Canon 7 / Bell & Howell - Tistory

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L 1 - 1 5

t 6 - L 7

LA-202 L

i C a n o n 7 S P e c i f i c a t i o n s ' i

W ind ing F i lm and Cock ing Shu t te r

F i l m W i n d i n g

Sh u t te r But ton

E x P o s u r e C o u n t e r D i a l

Shut te r But ton Safe ty Dev ice

Shut te r But ton Safe ty Lock

Exposure Set t ing

Set t ing the Shut te r SPeed

Set t ing the Lens Aper tu re

Us ing the L igh t Meter

Chang ing the Sens i t i v i t y o f the L igh t

Meter

. Set t ing the F i lm Speed

Focus ing

Ra nge-V iewf inder

R a nge 'V iewf inder Se lec tor

Fi lm Loading

How to Hotd the Canon 7

Un load ing F i lm

Flash Synchronizal ion

Sel f - t imer

Double ExPosures

Specia l Care o f Lenses

C h a n g i n g L e n s

Dis tance Sca le

DePth-o f 'F ie ldl n f r a - R e d P h o t o g r a P h Y

29F i lm P lane Mark

Loading F i lm in to the Magazine 32-33

Canon Lenses 34-35

Proper Care of Your Camera 36

To Summar ize 37

Page

22-23

24-25

26

27

28-3L

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ALens :

$

Shut ter :

Exposu re Me te r :

F inder :

Lens Moun t :

Focus ing :F i l m W i n d :Exposu re Coun te r :F i l m R e w i n d :F i lm :F i lm Speed Ind i ca to r :" F lash Synchron izat ion :

Size :

. We igh t :

Model 7 SpecificqtionsfVlode! 7 accep_ts Canon,s unique bayonet-mount Canonlens 5Omm F O .95 , as we l l as a l l t h read -moun t Canonlenses f r om 25mm to lOOOmm.Al l met .a l foca l p . lane shut ter . S ing le-p ivot , r ig id shut terlpe_ed d ia l equal ly cat ibra ted f rom tTtbOOtt r t -o 1 se i . , g& T p lus se l f - t ime r .Bu i l t - i n . l i gh t me te r - coup led t o shu t t e r speed d ia l .Sens i t iv i ty range is f rom LV6 to LV1g.Un i ve rsa l v i ew f i nde r f o r 35 , 50 , 85 , 1OO, and 135mmcanon lenses. Para i lax er ror cor rected

'automat ica i ly

when focused.New dua l moun t t akes a l l t h read -moun t Canon l ensesas we l l as t he new bayone t moun t SOmm F O .95 .Doub le - image supe r impos ing sys tem.S ing le - s t roke w ind ing l eve r .Sel f - reset t ing- type.

Rap id c rank sys tem.'Any

35mm f i lm casse t t e .ASA 6 to 400 (DlN 9 to 27) on the shut ter speed d ia l .FP . and MX synchron izat ion. Cont inenta l - type f lashsocket .L4O x31 x81mm (5 - t i Zx t -S l+x3 -1 /8 / ) - body on t y .About 670 grams (23-ozs. ) -body onty .

L. -..iro;t.:, ;r&leee8&.


;1AWinding Film ond

Cocking Shutter

F ILM WINDING. . .

Pul l the wind ing lever the fu l l length

of i ts run unt i l i t s toPs ' The f i lm

wi l l then be advanced to the next

exposure and the shut ter cocked ' At

the same t ime, the exPosure counter

d ia l is advanced to the next number '

NOTE3

O Before wind ing the wind ing lever '

be sure to re turn the f i lm rewind

r ing index to the " A " Pos i t ion '

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O The l eve r w i l l r e tu rn au toma t i -

ca l l y when re l eased . l t w i l l no t r e tu rn

to t he o r i g i na l pos i t i on , i . e . c l ose t o

the body. l t w i l l be about L l4 , t -L12, ,

f rom the body. But you can advance

the f i lm f r om th i s pos i t i on . When

the camera i s no t i n use re tu rn t he

lever to i ts or ig ina l pos i t ion against

t he body .

c Severa l shor t s t rokes, ins tead of one fu l l s t roke, can be used to wind the f i lm.The l eve r l ocks when w ind ing i s comp le te .

a When the f i lm i s l oaded , some t imes w ind ing i s no tf o r t he f i r s t f i lm w ind . l f such i s t he case , t he shu t t e rTo obv ia te t h i s s i t ua t i on , i t i s adv i sab le t o w ind t hew ind .

comp le ted i n one f u l l s t r oke

locks and canno t be dep ressed .

l eve r tw i ce f o r t he f i r s t f i lm

- - * r* i **e. - - r$* l .

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SHUTTER BUTTON. . .When the shut ter but ton is pressed, the f i lm can be wound again wi th the lever

af ter the shut ter is actuated '

ocable re lease can be at tached to the shut ter but ton.

EXPOSURE COUNTER DIAL . . .The f i lm advanced wheneve r t he f i lm w ind ing l eve r i s comp le te l y wound and t he

exposure counter d ia l is advanced by one number ind icat ing the number o f exposed

f i lms. The exposure counter d ia l re turns to the " S " s tar t ing pos i t ion automat ica l ly

when the back cover is opened I I

tuur I I I l l l ! |

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A

P u l l t h e w i n d i n g l e v e r t h e f u l l l e n g t h

o f i t s r u n u n t i l i t s t o P s ' T h e f i l m

w i l l t h e n b e a d v a n c e d t o t h e n e x t

e x p o s u r e a n d t h e s h u t t e r c o c k e d ' A t

t h e s a m e t i m e , t h e e x P o s u r e c o u n t e r

d i a l i s a d v a n c e d t o t h e n e x t n u m b e r '

B e f o r e w i n d i n g t h e w i n d i n g l e v e r ,

b e s u r e t o r e t u r n t h e f i l m r e w i n d

r i n g i n d e x t o t h e " A " P o s i t i o n '


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T h e l e v e r w i l l r e t u r n a u t o m a t i -

c a l l y w h e n r e l e a s e d . l t w i l l n o t r e t u r n

t o t h e o r i g i n a I p o s i t i o n , i . e . c l o s e t o

t h e b o d y . l t w i l l b e a b o u t I 4 , , , - L 1 2 , ,

f r o m t h e b o d y . B u t y o u c a n a d v a n c e

t h e f i l m f r o m t h i s p o s i t i o n . W h e n

t h e c a m e r a i s n o t i n u s e r e t u r n t h e

l e v e r t o i t s o r i g i n a l p o s i t i o n a g a i n s t

t h e b o d y .

S e v e r a l s h o r t s t r o k e s , i n s t e a d o f o n e f u l l

T h e l e v e r l o c k s w h e n w i n d i n g i s c o m p l e t e .

s t r o k e , c a n b e u s e d t o w i n d t h e f i l m

c o m p l e t e d i n o n e f u l l s t r o k e

l o c k s a n d c a n n o t b e d e p r e s s e d ,

l e v e r t w i c e f o r t h e f i r s t f i l m

ffffi

w h e n t h e f i l m i s l o a d e d , s o m e t i m e s w i n d i n g i s n o t

f o r t h e f i r s t f i l m w i n d . l f s u c h i s t h e c a s e , t h e s h u t t e r

T o o b v i a t e t h i s s i t u a t i o n , i t i s a d v i s a b l e t o w i n d t h ew i n d .


,ffi

W h e n t h e S h u t t e r b u t t o n i s p r e s s e d , t h e f i I m c a n b e w o u n d a g a i n w i t h t h e | e v e r

a f te r the shut te r i s ac tua ted '

Cab le re lease can be a t tached to the shut te r bu t ton '

The f i lm advanced whenever the f i lm w ind ing lever i s comple te ly wound and the

exposure counter d ia l i s advanced by one number ind ica t ing the number o f exposed

f i lms . The exposure counter d ia l re tu rns to the " S " s ta r t ing pos i t ion au tomat ica l l y

when the back cover i s oPened.


T h e s h u t t e r b u t t o n ' s

w o u n d . U n i n t e n t i o n a l

s a f e t y d e v i c e l o c k s t h e s h u t t e r i f t h e

d o u b l e e x p o s u r e s c a n n o t o c c u r .

f i l m i s n o t

R e c j D o t

c o m p l e t e l y

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A f t e r t h e s h u t t e r i s c o c k e d , i f y o u p u t t h e

i n d e x o f t h e r e w i n d r i n g o n t h e r e d d o t ,

t h e s h u t t e r b u t t o n i s l o c k e d , a n d y o u

c a n n o t r e l e a s e t h e s h u t t e r e v e n i f t h e

b u t t o n i s p r e s s e d . T h i s i s a n a d C e d

s a f e t y d e v i c e w h e n c a r r y i n g t h e c a m e r a

w i t h s h u t t e r c o c k e d . T h i s a l s o e n a b l e s

y o u t o a t t a c h t h e c a b l e r e l e a s e a f t e r t h e

s h u t t e r i s c o c k e d w i t h o u t f e a r o f a c t u -

a t i n g i t .

1


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E x p o s u r e a d j u s t i - n e n t i s d o n e b y a d j u s t i n g

t h e s h u t t e r s p e e d a n d t h e l e n s a p e r t u r e .

C o r r e c t e x p o s u r e i s e a s i l y d e t e r m i n e d b y

t h e c o u p l e d , b u i l t - i n l i g h t m e t e r .

T u r n t h e s h u t t e r s p e e c j d i a l a n d s e t i t t ot h e i n d e x m a r k .

T h e s h u t t e r c a n b e a d j u s t e d t o s p e e d s1 i 3 0 t h , 1 , , 6 0 t h , r i r 2 5 t h , 2 5 0 t h , 1 / 5 0 0 t h ,i b u l b t a n d " T ' ' , t i m e ) e x p o s u r e s a n d " X .

The " 8 " exposure is used fo r exposures o f over 1 second. The shut te r s tays openas long as the shut te r bu t ton is kept depressed. The "T" exposure is used fo rlong e iposures . When the shut te r bu t ton is p ressed, i t w i l l remain depressed, evenaf te r your f inger i s removed, leav ing the shut te r open. By tu rn ing the shut te r speedd ia l s l igh t ly in e i ther " B " o r " X " d i rec t ion , the shut te r bu t ton snaps back in to i t sfo rmer oos i t ion and the shut te r c loses .T h e " X " s c a l e r e a d i n g i s u s e d f o r s p e e d l i g h t ( e l e c t r o f l a s h ) s y n c h r o n i z a t i o n . T h e

o f 1 s e c o n d , L i 2 , I 1 4 t h , 1 / 8 t h , 1 i 1 6 t h ,a n d 1 J 1 O O O t h o f a s e c o n d a s w e l l a s . , B "

t h e e f f e c t i v e t i m e o ft h e s p e e d l i g h t u s e d .

a s e c o n d .

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T h e f i g u r e s o n t h e s h u t t e r s p e e d d i a l r e p r e s e n t f r a c t i o n s o f

D o n o t s e t t h e s h u t t e r s p e e d d i a l b e t w e e n t w o f i g u r e s . l to n a " c l i c k " s t o p .www.orphancameras.com

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T h e l e n s a p e r t u r e a d j u s t s t h e l i g h t v o l u m e

t h a t r e a c h e s t h e f i l m a n d a l s o t h e

d e p t h - o f - f i e l d i s e e p a g e 3 O ; .

T h e r e q u i r e d ' t F ' ' s t o p c a n b e o b t a i n e d

b y t u r n i n g t h e l e n s a p e r t u r e r i n g u n t i l

t h e f i g u r e s a l i g n w i t h t h e i n d e x m a r k .

T h e f o l l o w i n g t a b l e s h o w s t h e r e l a t i o n

b e t w e e n a p e r t u r e v a l u e a n d e x p o s u r e

t i m e .I r r d e xM a r k

L e n sR i n g

5 .6L e n s a p e r t u r e 0 . 9 5

R e l a t i v e 1 {e x p o s u r e t i m e L +

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b e s e t b e t w e e n t w o f i g u r e s .

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W h e n t h e l i g h t m e t e r i s f a c e d i n t h e

d i r e c t i o n o f t h e s u b i e c t , t h e n e e d l e i n t h e

l i g h t m e t e r i n d i c a t o r w i n d o w m o v e s a c -

c o r d i n g t o t h e l i g h t c o n d i t i o n o f t h e

s u b i e c t . T h e c o r r e c t e x p o s u r e c a n b e

o b t a i n e t J b y f o l l o w i n g t h e s e s t e p s :G u i d e L i n e

L i g h t M e t e r A P e r t u r e S c a l e

N e e d l e

W h e n t h e s h u t t e r d i a l i s p r e - s e t t o t h e d e s i r e d s p e e d : R e a d o f f t h e f i g u r e o faoer tu re sca le on the l igh t meter ind ica tor w indow where the need le res ts '

Then se t the lens aper tu re r ing accord ing ly '

F o l l o w t h e b l a c k a n d w h i t e g u i d e l i n e s , w h i c h a r e b e t w e e n t h e n e e d l e a n d t h eaper tu re sca le , to de termine the cor rec t aper tu re read ing ' Between the need le

a n d t h e a p e r t u r e S c a I e a r e b I a c k a n d w h i t e g u i d e I i n e a r e a s . T o o b t a i n t h ecor rec t aper tu re sca !e read ing , read f rom the gu ide l ine area oppos i te the need le '

For chang ing the sens i t i v i t y o f the l igh t meter ' see page 14 '


When the lens aper tu re r ing is p re-se t to the des i red " F " s top : Turn the shut te rd ia l and match the aper tu re read ing on the meter ind ica tor w indow to the gu idel i n e w h e r e t h e n e e d l e r e s t s . T h e s h u t t e r d i a l s h o u l d b e s e t w h e r e i t c l i c k - s t o o s .

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T h e l i g h t m e t e r c a n n o t b e u s e d f o rs p e e d l i g h t .W h e n u s i n g t h e l i g h t m e t e r , b e s u r eP HOTOCELL

i ' B " a n d " T " e x p o s u r e s o r w h e n u s i n g

t h a t Y O U R H A N D D O E S N O T C O V E R T H E

I n d e x M a r k

O r a n g e o r B l a c k D o t


F i l m S p e e dI n d i c a t o r

F i l m S p e e dI n d i c a t o r W i n d o w f

W h e n u s i n g t h e l i g h t m e t e r , t h e s p e e d o f t h e f i l m

u s e d s h o u l d b e s e t o n t h e f i l m s p e e d i n d i c a t o r

w i n d o w o n t h e s h u t t e r s p e e d d i a l . I n o r d e r t o s e t

t h e f i l m s p e e d , t u r n t h e s h u t t e r s p e e d d i a l w h i l e

p r e s s i n g t h e f i l m s p e e d i n d i c a t o r b u t t o n . I n c a s e

t l r e s p e e d o f t h e f i l m u s e d i s n o t i n d i c a t e d o n t h e

w i n d o w , i t m a y b e s e t b e t w e e n t w o f i g u r e s .

U s i n g A S A 1 0 0 ( D l N 2 l ' t f i l m , t h e s e n s i t i v i t y o f

t h e l i g h t m e t e r i s :

H i eh - sens i t i v i t y r a nge L i gh t Va l ue 6 - 13 (w i t h F I . 4(orange do t ) 1 /30 sec . to F 22

1 / 1 5 )Low-sens i t i v i t y - range L igh t Va lue 12-19 (w i th F 2(b l ack do t ) 111000 sec . t o

F 22 1 /1000 )

W h e n t h e b a c k g r o u n d i s b r i g h t e r t h a n t h e s u b -j e c t , f f i e a s u r e t h e c o r r e c t e x p o s u r e f r o m a s

c l o s e a s p o s s i b l e .

( l f y o u c a n n o t g e t c l o s e t o t h e s u b j e c t , o p e n t h el e n s a p e r t u r e b y o n e o r o n e - a n d - a - h a l f c l i c k s . r ry jit j,{n


A

T h e l e n s h a s a " s t o p p e r " a t i h e i n f i n i t y

p o s i t i o n . R e l e a s e t h e l e n s ' b y p r e s s i n g

t h e s t o p p e r a n d r o t a t i n g t h e l e n s b a r r e l .

T h e l e n s w i l l m o v e b a c k a n d f o r t h b Y

r o t a t i n g t l r e l e n s b a r r e l , w h i c h i s c o u p l e d

t o t h e r a n g e f i n d e r , e n a b l i n g y o u t o f o c u s .

C a n o n t e l e p h o t o l e n s e s d o n o t h a v e a

s to ppe r .

W h e n y o u l o o k t h r o u g h t h e r a n g e - v i e w -

f i n d e r e y e p i e c e a n d r o t a t e t h e l e n s b a r r e l ,

y o u w i l l s e e t w o i m a g e s e i t h e r c o i n c i d e

o r r e m a i n a p a r t w i t h i n t h e c o m p a r a t i v e l y

b r i g h t c i r c l e i n t h e c e n t e r . W h e n t l t e y

c o i n c i d e , y o u r l e n s i s i n f o c u s .


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O u t o f f o c u s

l n c o r r e c t f o c u s

when you look th rough the range-v iewf inder , you w i l l see a wh i te f rame and a f igure '

T h e f i g u r e i n d i c a t e s t h e f o c a | | e n g t h o f t h e I e n s , a n d t h e v i e w s e e n w i t h i n t h e w h i t ef rame in the v iewf inder i s tha t wh ich w i l l be recorded on the f i lm ' The f ie ld o f

v iew ind ica ted by a wh i te f rame var ies accord ing to the foca l leng th o{ the lens

u s e d w h e n t h e r a n g e . V i e w f i n d e r s e | e c t o r i s s h i f t e d . T h e r a n g e - v i e w f i n d e r c a n b eu s e d f o r t h e f o c a l l e n g t h s o f 3 5 m m , 5 0 m m , S 5 m m ' l O o m m ' l e n s e s ' Y o u w i l l s e ea d o u b | e w h i t e f r a m e f o r S 5 m m a n d l o O m m f o c a l | e n g t h s . W i t h i n t h e o u t e rw h i t e f r a m e i s t h e f i e l d o f v i e w f o r a n 8 5 m m | e n s . | n t h e i n n e r W h i t e f r a m e a r e ai s t h e f i e l d o f v i e w f o r a l o o m m l e n s '

T h e w h i t e f r a m e s a r e c o u p l e d t o t h e f o c u s i n g

m e c h a n i s m . P a r a l l a x c o m p e n s a t i o n i s a u t o

m a t i c .www.orphancameras.com

T o o p e n t h e b a c k c o v e r , t u r n t h e m a g a z i n e o p e n i n g k e y c o u n t e r - c r o c k w i s e .

Pu l l down the h inged-back lock wh i le ho ld ing the back cover w i th your f ingers . Thec a m e r a b a c k w i l l t h e n s w i n g o p e n .

R o t a t e t h e t a k e - u p s p o o l u n t i r y o u c a n s l i d e t h e e n d o fg r o o v e . T h e n e n g a g e t h e s e c o n d p e r f o r a t e d h o l e o f t h ei n s i d e t h e g r o o v e . A d j u s t t h e f i l m s o t h e f i l m p e r f o r a t i o n

s p r o c k e t

t h e f i l m l e a d e r i n t o t h e

l e a d e r w i t h t h e s m a l l h o o k

f i t s t h e t e e t h o f t h e f i l m


C a n o n 7 a c c e P t s a r l Y s t a n d a r d

C a n o n F i l m M a g a z i n e V , w h i c h

3 5 m m f i l m c a r t r i d g e a s w e l l a s t h e

i s a v a i l a b l e a s a n a c c e s s o r y .

L i f t up the rewind c rank . Put the f i lm car t r idge in to the recess d i rec t l y beneath the

rewind c rank . p ress the f i lm rewind c rank aga in to lock the f i lm car t r idge in p lace .

Wi th your thumb on the knur led lower end o f the take-up spoo l , tu rn the spoo l

c l o c k w i s e u n t i l t h e f i l m i s t a u t .

C lose the back cover , wh ich locks au tomat ica l l y '


Then tu rn the magaz ine open ing key c lockwise to "c lose , " and re tu rn the knob to i t sfo rm: r pos i t io r i . Do no t tu rn the magaz ine ope n ing key be fore c los ing the back cover .

W i n d t h e l e v e r a n d p r e s s t h e s h u t t e r b u t t o n w i t h t h e l e n s c a p o n . B y d o i n g t h i stw ice you w i l l have c leared the two f rames exposed to the l igh t wh i le you were load-i n g . . . a n d t h e e x p o s u r e c o u n t e r d i a l w i l l a d v a n c e t o " O " f r o m " S . " W i n d t h el e v e r a g a i n a n d y o u a r e r e a d y f o r t h e f i r s t s h o t .

The f i lm is p roper ly loaded and t ranspor ted i f the rewind c rank lever ro ta tes whenthe f i lm w ind lever i s wound. l f the rewind c rank lever does no t ro ta te , i t meansthe f i lm was no t loaded prop : r l y . l f such is the case, take ou t the f i l i n - - asi l lus t ra ted on pages 22-23 - - and re load the f i lm.

Af te r you have f in ished load ing the f i lm, be sure to se t the speed o f f i lm used onthe f i lm speed ind ica tor w indow. Refer to page 15 fo r se t t ing the f i lm speed.


I t i s i m p o r t a n t t o h o l C | t h e c a m e r a p r o p e r I y i n o r d e r t o o b t a i n c l e a r - a n d - s h a r p p i c .t u r e s . H o l d t h e c a m e r a r n a v e r t i c a l o r h o r i z o n t a l p o s i t i o n . . . l o o k t h r o u g h t h e v i e w '

f i n d e r a n d f o c u s . P r e s s t h e s h u t t e r b u t t o n g e n t | y a f t e r c o m p o s i n g y o u r p i c t u r e .T h e s e s t e P s a ( e i m P o r t a n t :

H o l d t h e c a m e r a s n u g | y i n b o t h h a n d s .

T h e c a m e r a s h o u l d b e p r e s s e d f i r m l y t o y o u r c h e e k o r

f o r e h e a d .

when us i ng i n a ho r i zon ta l pos i t i on bo th e l bows shou ld

be p ressed aga ins t you1 , Uo , iV I n a ve r t i ca l pos i t i on ' a t

l e a s t o n e e l b o w s t r o u t o b e p i e s s e d a g d n s t y o u r b o d y '

H o l d y o u r b r e a t h a n d P r e s st h e s h u t t e r b u t t o n w i t h a , , l

imoo t f r , s t eadY s t r oke . l f i : r ' ' ,

n o t d o n e i n t h i s m a n n e r ,y o u w i l l h a v e a b l u r r e dp i c t u r e .

F o r e x p o s u r e s l o n g e r t h a n 1 i 3 O s 9 9

y o u i t r o u l d u s e a t r i P o d a n d c a b l e

i e l e a s e t o P r e v e n t m o v e m e n t '

D o n o t p r e s s o n t h e p l a s t i c i l l u m i n -

a t i n g w i ' n d o w a b o v e t h e l e n s '

T h e l e n s h o o d s h o u l d b e u s e d a t

u i i - t i r n " t t o e l i m i n a t e l i g h t t h a t i s

o r t i i O " t h e P h o t o g r a P h i c r a n g e o f

t h e s u b i e c t .


T u r n t h e f i l m r e w i n d r i n g t o , , R " f r o m t h e , , A ' , p o s i t i o n .

Ra ise the rewind c rank to i t s opera t ing pos i t ion and tu rn c lockwise , as shownby the ar row. Watch the ro ta t ion o f the f i lm t ranspor t ind ica tor wh i le rewind ingt h e f i l m . w h e n t h e r o t a t i o n s u d d e n l y s t o p s . . . t h e n s t o p r e w i n d i n g i m m e d i a t e l y .

R e t u r n t h e f i l m r e w i n d r i n g t o . , A . ' ,

Turn the magaz ine open ing key to the le f t .

Open the back cover by pu l l ing the back cover lock ou tward .


W h e n y o u h a v e f i n i s h e d a r o l | o f f i l m a n d

t e n s i o n o n y o u r f i n g e r . Y o u s h o u l d t h e n

t h e c a m e r a i n t h i s m a n n e r :

y o u t r y t o a d v a n c e

s t o p w i n d i n g a n d

t h e f i l m , Y o u w i l l f e e l

r e m o v e t h e f i l m f r o m

pu l l ou t the rewind c rank as fa r as i t w i l l go and take ou t the f i lm casset te o r

magaztne.

Be sure to pu t the lens cap on be fore rewind ing the f i lm '

| f t h e f i | m i s f o r c i b | y w o u n d a f t e r a | l e x p o s u r e s h a v e b e e n c o m p l e t e d , i t w i | |

b e i m o o s s i b | e t o r e w i n d t h e f i l m . | t w i | | h a v e t o b e t a k e n o u t i n a d a r k r o o m .


W h e n t h e C a n o n F l a s h U n i t V - 2 i s f i t t e d

d i r e c t l y i n t o t h e f l a s h u n i t c o n n e c t o r

s o c k e t , a n d w h e n t h e s h u t t e r b u t t o n i s

p r e s s e d , i t i s a u t o m a t i c a l l y a d j u s t e d f o r

t h e v a r i o u s s h u t t e r s p e e d s o f s y n c h r o -

f l a s h o p e r a t i o n .

A l e n s h o o d i s a l s o n e c e s s a r y w h e n

t a k i n g f l a s h p i c t u r e s .

T Y P E O F F L A S HB U L B

" E P " T y p e .

" M " T y p e

, , F " T Y P C

S p e e d l i s h tt E l e c t r o n i c F l a s h r

S H U T T E R S P E E D

" B " l i 1 0 0 0 - 1 s e c .iexcept 1 r '30 th)

" B " 1 i l 5 _ _ I s e c .

" B " 1 i 3 0 - 1 s e c .

" x " ' " B " ' 1 / 3 0 - 1 s e c '

F o r e l e c t r o n i c f l a s h , t u r n s h u t t e r

d i a l t o " X . "

W h e n u s i n g m i n i a t u r e s i z e ' t F ' '

t y p e b u l b s t f o r e x a m p l e : A G 1 ,

P h i l i p s , e t c . ) , b e s u r e t h e s h u t t e r

s p e e d d i a l i s s e t a t 1 ' 1 5 s e c .


P e r f e c t e l e c t r i c a L c o n t a c t i s m a d e w h e n t h e c a I l 0 r l

F l a s h U n i t M o O " l V - 2 i s a t t a c h e d t o t h e f l a s h u n i t

c o n n e c t o , , t o C k " t . N o e x t e r n a l w i r i n g i s n g c q s -

, u i v ; ; d a 1 i v r ; h r o 1 i z a t i o n i s d o n e a u t o m a t i c a l l y

i n i f r e c a m e r a i t s e l f .

T o e x t e n d t h e f l a s h u n i t f r o m t h e c a m e r a , o r t oc o n n e c t a , p l " o l i g h t u n i t o f n o n - c a n o n m a k e ,

u s e a C a n ; ; -

i * l 5 n s i o n C o r d V a r 1 5 - f t . i o r V b

3 - f t .

W h e n u s i n g a c i i p - o n . t y p e S P e e d . | i g h t c n t h e C a n o nT , t h e C a n o n F l a s h U n i t C o u p l e - r ' o | A c c e s s o r yC o u p t e r , s h o u l d b e u s e d ' T h e C a n o n A c c e s s o r yC o u p l e r , w h i c h h a s a n a c c e s s o r y c l i p ' i s u s e d

a l s o t o c o u ' p t e t h ; v i e w f i n d e r w h . e n u s i n g 2 5 m m

o r 2 B m m r e n s o r O t h e ( a c c e s s o r i e s w i t h a s h o e '

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W h e n y o u a r e r e a d y t o p h o t o g r a p h , t u r n t h e

s e l f - t i m e r l e v e r c o u n t e r - c r o c k w i s e , ? S i l l u s t r a -

t e d , u n t i l i t c a n b e t u r n e d n o f u r t h e r . T h i s c a n

b e d o n e b e f o r e o r a f t e r c o c k i n g t h e s h u t t e r .

T h e t i m i n g d e v i c e w i l l s t a r t o p e r a t i n g a s s o o n

a s t h e s h u t t e r b u t t o n i s p r e s s e d . . . a n d t h e

s h u t t e r w i l l b e a c t u a t e d a p p r o x i m a t e l y 1 o

s e c o n d s l a t e r

O n c e y o u h a v e c o c k e d t h e s e l f - t i m e r , i t c a n n o t b e r e l e a s e d u n l e s s

t h e s h u t t e r b u t t o n i s p r e s s e d .

W h e n u s i n g t h e s e l f - t i m e r , i t i s a d v i s a b l e t o u s e C a n o n C a b l e

R e l e a s e , C a n o n C a m e r a H o l d e r L , a n d t r i p o d .


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C a n o n M o d e l 7 i s n o t d e s i g n e d t o t a k e d o u b l e e x p o s u r e s ; h o w e v e r , i t c a n b e d o n e

by fo l low ing these s tePs :

F i r s t t u r n t h e f i l m r e w i n d r i n g t o " R " f r o m " A " p o s i t i o n

W h i l e w a t c h i n g t h e f i l m t r a n s p o r t i n d i c a t o r , t u r n t h e f i l m r e w i n d c r a n k t o t h e r i g h t

a n d s t o p w h e n t h e f i l m t r a n s p o r t i n d i c a t o r h a s m a d e a b o u t o n e - a n d - a - h a l f t u r n s .

R e t u r n t h e r e w i n d r i n g t o p o s i t i o n " A . "

w ind the w ind ing lever , and you are ready to expose fo r the second t ime on

t h e s a m e f i l m f r a m e .

By repeat ing the same opera t ion , mu l t ip le exposures can be ob ta ined ' By tu rn '

ing the f i lm t ranspor t ind ica tor two-and-a-ha l f tu rns , you can make a doub le

exposure on the f i lm be fore your las t one.

When the shut te r bu t ton is re leased acc identa l l y w i th the lens cap on , the f i lm

can be rewound by us ing th is method.

I


T h e l e n s m o u n t i n g f l a n g e o f t h e C a n o n 7 i s e q u i p p e d

w i t h b o t h t h e C a n o n s t a n d a r d s c r e w - i n - m o u n t a n d

C a n o n s p e c i a l b a y o n e t - m o u n t M . T o d e t a c h a s c r e w -

i n - t y p e l e n s ( o t h e r t h a n t h e F 0 . 9 5 5 0 m m l e n s ) f r o m

t h e c a m e r a , h o l d t h e l e n s b a r r e l a t r t s b a s e a n d t u r n

c o u n t e r - c l o c k w i s e ( i l l u s t r a t e d b y s m a l l a r r o w ) . T o r e -

p l a c e a l e n s , k e e p l e n s c a p o n b u t r e m o v e t h e d u s t

c a p f r o m t h e l e n s . T u r n t h e l e n s f i r s t c o u n t e r - c l o c k -

w i s e f o r h a l f a t u r n t o i n s u r e t h a t t h e l e n s t h r e a d s

a n d t h e c a m e r a m o u n t i n g f l a n g e d o n o t c r o s s . N e x t ,

t u r n c l o c k w i s e ( i l l u s t r a t e d b y l a r g e a r r o w ) u n t i l t h e l e n s

i s s e c u r e l y i n p l a c e .

When mount ing or d ismount ing a lens o f 85mm or g rea ter foca l leng th , be sureto se t i t a t the neares t foo tage se t t ing .

T o d e t a c h a s p e c i a l b a y o n e t - m o u n t - M - t y p e l e n s f r o m

t h e c a m e r a , t u r n t h e b a y o n e t t i g h t e n i n g r i n g c o u n t e r -

c l o c k w i s e ( i l l u s t r a t e d b y s m a l l a r r o w ) . . . t h e n t h e l e n s

c a n b e p u l l e d o u t . T o f i t t h e l e n s i n t o p o s i t i o n , f f i a t c h

t h e r e d m a r k o f t h e t i g h t e n i n g r i n g t o t h e p i n o n t h e

l e n s b a r r e l . I n s e r t t h e p i n o f t h e l e n s i n t o t h e h o l e

o n t h e l e n s m o u n t i n g f l a n g e . . . a n d t u r n t h e t i g h t e n -

i n g r i n g c l o c k w i s e ( i l l u s t r a t e d b y l a r g e a r r o w ) w h i l e

p u s h i n g i n t h e l e n s .

I

B a y o n e tT i e h t e n i n gR i n g


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T h e d i s t a n c e s c a l e

I t i s n o t n e c e s s a r Y

s a r y f o r i n f r a - r e d

d e p t h - o f - f i e l d .

Do not change your rens in a s t rong i lgh t . when chang ing your lens have the

reoracement rens a t hand. Then qu ickry change the rens in the shade. . . o r use

vour shadow as a sh ie ld f rom the d i rec t l igh t '

i n d i c a t e s t h e d i s t a n c e b e t w e e n t h e f o c u s e d s u b j e c t a n d t h e f i l m '

t o c h e c k t h e s c a l e f o r n o r m a l p h o t o g r a p h y ; h o w e v e r ' i t i s n e c e s -

p h o t o g r a p h y , w h i c h i s e x p l a i n e d l a t e r o n , a n d f o r d e t e r m i n i n g

T h i s l i n e g i v e s y o u t h e e x a c t p o s i t i o n o f t h e

f i f m p l ane i n you r camera ' To f ocus on a

s u b j e c t w i t h o u t u s i n g t h e r a n g e - v i e w f i n d e r , a

m e a s u r e m e n t b e t w e e n t h e s u b j e c t a n d t h e f i l m

p l a n e i s t a k e n , t h e n t h e d i s t a n c e i n d e x m a r k i s

s e t t o t h e a c t u a l d i s t a n c e f i g u r e '

P i n

H o l e

F i l m P l a n e M a r k


The depth-o f - f ie ld sca le shows you the range o f sub jec ts wh ich w i l l be in sharp focuso n t h e f i l m . T h i s r a n g e w i i l v a r y w i t h t h e " F " s t o p s e r e c t e d . F o r e x a m p r e :

The depth-o f_ f ie ld w i l l be deeper . . .t h e s m a l l e r t h e l e n s a p e r t u r ethe shor te r the lens foca l leng ththe fa r ther the d is tance o f the sub jec t

The depth-o f_ f ie ld w i l l be sha l low . . .w i t h a n " F " s t o p o f F 5 . 6 , a n d t h e s u b j e c t y o u h a v e f o c u s e d o n a t 2 5 - f e e t , y o u rcamera w i l l g ive you a sharpry f ocused p ic tu re f rom approx imatery 16- f ee t to 55 ,fee t away f rom the camera At F 11 , you w i i l ge t a sharp p ic tu re f rom l2 - fee t toi n f i n i t y t , ) .


The |e t te r . .R , , i s on the depth-o f - f ie ld sca |e o f a | | Canon |enses . Th is rs fo r in f ra -

r e d f i l m . W h e n u s i n g t h i s f i l m , f o c u s i n t h e n o r m a | w a y . R e a d o f f t h e d i s t a n c e o f

the sub iec t you are focus ing on as shown

oppos i te the d is tance ind ica tor mark on

t h e l e n s d i s t a n c e s c a l e . T u r n t h e l e n s

b a r r e l u n t i l t h e d i s t a n c e r e a d i n g i s o p -

p o s i t e t h e r ' R " m a r k . F o r e x a m P l e :

w h e n t h e s u b t e c t y o u h a v e f o c u s e d o n i s

2 5 - f e e t a w a y , t u r n t h e l e n s b a r r e l u n t i l

t h e f i g u r e 2 5 i s o p p o s i t e t h e " R " m a r k '

Y o u r l e n s i s n o w f o c u s e d f o r i n f r a - r e d

p h o t o g r a p h Y .


T h e c a n o n F i l m M a g a z i n e V i s d e s i g n e d t o h o l d 5 - 1 ; 4 f e e t r 1 . 5 3 m r o f 3 5 m m f i l m .I t c o n s i s t s o f t h r e e p a r t s : c e n t e r s p o o l , i n n e r s h e l l , a n d o u t e r s h e l l .

T o d i s a s s e m b l e t h e m a g a z i n e , p l a c e y o u r f i n g e r o n t h e b u t t o n a n d t u r n t h ei n n e r s h e l l c l o c k w i s e u n t i l b o t h t h e i n n e r s h e l l a n d o u t e r s h e l l s l o t s a r e s u o e r -i m p o s e d a n d t h e s a f e t y d i s e n g a g e d . D r a w o u t t h e i n n e r s h e l l .Inser t the tapered end o f the f i lm in to the la rger w id th s l i t o f the center spoo l .F a c e t h e e m u l s i o n i d u l l ) s i d e t o w a r d s t h e s p i n d l e o f t h e s p o o l .

S a t e t y L , r c k

t


wind 5-1 /4 fee t o f f i lm around the center spoo l modera te ly t igh t fo r 36

e x p o s u r e s . . . 3 - l l 4 f e e t f o r 2 0 e x p o s u r e s . . . 3 f e e t f o r 1 8 e x p o s u r e s . D o

not touch the emuls ion (du l l ) s ide w i th your f ingers .

To assemble the magaz ine , f i r s t inser t the center spoo l in to the inner she l l ,

w i th the beg inn ing o f the f i lm s t i ck ing ou t o f the s lo t .

P lace the center spoo l in to the inner she l l and then p lace i t in to the ou ter she l l .

lnner and ou ter she l l s lo ts shou ld be super imposed. Turn the inner she l l counter -

c lockwise un t i l i t c l i cks in to the locked pos i t ion .

when the f i lm magaz ine is p roper ly loaded and locked, d raw out the f i lm and

t r im i t , as i l l us t ra ted .

r Th is p rocedure must be done in a dark room or under sa fe l igh t ing cond i t ions .

I Keep the magaz ine in i t s case when loaded.

a Keep the magaz ine c lean a lwaYs.

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C a n o n l e n s e s a r e h e l d i n t h e h i g h e s te s t e e m b y p r o f e s s i o n a l a n d d i s c e r n i n ga m a t e u r p h o t o g r a p h e r s t h e w o r l d o v e r f o rt h e i r u n s u r p a s s e d , u f l i q u e o p t i c a l d e s i g na n d p r e c i s i o n e n g i n e e r i n g . B e f o r e l e a v i n gt h e f a c t o r y , e a c h l e n s m u s t m e e t e x a c t i n gq u a l i t y t e s t s t o i n s u r e t h e h i g h e s t r e s o l u -t i o n , c o n t r a s t , b r i l l i a n c e , a n d c o l o r f i d e l i t y .A i l l e n s e s a r e S p e c t r a - C o a t e d ( T M ) i n t e r -r r a l l y a n d e x t e r n a l l y b y a r e v o l u t i o n a r yp r o c e s s t o i n s u r e m a x i m u m c o l o r a n d t o n eb a l a n c e , g r e a t e r l i g h t t r a n s m i s s i o n , a n dc o m p l e t e e l i m i n a t i o n o f f l a r e .

T o d a y , t h e r e a r e m o r e t h a n t w e n t y k i n d so f C a n o n l e n s e s a v a i l a b l e r a n g i n g f r o m2 5 m m u l t r a - w i d e - a n g l e t o l O O O m m u l t r a -l o n g - t e l e p h o t o . W i t h C a n o n i n t e r c h a n g e -a b l e l e n s e s , y o u c a n p h o t o g r a p h a n y t h i n gy o u w i s h . T h e a d d i t i o n o f a t e l e p h o t ol e n s , o ( w i d e - a n g l e l e n s , f f i a k e s y o u rc a m e r a a n e x t r e m e l y v e r s a t i l e o n e . Y o uc a n p h o t o g r a p h i n t e r e s t i n g a n C f u n s u b -j e c t s w h i c h p r e v i o u s l y m i g h t h a v e b e e ni m p o s s i b l e . A w h o l e n e w f i e l d o f v i e ww i l l b e o p e n e d t o y o u w i t h C a n o n i n t e r -c h a n g e a b l e l e n s e s .www.orphancameras.com

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Mois ture and dus t a re harmfu l to your camera . l t shou ld be taken ou t in to thel igh t and f resh a i r f rom t ime to t ime.

l f your camera is to be s to red fo r a long t ime, i t shou ld be removed f rom i ts case.

S i l i ca ge l o r another d ry ing agent shou ld be p laced a longs ide i t .

When you use your camera on a ra iny day , o r a t the beach, mo is tu re and sa l t a i r

adhere to i t , wh ich can resu l t in s ta ins , rus t , and cor ros ion .

Use a so f t b rush to r id the body o f dus t and a dry , so f t c lo th fo r w ip ing . Do no ttouch the lens . Use a be l lows to b low away dus t on the lens or b rush l igh i l y w i th

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