BROADWAY TO WEST END - qso.com.au

PROGRAM | MUSICAL THEATRE GALA I

B R O A D WAY T O W E S T E N D

CONCERT HALL, QPACSAT 15 MAY 2021

II PROGRAM | MUSICAL THEATRE GALA

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CONTENTS

SUPPORTING YOUR ORCHESTRA

MUSICIANS AND MANAGEMENT

ARTIST BIOGRAPHIES 102426

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IF YOU'RE NEW TO THE ORCHESTRA

WELCOME

LISTENING GUIDE

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Queensland Symphony Orchestra acknowledges the traditional custodians of Australia. We acknowledge the cultural diversity of Elders, both past and recent, and the significant contributions that Aboriginal peoples and Torres Strait Islander peoples have made to Queensland and Australia.To ensure an enjoyable concert experience for everyone, please remember to turn off your mobile phones and all other electronic devices. Please muffle coughs and refrain from talking during the performance.Presented in association with Queensland Conservatorium, Griffith University.Photos by Peter Wallis.

WELCOME

IN THIS CONCERTConductor & Host Guy Noble Soloists Lorina Gore, soprano | Simon Gleeson, tenor Nina Lippmann, soprano | Hanlon Innocent, baritone

PROGRAMBERNSTEIN Overture to Candide 5' 'Tonight' (Balcony Scene) from West Side Story 4' LLOYD-WEBBER Overture, 'Wishing You Were Somehow Here Again', 12' and 'All I Ask of You' from The Phantom of the Opera MENKEN 'Out There' from The Hunchback of Notre Dame 4' ANDERSON-LOPEZ 'Let it Go' from Frozen 3' RODGERS 'The Carousel Waltz' and 'If I Loved You' from Carousel 14' ANDERSSON 'Anthem' and 'I Know Him So Well' from Chess 7' SCHÖNBERG 'Bring Him Home' from Les Misérables 3' SCHWARTZ 'Defying Gravity' from Wicked 6'

We play a huge variety of musical genres at Queensland Symphony Orchestra, so it's fortunate that many of us enjoy more than just classical music!

My first ever encounter with theatre was in fact some Gilbert and Sullivan operettas when I was in primary school. There was so much to take in: the colourful costumes, the movement and drama, but for me it was the orchestra in the pit that captivated me - so much so that I totally forgot to concentrate on the words of the songs! I came away from these experiences totally confused as to what it was all about, but riding high on the fun, the melodies and rhythmic drive, and of course the incredible sound of an orchestra creating so many different sounds and colours.

I have really enjoyed playing harp for a number of musicals over the course of my career. The harp is used extensively in today’s concert for its sparkling colour, its rhythmic punch, its agile accompaniment of the voice lines, and acting as the glue that combines all the orchestral forces. Joining the Orchestra on stage today are some incredible voices – Lorina Gore, Simon Gleeson, Nina Lippmann, and Hanlon Innocent.

I am very much looking forward to today’s program, in particular the excerpt from Schönberg’s brilliant music for Les Misérables. Thank you for joining us once more in the Concert Hall, and we hope you enjoy our tribute to Musical Theatre.

Jill Atkinson Principal Harp

2 PROGRAM | MUSICAL THEATRE GALA

IF YOU'RE NEW TO THE ORCHESTRA

WHO SITS WHEREOrchestras sit in sections based on types of instruments. There are four main sections in the symphony orchestra (strings, woodwinds, brass, and percussion) and sometimes a keyboard section.

STRINGSThese instruments produce sound by bowing or plucking stretched strings.

First / Second ViolinViolaCelloDouble BassHarp

WOODWINDWind instruments produce sound by being blown into.

Flute / PiccoloClarinet / E-flat Clarinet / Bass ClarinetOboe / Cor AnglaisBassoon / Contrabassoon

BRASSBrass players create sound by vibrating their lips. When this vibration is pushed through large brass tubes, it can create significant noise.

French HornTrumpet Trombone / Bass TromboneTuba

PERCUSSIONThese instruments create sound by being struck or shaken. Some instruments just make a sound; others play particular pitches.

Timpani, Bass drum, Snare drum, Cymbals,Glockenspiel, Xylophone, Vibraphone, Tam-tam, Triangle, Sleigh Bells.

KEYBOARDKeyboard instruments are played by pressing keys.

PianoCelesteKeyboard

PERCUSSION

VIOLIN 2 CELLO

VIOLA

DOUBLE BASS

FLUTE OBOE

CLARINET

TUBATROMBONETRUMPETFRENCH HORN

TIMPANI

BASSOON

CONDUCTOR

KEYBOARD

PROGRAM | MUSICAL THEATRE GALA 3

WHO’S ON STAGE TODAY

CONCERTMASTERS Warwick Adeney

ASSOCIATE CONCERTMASTER Alan Smith

VIOLIN 1 Rebecca Seymour * Lynn Cole Ann Holtzapffel Anne Horton Joan Shih Brenda Sullivan Jason Tong Stephen Tooke Claire Tyrell Brynley White Sonia Wilson

VIOLIN 2

Wayne Brennan ~ Helen Travers ^ Lara Baker-Finch Katie Betts Jane Burroughs Faina Dobrenko Matthew Hesse Delia Kinmont Natalie Low Tim Marchmont Nicholas Thin Harold Wilson

VIOLA Imants Larsens ~ Yoko Okayasu >> Charlotte Burbrook de Vere Karen Gordon Nicole Greentree Bernard Hoey Kirsten Hulin-Bobart Jann Keir-Haantera Graham Simpson Nicholas Tomkin

CELLO Matthew Kinmont = Kathryn Close + Deborah Davis Andre Duthoit Matthew Jones Andrew Leask Kaja Skorka Craig Allister Young

DOUBLE BASS Phoebe Russell ~ Dušan Walkowicz >> Anne Buchanan Justin Bullock Paul O’Brien Ken Poggioli

FLUTE Alison Mitchell ~ Hayley Radke >>

PICCOLO Kate Lawson *

OBOE Huw Jones ~ Alexa Murray

COR ANGLAIS Vivienne Brooke *

CLARINET Irit Silver ~ Brian Catchlove >> Kate Travers

BASS CLARINET Nicholas Harmsen *

BASSOON David Mitchell >> Evan Lewis

CONTRABASSOON Claire Ramuscak *

FRENCH HORN Malcolm Stewart ~ Nicholas Mooney + Ian O’Brien * Vivienne Collier-Vickers Lauren Manuel

TRUMPET Richard Madden = Chris Hudson Richard Fomison

TROMBONE Jason Redman ~ Ashley Carter >>

BASS TROMBONE Jason Luostarinen ^

TUBA Thomas Allely *

TIMPANI Tim Corkeron *

PERCUSSION David Montgomery ~ Josh DeMarchi >> Zach Brankovich Fraser Matthew Angus Wilson

HARP Jill Atkinson *

KEYBOARD / SYNTHESIZER Luke Volker ^ Heidi Loveland ^

ORGAN Andrej Kouznetsov ^

~ Section Principal = Acting Section Principal >> Associate Principal + Acting Associate Principal * Principal ^ Acting Principal


LISTENING GUIDE

Overture from CandideLeonard Bernstein It’s not a hyperbole to overstate how busy Bernstein was. At the same time as writing West Side Story, Bernstein was simultaneously sketching music for another project, Candide. His split attention didn’t detract from the quality of his work though, and music he sketched for one project, often ended up in the other - One Hand, One Heart was originally intended for Candide.

Conceived as a play with incidental music, adapted from the novella by Voltaire, Bernstein petitioned for the project to become a neo-Classical operetta. In contemporary opera circles, its three-month run was considered a runaway success, but in the world of Broadway, it was a dismal failure. Critics focussed their blame on the book, and spared Bernstein’s music.

The score developed a cult following when an album of the original cast recording was released. Over the next few decades a series of Candide revivals took place, with various levels of involvement by the composer. Throughout all of the iterations though, the joyous Overture, a sparkling homage to the wit of Rossini, remained largely untouched.

‘Tonight’ from West Side StoryLeonard Bernstein Between the demands of his career as a pianist and conductor, it’s astonishing that Leonard Bernstein wrote such a significant catalogue of works. Especially when considering how time consuming the development of a musical is.

When it opened in 1957, this gritty retelling of Shakespeare’s Romeo and Juliet, had been in the works for a decade – including a period where it was called Gangway! Alongside Bernstein, the creative team was choreographer Jerome Robbins, and as a late addition, the promising protégé of Oscar Hammerstein, librettist Stephen Sondheim.

Tonight was the second-to-last song written for the show, after the previous melody was deemed too gentle, not reflective enough of the passion Tony and Maria would feel on their first night together. Stuck for fresh ideas, Bernstein and Sondheim instead turned to these character’s lines in the earlier Tonight Quintet, and simply expanded it into a stand-alone duet. The result is so completely effective that one cannot assume the melody wasn’t imagined in this form first.


Overture, ‘Wishing You Were Somehow Here Again’ and ‘All I Ask of You’ from The Phantom of the OperaAndrew Lloyd-Webber In 1984, Andrew Lloyd Webber was well on his way to becoming the most commercially successful composer in history as declared by The New York Times. In the wake of Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, and Evita, he contacted his Cats co-producer Cameron Mackintosh with another new idea.

It would be a romantic piece based on a French novel and devised as a vehicle for his second wife, the soprano Sarah Brightman. Lloyd Webber was entranced by this gothic tale of an ingenious artist hiding in the catacombs of a Parisian opera house, helplessly in love with a young ingénue. Lloyd Webber wrote the musical around this character, Christine Daaé, giving her memorable and dramatic melodies like ‘Wishing you were somehow here again’, and the romantic duet, ‘All I Ask of You’ that also showcased the breadth of a soprano.

Lloyd Webber lent into the operatic inspiration, almost playfully sending up the serious form, with his cheeky operas-within-the-musical and penning a few notes that were later argued to be directly lifted from Puccini’s melodies. Most ubiquitous though, is the descending chromatic scale that figures so prominently in the Overture and signals the cloaked arrival of the enigmatic Phantom throughout the piece.

‘Out There’ from The Hunchback of Notre DameAlan Menken In a round-about way, The Lion King is responsible for The Hunchback of Notre Dame making it to the stage. For several years, the Berlin Theatre had been in talks to stage the stage The Lion King, but when negotiations failed, Disney offered the rights to premiere the stage adaptation of the 1996 feature film in its place. Der Glöckner Von Notre Dame was granted a special license, to be performed exclusively in the one German theatre for its entire run, and didn’t transfer after it closed.

It took until 2013 for the development of an English-speaking production. The original creative team - Alan Menken and Stephen Schwartz – reunited to flesh out further songs for the stage production. Fascinatingly, when seeking an authentic sound for the original soundtrack, producers travelled to London, not Paris, to record the English National Opera orchestra. For fellow music-movie buffs, if the voice of Quasimodo sounds eerily familiar, that’s because his songs were performed by Tom Hulce, who is perhaps most famous for his portrayal of Wolfgang Amadeus Mozart in the Academy Award nominated film, Amadeus.


‘Let it Go’ from FrozenKirsten Anderson-Lopez and Robert LopezThe long incubation period for the musical Frozen, gives new meaning to the phrase ‘development hell’. 1937 is the year that Disney began exploring an animated film based on Hans Christian Andersen’s story The Snow Queen. Attempts to bring the project to life were made over the next seven decades, but it was only when Tangled was a huge success in 2011, that a new film version of the classic tale was greenlit.

Visions for a stage version were in the works even before it hit cinemas. The creative team Kristen Anderson-Lopez and Robert Lopez were signed on – tasked with extending the seven songs they’d delivered, into a staggering twenty-three. They’d already penned the earworm, ‘Let it Go’, a fierce anthem of independence belted out at the end of Act I. If at one point the melody felt impossible to escape, it’s warranted. Translated into 41 different languages, it was the first song from a Disney animated musical to reach the top ten of the Billboard Hot 100 since 1995, since 'Colors of the Wind' climbed to number four.

‘The Carousel Waltz’ and ‘If I Loved You’ from CarouselRichard Rodgers and Oscar Hammerstein IIHot off the heels of the roaring success of ‘Oklahoma!’, Richard Rodgers and Oscar Hammerstein needed another hit. The paralysing pressure they felt wasn’t eased by their Hollywood friends. Rodgers recalls the film producer Samuel Goldwyn telling him to shoot himself, as that “was Sam’s blunt but funny way of telling me that I’d never create another show as good.”

After a period of deliberation, they settled on a 1909 French play by Ferenc Molnár, called Liliom. It was a big deal – Molnar had already turned down a request from Giacomo Puccini. Moving the plot from Budapest to the New England coast, the musical follows a carnival barker called Billy Bigelow, as he falls in love with millworker Julie Jordan. His foolish decision-making cuts their troubled relationship short, but then an opportunity provides a chance for Billy to make things right before it’s too late.

Although Carousel was the least commercially successful of Rogers and Hammerstein’s ‘Big Five’ musicals, it’s a mistake to think it’s a lesser piece. The beauty of the score is held in high regard, confirming its legacy as a classic. Stephen Sondheim claimed the bench scene, where the two first fall in love, was “probably the single most important moment in the revolution of contemporary musicals.”

LISTENING GUIDE


‘Anthem’ and ‘I Know Him So Well’ from ChessBenny Andersson On paper, Chess is a beguiling proposition: a protagonist based loosely on the chess grandmaster Bobby Fischer, embroiled in a politically driven plot with lyrics by Tim Rice and music by half of ABBA. Despite this rich mix of ingredients, the original production and subsequent revivals have consistently struggled to make an impact as a theatrical experience. While the West End debut did survive for three years, the Broadway production closed after an abysmal two months, but critics raved about the music.

The concept of a Cold War musical was one that lyricist Tim Rice had long been ruminating on. When he devised the concept based on the long-standing chess rivalry between the United States and the Soviet Union, he first approached his former collaborator, Andrew Lloyd-Webber. Due to the development of his project Cats, he passed, and the names Andersson and Ulvaeus were instead suggested.

For dedicated ABBA fans, the band’s influence can be heard in the score. The chorus of 'I Know Him So Well' was based on 'I Am An A', a song never officially released, but that circulates as a bootleg on the internet. More noticeably, the chorus of 'Anthem' borrows the chord progression from the guitar solo from ABBA’s better known hit, 'Our Last Summer'.

Notes by Sascha Kelly 2021

Pictured: Ian O'Brien and Lauren Manuel


LISTENING GUIDE

‘Bring Him Home’ from Les MisérablesClaude-Michel SchönbergLes Miz as it’s now colloquially referred to, had a strange conception. The year was 1980, and in a Parisian sports arena, for three months, Claude Michel Schönberg and Alan Boubil presented a live show of their concept album based on Victor Hugo’s novel published in 1862, Les Misérables. It ran for three months, running at just over eighty-seven minutes, with thirty-two songs featuring sixteen principal singers. Three years later, hunting for his new project to replicate the success of Cats, the thirty-something producer Cameron Mackintosh decided he wanted to produce the piece for an English-speaking audience.

It’s a Herculean task to briefly summarise Les Misérables. At its core, the story follows the peasant Jean Valjean, who is searching for redemption after serving nineteen years in jail for stealing a loaf of bread for his niece. After deciding to break his parole, he’s mercilessly pursued by a police inspector named Javert. Generations of theatre goers have been entertained by the tale of these two characters, and the young idealists who are subsequently swept up in a French revolution. The London production is the longest-running West End musical of all time, totalling an astonishing 13,964 performances.

Pictured: Warwick Adeney and Alan Smith


‘Defying Gravity’ from WickedStephen Schwartz Considering the musical’s wide claimed success, it’s a surprise to learn that Wicked was regarded as a wild card. The production based on the novel by Gregory Maguire is now cemented as a cultural phenomenon, responsible for catapulting stars Kristen Chenoweth and Idina Menzel into mainstream success, and for recruiting an audience of teenage fans belting out Defying Gravity in high school concerts around the world. The production though heralded composer Stephen Schwartz’s long-awaited return to Broadway.

After a gilded run in the 1970s with Pippin, Godspell, and The Magic Show, four of his musicals had all flopped, leading him to leave New York and lick his wounds in Hollywood where he wrote a series of soundtracks for Disney. But, Schwartz hadn’t lost his touch and won three Academy Awards in the process. After reading the novel, Schwartz approached the author to ask for dramatic rights, but he was too late – the story had already been signed over to Universal Pictures for a film. Schwartz passionately petitioned the studio, so much so that they agreed to the untitled musical.

‘Defying Gravity’, the extraordinary conclusion of Act I in the musical, was originally two songs – including one titled, ‘I Hope You’re Happy.’ Eagle-eared listeners might hear a few fragments in the final score. Musically, ‘Defying Gravity’ combines a number of leitmotifs for the first time. Two converge in ‘Defying Gravity’: firstly, the repeating syncopated orchestrated chords that announce Elphaba as a seemingly ‘wicked’ individual, and secondly, the ‘Unlimited’ motif, heard anytime Elphaba is considering her hopes for the future. In a lovely act of symmetry, Schwartz based the opening of this theme on the first seven notes of ‘Somewhere over the Rainbow.’

Pictured: Jason Redman, Ashley Carter, and Nicolas Thomson


ARTIST BIOGRAPHIES

Guy NobleConductor and HostGuy Noble has conducted the Sydney, Melbourne, Adelaide, Western Australian, Tasmanian, Queensland and Canberra symphony orchestras, the Auckland Philharmonia, and the Hong Kong Symphony and Malaysian Philharmonic orchestras. He was the host and accompanist each year for Great Opera Hits (Opera Australia) at the Sydney Opera House, conducted Opera Queensland’s 2014 production of La Boheme, and is conductor and host for the Adelaide Symphony Orchestra’s Classics Unwrapped series at the Adelaide Town Hall. In 1991 he was a network announcer on BBC Radio 3, host of Breakfast on ABC Classic from 1999 to 2001 and a presenter on ABC TV’s Dimensions in Time series. He appeared four times on ABC TV’s Spicks and Specks which still air at odd hours of the day or night.

Guy has worked with a wide variety of international performers including Harry Connick Jr, Ben Folds, The Beach Boys, The Pointer Sisters, Dianne Reeves, Glenn Frey, Randy Newman, Clive James, Conchita, The Two Cellos, Alfie Boe and Olivia Newton John. He was the first conductor and host for the Symphony in the City for the West Australian Symphony Orchestra and returns regularly to entertain upwards of 25000 happy concertgoers at Langley Park.

Some career highlights include doing a raffle with Princess Margaret in London, sharing a chat in a lift with John Gielgud at BBC Broadcasting House, cooking pasta live on stage with Maggie Beer and Simon Bryant and the Adelaide Symphony Orchestra and singing backing vocals with Kate Ceberano. Guy is pleased after a COVID-inspired hiatus to return in 2021 for music and laughter with the QSO.


ARTIST BIOGRAPHIES

Lorina GoreSopranoAward winning Australian soprano Lorina Gore completed her postgraduate voice studies at the Australian National University in Canberra and at the National Opera Studio in London. She has won numerous prestigious opera awards, including two Helpmann Awards (2017 and 2018), a Green Room Award (2018), the Dame Joan Sutherland Scholarship (AOAC), the Opera Awards (Music & Opera Singers Trust), Robert & Betty Saltzer Prize (Opera Foundation Australia), Covent Garden National Opera Studio Scholarship (Opera Foundation), 2nd prize in the Herald-Sun Aria (2002 and 2004), the Lady Galleghan Scholarship for Voice, the Frank and Viola Tait Scholarship, and first place in the Australian National Aria Competition.

Lorina joined Opera Australia as a principal artist in 2008 and has since performed many roles for the company including: Violetta (La Traviata), Marie (Wozzeck), Leïla (Les pêcheurs de perles), Amina (La sonnambula), Musetta (La Bohème), Queen of Night (Die Zauberflöte), Die Fiakermilli (Arabella), Tytania (A Midsummer Night’s Dream), Honey B (Bliss; in Sydney, Melbourne and at the Edinburgh Festival), Yum-Yum (The Mikado), Despina (Cosi fan tutte), Oscar (Un ballo in maschera), Marzelline (Fidelio), Woglinde (Der Ring des Nibelungen), and also Pip (Moby-Dick) for the State Opera of South Australia, for which she received a Helpmann

Award nomination. In 2017, Lorina won a Helpmann Award and Green Room Award for her role as Roxana in Opera Australia’s King Roger. In 2018, Lorina performed the role of Ophelia in Brett Dean’s Hamlet at the Adelaide Festival to critical acclaim, for which she was awarded her second Helpmann Award.

Her international operatic roles include the title role in Lucia di Lammermoor for Iford Arts, Die Fiakermilli (Arabella) for Garsington Opera, Giulia (La Scala di Seta) for Independent Opera, Blonde (Die Entführung aus dem Serail), Agilea (Teseo) and Sandrina (L’infedeltà delusa) for English Touring Opera, performances of Norina (Don Pasquale) and Violetta (La Traviata) for New Zealand Opera, and she appeared as Musetta (La Bohème) at Hanoi Opera Theatre Vietnam.

In concert, Lorina has appeared as soloist with the Sydney Philharmonia, Royal Melbourne Philharmonic, Hong Kong Philharmonic Orchestra, London Mozart Players, London Salon Ensemble, Opera North, WNO, Collegium Musicum Choir, Melbourne Bach Choir and the Sydney, Darwin, Canberra, Queensland and Tasmanian Symphony Orchestras.

Recordings include: A Toast to Melba and also Johann Strauss: Waltzes and Arias with Marko Letonja and the Tasmanian Symphony Orchestra for ABC Classics, highlights from Strauss’ Der Rosenkavalier with Yvonne Kenny, Bliss with Opera Australia, and Handel’s Rodelinda conducted by Maestro Richard Bonynge.


Simon GleesonTenorSimon’s theatre credits include: Splinter (Griffin Theatre Company) An Ideal Husband, Hay Fever and Rupert (Melbourne Theatre Company); Southwark Fair (Royal National Theatre, London); A Little Night Music (Victorian Opera); Oklahoma!, Curtains and Chess (The Production Company); Les Misérables – West End, London (Cameron Macintosh Ltd London); Les Misérables – Australia (Cameron Macintosh Australia); Harbour and The Republic of Myopia (Sydney Theatre Company); Love Never Dies (Gustave Stage Productions); Imagine This (New London Theatre, West End); The Far Pavilions (Shaftesbury Theatre, West End); Certified Male (Edinburgh Festival); Three Sides; The Silver Lake (Wexford Festival, Ireland) and, Shoes (Sadler’s Wells).

ARTIST BIOGRAPHIES

Simon’s screen credits include: City Homicide, Neighbours, Blue Heelers and Seachange. In the UK he played the regular role of ‘Sid’ in EastEnders (BBC 1), Kombat Opera (BBC 2) and the feature film My Life In Ruins.

Simon received the Helpmann Award for ‘Best Male Actor in a Musical’ for his performance as ‘Jean Valjean’ in Les Misérables.


Nina LippmannSopranoRaised in Cairns, Nina developed her skills and passion for performing through touring workshops and local theatre. After studying a Bachelor in Education, Nina moved on to study Music Theatre at the Queensland Conservatorium Griffith University.

During her studies, she performed in roles such as the title character in The Drowsy Chaperone, Barbara Finn/Ensemble in Elegies and cast as Elphaba in Wicked (cancelled due to COVID-19). Since graduating, Nina performed in A Midsummer Night’s Dream with Serpentine Arts Theatre Company as Hermia.

Hanlon Innocent BaritoneHanlon is a versatile musician and performer hailing from Launceston Tasmania currently in his third year of the Bachelor of Musical Theatre at the Queensland Conservatorium Griffith University. During his studies, Hanlon has played the roles of Tony in The Boy Friend, Male Citizenry (character swing) in Legally Blonde, Featured Soloist in It’s Only Life, and has been cast in the role of Doody in the Conservatorium’s upcoming production of Grease.

With a background in jazz and choral music, when he isn’t acting for stage Hanlon is regularly gigging as a singer and guitarist in a vast array of contexts both in and outside Queensland.

Queensland Symphony Orchestra is pleased to collaborate with Queensland Conservatorium Griffith University to invite Nina Lippmann and Hanlon Innocent to part of this program.

14 PROGRAM | MUSICAL THEATRE GALAPictured: Young Instrumentalist Prize Winners,

Andre Oberleuter and Anna Suzuki


On stage and off, we’re always making, performing and teaching music. Our performances in QPAC’s Concert Hall are only part of what we do, so we thought we would share a little bit of what your Queensland Symphony Orchestra has been up to lately across the state.

In March, we took a QSO Connect Woodwind Quintet to the beautiful towns of Chinchilla, Miles and Tara, as well as a String Quartet to Roma. This tour showed our musicians and team the splendour of the Western Downs Region and featured performances alongside local musicians, playing in nursing homes and aged care facilities, and teaching workshops in remote schools. Our 13-player QSO Connect Ensemble went tropical and toured Far North Queensland, performing four concerts for the general public and school students in Innisfail and Cairns. More than 200 instrumental music students from Innisfail, Tully, Mossman and Cairns high schools attended workshops on their individual instruments presented by our musicians.

Our commitment to fostering music education, we facilitate several projects that teach music making to young people. Last month our Education team with cellist Craig Young visited Narangba Valley State High School, St Johns Anglican College, Cannon Hill Anglican College, and Brisbane State High School as part of our Compose Project to develop the composers of tomorrow. Our Musical Mentor program took violinist Katie Betts to Holland Park

State High School for rehearsals and workshops with budding young violinists for one-on-one mentorships. Finally, our Young Instrumentalist Prize Finalists’ Recital was held at our Studio on Saturday 13 March. From six outstanding finalists, Andre Oberleuter (bassoon) and Anna Suzuki (violin) were selected as 2021 prize winners.

To be a truly Queensland Orchestra we are committed to livestreaming concerts from our Brisbane home to the far reaches of our great state. We are thrilled to share that our Firebird concert in March was streamed into communities in Mt Isa, Mackay and the Fraser Coast.

All this, as well as performances in regional centres from Toowoomba to Redlands, Redcliffe to the Gold Coast. It's been a busy start to 2021 and reinforces our mission to be an Orchestra for Everyone.

Craig Whitehead Chief Executive

BEYONDTHE CONCERT HALL

Watch some highlights from our Chinchilla Miles Roma tour.


PROGRAM | MUSICAL THEATRE GALA 17Pictured: Nicholas Harmsen

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Music lovers who support an individual musician’s role within the Orchestra. We thank you.

MUSIC CHAIR SUPPORTERS

CONCERTMASTERWarwick Adeney Prof Ian Frazer AC and Mrs Caroline Frazer Estate of Barbara Jean Hebden Cathryn Mittelheuser AM John Story AO and Georgina Story

ASSOCIATE CONCERTMASTERAlan Smith Arthur Waring

FIRST VIOLIN Shane Chen Jessica Read

Lynn Cole Parascos Eagles Family

Ann Holtzapffel Aitken Whyte Lawyers

Rebecca Seymour Dr John H. Casey

Joan Shih Simon Mills

Brenda Sullivan Heidi Rademacher and In Memory of Hans Rademacher Anonymous

Stephen Tooke Tony and Patricia Keane

Brynley White Graeme Rosewarne and Jim O’Neill

Sonia Wilson Wei Zhang & Ping Luo

Vacant Support a Musician Today

Vacant Support a Musician Today

SECTION PRINCIPAL SECOND VIOLINGail Aitken Dr John H. Casey

Wayne Brennan David Miller

SECOND VIOLINKatie Betts John Story AO and Georgina Story

Jane Burroughs Dr Graham and Mrs Kate Row

Faina Dobrenko The Curavis Fund

Simon Dobrenko The Curavis Fund

Delia Kinmont Dr Colin and Mrs Noela Kratzing

Natalie Low Dr Ralph and Mrs Susan Cobcroft

Tim Marchmont Support a Musician Today

Nicholas Thin Simon Mills

Helen Travers Elinor and Tony Travers Wei Zhang & Ping Luo

Harold Wilson Dr Michael Daubney

SECTION PRINCIPAL VIOLAImants Larsens John and Bonnie Bauld

ASSOCIATE PRINCIPAL VIOLAYoko Okayasu Dr Damien Thomson and Dr Glenise Berry

VIOLACharlotte Burbrook de Vere Dr Pamela Greet and Mr Nicholas Beaton

Nicole Greentree Shirley Leuthner

Bernard Hoey Desmond B Misso Esq.

Kirsten Hulin-Bobart CP Morris

Jann Keir-Haantera Mrs Helen Sotiriadis

Graham Simpson Alan Galwey

Nicholas Tomkin Alan Symons

SECTION PRINCIPAL CELLOVacant Support a Musician Today

ASSOCIATE PRINCIPAL CELLOHyung Suk Bae John Story AO and Georgina Story

CELLOKathryn Close Dr Graham and Mrs Kate Row

Andre Duthoit Anne Shipton

Matthew Jones MJ Bellotti

Matthew Kinmont Dr Julie Beeby David Miller

Kaja Skorka Robin Spencer Anonymous

Craig Allister Young Di Jameson

SECTION PRINCIPAL DOUBLE BASSPhoebe Russell Sidney Irene Thomas (In Memory)

ASSOCIATE PRINCIPAL DOUBLE BASSDusan Walkowicz John Story AO and Georgina Story

DOUBLE BASSAnne Buchanan Dr Betty Byrne Henderson AM

Justin Bullock Michael Kenny and David Gibson

Paul O’Brien Graeme Rosewarne and Jim O’Neill

Ken Poggioli Anonymous

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SUPPORT A MUSICIAN

07 3833 [email protected]/supportus

SECTION PRINCIPAL FLUTEAlison Mitchell Alan Symons Arthur Waring

ASSOCIATE PRINCIPAL FLUTEHayley Radke Desmond B Misso Esq.

PRINCIPAL PICCOLOKate Lawson Dr James R Conner

SECTION PRINCIPAL OBOEHuw Jones Prof Ian Gough AM and Dr Ruth Gough

ASSOCIATE PRINCIPAL OBOESarah Meagher Sarah and Mark Combe

OBOEAlexa Murray Guy and Kathleen Knopke Dr Les and Mrs Pam Masel

PRINCIPAL COR ANGLAISVivienne Brooke CP Morris

SECTION PRINCIPAL CLARINETIrit Silver Arthur Waring

ASSOCIATE PRINCIPAL CLARINETBrian Catchlove The K&D / S&R Anketell Foundation

CLARINETKate Travers Dr Julie Beeby

PRINCIPAL BASS CLARINETNicholas Harmsen John Story AO and Georgina Story

SECTION PRINCIPAL BASSOONNicole Tait In Memory of Margaret Mittelheuser AM

ASSOCIATE PRINCIPAL BASSOONDavid Mitchell John and Helen Keep

BASSOONEvan Lewis In Memory of Dr Vicki Knopke CP Morris

PRINCIPAL CONTRABASSOONClaire Ramuscak CP Morris

SECTION PRINCIPAL FRENCH HORNMalcolm Stewart Arthur Waring

PRINCIPAL FRENCH HORNIan O’Brien David Miller and Rosslyn Walker

ASSOCIATE PRINCIPAL FRENCH HORNVacant Dr Pamela Greet and Mr Nicholas Beaton

FRENCH HORNVivienne Collier-Vickers Ms Marie Isackson

Lauren Manuel Dr John H. Casey

SECTION PRINCIPAL TRUMPETRichard Madden Mrs Andrea Kriewaldt Elinor and Tony Travers

TRUMPETPaul Rawson Dr Pamela Greet and Mr Nicholas Beaton

SECTION PRINCIPAL TROMBONEJason Redman Frances and Stephen Maitland OAM RFD

ASSOCIATE PRINCIPAL TROMBONEAshley Carter The K&D / S&R Anketell Foundation

PRINCIPAL BASS TROMBONEVacant Support a Musician Today

PRINCIPAL TUBAThomas Allely Arthur Waring

PRINCIPAL HARPJill Atkinson Noel and Geraldine Whittaker

PRINCIPAL TIMPANITim Corkeron Dr Philip Aitken and Dr Susan Urquhart Peggy Allen Hayes

SECTION PRINCIPAL PERCUSSIONDavid Montgomery Dr Graham and Mrs Kate Row

ASSOCIATE PRINCIPAL PERCUSSION Josh DeMarchi Dr Graham and Mrs Kate Row

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Music lovers who have supported your Orchestra over the last 12 months. We thank you.

ANNUAL GIVING

ALLEGRO ($100,000-$249,999)Tim Fairfax ACTim Fairfax Family FoundationProf. Ian Frazer AC and Mrs Caroline Frazer

CON BRIO ($50,000-$99,999)Arthur Waring

INTERMEZZO( $20,000-$49,999)Philip Bacon GalleriesIan and Cass GeorgeMalcolm and Andrea Hall-BrownPeggy Allen HayesJellinbah GroupCathryn Mittelheuser AMCP MorrisJohn Story AO and Georgina StoryAnonymous (1)

GRAZIOSO ($10,000-$19,999)Dr John H. CaseyGB & MK IlettFrances and Stephen Maitland OAM RFDMorgans FoundationJustice Anthe PhilippidesDr Graham and Mrs Kate RowTrevor & Judith St Baker Family FoundationIain G SaulStack Family FoundationAnonymous (1)

VIVACE ($5,000-$9,999)Dr Philip Aitken and Dr Susan UrquhartAssociate Professor John Allan and Dr Janet AllanThe K&D / S&R Anketell FoundationJohn and Bonnie BauldDavid and Judith BealDr Julie BeebyJoseph and Veronika ButtaDr Ralph and Mrs Susan CobcroftDr James R ConnerProfessor Paul and Ann CrookChris and Sue FreemanProf. Ian Gough AM and Dr Ruth GoughDr Pamela Greet and Mr Nicholas BeatonIn Memory of Dr Vicki KnopkeDr Colin and Mrs Noela KratzingMrs Andrea KriewaldtRosslyn Walker and David MillerSimon MillsDesmond B Misso Esq.Peterson FamilyHeidi Rademacher In Memory of Hans RademacherGraeme Rosewarne and Jim O’NeillJudith and Roger SackAlan Symons & In Memory of Bruce Short, Kevin Woodhouse & Graham WebsterSidney Irene Thomas (In Memory)Elinor and Tony TraversNoel and Geraldine WhittakerThe Curavis FundR. M. WylieAnonymous (1)

PRESTO ($2,500-$4,999)ADFAS BrisbaneProf. Margaret BarrettWilliam and Erica BattTrudy BennettDr Betty Byrne Henderson AMConstantine CaridesElene CaridesSarah and Mark CombeE Dann & P McNicolJustice Martin DaubneyDr Edgar Gold and Dr Judith GoldLea and John GreenawayWill and Lorna HeaslopIn Memory of Barbara CrowleyTony and Patricia KeaneJohn and Helen KeepShirley LeuthnerProf. Andrew and Mrs Kate ListerDr Les and Mrs Pam MaselLoraine McLarenIn Memory of Jolanta MetterIn Memory of Harry MilesColin NevilleJessica ReadSiganto FoundationDr Margaret SorokaJohn and Jenny StollDr Damien Thomson and Dr Glenise BerryProf. Hans Westerman and In Memory of Mrs Frederika WestermanMargaret and Robert WilliamsWei Zhang & Ping LuoAnonymous (5)

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STRETTO ($1,000-$2,499)Aitken Whyte LawyersJulieanne AlroeJill AtkinsonEmeritus Professor Cora V. BaldockDr Geoffrey Barnes and In Memory of Mrs Elizabeth BarnesDr Sheena L. BurnellCatherine CarterGreg and Jacinta ChalmersRobert ClelandT.C. and M.R. CooneyDr Peter Hopson & Julie CrozierDr Michael DaubneyMrs I. L. DeanLaurie James DeaneNara Dennis and Monty WainMiss Marianne EhrhardtMrs Susan EllisMrs Elva EmmersonMary Lyons and John FardonLoani FoxcroftColin and Ann GallagherAlan GalweyGardiner Family FoundationD J GardinerPaul and Irene GarrahyValmay Hill and Russell MitchellMrs. L. A. HudsonMs Marie IsacksonDi JamesonAinslie JustMichael Kenny and David GibsonPieter & Sally Le RouxLynne and Francoise LipSusan MabinElizabeth MacintoshMr Greg and Mrs Jan MarshBelinda McKay and Cynthia ParrillJohn and Julienne McKennaJennifer McVeighAnnalisa and Tony MeikleB and D MooreHoward and Katherine MunroRon and Marise NilssonToni PalmerParascos Eagles Family

Ian PatersonG & B RobinsJoan RossCath ScullyBruce and Sue ShepherdAnne ShiptonHelen SotiriadisRobin SpencerCraig Whitehead and Gabrielle ShepherdI S and H WilkeyAnonymous (52)

TUTTI ($500-$999)Caroline AnsellChrista ArmbrusterAlison ArmstrongMr Roger BagleyJean ByrnesMrs Georgina ByromDrew and Christine CastleyDr Alice CavanaghIan and Penny CharltonRoger CraggMr Gerry CrooksDr Beverley Czerwonka-LedezTerry and Jane DaubneyDr C. DavisonProf. John and Mrs Denise ElkinsDr Chris Elvin and Dr Nancy LiyouPaul EvansMrs Camilla GebauersGraeme and Jan GeorgeEmeritus Professors Catherin Bull AM and Dennis Gibson AOWendy GreenM. J. HardingCarmel HarrisBarbara HartiganDr Alison M HollowayMr John HornibrookLynn HuMonika JandaJulie-Anne JonesAndrew KopittkeV. LayneM. LejeuneRachel LeungLesley Lluka

Jim and Maxine MacmillanGary & Gayle MartinTimothy Matthies and Chris BonnilyErin McKennaPeter and Jill MillroyDr Tom MooreJohn and Robyn MurrayHamilton NewtonCatherine PearseTina PreviteraDr John Ratcliffe & Dr Helen KerrJohn B Reid AO and Lynn Rainbow ReidDr Phelim ReillyNeil W Root and Trevor J RowsellMs Kathryn RussellRolf and Christel SchaferMs Antonia SimpsonKW Sommerfeld and FamilyAlison StanfordDr Eddie Street AMViviane TollidayTanya VianoJohn and Sharon WattersonPeter J WattsRichard and Helen WilsonPeter & Jeanette YoungDr Jan ZomerdijkAnonymous (121)

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Visionary supporters whose regular, lifetime giving exceeds $10,000. We thank you.

LIFETIME GIVING

PLATINUM ($500,000+)Tim Fairfax ACTim Fairfax Family FoundationProf. Ian Frazer AC and Mrs Caroline FrazerHarold Mitchell ACDr Peter SherwoodArthur Waring

DIAMOND($250,000-$499,999)Philip Bacon GalleriesCathryn Mittelheuser AMTrevor & Judith St Baker Family Foundation

PATRON ($100,000-$249,999)Estate of Barbara Jean HebdenDi JamesonJellinbah GroupCP MorrisJohn B Reid AO and Lynn Rainbow ReidDr Graham and Mrs Kate RowMrs Beverley June SmithJohn Story AO and Georgina StoryGreg and Jan WanchapNoel and Geraldine WhittakerAnonymous (2)

MAESTRO ($50,000-$99,999)Dr Philip Aitken and Dr Susan UrquhartDr Julie BeebyDr John H. CaseyMalcolm and Andrea Hall-BrownPeggy Allen HayesGB & MK IlettThe John Villiers TrustMrs Andrea KriewaldtFrances and Stephen Maitland OAM RFDDesmond B Misso Esq.In Memory of Mr and Mrs J.C. OverellJustice Anthe Philippides

SYMPHONY ($20,000-$49,999)Associate Professor John Allan and Dr Janet AllanDavid and Judith BealJoseph and Veronika ButtaDr Betty Byrne Henderson AMMrs Roslyn CarterDr Ralph and Mrs Susan CobcroftDr James R ConnerMrs I. L. DeanIan and Cass GeorgeProf. Ian Gough AM and Dr Ruth GoughDr Pamela Greet and Mr Nicholas BeatonWill and Lorna HeaslopLeonie HenryMs Marie IsacksonTony and Patricia KeaneJohn and Helen KeepMichael Kenny and David GibsonDr Les and Mrs Pam Masel

Page and Marichu MaxsonMorgans FoundationIan PatersonQueensland Conservatoriaum Griffith UniversityHeidi Rademacher In Memory of Hans RademacherAnne ShiptonAlan Symons & In Memory of Bruce Short, Kevin Woodhouse & Graham WebsterStack Family FoundationDr Damien Thomson and Dr Glenise BerryElinor and Tony TraversR. M. WylieAnonymous (2)

CONCERTO ($10,000-$19,999)Dr Geoffrey Barnes and In Memory of Mrs Elizabeth BarnesProf. Margaret BarrettTrudy BennettDr John and Mrs Jan BlackfordKay BryanConstantine CaridesElene CaridesSarah and Mark CombeMrs Ruth CoxJustice Martin DaubneyTony Denholder and Scott GibsonMrs Elva EmmersonSophie GalaiseAlan GalweyEmeritus Professors Catherin Bull AM and Dennis Gibson AODr Edgar Gold and Dr Judith GoldDr Edward C. GrayLea and John GreenawayDr Alison M HollowayTrevor and Wendy JacksonDr Colin and Mrs Noela KratzingM. LejeuneShirley LeuthnerProf. Andrew and Mrs Kate ListerIn Memory of Jolanta MetterMrs Rene Nicolaides OAM and the late Dr Nicholas Nicolaides AMMr Jordan and Mrs Pat PearlIn Memory of Pat RichesNeil W Root and Trevor J RowsellGraeme Rosewarne and Jim O’NeillJudith and Roger Sack Iain G SaulBruce and Sue ShepherdSiganto FoundationJohn and Jenny StollSidney Irene Thomas (In Memory)Dr Geoffrey TrimProf. Hans Westerman and In Memory of Mrs Frederika WestermanThe Curavis FundMargaret and Robert WilliamsAnonymous (7)

PROGRAM | MUSICAL THEATRE GALA 23Pictured: Kathryn Close

Queensland Symphony Orchestra is proud to acknowledge the generosity and support of our valued supporters.(Supporter lists as at 9 April 2021)

How You Can Support Your OrchestraQueensland Symphony Orchestra (QSO) has been captivating audiences for over 70 years – thank you for making QSO the organisation it is today.

For more information on how you can support QSO please contact the Development Team – P: 07 3833 5017 E: [email protected] W: qso.com.au/support-us.

Health and Wellbeing Share the joy of music with those that need it most.

Corporate Partnerships Experience 'Money Cannot Buy' and commercial benefits.

Digital Help us connect with remote communities.

Planned Giving Make your musical passion your legacy.

Education and Community Provide the gift of music to our most important citizens, the children of Queensland.

Annual Giving Guarantee the vitality and longevity of QSO.

Regional Expand QSO's reach throughout greater Queensland.

Become a Music Chair Supporter Join this special group - support your favourite musician.



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PATRON His Excellency the Honourable Paul de Jersey AC, Governor of Queensland

PRINCIPAL CONDUCTOR AND ARTISTIC ADVISER Johannes Fritzsch

CELLO Hyung Suk Bae >> Kathryn Close Andre Duthoit Matthew Jones Matthew Kinmont Kaja Skorka Craig Allister Young

DOUBLE BASS Phoebe Russell ~ Dušan Walkowicz >> Anne Buchanan Justin Bullock Paul O’Brien Ken Poggioli

FLUTE Alison Mitchell ~ Hayley Radke >>

PICCOLO Kate Lawson*

OBOE Huw Jones~ Sarah Meagher >> Alexa Murray

COR ANGLAIS Vivienne Brooke*

CLARINET Irit Silver~ Brian Catchlove >> Kate Travers

BASS CLARINET Nicholas Harmsen*

VIOLIN 1 Rebecca Seymour* Shane Chen Lynn Cole Ann Holtzapffel Joan Shih Brenda Sullivan Stephen Tooke Brynley White Sonia Wilson

VIOLIN 2 Gail Aitken ~ Wayne Brennan ~ Katie Betts Jane Burroughs Faina Dobrenko Simon Dobrenko Delia Kinmont Natalie Low Tim Marchmont Nicholas Thin Helen Travers Harold Wilson

VIOLA Imants Larsens ~ Yoko Okayasu >> Charlotte Burbrook de Vere Nicole Greentree Bernard Hoey Kirsten Hulin-Bobart Jann Keir-Haantera Graham Simpson Nicholas Tomkin

~ Section Principal= Acting Section Principal>> Associate Principal + Acting Associate Principal* Principal ^ Acting Principal

BASSOON Nicole Tait~ David Mitchell >> Evan Lewis

CONTRABASSOON Claire Ramuscak*

FRENCH HORN Malcolm Stewart ~ Ian O’Brien* Vivienne Collier-Vickers Lauren Manuel

TRUMPET Richard Madden ~ Paul Rawson

TROMBONE Jason Redman~ Ashley Carter >>

TUBA Thomas Allely*

HARP Jill Atkinson*

TIMPANI Tim Corkeron*

PERCUSSION David Montgomery~ Josh DeMarchi >>

CONCERTMASTER Warwick Adeney Natsuko Yoshimoto

ASSOCIATE CONCERTMASTER Alan Smith

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BOARD OF DIRECTORS Chris Freeman AM Chair Rod Pilbeam Deputy Chair Prof Margaret Barrett Mary Jane Bellotti Emma Covacevich Tony Denholder Simon Gallaher Valmay Hill Tony Keane John Keep

MANAGEMENT Craig Whitehead Chief Executive Ros Atkinson Executive Assistant to Chief Executive and Board Chair Rodolphe Deus Chief Financial Officer Amy Herbohn Financial Controller Bernadette Fernando Finance CoordinatorLisa Meyers Director – People and Culture Barb Harding Payroll & HR Coordinator

Timothy Matthies Director - Artistic Planning Murray Walker Coordinator - Artistic Planning Judy Wood Manager – Community and Education Celia Casey Coordinator – Community and Education Programs Callum Kennedy Coordinator - Education Program

Peter Laughton Director – Performance Services Murray Free Orchestra Manager Isabel Hart Operations Assistant Vince Scuderi Production Manager Stephen Birt Production Coordinator Nadia Myers Orchestra Librarian Chan Luc Assistant Librarian Timothy Tate Assistant Librarian

Toni Palmer Director - Development Gabrielle Booth Coordinator – Relationships Tess Poplawski Coordinator – Experiences

Matthew Hodge Director - Sales and Marketing Renée Jones Manager - Marketing Rachel Churchland Coordinator - Public Relations and Digital Marketing TJ Wilkshire Coordinator – Marketing Joel Tronoff Digital Content Producer Michael Hyde Senior Manager - Sales Liz Thomas Manager - Ticketing Services Mike Ruston Coordinator - Ticketing Services Tatiana Anikieff Ticketing Services Officer Laura Pineda Cardona Ticketing Services Officer Katie Smith Ticketing Services Officer

QUEENSLAND PERFORMING ARTS CENTRE

PO Box 3567, South Bank, Queensland 4101 T: (07) 3840 7444 W: qpac.com.au

CHAIR Professor Peter Coaldrake AO

DEPUTY CHAIR Leigh Tabrett PSM

TRUST MEMBERS Dr Sally Pitkin AO Dare Power Georgina Richters Susan Rix AM Leanne de Souza

EXECUTIVE STAFF John Kotzas Chief Executive Jackie Branch Executive Director – Stakeholder Engagement Strategy Roxanne Hopkins Executive Director – Visitation Bill Jessop Executive Director – Venue Infrastructure and Production Services Kieron Roost Executive Director – Business Performance

ACKNOWLEDGMENT The Queensland Performing Arts Trust is a statutory body of the State of Queensland and is partially funded by the Queensland Government

The Honourable Leeanne Enoch MP, Minister for Communities and Housing, Minister for Digital Economy and Minister for the Arts.

Director-General, Department of Communities and Housing and Digital Economy: Ms Clare O’Connor.

QPAC respectfully acknowledges the Traditional Owners of the Lands across Queensland and pays respect to their ancestors who came before them and to Elders past, present and emerging.

Patrons are advised that the Performing Arts Centre has EMERGENCY EVACUATION PROCEDURES, a FIRE ALARM system and EXIT passageways. In case of an alert, patrons should remain calm, look for the closest EXIT sign in GREEN, listen to and comply with directions given by the inhouse trained attendants and move in an orderly fashion to the open spaces outside the Centre.

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PARTNERS

Government Partners Principal Partner

Industry Collaborators

Major Partners

Premier Partners

Maestro Series

Major Partner Supporting Partner

Supporting Partner

Education Partners

Trusts and Foundations Accommodation Partners

EPIC SOUNDSSAT 26 JUN 3PM & 7.30PM Concert Hall, QPAC

Conductor Benjamin Northey Soloist William Barton, didgeridoo

Wagner Overture from The Flying Dutchman Barton New work (World Premiere) Sibelius Symphony No.5 in E flat

COMING UP

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BREATHTAKING TCHAIKOVSKYFRI 6 AUG 11AM SAT 7 AUG 3PM & 7.30PM Concert Hall, QPAC

Conductor Johannes Fritzsch Soloist Piers Lane, piano

Liszt Concerto No.1 in E-flat major for Piano and Orchestra Tchaikovsky Symphony No.6 in B minor (Pathétique)

GREAT INVENTIONSSUN 25 JUL 11AM Concert Hall, QPAC

Conductor Benjamin Bayl Host Guy Noble Soloist Thomas Allely, tuba

Haydn Symphony No.101 in D, mvt 2 Beethoven Symphony No.8, mvt 2 Samuel Jones Concerto for tuba and orchestra + more


WANT MORE?

ON THE RADIO Our performances are regularly recorded for broadcast. Tune in for more great music.

abc.net.au/classic or 4mbs.com.au

WATCH Enjoy behind-the-scenes footage, interviews with musicians, instrument workshops and more.

youtube.com

READ Visit our website for interesting articles, musical insights, interviews and more.

qso.com.au/blog

ON SPOTIFY Listen to our concert playlists anywhere, anytime.

spotify.com

PROGRAMS ONLINE Download our concert programs one week prior to each concert.

qso.com.au

HAVE YOUR SAY We love to hear from our audience. What did you think of the concert? What was your favourite piece? Who do you want to hear more of? Let us know!

[email protected] #QSOrchestra

Queensland Symphony Orchestra

Queensland Symphony Orchestra

@QSOrchestra

@QSOrchestra

ENEWSSign up for our eNews to receive weekly concert information and on-sale announcements. qso.com.au

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Documents

BROADWAY TO WEST END - qso.com.au