changing places.pdf

8/11/2019 changing places.pdf

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ChangingPlaces


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OXFORD"",.,.,m ,"~'''' C~,.,,;,o ''' '' ' ', ,'m.wo"' ","",'",,,l~''''M''.r"" '" """,,"~m of,'" '~j.."l'l'oI_'"""""",,,,'""",~m,'"~"'" '""', ..., '"""''''~"....".,"" "'",."., '"' ,""" ,,', '" ~"".'"~ m

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""",.""",. . . , '. ." ,., ' , , , , , """ """"" ~:_' " ' ; . ' ","" ". , . _ ~ "o ,,,., , ,,,", ' , , '" ."!",._'o Cv< ,",PI'''"''''''',"' ,,,_,,,.\,,,,,".,~"."'''J'''''''''' ",,,,'.,,,.,"",,: "",,.~ W,I:I"~,'[ ' ," "" ' : ' " , ." , . , ," M,,;__,. , ' ," " , A,,," ' ' l. , ,"",e "''''rt,,'' "eh t , . , , , - , ~ " , . ) } ,-r~ k.' ". ".",.,.",,,, ""m:,.",,' p " "' ~" " ' " \ " " ', ," ': ~ :. , ," ,,."."" ," :>,,""~",' 11.,..,,,,, ,,,. ,~. ,,,.,,,,

e _ ." " " " ' i I - . . - . , , . " i " , , ' " " ' , ' " " , " " ' " , ' -

Series Editors: 8ill 8Qwler and Sue Parminter

Changing

PlacesA la n H in es

IIIU5trated by Thomas Sperling

At" Hin i,,h u,no, of 5


4/31

Iivcry rn"rnill~. H"I gels upal SCVCIlo'd,>rk.lIc rd,

Fr".!tli". hi, dogo 11"cul, his

hrcakfast. Thcll he gds on

his bkyde und go", lo work.

,

!i(!}

.- '"i"'eth~i>"'" '0

" "" "'" o r """" ' ' ' i

B E F O R E R E A O I H G

Leonardo Ili~aprlo

a It', ""ilin~woc.

b 11',dl"","nt e '"' l da1e 11 ' $ dirtl wo,k

d Youcan m"ka" 10101monej

e Y U LJe"n w,lk do"n th, streot and pcoplc don.t look at yO"

I Yaudo.' t mAke muo" " 'O"el

g People alw"1' stop you m the strCel and ",nt to t"'k to YOU

h 11,sn'l '" '! ' exC'ling

2 Wo"ld yO"li"" to change plates with someon. Ismo"s loc a day~ (lhey 11 YO"C

Iife a.d yO"li their lile 1oc24 ho"1'5.) Whowo"ld yO"IIke t. I>e?Why?

1 Maleh Ihe sentenee. wilh Ihe plct"res and lie~ Ihe bo.


5/31

Hul \\'ork, al lhe lO"_ IIe watches Ihe "isiton

carefulJ:. They can look al lhe anim;,l~ - but

they can' go tlcar Ihelll or feed (hom,

Sometlme, al nlght. Ilal hm a

wonderful drenm. He Is r"moLls " " Jhe has an excllinH lIfe.Then he gels up

in (he mornin,t a"d he ls HIII IIglli".

For hb nex( mm';,-, Timll"eUfS

;la~s s_ llis face i,very diff,,,en( 1n

gla"e,. 11',nol Tiln llawkill" f"ee

an~ mallYI",ople do "01 ...'.ogni.e

him, :\ow Tim walllS (o ",ear l\las,,-,s

"IJlhe li",,,.

'1kno\\' lha! man,' [lCople

lhink. wl1


6/31

One mornlng. Hal gels up.

'Today 1'0'1differenl from

yesterday Or the day before that!'

Hal thioks. Thcn he remembers

somethlJlg. In tn"n-ous.

Hal thinks ahout Ihis. Tilen he ,mil .".

i\ll right.' he says. He gvcs ilis dothes

10Tim. and he take, Tlm', duches.

_ .'" " " " " " '' '1 ''. - ._""""'"'"

Later, llal is ",,ing

a sandwich when

Tlm Ilall'kins

walks in. Tim

stares at Ha!' and

"l ,tare, ,,1Tlm.

"""" ' ""1 th " ' " " , , " '

fII. " " " " ' o a 'M')'OU "" '",ni, 0 4 " " , " ' '' '' ' _ 1 , 1 ' " 1 "

1 1

"

When IIal ge15 to the ZOO, a movie l'Rw ,

Ihere. They are rnaking a movle - wlth Tim

Hawkios!The erew are I1IminK. Hal walche:s

for two or three minutes. He is I'ery exeited.

no. ,. ,>< "" ' ' ' '' 10 " ' 0> . ' " " "~- - . o o . '''ttl< or", ..""'"wof ",opJ. ""00'"

"'w""'i"_'


7/31

R F . A D lN C C H E C K 2 U.e Iho 100rdoIn Iho 100rd.n.ke lo complele

Ihe "".lonc05.

.1,m Hawkio, wheo thej sce him

at ~Imio the street

[\lerybo~y r-

b People

e [\lerl morni,,~ Hal Fred~lc, h" oo~

d Sopllie wiints to (l.",,(1)' .' ..llal.I ' 1,mis .\'" .~';, ..,"Hal.slOOo"eday

r 1 1 ,1 has 8 ,erj /'-".{',,!' ..t lile.

g Halllas intere,tln~ ..~; .,.".'V'J at nl~hth In hi, new fdm T,mwears ' f r ' " "'1v~

Halmust morr" Sophie Inlwo ~"jS and no IcelS ''l~,:a.'",",T,mhas a" interestlng, "':'.\;:'.i'- wll,n M sees 1101

\ ChanRin~places w,m somebMl con b, a tot of \_ .."\

OOOO

O

O

OO

OO

Tim

' "OO

O

O[l]

r; :e lO

' "

""

M.leh Ihe nlene05 wilh Ih. pietuc "nd lick

Ih. bo.e.

Complolo Ihe .onlonco. lOijhIho woc~. in Ihe bOl.

W O R D W O R K

a H e I Vo r" I n a '00

b H" mMe st"r

e ~cthio~ e"itin~ happeos in his I,te

d He ",ant, 10 marr" Sophle

e He', unl>appybecau," he ~aesn.t rave a no,m.1 lifB

f He', me,inB amo", ot Ihe lOO

g Hewalch" lile 0"1' worklOgD O a ,cene

h He', eatlng a ,an~w,o~ Wne" tne two mc" mee!

I Hesal'. 'ler. ,honge pi. ces '

j He sajl. 'AII ri~llt"

C;,IS"nd ,1o~, are

b H,,, and ,hirts are

-.. .. . " ,, ;ma, s___ w_~

.' , ', . . . ' , , -.",1Ji,:/'

- ' . '-A J ; , . ' . -

c lhi: WhitoIlou,e "nd Bi~Ben are ~...",,,,.I.'.-- bUilding'

d X 1,1r}n"nd MQlrIX are " .,...(~.; /'-/

(;w'ION"Pallrow en~ Leonardo D,C,p"o ar


8/31

~hapter two

Suddeoly, a 200 worker COmes

in. 't's time 10 go to wo,k, Hal.'

the worker says to Tim,

/

'This is easy!' Tim say" 'Who is Hal

and who i, Tim? ";ohody koows.'

'Our mothen can'lSlly,l'm ,ure!'

Hallaughs,

Ewrybody i, look;og at llal now, Al fir,t 1", lec], ,,,,"vous,

Tim is happy, t,w,

'(ioodHlorning, Hal!' lhe 1""

workcrs calllo him,

Tlll'Il 11,,]', bu" COme, lo speak

lo hi",_ 'Tanncr, yo"muslgo

lO lhe "lOllkt',. hou",,' he tdl,

Tim. "Caoyo" work lhefe for

'Ul hou . picase?"

" ' - " L o " " " " " " ,

_ " ' " ' '' ' " ' " ' """""' "1"~

" ".,~,f,~"'"t h " h , , , , , , ,,,,.,, 11""

" ' " " " " ' 0 " , 1 > " " " ' ". . . ""

R M O ."" '"0 0 """ , "" ' " w,to.1001""


9/31

'1Jo,,'l ",,,,,llo do thO"e lhln:,~'

11m '''ys. 'YOIId" them. You be

Tim II"wkin" YOl1('an do il!'

'1can lx-Hal Tann"r: Tim ,ay'.

'ut",do il for one Hlore d"y:

Tim Hawkins ll'CSan e~dting lire, Ilallhinh.

1im Ion" llal' s Juh bcrau,e ll(}body

reeognlzes him. '1"hi, is a nonnallife. he

thinks. And lhese mOllkeys are wonJerful~

I.~ter, Hal , , , , J Tim mee!. Thcy must chHntlclhcir dothes agaill. Tim h". many lhings to

do th,,\ night,

'You are Olla lT lalk ~how al fil'!'o'ch:k."

11,,1ltlls him, 'Then you h,,\'e a parly Jaler:

,.

ta' ~h'"',mM _~,,"1~", " ," 'o " ' o n 1'1

. " " ' e n _ ' " h "'"

.g.to '" ' , ", , '

"


10/31

R E A D lN G C H E C K 2 U.e the .ord. in Ac\i.ity 1 to eumplet. th enteneos.

Pullhe .ontence. In th. Ctln-ectordor, Mumbe.thlm 1-11.

a O Amo wo..ercallsT'm 'Hal".

b O T.m~oes to the mankey ho",e

c O Haland Tim ag'e' lo cha"g~ nlace, lur one mar. ~"YdO Haltell, Ti", abaut o TVt8lk ,hoY


11/31

l ri< Ioro m ,> , """ '" '"m '' ' ' ' ' '_"i~t'""

Hal (dls Tim e\'erylhinll "boUl 11,,1

Tanner. He lalks aOOut l1i, do;:

FredtUe and his girlfr;"ml Sophie,

Tim ldls 11,,1everylbing. 100,

ForTlm. lhis h easy. He h"s

many diITerell1 roles in m()vics.

,_. . " " " , . " , , , , , ,. . . , '"-_ . oft ...,.,.. _

Tlwy agrce lo nux\ al an ()Id

huildlll near l 1,,1', hou,e ,,1 six

o'dock lhe next C'"ening, Then

lhey can change do\hes again.

Tim trkks ",me peop\c, but he

d()t",n"\ lriel"izehlm, lIe 's not Hal.'

Hal tinds TiJlt's ",use,

Thb is \\'oll


12/31

Bciog" movie actor 1",lp' Tim

",ilh Hal', job, Tilll cao di",b

wry welll'en'usc he make, a

101of ,,,'lio" IllOvie'. There

is all a{Tid nl ",ilh lhe sky

Ira", allhe zoo and Tim dimbs

up !Ohelp lhe pe


13/31

I l A D l N G C H E C K

Match Ihe blg. bl.ck wo.d. wilh Ihe peoplo o. Ihlng .

'1 dOn't recagn"e h,m'-----""""" , I,m's house

'This 's wanderi"!" ,

the'''j trJm

,'She IS~,o'JhfLJI.' '---,freddi, lhe dog

,m olimos un la h,lp Ihe pe"pl, lOit ,m's girlfr,""d

She i,o'l bro"lhlOg Saph,e

, He h!; the Idea of mak,ng a home 0"0 olth< erew afier s~ewrth her ho" an ac"denl

W O R D W O R K

,Use Iho word. lrom Acti.ily 1 to completo Iho nleneo .

Thoyoro f,lming Inthe ,0 (" '.;,1

Ilolp hoc' SM canl

,,m" ,n lots al mo"o"

Soph" i, Hal's

l,m can't F"d,l" lhe dog, Hallik bCIOga mOle

T,m has mO"1 d,ffo'ent, '" the n1uvies

1,m can ,erv well

, Ilot ,ometlmes da" wock al the '00

1~"re's '" wrth the ~kj Iram ,,1the lOO

b . m

ggl_-------

, ,

G U E SS W H A T

:~)S.IOJr'- ,----- Whal happens In tho nexl eh.ple'? Tlek lho bo.o .

~

. . ,

"." Halond Timehange baek again O O'~; Hal and Tim'pea .on Ihe phOM O O k rt " ~.t d l,m marri,s Sop~,e O lJ'{./


14/31

500n. D~vid.50phie'S brmher. comes

10get Ilal r o r the wcdding praelkt'_

Tlm goos back to Ha!'s house and calh

h, cell phone. Hal ha, he ceHpbom'

wuh him. But there's no answer .

. - . . . . , . . . ' " n , , " " " " ' ' ' '' _ _ _ " '" " " " u nm,,,., t>ffy" ,," )'0 0

Tim calls Hal ~g~in.

Again. there's no a",wer.

__ """""_1"".. _.00


15/31

Al the wedd'. lllgpraclkc lhat rv .rmng, Tm musl be Hal Trn ;oe~to h-climh 15 Iwusr. leR S owr the I(;,te

ut lhe poi",' ,

'Stop!'lhey 5~1:~!lim,

'Oh,!"" don', ', want,1Il)-'olle lo see Tmlhrsc old I 111l Ilaw~ns"" e olh"," lb' k

lI!l, "mi h. . II1-S, runs "",ay,

rsu"Jlv Tmr - ' runsrom people.:\0\\' h~-runn' f ."mg mm lhe pollee!

\

\

. . . . . .. . ., ,"' " ""_ ( In : : ' " " rth , ,"

,""""' '' "' dO)

, . . .." " " '" 'P,doo,,"". . . - -_ . _ _ " ; " ' O O D O_"" "1 '

"l'~h"""'."". . " ' "

"


16/31

R E A I H N C C H E C K

Corree! so.en more mistalln in Ihls ehapter sommary.

even"'9Irs thCJn".....".~-befaro Hal",,,,,es sapnlo T,m "a.ts for freddlo bul no nMer come,

Timi. ~ettlng "eNOUS.110,,113 Hal,but Hal dOesn't ,,,,,,,", tho door. Th,n Ha!'s bro\~er,

Da,,~ c~mes \O g,1 him. In tho ~esert irs s"nny. lhe Gre",walts to Iilm. [vorybody IIStens

to Hal ",hen he sal' '1mu,t le,,'e" T,m l(>. you can pho"" peaple "r.en l'O""ant

b 8efore you do samethlng Important (O"th, l,r,lllm" It'S a good i~,. to hJ'le

som,

e Th, w,nt to lind tbe killer

d Mj l athe r's lar: j IMa y "nd w,re ha ,io~, hi g ror h im to nlgh\

e Whe,e can I ' I donl "ant p"opte 10 load Ola

I ca n'! ga mio Ihe Barde n. 111. ISn't ope n

g Are you goin~ to Tony ilnd Sarafi', '

CUESS WHAl

hau," Bu!then the polioe seo him the,", and he muSl "alk away lrom thom

W O R D W O R K

Whal happen. In the n"J


17/31

\\'nen nohody j, looking, Hal leuvcs,

1Nhen Ihe film


18/31

llall


19/31

It s Tim on [he phone. '\\'here

arc you" Tim ask. Ha!' 'WIlI'

aren'l }llU here?'

'Xo. [don'l know~' saysTirn,

'Someone al",ay, dri\'e, me lo lhefilming in he mornlng and back

h"mc in he e"ening. Bul piease

gel h"re 'luily! llikc Sophk, bUI

1don't watlt to marry her!'

'1WHn!lo come ba: says !la!'

'Hui J'm 10'1. Where am Ji \\,1",re

are h'1' filrning lhe deser! scene?

Do you kno",?"

Smh.lenly, Tm' s (.elI phone :s

dpad. 'Tim! Tit!l~'Hal cries.

'Oh, no" hink. al.

'Today is llly "ediliug:

,~I~'>do! oo' jo


20/31

b Ilal r"nS aera" to lim's Jeep

d The Jeep STOpsslowlj

lIal can'! call ,m

Da,id, Sop~,., brother, , ,n. wedo,ng dre"

Soph,e "cri,e, ,come, to ~et Timfor The w",trl'"I\

,Tim"'Y'

,inthe farm workers truc,

lIal acrives 'Wn,cho"e of YO"ISHJI I;onn,,(."

Sophie says ,morrlcs Hal

, In tM end Sophie 'Stop .,erlth,n~"

, "

G U E SS W H A T

Wh8tk.ppcn~In tko ne..-t.hooIOr! M'loh Ikn fir


21/31

S()phi~comes in ,,"h~nIh~ musk

begins. She is bea"tiful in her

wcdding dre",

Tim and David 1\0lo the fronl of

rh" churrh "nd stand Iher",

C hap ter six

t\1 , , 1 "f peo]'''' are

hefe for Ha) nnd

Sophie\ ",,,drling, ami

[hey are nll stnm!w.s

toTim, U"vld,Sophi"" brul h"r,

n'm'" In l',t'l huno

'It"s [im" lo go.' Da\"id

s"ys.

IluO" ...- " ' " ' ) ' O Y ' ' ' ' ' ' e


22/31

Everyone ,tare, al Tim. Suddenly. they hear a Irtlek. and lhen muslc.lt's

comlnj( from nuhide.

Sophie see, Hal. Shc looks

al Tim, and she loob al Hal

again. Then ,he rain, .

Whw Sophie opcns her cyes "guln.

H"l "nd Tim tdl her everything. Thc

two of them are taJking al once.

'Stop!' Sophie say'. She gels up and

looks at Hal and Tim, 'Whieh one"f

y


23/31

R E A D lH G C H E C K W O R D W O R K

What happen. aller Ihe end 01the .to')'? Choon INlm lhe'" Ideas or add

Jo"r Own.

" ' ' 'S lc

Hal and Sophlc', l'icdding

10 'm

come to

e1l"re1l

}lll1lS

GUESS W HA T

a lot,al 9'A~S'h.

b Alllhe peapl, lhe", orc

c Sophi' and Hal "'cg,"~, Sophl. comes In

e SOphi. "h,n eh, se" 'm ""d H.I in Iront 01 hcr

I TM peoplo ot thc "odd,ng suddcnly ~CJr the larm l'iorke,,' ,,"USlC

U.e tbe wordslrom Ihe ple,"re to complete Ih"se senl"nce .

e Thc ~doorsoP,nand 8tome.onwlthsome ~

d Ihe " peo ple h""r a ~ l t>",ugh the "i ndol'i

e Sudd,nly

~ -~g In the "nd ~ mameS ~ and Vgu,s to th, ...ddln~

B O 11,1,nd Sophle go 10 soe T,m's neX!.,o"e

b O 11"1and Sophie go lo 1,m's l'ie


24/31

In tre o,o"in~,

Your lif~_~ __ Your famo"" person'. Ilfe

I'i~","/II""'

wh"tI"~t?

l'ihatldo ",oc: doy"

~ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ~: C / U l I l l ! / 1 I J / 'W C$,I MyMmeis

: 1USU"lly li,"

1 1u",Jally " ,t ,, 1 u s u al ly g o,, 1 u su a ll y,

: This l'ieok I'm changin~plae" I'i,t~,,

, .... .. .... ." ,

~ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

2 No.choo alamo.1 p. on "ad fill Inlhe tabl. lor ,ou .nd them,

3 Use your table lo wrile a 'ChanglngPI~"ea'projecl.

*

"'o tee e'Mings

. m " hotel in Holl,wo~d

Amertcan 10M

rrake a moYi. in toe doy

. mee t 1015 01no ,!

go to lOIS 01 par' lI,S

~ n iB h t

CIUlIIg illg PIaces

My O""" ISAno Garcia I usually li,'e

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

C h a n g tiJ g l'la r n :

. Spallsh tooo

. go lo "nool ,n lhe daj

do hom.work

watcn T V in the ", 'ening,

I u,uall, ea!

I u suBI ' l ga

I u!ual'j do

,,'Thi, week I 'm chanSiog pla . ;es with p,oelope Cru,

rm I , , , , . g In a not , 1 ' " Ho l I1 'Wood

Projecl A

r---------- ,

" , n ar;;-:;--- Garca

U.~"all , with m y ,mil, i"

V"'encl . In Sp,'n

1 An" Gar-cialo chloRinK place. wilh renllope Crllllo


25/31

Project B Describiugll scene 2 Lk al lh. pictu and completa tilo '"nlene wlb Ih. "ard. InIh. bo.

a~. .""'1 'ram bah/nd In InIr",,!01

nttl n.tf ttI


26/31

3 Horo io another se.na fromlha mo.ia O.sar1 D"fJ Write o deserlplion,

Use Ihe wordl In tbe bo.lo help 'OU, G R A M M A R C H EC K

somet,m.,

ne,er

Halgl often/alwoJS gels up at se\lOno'c1ockbeca uSe he

start, wock at eight Hehl slwa,./ metlm" goes lo

wock an his blcyele becau~e he do",n'l have a oar. !lallS

i) sometlmosl $uaIIJ' " ' "1 lired alter woM


27/31

4 1I'.lhe nighl befo Hal'o ",.dding, Who mu.t do Ihe Ihing.? U.e toma of the

","opl. more Ihan on.

Modal au.iliar)' .eeb.: musl

We use mu;l. infiniti," ",ilhoul 1010 tal. aboul strong ohliiation

in tw o dal's , HoJ musr marry So.h'e

la!er, Ha/.ond 11mmee/. Ihey musl choogc clolhes agoj(l

"

G R l l . M M l l .R C H E C K

Ma.e: amrmallvo and negativo

Wouso ha,"lha. llar he. she,and jI) lo talk about poss."ion

IhU'" on ieo,

Ho l hos Iho eoll phono wilh him

10 form the nOiali", ",e ",e donlldoesn't (Ior he,she, an d it) haye,

I,m oe sol hov e o normoll,l.

Tomake Que.lians, "'o uSe doldo", (Ior he, .he, and itl ha, . Wereuse the

auxiliar)' .erb in Ihe "n,wer.

{)o yau hm'" O girllrieod. H a/.' res, J do,

2 Wrll nt.nee. wilh Ihe torr.ct amrmativo 0< negativo foem 01hate,

a T im /adogcalledfreddlc '0.~~, ' , - n

b Sop~lela role ,n Tim's oc", film'

e T,m aod Hall blue oyes'

d Hall. bir;ycle'

G R A M M l l .R C H E C K

1M larm ",orkers

T im an d H al So pn ie

a aet inTim's film

'~",:..\:,~.

b run from the police

e ",ear a ",edding dre"

d lea,e th, desert

e phOne Hal

I change Ih.ir clofhes aga,n

g goto a l'iedding pracfice

h lakc T,m's car

film e big sc,n, ",~n Hal,n the desert

I arr"e at l~" ",edding inlim.

k driv" HalIDth, church

Ha l Ti m an d S op h, .

lh, film ere",


28/31

G R A M M A R C H E C K C R A M M A R C H E C K

5 Match th. p.r1' 01tho .enten '. Who sayo thes. lhing.? Wlit. Hal nr Tim,

Somebooy ccGogoies T l m - fcedd/e'

Tlm 10"S HlIl'sjnb bec a"se nob ody recQ gmz es ,~Imj

Hal te/I, T,m ever'ltnlng "bout Hal Taonec, ' 1----

Normally gl no o :..eryon. knows T,m b,,"",c ha's a

famous roovieSlar. But now he's got Hal', ~a" ;Jno ~al's

gl,,,es, and h) .omebody.:no one recognile& ~im. Ile s

standing in me churc~ Jnd i) . rybody:'nolhlnt i, loakiog

JI him. He,an't morry Sophie: he mu,1 sayj) lomothing:

ol')'ono quickl, Soddaoly"e ,~,uts 'Stop ~\ e cythl.g!

moono' Ih,S can't happcn" Il her-yon ...No on. ,t"re~.1

him b,c"u,e th.y don't "nderstand. Sud~.nly Ihe, hear

mi evecything 'Iomothlnt oulside lhe e~urth nl Som.one

MoblH!yopen, Ihe door. n', Mal", or i, 11'

som oone l som ebody sO m e l ~m ;

no o nel n""" ' ' ' ' ' ' := ' : : f , ,; ,ot hiO9evecyoneleverybody everything

Indeflnlte prono"n", p.ople a.d tliing.

We u,e inde~nile prOMuns to 1.lk abou! people and thing. when we don.t say who

nr ",hat ",aetlj, The endiog --


29/31

G R A M M A R C H E C K G R A M M A R C H E C K

Po i focm.

WeUSepo i adj.eli,es to lal. aboul po ion

m , Wh,ehune al yau IS Hal Ttmoer'Wlro do ., r im ehaoge places w lIM

'" "hel.he/il

they

your

hi"h.rMs

'"'Iheir

Quesllon w.

We use que,lion w.rds. ha", "hat, whe", where, which, "ho, and why In

informalion Question"

i l 'hy are ya" weaclnf} Ihose o!~o lo the weddin~ pr"ctice' O

.. ,., ". do Halaod TLmwant to chan~" plac",' O, do", Halu,uall~ "ork' O

doo. Halth,"k aDO"1Tim', Ilfe' O

r"co~ni,cs Timin HJI'S cloth ' O, does Halle.ve 1,m', jeep' O

doe, Hal~"l 10the wcdd'"B' O

, .. , ,., happ,n, wheo Sophle $Oe$Haland lim' O

, ____per$on doc, Sop~le marry' O

, Hal loo,"s ,1'0 t~e deseM,n'. reall~ excrting,SM marries Hal

Ih" n;ehl ~.'oratia'" ,,"cdo;n

,Because Ihey "aol \0 have $ome tun

She faints

J,ep,

tn a '"",Hara dog, f,edd,e

Sorne farm workers dri," him lo Ihe ChLJrch


30/31

" '" " ', , , o T _ , " "0 I0 lI "' O . "

' "" '_ , , "' " " ", t oo . ' "' " . _ . .. -- . .. . . , , 1 1 "".. ,..,""'"_ . - . 1 " " " , . ., _ . . " " " '. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

1 \

lI kIlrd

1 In on",.~I " 01,lIU!t,ot.~ ,1",,, ,' ld m ooor n """" , n lOU'""Mj i"O'~"nl;u'j' ot'l" - f",m S"c(tr ,OI~", - ,,0;


31/31

OXFORD.NT\.ERSlTy PUSS

wwwoup.com,lelt

Hal work>al the zoo every day and h, lif. iVerim,", ,""le" '" Pnotoll,,,,. (dI,,,'",'

Documents

changing places.pdf