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Chapter 16 Part 5 Just a little more Baroque See Chapter 14 as well

Chapter 16 Part 5

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Chapter 16 Part 5. Just a little more Baroque See Chapter 14 as well. Baroque Architecture. Versailles El Escorial The Winter Palace The Schonbrunn The Belvedere. Versailles…Louis XIV France. El Escorial Philip II Spain. The Winter Palace Peter the Great…Russia. - PowerPoint PPT Presentation

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Page 1: Chapter 16 Part 5

Chapter 16Part 5

Just a little more BaroqueSee Chapter 14 as well

Page 2: Chapter 16 Part 5

Baroque Architecture Versailles El Escorial The Winter Palace The Schonbrunn The Belvedere

Page 3: Chapter 16 Part 5

Versailles…Louis XIV France

Page 4: Chapter 16 Part 5

El Escorial Philip II Spain

Page 5: Chapter 16 Part 5

The Winter PalacePeter the Great…Russia

Page 6: Chapter 16 Part 5

The Schonbrunn…Vienna

Page 7: Chapter 16 Part 5

The Belvedere…Savoy

Page 8: Chapter 16 Part 5

Remember Emotion Movement The Big Idea Appeals to the senses Started with the Catholic

Reformation

Page 9: Chapter 16 Part 5

Remember The Ecstasy of St. Teresa by Bernini

Page 10: Chapter 16 Part 5

Carvaggio Roman Much contrast light and dark Highly emotional BUT criticized for using ordinary

people as models for Biblical scenes

Page 11: Chapter 16 Part 5

Carvaggio…Self Portrait as Bacchus

Page 12: Chapter 16 Part 5

Peter Paul Reubens…Flemish

At the Hapsburg Court in Brussels Emphasized color and sensuality Sensual nudes

Page 13: Chapter 16 Part 5

Rubens The Judgment of Paris

Page 14: Chapter 16 Part 5

Diego Velazquez…SpanishThe Maids of Honor

Page 15: Chapter 16 Part 5

Artemisia GentileschiThe Judith Series

Page 16: Chapter 16 Part 5

The Dutch Style Did not try to overwhelm the viewer

Reflected the wealth of the Dutch Republic

Secular subjects portrayed toleration

Many works commissioned by merchants or government organizations

Page 17: Chapter 16 Part 5

Rembrandt van Rijn One of the greatest of all of the

Baroque artists BUT does not fit neatly into any one

category An enormous range of scenes

throughout his career Used the extreme light and dark of

the Baroque style More intimate and psychological

than most Used classical restraint

Page 18: Chapter 16 Part 5

Rembrandt Samson and Delilah

Page 19: Chapter 16 Part 5

Jan Vermeer Portrayed ordinary people doing

ordinary things

Page 20: Chapter 16 Part 5

Jan Vermeer The Milkmaid

Page 21: Chapter 16 Part 5

French Classicism Late 17th century artists and writers

made a deliberate effort to imitate classical style

Subject matter and style of classical iniquity

Used discipline, balance, restraint

Similar to that of Italian Renaissance Was the official style of Louis XIV’s court

Page 22: Chapter 16 Part 5

French Classicism Subject matter often an incident in

Roman History

Or ideal representations of people, horses, etc

Buildings were exact models of Roman structures

Page 23: Chapter 16 Part 5

French Classicism Nicholas Poussin is the best example

of an artist in this genre

But Racine, the dramatist, copied the style, themes of the ancients in his plays

Page 25: Chapter 16 Part 5

Baroque Music•Belief that text should dominate•Lyrics most important

•The moderns system of major/minor tonality developed here

•Much more dissonance than the Renaissance