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Chapter 17: Page 471 The Renaissance

Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

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Page 1: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Chapter 17:Page 471

The Renaissance

Page 2: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

The Growth of Italian City-States

Page 3: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Why were Italian city-states so rich and

powerful?

Page 4: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Overseas trade, spurred by the Crusades, led to their growth

• Northern Italy had a wealthy merchant class

• It’s classical heritage of Greece and Rome

• Overseas trade, spurred by the Crusades, led to their growth

• Northern Italy had a wealthy merchant class

• It’s classical heritage of Greece and Rome

Page 5: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

How did Florence become the most

influential city-state?

Page 6: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Florence was mostly urban while the rest of Europe was rural

• Because of the plague, many of the city’s survivors could demand higher wages

• Because Florence was small, many of its citizens could be involved in politics

• Florence was mostly urban while the rest of Europe was rural

• Because of the plague, many of the city’s survivors could demand higher wages

• Because Florence was small, many of its citizens could be involved in politics

Page 7: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

What was the Renaissance and why did it begin in Italy?

Page 8: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Renaissance means “re-birth” which refers to revival in arts and learning

• Italian merchants displayed their wealth by giving financial support to artists

• Lorenzo de Medici (Lorenzo the Magnificent) was a generous patron of the arts

• Renaissance means “re-birth” which refers to revival in arts and learning

• Italian merchants displayed their wealth by giving financial support to artists

• Lorenzo de Medici (Lorenzo the Magnificent) was a generous patron of the arts

Page 9: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

The Spirit of the The Spirit of the RenaissanceRenaissance

Page 10: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Why People Like Me Why People Like Me Became Interested in Became Interested in

Ancient Culture…Ancient Culture…

Page 11: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• The Crusades made Europeans The Crusades made Europeans eager to learn about the world eager to learn about the world around themaround them

• Church leaders became patrons Church leaders became patrons of the arts by financially of the arts by financially supporting artists supporting artists

• The Crusades made Europeans The Crusades made Europeans eager to learn about the world eager to learn about the world around themaround them

• Church leaders became patrons Church leaders became patrons of the arts by financially of the arts by financially supporting artists supporting artists

Page 12: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

A Fascination with A Fascination with Classical CulturesClassical Cultures

Page 13: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Scholars became interested in ancient Scholars became interested in ancient GreekGreek and and RomanRoman culture culture

• Artists used ancient art as modelsArtists used ancient art as models

• BrunelleschiBrunelleschi designed buildings designed buildings after studying Roman ruinsafter studying Roman ruins

• Scholars became interested in ancient Scholars became interested in ancient GreekGreek and and RomanRoman culture culture

• Artists used ancient art as modelsArtists used ancient art as models

• BrunelleschiBrunelleschi designed buildings designed buildings after studying Roman ruinsafter studying Roman ruins

Page 14: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Filippo Brunelleschi• Commissioned to build the

cathedral dome in Florence (Il Duomo)

– Used unique architectural concepts.• He studied the ancient

Pantheon in Rome

• Filippo Brunelleschi• Commissioned to build the

cathedral dome in Florence (Il Duomo)

– Used unique architectural concepts.• He studied the ancient

Pantheon in Rome

Page 15: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Brunelleschi’s Dome

Page 16: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Dome ComparisonsIl Duomo St. Peter’s St. Paul’s US capital (Florence) (Rome) (London) (Washington)

Page 17: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

A New Type of Scholar Called a Humanist

Page 18: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Humanists adopted many Roman and Greek beliefs

• 1.) seeking fulfillment in daily life

• 2.) all people have dignity and worth

• 3.) the ideal person—one who can do almost anything (the Renaissance Man)

• Humanists adopted many Roman and Greek beliefs

• 1.) seeking fulfillment in daily life

• 2.) all people have dignity and worth

• 3.) the ideal person—one who can do almost anything (the Renaissance Man)

Page 19: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Humanists learned many subjects, such as Latin, Greek history, and mathematics

• In the Middle Ages, religious people proved their piety by living a plain life—humanists enjoyed life without offending God

• Humanists learned many subjects, such as Latin, Greek history, and mathematics

• In the Middle Ages, religious people proved their piety by living a plain life—humanists enjoyed life without offending God

Page 20: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Machiavelli—wrote The Prince

• The Prince was a book about Italian government

• Machiavelli supported the idea of absolute power

• In order to keep power, a ruler must do some evil

• Machiavelli—wrote The Prince

• The Prince was a book about Italian government

• Machiavelli supported the idea of absolute power

• In order to keep power, a ruler must do some evil

Page 21: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

PetrarchPetrarch• Father of Renaissance

humanism

• Poet

• sonnets

• Father of Renaissance humanism

• Poet

• sonnets

Page 22: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

A Belief in Human Potential

Page 23: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Emphasized human achievement on Emphasized human achievement on earth, rather than the afterlifeearth, rather than the afterlife

• Renaissance thinkers strove to master Renaissance thinkers strove to master almost every artalmost every art

• Later ages called such people Later ages called such people ““Renaissance menRenaissance men””

• Emphasized human achievement on Emphasized human achievement on earth, rather than the afterlifeearth, rather than the afterlife

• Renaissance thinkers strove to master Renaissance thinkers strove to master almost every artalmost every art

• Later ages called such people Later ages called such people ““Renaissance menRenaissance men””

Page 24: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Renaissance Renaissance ArtistsArtists

Page 25: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Individuals became the center of attention during the Renaissance as the belief in human potential & ability began to emerge from Medieval ways of thinking

• Individuals became the center of attention during the Renaissance as the belief in human potential & ability began to emerge from Medieval ways of thinking

Page 26: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Ideal Man—was well educated in the Classics; should be charming, witty, & smart; can dance, write poetry, & play music; should be physically fit (called a “Renaissance Man”)

• Ideal Man—was well educated in the Classics; should be charming, witty, & smart; can dance, write poetry, & play music; should be physically fit (called a “Renaissance Man”)

Page 27: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Ideal Woman—study Classics; write, dance, paint, make music well; but should not seek fame or political power (Renaissance women were far better educated but had fewer rights than Medieval women)

• Ideal Woman—study Classics; write, dance, paint, make music well; but should not seek fame or political power (Renaissance women were far better educated but had fewer rights than Medieval women)

Page 28: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Giovanni GiottoGiovanni Giotto

Page 29: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Giotto developed a new artistic style for creating frescos (paint on wet plaster walls):

– Painted human figures that appeared lifelike

– Painted people with emotion– Painted people in frescos interacting

with each other

• Giotto developed a new artistic style for creating frescos (paint on wet plaster walls):

– Painted human figures that appeared lifelike

– Painted people with emotion– Painted people in frescos interacting

with each other

Page 30: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Giotto’s “Lamentation over Christ”

Giotto’s “Lamentation over Christ”

Page 31: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Donato DonatelloDonato

Donatello

Page 32: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Donatello was the greatest sculptor of the Renaissance

• Medieval sculptors only carved the front of a statue, but Donatello wanted sculptures to be viewed from all sides like Greek & Roman statues

• Donatello was the greatest sculptor of the Renaissance

• Medieval sculptors only carved the front of a statue, but Donatello wanted sculptures to be viewed from all sides like Greek & Roman statues

Page 33: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Donatello’s “David” became the first large, free-standing human sculptureDonatello’s “David” became the first large, free-standing human sculpture

Page 34: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

TommasoMasaccioTommasoMasaccio

Page 35: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Masaccio added to Giotto’s innovative style by using perspective:

– Shows objects in the foreground as larger than objects in the background which gives the illusion of depth

• Masaccio added to Giotto’s innovative style by using perspective:

– Shows objects in the foreground as larger than objects in the background which gives the illusion of depth

Page 36: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States
Page 37: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Masaccio’sMasaccio’sChrist and the TributeChrist and the Tribute

Page 38: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States
Page 39: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

AcrosticAcrostic

• Task: Create an acrostic with the letters RENAISSANCE. Illustrate your acrostic. The first three letters might look like this:

• Rebirth of ancient ideas and learning

• Emphasis was now on earthly achievements

• Nurtured by leaders of Italian city-states

• Task: Create an acrostic with the letters RENAISSANCE. Illustrate your acrostic. The first three letters might look like this:

• Rebirth of ancient ideas and learning

• Emphasis was now on earthly achievements

• Nurtured by leaders of Italian city-states

Page 40: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Michelangelo

Page 41: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Michelangelo was a great Michelangelo was a great painterpainter & & sculptorsculptor; his “; his “PietaPieta” & “” & “DavidDavid” ” sculptures are perceived as masterpiecessculptures are perceived as masterpieces

• His greatest work is the 130 ft x 44 ft His greatest work is the 130 ft x 44 ft ceiling of the ceiling of the Sistine ChapelSistine Chapel; which ; which shows biblical images of amazing detail, shows biblical images of amazing detail, power, & beautypower, & beauty

• Michelangelo was a great Michelangelo was a great painterpainter & & sculptorsculptor; his “; his “PietaPieta” & “” & “DavidDavid” ” sculptures are perceived as masterpiecessculptures are perceived as masterpieces

• His greatest work is the 130 ft x 44 ft His greatest work is the 130 ft x 44 ft ceiling of the ceiling of the Sistine ChapelSistine Chapel; which ; which shows biblical images of amazing detail, shows biblical images of amazing detail, power, & beautypower, & beauty

Page 42: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Michelangelo’s “Pieta” depicts the Virgin Mary

cradling the limp body of the crucified Jesus

Michelangelo’s “Pieta” depicts the Virgin Mary

cradling the limp body of the crucified Jesus

Page 43: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Michelangelo’s statue of “David”

expresses the Renaissance belief in human dignity

and greatness

Michelangelo’s statue of “David”

expresses the Renaissance belief in human dignity

and greatness

Page 44: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• His greatest work is the 130 ft x 44 ft ceiling of the Sistine Chapel; which shows Biblical images of amazing detail, power, & beauty

• His greatest work is the 130 ft x 44 ft ceiling of the Sistine Chapel; which shows Biblical images of amazing detail, power, & beauty

Page 45: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Michelangelo painted more than 300 massive human figures onto the 5,800 square-foot ceiling while laying on his back

• The ceiling contains illustrations from the creation of Adam to the story of Noah

• Michelangelo painted more than 300 massive human figures onto the 5,800 square-foot ceiling while laying on his back

• The ceiling contains illustrations from the creation of Adam to the story of Noah

Page 46: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

The Creation

of the Heavens

Page 47: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

The Sistine Chapel Details

Creation of Man

Page 48: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Michelangelo returned to the chapel to begin painting the altarpiece “The Last Judgment”

• This painting features Christ judging souls as the rise and fall from each side of the painting

• Michelangelo returned to the chapel to begin painting the altarpiece “The Last Judgment”

• This painting features Christ judging souls as the rise and fall from each side of the painting

Page 49: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States
Page 50: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States
Page 51: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Bartholomew's flayed skin

Page 52: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States
Page 53: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Raphael

Page 54: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Raphael “Perfected” Renaissance painting

• He became the favorite painter of the Pope because of his amazing detailed paintings showing Greeks & Romans along with Renaissance people

• “School of Athens” is his greatest work

• Raphael “Perfected” Renaissance painting

• He became the favorite painter of the Pope because of his amazing detailed paintings showing Greeks & Romans along with Renaissance people

• “School of Athens” is his greatest work

Page 55: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• All of the important Greek philosophers and thinkers are included in this painting all of the great personalities of the classical period

• A great variety of poses• Raphael worked on this commission

simultaneously as Michelangelo was doing the Sistine Chapel

Page 56: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Raphael

Plato and Aristotle

Socrates

Page 57: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Michelangelo

Alexander the Great

Page 58: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Pythagoras

Page 59: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

ZoroasterZoroaster

Ptolemy

Euclid

Page 60: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Perspective!Perspective!Perspective!Perspective!

Betrothal of the Virgin

Raphael

Page 61: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Leonardo da Vinci

Page 62: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• A true “Renaissance Man” Leonardo was an inventor, painter, sculptor, & scientist

• A true “Renaissance Man” Leonardo was an inventor, painter, sculptor, & scientist

Page 63: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Leonardo, the Artist

Page 64: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

From his Notebooks of over 5000 pages)

Page 65: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

His “Last Supper” shows Jesus’ last meeting with the 12 apostles before the crucifixion

The facial expressions, detail, and emotion had made it a masterpiece

His “Last Supper” shows Jesus’ last meeting with the 12 apostles before the crucifixion

The facial expressions, detail, and emotion had made it a masterpiece

Page 66: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States
Page 67: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

The Last Supper – da Vinci, & Geometry

Page 68: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

horizontal

vert

ical

The Last Supper and Perspective

Page 69: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

A Da Vinci “Code”St. John or Mary Magdalene?

Page 70: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Convent of Santa Maria delle GrazieMilan, Italy

Page 71: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

da Vinci’s Mona Lisa

is great for its emotion and

depth

Page 72: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States
Page 73: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States
Page 74: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Mona Lisa has no visible facial hair at all - including eyebrows and

eyelashes

Mona Lisa has no visible facial hair at all - including eyebrows and

eyelashes

Page 76: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

A Picasso Mona

Page 77: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States
Page 78: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• On August 12, 1911, a Louvre employee On August 12, 1911, a Louvre employee stole it by entering the building during stole it by entering the building during regular hours, hiding in a broom closet regular hours, hiding in a broom closet and walking out with it hidden under his and walking out with it hidden under his coat after the museum had closedcoat after the museum had closed

• After keeping the painting in his After keeping the painting in his apartment for two years, the man grew apartment for two years, the man grew impatient and was caught when he impatient and was caught when he attempted to sell it to an art dealer; it was attempted to sell it to an art dealer; it was exhibited all over Italy and returned to the exhibited all over Italy and returned to the Louvre in 1913 Louvre in 1913

• On August 12, 1911, a Louvre employee On August 12, 1911, a Louvre employee stole it by entering the building during stole it by entering the building during regular hours, hiding in a broom closet regular hours, hiding in a broom closet and walking out with it hidden under his and walking out with it hidden under his coat after the museum had closedcoat after the museum had closed

• After keeping the painting in his After keeping the painting in his apartment for two years, the man grew apartment for two years, the man grew impatient and was caught when he impatient and was caught when he attempted to sell it to an art dealer; it was attempted to sell it to an art dealer; it was exhibited all over Italy and returned to the exhibited all over Italy and returned to the Louvre in 1913 Louvre in 1913

Page 79: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• In 1956, the lower part of the painting was severely damaged when someone doused it with acid

• On December 30 of that same year, another person damaged the painting by throwing a rock at it

• The result was a speck of pigment near Mona Lisa's left elbow

• The painting is now covered with bulletproof security glass

• In 1956, the lower part of the painting was severely damaged when someone doused it with acid

• On December 30 of that same year, another person damaged the painting by throwing a rock at it

• The result was a speck of pigment near Mona Lisa's left elbow

• The painting is now covered with bulletproof security glass

Page 80: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Leonardo, the Scientist (Biology):Pages from his Notebook

Page 81: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States
Page 82: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Leonardo, the Engineer:

Page 83: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Leonardo sketched several designs for flying machines including this one with a rotating screw

• He intended to power it with a wound-up spring

• Leonardo sketched several designs for flying machines including this one with a rotating screw

• He intended to power it with a wound-up spring

Page 84: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States
Page 85: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Leonardo’s many military inventions included this design for an armored tank

• Four soldiers sitting inside could turn cranks to move the wheels on this tank”

• Leonardo’s many military inventions included this design for an armored tank

• Four soldiers sitting inside could turn cranks to move the wheels on this tank”

Page 86: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States
Page 87: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• da Vinci also invented a gigantic crossbow

• It's difficult to know whether it would have worked, or whether it would have been superior to cannons of the same period

• da Vinci also invented a gigantic crossbow

• It's difficult to know whether it would have worked, or whether it would have been superior to cannons of the same period

Page 88: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States
Page 89: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

Vitruvian Man

Page 90: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• The length of a man's outspread arms is equal to his height

• The maximum width of the shoulders is a quarter of a man's height

• The distance from the elbow to the tip of the hand is one-fifth of a man's height

• The length of a man's outspread arms is equal to his height

• The maximum width of the shoulders is a quarter of a man's height

• The distance from the elbow to the tip of the hand is one-fifth of a man's height

Page 91: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• The Renaissance spread from Italy as scholars from other areas visited Italian city-states & took the new ideas they saw back

• The Renaissance spread from Italy as scholars from other areas visited Italian city-states & took the new ideas they saw back

Page 92: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Kings bought Renaissance art, helping to spread new ideas

• Renaissance ideas spread to the Holy Roman Empire (Germany), England, France, Belgium, Netherlands

• Kings bought Renaissance art, helping to spread new ideas

• Renaissance ideas spread to the Holy Roman Empire (Germany), England, France, Belgium, Netherlands

Page 93: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Renaissance in Germany was very religious—Christian humanists criticized the church & society (will lead to Protestant Reformation)

• Renaissance in Germany was very religious—Christian humanists criticized the church & society (will lead to Protestant Reformation)

Page 94: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• poked fun at greedy merchants and pompous priests in his writings

• Christian humanist who wrote “The Praise of Folly”

• poked fun at greedy merchants and pompous priests in his writings

• Christian humanist who wrote “The Praise of Folly”

ERASMUS

Page 95: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• Renaissance in England focused on social issues—Thomas More criticized society through Utopia

• William Shakespeare— playwright who wrote plays based on ideas from classics & universal human qualities

• Dante Alighieri – wrote “The Divine Comedy

• Renaissance in England focused on social issues—Thomas More criticized society through Utopia

• William Shakespeare— playwright who wrote plays based on ideas from classics & universal human qualities

• Dante Alighieri – wrote “The Divine Comedy

Page 96: Chapter 17: Page 471 The Renaissance. The Growth of Italian City-States

• The Renaissance encouraged a new spirit of adventure and discovery

• The Renaissance spirit played an important role in helping to launch the Age of Exploration

• The Renaissance encouraged a new spirit of adventure and discovery

• The Renaissance spirit played an important role in helping to launch the Age of Exploration