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In 20th century literature, a kind of fiction has come much to the fore where the narrator discusses his own craft and frequently addresses the reader. However, Laurence Sterneʼs Tristram Shandy may serve as a striking example of the fact that metafiction is no modern phenomenon. Metafiction has been criticized for solipsism and regarded as a final proof of ʼthe novel no longer novelʼ. Discussing works of three contemporary novelists, Nobokov, Barth and Beckett, and Sterneʼs eighteenth century novel, the author argues that with their tricks, parodies and humour (humor) the metafictionists are concerned with a central human problem: communication. Should literature entertain, come up with ideas about the meaning of existence or give the reader a purely aesthetic experience? The four novelists examined in this study give different and rather exciting answers to these questions and to the problem of bringing their intentions across to the reader.
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