31
Chapter 1 WHAT IS ART?

Chapter 1

Embed Size (px)

Citation preview

Page 1: Chapter 1

Chapter 1

WHAT IS ART?

Page 2: Chapter 1

1.1 LEONARDO DA VINCI. Mona Lisa (c. 1503–1505). Oil on wood panel. 30

1/4” x 21”.

Page 3: Chapter 1

1.2 Kenyan woman, Masai tribe. Standards for beauty can differ from

culture to culture.

Page 4: Chapter 1

1.5 French performance artist Orlan, who has dedicated herself to embodying Western classicbeauty as found in the works of Leonardo, Botticelli, and Boucher through multiple plastic surgeries.

Here Orlan is being “prepped” for one in a series of operations.

Page 5: Chapter 1

1.6 SANDRO BOTTICELLI. The Birth of Venus (1486). Detail. Tempera on canvas. 5’8 7⁄8” x 9’1 1⁄7”.

Page 6: Chapter 1

1.37 JOYCE KOZLOFF. Galla Placidia in Philadelphia (1985). Mosaic installation. 13’ x 16’

Page 7: Chapter 1

1.37 DALE CHIHULY. Fioridi Como (1998). 70’ x 30’ x 12’.

Page 8: Chapter 1

1.7 FRIDA KAHLO. Diego in My Thoughts (Diego y yo) (1949). Oil on canvas, mounted on Masonite.

24” x 36”.

Page 9: Chapter 1

1.9 ANDY WARHOL. Four Marilyns (1962). Synthetic polymer paint and

silkscreen ink on canvas. 30" × 23⅞".

Page 10: Chapter 1

1.11 Column of Trajan, Forum of Trajan, Rome, dedicated 112. 128 feet high.

Page 11: Chapter 1

1.13 JESSIE OONARK. A Shaman’s Helping Spirits (1971). Stonecut and

stencil. 37 1⁄6” x 25 1⁄6”.

Page 12: Chapter 1

1.14 AARON DOUGLAS. Noah’s Ark (c. 1927). Oil on

masonite. 48” x 36”.

Page 13: Chapter 1

1.17 SUZANNE VALADON. Adam and Eve (1909). Oil on

canvas. 63¾ × 51⅝.

Page 14: Chapter 1

1.18 Marc Chagall I and the Village. (1911). Oil on canvas. 6’3-5/8” x 4’11-5/8”.

Page 15: Chapter 1

1.19 Max Beckmann. The Dream (1921). Oil on canvas. 73-1/8” x 3

5”.

Page 16: Chapter 1

1.21 Ryoanji Zen Temple, Japanese sand garden, Kyoto, Japan.

Page 17: Chapter 1

1.23 HENRI MATISSE. Piano Lesson (1916). Oil on canvas. 8’1⁄2” x 6’11 3⁄4”.1.24 ROMARE BEARDEN. Piano Lesson (1983). Oil with Collage. 29» x 22’

Page 18: Chapter 1

1.22 LAURIE SIMMONS. Red Library #2 (1983). Color photograph. 48 1⁄2” x 38 1⁄4”.

Page 19: Chapter 1

1.25 JAUNE QUICK-TO-SEE SMITH. Eclipse (1987). Oil on canvas. 60” x 60”.

Page 20: Chapter 1

1.26 LOUISA CHASE. Storm (1981). Oil on canvas. 90” x 120”.

Page 21: Chapter 1

1.27 ALFRED STIEGLITZ. The Steerage (1907). Photograph.

Page 22: Chapter 1

1.28 FAITH RINGGOLD. Tar Beach (1988). Acrylic paint on canvas and pieced fabric. 74” x 68-1⁄2”.

Page 23: Chapter 1

1.29 EDWARD HOPPER. Nighthawks (1942). Oil on canvas. 30” x 60”.

Page 24: Chapter 1

1.30 RICHARD HAMILTON. Just What Is It That Makes Today’s Homes So Different, So Appealing? (1956). Collage. 10-1⁄4” x 9-3⁄4”.

Page 25: Chapter 1

1.31 ZAHA HADID. Sheikh Zayed Bridge, Abu Dhabi. 2006.

Page 26: Chapter 1

1.32 EUGÈNE DELACROIX. Liberty Leading the People (1830). Oil on canvas. 8’6” x 10’10”.

Page 27: Chapter 1

1.33 SUZANNE LACY AND LESLIE LABOWITZ. In Mourning and in Rage (1977). Performance at Los Angeles City Hall.

Page 28: Chapter 1

1.34 BETYE SAAR. The Liberation of Aunt Jemima (1972). Mixed media. 11-3⁄4” x 8” x

2-3⁄4”.

Page 29: Chapter 1

1.35 MIRIAM SCHAPIRO. Wonderland (1983). Acrylic and fabric collage on canvas. 90” x 144” (framed)

Page 30: Chapter 1

1.36 MARCEL DUCHAMP. Fountain (1917). 1951 version after

lost original. Porcelain urinal. H: 24".

Page 31: Chapter 1

1.39 JOSÉ CLEMENTE OROZCO. Epic of American Civilization: Hispano-America (c. 1932–1934). Fresco. 10” x 9’11”.