Today’s WeaTher Tuesday WednesdayHigH 66° Low 52°Rain: 30%Sunrise: 5:55 a.m. Sunset: 8:52 p.m.

HigH 77° Low 61°Rain: 66%Sunset: 8:53 p.m.

HigH 68° Low 52°Rain: 58%Sunrise: 5:55 a.m. Sunset: 8:53 p.m.

Missed a story in the Daily this summer? Find it on our website using the search bar at the top of any page. www.chqdaily.com

The Chautauquan DailyMalas to talk about voice of mind, body in annual master class, Page 5

The Official Newspaper of Chautauqua Institution | Monday, July 14, 2014Seventy-Five Cents

Volume CXXXVIII, Issue 20www.chqdaily.comChautauqua, New York

religion

A grand openingZigdon Chabad Jewish House officially dedicated Sunday

Page 3

symphony

Man of the match John Chacona review Thursday’s CSo performance with Milanov

Page 9

youth

Tales of MicawberPresident Becker reads to Children’s School students

Page 2

Dance

Evolution of danceCharlotte Ballet’s Janes, Carmazzi to give speciallecture

Page 5

Zainab KandehStaff Writer

As the weeks press on for the young in-strumental virtuosos of the Music School Festival Orchestra, the music steadily grows a bit more difficult — yet the smiles and rep-ertoire of the students grow wider.

Optimism and a thirst to improve reso-nate as strong as the notes ricocheting throughout Elizabeth S. Lenna Hall.

“Every concert is a new challenge but a fun experience,” said violinist Adé Wil-liams. “Our concerts so far have both been

so great and inspiring, and I always know that it’s going to be that way from rehearsals. But then on stage, it’s always a whole different experience and a great experience for every-one.”

At 8:15 p.m. tonight in the Amphitheater, the MSFO will play selections by two English composers and feature a Chau-tauqua alumna: Shuai Wang, the 2013 Sigma Alpha Iota concerto competition winner.

Pieces featured in tonight’s concert in-clude Benjamin Britten’s “The Four Sea In-terludes” from his opera Peter Grimes, con-ducted under the baton of 2014 David Effron Conducting Fellow Earl Lee; Edward Elgar’s “Enigma Variations”; and Mozart’s Piano Concerto No. 19 in F Major, played by Wang. It’s the same piece that helped her triumph in last year’s competition.

MSFO conductor Timothy Muffitt said that this evening’s performance will shed light on every part of the orchestra.

John FordStaff Writer

One of Chautauqua’s closest col-laborators — and one of its biggest fans — will kick off the Week Four examination of “Emerging Citizen-ship: The Egyptian Experience” at 10:45 a.m. today in the Amphitheater.

“Given the similarities in some of our conferences and weekly lec-ture themes, it sometimes feels like Chautauqua and Williamsburg are playing a home-and-home series,” said Colin G. Campbell, presi-dent and CEO of the Colonial Wil-liamsburg Foun-dation. Campbell’s organization has partnered with the Institution to present this week’s programming.

The first goal of the week, Camp-bell said, is to set out the context of American revolutionary democra-cy. This morning, he will examine questions such as how the American Revolution led to the current form of government in the United States, and how deeply Americans are now connected to their government.Campbell said the last three of this week’s morning lectures would be dedicated to a case study of Egypt’s current tumultuous social and po-litical environment. That environ-ment will be examined from three different perspectives.

Quinn KelleyStaff Writer

In the time of the “talking point,” public intellectuals are more essential than ever, accord-ing to Sister Joan Chittister.

Chittister, an author, social analyst and religious leader, will address the role of public intel-lectuals in a just democracy in her Interfaith Lecture at 2 p.m. today in the Hall of Philosophy.

Week Four’s afternoon lecture theme is “The Role of a Citizen in a Just Democracy.”

Chittister’s lecture, titled “The Role and Risk of the Public Intel-lectual in Church and State,” will evaluate the importance and ef-

fects of intel-lectual voices in bringing the concerns of the populace into the public are-na.

“You need voices outside of institutional voices to pro-vide the con-text for issues that are most important to any society at a given time,” Chit-tister said. “Institutional voices provide their positions — we call them, in this country, ‘talk-ing points’ — what they’re pre-pared to talk about, what their

arguments are.”Public intellectuals have the

capacity, she said, to ask not only bold questions but also basic ques-tions so that members of the pub-lic can identify where they stand.

Like any good debater, politi-cians, religious leaders and other institutions have decided the ef-fects, implications and conse-quences of certain actions; the public intellectual asks the ques-tions people need the answers to.

“The basic question goes unan-swered by institutions, and that is, how do the people themselves see the effects of this movement? What are their concerns about this movement?” she said.

will rubinStaff Writer

As the 2014 season enters its middle third of programming, fans of the Logan Chamber Mu-sic Series will be treated to a pair of in-house Chautauquan groups made up of members of the Chau-tauqua Symphony Orchestra.

The first of the two shows will be this afternoon at 4 p.m. inside Elizabeth S. Lenna Hall as the Chautauqua Quartet plays the works of Czech maestro Antonín Dvořák and German virtuoso Ludwig van Beethoven.

The PresidenT’s Medal

James A. Pardo, chairman of the Chautauqua Institution Board of Trustees, will present Colin G. Campbell with the President’s Medal prior to Campbell’s lecture this morning. Pardo replaces Institution President Thomas M. Becker as the presenter.

H. Richard Duhme, first head of the School for Sculptors in Chautauqua, designed the Centennial Medal, as it was originally called, in 1974 to celebrate the Institution’s 100th anniversary. The St. Louis artist designed the piece with one side picturing a series of images representing religion, arts and crafts, music and drama, education, nature and recreation. The reverse side focused on a framed Miller Bell Tower beneath which the dates 1874 to 1974 were printed. This side of the medal was later revised to reflect a more open-themed time frame and renamed the President’s Medal. The medal has been awarded sparingly to honor those who have reflected the Institution’s spirit and purpose and who give back to Chautauqua through their energies and resources.

To Campbell, american revolution a roadmap for egyptians

See campBell, Page 4

Chittister explores role of public intellectual in just democracy

ChiTTisTer

See chittister, Page 4

Chautauqua Quartet marksseason debut, finale in Logan appearance

MsFo’s individual sections featured as 2013 sai winner Wang returns for Mozart

See msFo, Page 4

MATT BURKHARTT | Staff Photographer

Earl Lee, the 2014 David Effron Conducting Fellow, leads the Music School Festival orchestra in its performance of ottorino Respighi’s Fontane di Roma on July 7. Lee will conduct “The Four Sea interludes” from Britten’s Peter Grimes in the 8:15 p.m. concert tonight in the Amphitheater.

WanG

See Quartet, Page 4

A GREAT EXPLORATION

CaMPbell

Page 2 The Chautauquan Daily · www.chqdaily.com Monday, July 14, 2014

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A Chautauqua Property Owners Association (CPOA) initiative to enhance courtesy and awareness among Chautauqua’s pedestrians, bicyclists and motorists.

All mobility types should be AWARE, COURTEOUS and RESPECTFUL

while getting around the grounds.

More information at http://www.cpoa.ws/

Think it. Act it.Encourage it.

Chautauqua Literary and Scientific Circle newsThe CLsC Brown Bag and book review will be held at

12:15 p.m. today in the Alumni Hall Ballroom. The week Four selection is Our Declaration: A Reading of the Declara-tion of Independence in Defense of Equality by Danielle Allen, and will be reviewed by steve Tigner.

A book discussion of Our Declaration will be held at 1 p.m. today at Alumni Hall. Jeff Miller, CLSC activities co-ordinator, will head the discussion. Baldwin leads BTG Lake Walk

Mark Baldwin, director of education at the Roger Tory Peterson Institute, will lead the Bird, Tree & Garden Club’s Monday Lake walk beginning at 6:30 p.m. today at the covered porch at Heinz Beach, below the YAC. Baldwin’s program is titled “Nature Journaling and More.” Partici-pants should bring blank books, drawing and writing ma-terials of choice. CLSC Alumni Association news

The Banner Committee is pleased to host an open house from 2:30 to 4 p.m. today in the banner room at Oliver Ar-chives Center. Use the back entry off the South Lot.

The CLsC Class of 2009 will hold a social from 4:30 to 5:30 p.m. wednesday at the Lutheran House. Please call 716-357-2135 for details and to RsVP.

The CLsC Class of 2006 will convene at 9 a.m. Tuesday for a meet and greet on the porch of Alumni Hall. Coffee, tea and muffins will be provided.

The CLsC Class of 2001 meets at 9 a.m. Mondays for cof-fee on the porch at Alumni Hall.Knitting4Peace

Knitting4Peace will meet from 12:15 to 1:15 p.m. in the Hall of Missions’ classroom. Learn how you can craft hope, healing and peace. For more information call 303-918-4617.Chautauqua Women’s Club news

The women’s Club hosts social time with the Friend-ship Group at 6:30 p.m. today on the porch.

Duplicate Bridge sessions take place at the women’s Club house beginning 1 p.m. Tuesdays. All levels wel-come. If you need a partner, come early, and we will do our best to pair you with a player. Fee collected at the door.

Join host Georgia Court on wednesday for an enjoyable evening of dining featuring Vicki McGraw from elegant ed-ible. Reservations are taken at 716-357-4961. $40 per person.

“Girl’s Morning Out” takes place 9:15 a.m. to 10:45 a.m. wednesdays on the women’s Club house porch. Meet new people, reconnect with friends and meet other moms with kids. Coffee and lemonade served. Non-members welcome.Keyser sells lemon tarts

At noon every Monday of the season immediately fol-lowing the lecture, Herb Keyser will be selling his famed lemon tarts at his location near the Amphitheater and ad-jacent to the kiosk. He also plans to deliver lemon tarts, chocolate surprises and summer pudding anywhere on the grounds any day of the week. Keyser will take orders for the treats at his cart and any weekday at 716-357-6404 or 716-357-3449.Chautauqua Tennis Center news

Tennis players are invited to join a doubles round robin weekdays from 7 to 9 a.m. at the Tennis Center. sign up is each prior evening at 4:50 p.m. near the Farmers Market at the tennis “lottery.” All levels, men and women. For more information, call the Tennis Center at 716-357-6276.

From 8 a.m. to 12 p.m on saturday, the Tennis Center will host the annual Chautauqua Team Tennis. entries are lim-ited to 32 players, and the deadline for entry is Thursday. sign up at the Tennis Center or call 716-357-6276 for details. ECOC Brown Bag

The eCOC will hold a Brown Bag lecture at 12:15 p.m. today at the UCC Chapel to discuss the civil rights move-ment. David Lollis will make his statement on these times, telling real-life stories of his experience in the early 1960s.Opera Guild News

The Opera Guild will sponsor “Alice and Alex in Op-eraland” at 10:15 p.m. Tuesday in elizabeth s. Lenna Hall. This event features the Opera Company’s Young Artists.

news from around the grounds

Briefly

Mark Opreastaff writer

Some had butterflies painted on their faces, oth-ers had disguises akin to a Chautauquan bat. One child was Charlie Chaplin — with-out the iconic bowler cap.

At 9 a.m. last Thursday at the Children’s school, the group of 5s, who were wear-ing their “incognito faces” and donning code names, were also visited by a very special guest.

when one child heard it was the president who was going to be reading a story, he lept up in excitement.

“George washington?” he said.

“No,” the teachers said in unison. “It’s President Beck-er, the president of Chautau-qua.”

Tom Becker, who sported a moose-tracks ice cream cone on his right cheek, brought along a copy of John Lith-gow’s best-selling Micawber to read to the children. The 5s, sitting criss-cross apple-sauce, listened attentively to Becker as he spoke of the ar-tistic accomplishments of the eponymous squirrel, who eventually gets his own mu-seum: Micawber’s Museum of Art.

Lithgow’s book allows kids new ways to visualize the colorful world around them, with the “gleamy” eyes of an artist like Micawber.

Becker ended his reading with a hint for the 5s.

“Now, make sure you’re looking outside for squir-rels with paint on their tail,” he said to the kids, who re-sponded with: “Yes, Presi-dent Becker.”

Teachers Carissa savage and John Denton, both with their own facial disguises, helped the kids in thanking Becker for taking his time for a reading.

Denton, a teacher at Chil-dren’s school, can often be seen and heard in the play-ground making dinosaur noises with two or three kids tugging on the end of his

T-shirt. He’s been teaching at the school since 2005 and said that he loves the effort-lessness it takes to delight and wow children.

“Kids love things that are incredibly simple,” he said. “especially when a big man in a jacket with an ice cream cone painted on his face walks in to the school.”

After Becker left, sav-

age, with a curly mustache painted above her lips, con-tinued the week’s theme of “I spy” by introducing the 5s to words key to future double agents, as to prepare them for the culmination of their training: a “secret” trip to the beach, which rightfully ended a week full of mystery and imagination.

President Becker regales Children’s School students with tales of Micawber the squirrel

Matt Burkhartt | Staff Photographer

Tom Becker, president of Chautauqua Institution, reads the book Micawber to children from the 5s group at Children’s School Thursday.

Matt Burkhartt | Staff Photographer

Just like the 5s, Becker sported some face paint to celebrate the week’s “I Spy” theme.

Kids love things that are incredibly simple. especially when a big man in a jacket with an ice cream cone pained on his face walks into the school.”

—JOHN DENTONChildren’s School teacher

AreA InformAtIon Information about nearby attractions outside the Chautauqua Institution grounds is available at the main gate welcome Center and Visitors Center. the Chautau qua County Visitors’ Bureau is located at the main gate welcome Center (www.tourchautauqua.com or 716-357-4569 or 1-800-242-4569).

» on the grounds

Deborah TrefTsStaff Writer

According to Denise Fugo, who has coached numerous CEOs through the challenges of nurturing successful organizations and promoting job creation based on her experience in the restaurant industry, a family business means business.

“It takes a community to support a business,” she said.

At 1 p.m. today at the Women’s Club house, Fugo, who has raised three daughters, will speak about “Family, Food and Finance: One Woman’s Journey,” as part of the Chautauqua Professional Women’s Net-work series.

“I will be talking about women and families run-ning lasting businesses and creating jobs,” said Fugo.

For 20 years, Fugo co-owned Sammy’s in the Flats, an iconic Cleveland restaurant overlooking the Cuyahoga River, with her former husband. Sammy’s received the Distinguished Restaurants of North America Award and the Wine Spectator’s Award of Excellence.

Upon deciding to focus on their growing cater-ing business, they closed their public restaurant in 2000 and began specializ-ing in banquet, concession and restaurant manage-ment. Using the Flats loca-tion as their headquarters, City Life — better known as Sammy’s — became a caterer at several Cleve-land and northeast Ohio

cultural, corporate and academic venues until its closure in August 2013.

Fugo, a graduate of Ohio University and the Uni-versity of Chicago’s Booth School of Business, had been Sammy’s chairperson and CEO since its inception in 1980. Sammy’s won four Connector’s Choice awards for catering between 2008 and 2011.

A member of the Na-tional Restaurant Asso-ciation since 1991, Fugo chaired the NRA in 2000. Thirteen years later, she served as the chair of the board of trustees of the NRA’s Educational Foun-dation.

During her talk, Fugo said she will also discuss several things that devel-oping CEOs need to pay attention to, including transition planning and red flags.

“Starting a business is one thing,” she said. “Keeping it running and selling it to the next owner who will care for it as much as you do is another.”

Monday, July 14, 2014 The Chautauquan Daily · www.chqdaily.com Page 3

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fugo

Children’s School to have constructive week

A shop dedicated to the principles of fair trade:

Open from 9 to 5 daily during the Chautauqua Season

• Creating Opportunities for Economically Disadvantaged Producers

• Transparency and Accountability• Payment of a Fair Price• Ensuring no Child Labor and Forced Labor• Commitment to Non-Discrimination, Gender Equity and

Freedom of Association• Ensuring Good Working Conditions• Respect for the Environment

Located down the steps on the west side of the Colonnade at the corner of Ames and Pratt

We carry a wonderful selection of beautiful and useful products from companies such as Ten Thousand Villages and Minga Fair Trade. Come relax in our shop and browse our offerings from all over the world. We carry sculptures, baskets, scarves, soaps, musical instruments, wall hangings and so much more.

mark opreaStaff Writer

With its theme of “Con-struction,” Week Four at the Children’s School promises to make builders out of kids and helpers out of their par-ents.

The 3s will be starting small, crafting popsicle stick houses, painting com-mercial trucks and work-ing with egg carton mate-rial handed to them by their teacher “contractors.” They

will, as young drafters, be using tracing tools to design and eventually construct temple block buildings and, throughout all their work, find time to welcome the op-era on Wednesday.

The 4s, using marshmal-lows and spaghetti, will build what seems to be the yummiest city this side of the Institution. In the same vein as the 3s project, the 4’s will also be eco-friendly, re-cycling artists, using reused material to paint on their

construction-paper canvas-es. For literary inspiration, they will be reading Curious George and the Dump Truck as well as Little Digger.

Building with “every-thing” in the house, the 5s will be educated on how to be all-around constructors, using the whole lot of the play room. After readings from Christina Katerina & the Box, the 5’s will be tak-ing their devising skills out-doors for sandcastle building comparable to that on the

beaches of North Carolina. Also learning how to “build with nature,” the children will be, by the end of Week Four, ready to assist in any contracting job.

Along with construction week, the Children’s School with be having a parents-friendly open house on Thursday, in which they can join their kids in the daily ac-tivities.

Taking part in the con-struction is, however, up to them.

Fugo to focus on family, food and finance in talk

MATT BURKHARTT | Staff Photographer

At top, Rabbi Zalman Vilenkin, leader of Chautauqua’s Chabad Lubavitch community, speaks inside the Zigdon Chabad Jewish House during the ceremony marking the house’s grand opening and dedication Sunday. Above, the Rev. Robert M. Franklin, director of the Department of Religion, speaks during the dedication. At right, children cut the ceremonial ribbon, officially opening the Zigdon Chabad Jewish House.

grand opening

Gordon S. Wood, a fre-quent participant at Wil-liamsburg gatherings, will pursue this examination of the history of the American Revolution tomorrow morn-ing. Egypt’s experience over the past several years will be examined in the following days.

Campbell said the last three of this week’s morning lectures would be dedicated to a case study of Egypt’s current tumultuous social and political environment. That environment will be ex-amined from three different perspectives.

“There has been an evo-lution in Egypt during the past two years,” Campbell said. “When the long-term Mubarak regime was over-thrown and the Muslim Brotherhood won power in an election, change was ob-vious. But that change was not managed well. The cur-

rent military government’s displacement of the Muslim Brotherhood had wide po-litical acceptance when it oc-curred.”

Campbell believes two ex-treme governmental forms have been tested in Egypt over the past couple of years, revealing flaws in each.

“The search for an accept-able middle ground may take a long time,” he said.

In the United States, reach-ing that “middle ground” took almost two centuries, Campbell said.

“I’d say we probably weren’t able to truly achieve that middle ground until the passage of landmark civil rights legislation during the 1960s,” he said.

The organizational ap-proach to this week’s lectures springs from a fundamental Williamsburg approach to how history informs the citi-zenship agenda, Campbell said.

“In Williamsburg, we val-ue seeing together the past, present and future to try to

understand the course and significance of events,” he said. “For us, history has a crucial, contemporary rel-evance.”

Campbell has led the Co-lonial Williamsburg Founda-tion for 14 years, and his col-laboration with Chautauqua President Thomas M. Becker has led to a growing partner-ship between their two orga-nizations.

Campbell explained that there has been a growing number of synergistic proj-ects involving Chautauqua and Williamsburg in recent years. He said this week’s focus on global citizenship grew out of a conference

at Williamsburg about 15 months ago, where a number of key Egyptian political and religious figures — including representatives of the Mus-lim Brotherhood — gath-ered to try to make sense of a chaotic situation at home. Becker and Sherra Babcock, vice president and Emily and Richard Smucker Chair for Education, were also in attendance at the Williams-burg conference.

“Our Egyptian guests told us such a gathering would not have been possible in Egypt at that time,” Camp-bell said.

Campbell first spoke from the Amphitheater podium eight years ago and has been back for several visits since then.

“My collaboration with President Becker has grown stronger over the years,” Campbell said.

He said the degree and passion of public participa-tion in events in Chautauqua is “amazing and inspiring,” and he is excited to be re-turning to the Amphitheater podium. When he takes the stage today, Campbell will be awarded the prestigious Chautauqua President’s Med-al. It will be the first award-ing of the medal since 2009.

Page 4 The Chautauquan Daily · www.chqdaily.com Monday, July 14, 2014

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The Chautauquan DailyCelebrating 138 Years of Continuous Publication

www.chqdaily.com

Editorial Staff

Jordan Steves Editor Sara Toth Assistant Editor Drew Olkowski Office Manager Josh Beal Copy Editor Jess Miller Copy Editor Karly Buntich Visual arts, bookstore, library George Cooper Archives John Ford Features Lori Humphreys Features Kelsey Husnick Religion: Interfaith Lectures, Mystic Heart, Abrahamic Program for Young Adults Zainab Kandeh School of Music, CLSC Young Readers Mike Kasarda Recreation, Boys’ and Girls’ Club Quinn Kelley Religion: Interfaith Lecture previews, Sacred Song Services, choir, organs Allison Levitsky Morning lectures 2014 Ernest Cawcroft Journalism Fellow Cortney Linnecke Dance, Institution administration, board of trustees, property owners association Zachary Lloyd Environmental issues, Bird, Tree & Garden Club Emma Foehringer Merchant Theater, Family Entertainment Series Mark Oprea Opera, Children’s School Ryan Pait Literary arts Carson Quirós Development, special programs Will Rubin Symphony, Logan Chamber Music Series, Pier Club Deborah Trefts Chautauqua Women’s Club, Contemporary Issues Forum Mary Lee Talbot Religion: Morning Worship Meg Viehe Interfaith News John Warren Writing coach, columnist Matt Burkhartt Photographer Rachael Le Goubin Photographer Amanda Mainguy Photographer Kreable Young Photographer

dESign & MultiMEdia Staff

Raymond Downey Production Manager Kelsey Bell Design Editor Arshie Chevalwala Design Editor Carley Hull Web Editor Yi-Chin Lee Multimedia Editor Kelsie Netzer Design Editor Sarah Rocco Design Editor

BuSinESS offiCE

Stacy Hathaway Advertising Manager Remy Steinhilber Advertising Assistant Mac McShane Business Office Manager Max Bernard Circulation Manager Erin Potts Business Office Associate

Business telephone 716-357-6235 Advertising telephone 716-357-6206Circulation telephone 716-357-6235Fax number 716-357-9694Editorial telephone 716-357-6205Email address daily@ciweb.org

Published by Chautauqua Institution, P.O. Box 1095, Chautauqua, N.Y. 14722, daily, Monday through Saturday, for a period of nine weeks, June 21 through August 23, 2014. The Institution is a not-for-profit organization, incorporated and chartered under the laws of the state of New York.

Entered at periodical rate, July 11, 1907, at the post office at Chautauqua, N.Y., under the act of 1870: ISSN 0746-0414.

55 issues; home delivery by carrier, $46.50; mail, $65.Postal regulations require that mail subscriptions be paid in advance.

Chautauqua Institution is a non-profit organization, dependent upon your gifts to fulfill its mission. Gate tickets and other revenue

cover only a portion of the cost of your Chautauqua experience.

CHITTISTERfrom page 1

CAMPBELLfrom page 1

We value seeing together the past, present and future to try to understand the course and significance of events. For us, history has a crucial, contemporary relevance.”

—COLIN G. CAMPBELLPresident and CEO,

Colonial Williamsburg Foundation

MSfOfrom page 1

QUARTETfrom page 1

The quartet has existed within Chautauqua Insti-tution for more than 70 years and is usually made up of the principal players from each string section of the CSO.

This year’s group is composed of 20-year vet-eran violinist Vahn Arm-strong, principal second violinist Diane Bruce, vio-list Eva Stern and acting principal cellist Jolyon Pe-gis.

Today’s concert will be the first and last time that the quartet performs this summer. Armstrong, the unanimously appointed voice of the group, ex-plained that their CSO schedule makes it nearly impossible to consider more than the single show.

“We used to play twice in the summer, but it was just a killer,” he said. “It’s a little bit like Brigadoon, except instead of every 100 years we play every 12 months.”

When it comes to select-ing their annual concert program, the four sim-ply email back and forth, discussing their favorite scores and, eventually, reaching a consensus.

Generally, Armstrong said, the group tries to play some music each year that sits off the radar of the av-erage attendee. He revels in people approaching af-ter the show to say, “I’ve never heard that before in

my life, where on earth did you find it?”

This year though, Arm-strong said, the quartet is going “right down the mid-dle” of the chamber music highway with Dvořák’s String Quartet in E Flat Major and the fifth move-ment of Beethoven’s Op. 18.

“The interesting thing about it is that both of these composers, they’re both sort of asserting their personality a little bit in these pieces,” Armstrong said. “Dvořák in particular is beginning to move away from the Austrian tradition and asserting his Czech style. He’s not going to be ‘Anton.’ He’s going to be ‘Antonín.’ ”

The theme of musical evolution is continued in Beethoven’s Op. 18, the first six string quartets written by the classical legend.

“Beethoven was fas-cinated by the ‘variation form’ all through his life,” Armstrong said. “This is one of the first examples of him really exploring the depths of that possibility.”

At the end of the day though, the group is fo-cused on making their sole concert a memorable one for everyone who attends, even if they’ve heard these pieces before.

“It’s just so much mel-ody all over the place,” Armstrong said, “which is just a lot of fun to play and, I hope, a lot of fun to listen to. After all, there’s always next year.

“This is very great music — especially for this orches-tra to play because of the way it features the individ-ual sections of the orches-tra and the variety of mu-sical characters that we go through literally,” he said. “It’s a great exploration into musical characterization.”

In addition to playing mu-sic that demands attention

and is pleasing to the ear, Muffitt said his main focus is ensuring that the students of the MSFO are being ex-posed to music they will see in their professional lives.

“The pieces are always chosen because they’re great music but, really, the driv-ing motivation is the experi-ence that the MSFO students are going to have putting it together,” he said. “Every-thing that I choose is based on the experience for the players in the MSFO and the

repertoire that they need to cover. This is music they will play in their professional ca-reers many times so that’s a large component of why we select the pieces we play.”

Only a year removed from playing in the MSFO herself, Wang is excited to return to Chautauqua and perform with the orchestra as last season’s Sigma Alpha Iota competition winner.

“Chautauqua is a friendly place and all the people are very nice,” Wang said. “I

actually miss Chautauqua a lot, and I am very excited to come back and perform.”

Wang is looking forward to beginning studies toward a doctorate in musical arts in the fall at the University of Maryland and pursuing her lifelong love of music.

“I’ve loved music since I was little,” Wang said. “I think music’s positive en-ergy is important for people and I am proud to be a pia-nist.”

Chittister emphasized asking questions that look beyond the immediate im-plications of actions. For example, when the U.S. government puts nearly 50 percent of its resources into the military, effects reach further than budgets — it raises questions of how that decision affects first graders, medical care, research, de-

velopment and the environ-ment.

No institution will come out and discuss the effects on oil, gas and clean water when it says it is putting 50 percent of its resources into cotton, for example — yet this happens across the globe, Chittister said.

“I’m not saying [institu-tions are] not providing true info — they are,” she said. “But without the role of the public intellectual, they may not be providing the infor-

mation the public needs to know.”

Chittister will also look at public intellectuals across religions who have been ex-amining the role of women, and the effects on the public intellectual for “daring to open up the public aspect of any question.”

Maureen Rovegno, associ-ate director of Chautauqua Institution’s Department of Religion, said Chittister has been a prominent public in-tellectual voice in the world

of faith. “She has spoken out with

more articulation than I think we could attribute to just about anyone we know on what we consider to be the most important issues of the day — the rights of women, in terms of those op-pressed for all kinds of rea-sons, those deprived of their rights,” Rovegno said. “She really is a voice of the people, and she’s done it within the context of her own faith tra-dition.”

» on the grounds

bicycle safety rules1. Bikes must be maintained in a safe operation condition and shall have adequate brakes, a bell or other signaling device, a rear reflector and a headlight. Operators under 14 years of age must wear a New York state-required helmet. 2. Bikes are not to be ridden on brick walks or other paths reserved for pedestrian use. 3. Bikes must be operated at a speed that is reasonable and prudent and in no instance at more than 12 mph. 4. Bicyclists shall always give the right of way to pedestrians. 5. In accord with New York state law, bicyclists shall observe all traffic signs and signals (for example, stop signs, one- way streets)

Parents must ensure that their children ride responsibly by enforcing the rules and by setting a good example.

Monday, July 14, 2014 The Chautauquan Daily · www.chqdaily.com Page 5

T h e a r T s

Mark OpreaStaff Writer

at 1:15 p.m. today in Fletcher Music hall, Marlena Malas, chair of the school of Music’s Voice Program, will be conducting her annual master class.

But she prefers not to call it that.

“It’s just a dialogue be-tween two people,” she said. “They have information and I have information, and if it works, it’s wonderful.”

The information Malas has isn’t worth nil. she’s been teaching master classes at the Institution for 34 years, and is a part of the Juilliard and Manhattan schools of music during the off-season. One New York Times journal-ist in 2005 named Malas “one

of the finest teachers in the country” on account of her vocal technique. although Malas’ journey through the field of music is weathered, she still runs into daily sur-prises.

“every time I meet some-one new for the first time,” she said, “I learn something.”

and today, Malas will be meeting four students for the first time, working with them as if it were the begin-ning of a semester at Juil-liard.

Malas, who said she still gets nervous directing stu-dents up on stage, explained that such anxiety is due to the difficulty in spontane-ously analyzing a voice art-ist, and dishing out criticism that could embarrass them in front of their peers.

“You have to know who you’re dealing with,” she said. “You have to get a sense of the person, how far they want to go, what is important to them. and you have to do it quickly — really quickly.”

What Malas hopes to in-clude in her tête-à-tête with the singers is to demonstrate what she calls the “voice of the mind,” the non-corporeal aspect of a singer’s toolbox. It’s a thought process, she said, that precedes the physi-cal movement of the hands and arms, or the vibration of vocal cords.

although all singers must maintain good fitness and healthy breathing habits, she said it’s the mental prepara-tion that is the most compli-cated to instruct.

“You have to prepare and

prepare,” she said. “and then you’ve got to let it go. The greatest performers are those who seem they’re making it up at the time. If they’re doing it correctly, then you’re not aware of it.”

and what Malas calls “the greatest instrument in the world” — the voice — takes a lot of upkeep and mainte-nance. she hopes to demon-strate to the audience just what goes into the lifestyle of the able-bodied singer.

In a previous year she had Tom ableson, a laryngologist from the Cleveland Clinic, lecture on the vocal cords and how to take care of the human voice. Caring for one’s voice, Malas said, is akin to polishing a violin, humidifying the body of a guitar — but much

more delicate.“The human voice is very

fragile,” she said. “You have to maintain a certain lifestyle to maintain this instrument in your body. This means you have to know yourself well enough.”

although Malas will be primarily working with stu-dents on their latest material, she hopes to involve audi-ence members as well, as to encourage those curious about their own talents.

her class, she said, wouldn’t be anything with-out that communication, along with the master and the apprentice relationship.

But Malas said that it’s just simple dialogue, and as far as any “masters” go, she said, “there isn’t [any].”

Malas to talk about voice of mind, body in annual class

COrtney LinneCkeStaff Writer

The iconic image of a tutu-fitted classical ballerina may be legendary, but it’s not per-manent.

In a world of perpetual progress and transforma-tion, dance is not immune to change. recent develop-ments in dance have seen a shift toward modern and contemporary movement, which often means reshap-ing the way people think of the quintessential ballerina.

This transition from con-ventional to current dancing is the focus of the Chautau-qua Dance Circle’s next lec-ture at 3:30 p.m. today in the hall of Christ. The lecture, titled “Transitions: Classi-cal to Contemporary Ballet,” will be led by sasha Janes, associate artistic director of the Charlotte Ballet, and rebecca Carmazzi, a former professional dancer.

Janes and Carmazzi plan to speak on the evolution of ballet, starting in the 19th century and working their way up to what audiences see on stage today. Their talk will be accompanied by a demonstration, as Janes and Carmazzi plan to physically illustrate various dance posi-tions in order to give audi-ence members visual points of reference.

“We’ll be showing classi-cal and contemporary poses, and showing how similar — yet abstract and different — they can be,” Carmazzi said.

according to Janes, the dance revolution truly be-gan with George Balanchine, a choreographer who was groundbreaking in the way he was able to utilize ballet technique in a contemporary fashion. he played with the traditional shapes of dance and elevated the musicality of ballet, Janes said.

after Balanchine came

modern dancers like Martha Graham and Merce Cunning-ham, performers who were a bit edgier and a bit more daring, Janes said, and who weren’t afraid to abandon tra-ditional conventions of dance, like wearing pointe shoes and tutus. Janes compared their influence in the dance sphere to the influence of modern painters in the art world.

“You have the great artists like rembrandt, who would make a painting that looks like a photograph,” Janes said. “Then you have the modernists like Picasso, who just started messing with art, abstracting it. They’re still artists, though, and they’re still using the same compo-sition. The modernists were just experimental, pushing the boundaries of tradition.”

In the same way, Janes believes that, while dance

styles may differ, all carry artistic weight. although the final choreographic products may be visually different, dance all boils down to the same classic fundamentals.

“Ballet is always going to be there,” Janes said. “It’s like learning an instrument. You always learn a classical instrument first — if you want to be a great guitarist, you first learn classical gui-tar. It’s the same in dance.”

While Janes said that dance is continuously pro-gressing and possibly mov-ing away from classical bal-let, he doesn’t necessarily see it as a bad thing. People must be able to strike a balance between tradition and inno-vation without losing either one, he said.

“It’s the future of dance,” he said of contemporary ballet. “I think we’ll always

have the classics, but audi-ences are exposed to many different forms of dance now. I think it is probably a good thing that we’ve pro-pelled dance forward.”

Janes and Carmazzi plan to explore the ever-changing face of dance further during today’s lecture. above all else, they hope the audience leaves their talk with a greater knowledge and understand-ing of the art form they’ve dedicated their lives to.

“It’s always important to educate the audience,” Janes said. “The greater back-ground and knowledge you have of dance, the greater appreciation you have for the art form.”

Janes, Carmazzi to discuss evolution of dance

Nakamatsu returns, imparts knowledge in master class

Provided photo

Zainab kandehStaff Writer

Today at 2 p.m. in the sherwood-Marsh studios, world-renowned pianist and Van Cliburn Piano Competition Gold Medal-ist Jon Nakamatsu will be giving a guest master piano class.

Back for his second sea-son in Chautauqua, Naka-matsu said that he looking forward to being back on the grounds and sharing music with the audience.

“I think when you play publicly it’s a direct line of communication that you really can’t replicate in a recording studio,” Naka-matsu said. “There’s kind of a special sense of being in an audience and being in a space where the music is actually being created at that moment and that every-one feels that creation com-munally. This is how music is meant to be heard and that it happens outdoors in Chautauqua.”

CHRISTOPHER A. RECORD | Provided photo

Sasha Janes and Rebecca Carmazzi, pictured above, will lead Chautauqua Dance Circle’s lecture “Transitions: Classical to Contemporary Ballet” at 3:30 p.m. today in the Hall of Christ.

The greatest performers are those that seem they’re making it up at the time. If they’re doing it correctly, then you’re not aware of it.

—MARLENA MALASChair,

School of Music’s Voice Program

NAKAMATSU

“Helen Keller once said ‘One can never consent to creep when one feels the impulse to soar,’” said the Rev. Daisy Machado at Sunday’s 10:45 a.m. morning worship service. Her sermon title

was “Never Consent to Creep” and her selected Scripture was Mark 10:46-52, the story of Bartimaeus.

“This is my favorite of the healing narratives,” she said, “because it calls us to hope beyond the physical. Bartimaeus is a man of faith who calls on us to re-evaluate our own faith.”

Machado set up the story for the congregation. Jesus was going to Jerusalem during his last week of life and passed through Jericho. It was a busy time in the life of the temple religion, she said, and Bartimaeus was not the only beggar who depended on the mercy of those who came and went from the temple.

Jesus had much on his mind as he moved toward Jeru-salem to confront the religious and the Roman authorities. At first, he appeared to be unmoved by the beggars — the crippled, the old and the blind — until he hears Bartimaeus’ cry.

“Bartimaeus recognized Jesus in a way the Disciples had failed to do,” she said. “He knew that Jesus could and would make a difference in his life; he was no ordinary prophet. Even though the crowd tried to silence him, Barti-maeus would not be silenced; he asked Jesus to let him see again.

“This was the cry of a man who was the victim of an ‘accident of health’ that took away his ability to work,” Machado continued. “These so-called ‘accidents of life’ are diminishing — illness, injury, the kind of education you get, your sex, the color of your skin or how much money your parents had. These ‘accidents of history’ get turned into the means of oppression by the world.”

When Jesus called Bartimaeus to him, he leaped up and ran to Jesus. Bartimaeus knew that a major change was about to happen in his life and he anticipated it with enthu-siasm, joy, anticipation and hope.

“We see Helen Keller’s words come to life,” she said. “The

impulse to soar will not allow Bartimaeus to creep.”Yet Jesus did not heal him immediately. He asked Barti-

maeus what he wanted from Him. “This is more than Jesus trying to make Bartimaeus

articulate what he wants,” Machado said. “So many times we call to God without wanting real change. Are you really ready for change?”

Bartimaeus’ name has a double meaning: “son of fear” and “son of honor.”

“The Greek readers [of the Gospel] would have under-stood the creativity,” she said. “The name is important be-cause of its double meaning. Bartimaeus was a beggar and unwanted in the eyes of the world, but he was created in the image of God and meant to soar.”

According to Machado, this is the story of all humankind — how we look on our neighbors, who we put in places of honor and who we try to silence or treat with indifference.

“So many times we think we are loved by God only when others are loved less,” she said. “Henri Nouwen said that God loves all humans and loves each of us in totally unique ways.”

The Disciples could not understand why Jesus would re-spond to the cry of a “nobody.” In society, people are judged by being on best dressed lists, the Forbes list, who has the best plastic surgery, where you got your education, she said.

“Jesus stopped to talk to a nobody, and there was anger in his entourage because he interrupted their well-planned entrance into Jerusalem to talk to a nobody. Who are the

nobodies today?” Machado said. She mentioned single mothers and children whose par-

ents have been deported.“We try to silence the cries of the vulnerable people who

embarrass us as they seem to creep along our high-tech roads. We are embarrassed by their vulnerability; God finds them worthy. Jesus healed a beggar and the blindness of the crowd was exposed. We need to name what blinds us,” she said.

Machado quoted Elie Wiesel, who swore never to be silent whenever and wherever human beings are being op-pressed. He said that silence only encourages the tormentor and not the tormented.

“We are called by God to soar; we are called to radical transformation,” she told the congregation. “We need to say yes to the divine invitation to see, to live more vibrant and meaningful lives. Let us soar and be part of the company that follows Jesus.”

The Rev. Robert M. Franklin presided. During the Notes in the Life of the Chautauqua Community,

he acknowledged the death of Ryan Kiblin and her baby on July 13. Kiblin was manager of grounds, gardens and landscaping for Chautauqua and responsible for the beautiful landscaping the com-munity enjoys.

The Rev. Carmen Perry read the Scripture. Perry is the new pastor at the Hurlbut Memorial Community United Methodist Church on the Chautauqua grounds. She and her husband, the Rev. Nicholas Perry, and their son, Nathan, live on the grounds year-round.

The responsorial psalm, based on Psalm 90, was “Restless in the Heart” by Bernadette Farrell. Peter Steinmetz served as can-tor. Warren Cooper and the Chautauqua Choir provided special music “There is a Balm: A Choral Calypso Promise-Praise.”

The Chautauqua Choir performed “Let All the Peoples Praise Thee, O God” by William Mathias based on Psalm 67. Jared Jacob-sen, organist, choir director and worship coordinator, played “God Among Us [La Nativité, IX]” by Olivier Messiaen as the postlude.

The Alison and Craig Marthinsen Endowment for the Depart-ment of Religion provides support for this week’s services.

Page 6 The Chautauquan Daily · www.chqdaily.com Monday, July 14, 2014

R E L I G I O N

Former intelligence ana-lyst Matthew Levitt will lead programs today and Tues-day this week in the Everett Jewish Life Center at Chau-tauqua.

At 3:30 p.m. today, Lev-itt presents a lecture titled “Hezbollah and Iran’s Stra-tegic Partnership and What it Means for the Middle East and Beyond,” in which he will discuss how the expan-sion of the relationship be-tween Hezbollah and Iran has had immediate ramifica-tions for regional and inter-national security, from the tragedy of the war in Syria to a sharp rise in terrorist plots around the world.

Following the lecture, at 4:45 p.m., Levitt will sign copies of his 2013 book, Hez-bollah: The Global Footprint of Lebanon’s Party of God.

Then, at 12:15 p.m. Tues-

day at the EJLCC, Levitt will give a Brown Bag lecture titled “Hezbollah’s Global Footprint: From Africa to North America and Points In Between,” in which he will show how Hezbollah’s glob-al footprint presents a stark challenge to intelligence and law enforcement agencies around the world.

Levitt is a senior fellow and director of the Washing-ton Institute's Stein Program on Counterterrorism and Intelligence at the Washing-ton Institute for Near East Policy and a professorial lec-turer in International Rela-tions and Strategic Studies at Johns Hopkins University's Paul H. Nitze School of Ad-vanced International Stud-ies (SAIS). Formerly, he was a deputy assistant secretary for intelligence and analysis at the U.S. Department of the

Treasury. At the Washington Institute, he was the found-ing director of its Terrorism Research Program that was established in the wake of the September 11 attacks. Levitt lectured on interna-tional terrorism on behalf of the departments of State, Justice, Defense and Home-land Security, consulted for U.S. government and private industry, and testified before the Senate and House on in-ternational terrorism.

EJLCC will also present a repeat screening of “Fill the Void,” part of the 2014 Jew-ish Film Series, at 3:30 p.m. Wednesday at the EJLCC. “Fill the Void” is a riveting story of contemporary ultra-Orthodox Heredi life in Is-rael and the many personal issues that may well be con-fronted during one’s life.

Analyst Levitt to present programs for EJLCC this week

VISITORS CENTER The Visitors Center located in the Post Office Building on Bestor Plaza provides first-time visitors with general information about Chautauqua programming, history and accommodations, plus help with getting acclimated to the Institution’s grounds. Hours are 9 a.m. to 5 p.m. Sunday to Thursday, 9 a.m. to 7:30 p.m. Friday, and 1 p.m. to 5 p.m. Saturday.

» on the grounds

COlumn By MARY LEE TALBOT

Morning Worship

An impulse to soar leads to vibrant, meaningful life

mOnday, July 14Sister Joan ChittisterHall of missions*2 p.m.

Matthew LevittEvertt Jewish Life Center*3:30 p.m.

TuESday, July 15Gordon Woodauthor’s alcove1:15 p.m.

WEdnESday, July 16Dalia Mogahedauthor’s alcove1:15 p.m.

THurSday, July 17Jon Altermanauthor’s alcove1:15 p.m.

Eric LiuHall of missions*2 p.m.

Danielle Allenliterary arts Center*3:30 p.m.

SaTurday, July 19Julia AngwinHall of Philosophy*3 p.m.

*Signing after lecture

Book Signings

» on the grounds

LETTERS POLICy

The Chautauquan Daily welcomes letters to the editor. letters should be typed or printed, double-spaced, no more than 350 words and are subject to editing. letters must include writer’s signature and typed or printed name, address and telephone number for verification. Works containing demeaning, accusatory or libelous statements will not be published.

Submit letters to:Jordan Steves, editor jsteves@ciweb.org The Chautauquan Daily PO Box 1095 Chautauqua, ny 14722

Monday, July 14, 2014 The Chautauquan Daily · www.chqdaily.com Page 7

r e l i g i o n

More than 120 years after Samuel Warren and louis Brandeis published “The right to Privacy” in Harvard Law Review, Michael Patrick lynch said that worry reso-nates louder than ever.

A writer and professor of philosophy, lynch explored ethical questions of privacy during his 2 p.m. interfaith lecture Friday in the Hall of Philosophy. His speech, ti-tled “Why Privacy Matters,” was the final installment of Week Three’s topic “The eth-ical Tensions of Privacy vs. interdependence.”

Technology gives peo-ple knowledge about other people in ways they never had before, lynch said. And that knowledge is power. it’s caused a loss of “information privacy” in today’s global world.

“information is private to the extent to which one con-trols access to it, and a lot of folks think that we need to accept that privacy, at least in that sense, is done,” lynch said. “i’m not so sure, al-though, sometimes i do get cynical myself.”

lynch sought to answers the questions: Why do peo-ple value privacy, on the most basic level? is this loss, or lessening, of privacy a good thing, or a bad thing? And why do people think in-vasions of privacy are mor-ally wrong?

To answer the question of value, lynch said what peo-ple are really putting value on is their mind. Holding on to a person’s privacy is less about having something to hide and wanting to keep it hidden, he said, but more about wanting to keep things hidden simply because they are that person’s to hide, and consequently reveal, on their own terms.

“Persons, in my view, have minds. And minds are private things,” lynch said.

echoing sentiments of Descartes and locke from Western philosophical tradi-tion, lynch said having sin-gular access to the mind is what sets apart one person’s mind, and sense of being, from another’s.

“You have a privileged ac-cess to it,” he said. “You have private access to your own

mind that you don’t have to anything else, and that’s in part what makes your mind, your mind.”

This private access also allows a person to control what others see or know about him or her, lynch said. This notion of autonomous control is valued in Western culture.

“We value privacy, it seems to me, at the very ba-sic root simply because we value who and what we are, and that is subjective be-ings,” lynch said.

When invading a person’s privacy, two types of wrong come from the act, lynch said. Whether or not a per-son is made aware that he or she is subject to intrusion, utilitarian consequences arise from the situation.

There is also an intrinsic, ethical wrong that occurs.

The answers to why inva-sions of privacy are thought of as morally wrong are wrapped up in that idea of autonomy, lynch said. if someone has access to an-other person’s thoughts and information, then they have the ability to control that other person. it takes away some of one’s autonomy, or “the ability to be a self-gov-erning individual, with some say over what you think and desire, and it’s a basic value in democracy.”

Some invasions of privacy, lynch said, can have positive effects. Security cameras — located in plain sight — help keep would-be criminals in check, for example. in the case of Professor X in the X-Men comics, sometimes even reading someone’s thoughts might be done under honest and good intentions, he said, but there is an inherent dan-ger in the collection of pri-vate information.

lynch used the metaphor of a swimming pool to dem-onstrate how the nSA, with the purpose of protecting the American people from terrorist attacks, could be corrupted.

“in the law, swimming pools are sometimes known as attractive nuisances. They attract children, for example, and as a result if you own a pool, then even if you are a watchful, responsible parent

yourself, you still have to put up a fence in the eyes of the law,” he said.

“even if we can trust that the nSA had no intentions of abusing the information they’ve collected on Ameri-can citizens, the pool of in-formation could easily prove irresistible,” lynch contin-ued. “And the bigger the pool, the more irresistible it’s likely to become.”

Higher and more secure fences need to be put around personal information, lynch said. Knowledge and power have the ability to corrupt, and access to large amounts of private information makes the American people vulnerable.

Vulnerability amounts to

an affront to human dignity, he said. in terms of large, systematic intrusions, like with the nSA and commer-cial companies like Amazon and google having constant access to vast information, it’s hurtful because these large entities start thinking of the population as less than human. They know they have the power to sway peo-ple’s thoughts and actions because they know how the population operates.

“That’s going to be hap-pening even if [they] don’t even act on the information,” he said. “You’d be dehuman-ized in a certain extent.”

Systematic forms of intru-sion are inconsistent with a

democracy, lynch said. even with good intentions, it takes away citizens’ right to auton-omy.

“There’s no privacy policy with the nSA,” he said. “A government who sees its citi-zens’ private information as subject to tracking and col-lection has implicitly adopt-ed a stance toward those citi-zens inconsistent with the respect due to their inherent dignity as autonomous indi-viduals.”

Understanding that some

intrusions are necessary for the protection of the Ameri-can people, lynch said it’s more important than ever to prepare for the worst situations while hoping for the best when thinking of government protection over citizens’ information. Trans-parency in the government is important, he said, be-cause knowledge is power for the people as well, and citizens need that knowl-edge to operate effectively in a democracy.

KREABLE YOUNG | Staff Photographer

Michael Patrick Lynch, a writer and professor of philosophy, speaks in the Hall of Philosophy Friday. In his Interfaith Lecture, Lynch dissected ethical questions surrounding privacy.

lynch: privacy invasions are dehumanizing, morally wrong

Kelsey HusnicK | Staff Writer

Privacy rights originally stemmed from a worry that “technology was

outstripping the ability to ethically know how to deal with it.”

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Page 8 The Chautauquan Daily · www.chqdaily.com Monday, July 14, 2014

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TO ADVERTISE716-357-6206

The William and Julia Clinger lectureship fund sponsors today’s 10:45 a.m. lecture by Colin G. Camp-bell.

The fund was created in august 2007 by cur-rent and former members of the Board of Trustees of Chautauqua institution and directors of Chautauqua foundation to honor Wil-liam f. Clinger Jr.’s service as chairman of the board of Chautauqua institution.

Bill was born in Warren, Pennsylvania. He attended The Hill school, received a Ba from Johns Hopkins University in 1961, and an llB from the University of Virginia in 1965. He served in the U.s. Navy as a lieuten-ant from 1951 to 1955, and worked for the New Pro-

cess Co., of Warren, Penn-sylvania from 1955 to 1962. after being admitted to the Pennsylvania Bar in 1965, Clinger served in a private law practice in Warren and served as general counsel to the federal economic development administra-tion. Bill was elected as a Republican to the 96th and the eight succeeding Con-gresses (January 3, 1979 to January 3, 1997). While in the House of Representa-tives, he was chairman of the United states House Committee on Government Reform and Oversight. He also served as a delegate to the Pennsylvania state con-stitutional convention from 1967 to 1968, and to the Re-publican National Conven-tion in 1972. Bill served as

a fellow to the institute of Politics at John f. Kennedy school of Government at Harvard University (1997-1998) and as a senior fel-low in the political science department of Johns Hop-kins University beginning in 1997.

He was honored in 2006 with the Woodrow Wilson award from Johns Hopkins University. The post office in Warren, Pennsylvania was named in his honor for his years of service in Congress and to the Warren commu-nity.

at Chautauqua, Bill worked at the Daily in his youth, served as commo-dore of the Yacht Club, a trustee from 1997 to 2007, and chairman of the Board of trustees from 2001-2007.

He also served on the Re-newal Campaign Cabinet and the idea Campaign Cabinet as a volunteer fund-raiser. Bill and wife Judy are third-generation Chautau-quans and property owners.

Judy is a graduate of the Masters school, dobbs fer-ry, New York, and an hon-ors graduate of Connecticut College for Women in New london, Connecticut. she is a member of the 1992 class of the ClsC, a former board member and life member of the Bird, Tree & Garden Club and a life member of the smith Memorial li-brary.

Their four children and seven grandchildren have spent part of every summer of their lives at Chautauqua.

Clinger Fund supports Campbell talk

The edith B. & arthur e. earley fund for the Per-forming arts helps support tonight’s performance of the Music school festival Orchestra with conductor Timothy Muffitt and pianist shuai Wang.

The earleys started com-ing to Chautauqua in 1959 because “it’s a unique place in the world.” art gradu-ated from Wake forest Uni-versity, was a member of the board of visitors for many years, and has received the University’s distinguished

alumni award. He earned his master’s from the Uni-versity of North Carolina. He was chairman and CeO of Meldrum & fewsmith advertising inc., an inter-national advertising agency headquartered in Cleve-land.

edith graduated from duquesne University and earned her master’s degree at the University of Pittsburgh. she taught in Pennsylvania’s McKeesport school district before she married in 1955 and then taught in Cleveland

for two years afterward. she was active as a volunteer in many Cleveland charitable organizations and was a great supporter of Chautau-qua. edith passed away in 1995.

art was a trustee of the Cleveland Playhouse, the Cleveland institute of Music and the Cleveland Theater festival. He was a direc-tor and officer of the Cleve-land arts Council and was President of the Cleveland Hearing and speech Center. He devoted a great deal of

his time to his profession of communications, serving on several regional and national boards. He was involved in community organizations and received many honors throughout his career.

If you would be interested in discussing the possibility of es-tablishing an endowed fund to support the performing arts or another aspect of Chautauqua’s program, please contact Karen Blozie, director of gift planning at 716-357-6244 or email her at kblozie@ciweb.org.

The Presbyterian asso-ciation of Chautauqua Re-ligious lectureship fund sponsors today’s 2 p.m. interfaith lecture by Joan Chittister.

The lectureship was es-tablished in 1989 through gifts made by members and friends of the Presbyterian association of Chautauqua in recognition of the asso-ciation’s 100th anniversary. The Presbyterian associa-

tion of Chautauqua was in-corporated on august 27, 1889, with the immediate purpose of selecting and purchasing a site for the construction of a Presby-terian headquarters on the grounds. The headquarters, located at the south end of the amphitheater, was the first brick building con-structed at Chautauqua and was first fully occupied for use during the 1891 season.

Earley Fund supports MSFO concert with 2013 SAI-winning pianist Wang

Presbyterian Association sponsors Chittister lecture

Discipline and precision were very much in evidence in the Chautauqua Sympho-ny Orchestra program of this past Thursday, conducted by Bulgarian-born Rossen Milanov, music director of the Princeton Symphony Orchestra and the training orchestra Symphony in C — both in New Jersey — and principal conductor of Or-questa Sinfónica del Princi-pado de Asturias in Spain.

A trim and compact man who looks as though he might have been a soccer midfielder or a dancer, Mila-nov on the podium seemed to embody the music, bounc-ing on the balls of his feet and sculpting phrases with great sweeps of his upper body.

He was fun to watch, but there was nothing stagy about his podium demean-or. Dressed in a white tunic that drew the eye, the play-ers seemed unusually at-tentive to their leader. That was probably a good thing, considering that the con-cert’s opener, the overture to Thomas Adès’ 2004 opera The Tempest, could not have been in the playing experi-ence of many of the CSO’s musicians.

It’s a descriptive scene-setter, a storm in music with cascading sheets of swiftly moving strings and gusts of ominous, bellowing low brass — four minutes and eight seconds of meteorolog-ical fury.

And it was great fun, though the Amp’s resonant acoustic obscured some of the lashing detail of Adès’ Expressionist scene painting. When the storm had passed, an audience member, who is a prominent jazz bassist, exclaimed his approval with a vigorous, “Yeah,” the jazz nerd’s classic response to an especially gripping solo. “Yeah,” indeed.

There’s a fair amount of jazz in Ravel’s 1931 Con-certo in G major, too. Writ-ten after an American tour

on which the French com-poser had encountered Gershwin, the concerto also has echoes of Spanish music (Ravel’s mother was of Basque ancestry), and in the second movement, Mo-zartean lyricism and mel-ancholy.

It’s two different works, then, and in the opening movement, pianist Di Wu seemed to cast her lot with the yearning, nostalgic Ravel. She lingered dream-ily over the modal, flamenco guitar-like figure into which the music dissolved after the snappy, wisecracking open-ing. She played the arioso slow movement with poise and reserve, but maybe a bit too much reserve. It’s tricky stuff. Music of such exqui-site refinement can easily tip into bathos or decorative irrelevance, and the pianist steered a cautious middle course.

The finale begins with a whip crack and an off-to-the-races gallop. It’s music for a movie farce by the Marx Brothers, and Wu got all the notes, but perhaps without the last measure of abandon and insouciant fun that the music offers. A photo on her Twitter feed shows Wu sit-ting in with New Orleans-born pianist Jonathan Bat-tiste, apparently a friend from their Juilliard days. If Wu is experimenting with jazz, it will be fascinating to her next performance of the Ravel.

Listeners who dismiss Rachmaninoff’s orchestral music as overly discursive and sentimental (this writer is one of them) would have been disappointed with Milanov’s reading of Rach-maninoff’s “Symphonic Dances.”

Milanov clearly had the measure of the late (1940) work and led a terrific per-formance, shot through with Germanic structural rigor and French shapeliness and clarity. Slavic sentiment was not absent, either, but

was never stagy or calcu-lated. The conductor’s pre-cise shaping of phrases and confident use of rhythmic plasticity ensured that Rach-maninoff’s juicy melodies sang, but never sobbed.

There were times when Milanov’s manipulation of tempos threatened to go off the tracks, but he emerged at the last moment to bring the music to a shrewdly judged peak that sounded inevi-table and correct. It was like watching a soccer player toy with the ball, making the de-fender lean in one direction then deftly dribbling around him to calmly and self-assur-edly put the ball in the goal — jogo bonito, “the beautiful game.”

The CSO hasn’t had a mu-sic director since the summer

when Spain was crowned as the last World Cup soc-cer champion. Predicting the results of music direc-tor searches is as foolhardy a pastime as predicting the outcomes of soccer tourna-ments, but last evening, in the fourth year of the CSO’s music director search, Ros-sen Milanov was the man of the match.

John Chacona is a freelance writer for the Erie Times-News.

Monday, July 14, 2014 The Chautauquan Daily · www.chqdaily.com Page 9

S Y M P H O N Y

RACHAEL LE GOUBIN | Staff Photographer

Guest conductor Rossen Milanov le the Chautauqua

Symphony Orchestra Thursday evening during a performance with solo pianist Di Wu in the

Amphitheater.

Man of the MatchMilanov delivers shrewd perforMance froM the podiuM

R E V I E W

John chacona | Guest Critic

T he first shock of the recently concluded World Cup soccer tournament came with the dismissal of Spain,

winners of the last FIFA Cup in 2010 with their “tiki-taka” game of precise passes and disciplined teamwork.

3:30 Colonial Williamsburg Presentation. “The Hairbuyer: The Case Against General Hamilton.” Colonial Williamsburg character-interpreters. Hall of Philosophy

3:30 (3:30–4:45) Lecture. (Programmed by the Everett Jewish Life Center). “Hezbollah and Iran’s Strategic Partnership and What it Means for the Middle East and Beyond.” Matthew Levitt. Everett Jewish Life Center

3:30 Dance Lecture/Demonstration. (Programmed by the Chautauqua Dance Circle.) “Transitions: Classical to Contemporary Ballet.” Sasha Janes, associate artistic director, Charlotte Ballet; and Rebecca Carmazzi. Hall of Christ

4:00 Public Shuttle Tours of Grounds. Leave from Main Gate Welcome Center. Fee. (Purchase tickets at Main Gate Welcome Center.)

4:00 Logan Chamber Music Series. Chautauqua Quartet. (All seats are available on a first-come basis. No seats may be saved.) Elizabeth S. Lenna Hall

4:45 Book Signing. (Programmed by the Everett Jewish Life Center.) Hezbollah: The Global Footprint of Lebanon’s Party of God. Matthew Levitt. Everett Jewish Life Center

6:30 Lake Walk. (Programmed by the Chautauqua Bird, Tree & Garden Club with the Chautauqua Watershed Conservancy.) “Nature Journaling and More.” Mark Baldwin, director of education, Roger Tory Peterson Institute. Bring blank book, and writing/drawing materials. Meet at the covered porch at Heinz Beach (below the YAC)

6:30 (6:30–8) Monday Night Porch Night. (Chautauqua Women’s Club Young Women’s Group.) Women’s Club house

7:00 Palestine Park Program. “A Journey Through Biblical Times.” Palestine Park

7:00 Introduction to the Labyrinth. (Sponsored by the Department of Religion.) Bring gate pass. Located adjacent to Turner Community Center

7:15 (7:15–7:45) Taizé and Tea. Meditative Worship. Randell Chapel at UCC Headquarters

7:30 Young Adult Scavenger Hunt. (Programmed by the Abrahamic Program for Young Adults.) Begins in Bestor Plaza

8:15 MUSIC SCHOOL FESTIVAL ORCHESTRA. Timothy Muffitt, conductor; Earl Lee, 2014 David Effron Conducting Fellow; Shuai Wang, 2013 Sigma Alpha Iota Competition winner, piano

• Peter Grimes: Four Sea Interludes Benjamin Britten• Piano Concerto No. 19 in F Major,

K. 459 Wolfgang Amadeus Mozart

• Enigma Variations, Op. 36 Edward Elgar

TuTUESDAYJULY 15

7:00 (7 – 11) Farmers Market.

7:15 (7:15–8) Mystic Heart Meditation: Spiritual Practices of World Religions. Leader: Subagh Singh Khalsa. (Sikh Dharma/Kundalini Yoga and Meditation.) Donation. Bring gate pass. Main Gate Welcome Center Conference Room

7:30 Bird Talk & Walk. (Programmed by the Chautauqua Bird, Tree & Garden Club.) Tina Scherman. Rain or shine. Bring binoculars. Meet at Smith Wilkes Hall entrance

7:45 Episcopal Holy Eucharist. Chapel of the Good Shepherd

8:00 Daily Word Meditation. (Sponsored by Unity of Chautauqua.) Hall of Missions

8:45 Catholic Mass. Chapel of the Good Shepherd

8:55 (8:55–9) Chautauqua Prays For Peace Through Compassion. Hall of Missions Grove

9:00 Conversations with the President. (Programmed by the Chautauqua Women’s Club.) Women’s Club house

9:15 MORNING WORSHIP. The Rev. Daisy Machado, professor, American history of Christianity, Union Theological Seminary, New York City. Amphitheater

10:15 Service of Blessing and Healing. UCC Chapel

10:45 LECTURE. “Advice to the Egyptians from the Founding Fathers.” Gordon S. Wood, Pulitzer Prize-winning author, The Idea of America: Reflections on the Birth of the United States. Amphitheater

10:45 Story Time. (Stories planned for 3 to 4-year-olds.) Smith Memorial Library

12:10 Catholic Mass. Chapel of the Good Shepherd

12:15 Tallman Tracker Organ Mini-Concert. “Meandering Around Chautauqua.” Jared Jacobsen, organist. Hall of Christ.

12:15 Brown Bag Lecture. (Programmed by the Writers’ Center). Literary Arts Center at Alumni Hall Porch

12:15 Brown Bag Lecture. (Programmed by the Everett Jewish Life Center.) “Hezbollah’s Global Footprint: From Africa to North America and Points in Between.” Matthew Levitt. Everett Jewish Life Center

12:15 LGBT & Friends Brown Bag Dialogue. (Sponsored by Metropolitan Community Church.) “Merging the Citizenship within the LGBT Community.” Literary Arts Center at Alumni Hall Garden Room

12:15 House Tour Reception. (Programmed by the Bird, Tree and Garden Club.) Dixie Lakesiders. Smith Wilkes Hall

12:30 (12:30–1:55) Mystic Heart Meditation: Meditation Seminar. “Discovering the Spiritual Heart, Part 1.” Subagh Singh Khalsa (Sikh Dharma/Kundalini Yoga and Meditation.) Donation. Hall of Missions

1:00 (1–4) Duplicate Bridge. For men and women. (Programmed by the Chautauqua Women’s Club) Fee. Women’s Club house

1:00 Docent Tours. Meet at Fowler-Kellogg Art Center

1:15 Mah Jongg. (Programmed by the Sports Club.) Sports Club

2:00 INTERFAITH LECTURE SERIES. “Five Things We Can Do for America, Islam, and Democracy.” Imam Malik Mujahid, chair, council for a Parliament of the World’s Religions; chair, Sound Vision Foundation. Hall of Philosophy (simulcast in Hall of Christ)

2:00 Public Shuttle Tours of Grounds. Fee. (Purchase tickets at Main Gate Welcome Center.) Leave from Main Gate Welcome Center

2:00 (2–3:30) Student Chamber Music Recital. (School of Music.) (Benefits the Chautauqua Women’s Scholarship Fund.) McKnight Hall

2:15 Public Shuttle Tours of Grounds. Leave from Main Gate Welcome Center. Fee. (Purchase tickets at Main Gate Welcome Center.)

3:15 Social Hour. Denominational Houses

3:15 Hebrew Conversations and Refreshments. (Hebrew Congregation.) Everett Jewish Life Center at Chautauqua

3:30 Chautauqua Heritage Lecture Series. “Faces of Egypt.” Deborah She Doyle, photographer and author. Hall of Christ

4:00 Public Shuttle Tours of Grounds. Fee. (Purchase tickets at Main Gate Welcome Center.) Leave from Main Gate Welcome Center

4:00 (4–5:45) Guest Piano Faculty Recital. (School of Music.) Ju-Ping Song, piano. (Benefits the Chautauqua Women’s Club Scholarship Program.) Elizabeth S. Lenna Hall

4:15 Garden Walk. (Programmed by the Chautauqua Bird, Tree & Garden Club.) Joe McMaster. Meet under green awning at the lake side of Smith Wilkes Hall

4:30 Knitting4Workshop. (Sponsored by the Dept. of Religion.) Sue Cala. Methodist House Porch

5:00 FAMILY ENTERTAINMENT SERIES. Nels Ross, ‘In Jest.’ Smith Wilkes Hall

6:45 Pre-Chautauqua Symphony Orchestra Concert Lecture. Lee Spear. Hurlbut Church Sanctuary

7:00 FAMILY ENTERTAINMENT SERIES. Nels Ross, ‘In Jest.’ Smith Wilkes Hall

7:00 Visual Arts Lecture Series. Ron Cohen, painter, professor of art, University of Iowa. Hultquist Center

7:00 Bible Study. (Sponsored by the Dept. of Religion.) “The Gospel of Matthew” The Rev. Carmen Perry, leader. United Methodist House

8:00 Young Adult Porch Chat. (Programmed by the Abrahamic Program for Young Adults.) Imam Malik Mujahid. Literary Arts Center at Alumni Hall porch

8:15 CHAUTAUQUA SYMPHONY ORCHESTRA CONCERT. Cristian Macelaru, guest conductor and music director candidate; Johannes Moser, cello. Amphitheater

• Hungarian Dance No. 10 Johannes Brahms

• Cello Concerto, Op.129 in A Minor Robert Schumann

• Symphony No. 9, Op. 95 in E Minor (From the New World) Antonín Dvorák

10:00 Meet the CSO Section. (Sponsored by Symphony Partners.) Violins. Amphitheater

10:15 Revue: “Alice and Alex in Operaland” A family-friendly introduction to opera. Chautauqua Opera Studio Artists. Elizabeth S. Lenna Hall

Page 10 The Chautauquan Daily · www.chqdaily.com Monday, July 14, 2014

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MMONDAYJULY 14

••• 57th Chautauqua Annual Exhibition of Contemporary Art closes. Strohl Art Center Main Gallery

7:00 (7 – 11) Farmers Market

7:15 (7:15–8) Mystic Heart Meditation: Spiritual Practices of World Religions. Leader: Subagh Singh Khalsa. (Sikh Dharma/Kundalini Yoga and Meditation.) Donation. Bring gate pass. Main Gate Welcome Center Conference Room

7:45 Episcopal Holy Eucharist. Chapel of the Good Shepherd

8:00 Daily Word Meditation. (Sponsored by Unity of Chautauqua). Hall of Missions

8:45 Catholic Mass. Chapel of the Good Shepherd

8:55 (8:55–9) Chautauqua Prays For Peace Through Compassion. Hall of Missions Grove

9:00 Monday Morning Coffee Hour. (Programmed by the CLSC Alumni Association.) Literary Arts Center at Alumni Hall Porch

9:15 MORNING WORSHIP. The Rev. Daisy Machado, professor, American history of Christianity, Union Theological Seminary, New York City. Amphitheater

9:15 Jewish Discussions. (Programmed by Chabad Lubavitch of Chautauqua). “Maimonides: Guide to the Perplexed.” Rabbi Zalman Vilenkin. Literary Arts Center at Alumni Hall Library

10:00 Voice Master Class. (School of Music). Michael Dean. Suggested fee. McKnight Hall

10:15 Service of Blessing and Healing. UCC Chapel

10:45 LECTURE. Colin G. Campbell, president and CEO, Colonial Williamsburg Foundation. Amphitheater

10:45 Story Time. (Stories planned for 5- to 6-year-olds.) Smith Memorial Library

12:10 Catholic Mass. Chapel of the Good Shepherd

12:15 Chautauqua Literary and Scientific Circle Mini-Reviews and Book Discussions. Our Declaration by Danielle Allen. Reviewed by Steve Tigner. Literary Arts Center at Alumni Hall Porch

12:15 Knitting. (Sponsored by the Dept. of Religion) “Women4Women–Knitting4Peace.” Hall of Missions

1:00 Professional Women’s Network. (Programmed by Chautauqua Women’s Club.) “Family, Food and Finance: One Woman’s Journey.” Denise Fugo. Women’s Club house

1:15 Chautauqua Literary and Scientific Circle Book Discussion. Our Declaration by Danielle Allen. Jeffrey Miller, CLSC activities coordinator, moderator. Literary Arts Center at Alumni Hall Garden Room

1:15 (1:15–3:30) Voice Master Class. (Programmed by the Chautauqua Opera Guild.) Marlena Malas, chair, Chautauqua Voice Program. Fee for non-members. Fletcher Music Hall

1:15 CLSC Alumni Association Docent Tours of Literary Arts Center at Alumni Hall and Pioneer Hall.

2:00 INTERFAITH LECTURE SERIES. “The Role and Risk of the Public Intellectual in Church and State.” Joan Chittister, OSB, author, social analyst. Hall of Philosophy (simulcast in Hall of Christ)

2:00 (2–3:30) Piano Master Class. (School of Music.) Jon Nakamatsu. Suggested fee. Sherwood-Marsh Studios

2:00 Public Shuttle Tours of Grounds. Leave from Main Gate Welcome Center. Fee. (Purchase tickets at Main Gate Welcome Center.)

2:15 Public Shuttle Tours of Grounds. Leave from Main Gate Welcome Center. Fee. (Purchase tickets at Main Gate Welcome Center.)

2:30 (2:30–4:00) CLSC Banner Open House. (Programmed by CLSC Alumni Association.) Banner Room Oliver Archives Center

3:00 Mah Jongg. (Programmed by the Chautauqua Women’s Club.) Women’s Club house

3:10 (3:10–4) Art of Investing. Discussion group. Smith Memorial Library

Kreable Young | Staff Photographer

Scott Nelson sits and reads in Miller Park on Thursday.

A BENCH WITH A VIEW

CanCeled