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Carnatic Music. Continued. 3 Functioning Layers. Melodic Layer Drone Rhythm Associated with particular instruments. Melodic Layer. Two Parts: Principal melodic soloist that dominates the ensemble Usually voice. Can be violin, bamboo flute, veena .. - PowerPoint PPT Presentation
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Carnatic Music
Continued
3 Functioning Layers
• Melodic Layer
• Drone
• Rhythm
–Associated with particular instruments
Melodic Layer
• Two Parts:• Principal melodic soloist that dominates the
ensemble– Usually voice. Can be violin, bamboo flute, veena..
• Melodic Accompanist who aids the soloist– Plays with vocalist– Echoes and supports improvisations– Plays solo improvisations
Veena
http://www.youtube.com/watch?v=gLA58vT-FI0&feature=results_main&playnext=1&list=PL91F824B8ECE3D33C
Drone
• Holds one or two notes throughout a piece• Specialized drone instruments– Tambura: four-stringed plucked instrument tuned
to tonal center and fifth• Purposeful Buzzing timbre
– Sruti (shruti) Box: Played with bellows– Today electronic synthesizer
Tambura (Tambur)
http://www.youtube.com/watch?v=KxPwJ93aWcI
• Sruti Box
http://www.youtube.com/watch?v=lBwAV8urkvw Shruti Box
Rhythm/Percussion
• Bedrock of the ensemble• Mridangam: principal percussion instrument
• Ghatam: large clay pot• Kanjira: tambourine• Morsang: jaw’s harp
Mridangam
Drummer’s Art
• Improvisatory style• Based on hundreds of memorized rhythm
patterns and drum strokes• Art centers on drum strokes
• Sollukattu – spoken syllables
• Drummer is crucial!
Concert Song Forms
• Start: Varnam• Continues: String of Kritis• Main Item: Often a Kriti• End: More relaxed atmosphere–Devotional music bhajan • Slokam: chanted religious verses• Songs from bharatanatyam
Kriti
• Made up of numerous sections• i.e.– Alapana– Tanam– Kriti “Sarasiruha”– Kalpana svaras 1 & 2– Tani avartanam– Kriti (return and close)
Alapana
• First section of a performance• Free-flowing exposition and exploration of the
raga of the kriti• Voice/instrument and drone background• Nonmetrical (no regular beat/tala)• Has general plan– Slow, low high, fast slow, low
More on Alapana• Raga is derived from the kriti• Natai Raga – associated with Siva in the
form of Nataraja “The Lord of Dance”–Oscillation on second note of scale in
descent–Musical personality: • The Dance of Shiva shakes the
universe with its power and fury
Tanam
• Highly-rhythmic exposition of the raga• Improvised patterns and drone on veena • No tala cycles but strong sense of beat• Like Alapana trace from low to high in
graduated steps and back down again.
Kriti
• The major song form of the concert• May be short or very long• Very flexible structure but compositions
remain recognizable
• Sung or not, the words influence the performance
Kalpana Svaras
• Improvised section• At the end of or after a kriti• Singer sings names of notes!• Returns to phrase from kriti as home base
(idam)
• First short simple improvisations• Then longer and more complex
Tani Avartanam
• Improvised and precomposed rhythmic solo• By mridangam• Conclusion of the main item in a concert• Can be 10/15 minutes or more• Displays his skills and imagination
• Ends on korvai – big pattern repeated three times• Leads back into kriti phrase
Bharatanatyam
• South Indian Classical Dance• Accompanied by Carnatic Music• Dates back to 1000 B.C.
• “Fire Dance”• Celebrating spiritual universe
Dance
• Very similar to classical music is music for South India’s dance traditions
• Particularly bharata natyam• Nattavangam – chanted rhythmic
syllables (with dance)
• Lyrics often repeated many times
Aspects of Dance• Karanas: 108 transitional movements• Hastas: Expressive hand gestures• Adavus: Basic rhythmic dance unit (108-150)- Most use around
60 (syllables)• Bhedas – head, neck, eye movements• http://www.ehow.com/video_2382623_basic-bharatanatyam
-dance-hand-gestures.html
• http://www.youtube.com/watch?v=prQOdTmF8u0• http://www.youtube.com/watch?v=96AGc1qRWDI&feature=re
lmfu (group)
• http://www.youtube.com/watch?v=waEXlvat5GA Bollywood
Psychedelic Rock
• Late 1960s – West• Counterculture• Attempts to replicate and enhance mind-
altering experiences• Draws on ragas and drones of Indian music• The Beatles, The Byrds, The Yardbirds, Grateful
Dead
Fusion
• http://www.youtube.com/watch?v=dtzrbbJ6N2g Yehudin Menhuin and Ravi Shankar
• http://www.youtube.com/watch?v=f1g2o7nVy-g&feature=related George Harrison and Ravi Shankar
• http://www.youtube.com/watch?v=ljnv3KGtcyI&feature=related Within You Without You
• http://www.youtube.com/watch?v=AI9RJbljBLw Rohan Krishnamurthy video
• http://www.youtube.com/watch?v=gLA58vT-FI0&feature=results_main&playnext=1&list=PL91F824B8ECE3D33C Veena Master
• http://www.youtube.com/watch?v=lBwAV8urkvw Shruti Box
• http://www.youtube.com/watch?v=KxPwJ93aWcI With Tampura