12/31/12 7:10 AMCareer Tips For New And Emerging Photographers | Fstoppers

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Career Tips For New And Emerging Photographers

I did this post for my personal photography blog, but Ifigured this is an important subject that I hope the Fstoppers community will benefit from. By all means add tothis list in the comments below if you have any suggestions!

I get this email all the time: “I’m a new/aspiring/struggling/young photographer and I want to know what ad-vice you have for me?” I literally get this email or tweet or facebook message daily. I suppose that’s what I get forteaching at conferences and offering whatever possibly wisdom that I can share publicly. For a long time, I con-sidered just making a form letter, but then thought that would also be very impersonal…so those emails and mes-sages were placed into a folder awaiting a time I could give my personal input. Alas, here we are: I have just de-cided to do a blog post to offer some core key tips that may help you on your way in your new photography ca-reer. I hope this helps some of you.

So here you are. You’ve chosen one of the most challenging and highly competitive careers in the marketplace to-day. Are you crazy? Ah, that’s ok if you are because it is also supremely rewarding if you find your own successwith it (I wrote an old blog post on my personal take on life as a workoholic photographer). Although, be pre-pared. It is HARD work. Most photographers statistically make poverty income if you consider the high expenseof gear, insurance, and personal marketing. Not all of you will succeed as shooters in the end… and that’s ok, be-cause you are going to give it your best and if its not for you, there are a bunch of other related jobs you can dowith your photography knowledge (retouchers, producers, agents, creative directors, photo editors, etc). In theend, the odds are against you, but if you are willing to work, plan, be strategic, and be true to yourself creative-ly…you may have a fighting chance to really make it! Not trying to discourage you, just making it clear that this

12/31/12 7:10 AMCareer Tips For New And Emerging Photographers | Fstoppers

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career isn’t all fun and games and you have to be willing to fight for it.

1. ALWAYS CARRY BUSINESS CARDS: My dad used to say the same thing, and he was right. Never leavehome without them. You always have to be prepared to sell yourself. You see ANY chance to snag a photogig from someone, you hand out your card. There is no excuse. Business cards are really cheap. Checkout overnightprints.com and vistaprint.com for some affordable business card deals.

2. FOLLOW UP: Hand out your business card? Ask for one in return. Always follow up. Chances are, theywon’t remember to message you. It’s happened to all of us. Send them a nice note or email reminding themof your meeting and offering your services. Same goes across the board. Following up on any lead givesyou a greater chance of landing jobs rather than sitting and waiting for someone to call you. FOLLOW UPFOLLOW UP FOLLOW UP (oh and thank you cards are effective too). Have a client you like working withalready? Don’t forget to check in with them from time to time as well!

3. BE TENACIOUS: Want to work with someone or some organization or client? Be vigilant. Follow up, ha-rass them (nicely), research them, find a way to reach them. Network your way up the ladder! There havebeen times in my career that I found companies and magazines and individuals that I wanted to photo-graph with or for and I did everything in my power to find a way to make that happen. That is probablyone of the biggest keys to my career success so far. When I WANTED something, I didn’t wait for them tocall. I found a way to get myself in front of them. You want it? TAKE IT.

4. CARRY EXAMPLES OF YOUR WORK EVERYWHERE: Cannot count how many people ask me if I am apaparazzi or a wedding photographer or children’s photographer (and all these things I am not), whenthey hear I am a photographer. Want to wow someone? Carry your best work with you. I suggest keepingimages on your smartphone or carry an iPod touch with you. Being able to pull out your work at the dropof a hat is crucial in this day and age. Say you meet a potential client. How are you going to prove you areworthy or make yourself memorable? It’s not like you are selling a basic retail item, you are selling your-self and your work. Show them what you can do.

5. MEETING IN PERSON IS BETTER THAN OVER THE PHONE OR EMAIL (EVEN MAGAZINES):Maybe I am old-fashioned, but if you want to really close a deal with a new client, see them face to face…makes it harder for them to say no Even goes for magazines. In NYC or some town that has one of themagazines you want to work with? Set a time to stop by with your laptop, portfolio, iPad in person. Don’tknow how to contact a magazine? There are sites like Agency Access or Adbase, where you can buy con-tact lists, but there is an easy way if there is a handful of specific magazines you want to reach… Go to thebookstore and pick up said magazine. Go a few pages past the table of contents and there will be a list ofstaff. Look for the names of the photo editor or assistant photo editor or creative director if that’s all theyhave. Sometimes they have an email or phone listed next to the name. If there isn’t, there is ALWAYS anadvertising department phone number (magazines thrive on ad sales). Call the ad department and say youaccidentally called the wrong extension and if they could connect you with the editorial department. Whenyou get the editorial switchboard, hit up the photo editors. An old trick I used to use. Shhhhh!

6. BE A SPECIALIST: Stop trying to be everything for everyone. Just because you can shoot dogs, cats, kids,celebrities, families, astronauts, magazines, product shots, etc doesn’t mean you have to sell yourself thatway. Think of it in the terms of dating. Would you desire a mate most that will go out with just anyone orthe one that stands out in a special way and is memorable? Yes, I can and have shot many things, but Ipush myself as an on-location portrait photographer and automotive shooter. Sometimes I really have totrim my portfolio to reflect that. You like shooting kids? Be the best kid portrait photographer you can be.Same goes with cars, weddings, etc. Don’t try and sell and market yourself for everything. Be that mateeveryone will want and remember…or photographer…you know what I mean.

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7. SHOOT MORE PERSONAL WORK…REALLY: The biggest piece of advice I can give you. Shooting per-sonal work hones your picture-taking skills, gives you purpose, and fills gaps in your portfolio with thekind of work you WANT to get hired to shoot. Clients are less likely to hire you based on your promisethat you will do a good job. They want to see your portfolio and say “ok, this photographer knows how toshoot [fill in the blank with your specialty] and I want to hire them.” Art directors and clients also like tosee passion in your work and personal work or a photo series is a fantastic way to accomplish that goal. Ibelieve it’s good to practice your skill, why not practice with a purpose?

8. ALWAYS KEEP BUSY: To do lists, goals, personal work, marketing, networking events, follow ups…there is plenty you can do at any given moment. Want to learn more about this? Go to my old blog postwhere I discuss in depth.

9. IT’S NOT ABOUT HAVING THE BEST GEAR, IT’S ABOUT DOING THE BEST WITH WHAT YOUHAVE: It is great to have the best of the best, but its almost as important to be able to make the most out ofwhatever gear you have. A friend of mind shoots FANTASTIC portraits with a base model Canon Rebeland a single prime lens (I think she bought a second lens now). It blows my mind what she can do becauseshe made the best of the situation she could afford at the time. Get decent gear to get you started, but don’tupgrade unless you can 100% justify how it will help improve your craft or better serve your clients.

10. BE TRUE TO YOURSELF: I know, so cliche… but its true! Develop your own style. You like shootingsomething a certain style? Just do it. Don’t even think about it. I always loved the concept of hiding lightsin different places on set and I would always experiment. I didn’t think clients would clamor to me for it, Ijust know I was fascinated by lighting and always was experimenting. Don’t try and copy or mold your-self. Be you. I think that’s all I need to say about that.

11. FIND INSPIRATION: Some of the biggest steps I made in my early career were the times I would go toexhibits or the library or book store and look at various photo books and magazines. I found great inspira-tion from a variety of photographers. I took note of why I liked their imagery and kept a little scrap book. Ieven keep a folder on my computer desktop of images I found that I really liked. I have no intention ofcopying those photos, but I take note of small elements here and there that I really use to improve my ownwork. The key here is to never stop looking at art. It’s amazing how other artists can inspire you to be bet-ter.

12. BE GOOD TO YOUR FELLOW PHOTOGRAPHERS: You never know when you will need an extra handon set, a location referral, a piece of equipment to borrow, etc. They can be a huge asset, not an enemy. Iwrite all about this here.

As I mentioned above, this is not going to be easy. Nobody can hold your hand or give you an amazing photogra-phy career. You are going to have to earn it. Hopefully the tips above will steer you in the right direction!

A few of my successful photographer friends have chimed in with some additional insight for you:

Luke Copping

A few smaller points to help round out this awesome list that have always served me well:

13. Don’t be an ass!!!

“A person who is nice to you, but rude to the waiter, is not a nice person” ~ Dave Barry

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Drop the ego and focus on what you are creating. No one wants to work with a jerk or a diva. Everyone fromyour client to your assistant to the caterer should be treated like royalty if they are doing their job right. You areall one big team and need to come together as one no matter how big or small the job is. Be the kind of personpeople want to work for/with and it will pay huge dividends over time.

14. You are your brand

“It is not slickness, polish, uniqueness, or cleverness that makes a brand a brand. It is truth.” ~ Harry Beckwith

We work in such a collaborative field that you cannot treat your business like a faceless corporation selling wid-gets. Embody the ideals and experience that you want to infuse into your business, and that you would want toreceive yourself. Your brand is more than your logo, it is more than your work, it is you and the complete experi-ence that you build for your clients, fans, and viewers. Be real, be personable, be fun, be reliable, and be a smol-dering creative genius

15. Your competition is you

“Success means never letting the competition define you. Instead you have to define yourself based on a point ofview you care deeply about.” ~ Tom Chappell

Your goal is to never be generic or forgettable – you cannot let the actions of other photographers define you orwhy and how you make images. Likewise you need to focus on what works for you rather than trying to emulatethe triumphs of others. Don’t focus on trying to be the next Avedon, focus on being so damn good at being youand doing what you do that people will say “Avedon who?” Make your work and always push yourself harderand harder.

Glyn Dewis

16. Don’t Rush into Business

Take time to not just build your skills but take time to just enjoy photography. Getting set up into business andwanting to make money out of it too soon leads to pressure which in turn takes away the fun aspect.

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Have questions or want to suggest posts you’d like me to do in the future? Hit me up on TWITTER, FACE-BOOK

You can see more of my work here: www.SondersPhotography.com