Antique Furniture, Clocks, Bronzes, Objets d’Art, Eastern Carpets & Rugs, Musical Instruments, Oil Paintings & Watercolours

CAPES DUNN

Tuesday 23rd February 2010 at 12 noon

Lot 143

Lot 157

Lot 120

Lot 13

Lot 136 Lot 17

Tuesday 23rd February 2010Commencing at 12 noon

The Auction Galleries38 Charles StManchesterM1 7DB

Tel 0161 273 1911

Fax 0161 273 3474

capesdunn@googlemail.com

www.capesdunn.com

ViewingMonday 22nd February 201010am to 7pmMorning of sale from 10am

Sale No: AF407

Catalogue £4.00

Front Cover Illustration Lot: 15

PLEASE NOTEALL GOODS must be removed by 4pm on Thursday 25th February 2010

Antique Furniture, Clocks, Bronzes, Objets d’Art, Eastern Carpets & Rugs, Musical Instruments, Oil Paintings & Watercolours

CAPES DUNN & CO.

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PLEASE NOTEThe descriptions in this catalogue are for the purposes of

identifying the lots and are not intended in any way as a guarantee of authenticity. Please see the General Conditions of Sale on the

inside front cover of this catalogue

All weights and measurements are approximate

Buyer's premium is 16% + V.A.T on the hammer price

* Denotes that goods belong to registered persons and V.A.T. will be charged

YOUR ATTENTION IS PARTICULARLY DRAWN TO THE FOLLOWING

Whilst Capes Dunn & Co make every effort to ensure the accuracy of their catalogue and the description of any lot:

(a) Each lot as set out in the catalogue or as divided or combined with any other lot or lots is sold by the vendor with all faults, imperfections and errors of descriptions.

(b) Capes Dunn & Co do not accept responsibility for the authenticity, genuineness, origin, authorship, date, age, period, condition or quality of any lot, unless they have been instructed in writing by the vendor so to certify, and in such case the Auctioneers do so as agents of the vendor and are not themselves responsible for such claims.

(c) All statements, whether printed in the catalogue or made orally as to any of the matters set out in (b) above are statements of opinion only and are not to be taken as being or implying any warranties or representations of fact by Capes Dunn & Co, unless they have been instructed in writing by the vendor so to certify, and in such case the Auctioneers do so as agents of the vendor and are not themselves responsible for such claims.

(d) Droit de Suite

The Artist’s Resale Right Regulations

Following the introduction of the Artist’s Resale Right Regulations on 14 February 2006, Capes Dunn will implement the new levy as follows:

Capes Dunn will collect the same amount as the resale

royalty from the buyer for any work of art covered by the regulations.

Royalty rates will only apply to works sold in the secondary market and not for those sold for the first time, and for works which are sold for €1000 or more. Royalty rates are calculated as a percentage of the sale price on a sliding scale from 4% (from €1000 to €50,000) down to 0.25% (over €500,000).

Resale royalties ARE NOT subject to VAT.

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Carpets and Rugs1. NAINPERSIANRUG,withdarkbluefield,

centralmedallionandallovertrailingfloraldesign in salmon pink and pale blue, large creamandbluespandrels,creamandfloralmeander borders with pink guard stripes, 4’1” x 2’10” £80-120

2. GHIORDES STYLE TURKISH PRAYER RUG, with four panels across each with a prayer arch, with pendant temple lamp and side pillars, diaper pattern multiple border stripes, stencilled pattern with fawn and pink ground, 4’ x 2’7” £70-90

3. KASHAN PERSIAN RUG, with dark blue and floraldiamondshapedcentremedallionwithfloralpendantsonanoffwhitefield,pinkandfloralmeanderprincipalborderstripewithtwonarrow guard stripes, 3’11” x 2’1” £70-90

4. LARGE PAKISTAN RUG OF TURKOMAN STYLE, with all over trellis pattern with guls on a mushroomcolouredfield,repeatformalfloralprincipal border with six narrow guard stripes, 6’ x 4’2” £80-120

5. TWO VERY SIMILAR PAKISTAN ‘BOKHARA’ SMALL RUGS, each with a single row of ‘elephants’footgulsonafawnfield,repeaterformalfloralpatternborders,3’x2’1”(2) £60-90

6. PAIR OF PAKISTAN RUGS OF CAUCASIAN STYLE, each with two large guls in dark red on a fawn field,narrowmultipleborderstripesandwithdiaperpatternendpanels,3’4”x2’(2) £60-90

7. PAKISTAN PURE WOOL RUG, mushroom coloured with large centre angular medallion in brown and light blue, multiple border stripes and end panels, the ground with stylised birds, 2’11” x 2’2” £30-50

8. LARGE EASTERN CARPET with diamond shaped centre medallion with pendants in midnight blue and white, with matching spandrels, on a pinkfield,theprincipalborderwhitewithfloralmeander decoration and guard stripes, 16’ x 11’ £100-150

Clocks and Barometers9. EARLY TWENTIETH CENTURY GERMAN EIGHT

DAY ‘ALARUM’ PATENT MANTEL CLOCK, by Winterhalter and Hoffmeir, retailed by G. Spiegelhalter & CO., the mount Whitechapel Road, the 5” enamelled Roman dial with subsidiary alarm dial, powered by an eight day movement, striking on two bells, housed inaflattoppedcasewithscrollstothesides,raised on a moulded plinth base, 9 1/4” (23.5cm)high £75-100

10. 19TH CENTURY FRENCH EMPIRE GRAND SONNIERE GILT WOOD CASED WALL CLOCK, 6 1/4 in. enamelled Arablic dial powered by a drum shaped movement with silk suspension striking on two gong rods, housed in an oblong moulded case, behind glass, 20in. x 16 1/2 in. (50.8x41.9cm) £500-700

11. LATE NINETEENTH CENTURY FRENCH WHITE MARBLE AND ORMOLU PORTICO CLOCK, the 6” enamelled Roman dial powered by a large barrel shaped movement with silk suspension, sun burst, pendulum and external cartwheel, striking on a bell, housed in a polished white marblecasesurmountedbyaflameandscrollfinial,abovesquaresectionuprights,flankedby slender urn side pieces, on an oblong base inset with Bacchanalian embossed panels, on turnedfeet,211/4”(54cm)high £1000-1500

12. LATE 19TH CENTURY FRNECH LARGE LACQUERED BRASS FOUR GLASS MANTEL CLOCK, 6” enamelled roman two piece with visible brocot escapement, powered by an eight day movement with mercury compensation pendulum, striking on a gong, presentation inscription to front of base, 15 1/4”(38.7cm)high £700-900

13. LARGE AND IMPRESSIVE 19TH CENTURY WALNUT QUARTER REPEATING BRACKET CLOCK BY FRODSHAM AND BAKER, 31 Gracechurch Street, London, the 9” silvered one piece arched dial, roman numeral, engraved leaf scroll spandrels to the corners and arch and silent/strike lever, signed, powered by an impressive triple fusee movement, striking the hours on a coiled gong andchimingthepullquarterrepeatonarunof eight bells and hammering, housed in a gothic arch topped case with carved cresting andturnedandcarvedfinialsaboveapairofcolumnswithleafycapitalsflankingthearcheddoor(lackingglass)scrollpiercedsidefretsonan invered breakfront base with carved and turnedfeet,311/2”(80cm)high £2000-3000

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14. a 1973 DENT OF LONDON EIGHT DAY MANTEL CLOCK, in the form of a drum cased movement, descending a narrow rectangular gilt tooled red morocco leather covered gilt brass and red perspex angled incline inscribed with days of the week from Sunday-Sunday, supported at one end by two tapered columns above a conforming plinth base with triangular boss inscribed ‘Dent’, the reverse of the clock case inscribed ‘Dent for Brian A. Taylor 1973’ 281/4”long(somepittingtothebrass-work) £80-120

15. LARGE NINETEENTH CENTURY FRENCH BRONZE PATINATED AND GILT SPELTER MANTEL CLOCK, the drum cased movement by S. Marti and Cie, Paris with visible escapement, the cased formed of a Roman fort soldier in combat with a warrior on horseback, the name plate inscribed ‘Vercingetorix’ above a gilded base cast with stylised mythical beasts and cartouches , 25” high(somedamageandlosses) £250-350

16. LATE NINETEENTH CENTURY FRENCH GILT BRASS CASED MANTEL CLOCK, the movement byS.MartiandCie,Paris,thedialwithfloralenamelled ivory chapter ring with Roman hour numerals and Arabic minutes, the case with galleried top and four detached Corinthian columns, applied with laurel garlands and floralfestoons,13”high £150-200

17. LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK, signed Samuel Whalley, Manchester, the 12 1/2” brass dial with silver chapter ring and subsidiary seconds dial and date aperture to the scroll engraved centre, enclosed within cherub mask spandrels, powered by an eight day movement, striking on a bell, housed in a caddy top case with foliate scroll blind fret carved frieze and turned tapering columns to the corners, over a long shaped trunk door, flankedbyquartercolumns,raisedonaplainbasewithplinth,6’11”(2.118m)(lackingfinials) £700-900

18. LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, with moonphase aperture, signed David Collier, Gatley, the 12” brass dial with moonphase aperture and subsidiary date aperture to the scroll engraved centre, enclosed within cherub mask spandrels, powered by an eight day movement, striking on a bell, housed in a caddy top case with two foliate scroll blind fret carved panels to the frieze and columns to the corners, over a long trunkdoor,flankedbyquartercolumns,raisedon canted base with bracket feet, 6’11 1/2” (2.12m)high £700-900

19. EARLY TWENTIETH CENTURY FRENCH BRASS CARRIAGE CLOCK, inscribed A. Siemes, the enamelled Arabic dial housed in a polished corniche style case with top carrying handle, 4 1/2”(11.4cm)high,completewithkey £80-120

20. EARLY NINETEENTH CENTURY FIGURED MAHOGANY MANTEL CLOCK, signed Kleyser and Co., High Street, Southwark, the 9” painted Roman dial, powered by a matched twin fusee movement striking on a gong, housed in a plain arch top case with scroll pierced side frets and shaped panel beneath the dial, raised on a plinth base with turned brassfeet,19”(48.3cm)high £200-300

21. EARLY TWENTIETH CENTURY GERMAN HIGHLY FIGUREDWALNUT(?)MANTELCLOCK,byWinterhalter and Hoffmeyer, the 4 1/2” silvered Roman dial powered by an eight day movement, striking on a gong, housed in an arch top case with line inlays, raised on a chamferred plinth base with silvered metal ballfeet,91/2”(24.1cm)high,togetherwitha MODERN BRASS REPRODUCTION BRASS LANTERNCLOCK,10”(25.4cm)highoverall(2) £30-40

22. MODERN GEORGIAN STYLE MAHOGANY MANTEL CLOCK by E.J. Goodfellow, Wadebridge, the 7” dial with silvered Roman chapterring,floralengravedcentre,flowerheadspandrels and ‘Tempus Fugit’ medallion to the arch, powered by an intricate eight day movement striking o nine rods, housed in an inverted bell top case with cop carrying hand;le and pierced side frets, raised on a moulded plinthbase,17”(43.2cm)high £30-40

Lot 18 Lot 20

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23. LATE EIGHTEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, signed JA (MES)Bolun,Matlock,the12”painteddialwithfloralspandrelsandlandscapewithdwelling and windmill to the arch, powered by a thirty hour movement, striking on a gong, housed in a case with swan neck pediment and slender columns to the corners, over a longtrunkdoorwithshapedtop,flankedbychamferred corners and raised on a base with shapedplinth,7’1”(2.16m)high £400-600

24. MID EIGHTEENTH CENTURY OAK LONGCASE CLOCK,signedJo(h)nDraper,Maldon,the111/2” brass dial with silver chapter ring and subsidiary seconds dial and date aperture to the scroll engraved centre and Ho-Ho bird engraved madallion to the arch, powered by an eight day movement, striking on a bell, housed in a arch top case with brass ball and spikefinialsandbrasscappedflutedthreequartercolumnstothecorners,overalongmoulded trunk door with arch top, raised on a plain base, with shaped plinth £500-800

25. LATE NINETEENTH/EARLY TWENTIETH CENTURY MAHOGANY CASED DIAL WALL CLOCK, the 12” painted Roman dial powered by a single fusee movement in a case with turned surround and pegged back £180-220

26. LATE NINETEENTH CENTURY FRENCH BRASS FOUR GLASS MANTEL CLOCK, the 4” two piece enamelled dial with visible Brocourt escapement powered by an eight day movement, with mercury compensation pendulum, striking on a bell, housed in a polishedflattopcase,withshapedplinthbase,111/2”(29.2cm)high £250-350

27. FRENCH FLORAL PAINTED AND GILT WOOD BRACKET CLOCK, signed Dachateau, the 4 1/2” enamelled dial powered by an eight day movement, striking on a bell, housed inawaistedcasewithballfinialandglazedfront,raisedonscrollfeet,13”(33cm)high,complete with the MATCHING BRACKET, 18” (45.7cm)high,overall(2) £100-150

28. SCHATZ, GERMAN POLISHED BRASS 17 JEWEL MANTEL CLOCK, the 4 1/2” dial with polished centre and black chapter ring, powered by an eight day movement, chiming on eight rods, housed in a glazed oblong case with canted base,91/2”(24.1cm)high £150-250

Lot 23

Lot 24

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29. EARLY NINETEENTH CENTURY CROSSBANDED AND MAHOGANY LONGCASE CLOCK, with rolling moon, signed G. Esplin, Wigan, the 14” painted Roman arched dial with subsidiary calendar and seconds dials, painted with figuresanddwellingstothecorners,powderedby an eight day movement striking on a gong, the moonphase apparently unconverted, housed in an arched top case with swan neck pediment above a pair of half turned columns flankingtheglazeddoor,overaflamecuttrunkdoor with shaped top, raised on conforming base with base with later bracket feet, 8’ (2.44m)high £700-900

30. LATE NINETEENTH CENTURY WALNUT VIENNA STYLE SPRING DRIVEN WALL CLOCK, the 8” Romandialwithfloralembossedgiltmetalcentre, powered by an eight day movement, housedinaflattopcasewithsplitturningsflankingthekeyholeglazeddoorabove,onamouldedunderturnedfoot,38”(96.5cm) £120-160

31. LATE VICTORIAN CARVED OAK ANEROID WHEEL BAROMETER, the 8” enamelled dial with an engraved scale from 26-31 with a moveable brass hand, the shaped case with foliate carving to the top and base and with thermometertothetrunk,351/2”(90.2cm)high £60-90

Lot 29 Lot 33 Lot 34

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32. LATE NINETEENTH CENTURY WALNUT VIENNA WALL CLOCK, by Gustave Becker, the 7” two piece dial with subsidiary seconds dial, powered by an eight day movement with an ebonised pendulum rod, in a case with split turningsflankedbytheglazeddoor,standingonanundercurvedfoot,38”(96.5cm)high(lackingcrestingandfinials) £150-250

33. EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, by Samuel Lomax, Blackburn, the 14 1/4” painted dial with subsidiary date and seconds dials, painted with exotic birds and foliage to thecentre,withinfloralspandrels,signedLomax, Blackburn, powered by an eight day movement, chiming on a bell, housed in a case with swan neck pediment above turned columnsflankingtheglazeddoor,overalongtrunkdoor,flankedbyflutedsquaresectionquatrecolumns,raisedonacantedbasewithlaterogeebracketfeet,7’2”(2.184m)high,dial repainted and case re polished £1000-1500

34. LATE 18TH CENTURY OAK LONGCASE CLOCK, signed E. HARIMAN, WORKINGTON, the 12 1/4” brass dial with subsidiary calendar aperture to the scroll engraved centre,enclosedbyfiguralspandrelstothecorners, powered by an associated eight day movement,strikingonabell,housedinaflattopped case with moulded cornice above a pairof3/4turnedsplitcolumnsflankingtheglazed door, over a long trunk door with arch top and raised on a plain base with plinth support,6’7”(2.07m)high £600-900

35. AMERICAN ‘JASPERWARE’ PORCELAIN MANTEL CLOCK, the 2” paper dial with matted gilt centre, powered by a hand wind movement, housed in an arch top case, moulded in white withcoloursandclassicalfiguresonablackbackground,63/4”(17.2cm)high

36. EDWARDIAN INLAID MAHOGANY MANTEL CLOCK, the 4 1/2” enamelled Arabic dial poweredbya‘FabriquedeParis’eightdaymovement, striking on a gong, housed in a lancet top case with gilt metal side carrying handles and fan and boxwood line inlays to the front,113/4”(29.9cm)high £70-90

37. EARLY TWENTIETH CENTURY WALNUTWOOD MANTEL CLOCK, the 5” chapter ring enclosing a gilt matted centre, powered by a drum shaped movement with short ebonised pendulum rod, housed in a ‘Vienna’ style case with swan neck pediment over glazed door with split turnings, raised on a shaped plinth base,201/2”(52.1cm)high £40-60

38. LATE VICTORIAN MAHOGANY CASED MERCURY TUBE STICK BAROMETER with ivory register plates, with thermometer , made by G. Cartwright and Son, Preston, 38” high £200-300

39. OAK RAILWAY WALL CLOCK, 14” painted Roman dial, marked L.N.E.R., powered by a single fusee movement, in a case with turned surroundandpeggedback,181/2”(47cm)diameter £300-500

40. AN EARLY 19TH CENTURY LONGCASE CLOCK, the 30 hour movement with painted arched dial inscribed’ Fothergill Knaresbro’, contained in an oak and mahogany banded case, the hood with swan neck pediment and turned detached columns, the trunk with short door andreededquadrantforecorners,onbracketfeet, 88 1/2 in. high £500-700

41. LATE EIGHTEENTH CENTURY LONGCASE CLOCK DIAL, with rolling moon phase and movement,faintlysignedHe(n)ryFurnivall(?),Oldham, the 14” painted dial with subsidiary seconds dial and birds perched on leafy boughs, painted to the centre, enclosed within floralspandrels,rollingmoonphasetothearch,poweredbyaneightdaymovement(af.)

42. EARLY TWENTIETH CENTURY ANEROID BAROMETER mounted on an oak shield £40-60

43. EARLY TWENTIETH CENTURY CARVED WALNUT ANEROID BAROMETER, with enamelled register from 26-31, in a circular case, 7 1/4” (18.4cm)diameter £25-35

Musical Instruments44. SEAMED COPPER KETTLE DRUM by V.A.

Chaine, 93 Islip St. Kentish Town, London, 23” (58.4cm)high,27”(68.6cm)diameter £25-45

45. EARLY TWENTIETH CENTURY ELECTROPLATE AND EBONY THREE PART FLUTE, 28” long whenassembledinplushlinedandfittedcase £25-40

46. UNBRANDED EARLY TWENTIETH CENTURY GERMAN VIOLA, chestnut coloured with one piecewellfigured15”back,TOGETHERWITHTHREE BOWS the frog to one bow inscribed Gotz in a PLUSH LINED DOUBLE CASE, with strings etc. £100-150

47. UNBRANDED PRE-WAR HALF SIZE VIOLIN, of palecolourandhavingfiguredtwopiece131/4” back WITH BOW IN CASE £100-150

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48. DELCETTA, LONDON CIRCA 1920’s UKULELE BANJO, 22 1/4” long, in ORIGINAL CASE, with John Grey and Sons paper instruction label, and a BEGINNERS BOOKLET £30-50

49. TWENTIETH CENTURY VIOLIN, COPY OF A STRADIVARIUS, bears label Made in Germany, for TMA Ltd,, pale overall colour and having two piece 14 1/9” back WITH BOW IN CASE £60-90

50. MODERN BOOSEY AND HAWKES ‘EXCELSIOR’ CHILD’S VIOLON CELLO manufactured in Czechoslovakia and having one piece 25 1/2” back together with BOW IN FABRIC CASE £80-120

51. NIGEL TREE, LONDON ‘THE ALBION’ CELTIC PATTERN BLOND WOOD CHILD’S/BEGINNERS HARP, the 34 strings having semi tone levers 3’6”(1.10m)high,togetherwithSTOOLORIGINAL PURCHASERS RECEIPT AND BROCHURE(cost£692in1992) £150-200

52. C.G. CONN, U.S.A. CIRCA 1920’s ELECTROPLATED TENOR SAXOPHONE, distributed by the Saxophone Shop Ltd in Gerrard Street, London in probably original PLUSH LINED CASE with spare reeds £80-120

53. HOHNER ‘VERDI III’ PIANO ACCORDION, with ornate cream and black plastic case, the soundbox with pierced electroplated metal grille, 24 keys in plush lined contemporary case £50-80

54. BOOSEY AND HAWKES EBONY AND PLATED METAL FOUR PIECE ‘CONSOLE’ CLARINET, 25 1/2”longoverall(af.) £30-40

55. GERMAN LATE NINETEENTH CENTURY VIOLIN, bears label ‘Copy of a Stradivarius by Julius Cantor1896’havingtwopiece14”back(af.andlacksfingerboard)incasewithTWOBOWS £30-40

56. CHINESE‘LARK’VIOLIN(incomplete)incase,THE MAIDSTONE VIOLIN with 13 1/4” back (af.)andanUNPOLISHEDVIOLINbearslabelLe-Parisien and having one piece 14 1/4” back(lackfingerboardandpegsetc.(3) £40-60

57. EARLY TWENTIETH CENTURY VIOLIN, WITH TWIN PURFLING LINES, two piece 14 1/2” back(unstrung)incase £35-50

Mirrors and Light Fittings

58. LOUIS XV STYLE GILT METAL AND CUT GLASS TWENTY BRANCH CHANDELIER, 40” (101.6CM)dropapprox £400-600

59. PAIR OF EARLY TWENTIETH CENTURY GILT METAL AND CUT GLASS TENT AND BAG ELECTROLIERS,23”(58.4cm)drop,approx(2) £200-300

60. PAIR OF MODERN OXIDISED METAL AND FROSTED GLASS CEILING LIGHTS, each with three downswept supports with angular terminalsandconicalbowl,311/2”(80cm)deepapprox(2) £40-60

61. SET OF THREE MODERN METAL AND FROSTED GLASS CEILING LIGHTS, each with three mottled blue painted downswept supports and deep,flaredbowls,28”(71.1cm)dropapprox(3) £450-60

62. PAIR OF MODERN OXIDISED METAL CORINTHIAN COLUMN PATTERN TABLE LAMP BASES, with hexagonal bases and pleated creamsilksquareshades,241/2”(62.2cm)highoverall(2) £30-50

63. MODERN LOUIS XV STYLE GILT METAL AND FROSTED GLASS FOUR LIGHT ELECTROLIER, comprising of three downswept supports issuing scrolling branches with frilled moulded shades, above a central cut glass bowl with tasselanddropborder,26”(66cm)high £40-60

64. MODERN OXIDISED METAL, MOULDED AND FROSTED GLASS FIVE LIGHT ELECTROLIER, the four outswept supports terminating in uprights, enclosingaconforming,leafmouldedflaredbowl,441/2”(113cm)dropapprox £50-80

Lot 58

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65. TWENTIETH CENTURY GILT WOOD AND GESSO FRAMED WALL MIRROR, the oval plate within a moulded surround, set on an oblong frame with foliate scroll pierced border, 27” x 23” (68.6cmx58.4cm) £30-50

66. TWENTIETH CENTURY GILTWOOD AND GESSO FRAMED PIER MIRROR, in the classical taste, the oblong, bevel edged plate, in a moulded frame with egg and dart border, surmounted by an oval framed and glazed print, after Kauffmann,flankedbypiercedscrollwork,38”x161/2”(96.5cmx41.9cm) £30-50

67. PAIR OF GILT METAL AND PORCELAIN ELECTRIC TABLE LAMPS, of pedestal pattern and therme shaped inset with porcelain panels, hand painted with rural landscapes andrusticbuildings,13”highincludingfittings £60-90

68. EARLY TWENTIETH CENTURY CENTRE FIGURAL SPELTER TABLE LAMP BASE, modelled as a sailor, standing on a rocky outcrop and holding aloftaflamingtorch,raisedonasquarechamferredplinthbase,33”(83.8cm)high,adapted £60-90

69. LATE NINETEENTH/EARLY TWENTIETH CENTURY CHIPPENDALE STYLE CARVED GILTWOOD WALL MIRROR, the rounded oblong plate in a pierced scrollwork frame with flowerheadsandfancycresting,47”(119.4cm)high,22”(55.9cm)wide,(repairstocresting) £250-350

70. VICTORIAN BRASS OIL TABLE LAMP, with white glassshade,flutedcolumnandmouldedgreenglazedpotterybase,23”(58.4cm)high,(convertedtoelectricity) £30-50

71. BRASS CORINTHIAN COLUMN TABLE LAMP, withsquarebaseandgoldcolouredsilkshade,28”(71.1cm)highoverall £25-35

72. ALABASTER AND GILT METAL TABLE LAMP, with vase shaped column, circular base and fabric shades,23”(58.4cm)high £25-35

73. MILK GLASS OIL TABLE LAMP with clear glass chimney vase shaped column and circular base, 14” high £40-60

74. SPODE COPELAND’S CHINA WHITE GLAZED FIGURAL ELECTRIC TABLE LAMP BASE, modelledasaseminudefemalefigureonfloralmoulded,domedandcircularbase,171/2”(44.5cm)high,darkgreenprintedmark(cracked) £80-120

75 Blank Lot

76 Blank Lot

Metalwares and Boxes77. GEORGE III STEEL AND CAST IRON FIRE GRATE,

FORMERLY THE PROPERTY OF THE DUKE OF WELLINGTON, the arched back above downswept sides and polished serpentine front,surmountedbyurnshapedfinialsandraisedontaperingforelegs,291/2”(74.9cm)high,301/2”(76.9cm)wideSuppliedwith a letter of provenance from Edward A.Nowell,dealerinantiques,Wells,dated1966, indicating that ‘As far as I know, the Fire grate along with Another was purchased from J.A.S.A. Lewis & Son, and ‘Both came from secondary rooms at Aspley House, when surplusfurnitureandfittingsweresoldbeforethe house was converted to a museum in 1935) £200-300

Lot 69 Lot 77

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78. CALEDONIA QUEEN ART DECO CAST IRON STOVE,oblong,181/4”(46.3cm)high,171/4”(43.8cm)wide,stamped,No.6,Queen6lbs £30-50

79. CONTINENTAL CAST IRON STOVE, cylindrical withpiercedcover,341/2”(87.6cm)high £40-60

80. LATE VICTORIAN STYLE BRASS CAST IRON FIREGRATE, the arched back plate cast with foliate scrollwork above bow front railed basket with scrolling supports, surmounted by flamingurnfinials,283/4”(73cm)high,21”(53.4cm)wide

81. ARTS AND CRAFTS COPPER COAL BUCKET, stamped W.B. 1902, pair of cylindrical form with studded border and brass loop handle, 12”(30.5cm)high,131/2”(34.3cm)diameter, together with a circular brass LOG BASKET with large lion, mask captive ring handles,11”(28cm)high,16”(40.7cm)diameter(2)(bothaf.) £40-60

82. SEAMED COPPER HELMET SHAPED COAL SCUTTLE, with brass loop handle, 12 1/2” (31.8cm)high,15”(38.1cm)wide,togetherwithaBRASSEXAMPLE,12”(30.5cm)high(2) £30-50

83. ANTIQUE COPPER BED WARMING PAN, typical formwithfloralengravedcoverandturnedwood handle, together with a COPPER TRAY withwavyborder,16”(40.6cm)diameter(2) £30-50

84. VICTORIAN LARGE BRASS JARDINIERE, oval part lobed form with lion mask captive ring handles to the ends and lead liner, raised onpawfeet,101/2”(26.7cm)high,33”(83.8cm)wideoverall £100-150

85. LARGE BRASS LOG BASKET, circular with captive lion mask ring handles, on four paw feet,151/2”(39.4cm)high,251/2”(64.8cm)diameter(af.) £50-80

86. PAIR OF NINETEENTH CENTURY ITALIAN GILT BRASS BAROQUE STYLE ALTER CANDLESTICKS, triform with all over repousse decoration,nowfittedaselectrictablelamps,candlesticks 19” high £150-200

87. PAUL TADLOCK, LIMITED EDITION MODERN BRONZE GROUP ‘MEMORIES’ modelled as a young boy sat on a barrel, watching a blacksmithatwork,13”(33cm)high,121/2”(31.7cm)wide,mountedonanovalgreenveined marble plinth, incised artist mark and limited edition No. 93/150 £180-250

88. ANTIQUE SEAMED COPPER KETTLE with brass loophandleandacornknop,11”(27.9cm)high overall, together with a BRASS EXAMPLE with turned wood handle and knop and a PAIR OFCASTBRASSANDIRONS(4) £35-50

89. ART NOUVEAU STYLE CAST BRONZE PLAQUE, depicting a mother and child, 12” x 22” (30.5cmx55.9cm)framed £200-300

90. ART NOUVEAU STYLE CAST BRONZE PLAQUE, depictingthreecherubs,12”x13”(30.5cmx33cm) £200-300

91. ART NOUVEAU STYLE CAST BRONZE PLAQUE, depictingthreecherubs,12”x13”(30.5cmx33cm) £200-300

92. PAIR OF EARLY NINETEENTH CENTURY ITALIAN ‘GRAND TOUR’ LEAD ALLOY PLAQUETTES cast in bas relief after paintings by Leonardo and Raphael, executed by Francisco Puttinati (1776-1848)eachsignedanddated1818and1825, 3 21/2” x 5 3/4” in narrow oak frames £90-130

93. LARGE VICTORIAN FIGURED WALNUTWOOD PORTABLE WRITING BOX, with Tunbridge broadly banded inlay and canted borders, 9 3/4” wide £50-80

94. VICTORIAN PAPIER MACHE LADY’S SEWING COMPACTUM, the surface grained to simulate walnut and applied with pierce brass mounts, the hinged to enclosing a compartmented silk linedinteriorforneedlesandotherrequisites,above two doors enclosing six small drawers with mother o’pearl handles,11 1/2” high (somedamage) £130-160

95. VICTORIAN WALNUTWOOD JEWELLERY CASKET, the lift up oblong top with inset carryinghandle,enclosingafittedliftouttray and drop down front with drawer behind, raisedonachamferredbase,61/4”(15.9cm)high,121/2”x10”(31.8cmx25.4cm) £60-90 Lot 84

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Furniture 96. GOOD QUALITY EARLY TWENTIETH CENTURY OAK TABLE TOP WRITING CABINET, oblong, domed top form with brass ring carrying handles to the side, the interior with sloping compartments, nest of three short drawers, gilt tooled leather inset to the top and fold out front forming a gilt tooled leather writing slope withsquareglassinkbottleandpentray,fittedwithBramahlock,111/2”(29.2cm)high,163/4”x9”(42.6cmx22.9cm) £100-150

97. PAIR OF COMPOSITE STONE GARDEN URNS, of two handled campana form with moulded foliatebands,raisedonsquareplinthbases,453/4”(116.3cm)(2) £150-200

98. FAVENTIA OF BARCELONA, SPAIN, MID TWENTIETH CENTURY HAND CRANKED ROLLER OR BARREL PIANO, playing six tunes froma16”spikedcylinder,inlacqueredwoodupright piano form case, 21” wide, carried on a green painted wooden hand cart with two red painted wooden spoked wheels with rubber tyres and the detachable shafts £300-500

99. EARLY NINETEENTH CENTURY MAHOGANY CIRCULAR TILT TOP TABLE, the dish moulded top above turned stem and arched tripod base, 231/4”diameter(cracktotop) £120-180

100. NINETEENTH CENTURY YEW AND ELM SPLAT BACK LOW WINDSOR ARMCHAIR, the pierced two piece splat and turned spindle back joining a saddle seat, raised on turned legs tied by a crinolinestretcher,351/2”(90.2cm)high £250-350

101. LATE EIGHTEENTH CENTURY OAK DRESSER BASE, the rectangular plank top with later low back above three frieze drawers, raised onsquaresupports,tiedbyapotboard,36”(91.4cm)highoverall,71”(180.2cm)wide £800-1200

Lot 98

Lot 100 Lot 101

Lot 96

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102. ANTIQUE OAK DROP LEAF DINING TABLE, the plainrectangulartop,raisedonsquarelegs,28”(71.1cm)high,201/4”(51.4cm)wide,571/2”(146cm)extended £120-150

103. MATCHED SET OF FOUR ELM STICK BACK LOW WINDSOR ARMCHAIRS, the bowed arms with turned supports, above saddle seats, raised on turned legs, tied by ‘H’ stretchers, together with a SIMILAR MATCHED PAIR OF ELM SPLAT BALLLOWWINDSORARMCHAIRS(6) £400-600

104. LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LANCASHIRE MULE CHEST, the two plank oblong lift up top above four short faux drawers and four matchingdrawers,allfittedwithbrassswanneckdrophandles,flankedbyflutedquartercolumns and raised on bracket feet, 43” (109.2cm)high,71”(180.4cm)wide £400-600

105. ANTIQUE OAK AND FRUITWOOD GATE LEG DINING TABLE, the oval drop leaf top above asingleenddrawer,fittedwithbrassdrophandle, raised on turned tapering legs, tied by stretchers,271/2”(69.8cm),15”(39.1cm)wide,441/2”(113cm)extended`

106 Blank Lot

107. EIGHTEENTH CENTURY OAK DROP LEAF GATE LEG DINING TABLE WITH END FRIEZE DRAWER RAISED ON TURNED AND BLOCK SUPPORTS (LATERALTERATIONS)61”EXTENDED £150-250

108 Blank Lot

109. GEORGE III OAK AND MAHOGANY CROSSBANDED BUREAU, the oblong top above a fall front enclosing a gilt tooled green leather writing surface and pigeon holes and drawers,flankingapairofflutedpilastersecretdrawersandcentraldoortothefittedinterior,over a pair short and three long graduated andcockbeadeddrawers,fittedwithbrassswanneckhandles,flankedbyflutedquartercolumns and raised on ogee bracket feet, 42 1/2”(108cm)high,45”(114.3cm)wide £250-350

110. GEORGE III AND LATER OAK BOW FRONTED CORNER CUPBOARD, of typical form with three shelves to the interior, now on later ball feet, 39”(99cm)high,alterations £180-250

111. ANTIQUE ELM OPEN ARMCHAIR, the arched top rail above a slat back with central diamond shaped design and a pair of outswept arms withscrollsupports,enclosingaflatfronteddropinseatwithfloraltapestrycover,raisedonsquaretaperinglegs,tiedbya‘H’stretcher £50-80

112. GEORGE III OAK CORNER CUPBOARD, the moulded cornice above a single, panelled cupboarddoor,fittedwithexposedbrass‘H’hinges, enclosing three shelves to the interior andflankedbycanteduprights,323/4”(83.2cm)high £120-150

113. LATE NINETEENTH/EARLY TWENTIETH CENTURY ELM LONG STOOL, the serpentine paddedseatwithfloraltapestrycover,abovea conforming seat rail and raised on french cabriolelegs,18”(45.8cm)high,28”x15”(71.2cmx38.1cm) £50-80

114. EARLY TWENTIETH CENTURY OAK PEMBROKE TABLE, the canted oblong top, raised on slender turned gateleg supports, 28 1/2” (72.4cm)high,121/2”(31.8cm)wide,351/2”(90.2cm)extended £50-80

115. NINETEENTH CENTURY MAHOGANY AND LINE INLAID BUREAU, the oblong top above a fall front with large oval brass escutcheon, enclosing an interior of small mahogany lined drawersfittedwithturnedivoryknobsandpigeonholes,flankingacentralcupboarddoorwithfloralmarquetryinlay,overfourlong,cockbeaded,graduateddrawers,allfittedwithbrass drop handles with embossed oval ball plates, raised on splayed bracket feet, 45” (114.3cm)high,44”(111.8cm)wide £250-400

116. GEORGE II STYLE CARVED AND FIGURED WALNUT DEMI LUNE CARD TABLE, the fold over top with egg and dark moulding an green baize inset, above a moulded frieze, raised on four acanthus capped cabriole legs with claw and ballfeet,301/2”(77.5cm)high,33”(83.8cm)wide and the protective glass top £150-200

117. LATE NINETEENTH/EARLY TWENTIETH CENTURY WALNUT AND PICTORIAL MARQUETRY INLAID TRIPOD OCCASIONAL TABLE, the circular top with central design of two birds perched on fruiting branches, enclosed within numerous bands of geometric and line inlays, above a turned column with matching banded inlays and downswept supports,30”(76.2cm)high,311/2”(80cm)diameter £300-400

118. LOUIS XVI MAHOGANY CONSOLE DESSERTE TABLE, with pierced brass gallery to the ‘D’ shaped the veined white marble top above threeoaklinedfriezedrawers,fittedwithcircularbrassloophandles,raisedonflutedtapering legs, tied by an undertier, 37 3/4” (95.9cm)high,411/4”(104.8cm)wide £900-1300

15

119. GOOD GEORGIAN MAHOGANY TILT TOP TRIPOD BREAKFAST TABLE, the circular mouldedtopaboveaspiralflutedandbaluster turned column, raised on three heavy outsweptsupports,28”(71.1cm)high,41”(104.1cm)diameterlatterlyformingpartofthefurnishingsofaManhattan(NewYork)apartment £800-1200

120. LATE REGENCY PAPIER MACHE TEA TRAY TABLE TOP, rounded oblong form with dished centre,decoratedwithhandpaintedfloralcentre within foliate gilt scrolled designs to the border, raised on four outswept faux bamboo turned legs, tied by conforming ‘X’ stretcher, 20”(50.8cm)high,301/2”x231/2”(77.5cmx59.7cm) £300-400

121. PAIR OF FRENCH EMPIRE CHERRY WOOD ‘X’ FRAMED STOOLS, typical form with old gold colouredfloralupholsteredseatsandturnedstretchers,191/2”(49.5cm)high,181/2”x171/2”(47cmx44.5cm)(2) £600-800

122. GEORGIAN MAHOGANY BOW FRONT HANGING CORNER CABINET, typical form with exposed brass ‘H’ hinges and three shelves and three spicedrawerstotheinterior,40”(101.6cm)high,29”(73.7cm)wide £60-90

123. NINETEENTH CENTURY MAHOGANY FOLD-OVER PEDESTAL TEA TABLE, the moulded oblong swivel top with rounded forecorners, above a scroll carved frieze and plain tapering turnedcolumn,raisedonamouldedquartettebasewithturnedfeet,283/4”(73cm)high,36”(91.5cm)wide £60-90

124. EDWARDIAN LINE INLAID MAHOGANY KIDNEY SHAPED DRESSING TABLE STOOL, the moulded shewwood rail above a pad seat upholstered in burgundy and cream striped fabric,raisedonsquaretaperingforelegs,withspade feet tied by a shaped undertier, 25” (63.5cm)high,231/2”(59.7cm)wide £50-80

Lot 118

Lot 119

Lot 121

Lot 123

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125. LATE GEORGIAN MAHOGANY BOW FRONTED CHEST OF DRAWERS, the shaped top above two short and three long graduated cockbeadedandoaklineddrawers,allfittedwith brass drop handles with oval embossed back plates, raised on splayed feet, 42” (106.7cm)high,411/4”(104.8cm)wide £150-200

126. VICTORIAN INLAID WALNUTWOOD DAVENPORT DESK, the dome top stationery box with withstylisedfloralmarquetryinlay(lackinginterior)aboveafallfrontwithreplacedinsert(interiorpartaf.)overlineinlaidfrontwithfourmahogany lined drawers to the right hand side

and four conforming faux drawers to the left, allfittedwithturnedknobs,raisedonbunfeetwithbrownpotcastors,33”(83.8cm)high,21”(53.3cm)wide £150-200

127. EARLY NINETEENTH CENTURY MAHOGANY ADJUSTABLE READING TABLE, the moulded oblong top with adjustable tilting action and pull out circular candle stand to the side, above an adjustable turned tapering column, with scrolling trefoil base terminating in turned feet,311/4”-431/2”(79.4-115cm)high,191/2”(59.5cm)wide(lackingresttotop) £25-35

Lot 127 Lot 129 Lot 141

Lot 132 Lot 133

Lot 136

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128. EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND WALNUT BOW FRONT CORNER CUPBOARD, the dentil moulded cornice above a pair of frame cut and panelled cupboard doors with lozenge shaped ivory escutcheon’s, enclosing two shelves to the interior,431/4(109.8cm)high,32”(81.3cm)wide £250-350

129. GEORGE III MAHOGANY BACHELORS CHEST OF DRAWERS, of small proportions, the one piece oblong top above brushing slide and two short and three long graduated, cockbeaded and oaklineddrawers,allfittedwithbrassswanneck drop handles with pierced backplates and matching escutcheon’s raised on ogee bracketfeet,32”(81.3cm)high,34”(86.4cm)wideand20”(50.8cm)deep £400-500

130. GEORGE III MAHOGANY SNAP TOP OCCASIONAL TABLE, with circular one piece top above a turned tapering column, raised on outsweptsupports,29”(73.7cm)high301/4”(76.8cm)diameter,(repairstolegs) £100-150

131. LATE EIGHTEENTH CENTURY OAK AND CROSSBANDED MAHOGANY BOW FRONT CORNER CUPBOARD, the keyfret moulded cornice above a pair of cupboard doors, with exposed brass ‘H’ hinges, enclosing four shelves and three spice drawers to the interior,443/4”(113.7cm)high,29”(73.7cm)wide £150-200

132. SET OF SIX GEORGE III CARVED MAHOGANY DINING CHAIRS, each with panelled top rail above scroll carved and pierced back rail and stuffoverseats,coveredinfloralredstripefabric,raisedonringturnedfrontlegs(6) £500-600

133. GEORGE IV MAHOGANY SIDEBOARD, the one piece moulded rectangular top above a central drawer, applied with moulding an fittedwithbrasspullhandles,flankedbyapair of conforming cupboard doors, raised on ring turned legs with brass castors, 36 3/4” (93.4cm)high,661/4”(168.3cm)wide £500-700

134. REGENCY STYLE MAHOGANY TWIN PILLAR DINING TABLE, the rounded oblong top above turned columns and outswept tripod supports, with brass hairy paw castors, with additionalleaf,281/2”(72.4cm)high,391/2”(100.3cm)wide,59cm(149.8cm)long,811/2”(207cm)long,extended £200-300

135. STAINED FRUITWOOD THREE TIER WALL DISPLAYSHELVES,23”(58.4cm)high,223/4”(57.8cm)wide £40-50

136. *REGENCY MAHOGANY SCISSOR ACTION EXTENDING DINING TABLE, with four additional leaves, comprising A PAIR OF NARROW DROP LEAF ‘D’ END SECTIONS and central four fold section,raisedonfourteenturnedandflutedlegswithbrasscastors,283/4”(73cm)high,x11’71/2”(3.545m)longfullyextended £3000-5000

137. GEORGE III LINE INLAID MAHOGANY FOLD OVER CARD TABLE, the rounded oblong top aboveaconformingfrieze,raisedonsquaretaperinglegs,293/4”(75.6cm)high,36”(91.4cm)wide £120-180

138. GEORGE III MAHOGANY BOW FRONT CORNER CUPBOARD, the moulded cornice above a pairofcupboarddoors,fittedwithbrass‘H’hinges,enclosingthreefixedshelvestotheinterior,403/4”(103.5cm)high £120-180

139. NINETEENTH CENTURY MAHOGANY INLAID OAK BUREAU, the oblong top above a fall front, enclosing a leather inset writing surface and interior comprising of drawers and pigeon holes,flankingacentralcupboarddoor,abovethreegraduated,cockbeadeddrawersfittedwith diamond shaped bone escutcheon’s and turned mahogany knobs with mother o’pearl centres, raised on turned supports, 43 1/4” (110cm)high,42”(106.7cm)wide £100-150

140. GEORGE III INLAID MAHOGANY BUREAU, the oblong tea above a tulipwood and barberpole lineinlaidfallfront,enclosingafittedinteriorofpigeonholesanddrawers,flankingapairofflatcolumnfrontedsecretdrawersandcentralinlaid cupboard door, over two short and three long graduated and cockbeaded drawers, all fittedwithbrassswanneckhandles,raisedonogeebracketfeet,431/4”(110cm)high,36”(116.8cm)widetogetherwithaLATERMAHOGANY BOOKCASE TOP, with moulded cornice and pair of thirteen panel astragal glazed cupboard doors, enclosing three adjustableshelvestotheinterior,4’(1.22m)high,45”(114.3cm)wide(2)(bureausawn) £250-350

141. EDWARDIAN MAHOGANY NEST OF THREE TABLES IN REGENCY TASTE £100-150

142. VICTORIAN PAPIER MACHE OCCASIONAL/GAMES TABLE, the circular tilt top with ovolo shaped rim and nacreous shell inlaid chess board to the centre within gilt surround, raised upon a baluster column and hexafoil shaped base(theundersidereplacedandwithlaterbuttonfeet) £200-300

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143. GOOD VICTORIAN BURR WALNUT AND MARQUETRY INLAID CREDENZA, the ‘D’ shaped moulded top above a foliate scroll inlaid frieze and central panelled cupboard door centre with an oval hand painted Sevres style porcelain portrait medallion of a young man,flankedbyapairofbowedglazedcupboard doors, enclosing gold coloured silk linedinteriors,eachwithtwofittedshelves,raised on a shaped plinth base, the whole outlined and applied with cast gilt bronze mounts,41”(104.2cm)high,601/2”(153.7cm)wide £1200-1600

144. VICTORIAN WALNUT FOOTSTOOL, circular withdomedtop,upholsteredinfloraltapestry(faded)raisedonmelonshapedbrownpotfeet,111/2”(29.2cm)diameter £30-40

145. VICTORIAN LARGE MAHOGANY DRESSING TABLE, the 48” central oblong mirror with archtopandfloralcresting,aboveashoecupboardwithslopingdoor,flankedbyapairof pedestals, each containing four graduated drawers,allfittedwithturnedknobs,raisedonaplinthbase,69”(175.2cm)high,601/2”(153.7cm)wide £300-500

Lot 142

Lot 151

Lot 149

Lot 145

Lot 156

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146. EARLY NINETEENTH CENTURY LARGE MAHOGANY CHEST OF DRAWERS, the reeded oblong top above a central crossbanded deepdrawer,flankedbytwopairsofshort,cockbeaded drawers, over three long graduated ash lined drawers, raised on heavy reededscrollfeet,461/2”(118.1cm)high,49”(124.5cm)wide

147. VICTORIAN CARVED OAK WINDOW SEAT, the lowbackcarvedwithfloralroundels,aboveheavy bobbin turned arms and plain seat with egg and dart moulded border, above a conforming frieze and heavy bobbin turned fore-legs, upholstered with buttoned gold dralon, loose seat cushion and matching tasselledbolsters,241/2”(62.2cm)high,472(119.4cm)wide £80-120

148. VICTORIAN CARVED WALNUTWOOD ADJUSTABLE TRIPOD PIANO STOOL, the paddedseatwithgreenfloraltapestrycover,above a foliate carved and turned baluster column, raised on three downswept supports, 21-231/2”(53.3-59.7cm)high £50-80

149. NINETEENTH CENTURY SHERATON REVIVAL INLAID MAHOGANY DEMI LUNE FOLD-OVER TEA TABLE, the ‘D’ shaped top inlaid with half fan and rosewood crossbanding, outlined in boxwood stringing, above a conforming frieze, raisedoninlaidfancappedsquaretaperinglegs,withlaterspadefeet,28”(71.1cm)high,371/2”(95.3cm)wide £250-350

150. VICTORIAN MAHOGANY PEDESTAL BREAKFAST TABLE, the oval moulded tilt top above a plain shallow frieze, raised on a heavy turned column and four carved downswept legs, terminatinginbrownpotcastors,30”(76.2cm)high,thetop531/2”x41”(135.9cmx104.2cm) £100-200

151. VICTORIAN CARVED ROSEWOOD WINDOW SEAT, of typical form, the arms with foliate scroll carved facings, above a moulded seat rail, raised on turned and fronted supports, terminating in brass castors, upholstered in pinkdralon,withbuttonedsquabcushion,28”(71cm)high,50”(127cm)wide £100-150

152. EDWARDIAN INLAID MAHOGANY TUB SHAPED DRESSING ROOM OPEN ARMCHAIR, the piercedbackwithscrollingtoprailandfloralinlaid central oval panel above outswept arm with scroll supports and pad seat, upholstered

inoldgoldcolouredfloralfabric,raisedoncabriole fore legs tied by turned ‘H’ stretchers, with additional turned stretcher across the back legs, the whole outlined in boxwood line inlays,293/4”(75.5cm)high £50-80

153. NINETEENTH CENTURY COMPOSITE MAHOGANY PEMBROKE TABLE, the oval top above two faux line inlaid and crossbanded drawer fronts, to the bound ends, raised on conformingsquare,taperinglegs,281/2”(72.4cm)high,30”(76.2cm)wide,37”(94cm)long extended £50-80

154. VICTORIAN MAHOGANY SUTHERLAND TABLE, with unusual gate supports, the shaped oblong top of serpentine outline, above turned end supports with downswept feet and brass casterstiedbyturnedstretchers,36”(91.5cm)wide,37”(94cm)long,extended £200-300

155. EARLY NINETEENTH CENTURY MAHOGANY SNAP TOP TRIPOD OCCASIONAL TABLE, the moulded circular top above a turned beechwood column and three downswept supports,27”(68.6cm)high,281/2”(72.4cm)diameter £80-120

156. VICTORIAN MAHOGANY WIND OUT EXTENDING DINING TABLE, the rounded oblong top above a plain frieze, raised on turned and tapering octagonal legs, terminating in large, pierced brass casters, together with an extra leaf (221/2”wide)andSETOFSIXVICTORIANMAHOGANY BALLOON BACK DINING CHAIRS, with turned front legs and recently re-upholsteredbowfronteddropinseats,(oneaf.)thetable29”(73.7cm)high,45”(1.143m)wide,54”(1.372m)long,761/2”(1.943m)longextended(7) £800-1000

157. IMPRESSIVE VICTORIAN MAHOGANY SECRETAIRE BREAKFRONT BOOKCASE, the moulded cornice, a pair of central thirteen panelastragalglazedcupboarddoors,flankedby a pair of matching cupboard doors, enclosing ten adjustable shelves to the interior, the lower section with two false drawer fronts to the secretaire drawer, enclosing an interior ofdrawers,fittedwithturnedivoryknobs,pigeon holes and central door, over three long graduatedcockbeadeddrawers,allfittedwithturnedknobs,flankedbyfourfurthercupboarddoors,raisedonaplinthbase,92”(233.7cm)high,83”(210.8cm)wide £2000-3000

20

158. VICTORIAN STYLE MAHOGANY WIND OUT EXTENDING DINING TABLE AND SET OF EIGHTDININGCHAIRS(6+2)thetablewithrounded rectangular top above a plain ‘D’ ended, moulded frieze, raised on turned and lobated legs, terminating in brass castors, with additionalleaf,291/4”(74.3cm)high,42”(106.7cm)wide,78”(198.1cm)long,953/4”(243.2cm)long,fullyextended,thechairswith waisted padded backs above serpentine fronted stuff over seats, raised on turned and lobated front legs £1000-1500

159. NINETEENTH CENTURY MAHOGANY SMALL MURAL DISPLAY CABINET, the moulded cornice above a pair of arch glazed cupboard doors, enclosing three adjustable shelves to the interior,243/4”(62.9cm)high,23”(58.4cm)wide £20-40

160. NINETEENTH CENTURY FRENCH BEECHWOOD BERGERE CHAIR £200-300

161. GEORGIAN STYLE MAHOGANY AND LINE INLAID KNEEHOLE DESK, the oblong top with gilt tooled slate grey leather insert, above a long, cockbeaded frieze drawer and pair of twodrawerpedestals,allfittedwithbrassdrophandles with pierced backplates, enclosing a panelled cupboard door to the kneehole, raisedonbracketfeet,301/4”(76.9cm)high,421/2”(108cm)wide £250-450

162. LATE NINETEENTH CENTURY FRENCH, ROSEWOOD FAUTEUIL IN THE LOUIS XVI STYLE, the arched top rail carved with tied laurel and egg and dart type borders, above apaddedbackandpairofdownsweptflutedarms with arm pads and acanthus carved scroll supports enclosing bow fronted over

stuffed seat, upholstered in old gold velvet, raisedonturnedandflutedforelegswithblackpot castors £200-300

163. NINETEENTH CENTURY MAHOGANY TRIPOD OCCASIONAL TABLE, the circular snap top above a turned column, raised on downswept supports,27”(68.6cm)high,18”(45.7cm)diameter £100-150

164. VICTORIAN CARVED WALNUTWOOD NURSING CHAIR,thearchedtoprailwithfloralcarvedpanel above a pierced vase shaped splat and flatfront,stuffoverseat,upholsteredinoldgold velvet, raised on turned fore-legs £40-50

165. NINETEENTH CENTURY MAHOGANY TRIPOD OCCASIONAL TABLE, the circular snap top, above a slender vase shaped column, raised onthree(later)downsweptsupports,27”(68.6cm)high,21”(53.3cm)diameter £60-90

166. LATE NINETEENTH CENTURY FRENCH MAHOGANY BEDSIDE CABINET, the canted oblong top with white veined marble insert above six cockbeaded, oak lined drawers, the second and third being false fronts for a drop down cupboard door, enclosing a tin linedinterior,allfittedwithturnedknobsandraised on a plinth base, with pot castors 36” (91.4cm)high,171/4”(43.8cm)wide £80-120

167. VICTORIAN WALNUT PIANO STOOL, tall circular padded top, upholstered in blue dralon, above a reeded frieze and raised on four turned supports, tied by turned stretchers and centralsupport,21”(53.4cm)high,originallyadjustable £40-60

168. VICTORIAN CARVED WALNUTWOOD DOUBLE ENDEDSOFA,thefloralcarvedshowwoodframewithcentralpiercedfloralmotif,abovea stuff over seat of serpentine outline, upholsteredinpalegreenfloralfabric,raisedon short cabriole supports, with brown pot castors,35”(88.9cm)high,69”(175.3cm)wide £300-500

Lot 160

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169. VICTORIAN MAHOGANY SNAP TOP TRIPOD WINE TABLE, the circular moulded top above aslenderturnedcolumnandfloralcarvedcollar, raised on three conforming downswept supports,29”(73.7cm)high,183/4”(47.7cm)diameter £100-150

170. LATE NINETEENTH CENTURY/EARLY TWENTIETH CENTURY FRENCH CARVED WALNUTWOOD VITRINE, the moulded top rail withcarvedfloralcresting,abovealongglazedcupboarddoorheadedbycarvedfloralswagsagainst a pierced latice work, enclosing two shelvesandmirrorbacktotheinterior,flankedbyribbontiedandfluteduprights,setabovea swagged and pierced frieze and raised on shorttaperingandflutedturnedsupports,683/4”(174.6cm)high £700-1000

171. EARLY NINETEENTH CENTURY MAHOGANY FOURTIERWHATNOT,squarewithturnedsupports and cockbeaded drawer to the lower tier,fittedwithturnedknobs,raisedonturnedsupportswithbrasscastors,53”(134.6cm)high,19”(48.3cm)wide £180-250

172. VICTORIAN CARVED ROSEWOOD DRAWING ROOM SINGLE CHAIR, the arched top rail above a waisted back and stuff over seat, coveredinoldgoldcolouredfloralfabric,raised on french cabriole front legs £40-60

173. VICTORIAN CARVED WALNUT GENT’S EASY ARMCHAIR,thefloralcarvedtoprailabovea waisted button back, outswept arm with arm pads and scroll supports and stuff over serpentine fronted seat, covered in old gold colouredfloralfabric,raisedonshortcabriolefront legs with pot castors £200-300

Lot 168

Lot 170

Lot 171

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174. SETOFSIX(5+1)MATCHEDLANCASHIRESPINDLE BACK DINING CHAIRS, WITH RUSH SEATS, TURNED FRONT SUPPORTS TO PAD FEET £250-350

175. HARLEQUIN SET OF SIX NINETEENTH CENTURY ASH, ELM AND FRUITWOOD SPINDLE BACK DINING CHAIRS, each with shaped top rail abovetworowsoffivespindlesandlaterrushseat, raised on turned legs tied by stretchers (6) £200-300

176. GEORGIAN OAK BUREAU with associated upper section, the associated cornice, above a pair of panelled and mahogany crossbanded cupboard doors, enclosing six adjustable shelves to the split interior, the bureau with fall front, enclosing pigeon holes and drawers to the interior, above two short and three longdrawers,allfittedwithbrassswanneckhandles and oval escutcheon’s, raised on bracketfeet,881/2”(224.8cm)48”(122cm)wide £300-400

177. VICTORIAN CARVED BEECH NURSING CHAIR, the sloping, deep buttoned back, covered in cream silk, above a bow fronted stuff-over seat and short cabriole fore-legs £100-150

178. VERY FINE EARLY TWENTIETH CENTURY MIDDLE EASTERN PROBABLY DAMASCUS SINGLE SIDED THREE FOLD SCREEN, exquisitelyinlaidwithmothero’pearl,bone,light and dark woods with panels and surrounding borders of intricate interlaced and geometric motifs with four oblong panels of Arabic inscription, divided by panels of finelyworkeddarkwoodandbonepiercedbeadwork, the reverse of the screen with light wood panels and dark wood surrounding borders,611/2”high,52”wide(extended) £3000-5000

179. VICTORIAN INLAID WALNUT AND BURR WALNUT DAVENPORT DESK, the tooled leather writing slope surmounted by a back containing central oblong bevel edge mirrored plate above a pen tray and pair of ink bottle holders,flankedbytwobanksoftwoshortdrawers, the lower section with four mahogany lined drawers, blacked by four matching faux drawers,allfittedwithturnedknobs,flankinganinlaidpanelfrontenclosedsquaresectionsupports raised on a plinth base with turned feetandcastors,401/2”(102.9)high,overall,22”(55.9cm)wide £400-600

180. THOMSON(MOUSEMAN)OFKILBURNOAKTHREE LEG STOOL, with shaped seat and octagonaltaperinglegs,14”(35.6cm)high £300-400

181. GOOD QUALITY GEORGIAN STYLE MAHOGANY DOUBLE CORNER CUPBOARD, the moulded cornice above a nine panel astragal glazed cupboard door, enclosing three serpentine fronted shelves to the interior, the lower section with circular line inlaid and frame out cupboard door, raised on outswept front supports, tied by a shaped apron, 72 3/4” (184.8cm)high,24”(61cm)wide £100-150

182. EDWARDIAN MAHOGANY AND SATINWOOD CROSSBANDED LADY’S WRITING TABLE, by Maple and Co., the low superstructure with pierced gilt metal gallery, two drawers and two downswept doors, above an oblong top with shaped gilt tooled leather insert, over a pair of friezedrawers,fittedwithbrassdrophandles,raisedonsquaretaperinglegs,terminatinginbrownpotcastors,361/2”(92.7cm)high,361/4”(92.1cm)wide,stamped‘Maple&Co’tothe right drawer £200-300

183. SET OF FOUR LOUIS XVI STYLE FRENCH BEECH FAUTEUILS, the moulded top rails above padded backs, downswept arms with turned supports and loose cushions to the bowfrontedseats,ontaperingflutedforelegs,upholstered in pale gold coloured fabric, 35” (88.9cm)high(4) £400-600

184. PAIR OF LOUIS XVI STYLE FRENCH CHERRYWOOD SINGLE BEDSTEADS, with architectural pediment top rails above plain insetpanels,flankedbyturnedandfluteduprightswithturnedfinialsandtaperingfeet,33”(83.8cm)high,391/2”(100.3cm)wide,printed mark Kindel, Grand Rapids, Belvedere, 2372(4) £300-400

Lot 175

23

185. GOOD QUALITY GEORGIAN STYLE MAHOGANY DISPLAY CABINET, the dentil moulded frieze above a pair of thirteen panel astragal glazed cupboard doors, enclosing three adjustable glass shelves to the cream silk lined interior, the advanced lower section with canted oblong top above a gilt tooled leather inset slide to theflutedfriezeframecutpanelledcupboarddoors,raisedonbracketfret,7’1”(2.106m)high,46”(117cm)wide,(oneglasspanelcracked) £250-400

186. EDWARDIAN MAHOGANY TWIN PEDESTAL PARTNERS DESK, the moulded oblong top with gilt tooled olive green leather insert above six mahogany lined lined frieze drawers, all

fittedwithbrassdrophandles,raisedonapairofplainpedestals,eachfittedwiththreegraduated drawers and cupboard on plinth base,291/2”(74.9cm)high,581/2”x381/2”(148.6cmx97.8cm) £400-600

187. EDWARDIAN MAHOGANY AND LINE INLAID MAHOGANY DISPLAY CABINET, the inlaid, inverted breakfront frieze above a central cupboard door with oval, bevel edged panel over three vertical glazed panels by a pair of bow fronted glazed panels, enclosing two shaped glass shelves to the pattern old gold colouredsilklinedinterior,raisedonsquaretapering legs with spade feet, tied by an undertier,69”(175.3cm)high,44”(101.8cm)wide £200-300

188. MID VICTORIAN STYLE MAHOGANY WIND OUT EXTENDING DINING TABLE AND SET OF EIGHT DINING CHAIRS, the TABLE with rounded rectangular top above a plain frieze, raised on heavyturnedandpartflutedlegsterminiatingin bow pot castors, with two additional leaves, 281/2”(72.4cm)high,47”(119.4cm)wide,58”(147.3cm)long,92”(233.7cm)longfully extended, the chairs with scrolled top rails moulded uprights, padded backs and bow fronted stuff over seats, upholstered in modernstylisedfloralcreamcolouredfabric,raisedonturnedandpartflutedfrontlegswithmatched castors £1000-1500

189. GEORGIAN STYLE LARGE MAHOGANY PEDESTAL DESK, the moulded oblong top with gilt tooled green leather insert, above three cockbeaded frieze drawers and panelled cupboard door and graduated set of three drawers to the panelled pedestals, blacked by matching faux drawers and cupboard to the rear,allfittedwithbrassswanneckhandleswith pierced back plates, raised on plinth bases.31”(78.7cm)high,731/2”(186.7cm)wide £300-400

190. EARLY 20TH CENTURY LADIES MAHOGANY WRITING TABLE IN THE HEPPLEWHITE STYLE, the rectangular top with tooled leatherette insert and swan neck back with lattice pierced panels,aboveacentraldrawer,flankedbytwo pairs of short drawers, all with blind front carveddecorationandfittedwithelegantbrassdrophandlesraisedonsquaretaperingandflutedlegswithtallspadefeet,281/4”(71.8cm)hightothewritingsurface,42”(106.7cm)wide

Lot 182

Lot 185

24

191. SETOFFIVE(4+1)SHERATONSTYLEMAHOGANY DINING CHAIRS, the scooped oblong top rails above ‘X’ shaped reeded splatsandflatfronteddropinseats,raisedonsquaretaperingandreededforelegs,tiedby‘H’stretchers(5) £120-180

192. IRISH TWIN PEDESTAL REPRODUCTION MAHOGANY TWIN PILLAR DINING TABLE, bearing label ‘C.O. Connell, Cork’, the rounded rectangular top with reeded edge, above heavy vase shaped columns and downswept tripod supports terminating in brass hairy paw casters, complete with extra leaf, 29” high, 66” wide, 84 1/2” wide, extended £100-150

193 Blank Lot

194. ART DECO BIRD’S EYE MAPLE AND SILVERED METAL INLAID COFFEE TABLE, the oblong top abovefourshortsquaresectionlegswithsilveredmetalbands,13”(33cm)high,51”x291/2”(129.6cmx74.9cm)

Oil Paintings

Lot 191

Lot 194

Lot 197

Lot 199

25

195 ARTHURTREVORHADDONR.B.A.(1864-1941)OIL PAINTING ON CANVAS Venetian canal scenewithfemalefiguresroundafruitstallin the foreground boats and the city in the backgroundsignedlowerleft22”x30”(56cmx76cm) £2000-3000

196 ALFREDGLENDENING,JUNIOR(1861-1907)OIL PAINTING ON CANVAS ‘At Home’ Interior of a cottage with barefoot boy seated on a chair looking at coins he has found whilst sweeping with a brook in his left hand , old woman in the shadows of the doorway looks on in alarm signedwithmonogram‘A.G.’anddated(18)88,lowerleft16”x13”(41cmx33cm) £1000-1500

197 LOUISFORTUNEY(1878-1950)(signedF.Andrieux-pseudonym)PAIROFOILPAINTINGSON CANVAS Cavalier seated counting his card winnings and Cavalier seated smoking a claypipesignedwithapseudonym12”x8”(30.5cmx20cm) £1000-1500

198 ALBERTGILBERT(active1920’s)OILPAINTINGON CANVAS Still life, bowl of roses signed lower right and labelled verso, London address 22” x 18”(55cmx45cm) £200-300

199 JOSHUAANDERSONHAGUE(1950-1916)OILPAINTING ON CANVAS ‘Marle Farm 1895’ Rural landscape with farm buildings, haystack and trees, stream in the foreground signed lowerright20”x16”(50cmx40) £300-500

200 B. WARD PAIR OF OIL PAINTINGS ON BOARD Highland landscapes with lochs, cattle watering mountains in background, at sunset signedlowerright15”x23”(37.5cmx57.5cm) £150-200

201 WILLIAMMELLER(1851-1931)OILONCANVASWaterfallSigned18”x14”(45.6cmx35.6cm)(af) £150-200

202 CHARLESSTUART(1880-1904)OILPAINTINGON CANVAS Landscape with sun shining on high mountains, with low clouds, tree lined river valley with highland cattle on meadows in the middle foreground signed lower left 24” x18”(61cmx45.7cm)(af.) £300-500

203 RONALDMOSELEY(b.1931)OILONCANVAS‘Haymaking in Langdale, Lake District’ signed, titledtothelabelverso20”x30”(50.8cmx76.2cm) £300-400

204 LEEREYNOLDSBURR(b.1936)(American)OILON CANVAS Japanese Geisha seated signed 48”x31”(122cmx78.8cm) £100-200

205 EARLY TWENTIETH CENTURY ENGLISH SCHOOL OIL PAINTING ON CANVAS Path through sand dunes with view of the sea at sunset with two sailing boats on the horizon signed with a monogram probably ‘O.P.F.’ 6” x 9 1/2” £40-60

206 C.BELLIANI(20THCENTURY)PAIROFOILPAINTINGS ON BOARD Flower Pickers Signed 9”x111/2”(22.8cmx29.2)(2) £400-600

207 GEORGEHENRYJENKINS(1843-1914)OILPAINTING ON WOOD PANEL View of North Devoncoastwithfiguresonabeachedfishingboat in right foreground signed and dated 1874 and labelled verso 10” x 16 1/2” £100-150

Lot 201

Lot 207

2�

208 AUSTINSMITH(earlytwentiethcentury)OIL PAINTING ON PANEL View of the Bay Scarborough, showing Grand Hotel and viaducts signed and dated 1910 8” x 15 1/2” (20cmx39cm) £100-150

209 WILLIAMEDWINTRINDALL(1863-1938)OIL PAINTING ON CANVAS Woodland track with man carrying faggots signed 11” x 15” (27.5cmx37.5cm)andaLATENINETEENTHCENTURY, OIL PAINTING ON CANVAS Rural town view with large church and windmill indistinctly inscribed to stretcher 11” x 15”

27.5cmx37.5cm)giltframed(2) £75-100

210 AFTERGUERCINO(GIOVANNIFRANCESCOBARBIERI)NINETEENTH CENTURY OIL PAINTING ON CANVAS ‘Sibilla Persila’ half length study of a seatedwomanwritingwithaquillpenunframed25”x20”(62.5cmx50cm) £80-120

Lot 208

Lot 215

Lot 224

Lot 226

Lot 217

Lot 229

2�

211 NINETEENTH CENTURY SCHOOL OIL PAINTING ON CANVAS Half length study of a bare breasted woman seated contemplating crown ofthornsontablebeforeher30”x25”(75cmx62.5cm)giltframed £80-120

212 REX N. PRESTON OIL PAINTING ON CANVAS Extensivemoorlandlandscapewithtwofigureswalking by a rocky edge signed and dated (19)8010”x24”(25cmx60cm)framedandJOHNGRAIN(twentiethcentury)OILPAINTINGWoodland stream ‘Tributary to the Conway river,NorthWales’signed16”x12”(40cmx30cm)giltframed(2) £30-40

213 FREDERICKSHAW(d.1923)OILPAINTINGONPANEL The Haunt of the Coot and the Heron’ - a woodland pool’ signed lower left inscribed on Exhibition label verso, dated 1911 10” x 7” (25.5cmx17.5cm) £120-180

214 FREDERICKSHAW(d.1923)OILPAINTINGONPANEL ‘Salome’ signed lower left, inscribed on Exhibition label verso dated 1912 8” x 6” (20cmx15cm) £100-150

215 ARTHURSTOCKSR.I.(1846-1889),OILPAINTING ON CANVAS, ‘STRICT INJUNCTIONS’, a bearded man standing at an open doorway in a wall delivering a note to a woman in the doorway, unsigned, remnants of artist’s label verso, inscribed on the mount of the original gilt frame, 31in. x 22in. £800-1200

216 WALTERWALNE(W.S.W1911),OILPAINTINGONPANEL,twofiguresonamooredbarge,with ducks swimming by, 9 1/2 in. x 13 1/4 in. (24.1cmx33.6cm) £100-150

217 HOLGER PETER SVANE LUBBERS, DANISH (1850-1931),OILPAINTINGONCANVAS,Aline of sailing vessels being towed by a steam tugonacalmday,signedanddated(18)98,18 1/2 in. x 24 in. £800-1200

218 MONOGRAMMED OIL PAINTING ON CANVAS, Exterior with donkey and panniers and turkey, 22in. x 19in. £250-350

219 GUSTAVEZOULA(twentiethcentury)OILPAINTING ON BOARD An Alpine landscape with a wayside shrine signed lower right indistinctly inscribedverso231/2”x221/2”(59.5cmx57cm) £50-80

220 DAVIDW.HADDON(fl.1884-1914)OILPAINTING ON CANVAS Exterior with bearded man seated on steps reading a newspaper

signedlowerleft161/2”x101/2”(41cmx26.5cm) £200-300

221 RAYMOND CAMPBELL OIL PAINTING ON CANVAS Still life with wine bottles, wine glass, grapes and cheese on a table signed lower right18”x24”(45cmx60cm) £300-500

222 ANDRASGOMBAR(b.1946)OILPAINTINGONBOARD Still life with brass pan and ladle, two glass jars, one with pickled fruit, on a table with folded cloth signed lower left 12” x 16” (30cmx40cm) £100-150

223 KEVINPLATT(b.1945)OILPAINTINGONCANVAS Harbour scene by evening lights, with moored boats on low tide signed lower right 20”x40”(50cmx100cm) £80-120

224 ALBERTROUSSEAU,Canadian(1908-1982)OIL PAINTING ON ARTIST’S CANVAS PANEL Hilly landscape with buildings in foreground signed lower right, inscribed verso and dated 1975 16”x20”(40cmx50cm) £300-450

225 R. FOLLAND OIL PAINTING ON CANVAS ‘Quiet Harbour’signed18”x24”(46cmx61cm) £80-120

226 ROBERT CHAILLOUX OIL PAINTING ON CANVAS Still life with fruit, wine glass etc. on a table signedlowerleft24”x20”(61cmx51cm) £100-150

227 PIERREDeCLAUSADES(French1910-1976)OILPAINTINGONCANVASTranquilEstuaryscenesignedlowerleft21”x251/2”(53cmx65cm) £400-600

228 DONALDMcINTYRE(1923)OILPAINTINGON BOARD ‘Figures on the Shore’ signed inscribedandtitled(Withering1967)verso91/2”x231/2”(24cmx60cm) £300-500

229 CHARLES WYATT WARREN, CAERNARVON OIL PAINTING ON BOARD ‘Sailing off Beaumaris’ signed lower left and inscribed verso 9 1/2” x 211/2”(24cmx55cm) £100-150

230 BERNARDDUFOUR(b.1922)OILPAINTINGON BOARD Continental harbour scene with moored boats signed lower right 18” x 14” (45cmx36cm) £75-100

231 BERNARD DUFOUR PAIR OF OIL PAINTINGS ON BOARD Continental street scene and continental town with beach and boats signed lowerright173/4”x14”(45cmx36cm) £150-200

2�

232 TOM PAXTON OIL PAINTING ON CANVAS Bust portrait of a young woman with blonde hair signed lower left and initialled and dated verso June196920”x18”(51cmx46cm) £50-80

233 SEBASTIANPETHER(1790-1844)OILPAINTINGONPANELAlandscapewithfiguresbefore a roadside tavern indistinctly in pencil verso10”x16”(25.5cmx41cm)(somerepaintingtothesky) £100-150

234 G.E.MILLER(twentiethcentury)OILPAINTINGON BOARD ‘Pleckgate Fold, Blackburn’ signed anddated(19)72lowerleftinscribedonBlackburn Artists’ Society exhibition label verso24”x30”(61cmx76cm) £100-150

235 G.CARTWRIGHT(modern)OILPAINTINGON CANVAS BOARD, A SET OF FOUR Street scenes in bygone times with trams, steam, horse-drawn and other vehicles one depicting London, one Oxford, one of Dunster, Somerset three signed lower left, one lower right 15 1/2” x191/2”(39.5cm)x49.5cm)(Theartisthashad his painting reproduced by Waddingtons Jig-saws, and by Hallmark Greetings Cards £600-800

236 PETERKUHFELD(b.1952)OILONCANVAS‘The Forum, Roman from the Capitaline Hill’ signed9”x26”(22.8cmx66cm) £300-500

237 NEILFORSTER(b.1940)PASTELPlaceDuPontNeuf,Parissigned10”x19”(25.4cmx48.3cm) £500-700

238 NEILFORSTER(b.1940)PASTEL‘Lionesswithcubs’signed13”x20”(33cmx50.8cm) £350-450

239 NEILFORSTER(b.1940)PASTELLioness,‘MasaiMara’signed14”x211/2”(35.6cmx54.6cm) £300-500

240 ROY PETLEY OIL ON PANEL ‘Grand Canal, Venice’signed16”x24”(40.7cmx61cm) £700-1000

241 ROYPETLEY(b.1951)OILONPANELGrandCanal,Venicesigned161/2”x24”(42cmx61cm) £700-1000

242 ANGUSHAMPEL(twentiethcentury)OILONCANVAS Street scene, ‘Shade and Light, Venice’signed30”x24”(76.3cmx61cm) £700-1000

243 WOLFPLOWMAN(twentiethcentury)OILPAINTING ON BOARD Aerial combat over coastalseascapesignedanddated(19)79lowerright211/2”x291/2”(53.75cmx73.75cm) £200-300

244 BRITISHSCHOOL(nineteenthcentury)OILPAINTING ON PANEL Twin masted ship entering a harbour in stormy seas 5” x 7” (12.5cmx17.5cm) £80-120

Lot 236

Lot 242

2�

245 WILLIAMBROOMS(1838-1892)OILPAINTINGS ON CANVAS, A PAIR ‘Stormy Sunset, cast near Folkestone’ and ‘Stormy weather, Kynance Cover, Cornwall’ each inscribed in artist’s hand on label verso 10” x 12”(25.5cmx30.5cm) £180-220

246 ALBERTWOODSA.R.C.A.(fl.1892-1937)OILPAINTING ON BOARD Sweet peas in a bowl and vase and table top signed lower left 18” x 23 3/4”(46cmx60.5cm) £120-180

247 NEWHALL(twentiethcentury)OILPAINTINGONBOARD Marshy landscape with hills beyond signedlowerright10”x131/2”(25.5cmx34cm) £50-70

248 F.E.JAMIESON(1895-1950)OILPAINTINGON CANVAS A view of the Scottish highlands signedlowerleft20”x30”(50cmx75cm £100-150

249 UNATTRIBUTED(nineteenthcentury)OILONCANVAS Figures in shop interior unsigned 21” x171/2”(52.3cmx44.4cm) £50-80

250 *DIETERTEUSCH(Germanb.1940)MIXEDMEDIA PAINTING ON CANVAS Triptych of unframed abstract works ‘Lost and Found 1’ signed verso and dated 2001 and 2003 and with printed label named and titled and numbered28722”x18”(55cmx45cm),191/2”x16”(49cmx40cm)and151/2”x191/2”(39cm49cm) £1000-1500

251 DEREKSHAPIRO(20THCENTURY)PAIROFOIL PAINTINGS ON BOARD, OVAL STILL LIFE STUDIES, Bird’s Nests and Flowers Signed, 6 1/2”x81/2”(16.5cmx21.6cm)(2) £300-500

252 VICTORIAN SCHOOL, OIL ON CANVAS still life,flowersinavase,signedwithmonogramanddated1887,191/2”x251/2”(49.5x64.7cm) £200-300

253 DAVIDSHORT(b.1900)OILONCANVASClipper entering harbour under sail signed 18” x24”(45.8cmx61cm) £60-90

254 SCHOOL OF CHARLES ROBERT LESLIE OIL ON BOARD ‘The Cottage Door’ unsigned attributed andtitledverso18”x131/2”(45.8cmx34.3cm) £200-300

255 FRANSCLAERHOUT(1919-2006)OILONBOARD Mother and Child signed 16 1/2” x 9 1/4”(42cmx23.5cm) £500-800

256 J.L.CHAPMAN(modern)OILPAINTINGONROUNDED OBLONG GLASS DOME BASE a seventeenth century style pastiche with men o’war in an imaginary port signed lower left 6 3/4” x 13 1/2” £80-120

257 J.L.CHAPMAN(modern)OILPAINTINGONCANVAS a homage to Claude with seventeenth century ships and buildings at sunset signed lower right 24” x 36” £150-250

Lot 250

Lot 251

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258 J.L.CHAPMAN(modern)OILPAINTINGONPANEL A seventeenth century style pastiche of a Mediterranean port with shipping signed lower right 24” x 26” £150-250

259 PLYLLISSTEWART(earlytwentiethcentury)OILONCANVASEstuaryscenewithfishingsmacksigned133/4”x201/2”(34.9cmx52.1cm) £50-80

Watercolour Drawings

260 HENRYJOHNKINNAIRD(fl.1880-1920)WATERCOLOURDRAWING‘ASussexCornfield’ruraltrackwithfigureleadinghorsesbyariversigned11”x71/2”(27.5cmx19cm)incontemporary gilt frames and glazed £250-300

261 JAMESWALTERGOZZARD(1880-1950)WATERCOLOUR DRAWING ‘Springtime’ sheep grazing beneath blossom tress and cottage with smoking chimney signed 10” x 13 1/2” (25cmx34cm)incontemporarygiltframeandglazed £150-200

262 MISSMARYMcNICHOLLWROE(1874-1954)WATERCOLOUR DRAWING ‘Hayrick’s on the South Downs; signed with initials and dated 19318”x15”(20cmx38cm)mountedbutunframed £80-120

263 C. MAGNIAC WATERCOLOUR DRAWING ‘Lindow Common’, Wilmslow, Cheshire signed lower rightanddated18886”x123/4”(15cmx32cm) £30-50

264 JOHNKEELEY,BIRMINGHAM(1849-1930)PAIR OF WATERCOLOUR DRAWINGS Landscape with cattle watering in the manner of David Cox signed5”x7”(13cmx18cm) £100-150

Lot 277

Lot 264 Lot 278

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265 JAMESW.MILLIKEN(active1887-1930)WATERCOLOUR DRAWING Continental town scenewithriverandbridge,numerousfiguresataflowermarketandcontinentalstreetscenewithfemalefigureslacemakingoutsidetheir front doors woman delivering milk from adogcartsignedlowerleft10”x14”(25cmx35cm) £400-600

266 GEORGESHEFFIELD(Manchester1839-1892)WATERCOLOURSKETCH‘Northenden’landscapewithfivemarketgardenersreturningfromthefieldsinscribedverso9”x131/2”(22.5cmx34cm) £150-200

267 ANTONIOdeSIMONE(nineteenthcenturyItalianschool)GOUACHEDRAWING‘R.S.Y.C.Oceania’ Large sailing yacht under full sail on a rough sea signed, titled and dated 18” x 26 1/2”(45.7cmx67.3cm) £1500-2000

268 A.D. BELL R.B.A. GOUACHE DRAWING ‘On a Moonlit Sea’ Clipper ship under full sail signed anddated193991/2”x141/4”(25cmx36cm) £50-80

269 EDWARDHORACETHOMPSON(1879-1949)WATERCOLOUR DRAWING ‘Llyn Peris, Llanberis Pass’ signed and labelled verso 11 3/4”x173/4”(30cmx45cm) £300-500

270 TWENTIETH CENTURY ENGLISH SCHOOL PEN ANDWASHDRAWING‘PenideiPugni’(Venice)signedindistinctlyanddated(19)7783/4”x81/2”(22cmx21cm) £50-80

271 W. BUTTERWORTH WATERCOLOUR DRAWING ‘Old Boars Head Inn’ signed and dated 1893 133/4”x241/2”(35cmx62cm) £50-80

272 STANLEYSMITHA.R.C.A.(born1893,Halifax)‘Peel Hill Farm, Nr Blackpool’ farm buildings, travellers caravan with pond in foreground signed lower right and with title verso 10 1/2” x 14 3/4” £100-150

273 PROBABLYBOHEMIANSCHOOL(nineteenthcentury)WATERCOLOURS,APAIRPortraitsofa husband and wife both indistinctly signed lowerright111/2”x81/4”(29cmx21cm) £70-90

274 FRANCESCOBERGAMINI(1815-1883)WATERCOLOUR ‘The Rehearsal’ signed lower right141/2”x21”(37cmx51cm) £1500-2000

275 P.MACGREGORWILSONR.S.W.(d.1960)WATERCOLOUR A Scottish coastal scene at sunset signed lower right indistinctly titled on gallerylabelverso111/2”x191/2”(29cmx49.5cm) £120-180

276 P.MACGREGORWILSONR.S.W.(d.1960)WATERCOLOURS, A PAIR ‘The Cullin Hills-Skye’ and ‘In the South on Jura’ both signed lower and right and left respectively both titled on gallerylabelsverso8”x121/4”(20cmx31cm) £180-220

277 GORDONKING(modern)WATERCOLOURGirlsat on a harbour wall signed lower right 14” x 10”(35.5cmx25.5cm) £300-400

278 WILLIAMMANNERSR.B.A.(f.1885-1910)WATERCOLOUR Fast falls th Eventide’ signed lower left, inscribed in artist’s hand on label transferred to later backboard 9 3/4” x 7” (25cmx17.5cm) £200-300

279 CHARLESF.BUCKLEY(1812-1869)WATERCOLOUR ‘Lake Windermere, Westmorland’ signed and dated 1856 lower left inscribed on label verso 10 1/4” x 15 1/2”(26cmx39.5cm) £250-350

280 M.GRAHAM(latenineteenthcentury)WATERCOLOUR A female reaper carrying a sheaf of corn, a sickle and hooped wooden ale cask signed lower right 16 1/4” x 21 1/4” (40cmx54cm) £90-130

281 ETHELS.CHEESWRIGHTR.M.S.(fl.1896-1913)WATERCOLOUR ‘Sark’ signed lower left 20 1/2”x14”(52cmx35.5cm)containedwithinanoakframedfirescreen £60-80

282 GRAHAMSMITH(twentiethcentury)WATERCOLOUR ON BUFF TINTED PAPER a hunt in progress across an open landscape, a church spire in the distance, signed lower left, indistinctly inscribed lower right 10 3/4” x 15” (27cmx38cm)ANOTHERBYTHESAMEHAND‘Eveningflight-LochNanHamh’signedlowerright, inscribed in margin lower left 15” x 22 1/4” ANOTHER BY THE SAME HAND ‘Village scene with cottages’ TWO REPRODUCTION PRINTS AFTER GRAHAM SMITH AND A PHOTOGRAPH of the artist in his drawing room, hiswifesatinanarmchair(6) £400-500

32

283 ROBERTEDWARDMORRISON(1852-1925)BLACK CHALK DRAWINGS, TWO SIMILAR Portrait of a gentleman almost full face and a portrait of a lady facing left each signed and dated 1913 lower right 21 3/4” x 16” and 21 1/2”x153/4”(55cmx40.5cm&55cmx40cm) £180-220

284 ERNESTWATTS(LATENINETEENTH/EARLYTWENTIETHCENTURY)WATERCOLOURAriverlandscapewithfigures,thatchedcottageandcastlesignedlowerright91/4”x20”(23.5cmx51cm) £90-130

285 DARRENHARVEY(modern)WATERCOLOURS,TWO SIMILAR Finely executed almost photographic study of an owl perched on a rock, signed and dated 1991, ANOTHER OF TWO OWLS perched on a branch signed and dated 1992 lower right 5 3/4” x 10 3/4” (14.5cmx27cm)(2) £500-600

286 W.MILESJOHNSTON(fl.1926-38)WATERCOLOUR Scottish landscape with cottages signed lower left 15 1/2” x 20 3/4” (39.5cmx52.5cm) £300-400

287 W.MILESJOHNSTON(fl.1926-38)WATERCOLOUR Lowland Scottish landscape with trees in winter signed lower right 15 1/2” x203/4”(39.5cmx52.5cm) £200-300

Lot 285

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288 GEORGE H. GRIFFITHS WATERCOLOUR DRAWING ‘Sheep in Winter’ signed and labelledverso131/2”x191/2”(34cmx49cm) £40-60

289 VICTORIA E. STREET, Harrogate WATERCOLOUR DRAWING ‘Poppies and Marquerites’signedanddated1894andlabelledverso171/2”x121/2”(45cmx31cm) £30-50

290 GEORGE ALLEN WATERCOLOUR DRAWING Coast scene with harbour lighthouse and moored sailing vessels signed 10 1/2” x 14 1/2”(27cmx36cm) £50-80

291 EDWARDA.HICKLING(twentiethcentury)WATERCOLOUR DRAWING River scene with threefigurestitledversoonartistlabel‘Stepping Stones, Newstead, Notts’ 15” x 19”(37.5cmx47.5cm)ANDTWOSMALLWATERCOLOUR DRAWINGS, Rural scenes, framedandglazed(3) £30-40

292 NORMAN GRUT WATERCOLOUR Portrait of a ladysigned12”x81/2”(30.5cmx21.6cm) £30-50

293 EDMUNDMORRISONWIMPERISV.P.R.I(1835-1900)SEPIADRAWING‘BenNevis’signedwithinitialsanddated(18)99lowerleft13”x19 1/2” £100-150

294 LOLLI(?)(twentiethcentury)WATERCOLOURSt.Mark’sSquare,Venicesigned161/4”x12”(41.3cmx30.5cm) £100-150

295 ATTRIBUTEDTOJOHNRENTON(fl.1799-1841)SEPIA WATERCOLOUR, HEIGHTENED Figures in a river landscape unsigned, attributed to Fry Galleries, London label verso 15” x 12” (39.1cmx30.5cm)PROVENANCE:L.GDuke,C.B.E.

296 CHARLESMESSENT(twentiethcentury)WATERCOLOUR Figures in Eastern Coffee Housesigned9”x121/2”(23cmx31cm)and ANOTHER Coastal scene 8 3/4” x 11 1/2”(22cmx29cm) £50-80

297 EDWIN M. BODDINGTON OIL PAINTING ON CANVAS(relined)‘WestofBEDDGELERT1864’landscape 11 1/4” 9 1/4” £200-300

298 WALTEREASTWOOD(1867-1943)WATERCOLOUR DRAWING Water mill with mill stream, horse drawn wagon waiting with poultry in the yardSignedanddated(19)’3920inx24in £400-500

299 *UNATTRIBUTED(nineteenthcentury)CHALKON BUFF COLOURED PAPER Shoulder length portrait of a gentleman indistinctly signed 10 1/4”x73/4”(26cmx19.7cm)

34

NOTES

35

UK

The all NEW AND IMPROVED world of antiques at your fingertips has now launched. Go to www.ukauctioneers.com and find this catalogue in full colour

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CAPES DUNN

Forthcoming Sales 2010

March9 Books, Prints, Maps and Affordable Pictures at 12 noon

23 Collector’s Sale, Textiles and Costume at 12 noon

April13 European Ceramics, Doulton & Beswick, Decorative Arts, Oriental Ceramics &Ivories & Glasswares at 12 noon

27 Jewellery, Silver, Plated Wares, Watches and Gold Coins at 12 noon

A full list of sale dates for 2010 is available on our website www.capesdunn.com

and on www.ukauctioneers.com

PLEASE NOTE

We hold Victorian & Later Period Furniture & Effects sales fortnightly on Mondays (except Bank Holidays). These sales are on view

Friday prior 2.30pm - 4.30pm and on the day of sale 9.15am - 11.am

Sales commence at 11am

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CONDITIONS OF SALE

1. General. Every Lot is sold with all faults and errors of description and the auctioneers disclaim, for themselves and for the vendor, all responsibility for authenticity, age, origin, condition or quality. All statements on such matters whether printed in the Catalogue or made orally are statements of opinion and not representations of fact. Purchasers are deemed to have satisfied themselves on authenticity, condition, etc., before bidding and no-one in the Auctioneers’ employment has authority to make any representation of fact.

2. Bidding. The Auctioneer has absolute discretion to divide any Lot, to combine any two or more Lots, to withdraw any Lots, to refuse bids and to regulate the bidding. He may bid on the vendor’s behalf for all goods which are being offered subject to reserve or at the Auctioneers’ discretion.

3. Fall of Hammer. The highest bidder shall be the buyer - if any dispute arises the Auctioneer has absolute discretion to settle the dispute or to re-offer the Lot. At the fall of the hammer every Lot shall be at the risk of the buyer, and the purchaser shall give to the Auctioneer his name and address and such proportion of the purchase price as the Auctioneer may require, in default of which the Auctioneer may re-offer and re-sell the Lot or Lots in question.

4. Clearance of Purchases. No purchases shall be claimed or removed until the Sale has been concluded. All lots shall be paid for and removed at the buyer’s risk and expense at the end of the first working day following the Sale, failing which the Auctioneers shall not be responsible if the same are lost, stolen, damaged or destroyed, and all Lots not so removed shall remain at the risk of the buyer and subject to a warehousing charge of 25p per lot per day. If they are not removed within seven days of the Sale the Auctioneers may re-sell them by auction or privately without notice to the buyer. Any liability which there may be on the part of the Auctioneers in respect of any loss shall be restricted to a maximum of the price paid by the purchaser of the Lot.

5. Agency and General. The Auctioneers act as agents only and they disclaim responsibility for default by either buyer or seller. They accept no responsibility in connection with the commissioning of members of their staff to bid for Lots on behalf of intending purchasers. Instructions given by telephone are accepted at the sender’s risk and must be confirmed in writing forthwith. The Auctioneers do not guarantee the title of any Lot or Lots sold by them and will not be responsible for any defect in such title.

6. Defaults. If any buyer fails to comply with any of the above conditions the damages recover-able from the defaulter shall include all loss arising from any re-sale of the Lot together with the charges and expenses in respect of both sales and any money deposited in part payment shall be held by the Auctioneers against the defaulter’s liability.

7. Third Party Liability. Every person on the Auctioneer’s premises at any time shall be deemed to be there at his own risk and with notice of the condition of the premises and of the method of arranging furniture, etc. He shall have no claim against the Auctioneers in respect of any injury he may sustain or any accident which may occur.

8. Viewers handling goods on display will be held fully responsible for any damage or break-age.

CHEQUES Purchasers wishing to pay by cheque must produce a Bank reference to the Auctioneers before

the sale.PLEASE NOTE

Cheques which are post-dated or written by a third party will not be accepted. There is a buyer’s premium of 16% + V.A.T. on the hammer price.

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Lot 243 Lot 235 Lot 241

Lot 269 Lot 268Lot 239

Lot 279 Lot 274

Lot 286 Lot 282

Lot 265

Lot 267

The Auction Galleries38 Charles StManchester

M1 7DB

Tel 0161 273 1911

Fax 0161 273 3474

capesdunn@googlemail.com

www.capesdunn.com

CAPES DUNN & CO.

Lot 202 Lot 198 Lot 196

Lot 195 Lot 203

Lot 228

Lot 227