Upload
dothuan
View
216
Download
2
Embed Size (px)
Citation preview
82 Collection 3: Narrator and VoicePart 1
The title of this fantasy is taken from Psalm 137 in the Bible. The psalm tells of
the Israelites’ great sorrow over the destruction of their Temple in Jerusalem
(Zion) and their enslavement in Babylon. The psalm opens
By the waters of Babylon,
there we sat down and wept,
when we remembered Zion.
Stephen Vincent Benét wrote this story partly as a cautionary tale, or a story
meant to serve as a warning. As you read, be alert to what Benét is warning
about. You should know that the story was written in 1937, before the inven-
tion of nuclear weapons.
LITERARY FOCUS: FIRST-PERSON POINT OF VIEW AND SETTING• John, a young man, narrates the story from his first-person point of view.
We see the world and experience events as John does.
• Because he is a first-person narrator, John can tell us only what he knows
and experiences. As you read, think about whether John is a credible, or
believable, narrator. Is what he tells you totally accurate?
• Setting—the place and time of the story—is at the heart of “By the
Waters of Babylon.” The first location of the story—the land of the Hill
People—may make you think of a Native American legend. The story’s
second major location—the Place of the Gods—is actually a famous city in
the United States. Look for clues that help you identify the city and that
reveal what has happened there.
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
By the Waters of Babylon by Stephen Vincent Benét
Literary SkillsUnderstand the
first-personpoint of view.
Understandsetting.
ReadingSkillsDraw
conclusions.
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 82 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
By the Waters of Babylon 83
READING SKILLS: DRAWING CONCLUSIONSA conclusion is a judgment that you draw, or come to, after you have
considered all the evidence. The conclusions you draw when you read a
story are based on details you are given about the plot, the characters, and
the setting. As you read this fantasy story, you will have to draw conclusions
about many things. You’ll have to decide, for example, where the narrator
lives and when he lives. You will also have to decide just where this boy
goes on his journey. The evidence is there; you have to read carefully and
draw on your own experience to find the answers.
The narrator describes each of the places and things listed on the chart
below. Based on just what is written there, fill in what you think each place
or thing is. After you have read all the details in the story, you’ll probably
draw different conclusions.
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
Detail What It Might Be
Place of the Gods
Great Burning
Ou-dis-sun
Statue of the man
named ASHING
Temple with stars on
the ceiling
Cooking place
with no wood
HRW SE_10-03_1stP_Round 1 4/15/03 5:50 PM Page 83 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
The north and the west and the south are good hunting ground,
but it is forbidden to go east. It is forbidden to go to any of the
Dead Places except to search for metal, and then he who touches
the metal must be a priest or the son of a priest. Afterward,
both the man and the metal must be purified. These are the
rules and the laws; they are well made. It is forbidden to cross
the great river and look upon the place that was the Place of
the Gods—this is most strictly forbidden. We do not even say
its name though we know its name. It is there that spirits live,
and demons—it is there that there are the ashes of the Great10
84 Collection 3: Narrator and VoicePart 1
In the first paragraph, circlethe rules and laws that thenarrator describes. Thenunderline the word forbiddeneach time it is used.
Stephen Vincent Benét
“By the Waters of Babylon” from The Selected Works of Stephen Vincent Benét. Copyright © 1937 by Stephen Vincent Benét; copyright renewed © 1964 by Thomas C. Benét, Stephanie P. Mahin, and Rachel Benét Lewis. Reprinted by permission of Brandt & Hochman Literary Agents, Inc.
© CORBIS.
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 84 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
Burning. These things are forbidden—they have been forbidden
since the beginning of time.
My father is a priest; I am the son of a priest. I have been
in the Dead Places near us, with my father—at first, I was afraid.
When my father went into the house to search for the metal, I
stood by the door and my heart felt small and weak. It was a
dead man’s house, a spirit house. It did not have the smell of
man, though there were old bones in a corner. But it is not
fitting that a priest’s son should show fear. I looked at the
bones in the shadow and kept my voice still.
Then my father came out with the metal—a good, strong
piece. He looked at me with both eyes but I had not run away.
He gave me the metal to hold—I took it and did not die. So he
knew that I was truly his son and would be a priest in my time.
That was when I was very young—nevertheless, my brothers
would not have done it, though they are good hunters. After
that, they gave me the good piece of meat and the warm corner
by the fire. My father watched over me—he was glad that I
should be a priest. But when I boasted or wept without a reason,
he punished me more strictly than my brothers. That was right.
After a time, I myself was allowed to go into the dead
houses and search for metal. So I learned the ways of those
houses—and if I saw bones, I was no longer afraid. The bones
are light and old—sometimes they will fall into dust if you
touch them. But that is a great sin.
I was taught the chants and the spells—I was taught how to
stop blood from a wound and many secrets. A priest must know
many secrets—that was what my father said. If the hunters think
we do all things by chants and spells, they may believe so—it
does not hurt them. I was taught how to read in the old books
and how to make the old writings—that was hard and took a
long time. My knowledge made me happy—it was like a fire in
my heart. Most of all, I liked to hear of the Old Days and the
stories of the gods. I asked myself many questions that I could
not answer, but it was good to ask them. At night, I would lie
20
30
40
By the Waters of Babylon 85
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
Pause at line 12. What do therules and laws suggest aboutthe narrator’s society?
Circle the words in lines 13–20that tell you the story is written from the first-personpoint of view. Who is thenarrator?
In lines 21–24, underlinewhat the boy concludeswhen he holds the metal and does not die.
Re-read lines 36–42, andunderline details describinghow the boy prepared to be a priest. What can youinfer, or guess, about the boy from the way he feelsabout knowledge?
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 85 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
awake and listen to the wind—it seemed to me that it was the
voice of the gods as they flew through the air.
We are not ignorant like the Forest People—our women
spin wool on the wheel, our priests wear a white robe. We do
not eat grubs from the tree, we have not forgotten the old
writings, although they are hard to understand. Nevertheless, my
knowledge and my lack of knowledge burned in me—I wished
to know more. When I was a man at last, I came to my father and
said, “It is time for me to go on my journey. Give me your leave.”
He looked at me for a long time, stroking his beard, then
he said at last, “Yes. It is time.” That night, in the house of the
priesthood, I asked for and received purification. My body hurt
but my spirit was a cool stone. It was my father himself who
questioned me about my dreams.
He bade me look into the smoke of the fire and see—I saw
and told what I saw. It was what I have always seen—a river, and,
beyond it, a great Dead Place and in it the gods walking. I have
always thought about that. His eyes were stern when I told him—
he was no longer my father but a priest. He said, “This is a
strong dream.”
“It is mine,” I said, while the smoke waved and my head felt
light. They were singing the Star song in the outer chamber and
it was like the buzzing of bees in my head.
He asked me how the gods were dressed and I told him
how they were dressed. We know how they were dressed from
the book, but I saw them as if they were before me. When I had
finished, he threw the sticks three times and studied them as
they fell.
“This is a very strong dream,” he said. “It may eat you up.”
“I am not afraid,” I said and looked at him with both eyes.
My voice sounded thin in my ears but that was because of the
smoke.
He touched me on the breast and the forehead. He gave me
the bow and the three arrows.
50
60
70
86 Collection 3: Narrator and VoicePart 1
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
Writers use foreshadowingto hint at events that willhappen later in the story. Inlines 61–62, underline whatthe boy sees in the smoke.What places do you think hewill visit later on?
What does the father meanwhen he says the boy’sdream may “eat him up”(line 74)?
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 86 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
“Take them,” he said. “It is forbidden to travel east. It is
forbidden to cross the river. It is forbidden to go to the Place
of the Gods. All these things are forbidden.”
“All these things are forbidden,” I said, but it was my voice
that spoke and not my spirit. He looked at me again.
“My son,” he said. “Once I had young dreams. If your
dreams do not eat you up, you may be a great priest. If they eat
you, you are still my son. Now go on your journey.”
I went fasting, as is the law. My body hurt but not my
heart. When the dawn came, I was out of sight of the village.
I prayed and purified myself, waiting for a sign. The sign was
an eagle. It flew east.
Sometimes signs are sent by bad spirits. I waited again on
the flat rock, fasting, taking no food. I was very still—I could
feel the sky above me and the earth beneath. I waited till the
sun was beginning to sink. Then three deer passed in the valley,
going east—they did not wind1 me or see me. There was a white
fawn with them—a very great sign.
I followed them, at a distance, waiting for what would
happen. My heart was troubled about going east, yet I knew that
I must go. My head hummed with my fasting—I did not even
see the panther spring upon the white fawn. But, before I knew
it, the bow was in my hand. I shouted and the panther lifted his
head from the fawn. It is not easy to kill a panther with one arrow
but the arrow went through his eye and into his brain. He died
as he tried to spring—he rolled over, tearing at the ground. Then
I knew I was meant to go east—I knew that was my journey.
When the night came, I made my fire and roasted meat.
It is eight suns’ journey to the east and a man passes by
many Dead Places. The Forest People are afraid of them but
I am not. Once I made my fire on the edge of a Dead Place at
night and, next morning, in the dead house, I found a good
knife, little rusted. That was small to what came afterward but it
made my heart feel big. Always when I looked for game, it was
80
90
100
110
By the Waters of Babylon 87
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
1. wind (wind) v.: detect the scent of.
Circle the forbidden things inlines 80–82. Do you think theboy will obey the rules? Whyor why not?
An internal conflict takesplace in a character’s mindbetween opposing ideas or feelings. What is thenarrator’s internal conflict(lines 80–106)? Underline the signs that convince himto journey east.
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 87 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
in front of my arrow, and twice I passed hunting parties of the
Forest People without their knowing. So I knew my magic was
strong and my journey clean, in spite of the law.
Toward the setting of the eighth sun, I came to the banks
of the great river. It was half a day’s journey after I had left the
god-road—we do not use the god-roads now, for they are falling
apart into great blocks of stone, and the forest is safer going.
A long way off, I had seen the water through trees but the trees
were thick. At last, I came out upon an open place at the top of
a cliff. There was the great river below, like a giant in the sun.
It is very long, very wide. It could eat all the streams we know
and still be thirsty. Its name is Ou-dis-sun, the Sacred, the Long.
No man of my tribe had seen it, not even my father, the priest.
It was magic and I prayed.
Then I raised my eyes and looked south. It was there, the
Place of the Gods.
How can I tell what it was like—you do not know. It was
there, in the red light, and they were too big to be houses. It was
there with the red light upon it, mighty and ruined. I knew that
in another moment the gods would see me. I covered my eyes
with my hands and crept back into the forest.
Surely, that was enough to do, and live. Surely it was enough
to spend the night upon the cliff. The Forest People themselves
do not come near. Yet, all through the night, I knew that I
should have to cross the river and walk in the places of the gods,
although the gods ate me up. My magic did not help me at all
and yet there was a fire in my bowels, a fire in my mind. When
the sun rose, I thought, “My journey has been clean. Now I will
go home from my journey.” But, even as I thought so, I knew I
could not. If I went to the Place of the Gods, I would surely die,
but, if I did not go, I could never be at peace with my spirit
again. It is better to lose one’s life than one’s spirit, if one is a
priest and the son of a priest.
Nevertheless, as I made the raft, the tears ran out of my
eyes. The Forest People could have killed me without fight, if
120
130
140
88 Collection 3: Narrator and VoicePart 1
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
The narrator usespersonification when hespeaks of the river as if itwere a person. Underline thewords he uses to personifythe river in line 123.
In lines 143–145, underlinethe narrator’s reason forgoing on. What three words would you use todescribe him?
Ou-dis-sun (line 125) is yourfirst clue to where the Placeof the Gods is. Can you tell bysounding it out? Don’t worryif you don’t yet recognize it.There will be more cluesthroughout the story.
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 88 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
they had come upon me then, but they did not come. When the
raft was made, I said the sayings for the dead and painted myself
for death. My heart was cold as a frog and my knees like water,
but the burning in my mind would not let me have peace. As I
pushed the raft from the shore, I began my death song—I had
the right. It was a fine song.
“I am John, son of John,” I sang. “My people
are the Hill People. They are the men.
I go into the Dead Places but I am not slain.
I take the metal from the Dead Places but
I am not blasted.
I travel upon the god-roads and am not
afraid. E-yah! I have killed the panther,
I have killed the fawn!
E-yah! I have come to the great river. No
man has come there before.
It is forbidden to go east, but I have gone,
forbidden to go on the great river, but
I am there.
Open your hearts, you spirits, and hear my
song. Now I go to the Place of the Gods,
I shall not return.
My body is painted for death and my limbs
weak, but my heart is big as I go to the
Place of the Gods!”
All the same, when I came to the Place of the Gods, I was afraid,
afraid. The current of the great river is very strong—it gripped
my raft with its hands. That was magic, for the river itself is
wide and calm. I could feel evil spirits about me, in the bright
morning; I could feel their breath on my neck as I was swept
down the stream. Never have I been so much alone—I tried to
think of my knowledge, but it was a squirrel’s heap of winter nuts.
There was no strength in my knowledge anymore and I felt
150
160
170
180
By the Waters of Babylon 89
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
Underline the similes—comparisons using like or as—that describe the narrator’sfear (line 151).
Practice reading the songaloud at least twice. Use a tone of voice that thenarrator might have used,and remember that hedescribed this song as his“death song.”
What important fact do youlearn in the first line of thenarrator’s song (line 155)?
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 89 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
small and naked as a new-hatched bird—alone upon the great
river, the servant of the gods.
Yet, after a while, my eyes were opened and I saw. I saw both
banks of the river—I saw that once there had been god-roads
across it, though now they were broken and fallen like broken
vines. Very great they were, and wonderful and broken—broken
in the time of the Great Burning when the fire fell out of the sky.
And always the current took me nearer to the Place of the Gods,
and the huge ruins rose before my eyes.
I do not know the customs of rivers—we are the People
of the Hills. I tried to guide my raft with the pole but it spun
around. I thought the river meant to take me past the Place of
the Gods and out into the Bitter Water of the legends. I grew
angry then—my heart felt strong. I said aloud, “I am a priest
and the son of a priest!” The gods heard me—they showed me
how to paddle with the pole on one side of the raft. The current
changed itself—I drew near to the Place of the Gods.
When I was very near, my raft struck and turned over. I can
swim in our lakes—I swam to the shore. There was a great spike
of rusted metal sticking out into the river—I hauled myself up
upon it and sat there, panting. I had saved my bow and two
arrows and the knife I found in the Dead Place but that was all.
My raft went whirling downstream toward the Bitter Water.
I looked after it, and thought if it had trod me under, at least
I would be safely dead. Nevertheless, when I had dried my bow-
string and restrung it, I walked forward to the Place of the Gods.
It felt like ground underfoot; it did not burn me. It is not
true what some of the tales say, that the ground there burns
forever, for I have been there. Here and there were the marks
and stains of the Great Burning, on the ruins, that is true. But
they were old marks and old stains. It is not true either, what
some of our priests say, that it is an island covered with fogs
and enchantments. It is not. It is a great Dead Place—greater
than any Dead Place we know. Everywhere in it there are
190
200
210
90 Collection 3: Narrator and VoicePart 1
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
Re-read lines 208–217. Whydo you think the old talesdescribed burnings, fogs, and enchantments that thenarrator does not find?
In lines 193–194, John talksabout being swept past thePlace of the Gods and outinto the Bitter Water. Whatdo you think the BitterWater really is? This is another clue to where thePlace of the Gods is.
What do you think reallyhappened during the GreatBurning, when the “fire fellout of the sky” (line 188)?
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 90 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
god-roads, though most are cracked and broken. Everywhere
there are the ruins of the high towers of the gods.
How shall I tell what I saw? I went carefully, my strung
bow in my hand, my skin ready for danger. There should have
been the wailings of spirits and the shrieks of demons, but there
were not. It was very silent and sunny where I had landed—the
wind and the rain and the birds that drop seeds had done their
work—the grass grew in the cracks of the broken stone. It is a
fair island—no wonder the gods built there. If I had come there,
a god, I also would have built.
How shall I tell what I saw? The towers are not all broken—
here and there one still stands, like a great tree in a forest, and
the birds nest high. But the towers themselves look blind, for the
gods are gone. I saw a fish-hawk, catching fish in the river. I saw
a little dance of white butterflies over a great heap of broken
stones and columns. I went there and looked about me—there
was a carved stone with cut-letters, broken in half. I can read
letters but I could not understand these. They said UBTREAS.
There was also the shattered image of a man or a god. It had
been made of white stone and he wore his hair tied back like a
woman’s. His name was ASHING, as I read on the cracked half
of a stone. I thought it wise to pray to ASHING, though I do not
know that god.
How shall I tell what I saw? There was no smell of man left,
on stone or metal. Nor were there many trees in that wilderness
of stone. There are many pigeons, nesting and dropping in the
towers—the gods must have loved them, or, perhaps, they used
them for sacrifices. There are wild cats that roam the god-roads,
green-eyed, unafraid of man. At night they wail like demons
but they are not demons. The wild dogs are more dangerous,
for they hunt in a pack, but them I did not meet till later.
Everywhere there are the carved stones, carved with magical
numbers or words.
I went north—I did not try to hide myself. When a god
or a demon saw me, then I would die, but meanwhile I was no
220
230
240
250
By the Waters of Babylon 91
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
What do you think UBTREASand ASHING once meant(lines 233 and 236)?
Underline details in lines221–238 that help you visualize the setting of thePlace of the Gods.
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 91 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
longer afraid. My hunger for knowledge burned in me—there
was so much that I could not understand. After a while, I knew
that my belly was hungry. I could have hunted for my meat,
but I did not hunt. It is known that the gods did not hunt as
we do—they got their food from enchanted boxes and jars.
Sometimes these are still found in the Dead Places—once, when
I was a child and foolish, I opened such a jar and tasted it and
found the food sweet. But my father found out and punished
me for it strictly, for, often, that food is death. Now, though,
I had long gone past what was forbidden, and I entered the
likeliest towers, looking for the food of the gods.
I found it at last in the ruins of a great temple in the
midcity. A mighty temple it must have been, for the roof was
painted like the sky at night with its stars—that much I could
see, though the colors were faint and dim. It went down into
great caves and tunnels—perhaps they kept their slaves there.
But when I started to climb down, I heard the squeaking of rats,
so I did not go—rats are unclean, and there must have been many
260
92 Collection 3: Narrator and VoicePart 1
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
Underline the details you aregiven about the great templein midcity (lines 262–266).What could this be?
Why do you think the foodin the boxes and jars wasoften “death” (line 259)?
ElektraVision/Index Stock.
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 92 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
tribes of them, from the squeaking. But near there, I found food,
in the heart of a ruin, behind a door that still opened. I ate only
the fruits from the jars—they had a very sweet taste. There was
drink, too, in bottles of glass—the drink of the gods was strong
and made my head swim. After I had eaten and drunk, I slept on
the top of a stone, my bow at my side.
When I woke, the sun was low. Looking down from where
I lay, I saw a dog sitting on his haunches. His tongue was hanging
out of his mouth; he looked as if he were laughing. He was a big
dog, with a gray-brown coat, as big as a wolf. I sprang up and
shouted at him but he did not move—he just sat there as if he
were laughing. I did not like that. When I reached for a stone
to throw, he moved swiftly out of the way of the stone. He was
not afraid of me; he looked at me as if I were meat. No doubt
I could have killed him with an arrow, but I did not know if
there were others. Moreover, night was falling.
I looked about me—not far away there was a great, broken
god-road, leading north. The towers were high enough, but not
so high, and while many of the dead houses were wrecked, there
were some that stood. I went toward this god-road, keeping to
the heights of the ruins, while the dog followed. When I had
reached the god-road, I saw that there were others behind him.
If I had slept later, they would have come upon me asleep and
torn out my throat. As it was, they were sure enough of me; they
did not hurry. When I went into the dead house, they kept watch
at the entrance—doubtless they thought they would have a fine
hunt. But a dog cannot open a door and I knew, from the books,
that the gods did not like to live on the ground but on high.
I had just found a door I could open when the dogs
decided to rush. Ha! They were surprised when I shut the door
in their faces—it was a good door, of strong metal. I could hear
their foolish baying beyond it but I did not stop to answer them.
I was in darkness—I found stairs and climbed. There were many
stairs, turning around till my head was dizzy. At the top was
another door—I found the knob and opened it. I was in a long
270
280
290
300
By the Waters of Babylon 93
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
What external conflict doesJohn face in lines 285–299?
What prevents the dogs fromkilling John? Underline thedetails in lines 291–299 thatsupport your answer.
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 93 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
small chamber—on one side of it was a bronze door that could
not be opened, for it had no handle. Perhaps there was a magic
word to open it but I did not have the word. I turned to the
door in the opposite side of the wall. The lock of it was broken
and I opened it and went in.
Within, there was a place of great riches. The god who lived
there must have been a powerful god. The first room was a small
anteroom—I waited there for some time, telling the spirits of the
place that I came in peace and not as a robber. When it seemed
to me that they had had time to hear me, I went on. Ah, what
riches! Few, even, of the windows had been broken—it was all
as it had been. The great windows that looked over the city had
not been broken at all though they were dusty and streaked
with many years. There were coverings on the floors, the colors
not greatly faded, and the chairs were soft and deep. There
were pictures upon the walls, very strange, very wonderful—
I remember one of a bunch of flowers in a jar—if you came close
to it, you could see nothing but bits of color, but if you stood
away from it, the flowers might have been picked yesterday. It
made my heart feel strange to look at this picture—and to look
at the figure of a bird, in some hard clay, on a table and see it so
like our birds. Everywhere there were books and writings, many
in tongues that I could not read. The god who lived there must
have been a wise god and full of knowledge. I felt I had right
there, as I sought knowledge also.
Nevertheless, it was strange. There was a washing-place but
no water—perhaps the gods washed in air. There was a cooking-
place but no wood, and though there was a machine to cook
food, there was no place to put fire in it. Nor were there candles
or lamps—there were things that looked like lamps but they had
neither oil nor wick. All these things were magic, but I touched
them and lived—the magic had gone out of them. Let me tell
one thing to show. In the washing-place, a thing said “Hot” but
it was not hot to the touch—another thing said “Cold” but it was
310
320
330
94 Collection 3: Narrator and VoicePart 1
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
In lines 317–328, John findshimself in a place of “greatriches.” Underline the thingshe sees.
Circle the everyday itemsJohn finds in lines 329–334.Why do they seem like“magic” to him?
John is in a tall building witha lot of stairs. What do youthink the door with no handle(lines 303–305) leads to?
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 94 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
not cold. This must have been a strong magic but the magic was
gone. I do not understand—they had ways—I wish that I knew.
It was close and dry and dusty in their house of the gods.
I have said the magic was gone but that is not true—it had gone
from the magic things but it had not gone from the place. I felt
the spirits about me, weighing upon me. Nor had I ever slept in
a Dead Place before—and yet, tonight, I must sleep there. When
I thought of it, my tongue felt dry in my throat, in spite of my
wish for knowledge. Almost I would have gone down again and
faced the dogs, but I did not.
I had not gone through all the rooms when the darkness
fell. When it fell, I went back to the big room looking over
the city and made fire. There was a place to make fire and a
box with wood in it, though I do not think they cooked there.
I wrapped myself in a floor-covering and slept in front of the
fire—I was very tired.
Now I tell what is very strong magic. I woke in the midst
of the night. When I woke, the fire had gone out and I was cold.
It seemed to me that all around me there were whisperings and
voices. I closed my eyes to shut them out. Some will say that
I slept again, but I do not think that I slept. I could feel the spirits
drawing my spirit out of my body as a fish is drawn on a line.
Why should I lie about it? I am a priest and the son of a
priest. If there are spirits, as they say, in the small Dead Places
near us, what spirits must there not be in that great Place of the
Gods? And would not they wish to speak? After such long years?
I know that I felt myself drawn as a fish is drawn on a line. I had
stepped out of my body—I could see my body asleep in front of
the cold fire, but it was not I. I was drawn to look out upon the
city of the gods.
It should have been dark, for it was night, but it was not
dark. Everywhere there were lights—lines of light—circles and
blurs of light—ten thousand torches would not have been the
same. The sky itself was alight—you could barely see the stars
340
350
360
370
By the Waters of Babylon 95
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
During the night, John has avision. What simile does heuse in line 359 to describe hisspirit?
NotesNotes
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 95 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
for the glow in the sky. I thought to myself, “This is strong
magic,” and trembled. There was a roaring in my ears like the
rushing of rivers. Then my eyes grew used to the light and my
ears to the sound. I knew that I was seeing the city as it had
been when the gods were alive.
That was a sight indeed—yes, that was a sight: I could not
have seen it in the body—my body would have died. Everywhere
went the gods, on foot and in chariots—there were gods beyond
number and counting and their chariots blocked the streets.
They had turned night to day for their pleasure—they did not
sleep with the sun. The noise of their coming and going was the
noise of many waters. It was magic what they could do—it was
magic what they did.
I looked out of another window—the great vines of their
bridges were mended and the god-roads went east and west.
Restless, restless were the gods, and always in motion! They
burrowed tunnels under rivers—they flew in the air. With
unbelievable tools they did giant works—no part of the earth
was safe from them, for, if they wished for a thing, they sum-
moned it from the other side of the world. And always, as they
labored and rested, as they feasted and made love, there was a
drum in their ears—the pulse of the giant city, beating and
beating like a man’s heart.
Were they happy? What is happiness to the gods? They
were great, they were mighty, they were wonderful and terrible.
As I looked upon them and their magic, I felt like a child—but
a little more, it seemed to me, and they would pull down the
moon from the sky. I saw them with wisdom beyond wisdom
and knowledge beyond knowledge. And yet not all they did was
well done—even I could see that—and yet their wisdom could
not but grow until all was peace.
Then I saw their fate come upon them and that was terrible
past speech. It came upon them as they walked the streets of
their city. I have been in the fights with the Forest People—
I have seen men die. But this was not like that. When gods war
380
390
400
96 Collection 3: Narrator and VoicePart 1
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
In lines 377–394, underline at least six things that Johnnotices about the way thegods lived in the past. Howdo you think he was able to“see” these things?
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 96 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
with gods, they use weapons we do not know. It was fire falling
out of the sky and a mist that poisoned. It was the time of the
Great Burning and the Destruction. They ran about like ants in
the streets of their city—poor gods, poor gods! Then the towers
began to fall. A few escaped—yes, a few. The legends tell it. But,
even after the city had become a Dead Place, for many years the
poison was still in the ground. I saw it happen, I saw the last of
them die. It was darkness over the broken city and I wept.
All this, I saw. I saw it as I have told it, though not in the
body. When I woke in the morning, I was hungry, but I did
not think first of my hunger, for my heart was perplexed and
confused. I knew the reason for the Dead Places but I did not
see why it had happened. It seemed to me it should not have
happened, with all the magic they had. I went through the
house looking for an answer. There was so much in the house
I could not understand—and yet I am a priest and the son of
a priest. It was like being on one side of the great river, at night,
with no light to show the way.
Then I saw the dead god. He was sitting in his chair, by
the window, in a room I had not entered before and, for the first
moment, I thought that he was alive. Then I saw the skin on the
back of his hand—it was like dry leather. The room was shut,
hot and dry—no doubt that had kept him as he was. At first
I was afraid to approach him—then the fear left me. He was
sitting looking out over the city—he was dressed in the clothes
of the gods. His age was neither young nor old—I could not
tell his age. But there was wisdom in his face and great sadness.
You could see that he would have not run away. He had sat at
his window, watching his city die—then he himself had died.
But it is better to lose one’s life than one’s spirit—and you could
see from the face that his spirit had not been lost. I knew that,
if I touched him, he would fall into dust—and yet, there was
something unconquered in the face.
410
420
430
By the Waters of Babylon 97
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
What do you think the firethat fell from the sky and the poison mist (lines407–408) might be?
Pause at line 424. What can’tJohn understand about thegods, who seemed to have so much wisdom and power?
Why does John think heshould be able to understandthese mysteries (lines421–423)?
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 97 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
That is all of my story, for then I knew he was a man—
I knew then that they had been men, neither gods nor demons.
It is a great knowledge, hard to tell and believe. They were men—
they went a dark road, but they were men. I had no fear after
that—I had no fear going home, though twice I fought off the
dogs and I was hunted for two days by the Forest People. When
I saw my father again, I prayed and was purified. He touched
my lips and my breast, he said, “You went away a boy. You come
back a man and a priest.” I said, “Father, they were men! I have
been in the Place of the Gods and seen it! Now slay me, if it is
the law—but still I know they were men.”
He looked at me out of both eyes. He said, “The law is not
always the same shape—you have done what you have done. I
could not have done it in my time, but you come after me. Tell!”
I told and he listened. After that, I wished to tell all the
people but he showed me otherwise. He said, “Truth is a hard
deer to hunt. If you eat too much truth at once, you may die
of the truth. It was not idly that our fathers forbade the Dead
Places.” He was right—it is better the truth should come little by
little. I have learned that, being a priest. Perhaps, in the old days,
they ate knowledge too fast.
Nevertheless, we make a beginning. It is not for the metal
alone we go to the Dead Places now—there are the books and
the writings. They are hard to learn. And the magic tools are
broken—but we can look at them and wonder. At least, we
make a beginning. And, when I am chief priest we shall go
beyond the great river. We shall go to the Place of the Gods—
the place newyork—not one man but a company. We shall look
for the images of the gods and find the god ASHING and the
others—the gods Lincoln and Biltmore2 and Moses.3 But they
were men who built the city, not gods or demons. They were
men. I remember the dead man’s face. They were men who
were here before us. We must build again.
440
450
460
470
98 Collection 3: Narrator and VoicePart 1
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
2. Biltmore: a New York City hotel.3. Moses: Robert Moses (1888–1981): New York City public official
who oversaw many large construction projects, such as bridges and public buildings.
What “great knowledge”does John discover in themorning (lines 440–443)?
In lines 465–469, underlinewhat John plans to do whenhe is chief priest. Circle thename of the Place of theGods.
What does John mean whenhe says that in the old days“they ate knowledge toofast” (line 460)?
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 98 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
By the Waters of Babylon 99
What the Narrator Names
Dead Places
Place of the Gods
Great Burning
Old Days
My Conclusions About What the Narrator Is Describing
By the Waters of BabylonConclusions Chart “By the Waters of Babylon” is told from the point of viewof a narrator, John, who goes on a journey of discovery. Until John completes
his journey of discovery, his descriptions of places and events are incomplete
or unreliable.
Draw conclusions about what the narrator sees in “By the Waters of Babylon.”
Fill in the chart by writing what you think he is describing.
Ou-dis-sun
ASHING
Temple with stars on
the ceiling
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 99 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
Sharpen your test-taking skills by completing the sample test item. Then, check your
answer against the explanation in the right-hand column.
By the Waters of Babylon
Skills ReviewSkills Review
100 Collection 3: Narrator and VoicePart 1
Explanation of the Correct Answer
The correct answer is B.
A is incorrect because the writer never
portrays John as feeling sorry for him-
self. Nothing that John does or says
supports answer C. Although some
of John’s actions at the beginning of
the story support the answer D, B is the
best answer.
Sample Test Item
Which statement best describes the
narrator’s voice?
A It is self-pitying.
B It is courageous and intelligent.
C It is shallow and lazy.
D It is considerate and loving.
4. John learns that the inhabitants of
the Place of the Gods—
F knew little more than the Hill
People
G reestablished their community a
few miles from their ruined city
H were killed by packs of wild dogs
J were actually people
5. The Place of the Gods was once
called—
A New York
B Boston
C San Francisco
D Los Angeles
1. From what point of view is the story
told?
A first person
B second person
C third-person limited
D omniscient
2. The narrator of the story is—
F a god
G a young man
H an old priest
J a dead man
3. Which word best describes what the
narrator wants?
A love
B friends
C knowledge
D power
DIRECTIONS: Circle the letter of each correct response.
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
Literary SkillsAnalyze thefirst-person
point of view.Analyze setting.
HRW SE_10-03_1stP_Round 1 4/10/03 12:20 PM Page 100 impos06 108:hrhrs10:hrhrs10ch03:hrs10ch03%0:
Cop
yrig
ht ©
by
Hol
t,R
ineh
art
and
Win
ston
.A
ll ri
ghts
res
erve
d.
By the Waters of Babylon 101
Skills ReviewSkills Review
Suffixes: Clues to Word MeaningsSometimes you can figure out the meaning of an unfamiliar word if you
analyze the meaning of its parts. The more suffixes you know, the more
words you’ll be able to figure out. A suffix is a word part added to the end
of a word or root. Increase your knowledge of suffixes by adding at least
two more words to each of the example boxes in the chart below.
By the Waters of Babylon
Suffixes Meanings Examples
–able, –ible “able; likely” capable, flexible
–ance, –ence “act; condition; fact” attendance, evidence
–er, –or “one who does” baker, director
–ic “dealing with; classic, choleric, workaholic
caused by; showing”
–ion, –tion “action; result; union, fusion, selection
state”
–ous “marked by; religious, furious
given to”
–y “quality; action” jealousy, inquiry
VocabularySkillsUnderstand anduse suffixes.
HRW SE_10-03_1stP_Round 1 9/4/03 11:50 AM Page 101 impos06 108:hrhrs10r1:hrs10ch03:layouts:
42 The Holt Reader: Teacher’s Manual
By
the
Wat
ers
of
Bab
ylo
n
83
READ
ING
SKIL
LS:
DRAW
ING
CONC
LUSI
ONS
A c
on
clu
sio
nis
a ju
dg
men
t th
at y
ou
dra
w, o
r co
me
to, a
fter
yo
u h
ave
con
sid
ered
all
the
evid
ence
. Th
e co
ncl
usi
on
s yo
u d
raw
wh
en y
ou
rea
d a
sto
ry a
re b
ased
on
det
ails
yo
u a
re g
iven
ab
ou
t th
e p
lot,
th
e ch
arac
ters
, an
d
the
sett
ing
. As
you
rea
d t
his
fan
tasy
sto
ry, y
ou
will
hav
e to
dra
w c
on
clu
sio
ns
abo
ut
man
y th
ing
s. Y
ou
’ll h
ave
to d
ecid
e, f
or
exam
ple
, wh
ere
the
nar
rato
r
lives
an
d w
hen
he
lives
. Yo
u w
ill a
lso
hav
e to
dec
ide
just
wh
ere
this
bo
y
go
es o
n h
is jo
urn
ey. T
he
evid
ence
is t
her
e; y
ou
hav
e to
rea
d c
aref
ully
an
d
dra
w o
n y
ou
r o
wn
exp
erie
nce
to
fin
d t
he
answ
ers.
The
nar
rato
r d
escr
ibes
eac
h o
f th
e p
lace
s an
d t
hin
gs
liste
d o
n t
he
char
t
bel
ow
. Bas
ed o
n ju
st w
hat
is w
ritt
en t
her
e, f
ill in
wh
at y
ou
th
ink
each
pla
ce
or
thin
g is
. Aft
er y
ou
hav
e re
ad a
ll th
e d
etai
ls in
th
e st
ory
, yo
u’ll
pro
bab
ly
dra
w d
iffe
ren
t co
ncl
usi
on
s.
Poss
ible
res
po
nse
s ar
e g
iven
.
Copyright © by Holt,Rinehart and Winston.All rights reserved.
De
tail
Wh
at
It M
igh
t B
e
Plac
e o
f th
e G
od
sa
bea
uti
ful t
emp
le o
r ci
ty
Gre
at B
urn
ing
a fo
rest
fir
e
Ou
-dis
-su
na
Nat
ive
Am
eric
an p
erso
n o
rp
lace
, a g
od
Stat
ue
of
the
man
G
eorg
e W
ash
ing
ton
nam
ed A
SHIN
G
Tem
ple
wit
h s
tars
on
a
chu
rch
, syn
ago
gu
e, o
r m
osq
ue
the
ceili
ng
Co
oki
ng
pla
ce
sto
vew
ith
no
wo
od
82
Co
llect
ion
3:
Nar
rato
r an
d V
oic
ePa
rt 1
The
titl
e o
f th
is f
anta
sy is
tak
en f
rom
Psa
lm 1
37 in
th
e B
ible
. Th
e p
salm
tel
ls o
f
the
Isra
elit
es’ g
reat
so
rro
w o
ver
the
des
tru
ctio
n o
f th
eir
Tem
ple
in J
eru
sale
m
(Zio
n)
and
th
eir
ensl
avem
ent
in B
abyl
on
. Th
e p
salm
op
ens
By
the
wat
ers
of
Bab
ylo
n,
ther
e w
e sa
t d
ow
n a
nd
wep
t,
wh
en w
e re
mem
ber
ed Z
ion
.
Step
hen
Vin
cen
t B
enét
wro
te t
his
sto
ry p
artl
y as
a c
auti
on
ary
tale
,or
ast
ory
mea
nt
to s
erve
as
a w
arn
ing
. As
you
rea
d, b
e al
ert
to w
hat
Ben
ét is
war
nin
g
abo
ut.
Yo
u s
ho
uld
kn
ow
th
at t
he
sto
ry w
as w
ritt
en in
193
7, b
efo
re t
he
inve
n-
tio
n o
f n
ucl
ear
wea
po
ns.
LITE
RARY
FO
CUS:
FIR
ST-P
ERSO
N PO
INT
OF
VIEW
AND
SET
TING
•Jo
hn
, a y
ou
ng
man
, nar
rate
s th
e st
ory
fro
m h
is f
irst
-per
son
po
int
of
view
.
We
see
the
wo
rld
an
d e
xper
ien
ce e
ven
ts a
s Jo
hn
do
es.
•B
ecau
se h
e is
a f
irst
-per
son
nar
rato
r, Jo
hn
can
tel
l us
on
ly w
hat
he
kno
ws
and
exp
erie
nce
s. A
s yo
u r
ead
, th
ink
abo
ut
wh
eth
er J
oh
n is
a c
red
ible
,or
bel
ieva
ble
, nar
rato
r. Is
wh
at h
e te
lls y
ou
to
tally
acc
ura
te?
•Se
ttin
g—
the
pla
ce a
nd
tim
e o
f th
e st
ory
—is
at
the
hea
rt o
f “B
y th
e
Wat
ers
of
Bab
ylo
n.”
Th
e fi
rst
loca
tio
n o
f th
e st
ory
—th
e la
nd
of
the
Hill
Peo
ple
—m
ay m
ake
you
th
ink
of
a N
ativ
e A
mer
ican
leg
end
. Th
e st
ory
’s
seco
nd
maj
or
loca
tio
n—
the
Plac
e o
f th
e G
od
s—is
act
ual
ly a
fam
ou
s ci
ty in
the
Un
ited
Sta
tes.
Lo
ok
for
clu
es t
hat
hel
p y
ou
iden
tify
th
e ci
ty a
nd
th
at
reve
al w
hat
has
hap
pen
ed t
her
e.Copyright © by Holt,Rinehart and Winston.All rights reserved.
By t
he W
ater
s of
Bab
ylon
by
Ste
phen
Vin
cent
Ben
ét
Lit
era
ry S
kills
Und
erst
and
the
firs
t-pe
rson
poin
t of
vie
w.
Und
erst
and
sett
ing.
Readin
gSkills
Dra
wco
nclu
sion
s.
Collection 3Student Pages 82–83
Student Pages with Answers 43
Bu
rnin
g.T
hes
e th
ings
are
for
bidd
en—
they
hav
e be
en f
orbi
dden
sin
ce t
he
begi
nn
ing
ofti
me.
My
fath
er is
a p
ries
t;I
am t
he
son
of
a pr
iest
.I h
ave
been
in t
he
Dea
d P
lace
s n
ear
us,
wit
h m
y fa
ther
—at
fir
st,I
was
afr
aid.
Wh
en m
y fa
ther
wen
t in
to t
he
hou
se t
o se
arch
for
th
e m
etal
,I
stoo
d by
th
e do
or a
nd
my
hea
rt f
elt
smal
l an
d w
eak.
It w
as a
dead
man
’s h
ouse
,a s
piri
t h
ouse
.It
did
not
hav
e th
e sm
ell o
f
man
,th
ough
th
ere
wer
e ol
d bo
nes
in a
cor
ner
.Bu
t it
is n
ot
fitt
ing
that
a p
ries
t’s s
on s
hou
ld s
how
fea
r.I
look
ed a
t th
e
bon
es in
th
e sh
adow
an
d ke
pt m
y vo
ice
still
.
Th
en m
y fa
ther
cam
e ou
t w
ith
th
e m
etal
—a
good
,str
ong
piec
e.H
e lo
oked
at
me
wit
h b
oth
eye
s bu
t I
had
not
ru
n a
way
.
He
gave
me
the
met
al t
o h
old—
I to
ok it
an
d di
d n
ot d
ie.S
o h
e
knew
th
at I
was
tru
ly h
is s
on a
nd
wou
ld b
e a
prie
st in
my
tim
e.
Th
at w
as w
hen
I w
as v
ery
you
ng—
nev
erth
eles
s,m
y br
oth
ers
wou
ld n
ot h
ave
don
e it
,th
ough
th
ey a
re g
ood
hun
ters
.Aft
er
that
,th
ey g
ave
me
the
good
pie
ce o
fm
eat
and
the
war
m c
orn
er
by t
he
fire
.My
fath
er w
atch
ed o
ver
me—
he
was
gla
d th
at I
shou
ld b
e a
prie
st.B
ut
wh
en I
boa
sted
or
wep
t w
ith
out
a re
ason
,
he
pun
ish
ed m
e m
ore
stri
ctly
th
an m
y br
oth
ers.
Th
at w
as r
igh
t.
Aft
er a
tim
e,I
mys
elf
was
allo
wed
to
go in
to t
he
dead
hou
ses
and
sear
ch f
or m
etal
.So
I le
arn
ed t
he
way
s of
thos
e
hou
ses—
and
ifI
saw
bon
es,I
was
no
lon
ger
afra
id.T
he
bon
es
are
ligh
t an
d ol
d—so
met
imes
th
ey w
ill f
all i
nto
du
st if
you
tou
ch t
hem
.Bu
t th
at is
a g
reat
sin
.
I w
as t
augh
t th
e ch
ants
an
d th
e sp
ells
—I
was
tau
ght
how
to
stop
blo
od f
rom
a w
oun
d an
d m
any
secr
ets.
A p
ries
t m
ust
kn
ow
man
y se
cret
s—th
at w
as w
hat
my
fath
er s
aid.
Ifth
e hu
nte
rs t
hin
k
we
do a
ll th
ings
by
chan
ts a
nd
spel
ls,t
hey
may
bel
ieve
so—
it
does
not
hu
rt t
hem
.I w
as t
augh
t h
ow t
o re
ad in
th
e ol
d bo
oks
and
how
to
mak
e th
e ol
d w
riti
ngs
—th
at w
as h
ard
and
took
a
lon
g ti
me.
My
know
ledg
e m
ade
me
hap
py—
it w
as li
ke a
fir
e in
my
hea
rt.M
ost
ofal
l,I
liked
to
hea
r of
the
Old
Day
s an
d th
e
stor
ies
ofth
e go
ds.I
ask
ed m
ysel
fm
any
ques
tion
s th
at I
cou
ld
not
an
swer
,bu
t it
was
goo
d to
ask
th
em.A
t n
igh
t,I
wou
ld li
e
20 30 40
By
the
Wat
ers
of
Bab
ylo
n
85
Copyright © by Holt,Rinehart and Winston.All rights reserved.
Pau
se a
t lin
e 12
. Wh
at d
o t
he
rule
s an
d la
ws
sug
ges
t ab
ou
tth
e n
arra
tor’
s so
ciet
y?
The
soci
ety
is b
ased
on
fear
an
d s
up
erst
itio
n.
The
peo
ple
mu
st o
bey
stri
ct la
ws.
Cir
cle
the
wo
rds
in li
nes
13–
20th
at t
ell y
ou
th
e st
ory
is
wri
tten
fro
m t
he
firs
t-p
erso
np
oin
t o
f vi
ew. W
ho
is t
he
nar
rato
r?
The
nar
rato
r is
a
you
ng
man
, th
e so
n
of
a p
ries
t.
In li
nes
21–
24, u
nd
erlin
ew
hat
th
e b
oy
con
clu
des
wh
en h
e h
old
s th
e m
etal
an
d d
oes
no
t d
ie.
Re-
read
lin
es 3
6–42
, an
du
nd
erlin
e d
etai
ls d
escr
ibin
gh
ow
th
e b
oy
pre
par
ed t
o
be
a p
ries
t. W
hat
can
yo
uin
fer,
or
gu
ess,
ab
ou
t th
e b
oy
fro
m t
he
way
he
feel
sab
ou
t kn
ow
led
ge?
He
is c
uri
ou
s an
d
enjo
ys le
arn
ing
.
Copyright © by Holt,Rinehart and Winston.All rights reserved.
Th
e n
orth
an
d th
e w
est
and
the
sou
th a
re g
ood
hun
tin
g gr
oun
d,
but
it is
for
bidd
en t
o go
eas
t.It
is f
orbi
dden
to
go t
o an
y of
the
Dea
d P
lace
s ex
cept
to
sear
ch f
or m
etal
,an
d th
en h
e w
ho
tou
ches
the
met
al m
ust
be
a pr
iest
or
the
son
of
a pr
iest
.Aft
erw
ard,
both
th
e m
an a
nd
the
met
al m
ust
be
puri
fied
.Th
ese
are
the
rule
s an
d th
e la
ws;
they
are
wel
l mad
e.It
is f
orbi
dden
to
cros
s
the
grea
t ri
ver
and
look
upo
n t
he
plac
e th
at w
as t
he
Pla
ce o
f
the
God
s—th
is is
mos
t st
rict
ly f
orbi
dden
.We
do n
ot e
ven
say
its
nam
e th
ough
we
know
its
nam
e.It
is t
her
e th
at s
piri
ts li
ve,
and
dem
ons—
it is
th
ere
that
th
ere
are
the
ash
es o
fth
e G
reat
10
84
Co
llect
ion
3:
Nar
rato
r an
d V
oic
ePa
rt 1
In t
he
firs
t p
arag
rap
h, c
ircl
eth
e ru
les
and
law
s th
at t
he
nar
rato
r d
escr
ibes
. Th
enu
nd
erlin
e th
e w
ord
fo
rbid
den
each
tim
e it
is u
sed
.
Step
hen
Vin
cen
t B
enét
“By
the
Wat
ers
of
Bab
ylo
n”
fro
m T
he
Sele
cted
Wo
rks
of
Step
hen
Vin
cen
t B
enét
.Co
pyr
igh
t ©
193
7 b
y St
eph
en V
ince
nt
Ben
ét; c
op
yrig
ht
ren
ewed
© 1
964
by
Tho
mas
C. B
enét
, Ste
ph
anie
P. M
ahin
, an
d
Rac
hel
Ben
ét L
ewis
. Rep
rin
ted
by
per
mis
sio
n o
f B
ran
dt
& H
och
man
Lit
erar
y A
gen
ts, I
nc.
© C
OR
BIS
.
Collection 3Student Pages 84–85
44 The Holt Reader: Teacher’s Manual
“Tak
e th
em,”
he
said
.“It
is f
orbi
dden
to
trav
el e
ast.
It is
forb
idde
n t
o cr
oss
the
rive
r.It
is f
orbi
dden
to
go t
o th
e P
lace
ofth
e G
ods.
All
thes
e th
ings
are
for
bidd
en.”
“All
thes
e th
ings
are
for
bidd
en,”
I sa
id,b
ut
it w
as m
y vo
ice
that
spo
ke a
nd
not
my
spir
it.H
e lo
oked
at
me
agai
n.
“My
son
,”h
e sa
id.“
On
ce I
had
you
ng
drea
ms.
Ifyo
ur
drea
ms
do n
ot e
at y
ou u
p,yo
u m
ay b
e a
grea
t pr
iest
.If
they
eat
you
,you
are
sti
ll m
y so
n.N
ow g
o on
you
r jo
urn
ey.”
I w
ent
fast
ing,
as is
th
e la
w.M
y bo
dy h
urt
bu
t n
ot m
y
hea
rt.W
hen
th
e da
wn
cam
e,I
was
ou
t of
sigh
t of
the
villa
ge.
I pr
ayed
an
d pu
rifi
ed m
ysel
f,w
aiti
ng
for
a si
gn.T
he
sign
was
an e
agle
.It
flew
eas
t.
Som
etim
es s
ign
s ar
e se
nt
by b
ad s
piri
ts.I
wai
ted
agai
n o
n
the
flat
roc
k,fa
stin
g,ta
kin
g n
o fo
od.I
was
ver
y st
ill—
I co
uld
feel
th
e sk
y ab
ove
me
and
the
eart
h b
enea
th.I
wai
ted
till
the
sun
was
beg
inn
ing
to s
ink.
Th
en t
hre
e de
er p
asse
d in
th
e va
lley,
goin
g ea
st—
they
did
not
win
d1m
e or
see
me.
Th
ere
was
a w
hit
e
faw
n w
ith
th
em—
a ve
ry g
reat
sig
n.
I fo
llow
ed t
hem
,at
a di
stan
ce,w
aiti
ng
for
wh
at w
ould
hap
pen
.My
hea
rt w
as t
rou
bled
abo
ut
goin
g ea
st,y
et I
kn
ew t
hat
I m
ust
go.
My
hea
d hu
mm
ed w
ith
my
fast
ing—
I di
d n
ot e
ven
see
the
pan
ther
spr
ing
upo
n t
he
wh
ite
faw
n.B
ut,
befo
re I
kn
ew
it,t
he
bow
was
in m
y h
and.
I sh
oute
d an
d th
e pa
nth
er li
fted
his
head
from
the
faw
n.I
t is
not
eas
y to
kill
a p
anth
er w
ith
one
arro
w
but
the
arro
w w
ent
thro
ugh
his
eye
an
d in
to h
is b
rain
.He
died
as h
e tr
ied
to s
prin
g—he
rol
led
over
,tea
rin
g at
the
gro
un
d.T
hen
I kn
ew I
was
mea
nt
to g
o ea
st—
I kn
ew t
hat
was
my
jou
rney
.
Wh
en t
he
nig
ht
cam
e,I
mad
e m
y fi
re a
nd
roas
ted
mea
t.
It is
eig
ht
sun
s’jo
urn
ey t
o th
e ea
st a
nd
a m
an p
asse
s by
man
y D
ead
Pla
ces.
Th
e Fo
rest
Peo
ple
are
afra
id o
fth
em b
ut
I am
not
.On
ce I
mad
e m
y fi
re o
n t
he
edge
of
a D
ead
Pla
ce a
t
nig
ht
and,
nex
t m
orn
ing,
in t
he
dead
hou
se,I
fou
nd
a go
od
knif
e,lit
tle
rust
ed.T
hat
was
sm
all t
o w
hat
cam
e af
terw
ard
but
it
mad
e m
y h
eart
fee
l big
.Alw
ays
wh
en I
look
ed f
or g
ame,
it w
as
80 90 100
110
By
the
Wat
ers
of
Bab
ylo
n
87
Copyright © by Holt,Rinehart and Winston.All rights reserved.
1.w
ind
(win
d)
v.:d
etec
t th
e sc
ent
of.
Cir
cle
the
forb
idd
en t
hin
gs
inlin
es 8
0–82
. Do
yo
u t
hin
k th
eb
oy
will
ob
ey t
he
rule
s? W
hy
or
wh
y n
ot?
Poss
ible
an
swer
: He
wo
n’t
ob
ey b
ecau
se
he’
s d
rive
n b
y h
is s
pir
it
to f
ollo
w h
is d
ream
and
fin
d k
no
wle
dg
e.
An
inte
rnal
co
nfl
ict
take
sp
lace
in a
ch
arac
ter’
s m
ind
bet
wee
n o
pp
osi
ng
idea
s o
r fe
elin
gs.
Wh
at is
th
en
arra
tor’
s in
tern
al c
on
flic
t(l
ines
80–
106)
? U
nd
erlin
e th
e si
gn
s th
at c
on
vin
ce h
imto
jou
rney
eas
t.
He
wan
ts t
o f
ollo
w
the
sig
ns,
bu
t th
ere
are
rule
s ag
ain
st d
oin
g s
o.
awak
e an
d lis
ten
to
the
win
d—it
see
med
to
me
that
it w
as t
he
voic
e of
the
gods
as
they
fle
w t
hro
ugh
th
e ai
r.
We
are
not
ign
oran
t lik
e th
e Fo
rest
Peo
ple—
our
wom
en
spin
woo
l on
the
wh
eel,
our
prie
sts
wea
r a
wh
ite
robe
.We
do
not
eat
gru
bs f
rom
th
e tr
ee,w
e h
ave
not
for
gott
en t
he
old
wri
tin
gs,a
lth
ough
th
ey a
re h
ard
to u
nde
rsta
nd.
Nev
erth
eles
s,m
y
know
ledg
e an
d m
y la
ck o
fkn
owle
dge
burn
ed in
me—
I w
ish
ed
to k
now
mor
e.W
hen
I w
as a
man
at
last
,I c
ame
to m
y fa
ther
an
d
said
,“It
is t
ime
for
me
to g
o on
my
jou
rney
.Giv
e m
e yo
ur
leav
e.”
He
look
ed a
t m
e fo
r a
lon
g ti
me,
stro
kin
g h
is b
eard
,th
en
he
said
at
last
,“Ye
s.It
is t
ime.
”T
hat
nig
ht,
in t
he
hou
se o
fth
e
prie
sth
ood,
I as
ked
for
and
rece
ived
pu
rifi
cati
on.M
y bo
dy h
urt
but
my
spir
it w
as a
coo
l sto
ne.
It w
as m
y fa
ther
him
self
wh
o
ques
tion
ed m
e ab
out
my
drea
ms.
He
bade
me
look
into
th
e sm
oke
ofth
e fi
re a
nd
see—
I sa
w
and
told
wha
t I
saw
.It
was
wha
t I
have
alw
ays
seen
—a
rive
r,an
d,
beyo
nd
it,a
gre
at D
ead
Pla
ce a
nd
in it
th
e go
ds w
alki
ng.
I h
ave
alw
ays
thou
ght
abou
t th
at.H
is e
yes
wer
e st
ern
whe
n I
tol
d hi
m—
he
was
no
lon
ger
my
fath
er b
ut
a pr
iest
.He
said
,“T
his
is a
stro
ng
drea
m.”
“It
is m
ine,
”I
said
,wh
ile t
he
smok
e w
aved
an
d m
y h
ead
felt
ligh
t.T
hey
wer
e si
ngi
ng
the
Star
son
g in
th
e ou
ter
cham
ber
and
it w
as li
ke t
he
buzz
ing
ofbe
es in
my
hea
d.
He
aske
d m
e h
ow t
he
gods
wer
e dr
esse
d an
d I
told
him
how
th
ey w
ere
dres
sed.
We
know
how
th
ey w
ere
dres
sed
from
the
book
,bu
t I
saw
th
em a
s if
they
wer
e be
fore
me.
Wh
en I
had
fin
ish
ed,h
e th
rew
th
e st
icks
th
ree
tim
es a
nd
stu
died
th
em a
s
they
fel
l.
“Th
is is
a v
ery
stro
ng
drea
m,”
he
said
.“It
may
eat
you
up.
”
“I a
m n
ot a
frai
d,”
I sa
id a
nd
look
ed a
t h
im w
ith
bot
h e
yes.
My
voic
e so
un
ded
thin
in m
y ea
rs b
ut
that
was
bec
ause
of
the
smok
e. He
tou
ched
me
on t
he
brea
st a
nd
the
fore
hea
d.H
e ga
ve m
e
the
bow
an
d th
e th
ree
arro
ws.
50 60 70
86
Co
llect
ion
3:
Nar
rato
r an
d V
oic
ePa
rt 1
Copyright © by Holt,Rinehart and Winston.All rights reserved.
Wri
ters
use
fo
resh
ado
win
gto
hin
t at
eve
nts
th
at w
illh
app
en la
ter
in t
he
sto
ry. I
nlin
es 6
1–62
, un
der
line
wh
atth
e b
oy
sees
in t
he
smo
ke.
Wh
at p
lace
s d
o y
ou
th
ink
he
will
vis
it la
ter
on
?
He
will
go
to
a r
iver
and
th
e g
reat
Dea
d
Plac
e.
Wh
at d
oes
th
e fa
ther
mea
nw
hen
he
says
th
e b
oy’
sd
ream
may
“ea
t h
im u
p”
(lin
e 74
)?
He
thin
ks t
hat
pu
rsu
ing
the
dre
am m
ay h
arm
the
bo
y.
Collection 3Student Pages 86–87
Student Pages with Answers 45
they
had
com
e u
pon
me
then
,bu
t th
ey d
id n
ot c
ome.
Wh
en t
he
raft
was
mad
e,I
said
th
e sa
yin
gs f
or t
he
dead
an
d pa
inte
d m
ysel
f
for
deat
h.M
y h
eart
was
col
d as
a f
rog
and
my
knee
s lik
e w
ater
,
but
the
burn
ing
in m
y m
ind
wou
ld n
ot le
t m
e h
ave
peac
e.A
s I
push
ed t
he
raft
fro
m t
he
shor
e,I
bega
n m
y de
ath
son
g—I
had
the
righ
t.It
was
a f
ine
son
g.
“I a
m J
ohn,
son
ofJo
hn,”
I sa
ng.
“My
peop
le
are
the
Hill
Peo
ple.
The
y ar
e th
e m
en.
I go
into
the
Dea
d P
lace
s bu
t I
am n
ot s
lain
.
I ta
ke t
he m
etal
from
the
Dea
d P
lace
s bu
t
I am
not
bla
sted
.
I tr
avel
upo
n th
e go
d-ro
ads
and
am n
ot
afra
id.E
-yah
! I h
ave
kille
d th
e pa
nthe
r,
I ha
ve k
illed
the
faw
n!
E-y
ah! I
hav
e co
me
to t
he g
reat
riv
er.N
o
man
has
com
e th
ere
befo
re.
It is
forb
idde
n to
go
east
,but
I h
ave
gone
,
forb
idde
n to
go
on t
he g
reat
riv
er,b
ut
I am
the
re.
Ope
n yo
ur h
eart
s,yo
u sp
irit
s,an
d he
ar m
y
song
.Now
I g
o to
the
Pla
ce o
fthe
God
s,
I sh
all n
ot r
etur
n.
My
body
is p
aint
ed fo
r de
ath
and
my
limbs
wea
k,bu
t m
y he
art
is b
ig a
s I
go t
o th
e
Pla
ce o
fthe
God
s!”
All
the
sam
e,w
hen
I c
ame
to t
he
Pla
ce o
fth
e G
ods,
I w
as a
frai
d,
afra
id.T
he
curr
ent
ofth
e gr
eat
rive
r is
ver
y st
ron
g—it
gri
pped
my
raft
wit
h it
s h
ands
.Th
at w
as m
agic
,for
th
e ri
ver
itse
lfis
wid
e an
d ca
lm.I
cou
ld f
eel e
vil s
piri
ts a
bou
t m
e,in
th
e br
igh
t
mor
nin
g;I
cou
ld f
eel t
hei
r br
eath
on
my
nec
k as
I w
as s
wep
t
dow
n t
he
stre
am.N
ever
hav
e I
been
so
mu
ch a
lon
e—I
trie
d to
thin
k of
my
know
ledg
e,bu
t it
was
a s
quir
rel’s
hea
p of
win
ter
nuts
.
Th
ere
was
no
stre
ngt
h in
my
know
ledg
e an
ymor
e an
d I
felt
150
160
170
180
By
the
Wat
ers
of
Bab
ylo
n
89
Copyright © by Holt,Rinehart and Winston.All rights reserved.
Un
der
line
the
sim
iles—
com
par
iso
ns
usi
ng
like
or
as—
that
des
crib
e th
e n
arra
tor’s
fear
(lin
e 15
1).
Prac
tice
rea
din
g t
he
son
gal
ou
d a
t le
ast
twic
e. U
se
a to
ne
of
voic
e th
at t
he
nar
rato
r m
igh
t h
ave
use
d,
and
rem
emb
er t
hat
he
des
crib
ed t
his
so
ng
as
his
“dea
th s
on
g.”
Wh
at im
po
rtan
t fa
ct d
o y
ou
lear
n in
th
e fi
rst
line
of
the
nar
rato
r’s
son
g (
line
155)
?
His
nam
e is
Jo
hn
.
in f
ron
t of
my
arro
w,a
nd
twic
e I
pass
ed h
un
tin
g pa
rtie
s of
the
Fore
st P
eopl
e w
ith
out
thei
r kn
owin
g.So
I k
new
my
mag
ic w
as
stro
ng
and
my
jou
rney
cle
an,i
n s
pite
of
the
law
.
Tow
ard
the
sett
ing
ofth
e ei
ghth
su
n,I
cam
e to
th
e ba
nks
ofth
e gr
eat
rive
r.It
was
hal
fa
day’
s jo
urn
ey a
fter
I h
ad le
ft t
he
god-
road
—w
e do
not
use
th
e go
d-ro
ads
now
,for
th
ey a
re f
allin
g
apar
t in
to g
reat
blo
cks
ofst
one,
and
the
fore
st is
saf
er g
oin
g.
A lo
ng
way
off
,I h
ad s
een
th
e w
ater
th
rou
gh t
rees
bu
t th
e tr
ees
wer
e th
ick.
At
last
,I c
ame
out
upo
n a
n o
pen
pla
ce a
t th
e to
p of
a cl
iff.
Th
ere
was
th
e gr
eat
rive
r be
low
,lik
e a
gian
t in
th
e su
n.
It is
ver
y lo
ng,
very
wid
e.It
cou
ld e
at a
ll th
e st
ream
s w
e kn
ow
and
still
be
thir
sty.
Its
nam
e is
Ou
-dis
-su
n,t
he
Sacr
ed,t
he
Lon
g.
No
man
of
my
trib
e h
ad s
een
it,n
ot e
ven
my
fath
er,t
he
prie
st.
It w
as m
agic
an
d I
pray
ed.
Th
en I
rai
sed
my
eyes
an
d lo
oked
sou
th.I
t w
as t
her
e,th
e
Pla
ce o
fth
e G
ods.
How
can
I t
ell w
hat
it w
as li
ke—
you
do
not
kn
ow.I
t w
as
ther
e,in
th
e re
d lig
ht,
and
they
wer
e to
o bi
g to
be
hou
ses.
It w
as
ther
e w
ith
th
e re
d lig
ht
upo
n it
,mig
hty
an
d ru
ined
.I k
new
th
at
in a
not
her
mom
ent
the
gods
wou
ld s
ee m
e.I
cove
red
my
eyes
wit
h m
y h
ands
an
d cr
ept
back
into
th
e fo
rest
.
Sure
ly,t
hat
was
en
ough
to
do,a
nd
live.
Sure
ly it
was
en
ough
to s
pen
d th
e n
igh
t u
pon
th
e cl
iff.
Th
e Fo
rest
Peo
ple
them
selv
es
do n
ot c
ome
nea
r.Ye
t,al
l th
rou
gh t
he
nig
ht,
I kn
ew t
hat
I
shou
ld h
ave
to c
ross
th
e ri
ver
and
wal
k in
th
e pl
aces
of
the
gods
,
alth
ough
th
e go
ds a
te m
e u
p.M
y m
agic
did
not
hel
p m
e at
all
and
yet
ther
e w
as a
fir
e in
my
bow
els,
a fi
re in
my
min
d.W
hen
the
sun
ros
e,I
thou
ght,
“My
jou
rney
has
bee
n c
lean
.Now
I w
ill
go h
ome
from
my
jou
rney
.”B
ut,
even
as
I th
ough
t so
,I k
new
I
cou
ld n
ot.I
fI
wen
t to
th
e P
lace
of
the
God
s,I
wou
ld s
ure
ly d
ie,
but,
ifI
did
not
go,
I co
uld
nev
er b
e at
pea
ce w
ith
my
spir
it
agai
n.I
t is
bet
ter
to lo
se o
ne’
s lif
e th
an o
ne’
s sp
irit
,if
one
is a
prie
st a
nd
the
son
of
a pr
iest
.
Nev
erth
eles
s,as
I m
ade
the
raft
,th
e te
ars
ran
ou
t of
my
eyes
.Th
e Fo
rest
Peo
ple
cou
ld h
ave
kille
d m
e w
ith
out
figh
t,if
120
130
140
88
Co
llect
ion
3:
Nar
rato
r an
d V
oic
ePa
rt 1
Copyright © by Holt,Rinehart and Winston.All rights reserved.
The
nar
rato
r u
ses
per
son
ific
atio
nw
hen
he
spea
ks o
f th
e ri
ver
as if
itw
ere
a p
erso
n. U
nd
erlin
e th
ew
ord
s h
e u
ses
to p
erso
nif
yth
e ri
ver
in li
ne
123.
In li
nes
143
–145
, un
der
line
the
nar
rato
r’s
reas
on
fo
rg
oin
g o
n. W
hat
th
ree
wo
rds
wo
uld
yo
u u
se t
od
escr
ibe
him
?
He
cou
ld b
e d
escr
ibed
as c
ou
rag
eou
s, d
arin
g,
sin
gle
-min
ded
, or
per
hap
s re
ckle
ss.
Ou
-dis
-su
n(li
ne
125)
is y
ou
rfi
rst
clu
e to
wh
ere
the
Plac
eo
f th
e G
od
s is
. Can
yo
u t
ell b
yso
un
din
g it
ou
t? D
on
’t w
orr
yif
yo
u d
on
’t y
et r
eco
gn
ize
it.
Ther
e w
ill b
e m
ore
clu
esth
rou
gh
ou
t th
e st
ory
.
Few
stu
den
ts a
re li
kely
to r
eco
gn
ize
the
nam
e
as a
ref
eren
ce t
o t
he
Hu
dso
n R
iver
.
Collection 3Student Pages 88–89
46 The Holt Reader: Teacher’s Manual
god-
road
s,th
ough
mos
t ar
e cr
acke
d an
d br
oken
.Eve
ryw
her
e
ther
e ar
e th
e ru
ins
ofth
e h
igh
tow
ers
ofth
e go
ds.
How
sh
all I
tel
l wh
at I
saw
? I
wen
t ca
refu
lly,m
y st
run
g
bow
in m
y h
and,
my
skin
rea
dy f
or d
ange
r.T
her
e sh
ould
hav
e
been
th
e w
ailin
gs o
fsp
irit
s an
d th
e sh
riek
s of
dem
ons,
but
ther
e
wer
e n
ot.I
t w
as v
ery
sile
nt
and
sun
ny w
her
e I
had
lan
ded—
the
win
d an
d th
e ra
in a
nd
the
bird
s th
at d
rop
seed
s h
ad d
one
thei
r
wor
k—th
e gr
ass
grew
in t
he
crac
ks o
fth
e br
oken
sto
ne.
It is
a
fair
isla
nd—
no
won
der
the
gods
bu
ilt t
her
e.If
I h
ad c
ome
ther
e,
a go
d,I
also
wou
ld h
ave
built
.
How
sh
all I
tel
l wh
at I
saw
? T
he
tow
ers
are
not
all
brok
en—
her
e an
d th
ere
one
still
sta
nds
,lik
e a
grea
t tr
ee in
a f
ores
t,an
d
the
bird
s n
est
hig
h.B
ut
the
tow
ers
them
selv
es lo
ok b
lind,
for
the
gods
are
gon
e.I
saw
a f
ish
-haw
k,ca
tch
ing
fish
in t
he
rive
r.I
saw
a lit
tle
dan
ce o
fw
hit
e bu
tter
flie
s ov
er a
gre
at h
eap
ofbr
oken
ston
es a
nd
colu
mn
s.I
wen
t th
ere
and
look
ed a
bou
t m
e—th
ere
was
a c
arve
d st
one
wit
h c
ut-
lett
ers,
brok
en in
hal
f.I
can
rea
d
lett
ers
but
I co
uld
not
un
ders
tan
d th
ese.
Th
ey s
aid
UB
TR
EA
S.
Th
ere
was
als
o th
e sh
atte
red
imag
e of
a m
an o
r a
god.
It h
ad
been
mad
e of
wh
ite
ston
e an
d h
e w
ore
his
hai
r ti
ed b
ack
like
a
wom
an’s
.His
nam
e w
as A
SHIN
G,a
s I
read
on
th
e cr
acke
d h
alf
ofa
ston
e.I
thou
ght
it w
ise
to p
ray
to A
SHIN
G,t
hou
gh I
do
not
know
th
at g
od.
How
sh
all I
tel
l wh
at I
saw
? T
her
e w
as n
o sm
ell o
fm
an le
ft,
on s
ton
e or
met
al.N
or w
ere
ther
e m
any
tree
s in
th
at w
ilder
nes
s
ofst
one.
Th
ere
are
man
y pi
geon
s,n
esti
ng
and
drop
pin
g in
th
e
tow
ers—
the
gods
mu
st h
ave
love
d th
em,o
r,p
erh
aps,
they
use
d
them
for
sac
rifi
ces.
Th
ere
are
wild
cat
s th
at r
oam
th
e go
d-ro
ads,
gree
n-e
yed,
un
afra
id o
fm
an.A
t n
igh
t th
ey w
ail l
ike
dem
ons
but
they
are
not
dem
ons.
Th
e w
ild d
ogs
are
mor
e da
nge
rou
s,
for
they
hu
nt
in a
pac
k,bu
t th
em I
did
not
mee
t ti
ll la
ter.
Ever
ywh
ere
ther
e ar
e th
e ca
rved
sto
nes
,car
ved
wit
h m
agic
al
nu
mbe
rs o
r w
ords
.
I w
ent
nor
th—
I di
d n
ot t
ry t
o h
ide
mys
elf.
Wh
en a
god
or a
dem
on s
aw m
e,th
en I
wou
ld d
ie,b
ut
mea
nwh
ile I
was
no
220
230
240
250
By
the
Wat
ers
of
Bab
ylo
n
91
Copyright © by Holt,Rinehart and Winston.All rights reserved.
Wh
at d
o y
ou
th
ink
UB
TREA
San
d A
SHIN
G o
nce
mea
nt
(lin
es 2
33 a
nd
236
)?
UB
TREA
S w
as
Sub
trea
sury
and
ASH
ING
was
Geo
rge
Was
hin
gto
n.
Un
der
line
det
ails
in li
nes
221–
238
that
hel
p y
ou
vi
sual
ize
the
sett
ing
of
the
Plac
e o
f th
e G
od
s.
smal
l an
d n
aked
as
a n
ew-h
atch
ed b
ird—
alon
e u
pon
th
e gr
eat
rive
r,th
e se
rvan
t of
the
gods
.
Yet,
afte
r a
whi
le,m
y ey
es w
ere
open
ed a
nd
I sa
w.I
saw
bot
h
ban
ks o
fth
e ri
ver—
I sa
w t
hat
on
ce t
her
e h
ad b
een
god
-roa
ds
acro
ss it
,th
ough
now
th
ey w
ere
brok
en a
nd
falle
n li
ke b
roke
n
vin
es.V
ery
grea
t th
ey w
ere,
and
won
derf
ul a
nd
brok
en—
brok
en
in t
he
tim
e of
the
Gre
at B
urn
ing
wh
en t
he
fire
fel
l ou
t of
the
sky.
An
d al
way
s th
e cu
rren
t to
ok m
e n
eare
r to
th
e P
lace
of
the
God
s,
and
the
huge
ru
ins
rose
bef
ore
my
eyes
.
I do
not
kn
ow t
he
cust
oms
ofri
vers
—w
e ar
e th
e Pe
ople
ofth
e H
ills.
I tr
ied
to g
uid
e m
y ra
ft w
ith
th
e po
le b
ut
it s
pun
arou
nd.
I th
ough
t th
e ri
ver
mea
nt
to t
ake
me
past
th
e P
lace
of
the
God
s an
d ou
t in
to t
he
Bit
ter
Wat
er o
fth
e le
gen
ds.I
gre
w
angr
y th
en—
my
hea
rt f
elt
stro
ng.
I sa
id a
lou
d,“I
am
a p
ries
t
and
the
son
of
a pr
iest
!”T
he
gods
hea
rd m
e—th
ey s
how
ed m
e
how
to
padd
le w
ith
th
e po
le o
n o
ne
side
of
the
raft
.Th
e cu
rren
t
chan
ged
itse
lf—
I dr
ew n
ear
to t
he
Pla
ce o
fth
e G
ods.
Wh
en I
was
ver
y n
ear,
my
raft
str
uck
an
d tu
rned
ove
r.I
can
swim
in o
ur
lake
s—I
swam
to
the
shor
e.T
her
e w
as a
gre
at s
pike
ofru
sted
met
al s
tick
ing
out
into
th
e ri
ver—
I h
aule
d m
ysel
fu
p
upo
n it
an
d sa
t th
ere,
pan
tin
g.I
had
sav
ed m
y bo
w a
nd
two
arro
ws
and
the
knif
e I
fou
nd
in t
he
Dea
d P
lace
bu
t th
at w
as a
ll.
My
raft
wen
t w
hir
ling
dow
nst
ream
tow
ard
the
Bit
ter
Wat
er.
I lo
oked
aft
er it
,an
d th
ough
t if
it h
ad t
rod
me
un
der,
at le
ast
I w
ould
be
safe
ly d
ead.
Nev
erth
eles
s,w
hen
I h
ad d
ried
my
bow
-
stri
ng
and
rest
run
g it
,I w
alke
d fo
rwar
d to
th
e P
lace
of
the
God
s.
It f
elt
like
grou
nd
un
derf
oot;
it d
id n
ot b
urn
me.
It is
not
tru
e w
hat
som
e of
the
tale
s sa
y,th
at t
he
grou
nd
ther
e bu
rns
fore
ver,
for
I h
ave
been
th
ere.
Her
e an
d th
ere
wer
e th
e m
arks
and
stai
ns
ofth
e G
reat
Bu
rnin
g,on
th
e ru
ins,
that
is t
rue.
Bu
t
they
wer
e ol
d m
arks
an
d ol
d st
ain
s.It
is n
ot t
rue
eith
er,w
hat
som
e of
our
prie
sts
say,
that
it is
an
isla
nd
cove
red
wit
h f
ogs
and
ench
antm
ents
.It
is n
ot.I
t is
a g
reat
Dea
d P
lace
—gr
eate
r
than
any
Dea
d P
lace
we
know
.Eve
ryw
her
e in
it t
her
e ar
e
190
200
210
90
Co
llect
ion
3:
Nar
rato
r an
d V
oic
ePa
rt 1
Copyright © by Holt,Rinehart and Winston.All rights reserved.
Re-
read
lin
es 2
08–2
17. W
hy
do
yo
u t
hin
k th
e o
ld t
ales
des
crib
ed b
urn
ing
s, f
og
s,
and
en
chan
tmen
ts t
hat
th
en
arra
tor
do
es n
ot
fin
d?
Poss
ible
an
swer
s: T
her
e
may
hav
e b
een
fir
e
and
fo
g r
igh
t af
ter
the
war
. Th
e ta
les
may
exag
ger
ate.
In li
nes
193
–194
, Jo
hn
tal
ksab
ou
t b
ein
g s
wep
t p
ast
the
Plac
e o
f th
e G
od
s an
d o
ut
into
th
e B
itte
r W
ater
. Wh
atd
o y
ou
th
ink
the
Bit
ter
Wat
er r
eally
is?
This
is
ano
ther
clu
e to
wh
ere
the
Plac
e o
f th
e G
od
s is
.
The
Bit
ter
Wat
er is
the
Atl
anti
c O
cean
; th
e
Plac
e o
f th
e G
od
s w
as
on
ce N
ew Y
ork
Cit
y.
Wh
at d
o y
ou
th
ink
real
lyh
app
ened
du
rin
g t
he
Gre
atB
urn
ing
, wh
en t
he
“fir
e fe
llo
ut
of
the
sky”
(lin
e 18
8)?
Bo
mb
s fr
om
air
pla
nes
cau
sed
th
e ci
ty t
o b
urn
.
Collection 3Student Pages 90–91
Student Pages with Answers 47
trib
es o
fth
em,f
rom
th
e sq
uea
kin
g.B
ut
nea
r th
ere,
I fo
un
d fo
od,
in t
he
hea
rt o
fa
ruin
,beh
ind
a do
or t
hat
sti
ll op
ened
.I a
te o
nly
the
fru
its
from
th
e ja
rs—
they
had
a v
ery
swee
t ta
ste.
Th
ere
was
drin
k,to
o,in
bot
tles
of
glas
s—th
e dr
ink
ofth
e go
ds w
as s
tron
g
and
mad
e m
y h
ead
swim
.Aft
er I
had
eat
en a
nd
dru
nk,
I sl
ept
on
the
top
ofa
ston
e,m
y bo
w a
t m
y si
de.
Wh
en I
wok
e,th
e su
n w
as lo
w.L
ooki
ng
dow
n f
rom
wh
ere
I la
y,I
saw
a d
og s
itti
ng
on h
is h
aun
ches
.His
ton
gue
was
han
gin
g
out
ofhi
s m
outh
;he
look
ed a
s if
he w
ere
lau
ghin
g.H
e w
as a
big
dog,
wit
h a
gray
-bro
wn
coa
t,as
big
as
a w
olf.
I sp
ran
g u
p an
d
shou
ted
at h
im b
ut
he d
id n
ot m
ove—
he ju
st s
at t
here
as
ifhe
wer
e la
ugh
ing.
I di
d n
ot li
ke t
hat.
Whe
n I
rea
ched
for
a s
ton
e
to t
hrow
,he
mov
ed s
wif
tly
out
ofth
e w
ay o
fth
e st
one.
He
was
not
afr
aid
ofm
e;h
e lo
oked
at
me
as if
I w
ere
mea
t.N
o do
ubt
I co
uld
hav
e ki
lled
him
wit
h a
n a
rrow
,bu
t I
did
not
kn
ow if
ther
e w
ere
oth
ers.
Mor
eove
r,n
igh
t w
as f
allin
g.
I lo
oked
abo
ut
me—
not
far
aw
ay t
her
e w
as a
gre
at,b
roke
n
god-
road
,lea
din
g n
orth
.Th
e to
wer
s w
ere
hig
h e
nou
gh,b
ut
not
so h
igh
,an
d w
hile
man
y of
the
dead
hou
ses
wer
e w
reck
ed,t
her
e
wer
e so
me
that
sto
od.I
wen
t to
war
d th
is g
od-r
oad,
keep
ing
to
the
hei
ghts
of
the
ruin
s,w
hile
th
e do
g fo
llow
ed.W
hen
I h
ad
reac
hed
th
e go
d-ro
ad,I
saw
th
at t
her
e w
ere
oth
ers
beh
ind
him
.
IfI
had
sle
pt la
ter,
they
wou
ld h
ave
com
e u
pon
me
asle
ep a
nd
torn
ou
t m
y th
roat
.As
it w
as,t
hey
wer
e su
re e
nou
gh o
fm
e;th
ey
did
not
hu
rry.
Whe
n I
wen
t in
to t
he d
ead
hou
se,t
hey
kept
wat
ch
at t
he
entr
ance
—do
ubt
less
th
ey t
hou
ght
they
wou
ld h
ave
a fi
ne
hun
t.B
ut
a do
g ca
nn
ot o
pen
a d
oor
and
I kn
ew,f
rom
th
e bo
oks,
that
th
e go
ds d
id n
ot li
ke t
o liv
e on
th
e gr
oun
d bu
t on
hig
h.
I h
ad ju
st f
oun
d a
door
I c
ould
ope
n w
hen
th
e do
gs
deci
ded
to r
ush
.Ha!
Th
ey w
ere
surp
rise
d w
hen
I s
hut
the
door
in t
hei
r fa
ces—
it w
as a
goo
d do
or,o
fst
ron
g m
etal
.I c
ould
hea
r
thei
r fo
olis
h b
ayin
g be
yon
d it
bu
t I
did
not
sto
p to
an
swer
th
em.
I w
as in
dar
knes
s—I
fou
nd
stai
rs a
nd
clim
bed.
Th
ere
wer
e m
any
stai
rs,t
urn
ing
arou
nd
till
my
hea
d w
as d
izzy
.At
the
top
was
anot
her
doo
r—I
fou
nd
the
knob
an
d op
ened
it.I
was
in a
lon
g
270
280
290
300
By
the
Wat
ers
of
Bab
ylo
n
93
Copyright © by Holt,Rinehart and Winston.All rights reserved.
Wh
at e
xter
nal
co
nfl
ict
do
esJo
hn
fac
e in
lin
es 2
85–2
99?
He
face
s a
pac
k o
f
do
gs
wh
o a
re r
ead
y to
atta
ck a
nd
eat
him
.
Wh
at p
reve
nts
th
e d
og
s fr
om
killi
ng
Jo
hn
? U
nd
erlin
e th
ed
etai
ls in
lin
es 2
91–2
99 t
hat
sup
po
rt y
ou
r an
swer
.
Joh
n is
no
t as
leep
wh
en t
he
do
gs
fin
d
him
. Th
e d
og
s ar
e
con
fid
ent
they
can
kill
him
an
d d
o n
ot
hu
rry.
Joh
n c
lose
s a
do
or
on
them
.
lon
ger
afra
id.M
y hu
nge
r fo
r kn
owle
dge
burn
ed in
me—
ther
e
was
so
mu
ch t
hat
I c
ould
not
un
ders
tan
d.A
fter
a w
hile
,I k
new
that
my
belly
was
hu
ngr
y.I
cou
ld h
ave
hun
ted
for
my
mea
t,
but
I di
d n
ot h
un
t.It
is k
now
n t
hat
th
e go
ds d
id n
ot h
un
t as
we
do—
they
got
th
eir
food
fro
m e
nch
ante
d bo
xes
and
jars
.
Som
etim
es t
hes
e ar
e st
ill f
oun
d in
th
e D
ead
Pla
ces—
once
,wh
en
I w
as a
ch
ild a
nd
fool
ish
,I o
pen
ed s
uch
a ja
r an
d ta
sted
it a
nd
fou
nd
the
food
sw
eet.
Bu
t m
y fa
ther
fou
nd
out
and
pun
ish
ed
me
for
it s
tric
tly,
for,
ofte
n,t
hat
foo
d is
dea
th.N
ow,t
hou
gh,
I h
ad lo
ng
gon
e pa
st w
hat
was
for
bidd
en,a
nd
I en
tere
d th
e
likel
iest
tow
ers,
look
ing
for
the
food
of
the
gods
.
I fo
un
d it
at
last
in t
he
ruin
s of
a gr
eat
tem
ple
in t
he
mid
city
.A m
igh
ty t
empl
e it
mu
st h
ave
been
,for
th
e ro
ofw
as
pain
ted
like
the
sky
at n
igh
t w
ith
its
star
s—th
at m
uch
I c
ould
see,
thou
gh t
he
colo
rs w
ere
fain
t an
d di
m.I
t w
ent
dow
n in
to
grea
t ca
ves
and
tun
nel
s—p
erh
aps
they
kep
t th
eir
slav
es t
her
e.
Bu
t w
hen
I s
tart
ed t
o cl
imb
dow
n,I
hea
rd t
he
squ
eaki
ng
ofra
ts,
so I
did
not
go—
rats
are
un
clea
n,a
nd
ther
e m
ust
have
bee
n m
any
260
92
Co
llect
ion
3:
Nar
rato
r an
d V
oic
ePa
rt 1
Copyright © by Holt,Rinehart and Winston.All rights reserved.
Un
der
line
the
det
ails
yo
u a
reg
iven
ab
ou
t th
e g
reat
tem
ple
in m
idci
ty (
lines
262
–266
).W
hat
co
uld
th
is b
e?
It’s
Gra
nd
Cen
tral
Term
inal
in N
ew Y
ork
Cit
y.
Wh
y d
o y
ou
th
ink
the
foo
din
th
e b
oxe
s an
d ja
rs w
aso
ften
“d
eath
” (l
ine
259)
?
It h
ad b
eco
me
spo
iled
and
po
iso
no
us
ove
r
tim
e.
Elek
traV
isio
n/In
dex
Sto
ck.
Collection 3Student Pages 92–93
48 The Holt Reader: Teacher’s Manual
not
col
d.T
his
mu
st h
ave
been
a s
tron
g m
agic
bu
t th
e m
agic
was
gon
e.I
do n
ot u
nde
rsta
nd—
they
had
way
s—I
wis
h t
hat
I k
new
.
It w
as c
lose
an
d dr
y an
d du
sty
in t
hei
r h
ouse
of
the
gods
.
I h
ave
said
th
e m
agic
was
gon
e bu
t th
at is
not
tru
e—it
had
gon
e
from
th
e m
agic
th
ings
bu
t it
had
not
gon
e fr
om t
he
plac
e.I
felt
the
spir
its
abou
t m
e,w
eigh
ing
upo
n m
e.N
or h
ad I
eve
r sl
ept
in
a D
ead
Pla
ce b
efor
e—an
d ye
t,to
nig
ht,
I m
ust
sle
ep t
her
e.W
hen
I th
ough
t of
it,m
y to
ngu
e fe
lt d
ry in
my
thro
at,i
n s
pite
of
my
wis
h f
or k
now
ledg
e.A
lmos
t I
wou
ld h
ave
gon
e do
wn
aga
in a
nd
face
d th
e do
gs,b
ut
I di
d n
ot.
I h
ad n
ot g
one
thro
ugh
all
the
room
s w
hen
th
e da
rkn
ess
fell.
Wh
en it
fel
l,I
wen
t ba
ck t
o th
e bi
g ro
om lo
okin
g ov
er
the
city
an
d m
ade
fire
.Th
ere
was
a p
lace
to
mak
e fi
re a
nd
a
box
wit
h w
ood
in it
,th
ough
I d
o n
ot t
hin
k th
ey c
ooke
d th
ere.
I w
rapp
ed m
ysel
fin
a f
loor
-cov
erin
g an
d sl
ept
in f
ron
t of
the
fire
—I
was
ver
y ti
red.
Now
I t
ell w
hat
is v
ery
stro
ng
mag
ic.I
wok
e in
th
e m
idst
ofth
e n
igh
t.W
hen
I w
oke,
the
fire
had
gon
e ou
t an
d I
was
col
d.
It s
eem
ed t
o m
e th
at a
ll ar
oun
d m
e th
ere
wer
e w
his
peri
ngs
an
d
voic
es.I
clo
sed
my
eyes
to
shu
t th
em o
ut.
Som
e w
ill s
ay t
hat
I sl
ept
agai
n,b
ut
I do
not
thi
nk
that
I s
lept
.I c
ould
fee
l the
spi
rits
draw
ing
my
spir
it o
ut
ofm
y bo
dy a
s a
fish
is d
raw
n o
n a
lin
e.
Why
sh
ould
I li
e ab
out
it?
I am
a p
ries
t an
d th
e so
n o
fa
prie
st.I
fth
ere
are
spir
its,
as t
hey
say
,in
th
e sm
all D
ead
Pla
ces
nea
r u
s,w
hat
spi
rits
mu
st t
her
e n
ot b
e in
th
at g
reat
Pla
ce o
fth
e
God
s? A
nd
wou
ld n
ot t
hey
wis
h t
o sp
eak?
Aft
er s
uch
lon
g ye
ars?
I kn
ow t
hat
I f
elt
mys
elf
draw
n a
s a
fish
is d
raw
n o
n a
lin
e.I
had
step
ped
out
ofm
y bo
dy—
I co
uld
see
my
body
asl
eep
in f
ron
t of
the
cold
fir
e,bu
t it
was
not
I.I
was
dra
wn
to
look
ou
t u
pon
th
e
city
of
the
gods
.
It s
hou
ld h
ave
been
dar
k,fo
r it
was
nig
ht,
but
it w
as n
ot
dark
.Eve
ryw
her
e th
ere
wer
e lig
hts
—lin
es o
flig
ht—
circ
les
and
blu
rs o
flig
ht—
ten
th
ousa
nd
torc
hes
wou
ld n
ot h
ave
been
th
e
sam
e.T
he
sky
itse
lfw
as a
ligh
t—yo
u c
ould
bar
ely
see
the
star
s
340
350
360
370
By
the
Wat
ers
of
Bab
ylo
n
95
Copyright © by Holt,Rinehart and Winston.All rights reserved.
Du
rin
g t
he
nig
ht,
Jo
hn
has
avi
sio
n. W
hat
sim
iled
oes
he
use
in li
ne
359
to d
escr
ibe
his
spir
it?
He
says
his
sp
irit
is
dra
wn
ou
t o
f h
im li
ke
a fi
sh o
n a
lin
e.
Notes
Notes
smal
l ch
ambe
r—on
on
e si
de o
fit
was
a b
ron
ze d
oor
that
cou
ld
not
be
open
ed,f
or it
had
no
han
dle.
Perh
aps
ther
e w
as a
mag
ic
wor
d to
ope
n it
bu
t I
did
not
hav
e th
e w
ord.
I tu
rned
to
the
door
in t
he
oppo
site
sid
e of
the
wal
l.T
he
lock
of
it w
as b
roke
n
and
I op
ened
it a
nd
wen
t in
.
Wit
hin
,th
ere
was
a p
lace
of
grea
t ri
ches
.Th
e go
d w
ho
lived
ther
e m
ust
hav
e be
en a
pow
erfu
l god
.Th
e fi
rst
room
was
a s
mal
l
ante
room
—I
wai
ted
ther
e fo
r so
me
tim
e,te
llin
g th
e sp
irit
s of
the
plac
e th
at I
cam
e in
pea
ce a
nd
not
as
a ro
bber
.Wh
en it
see
med
to m
e th
at t
hey
had
had
tim
e to
hea
r m
e,I
wen
t on
.Ah
,wh
at
rich
es! F
ew,e
ven
,of
the
win
dow
s h
ad b
een
bro
ken
—it
was
all
as it
had
bee
n.T
he
grea
t w
indo
ws
that
look
ed o
ver
the
city
had
not
bee
n b
roke
n a
t al
l th
ough
th
ey w
ere
dust
y an
d st
reak
ed
wit
h m
any
year
s.T
her
e w
ere
cove
rin
gs o
n t
he
floo
rs,t
he
colo
rs
not
gre
atly
fad
ed,a
nd
the
chai
rs w
ere
soft
an
d de
ep.T
her
e
wer
e pi
ctu
res
upo
n t
he
wal
ls,v
ery
stra
nge
,ver
y w
onde
rfu
l—
I re
mem
ber
one
ofa
bun
ch o
ffl
ower
s in
a ja
r—if
you
cam
e cl
ose
to it
,you
cou
ld s
ee n
othi
ng
but
bits
of
colo
r,bu
t if
you
sto
od
away
fro
m it
,th
e fl
ower
s m
igh
t h
ave
been
pic
ked
yest
erda
y.It
mad
e m
y h
eart
fee
l str
ange
to
look
at
this
pic
ture
—an
d to
look
at t
he
figu
re o
fa
bird
,in
som
e h
ard
clay
,on
a t
able
an
d se
e it
so
like
our
bird
s.Ev
eryw
her
e th
ere
wer
e bo
oks
and
wri
tin
gs,m
any
in t
ongu
es t
hat
I c
ould
not
rea
d.T
he
god
wh
o liv
ed t
her
e m
ust
hav
e be
en a
wis
e go
d an
d fu
ll of
know
ledg
e.I
felt
I h
ad r
igh
t
ther
e,as
I s
ough
t kn
owle
dge
also
.
Nev
erth
eles
s,it
was
str
ange
.Th
ere
was
a w
ash
ing-
plac
e bu
t
no
wat
er—
perh
aps
the
gods
was
hed
in a
ir.T
her
e w
as a
coo
kin
g-
plac
e bu
t n
o w
ood,
and
thou
gh t
her
e w
as a
mac
hin
e to
coo
k
food
,th
ere
was
no
plac
e to
pu
t fi
re in
it.N
or w
ere
ther
e ca
ndl
es
or la
mps
—th
ere
wer
e th
ings
th
at lo
oked
like
lam
ps b
ut
they
had
nei
ther
oil
nor
wic
k.A
ll th
ese
thin
gs w
ere
mag
ic,b
ut
I to
uch
ed
them
an
d liv
ed—
the
mag
ic h
ad g
one
out
ofth
em.L
et m
e te
ll
one
thin
g to
sh
ow.I
n t
he
was
hin
g-pl
ace,
a th
ing
said
“H
ot”
but
it w
as n
ot h
ot t
o th
e to
uch
—an
othe
r th
ing
said
“C
old”
but
it w
as
310
320
330
94
Co
llect
ion
3:
Nar
rato
r an
d V
oic
ePa
rt 1
Copyright © by Holt,Rinehart and Winston.All rights reserved.
In li
nes
317
–328
, Jo
hn
fin
ds
him
self
in a
pla
ce o
f “g
reat
rich
es.”
Un
der
line
the
thin
gs
he
sees
.
Cir
cle
the
ever
yday
item
sJo
hn
fin
ds
in li
nes
329
–334
.W
hy
do
th
ey s
eem
like
“mag
ic”
to h
im?
They
’re
mag
ic t
o h
im
bec
ause
th
ey b
elo
ng
to g
od
s an
d b
ecau
se
he
do
esn
’t u
nd
erst
and
ho
w t
hey
wo
rk.
Joh
n is
in a
tal
l bu
ildin
g w
ith
a lo
t o
f st
airs
. Wh
at d
o y
ou
thin
k th
e d
oo
r w
ith
no
han
dle
(lin
es 3
03–3
05)
lead
s to
?
It le
ads
to a
n e
leva
tor.
Collection 3Student Pages 94–95
Student Pages with Answers 49
wit
h g
ods,
they
use
wea
pon
s w
e do
not
kn
ow.I
t w
as f
ire
falli
ng
out
ofth
e sk
y an
d a
mis
t th
at p
oiso
ned
.It
was
th
e ti
me
ofth
e
Gre
at B
urn
ing
and
the
Des
tru
ctio
n.T
hey
ran
abo
ut
like
ants
in
the
stre
ets
ofth
eir
city
—po
or g
ods,
poor
god
s! T
hen
th
e to
wer
s
bega
n t
o fa
ll.A
few
esc
aped
—ye
s,a
few
.Th
e le
gen
ds t
ell i
t.B
ut,
even
aft
er t
he
city
had
bec
ome
a D
ead
Pla
ce,f
or m
any
year
s th
e
pois
on w
as s
till
in t
he
grou
nd.
I sa
w it
hap
pen
,I s
aw t
he
last
of
them
die
.It
was
dar
knes
s ov
er t
he
brok
en c
ity
and
I w
ept.
All
this
,I s
aw.I
saw
it a
s I
hav
e to
ld it
,th
ough
not
in t
he
body
.Wh
en I
wok
e in
th
e m
orn
ing,
I w
as h
un
gry,
but
I di
d
not
th
ink
firs
t of
my
hun
ger,
for
my
hea
rt w
as p
erpl
exed
an
d
con
fuse
d.I
knew
th
e re
ason
for
th
e D
ead
Pla
ces
but
I di
d n
ot
see
why
it h
ad h
appe
ned
.It
seem
ed t
o m
e it
sh
ould
not
hav
e
hap
pen
ed,w
ith
all
the
mag
ic t
hey
had
.I w
ent
thro
ugh
th
e
hou
se lo
okin
g fo
r an
an
swer
.Th
ere
was
so
mu
ch in
th
e h
ouse
I co
uld
not
un
ders
tan
d—an
d ye
t I
am a
pri
est
and
the
son
of
a pr
iest
.It
was
like
bei
ng
on o
ne
side
of
the
grea
t ri
ver,
at n
igh
t,
wit
h n
o lig
ht
to s
how
th
e w
ay.
Th
en I
saw
th
e de
ad g
od.H
e w
as s
itti
ng
in h
is c
hai
r,by
the
win
dow
,in
a r
oom
I h
ad n
ot e
nte
red
befo
re a
nd,
for
the
firs
t
mom
ent,
I th
ough
t th
at h
e w
as a
live.
Th
en I
saw
th
e sk
in o
n t
he
back
of
his
han
d—it
was
like
dry
leat
her
.Th
e ro
om w
as s
hut,
hot
an
d dr
y—n
o do
ubt
th
at h
ad k
ept
him
as
he
was
.At
firs
t
I w
as a
frai
d to
app
roac
h h
im—
then
th
e fe
ar le
ft m
e.H
e w
as
sitt
ing
look
ing
out
over
th
e ci
ty—
he
was
dre
ssed
in t
he
clot
hes
ofth
e go
ds.H
is a
ge w
as n
eith
er y
oun
g n
or o
ld—
I co
uld
not
tell
his
age
.Bu
t th
ere
was
wis
dom
in h
is f
ace
and
grea
t sa
dnes
s.
You
cou
ld s
ee t
hat
he
wou
ld h
ave
not
ru
n a
way
.He
had
sat
at
his
win
dow
,wat
chin
g h
is c
ity
die—
then
he
him
self
had
die
d.
Bu
t it
is b
ette
r to
lose
on
e’s
life
than
on
e’s
spir
it—
and
you
cou
ld
see
from
th
e fa
ce t
hat
his
spi
rit
had
not
bee
n lo
st.I
kn
ew t
hat
,
ifI
tou
ched
him
,he
wou
ld f
all i
nto
du
st—
and
yet,
ther
e w
as
som
eth
ing
un
con
quer
ed in
th
e fa
ce.
410
420
430
By
the
Wat
ers
of
Bab
ylo
n
97
Copyright © by Holt,Rinehart and Winston.All rights reserved.
Wh
at d
o y
ou
th
ink
the
fire
that
fel
l fro
m t
he
sky
and
th
e p
ois
on
mis
t (l
ines
407–
408)
mig
ht
be?
The
“fir
e” w
as p
rob
a-
bly
bo
mb
s, a
nd
th
e
“po
iso
n m
ist”
may
hav
e b
een
po
iso
n g
as.
Pau
se a
t lin
e 42
4. W
hat
can
’tJo
hn
un
der
stan
d a
bo
ut
the
go
ds,
wh
o s
eem
ed t
o h
ave
so m
uch
wis
do
m a
nd
po
wer
?
He
can
’t u
nd
erst
and
wh
y th
ey d
idn
’t
pre
ven
t th
eir
ow
n
des
tru
ctio
n.
Wh
y d
oes
Jo
hn
th
ink
he
sho
uld
be
able
to
un
der
stan
dth
ese
mys
teri
es (
lines
421–
423)
?
He
is a
pri
est,
an
d
pri
ests
are
su
pp
ose
d
to e
xpla
in m
yste
ries
.
for
the
glow
in t
he
sky.
I th
ough
t to
mys
elf,
“Th
is is
str
ong
mag
ic,”
and
trem
bled
.Th
ere
was
a r
oari
ng
in m
y ea
rs li
ke t
he
rush
ing
ofri
vers
.Th
en m
y ey
es g
rew
use
d to
th
e lig
ht
and
my
ears
to
the
sou
nd.
I kn
ew t
hat
I w
as s
eein
g th
e ci
ty a
s it
had
been
wh
en t
he
gods
wer
e al
ive.
Th
at w
as a
sig
ht
inde
ed—
yes,
that
was
a s
igh
t:I
cou
ld n
ot
hav
e se
en it
in t
he
body
—m
y bo
dy w
ould
hav
e di
ed.E
very
wh
ere
wen
t th
e go
ds,o
n f
oot
and
in c
har
iots
—th
ere
wer
e go
ds b
eyon
d
nu
mbe
r an
d co
un
tin
g an
d th
eir
char
iots
blo
cked
th
e st
reet
s.
Th
ey h
ad t
urn
ed n
igh
t to
day
for
th
eir
plea
sure
—th
ey d
id n
ot
slee
p w
ith
th
e su
n.T
he
noi
se o
fth
eir
com
ing
and
goin
g w
as t
he
noi
se o
fm
any
wat
ers.
It w
as m
agic
wh
at t
hey
cou
ld d
o—it
was
mag
ic w
hat
th
ey d
id.
I lo
oked
ou
t of
anot
her
win
dow
—th
e gr
eat
vin
es o
fth
eir
brid
ges
wer
e m
ende
d an
d th
e go
d-ro
ads
wen
t ea
st a
nd
wes
t.
Res
tles
s,re
stle
ss w
ere
the
gods
,an
d al
way
s in
mot
ion
! Th
ey
burr
owed
tu
nn
els
un
der
rive
rs—
they
fle
w in
th
e ai
r.W
ith
un
belie
vabl
e to
ols
they
did
gia
nt
wor
ks—
no
part
of
the
eart
h
was
saf
e fr
om t
hem
,for
,if
they
wis
hed
for
a t
hin
g,th
ey s
um
-
mon
ed it
fro
m t
he
oth
er s
ide
ofth
e w
orld
.An
d al
way
s,as
th
ey
labo
red
and
rest
ed,a
s th
ey f
east
ed a
nd
mad
e lo
ve,t
her
e w
as a
dru
m in
th
eir
ears
—th
e pu
lse
ofth
e gi
ant
city
,bea
tin
g an
d
beat
ing
like
a m
an’s
hea
rt.
Wer
e th
ey h
appy
? W
hat
is h
appi
nes
s to
th
e go
ds?
Th
ey
wer
e gr
eat,
they
wer
e m
igh
ty,t
hey
wer
e w
onde
rfu
l an
d te
rrib
le.
As
I lo
oked
upo
n t
hem
an
d th
eir
mag
ic,I
fel
t lik
e a
child
—bu
t
a lit
tle
mor
e,it
see
med
to
me,
and
they
wou
ld p
ull
dow
n t
he
moo
n f
rom
th
e sk
y.I
saw
th
em w
ith
wis
dom
bey
ond
wis
dom
and
know
ledg
e be
yon
d kn
owle
dge.
An
d ye
t n
ot a
ll th
ey d
id w
as
wel
l don
e—ev
en I
cou
ld s
ee t
hat
—an
d ye
t th
eir
wis
dom
cou
ld
not
bu
t gr
ow u
nti
l all
was
pea
ce.
Th
en I
saw
th
eir
fate
com
e u
pon
th
em a
nd
that
was
ter
ribl
e
past
spe
ech
.It
cam
e u
pon
th
em a
s th
ey w
alke
d th
e st
reet
s of
thei
r ci
ty.I
hav
e be
en in
th
e fi
ghts
wit
h t
he
Fore
st P
eopl
e—
I h
ave
seen
men
die
.Bu
t th
is w
as n
ot li
ke t
hat
.Wh
en g
ods
war
380
390
400
96
Co
llect
ion
3:
Nar
rato
r an
d V
oic
ePa
rt 1
Copyright © by Holt,Rinehart and Winston.All rights reserved.
In li
nes
377
–394
, un
der
line
at le
ast
six
thin
gs
that
Jo
hn
no
tice
s ab
ou
t th
e w
ay t
he
go
ds
lived
in t
he
pas
t. H
ow
do
yo
u t
hin
k h
e w
as a
ble
to
“see
” th
ese
thin
gs?
Sin
ce h
e is
fro
m a
pri
est’
s fa
mily
, he
may
hav
e p
sych
ic p
ow
ers
that
let
him
see
th
e
pas
t.
Collection 3Student Pages 96–97
50 The Holt Reader: Teacher’s Manual
Copyright © by Holt,Rinehart and Winston.All rights reserved.
By
the
Wat
ers
of
Bab
ylo
n
99
Wh
at t
he
Nar
rato
r N
ames
Dea
d P
lace
s
Plac
e o
f th
e G
od
s
Gre
at B
urn
ing
Old
Day
s
bu
ildin
gs
in w
hic
h p
eop
le h
ad d
ied
New
Yo
rk C
ity
the
fire
th
at r
esu
lted
fro
m t
he
bo
mb
ing
of
New
Yo
rk
the
tim
e b
efo
re t
he
gre
at d
estr
uct
ion
My
Co
ncl
usi
on
s A
bo
ut
Wh
at t
he
Nar
rato
r Is
Des
crib
ing
By t
he W
ater
s of
Bab
ylon
Conc
lusi
ons
Char
t“B
y th
e W
ater
s of
Bab
ylon
”is
tol
d fr
om t
he
poi
nt
ofvi
ewof
a n
arra
tor,
Joh
n,w
ho
goes
on
a jo
urn
ey o
fdi
scov
ery.
Un
til J
ohn
com
plet
es
his
jou
rney
of
disc
over
y,h
is d
escr
ipti
ons
ofpl
aces
an
d ev
ents
are
inco
mpl
ete
or u
nre
liab
le.
Dra
w c
oncl
usi
ons
abou
t w
hat
th
e n
arra
tor
sees
in “
By
the
Wat
ers
ofB
abyl
on.”
Fill
in t
he
char
t by
wri
tin
g w
hat
you
th
ink
he
is d
escr
ibin
g.
Ou
-dis
-su
n
ASH
ING
the
Hu
dso
n R
iver
Geo
rge
Was
hin
gto
n
Tem
ple
wit
h s
tars
on
the
ceili
ng
Gra
nd
Cen
tral
Ter
min
al
Th
at is
all
ofm
y st
ory,
for
then
I k
new
he
was
a m
an—
I kn
ew t
hen
th
at t
hey
had
bee
n m
en,n
eith
er g
ods
nor
dem
ons.
It is
a g
reat
kn
owle
dge,
hard
to
tell
and
belie
ve.T
hey
wer
e m
en—
they
wen
t a
dark
roa
d,bu
t th
ey w
ere
men
.I h
ad n
o fe
ar a
fter
that
—I
had
no
fear
goi
ng
hom
e,th
ough
tw
ice
I fo
ugh
t of
fth
e
dogs
an
d I
was
hu
nte
d fo
r tw
o da
ys b
y th
e Fo
rest
Peo
ple.
Wh
en
I sa
w m
y fa
ther
aga
in,I
pra
yed
and
was
pu
rifi
ed.H
e to
uch
ed
my
lips
and
my
brea
st,h
e sa
id,“
You
wen
t aw
ay a
boy
.You
com
e
back
a m
an a
nd
a pr
iest
.”I
said
,“Fa
ther
,th
ey w
ere
men
! I h
ave
been
in t
he
Pla
ce o
fth
e G
ods
and
seen
it! N
ow s
lay
me,
ifit
is
the
law
—bu
t st
ill I
kn
ow t
hey
wer
e m
en.”
He
look
ed a
t m
e ou
t of
both
eye
s.H
e sa
id,“
Th
e la
w is
not
alw
ays
the
sam
e sh
ape—
you
hav
e do
ne
wh
at y
ou h
ave
don
e.I
cou
ld n
ot h
ave
don
e it
in m
y ti
me,
but
you
com
e af
ter
me.
Tell!
”
I to
ld a
nd
he
liste
ned
.Aft
er t
hat
,I w
ish
ed t
o te
ll al
l th
e
peop
le b
ut
he
show
ed m
e ot
her
wis
e.H
e sa
id,“
Tru
th is
a h
ard
deer
to
hun
t.If
you
eat
too
mu
ch t
ruth
at
once
,you
may
die
ofth
e tr
uth
.It
was
not
idly
th
at o
ur
fath
ers
forb
ade
the
Dea
d
Pla
ces.”
He
was
rig
ht—
it is
bet
ter
the
tru
th s
hou
ld c
ome
littl
e by
littl
e.I
hav
e le
arn
ed t
hat
,bei
ng
a pr
iest
.Per
hap
s,in
th
e ol
d da
ys,
they
ate
kn
owle
dge
too
fast
.
Nev
erth
eles
s,w
e m
ake
a be
gin
nin
g.It
is n
ot f
or t
he
met
al
alon
e w
e go
to
the
Dea
d P
lace
s n
ow—
ther
e ar
e th
e bo
oks
and
the
wri
tin
gs.T
hey
are
har
d to
lear
n.A
nd
the
mag
ic t
ools
are
brok
en—
but
we
can
look
at
them
an
d w
onde
r.A
t le
ast,
we
mak
e a
begi
nn
ing.
An
d,w
hen
I a
m c
hie
fpr
iest
we
shal
l go
beyo
nd
the
grea
t ri
ver.
We
shal
l go
to t
he
Pla
ce o
fth
e G
ods—
the
plac
e n
ewyo
rk—
not
on
e m
an b
ut
a co
mpa
ny.W
e sh
all l
ook
for
the
imag
es o
fth
e go
ds a
nd
fin
d th
e go
d A
SHIN
G a
nd
the
oth
ers—
the
gods
Lin
coln
an
d B
iltm
ore2
and
Mos
es.3
Bu
t th
ey
wer
e m
en w
ho
built
th
e ci
ty,n
ot g
ods
or d
emon
s.T
hey
wer
e
men
.I r
emem
ber
the
dead
man
’s f
ace.
Th
ey w
ere
men
wh
o
wer
e h
ere
befo
re u
s.W
e m
ust
bu
ild a
gain
.
440
450
460
470
98
Co
llect
ion
3:
Nar
rato
r an
d V
oic
ePa
rt 1
Copyright © by Holt,Rinehart and Winston.All rights reserved.
2.B
iltm
ore
:a N
ew Y
ork
Cit
y h
ote
l.3.
Mo
ses:
Ro
ber
t M
ose
s (1
888–
1981
): N
ew Y
ork
Cit
y p
ub
lic o
ffic
ial
wh
o o
vers
aw m
any
larg
e co
nst
ruct
ion
pro
ject
s, s
uch
as
bri
dg
es
and
pu
blic
bu
ildin
gs.
Wh
at “
gre
at k
no
wle
dg
e”d
oes
Jo
hn
dis
cove
r in
th
em
orn
ing
(lin
es 4
40–4
43)?
Aft
er h
e d
isco
vers
th
e
dea
d g
od
, he
real
izes
that
th
e g
od
s w
ere
real
ly m
en a
nd
th
at
they
cau
sed
th
eir
ow
n
des
tru
ctio
n.
In li
nes
465
–469
, un
der
line
wh
at J
oh
n p
lan
s to
do
wh
enh
e is
ch
ief
pri
est.
Cir
cle
the
nam
e o
f th
e Pl
ace
of
the
Go
ds.
Wh
at d
oes
Jo
hn
mea
n w
hen
he
says
th
at in
th
e o
ld d
ays
“th
ey a
te k
no
wle
dg
e to
ofa
st”
(lin
e 46
0)?
He
thin
ks t
hey
may
hav
e le
arn
ed t
hin
gs
too
qu
ickl
y w
ith
ou
t
sto
pp
ing
to
co
nsi
der
po
ten
tial
dan
ger
s o
r
con
seq
uen
ces.
Collection 3Student Pages 98–99
Student Pages with Answers 51
Copyright © by Holt,Rinehart and Winston.All rights reserved.
By
the
Wat
ers
of
Bab
ylo
n
101
Skill
s Re
view
Skill
s Re
view
Suff
ixes
:Cl
ues
to W
ord
Mea
ning
sSo
met
imes
yo
u c
an f
igu
re o
ut
the
mea
nin
g o
f an
un
fam
iliar
wo
rd if
yo
u
anal
yze
the
mea
nin
g o
f it
s p
arts
. Th
e m
ore
su
ffix
es y
ou
kn
ow
, th
e m
ore
wo
rds
you
’ll b
e ab
le t
o f
igu
re o
ut.
A s
uff
ixis
a w
ord
par
t ad
ded
to
th
e en
d
of
a w
ord
or
roo
t. In
crea
se y
ou
r kn
ow
led
ge
of
suff
ixes
by
add
ing
at
leas
t
two
mo
re w
ord
s to
eac
h o
f th
e ex
amp
le b
oxe
s in
th
e ch
art
bel
ow
.
Sam
ple
an
swer
s ap
pea
r b
elo
w.
By t
he W
ater
s of
Bab
ylon
Su
ffix
es
Me
an
ing
sE
xa
mp
les
–ab
le, –
ible
“ab
le; l
ikel
y”ca
pab
le, f
lexi
ble
dep
end
able
, su
itab
le
–an
ce, –
ence
“act
; co
nd
itio
n; f
act”
atte
nd
ance
, evi
den
ce
per
man
ence
, ele
gan
ce
–er,
–or
“on
e w
ho
do
es”
bak
er, d
irec
tor
acto
r, le
ader
–ic
“dea
ling
wit
h;
clas
sic,
ch
ole
ric,
wo
rkah
olic
cau
sed
by;
sh
ow
ing
”p
ho
bic
, exo
tic
–io
n, –
tio
n“a
ctio
n; r
esu
lt;
un
ion
, fu
sio
n, s
elec
tio
n
stat
e”ed
uca
tio
n, v
alid
atio
n
–ou
s“m
arke
d b
y;
relig
iou
s, f
uri
ou
s
giv
en t
o”
dan
ger
ou
s, g
lori
ou
s
–y“q
ual
ity;
act
ion
”je
alo
usy
, in
qu
iry
acti
vity
, ab
ility
Voca
bula
rySkills
Und
erst
and
and
use
suff
ixes
.
Shar
pen
yo
ur
test
-tak
ing
ski
lls b
y co
mp
leti
ng
th
e sa
mp
le t
est
item
. Th
en, c
hec
k yo
ur
answ
er a
gai
nst
th
e ex
pla
nat
ion
in t
he
rig
ht-
han
d c
olu
mn
.
By t
he W
ater
s of
Bab
ylon
Skill
s Re
view
Skill
s Re
view
100
Co
llect
ion
3:
Nar
rato
r an
d V
oic
ePa
rt 1
Ex
pla
na
tio
n o
f th
e C
orr
ect
An
swe
r
The
corr
ect
answ
er is
B.
Ais
inco
rrec
t b
ecau
se t
he
wri
ter
nev
er
po
rtra
ys J
oh
n a
s fe
elin
g s
orr
y fo
r h
im-
self
. No
thin
g t
hat
Jo
hn
do
es o
r sa
ys
sup
po
rts
answ
er C
.Alt
ho
ug
h s
om
e
of
Joh
n’s
act
ion
s at
th
e b
egin
nin
g o
f
the
sto
ry s
up
po
rt t
he
answ
er D
, Bis
th
e
bes
t an
swer
.
Sa
mp
le T
est
Ite
m
Wh
ich
sta
tem
ent
bes
t d
escr
ibes
th
e
nar
rato
r’s
voic
e?
AIt
is s
elf-
pit
yin
g.
BIt
is c
ou
rag
eou
s an
d in
telli
gen
t.
CIt
is s
hal
low
an
d la
zy.
DIt
is c
on
sid
erat
e an
d lo
vin
g.
4.Jo
hn
lear
ns
that
th
e in
hab
itan
ts o
f
the
Plac
e o
f th
e G
od
s—
Fkn
ew li
ttle
mo
re t
han
th
e H
ill
Peo
ple
Gre
esta
blis
hed
th
eir
com
mu
nit
y a
few
mile
s fr
om
th
eir
ruin
ed c
ity
Hw
ere
kille
d b
y p
acks
of
wild
do
gs
Jw
ere
actu
ally
peo
ple
5.Th
e Pl
ace
of
the
Go
ds
was
on
ce
calle
d—
AN
ew Y
ork
BB
ost
on
CSa
n F
ran
cisc
o
DLo
s A
ng
eles
1.Fr
om
wh
at p
oin
t o
f vi
ewis
th
e st
ory
told
?
Afi
rst
per
son
Bse
con
d p
erso
n
Cth
ird
-per
son
lim
ited
Do
mn
isci
ent
2.Th
e n
arra
tor
of
the
sto
ry is
—
Fa
go
d
Ga
you
ng
man
Han
old
pri
est
Ja
dea
d m
an
3.W
hic
h w
ord
bes
t d
escr
ibes
wh
at t
he
nar
rato
rw
ants
?
Alo
ve
Bfr
ien
ds
Ckn
ow
led
ge
Dp
ow
er
DIR
ECTI
ON
S:C
ircl
e th
e le
tter
of
each
co
rrec
t re
spo
nse
.
Copyright © by Holt,Rinehart and Winston.All rights reserved.
Lit
era
ry S
kills
Ana
lyze
the
firs
t-pe
rson
poin
t of
vie
w.
Ana
lyze
set
ting
.
Collection 3Student Pages 100–101
HRW TE Grade 10_S1 10/3/03 10:29 AM Page 51 impos03 108:hrhrt10r1:hrt10ch:layouts:
Graphic Organizers 201
Name Date
Selection TitleC
op
yrig
ht
© b
y H
olt
, Rin
ehar
t an
d W
inst
on
. All
rig
hts
res
erve
d.
Narrator Chart
The point of view of the narrator determines what you learn as you read a story. A third-
person-omniscient narrator knows and tells all. A third-person-limited or first-person
narrator tells only what one character knows. If the narrator is biased or unreliable, you
may not be able to believe what you read. In the chart below, fill in the point of view of
the narrator who tells the story you have just read. Then, tell what you have learned about
the narrator. (You may not learn anything about an omniscient narrator.) Finally, decide
if what you learned is reliable.
Point of View
The Narrator:
Other Characters:
Events:
What I Learned About
Is the information reliable? Explain.