sweet -er Than

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- --· -·- --- -v --·-·--- TRO -© Copyright 1951 and renewed 1979 Falkways Music Publishers, Ine" New York, N.Y.

International Copyright Secured Made in U.S.A. All Rights Reserved lncluding Public Performance For Profit Used By Permission

A

Rf Wine.

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A

tlmf last time, Fine

, - -~ -

Wine.

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young_ man and nev - er been kissed,_

G Em

li A

li G

il in' o - ver what had missed._

Arn Em

lf G Em w

A

lif .... - .......... ii--..,

kissed her and then, ___ _ Oh, Lord, kissed her a - gain._

2. Hc asked me to marry and be his sweet wife, And wc would be so happy all of our life. Hc begged and he pleaded like a natura! man and then, Oh, Lord, I gave him my hand. (Repeat chorus)

3. I workcd mighty hard and so did my wife, A-workin' hand in hand to make a good life. With com in thc ficlds and wheat in the bins and then, Oh, Lord, I was thc father of twins. (Re pc at chorus)

4. Our children numbercd just about four And thcy all had sweethearts knock on the door. Thcy all got married and they didn 't wait, I was, Oh, Lord, thc grandfather of eight. ( Repeat chorus)

5. Now wc are old and rcady to go We gct to thinkin' what happened a long time ago. Wc had lots of kids and trouble and pain but, Oh, Lord, we'd do it again. (Rcpeat chorus)

91

got to

D.S .

94 THE LION SLEEPS TONIGHT cw1MowEH)

New Lyrics and Revised Music by Hugo Peretti, Luigi Creatore, George Weiss and Albert Stanton Based on a Song by Solomon Linda and Paul Campbel!

Moderate ly F

mre F

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o - wim - o - web, o - o - wim- o -web, o - wim- o - web, o - wim- o - web, o -

F

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wim - o - web, o - wim - o - web, o - w1m - o - web, o - wim- o -web. t. In tbe Z. Near the 3. Husb, my

jun - gie, the vil - lage the dar - ling, don't

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jun - gle, Tbe vil - lage, Tbe dar - ling, Tbe r--3---,

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F

F

on Sleeps on Sleeps on Sleeps

on Sleeps on Sleeps on Sleeps

nigbt. nigbt. night.

C7

nigbt. nigbt. nigbt.

F

In the Near tbe Hush, my

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jun - gle, tbe vil - lage, tbe dar - ling, don't ,---3---,

Wim-o - web, o - wim- o - web, o -mf

TRO - © Copyright 1951(renewed1979). 1952 (renewed 1980) bnd 1961 Folkways Music Publishers. Ine" New York. N.Y. International Copyright Secured Made in U.$.A. All Rights Reserved lncluding Public Performance For Profit Used by Permission

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95

Bb F C7

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96 LITTLE TOWN FLIRT Words and Music by Del Shannon and M. McKenzie

Here she comes,

Flirt . ...--....

You're fall

And you're gon-na get _ hurt. _______________ _

F

f\ r ~

li - - - ~ -. - - -~ - - ~ ~ -· ,... - ,.... -~ T1 -1~

know it's so hard - to re - sist

I\ ~ - -~ -- - - - - - - -· -,_ - .... .... ~ - - ~ ~ -· " -- ,.. ,.. ,..

~

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r:---r-. -- .. -· - - ~ -I I

© 1962 Mole Hole Music and Rightsong Music All Rights administered by Bug Music Group. Hollywood. Ca. 90028 All Rights Reserved

' . ~ - -- -

the temp - ta - tion

. ~ - -- - - -- -

I I -r ,-- -

that Lit - tle Town

Ycah! I

- -- - -- -of her ten - der red

- -- - - -- - - ,.. - -r . - -

li 1Htt1 97

lips, But you can get hurt, Hur -hur -hurt; __ yeah! You can get a

li i F

ml ------hur hur -hur -hur -Fool -ing a -round

i li i li . with that Lit -tie Town Flirt. Here she comes

. .

.

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With that look in her eye,_ She plays a.

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98

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Yeah! I know she's gon-na treat you wrong, _____ _ So your

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'!.! I - I , - I

heart just a - bet - ter he strong, _ 'cause you can get hurt, Hur - hur - hurt;_

f\ - 01 " ,.....,

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f\ fl.. ,,,-.....,

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99

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With that Lit -tie Town Flirt.

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Flirt. I know a -how you feel;

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cere. But you'll think you've got a pap -er heart _

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When she starts to te ar it a - part.

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f\ li I I li -• r • - - - - . - . ~ ....

' \I - ..... -@) I I I -That's when she'll let you go, Here she

I\ I I I I I - ~ -~ ~- .... - - - - - - - - . - - - r - - - - - - - - ·-· t '~ ~ - - , - - - - . . - . @) (" l....J r r t -u- t I { w { w ('- w - -. . . - - - - - ' -.. . ~ . ~ . - - ~ , r - - r " ..... ,... • , .... .....

• I I - -

comes; Just - a look at that style._ She 's look - ing at

F

li D.S. al Fine

Giv - ing you_ that smile.-------------- But I

I

I

A LOVER'S QUESTION Words and Music by Brook Benton and Jimmy Williams

Mcxlerate tempo

G Em Arn D " : . -~

---. ~

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t.; I I' ,... ,... T I -I

Does she love me with all her

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Am7 D G Em Am7 D

when we're a

Am7 G C6 G

I'd like to know _

D7 G Em Am7

she need _ me _______ _ as

© 1958 & 1965 Eden Music Corp. & Progressive Music, Ine. All Rights Reserved

D

she

101

>-

G Em -

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heart?

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part?~~~~~~~~

Em Am7 D9

Oh, Oh oh

,

G Em

102

D G Em G

Is this a game?-------- A LOV-ER'S QUES-

C6 c Am7 G Em Am7 G

~li ' -- ; -· -- - ~. - - - - - -• u - ~ - - ~

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TION_ I'd like to know Oh, Ch, oh oh oh.

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" c G G7

I'd like to know when she's not with me ---~---

G B7 Em

·r F TF F I E--r·~ f ø ! r r p 14 Is she still true to me? I'd like to know

-

B7 Em A7 Em7 A7 Em7 A7

when we're kiss - ing ------- does she feel just what I feel and

103

7 D

real -ly real? _________ _ Ch, tell me

G Em Am7 D G Em Am7 D rfl-:

---------- ~ ~

- - t.i I I I I where the an -swer lies? In her

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---- t.i I r I r I " " ' I r I I I r

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Em Am7 D G Em Am7

or in her eyes?~-~~~~~~~~--A LOV-ER'S QUES-

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TION __ I'd like to lmow Oh, oh, oh oh

I

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oh. -~--~~-~--Does she love oh. _______ , ___ _

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104

MASHED POT A TO TIME Words and Music by Sheldon, Land & Hert

Moderately

Verse:

"' "' -- - --. ~ --. - ~ - . ~ - - - - - - - -I!) " I - - • ·~ The mashed po-ta-toes start - ed long time a - go,

'N' then this dance j~st grew 'n' - grew, __ Now ev -'ry - bod - y IS - a do - in' __ fine, ___

Well they got with it more 'n' - more, __

" "' -- - . ~ -. - - -~ - - - - - - - -I!) " " - :: ~ ~ _.

~ " ~

-. -- •• -·1._ . - ~ - - .... .... I " . ~ ~ - - - -" -· -· - - --,J. r I

Slop - py Joe._ Y ou 'Il find this dance is - a cool to do,_ do it to. hig Boss line.

crowd the floor.

© 1962 Rice-Mill Publishing Co.

They found this dance is - a out of sight, _ 'N' they dis - cov - er it's the most,man, __

The mashed po - ta - toes took a long list, __ _

r

This arrangement © 1980 Rice-Mill Publishing Co. All Rights Reservec

-~ ~ - -~ - ~ - - --

With - a guy named They looked for re-cords they coul They dance a - long form a You ought-a see them

-~ -- - -- - - -- - - -(.. i i r -· ' - - ". "

C' - mon ha - by gon·na To when the li - on

The day they did it to They ev - en do it to

d

Chorus: 105

• n J.O I

-• --' ---. ---- --

, -----· --

r--"

~

- !!) I - teach it to you._ Mashed po -ta -toes (Hear that groov-y beat now,) sleeps _ to -night._ Mashed po -ta -toes (Wim-ma wet -ta wim-ma wet -ta,) please Mr. Post-man._ Mashed po -ta -toes (Wait a min -ute, wait a min-ute,) dear la -dy twist._ Mashed po -ta -toes (Get up from your chair now,)

I\ ~ I I

--~

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, -----· ---- ~

--,

----· ---- !!!) i L·~f' • • • •• I i I L.....r

- . - ._ •• -IL " -

~

--- I . ~ ---- " -· --~

-· ---

R å Mashed po -ta -toes (C' mon n' twist y'r fe et now, ha -by.) lt's the lat -est Mashed po -ta -toes (Yea, yea, yea, yea.) C' -mon Mashed po -ta -toes (De -liv -er the let ter.) lt's the lat -est Mashed po -ta -toes (Yea, yea, yea, yea.) C'-mon

li Last time Repeat and Fade

It's the great -est. Mashed po -ta -toes. hon -ey, C'-mon ha -by. Yea, yea, yea, yea.

It 's the great -est. Mashed po -ta -toes. ha -by. Ah --hon -ey, __ Yea, yea, yea, yea.

106

MOHAIR SAM Words and Music by Dallas Frazier

Rock!

f\ - - -- ~ ~ ~ - - - , V r

~

•!) - ---Who IS the hip-pest

f\ - - -

1, - ~ - ~ - - - r V r

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down.

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© 1965 Acclaim Music. Ine. Used by Permission of Ryckman Music Publishing All Rights Reserved

I ". -Hap-pen

I .. - -

,

- -- -Tear-in'

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.,

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, - , -J

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all 0 - ver town, - ~ ~ - ' ' - -~ -.. -- - -- " -.. ~ . . , . - -- " " • • __,. -=-:; -T v-.. -.. :> :> :::> :::>

- ~ , --... .... - ... V -

:::>

- - - - - - -- - - - - r- -- -- r--up the chicks with the mes-sage that he lays

- - - - - - -- - - - - -- --- r-

...... I

·-., ~ -4

F

~ - -• - - ~ " - . ._ -- --- I

Who IS the cool - est guy

=;: =;: :::> =;: - - - -- -,.. ~ " . , .. -- -- - - - - -,_ ,_ ,_ ,_

D D _, I -., -~

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107

m a,

li fl I l I ' li

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---that lS what am,

ri ' I

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Fast talk -in' ,slow walk-in', good _ look-in' Mo -hair Sam!

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Chicks are mak-in' res -er -va -tions for his lov -in' so

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---- " ----,_ !)

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fine, Scream -in' and -a faint-in' he's

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108

f\ - - - - - -" ... ... ,.. ... ... -V

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got 'em wait - in' m line.

fi ~ ~ ~ ::::> ::::> ::::> ::::> ::::> • • • • • - - - - - -- ~ ... ... ... ... - " " r - " " - - - - ,... - -I ~ - 1.- - 1.- - ~ ~ ~

l!J - I ... ) ) - D D < - -t '\

I . " . ~

I!!)

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il f'\ - - - l I • I I - ... ,...

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V . I!!) - I

Who lS the cool - est guy __ that is what am,

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f'I - - - - I ,;----_ I - ~ ... ~ ~ " - ~ -. - - - - -V -~

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Fast talk - in', slow walk-in', good_ look-in' Mo - hair Sam!

f\ I I ::> ~ ::::- ::> - - - - - -- ~ ... ~ ~ . - ~ - - - -- - - - - - - - - - - -. . - - - - " I '~ - -,_ ~ ,_ -@) - ....... I V,..

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I!!)

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Repeat and Fade f\ - ,_ •• - ... - . -. - - - "_

V . ,_. •'-

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f\ ::::> ::::> ::::> ::::> ==:- ==:- ==:- ~ ~ ==:- ~ ==:- ==:- ==:- ~ ==-- - - -- - - - ... - - - ... -- r • - "' " - • . . r " " . - ., - r - "' - . " , - -"' - ., -· V r • - " " . - - - - - - - - - - ,.. - - - ..

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V - D D V ") D " ') I - - - -

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ONLY YOU (AND YOU ALONE)

Words and Music by Buck Ram and Ande Rand

Slowly, with feeling

G6 Dll 0000 00 0

m li ON -LY YOU

B9 Em Em7#

li 'I Jl m li ----- ~

- 4 t.i ..__.,,, f.I I

-ON -LY YOU

/\ Jl ~ - ---• • - '~

--• ·-- " ---f ~ ... -4 -o_ --I I

·-- -··-. ·- , -~

-- --9-l!:

TRO -©Copyright 1955 Hollis Music. Ine" New York. N.Y. International Copyright Secured Made in U.S.A.

·-

All Rights Reserved lncluding Public Performance For Profit Used by Permission

G Gmaj7 000 000

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109

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G6 B9 F#m6 0000

m li æ ~ r I ~. J1 ~ *' ........__.....

make this world seem right. _

Dm7 G'7

lm li . • . - ... -

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make the dark -ness bright. _

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110 C6

I\ " ' 'I --

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~ -r} " " - " ____., -- ON - LY YOU and

I\ " li "

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I - - "-' , -?:: ... ~ 4 -

li

Em B7 • ~ ~ I ~-r r ~

thrill me like you do

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Am7

f\ " • LI " - ... -~

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love for ON - LY YOU.

r-J--i

" " I ~ - . ..., - - ! - ~ - -' " - . - - . - ~ - -~ ~-...: .... , ... q-1> - "

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G Gmaj7 G6 B9

I'\ " m 11 • - - - - . ~ - - .

w -@_; I " I

- can make this change

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you are my des -ti -When you

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"-r dream come true, my one and ON -LY

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ON -LY YOU.

Ped.

114

OH, WHAT A NIGHT Words and Music by Marvin Junior and John Funches

Slow rock tempo

F

li

to

i

3

© 1956 Conrad Music. a Division of Are Music Corp. All Rights Reserved

to love ___ _

• hold-----

to squeeze ___ _

-

i dear, that's

F

li i I love you so.

J

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want you, dear, Oh,-- What 3

F

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you, dear, that's why

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A Night

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Oh,What A Night _ to 3

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116 F

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for -get all those things you have done to Ine·~~~~~~~~~~~~~-

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Things in Iny heart won 't let me for -get your

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love. Oh, What A

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to love A

I i 3-,

117

to hold--- you, near 1 A

to squeeze --- you, de ar, that's

i I I love you so.

i " (Tacet) m . . - .<: " ,. '• . - , - ~ - . ·- I - • . ,,. - . ·- ~ •

~· " ,. 'Il.JO~ - ·-t T - . Oh, What-- A so.

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118 OVER THE MOU NT AIN, ACROSS THE SEA

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Words and Music by Rex Garvin Rubato

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-- • , , MOUN -TAIN, A -CROSS 'l'HE SEA,

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F

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" - - . - - - -f. I I l r I -Tell the moon up in the sky, Tell the birds that fly by, That

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o - ver and o - ver and o - ver the moun-tain, My love waits for me. ri --;---...._ ---;---...._ I ~

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~ . ~ . - ~ -. - . - - - - ~ - - ~ -

t r r I r I I r , I r I In -to each dark and star-ry night,- Oh, what a mys ·ter · Y- that's sealed so tight ,-

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122 PRETTY LITTLE ANGEL EVES Words and Music by Tommy Boyce & Curtis Lee

~ " +f ---.. - " .. "'"" _,

----- ~ ------Pret-ty lit -tle an -gel eyes,

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lit -tle, lit-tle, lft -fle, an -gel !\

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© 1961 Bri-Deb Music Corp. All Rights Reserved

c•m A tacet * B tacet *

A

B7

u eyes.

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gel gel

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u ey~

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123

B7 E

To Coda•

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Pret-ty lit - tie, lit - tie, lit- tie, an - gel eyes. !\

A tacet ______ * B tacet ___ *

t'-r eyes. ____ _ you were

E E7 .A

124

E7 A

no -where that l'd

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an gel

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'cause there's

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rath-er be. -------------

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125

RAINDROPS Words and Music by Dee Clark

El>

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It feels like rain

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Since my love has ~ I • .

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" .... © 1961 Conrad Music, a division of Are Music Corp. All Rights Reserved

--~

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--left

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so man - y

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-fall

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fall-ing from my

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eyes.

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- - -- - -I'm so all a-

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126

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back

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gone. There must be a clou·d in my

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li Rain keeps fall-ing from my eye -eyes. Oh no it can't be

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127 F7

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11 mm 11 mm -.r " - - -

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tear - drops 'cause a man ain't sup - posed to cry.

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li i ' I . . - -r . - . . -- - - -· . - - - - . - -I I - .,, ..,, ... - --------- - - -...._ - So it must be rain - drops, so man - y rain - drops __

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eye - eyes, fall - ing from my eyes.

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128

PLEASE LOVE ME FOREVER Words and Music by Ollie Blanchard and Johnny Malene

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might-ly, Don't

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© 1961 Selma Music Co" Ine. All Rights Reserved

--

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-ev-er, Don't

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J W I J. Please don' t stop lov -ing me.

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,.. -· for-get me ev-er.

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You're

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-ging on my knees,

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129

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Pleasedon't stup lov - ing me. Oh, when I Jay me down to sleep, I pray the Lord your

A I r--9-._,

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li I lf I should die be-fore wake,_ I'll comeback for you, __ _

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- that's no mis-take. Oh, I'll love you for - ev-er, Can't for-getyou ev-er. __

9 3

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u ". -· - - -" I r' r I "'-" - r "U'

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Please don't stop lov ing me. me.

130

PRETTY GIRLS EVERYWHERE Words and Music by Eugene Church and Thomas Williams

Medium Rock-Boogie Tempo >-:::>-~. -~

I'\ .It . G C9 . . - -

~ . ' . ---- . -~

---,

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------ f. -~ ,..

Ev-'ry-where I go I see a pret -ty \ .It -" -- --- ---

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----.... - •t, -iJ " C.I.

r -•

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--- -.. -• ---. ------;:: ------- --. ~ ~ --

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G7 C9

Ev -'ry-where I go __ _

© 1959 Recordo Music Publishers All Rights Reserved

A

-. . -. ,

~

girl-

--q~

-- ~ 4

Pret-ty

131

fl ++ D7 - c 7 - G ~ ~ ,- ~ ~ - ~ - _, - - - -- - .

~ ~ ~ - . . . ' ,, I J - - . . I . - . li t.. -- ' r • ........ I -~z_ " girls,_ PRET-TY GIRLS_ Ev-'RY - WHERE.

fJ il. ::>~

~ :>~ A - • - ,,..-.... - - - - - - -- -

V - - - - -- --- -~J • ..... ...__...--6~ "11!'~ -11! 111 b"ll...__..."l:

. b1 11 • qi:f

' A A A A A A A \ - - -C..ltt.•- . - - - . - - - -..... ··- - - - - . • - - - - - - - - - -- - ~ - - .... - - - - ~ ~ - -' - - - - - - - - -..... I I - - - - - ~ - - ---

1. If I make it to the beach_ 2. If I make it to the park_ s. If I make it to the show_ ~.Ev - 'ry road_ I walk_ 5. If I make it to the park_

~ .u C9 l l I. l G G7 -- . ' ' . . - ·- - ~ . ~ -- .... - . I - - - - ~ . . . r -~ - - - - -, I ~ - - -·- ~ ' ..,. . - ~ - - ~ -

I I ( " " -~· ,.. r r I

There's a pret-ty girl there_ You knowtheyknockme off my There's a pret-ty girl there_ A- hot eye - in' in the There's a pret-ty girl there_ Ev- en at the r.o-de -

Ev -'ry street and trail_ Ev- en when_ I A-hot eye-in' in the dark_ And if I rnake it to the

fJ .u li. ~. I ... ' . -- .. ' - - - - - - - -- . -- - - - .... - ~ - - - - -'~ - . - - - , .. - - - - -t) b1": I qr:·" -· u i'-"f'

L..•• -.. - - - - - - - - - - - - - - - - -- ~ ~ - - - ~ -- - - - - - - - - - - - - - - - - - - - - -...: -= ~~ ~- ~ ~ =4" =4 - - - - - - - - - - - ... - - - -... -"'III

132

feet _

dark-o __

sail

11-2-3-4-

WHERE.

Those pret-ty girls And there's a pret-ty girl

They come_ on Mer-maids rid -in' on a

there_ there_

hors-es_ whale_

Ev -en at the ro-de -o __ _

Pret-ty

5 T.

2. If I make it to the WHERE.

3. If I make it to the 4. Ev-'ry road_ I_ 5. If I make it to the

Ev-'RY -

<

c

I

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ROCKIN' PNEUMONIA AND THE BOOGIE WOOGIE FLU Words and Music by John Vincent and Huey P. Smith

Moderately Slow Boogie Blues

- - -- - -· -10 " ,,.,_ ,.,, ,_ - - -- I

'

I want to jump but l'm a - fraid 1'11

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'' • - ''" - " - -- .,, r- - - ,.... ,.... - - - -I -

tJ -hol - ler but the joint's too small.-- Young man's

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l I

- -I - - - - - -..... _. - - ..... - - - -

' - - - " - - - - - - - - - -- - - - - - - -- - J - -I r

133

- - ----I want to

- - --- - ---

-- - --

- -- - - -- -

rhy - thm got a

- -- - - -~ - - --" I

---..... -_. --

- -- -- - ---- -hold on me too. I got the rock-in' pneu - mon - ia and the boo - gie woo - gie flu. Want some

- - -- - - - -- ~ - " -I I V

• I -- -- -

© 1957. 1966 Ace Publishing Co. All Rights Reserved

L I

- -- - ..... -- - -r ---

,......, ' -- -- - - - ---- _. - - - - ~ - - - - - \.

• r r r ~ 91 , • ~ ~ - - - - - ---

134

lov -in', ba -by, that ain't all.--I want to kiss her but she's way too tall.--

G7

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--Young man's rhy -thm got a hold on me too, I got the

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--- I ) . -rock -in' pneu -mon-ia and the boo -gie WOO -gie flu. I want to scream, I want you all to know,-

called me, now l'm hurry -in' home;-

' l ' '

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I would be I know she's

run -nin' but my feet too slow, ___ / leav-ing 'cause l'm tak-in' too long, __ _

135

G7

mm i ' ' - - -... - - - - - - - - - ~ - - - . - - . - - - - - - -- - - - I

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Young man' s rhy - thm got a hold on me too, I got the rock- in' pneu - mon - ia and the

I I L. I ' - - - - - - -- -- - - - - . - - - . - - -' - - - - - - - - - - r~ - - -- - - - - . - - - - - r~ - -J ~ I " I I V r I

a

-" - - a -. ~ - - ~ -- - - -. - -- I - - I

r r D J J woo- gie flu. Ba - by rock- in' pneu - mon-ia and the boo - gie woo-gie flu.

n I I ~ 11 l - -- - - --- - - - . -- - - - - -- - ' . - - - - -- - - - - - - - -" r ~

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G7

j mm - -- - - - - - -- - - - - -- - r J - -

tl r

I got the rock - in' pneu - mon - ia and the

• I I ~ I l - - - - - - - - -I - - - - - - - -· - - - - - - -~ - - - ~ - ~ - - - - - -- - - - -· - - - - - -

•• I I I I I V - - ------ --,. . .. -- - - . -. - ~ - .. - - - -· - -- I - -

G7

m Repeat and fade

- - - - - .., ... - - - - - ... - - - .. I

boo - gie WOO - gie flu. I got the

I I - - - - - - -- - - - - - - - - -· - - - . - - - - ... - ... - ... ~ I - - - . - - - - - - -· - - -I I r r I I I I I V -' ~

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, I

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136

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A QUARTER TO THREE Words and Music by F. Guido, G. Barge, J. Royster

3' Moderately Fast (J.i=ø .i"')

Eb

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Don 't you know that I danced, I danced 'till

-

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(Solo til/ Bridge --------------'\ I

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, V

--

© 1961 Rockmosters, Ine. All Rights Reserved

.... - --

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quar -ter to three-with the

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-· - -- -li

137

no - bo-dy could and I was danc - in' all ov - er the room. Oh, don't you know the

peo - ple were danc-in' like they were mad, it was the swing - in' - est

ev - er had; it was the swing - in' -est song_that could ev - er be,

night with Bad - dy "G.' 1 __ Let me tell you now,

- - - - - - - - - - - - - - - - - End Solo)

I nev - er had

band they had,

it was a

it so good.-

138

F

') 1.-.. m 'I -'

---,... -,... --- I

" "' '.I ----and take a banå like the

I ~ 1-J _jJ -" ------ I

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Bh

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danced, I danced 'till a quar -ter

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-Church Street Five, __ Oh,

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to U-1-ee with the

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--don't you

--

Gm

~

--help last

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jive __

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know that I

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-- night of

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and they were and I was

139

Blow Dad - dy ! Oh, don't you know the

'l I • - • - -" - - . - - - - ·• - - - .. - - - -. " .. -.

I J

Blow Dad - dy! (No Vocal lst time) Dance, do bee wa - dah,

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Coda ~

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~ " " - - •• • ". " Gm El>

li • "l I • - - - -. - -" - - - ' - - - - - -- - • - • .... - - -- - -

" 4l)

dance, do - bee wah - dah, You can dance, do - bee wah dah,

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I - - - ... .... - -- - - - - - - -.. " - - - - - - - - . . eJ i i -t -t 1 t i -i" i i

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æ Repeot ond fade '1 I - - - -- " - - - - ·-- • .... • • -= - ".

" - - - ··-.". ·-eJ

You can dance, dance, dance.

t\ I -- ~

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\.

140

ROCK & ROLL MUSIC

1

1

Words and Music by Chuck Berry

Witha solid rock ~ ~ .::> ~ .::> >

~l:n\ i : a J J I r J a a I J J J J I ~ li I\ t Re fra in ~ Eb6

~= ~-

----~

' . "" .... li ... -- w w w

-·~

' r r I I I I r ' e.J Just let me hear some of that ROCK AND ROLL_ MU-SIC, An -y ~Id Jay you

ri I . . y " •

e

-.. . -

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f\ I Eb7

~ -. ~ y

- ~ h . c oose it; rh got

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© 1957 Are Music Corp. All Rights Reserved

,_

I '

H's

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-- -.... "*" ... - mp-7/if '--I

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I r r I a back beat, you can't lose_ it,

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Bb7

got -ta be ROCK ROLL MU -SIC,

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t.I r An-y old ime you use_

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--

-I

--

f you wan -na dance with ~

me._

~

B~7 Eb 11.2.3.4. 5. Fine Segue Eb6

you wan -na dance with m'e:--' ....__,,

---....__,, .::> .::> .::>

141

Verse (Tacet) ri I I. ~ I. "' • I

~ - -c -' " .

~- .'----"" i 1. !'ve got no kick a - gainst - mocl - ern Jazz,_

2. I took my lov ed one 0 - ver 'cross the tracks,-3.'Way down - South they gave a ju - bi - lee, __

, 4. Don't ca re to hear 'em play a tan - go, __

li I I

~

" A - - ' > I

f.) - • • • .... ..... ..... ~ ~'--"4 ...__...... A .

I . ~ ~ it ...,;- - -

li I l l l i l E:. . - . - - ~ - --

f.J Un - less they try to play it too- -darn fast;-So she can hear my man a - wail a sax;_

The joke - y folks ihey had a jam bo - ree;_ I'm 1n the mood to hear a mam bo; __

l"i I l I ~

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. . • .... ~

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ri I l Fm -- ... I. I

' . ~ -

' I . ' And change the b~au ty ~1

. ~el dy,~ - the - 0 -

I must ad - mit they have a rock - in' band,_ They're drink - in' home - brew fro1n a wa - ter cup, __

It's ,

too ly for way ear - a con - go, __

I ri I ' I I I I

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l'i B~7

~ ~ EP (Tacet) o.s. ~efrain ~

I • l - k -~ - - -,, ~ r r ~

t) ! • r ph1 r_ I • Un- til theysound just like a sym-p o - ny._ That's why I go for that_ l Man, they were go - in' like a hur - ri - can'. _ That's why I go ror that_

The folks- danc - in' got - all shook up._ And start - ed play- in' that_ So keep rock -

. , that pi So I can hear sorne of that a - lll - an - o._

l"i I I ~ I ~ " k - -.

~ - ~ - - ~ - - -~

.._ - I

~ .l>. 8. Ref rain

I .. - -- - -7t- ~ .... ... - - ~

142

ROLL OVER, BEETHOVEN Words and Music by Chuck Berry

t

\ ~ ~

Moderately bright shuffle A

li -.. - ~

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TI 0

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-~ - --------- 41! " -" --:1ij • :4j -=4ii " :4j -=4ii • =4ii "~ . ~ -=4ii -:4j f... ...

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© 1956 Are Music Corp. All Rights Reserved

:4j

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--

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---

A D

(Opt. 8va)

• mm • -· ------------- -. -~

I'rn gon-na write a lit -tle let-ter, gon-na rnail it to rny lo-cal D. J ,_

.. . -' --~

---- ~ . ~ ~· " :;i. " ~ " :;i. • :4j • :4j . ~ " :4j

--

D

mm l

--

----------- ------ It's a rock -in' lit -tle rec-ord I want_

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fim

juke

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box

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my jock - ey to play;

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m -., -- - - ---- - - :..J --

roll 0 - ver, Bee

---- -~

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fe

blow-in' a

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-- :.;;r - --J - -- tho -ven, got-ta

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., -- - -- .._.,,-Well, my_

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æm -- --

hear it

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tem-p'ra-ture's ris -

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143

-" ~

- . - . to - day.

- -•

-- --in', the

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-"

well, my heart's_

I\ ~ +t I - . " -" - -- - - - -" ·- - - - -@) ~ -

roll 0 - ver Bee -I\ .il ~ • - '

I ll - - " -" - - -" -u ~ " "

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roll 0 - ver Bee -

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O.J - - -roll 0 - ver Bee -

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j - H -: - - -" - • -. .... 4!! " ~ -

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æm - -

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Roll

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+ +

145

-

" • . . ~ -- -- -" "

- -- -- "-

-

" " - -- --",.. -..... " "

- .

... ... - - - -- -- -

- - -- -

....... I -- -~ - - - -·--r 0 - ver Bee -

- - - - - -- - - - - -

+ + + + " +

'

~

SCHOOL IS OUT Written and Composed by Gene Barge and Frank Guida

Moderately

' I .. .. . w ." -· .. - -

' ~ • • No more books and stud -

' I .. - . -· - - -· ~ " • • " -

. -- I li

. - . -· _, - -· V - - -•• •

Bb

' I li

-· - - - - - -w - - - - -I I'

bud - dies __ now I can do

I I • I - -- -· - - - - ~

r -~. - - - --.. - - . -· r - -". .._,

" F7

æm

all my ex - ams are through __

© 1961 Rockmosters Ine. All Rights Reserved

~

-ies,-- I can

. - - - ---- - -

' - -- -•

F7

li -- - -

the things I

I I I - -~ -· -- - --. - " - -· -

I can

r r

149

- - -- ~ ~ - -I I -

stay out la te with my

J I -- - - -- - - - -- - - --

. -· -.... ... . Bb Eb

e æm - - -~ -- -I r

want to do 'cause

I • - - -- - --- - - -.

-· -- - - •

root for the Yan - kees from the

150 E~

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---· --· ---· ----

~.

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blea -chers __ and I don't have to wor -ry 'bout tea -chers ___

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·-· • • --•

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B~

il F7

li

l'm so glad that school is out---I could sing and__ shout,-

-- Edirn F7

a mm School Is Out! Sche1ol Is

B~ Edirn F7

e mi æm

Out! School Is Out!

151 Bb

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School Is Out!

' I I I

- - - - -. - -~- - - - -- - - -tl _" ~ - " " ;f"I• " " ·~ ~·

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Eb

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School is out at last and l'm so glad I

\ I I I

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. ~-. - . ~ - ~ -· -. ~ - - -~- ~) •• • ~- ~) • ..... ....,

Bb

il

passed ____ _ so ev - 'ry - bod - y come and go with me _ we're gon - na

11. Bb 11

2• Bb

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,. ,. - - - - ... -· - ,. . - - - ... ~ -- - - - ,. ,. I I

have a night with dad - dy "G"! "G"!

I I I I . I - - - ; -· -- ._, - -- - - - -

I ~ ~ ~ ~ " - " ~ 711 ... W<

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- . :. - ~ . - -. - - -". • ~ • ~ • - " ~

I

152

SEE YOU LA TER, ALLIGATOR Words and Music by Robert Guidry

Medium shuffle

C6

Verse li ~

-I a:IIIl

-- ---" - --..... .....

-.. -' ----

-~

I) V --1. Well, I saw my ba -by walk-ing,

(2. When I thought of what she told she) (3. She said, "I'm sor -ry, pret -ty) dad -dy, 4. I said,"Wait a min -ute,) 'ga -tor,

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4 I "----day,_ head,_ you,'_'_ play,'_'_

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. --· , ...J -

© 1955 Are Music Corp. All Rights Reserved

-

f

-

. . - J

-

• ' ~ I

' -. - -.... -- .

-Well I saw my __ When I thought of She said, "I'm sor -ry, --I said, "Wait a

I

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--

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---

. . . -

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- V __ With an --Near -ly You know my

I know you

-~

-- --

'

--

--- ba -by

what she pret -ty, min -ute,

---I

~

I

--- -.... - -oth -er man to -

made me lose my love is just for meant it just for

I

--- -.... -

..... J

li r---1

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walk-ing, told me, dad -dy, 'ga -tor,

r--. --. ---· - ~

-· - V

1:: ~ --

' - -- -

With an - oth - er N ear - ly made me

You know my love is I know you meant it

mat - ter, saw her, give me, hurt me,

Refrain (I'acet)

man lo se just just

to my for for

day._ head._ you._ play._

_ This is what I heard Re - mind-ed her of what

And say your love for me And this is what I have

See You Lat - er, Al - li ga - tor,

her she is to

When I asked But the next

Won't you say Don 't you know

her what's time that that you'll

you real -

say. said.

true." say.

(To Refrain) (To Refrain) (Segue to 4th Verse) (To Refrain)

153

the I for -ly

Aft - er 'while, __ croc - o -

154

~ --tzr ~~~ 1 -I l E I r

i dile; --See You Lat -er,

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Aft -er 'while, __ croc -o -dile, __

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way, now, Don't you know you

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~ ) I 1'411 --·- -··-". --..... -... " . ~

-- I I" - 2. _ When I thought of what she style? . 3. She said, "l'm sor -ry, pret -ty

... 4. --I said ,"Wait a min -ute, \ I

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Can't you see you're in my

-I

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I

-----

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cramp my style?

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155

(SHE'S) SOME KIND OF WONDERFUL Words and Music by John Ellison

~=t= , ;;g;F~f ~ r J7t== [ ._ F c: :150- ._ r :d -I

I got ev - 'ry - thing_ that a man could want._ I got

Ooh when my-- ba - by kiss - es me- my

' I. 1 ;;. r r--. fJ 1! bf" {] c· ... [ fl I

._ e ~ ! " - g • li "t. ;J d t.

more than I could ask for._ I don't have to

heart be -comes filled with de - si - re;- whe11 she wraps her lov- in' arms a-

~ I 0 IJ . ~ ,_ . . " .....

t. I

~. -·· -· -I

" -='-" "

_, -.... ... -

run a - round. round me,

© 1967 Dandelion Music Company All Rights Reserved

-, •

---

I don 't a - bout

-·

-·

---

---

have to stay drives me ~ .

". -· . ...

_._.

~ i,". r. . . - -. -. - ~

r -· - ~ - .. - I

- - -· -- - - ~ -.... -· - . --- - ~ ~ - -' -· --#- - ......

out - all night1 'cause I got me a out of my mind.

1

I

156

sweet, Yeah,

}

a sweet when my ba

lov -in' wom -an by kiss -es me,

and she knows ~ just how to treat me right._ chills --run up and down my spine._

Well my ba bY,-she's al -right._ Well my ba-

-~ " et -f +;:::-m;--.-:-. III -[JJ=rt e ! 11 ~·=-;-~ F ~ I

by's clean out of sight. Don't you know that she's, she 's some kind of

,..--:; : . --=J----r-=---ti: I --t· ~ •~•• :E----n. ~ i""----,.=i ' ----,, ~---~-=~=:-3-;rq:~-=±=b ~-

A~7 Eb Ab7

• III .li ti ~~,, Fi g• t ~-=::====te-----r--1--t---f=---F-=±E-1=!=--~!c· 1 -1=~

won -der -ful ; She 's some kind of won-der-ful, yes she is,

I Ill.. ~ " -l--~----11'-I l.

157

11 ·

she is. She 's some kind of won der-ful yeah, yeah,yeah, yeah. When I

Now is there an - y - bod - y --- got a sweet lit-tle .vom-an like mine.

11 ·

There got to be some - Yoah talk- in' , talk- in' 1 bout my Ba - by, she's some kind of

won - der- ful, talk - in' 'bout my ba - by, she's some kind of won-der-ful, talk - in' 1 bout my

Re/Nflt and fade

158

".I

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.

SILHOUETTES Words and Music by Frank C. Slay Jr. and Bob Crewe

Slow beat tempo

3

F

li i ---

- --~

-· -· - -· ---To ok a walk and passed your

~

' - • "

~

-· -· - -· ---

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-- --F

li i ii I '

--· -· -......

-- --· ----

night, All the shades were pulled and drawn 'way down

I ~

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...... ---- -· -· ----- • -

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i i 8

F

li . -..... -

_,

-----'·

-- - cast two sil -hou -ettes on the shade,

3 " ....

-'• ---- -----· -- -

-I

-- -- ~

- -I -© 1957 Regent Music Corporation All Rights Reserved

i i . I

_, -- ~

house la te last

' I

---- --"

-' " -c-

- --~

F

li i -... -· . - --· -tight; From with -in a dim light

--· ~· - --· ---

---- -- " ...

i ---- !J -". Oh wliat a love -ly

•

--..... - 3 -. ••

-_, - -- ....

159

i F

li i "' I

" ~ -" - -· -~ ..... ..... - - -u - - - ..._ - -· - -1u

ple they made. Put 1 his ~ a - round cou - her arms your

-r>- " " - ~ ..,

' - " . . - ~ - ... -· -· -" - - - -· - -11) • -

• I • : . -·· ~ -'

I .... - -. -\ Gm- I " Gm Dm F

li ~ I ' ' - . -V - - - - -· -· - ~ - -" - - . - -l I

waist, held you tight, Kiss - es I could al - most taste in the

~ I I I I ~ -V - - - - -· -· - - - -,..., - - - . - - - - -!) " - " -

• I • - • • ..... ~ -- - - - -I .... - - ,.. - -, -V - .... -- -

" I -Dm F

li i '\ -· -....

" - -· -· - . - ~ -'" - -· - - - - - - - ~- -11 a -night, Won - dered why I'm not the 1 fiJ l whose sil - hou - ette's on the

3 • ' , - -. ..., .... -- -· -· - . - -u - -· - - - - - - - -· -I) -

I

I - ... I ... . - ---. - ,_ -I' - - - -\ . - -'

" I ... - I

Dm F

li i iil F

li ,.. - . - ,_ • -u ~ - -' " - ..... -· ~. -,," - - - - - - - - - -tJ 3 - ".

shade I could - n't hide the te ars in my eyes. Ah,

~ !l - 3 - ... L .

~ - ~ ..... -· -". - - - - - ~ - - - -· - - -tJ - ". - ".-I - - - ' I . - - ... ' --·· -· ... - -, - - - - -V - ~ -• ..,, - • .,,

160

iimli

G

li i G

li i ~ ~ ---- -.....

" ----· ..... . .......

----· -" ----· ---· - ' . . ----

• I I

Lost con -trol, and rang you r bell, I was sore, "Let me in, or el se I'll

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--.... ... ..... -' ... . - . I ...... ---· -.. -~

--· ---· ~

------- q} -• • ... • ·--·-- --· -----

~

-,_

--·- ---- -... -I -" --

Arn 07

•• li • m • " ~ I

--= ' .... ~

---· - " ---· ----· -· ----- ---- J I I ,., iJ beat down your door." When two stran-gers, whohad been two sil -hou -ettes on the

" ~ ' I I -

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--· --..... -· --· ----- ~

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li i i i G

li i I'\ ~ 3 --

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• -· - . ---..... -

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--:::r

-· - -----· --- '!} -' shade said to my shock, "You' re on the wrong block': Rushed down to your house with

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J

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161

~'\ ~ I I - - I - -. - - - -· - -'~ - - - -· - - - -· - - ~

" - -.., I I I I wings on my feet, Lo ved you like !'ve nev - er loved you my

I '\ JJ. I I - - I I I - --,

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sweet, Vowedthatyou and I would be two sil-hou-ettes on the shade All of our days, two

8 3 '\ JJ. - - - ~ -- ~ . - -- ...... - - -· - -· - - - ... - - - - ..... - - - -· - - - -· -tJ -

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sil - hou-ettes on the shade.

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fade out repeat ad lib.

For repeat fine

ft"' 1'11 I

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162 SIXTEEN CANDLES Words and Music by Luther Dixon and Allyson R. Khent

Slowly

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-. --. . ------ •I I -....____--.e, " --SIX-TEEN CAN-DLES -----make a love -ly signt .--But not as

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--as your tiyes to -night. _______ _ Blow out the

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li : . e-_ ... --true For l'll be

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teen- age queen. I -~ - - ---- -- ... ....

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pret- tt - est, tcive - li - est girl l've ev - er se en. - ,....._ - - - -- - - - - -- - . r.

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CAN- DLES __ _ in my heart will e- -glow-----· for ev-er and

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164

SOMETHING YOU GOT Words and Music by Chris Kenner

Slow Rock

.....=.; makes me work_all

© 1961. 1965 Thursday Music Corp. All Rights Reserved

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In day.

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SOME-THING YOU

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SOME-THING YOU

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SOME-THING YOU GOT ba-by,_ You ought to

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Oh, oh,_ I love it so,_ SOME-THING YOU

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keeps me hap-py at home,

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THE WAH - WATUSI Words and Music by Kai Mann and Dave Appell

Moderately

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Wah __ _ Wah

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C' -mon and take a chance

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© 1962 Kalmann Music, Ine. & Lowe Music Publishing Corp. This arrangement © 1980 Kalmann Music. Ine. & Lowe Music Publishing Corp. All Rights Reserved

--

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167

tu - si,

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and get - a with this dance. -

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168

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• i Wah Wah -----------

Wah __________ _ Wah _________ _

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• i li i Wah Wah tu -si, Oh, ha -by Wah Wah tu -si, C' -mon and Wah Wah tu -si, Oh, ha -by Wah Wah tu -si, Oh, ha -by

• i li i it's the dance ____ _ made-a for ro -mance.

tak.e a chance ___ _ and get -a with this dance. it's the dance ____ _ made-a for ro mance. it's the dance ____ _ made-a for ro -mance.

~

4th time D.S. and Fade G

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Ba -by, ba - by when y' do the twist,_ Ba - by, ba - by when you do the fly,_ Ba - by, ha - by that 's the way it goes, _

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Nev-er, nev - er do you get your - self kissed,_ 'Cause you're al-ways danc-in' Y our arms are wast-in' wa v - in' m the sky, __ 'C - mon and hold me like a

Noth-in' hap-pens when you mashed po - ta - toes, __ I just got - ta fall m

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far a - part,_ Wah - tu - SI girl IS - a real - ly smart. - Wah-lov - er should, _ Wah - tu - SI makes you feel so good.~ Wah-

love with you,_ Wah - tu - SI IS the dance to do. -- Wah-

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170

SUSIE -Q Words and Music by Dale Hawkins. S. J. Lewis and E. Broadwater

With a good beat

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172 TELL IT LIKE IT IS Words and Music by George Davis and Gm

Slow four Lee Diamond dm

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Arn

© 1966. 1967 Olrap Publishing Co" Ine. All Rights Reserved

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174 TWILIGHT TIME Words and Music by Buck Ram and Morty Nevins and Al Nevins

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m my dear, at Twi-lighl Time. ___ _

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TRO © Copyright 1944 and renewed 1972 DEVON MUSIC. INC., New York, N.Y. International Copyright Secured Made in U.S.A. All Rights Reserved lncluding Public Performance For Profit Used By Permission

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• in lhe af -ler-glow of day ___ _ We

175

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llfæmtd keep our re .... dez-vous __ be-neath. _ theblue. _ Here in the sweet and same old way __

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- gain __ as J __ did then. __ Deep in the dark yow· kiss will thrill me

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like days of old, ___ _ Light-ing the spark of love that tilis me with drC'a ms un-told. __

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li at last at Twi-li~ht Tinw. __ _

176

c

WHAT'S A MATTER, BABY (IS IT HURTIN YOU?)

Words and Music by Clye Otis and Joy Byers

~,-f ' " ' I ' ' ' I ' 1 • I I = li

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1. I know the.reas-on 2. I know you to.und out

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. youve been cry-i;;g-:::_

she's been cheat-ing_ ~

I And I

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she she e-ven heard__ _ ---........

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07 Dm7 07 C

How does it feel __ _

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© 1962 Eden Music Corp. All Rights Reserved

Dm7 07 c~

.._.... '--' -.....:_.~...:._____.... WHAT'S A MAT-TER,BA-BY_ is it_ hurt-ing you ? _____ _ WHAT'S A MAT-TER,BA-BY-is it-hurt-ing you? _____ _

f f

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Re-mem-ber -----when I need-ed you __ so bad?-Re-

177

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........_............._..... whatyouhadto •ay? YoutoJdme to go_

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find a.Ji-o.ther 1hould-er to Then you laughed, _ you laughed and you walked a -

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...._ sor-ry_ but I've got •omebod-y new; ----- And my hurt-ing is just a-bout

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it• ju•tstart-ing for

178

WHISPERING BELLS Words and Music by F. Lowry and C. E. Quick

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WHIS -P'RING BELLS,-whis -

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179

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me,) WHIS - P'RING BELLS, - lo ud and clear, -

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Your sweet chimes, _ glad to hear; __ Bring my

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180

WHY DON'T THEY UNDERST AND? Words and Music by Joe Henderson and Jack Fishman

Slowly v1ith a beat

~I " f We WhO "" rmmg '"' know th•lm"':-··· of love.. I We WIW "" yo ""' m koow thi ru~~'"· ofl 0 ve·.

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WHY DONTTHE{UN-DER-STAND? _ Why lead us by the

d& W& (I' 11= s I U-i= i J p?fi:; ____,_ I J~-&J. ti J. ei'I l -·~-,4

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-·· " -- f) -. -..__,-hand? WHY DONTTHEYUN-DER-SfAND?

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Love cartt be ours ·to -day?

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WHYOONT THEY UN-DER-SfAND?_

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© Copyright 1957 Henderson Music Ltd" London, England Tro-Hollis Music. Ine" New York, controls all publication rights for the U.SA and Canada international Copyright Secured Made in U.SA All Rights Reserved lncluding Public Performance For Profit Used By Permission

Fm7

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shar- ingwith you

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the want- ing, the long-ing of

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e- long- ing, and soon, We'!l wan-der hand m hand __

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184 WHY BABY WHY? Words and Music by Luther Dixon and Larry Harrison

m WHY, BA-BY, WHY don't you treat

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me

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like you used ;:::..

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© 1957 Winneton Music Corp. Sole Selling Agent. George Paxton. Ine" Vera Beach. Fia. All Rights Reserved

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If you need love and af-

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tion, I won't do you no

>

I of-fer you my

07 185

m 1'11 be your shield and pro-

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. .

I'll be your slave the

heart

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te ase me?

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. Won't you please

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please me

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WHY, BA-BY, WHY do you

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fair?

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when you know you >

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VES l'M READY Words and Music by Barbara Mason

Slowly, but with a beat

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to the

make

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in you. ____ _ (Are you read - y? __ ) Yes, l'm

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heart skips a beat, 'eause you 're my first cup of cof -fee, my last drop of tea. you. You're So Fine -

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