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Characteristics
In Renaissance music, rhythm is more a gentle flow than a sharply defined beat
Each melodic line has great rhythmic independence
Pitch patterns in Renaissance melodies are easy to sing, usually they move along a scale with few large leaps
Sacred Music
The two main forms of sacred Renaissance music are the motet and the mass
Both forms are similar in style, but a mass is a longer composition
The Motet
The Renaissance motet is a polyphonic choral work set to a sacred Latin text other than the ordinary of the mass
The composer that was most famous for the motet is Josquin Desprez
Deprez lived from 1440-1521 He was a master of Renaissance music
The Motet
Desprez was born in the province of Hainaut, which is part of Belgium
He sepent most of his life in Italy, serving in dukes’ private chapels and in the papal choir at Rome
In his later years he worked for Louis XII of France and held several church posts in his native land
The Motet
Desprez’s compositions included masses, motets, and secular vocal music
All his compositions strongly influenced other composers and were praised enthusiastically by music lovers
The Mass
The Renaissance mass is a polyphonic choral composition made up of five sections: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei
The main composer for the mass during this time period is Giovanni Pierluigi da Palestrina
Palestrina was from Italy
The Mass
Palestrina lived from about 1525 to 1594 He devoted himself to music for the
Catholic Church His career was centered in Rome,
where he held important church positions, including that of music director for St. Peter’s cathedral
Palestrina’s music includes 104 masses and about 450 other sacred works
The Mass
The Jesuit order (1540) and the convening of the Council of Trent (1545-1563) attacked church music
The arguement was that it used secular tunes, noisy instruments, and theatrical singing
Some complained that complex polyphony made it impossible to understand the sacred texts
The Mass
The council wanted only monophonic music, Gregorian chant, for the mass
The council finally decreed that church music should be composed to inspire religious contemplation, not to please the ear
The restraint and serenity of Palestrina’s works reflect this emphasis on a more spiritual music