Bärenreiter...3 Bärenreiter Urtext – was ist das? Bärenreiter verwendet den Begriff »Urtext« für wissenschaftliche Notenausgaben, die nach Prüfung aller überlieferten Quellen

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Bärenreiter

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CONTENTS

Piano / Keyboard Collections for Piano Solo ......... 6 Piano Solo – Composers ............. 7 Piano Duet / Two Pianos – Collections .... 16 Piano Duet / Two Pianos – Composers .... 16 Piano Concertos .......................... 18

Organ ..................................................22

Strings – Violin Educational Music for Violin .. 24 Violin Solo / 2–4 Violins – Composers .............................. 26 1–2 Violins and Keyboard Instrument – Composers ... 26

Strings – Viola Viola and Keyboard Collections ...............................32 Viola and Keyboard Instrument – Composers ....32

Strings – Violoncello Violoncello Solo – Composers ...............................33 1–2 Violoncellos and Keyboard Instrument ...........33 1–2 Violoncellos and Keyboard Instrument – Composers ...............................35

Double Bass ..................................... 39

Harp .................................................... 39

Flute Educational Music and Collections for Flute ............40 Flute Solo – Composers ...........40 Flute(s) and Keyboard Instrument – Composers ... 42

Oboe ....................................................43

Clarinet ............................................... 44

Saxophone ........................................ 44

Bassoon ..............................................45

Horn .................................................... 46

Chamber Music Piano Trio .......................................47 Piano Quartet .............................. 48 Piano Quintet / Quintet for Piano and Strings ........... 49 String Duo .................................... 49 String Trio ..................................... 50 String Quartet ............................ 50 String Quintet ..............................53 String Sextet .................................53

String Orchestra ............................. 54

Miscellaneous Chamber Ensembles .................................... 54

Chamber Music for Winds Woodwind Quintet ................... 56 Various Wind Ensembles ......... 58

Sacred and Secular Choral Works ............................. 59

Stage Works ....................................64

Solo Voice .........................................66

Orchestral Scores .......................... 70

App Beethoven’s 9th Symphony ..............................74

Study Scores .....................................75

App Bärenreiter Study Score Reader .......................................... 79

Zeitgenössische Musik ................. 81

Reference Works / Books on Music ......................... 84

Facsimiles and Reprints ............... 84

Gesamtausgaben ........................... 87

Ed. Editor

Bc / bc Basso continuo

Cz Czech text

Ger German text

Eng English text

Fr French text

Ital Italian text

Lat Latin text

Span Spanish text

AE Alkor Edition

BA Bärenreiter Edition

H Bärenreiter Praha Edition

HM Hortus Musicus Series

TP Study Score

° Performance material available on sale� Performance material available on hire� Contents

Best Edition Prize awarded by the German Music Publishers Association

Edition with fold-out pages

Cover design by DW Cre8tive

CONTENTS

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Bärenreiter-VerlagKarl Vötterle GmbH & Co. KGInternational DepartmentP.O. Box 10 03 2934003 Kassel · Germany

Content valid as of June 2014.Errors excepted and delivery terms subject to change without notice.

[email protected]

Printed in Germany5/1406/4 · SPA 471

Ed. Bc / bc Cz Ger Eng Fr Ital Lat Span AE Alkor BA H HM Hortus Musicus TP

°

DW Cre8tive

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gdirekt an Ihren Fachhändler.

Titelgestaltung unter Verwendung eines Fotos der Instrumenten-Edition PaavoBlåfield. E-Mail: [email protected]

Paavo Blåfield

[email protected] www.blofield.de

�

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Bärenreiter Urtext –was ist das?Bärenreiter verwendet den Begriff »Urtext« für wissenschaftliche Notenausgaben, die nach Prüfung aller überlieferten Quellen erstellt werden.

In der Vergangenheit war es für Musiker kaum möglich, festzustellen, ob die Noten, aus denen sie spielen, die Absichten des Komponisten wiedergeben oder nicht. Die Ausgaben enthielten zahlreiche Fehler und nicht selten auch fragwürdige Bearbeitungen und Zusätze des Herausgebers. Um die Qualität einer Ausgabe zu beurteilen, war es nötig, sich anhand von Manuskripten und weiteren Quellen selbst ein Bild zu machen.

Bärenreiter übernimmt diese aufwändige Arbeit, um zuverlässige Urtext-Ausgaben auf dem neuesten wissenschaftlichen Stand zu veröff ent-lichen. Unsere Herausgeber sind Experten auf ihrem Gebiet. Sie konzentrieren sich darauf, einen Notentext zu erstellen, der dem Willen des Komponisten so nah wie möglich kommt.

Leichter gesagt als getan! Unsere Musikwissen-schaftler reisen oft um die ganze Welt, um Quellen ausfi ndig zu machen und mit eigenen Augen zu prüfen. Sie entziff ern kaum lesbare Handschriften und werten die Quellen aus, die sich nicht selten widersprechen.

Gute Musikaus schlechten Noten?So viel Zeit fürs Üben! Doch sind Sie wirklich sicher, dass Sie spielen, was der Komponist im Kopf hatte? Kopien und Download-Noten stammen fast immer von alten, durch Herausgeber veränderten oder sogar fehlerhaften Ausgaben. Denn früher wurden musikalische Werke in der Regel nach dem Geschmack der jeweiligen Zeit heraus-gegeben. So haben sich gedruckte Noten immer weiter von den ursprünglichen Absichten desKomponisten entfernt. Wollen Sie Zeit und Energie mit solchen Noten vergeuden?Dem BÄRENREITER URTEXT können Sie vertrauen.

“They said I was a musical genius. Only time will tell.”

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Urtext – einfach eine Abschrift des Autographs?Als Musiker können Sie verstehen, wie schwierig es ist, die Absicht des Komponisten zu erfassen – besonders dann, wenn es keine Aufnahmen gibt. Da reicht es nicht, nur das Autograph (das Werk in der Handschrift des Komponisten) heranzuziehen … wenn es überhaupt erhalten ist. Hat der Komponist zum Beispiel Korrekturen im Erstdruck vorgenommen, sind sie im Autograph nicht zu fi nden.

Um eine BÄRENREITER URTEXT-Ausgabe zu erstellen, müssen so viele Quellen wie möglich herangezogen werden: Entwürfe, Autographe, Druckvorlagen, Korrekturfahnen, Erstausgaben mit handschriftlichen Korrekturen des Komponisten, Briefe, Besprechungen und Kommentare von Zeitgenossen und viele andere mehr. Kein Aufwand ist dabei zu groß. Dieses intensive Quellenstudium führt oft zu überraschenden neuen Erkenntnissen.

Ein unverzichtbarer Bestandteil jeder Urtext-Ausgabe ist der Kritische Bericht, in dem alle Entscheidungen der Herausgeber dokumentiert und erläutert sind.

Nur so wird eine Notenausgabe dem Genie desKomponisten gerecht.

Urtext – was ist das?Der Begriff »Urtext« geht auf das 19. Jahrhundert zurück. Man verwendete ihn im Zusammenhang mit literarischen Texten z. B. von Shakespeare oder Goethe, deren originalen Zustand man wiederherzustellen versuchte, indem man sie von späteren Hinzufügungen der Herausgeber befreite.

In der Musik verwendet man »Urtext« für historisch-kritische Ausgaben, die auf der Basis aller erhaltenen Quellen entstehen.

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“After so many cantatas I only play for fun. My original work is for the fans.”

5

Bärenreiter Urtext:Eine Investitionin Ihre Zukunft

Mit schlecht edierten Ausgaben, minderwertigenDownload-Ausdrucken und kopierten Blättern sollte sich niemand zufriedengeben.

Stellen Sie sich Ihre eigene Bibliothek an hochwertigen Noten zusammen. Diese Ausgaben mit Ihren persönlichen Anmerkungen werden Sie ein Leben lang begleiten.

Your next performance is worth it.

Was kann ich voneiner Bärenreiter Urtext-Ausgabe erwarten?Ein zuverlässiger Notentext reicht nicht aus, damit eine Ausgabe das Prädikat BÄRENREITER URTEXT verdient.

Unverzichtbare Bestandteile sind:

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Für den BÄRENREITER URTEXT müssen aber auch praktische Ansprüche erfüllt werden:

• klares, lesefreundliches Layout• exzellente Druckqualität• hochwertiges Papier und Verarbeitung von höchster Qualität• praxisgerechte Wendestellen, Ausklappseiten und Stichnoten• übersichtliche, gut spielbare Klavierauszüge für Solokonzerte und Vokalwerke• bei Solowerken für Streicher zusätzliche Stimmen mit Fingersätzen und Strichbezeichnungen

“I like the digital age, but nothing compares to the original.”

• • • •

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6

NEW

Piano Album BärenreiterContemporary Composers

Ed. M. TöpelBA 8762

Klavier-Festival RuhrBärenreiter Piano AlbumContemporary musicfor two and four handsEd. T. Bleek, M. Töpel. With fingering by P.-L. Aimard, T. StefanovichBA 9659 page 81

Diese Sammlung neuer Klavierwerke für zwei und vier Hände zeigt, dass zeitge-nössische Musik Kinder und Erwachsene mit ganz unter-schiedlichen musikalischen Vorkenntnissen und Interessen begeistern kann.

The album includes exclusively first publications.

Please see Bärenreiter’s website

www.baerenreiter.com for more information on the individual editions, such as

complete bibliographical data, cover illustrations, sample pages, complete contents,

and descriptive texts.

Collections for Piano Solo

Bärenreiter Piano AlbumVienna Classic


Easy Classics for Piano36 Originals from Bach to SatieEd. M. TöpelBA 8758

From Handel to Ravel39 Easy Originals for PianoBA 8771

� 39 Stücke von Bach, Beethoven, Brahms, Chopin, Debussy, Grieg, Händel, Haydn, Liszt, Mendelssohn, Mozart, Ravel, Satie, Schubert, Schumann und Tschaikowsky.

� Beliebte Stücke vom Barock bis zur frühen Moderne

� Leichter Schwierigkeitsgrad

� Mit praxiserprobten Fingersätzen

� Praktische Wendestellen

Music for Piano 2014/2015SPA 233

The catalogue Music for Piano (in English) includes Bärenreiter’s complete Urtext programme as well as all educational titles and collections for solo and four-hand piano. Also chamber music with piano is listed. The catalogue contains cover illustrations, many musical samples, authors of piano reductions, descriptive texts for numerous editions, as well as excerpts from reviews.

You will find a pdf of this catalogue on the Bärenreiter website under “Service”.

......... ......... .

2014/2015 SPA 233

pdf

www.baerenreiter.com

39

BA 8771

39

T. M. P. - L. T.

BA 9659

81

M. BA 8762

M. BA 8756

36 M.

BA 8758

7

NEW

Piano Solo – Composers

Bach, Johann SebastianBach, Johann Sebastian(1685-1750)

The Art of Fugue BWV 1080Urtext / Ed. K. HofmannBA 5207

Chromatic Fantasy and Fuguein D min BWV 903Urtext / Ed. U. WolfBA 5236

Goldberg Variations BWV 988Fourth Part of the Clavier ÜbungUrtext / Ed. C. WolffBA 5162

Goldberg Variations BWV 988Fourth Part of the Clavier ÜbungUrtext with fingering / Ed. C. WolffFingering for the modern piano by R. SchirmerBA 10848

Inventions and SinfoniasBWV 772-801Urtext / Ed. G. v. DadelsenBA 5150

Inventions and SinfoniasBWV 772-801Urtext with fingering / Ed. G. von DadelsenBA 5241

Italian Concerto BWV 971Urtext / Ed. W. EmeryBA 5194

Italian Concerto BWV 971Urtext with fingering / Ed. W. EmeryBA 5244

Italian Concerto BWV 971,French Overture BWV 831(with early version BWV 831a)Second Part of the Clavier ÜbungUrtext / Ed. W. EmeryBA 5161

Keyboard Arrangements of Works by Other Composers I-IIIUrtext / Ed. K. Heller

Volume I: Six Concertosafter Vivaldi and OthersBWV 972-977BA 5221

Volume II: Seven Concertosafter Vivaldi and OthersBWV 978-984BA 5222

Volume III: Five Concertos afterVivaldi and Others BWV 985-987, 592a, 972a (First edition).2 Sonatas and Fugue afterReinken BWV 965, 966, 954BA 5223

Little Preludes and FughettasUrtext / Ed. A. Dürr,T. Kohlhase, W. Plath, U. WolfBA 5238

Musical Offering BWV 1079Volume 1: Ricercari for harpsichordUrtext / Ed. C. WolffBA 5154

Notebook for AnnaMagdalena Bach, 1725Urtext / Ed. G. v. DadelsenBA 5164

Notebook for AnnaMagdalena Bach 1725Urtext with fingering / Ed. G. von DadelsenBA 5242

Notebook for Friedemann BachUrtext / Ed. W. PlathBA 5163

The Six English Suites BWV 806-811Urtext / Ed. A. DürrBA 5165

The Six French Suites BWV 812-817 Versions A and B as well as the alternative versions BWV 814a, 815a / and the Two Suites BWV 818, 819, 818a, 819aUrtext / Ed. A. DürrBA 5219

The Six French SuitesBWV 812-817Embellished versionUrtext / Ed. A. DürrBA 5166

Six Partitas. First Part of theClavier Übung BWV 825-830Urtext / Ed. R. D. JonesBA 5152

Six Partitas. First Part of theClavier Übung BWV 825-830Urtext with fingering / Ed. R. D. JonesBA 5247

Toccatas BWV 910-916Urtext / Ed. P. WollnyBA 5235

The Well-Tempered Clavier I BWV 846-869Urtext / Ed. A. DürrBA 5191

The Well-Tempered Clavier II BWV 870-893Urtext / Ed. A. DürrBA 5192

Complete Piano Solo WorksUrtext. 4 Study scores in a setTP 2002 page 75

.............................. Johann Sebastian Bach

(1685-1750)

BWV 1080 / K.

BA 5207 D BWV 903

/ U. BA 5236

BWV 772-801

/ G. v. BA 5150

BWV 772-801 /

G. BA 5241

BWV 971 / W.

BA 5194

BWV 971 /

W. BA 5244

BWV 971 BWV 831

BWV 831a

/ W. BA 5161

I-III / K.

BWV 972-977 BA 5221

BWV 978-984 BA 5222

BWV 985-987592a 972a

BWV 965 966 954 BA 5223

/ A. Th.

W. U. BA 5238

BWV 1079

/ C. BA 5154

1725 / G. v.

BA 5164

1725 /

G. v. BA 5242

BWV 988

/ C. BA 5162

BWV 988

/ C.

R. BA 10848

BWV 825-830

/ R. D. BA 5247

BWV 910-916 / P.

BA 5235

BWV 846-869 / A. BA 5191

BWV 870-893 / A. BA 5192

/ W. BA 5163

BWV 806-811 / A.

BA 5165

BWV 812-817 A B

BWV814a 815a / BWV 818 819 818a 819a

/ A. BA 5219

BWV 812-817 / A.

BA 5166

BWV 825-830

/ R. D. BA 5152

4 TP 2002 75

BWV 772-801 / G. v.

BA 5150

BWV 772-801 /

G. BA 5241

8

NEW

Johannes Brahms Johannes Brahms

New Bärenreiter Urtext Editions

Brahms, JohannesBrahms, Johannes(1833-1897)

Albumblatt for PianoUrtext / Ed. C. Hogwood BA 9606

During his research, Hogwood came across an unpublished source which had not been taken into consideration for any previous edition. In a guest book – which included contributions from Robert and Clara Schumann, Mendelssohn, Jenny Lind, Rossini and Liszt – Brahms had notated a short piano piece. The source consists of a one-page autograph of this literal Albumblatt (untitled by Brahms). The composer used it 12 years later – revised and transposed from A minor to A-flat minor – in his Horn Trio.

Ballads op. 10 Urtext with fi ngering / Ed. C. KöhnFingering and suggestions for performance by the editor BA 9601

Fantasies op. 116 Urtext with fingering / Ed. C. Köhn BA 9628

Three Intermezzi op. 117 Urtext with fingering / Ed. C. Köhn BA 9629

Piano Pieces op. 118 Urtext with fingering / Ed. C. Köhn BA 9630

Piano Pieces op. 119 Urtext with fingering / Ed. C. Köhn BA 9631

Waltzes op. 39 Urtext with fi ngering / Ed. C. KöhnFingering and suggestions for performance by the editor BA 9602

Waltzes op. 39Easy version(arranged by the composer) Urtext with fi ngering / Ed. C. KöhnFingering and suggestions for performance by the editor BA 9603

Variations and Fugue on a Theme by Handel op. 24 Urtext with fingering / Ed. C. KöhnWith suggestions on perfor-mance practice by the editorBA 9607

PIANO / KEYBOARD

Johannes Brahms

(1833-1897)

/ C.·

BA 9606

A A

op. 10 / C.

BA 9601

op. 116 / C.

BA 9628

op. 117 / C.

BA 9629

op. 118

/ C. BA 9630

op.119 / C.

BA 9631

op. 39 / C.

BA 9602

op. 39

/ C.

BA 9603

op. 24 /

C.

BA 9607

Johannes Brahms

9

Bestellen Sie auch den Katalog »Music for Piano«,

SPA 233.

NEW


Chabrier, EmmanuelChabrier, Emmanuel(1841-1894)

HabaneraUrtext with fingering / Ed. B. Schilling-WangBA 10839

Bärenreiter is publishing the original version for piano for the first time in an Urtext edition. This striking piece is ideal for teaching purposes and includes fingering as well as a well-presented layout with optimum page turns.

� Erste kritisch-praktische Urtext-Edition, ideal für den Klavierunterricht

� Informatives Vorwort (dt./engl.) und Kritischer Kommentar (engl.)

Beethoven, Ludwig van Beethoven, Ludwig van(1770-1827)

Grande Sonate pathétique in C min op. 13Urtext / Ed. J. Del Mar BA 10851

� Scholarly-critical performing Urtext edition based on most recent research

� Optimum page turns and notes on performance practice

� Detailed foreword (Ger/Eng) and critical commentary (Eng)

Sonata in F min for Piano op. 57 “Appassionata”Urtext / Ed. J. Del MarBA 10852

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Emmanuel Chabrier

(1841-1894)

/

B. — BA 10839

Ludwig van Beethoven

(1770-1827)

C op. 13

/ J. BA 10851

/

F op. 57

/ J. BA 10852

SPA 234

SPA 233

10

From: Debussy, Images 1re série · BA 10821

NEW

Debussy, Claude Debussy, Claude(1862-1918)

ImagesUrtext with fingering / Ed. D. Woodfull-HarrisPreface and notes on performance practice by B. Schilling-Wang Images 1re série(Reflets dans l’eau, Hommage à Rameau, Mouvement) BA 10821 Volume 1

Images 2e série (Cloches à travers les feuilles, Et la lune descend sur le temple qui fut, Poissons d’or) BA 10822 Volume 2

Préludes pour Piano (1er livre)Urtext with fingering / Ed. T. Kabisch BA 10818 Volume 1

BA 10819 Volume 2In preparation

Children's Corner BA 8767

Deux Arabesques BA 8768

Pour le piano BA 8770

Suite bergamasque BA 8769

Claude Debussy · Claude DebussyFrench Impressionism

Each edition:Urtext with fingering / Ed. R. BackFingering by F. Palme

Of particular interest are the detailed introductions to each volume, which include a history of the works and va-luable information regarding pedalling, tempo and phrasing, fingering, articulation and dynamics.

Claude Debussy

(1862-1918)

/

D. — B.

BA 10821

BA 10822

/ T.

BA 10818 BA 10819

BA 8767

BA 8768

BA 8770

BA 8769

/

R. F.

Claude Debussy

BA 10821

11

From: Haydn, Complete Piano Sonatas IV · BA 10804

NEW

NEW

NEW

Volume IV marks the start of the publication of Haydn’s complete piano sonatas in Urtext editions. The editor is Bernhard Moosbauer, a musician and musicologist who specializes in early music.

The edition is supplemented by fingering, which enables important aspects of historical playing technique to be applied to the modern pianoforte, as well as notes on historial performance practice.

Keyboard Works IIIMiscellaneous Suites and PiecesFirst PartUrtext / Ed. T. BestBA 4222

Keyboard Works IVMiscellaneous Suites and PiecesSecond PartUrtext / Ed. T. BestBA 4223

Keyboard Works I–IV in a setUrtext / Ed. T. BestBA 4262 Special price

� With a detailed introductory text including notes on performance practice (Ger/Eng)

Haydn, JosephHaydn, Joseph(1732-1809)

Complete Piano Sonatas IVUrtext with fingering / Ed. B. MoosbauerWith fingering and notes on performance practice by R. MaurerBA 10804


Fauré, GabrielFauré, Gabriel(1845-1924)

Urtext / Ed. C. Grabowski

Ballade op. 19BA 10841

BarcarollesBA 10842

Valses-CapricesBA 10843

� Based on the Œuvres complètes de Gabriel Fauré

� Based on the latest researchfindings and extensive source studies

� Informative forewords with advice on performance practice (Fr/Eng/Ger)

Handel, George FridericHandel, George Frideric(1685-1759)

Keyboard Works IFirst Set of 1720. The Eight Great Suites HWV 426-433Urtext / Ed. R. Steglich, T. BestBA 4224

Keyboard Works IISecond Set of 1733: Suites de Pièces pour le ClavecinHWV 434–442Urtext/ Ed. P. Northway, T. BestBA 4221

George Frideric Handel

(1685-1759)

1720 HWV 426–433

/ R. T. BA 4224

1733

HWV 434–442 / P. T.

BA 4221

/ T.

BA 4222

/ T.

BA 4223

/ T.

BA 4262

Joseph Haydn

(1732-1809)

IV /

B. R.

BA 10804

Gabriel Fauré

(1845-1924)

/ C.

op. 19 BA 10841

BA 10842

BA 10843

/ /


(1685-1759)

1720 HWV 426–433

/ R. T. BA 4224

1733

HWV 434–442 / P. T.

BA 4221

IV BA 10804

12

NEW


Janáček, LeošJanáček, Leoš(1854-1928)

In the Mists / V mlháchUrtext with fingering /Ed. L. Kundera, J. BurghauserBA 9500

1. X. 1905 “Sonáta”Urtext with fingering /Ed. L. Kundera, J. BurghauserBA 9501

On an Overgrown Path /Po zarostlém chodníckuUrtext with fingering /Ed. L. Kundera, J. BurghauserBA 9502

Liszt, FranzLiszt, Franz(1811-1886)

Sonata in B min for PianoUrtext / Ed. M. KubeBA 9650

� Scholarly-critical Urtext edition based on the latest musicological research

� With optimum page turns

� Informative preface (Eng/Ger) and critical notes (Eng) on questionable readings and deviations in the sources

Martinů, BohuslavMartinů, Bohuslav(1890-1959)

Puppets / Loutky I-IIIShort pieces for pianoRevised edition by A. BřezinaH 7875 Volume IH 7946 Volume IIH 7963 Volume III

All 3 editions in 1 volumeH 7970 Special price

The three editions of Puppets were composed between 1912 and 1925 in reverse order. The works all differ from another, beginning with different ae-sthetic starting points and ending with mature piano writing.

Mendelssohn Bartholdy, FelixMendelssohn Bartholdy, Felix(1809-1847)

Songs without WordsUrtext with fingering / Ed. R. Larry ToddBA 9069

Sieben Charakterstücke op. 7;Sechs Kinderstücke op. 72Urtext with fingering / Ed. H. StüweBA 9083

Variations for Pianoop. 54, op. 82, op. 83Urtext with fingering / Ed. H. StüweBA 9082

Mozart’s Complete Piano Works –Five Volumes in a Slipcase

Complete Works for Piano SoloUrtext / Ed. W. Plath, W. Rehm, K. v. FischerBA 5749

Volume 1: Piano Sonatas IVolume 2: Piano Sonatas IIVolume 3: Miscellaneous WorksVolume 4: VariationsVolume 5: Notebooks of Mozart and His Sister

� Only Bärenreiter presents Mozart’s piano music with the definitive Urtext from the New Mozart Edition

� Bärenreiter Urtext at the forefront of international Mozart scholarship

Mozart, Wolfgang AmadeusMozart, Wolfgang Amadeus(1756-1791)

“Ah, vous dirai-je Maman”Twelve variations in C majfor piano K. 265 (300e)Urtext with fingering / Ed. K. von FischerBA 5765

Leoš Janá ek

(1854-1928)

/

L. J. BA 9500

1.X. 1905 /

L. J. BA 9501

/ L.

J. BA 9502

Franz Liszt

(1811-1886)

B / M.

BA 9650

/

Bohuslav Martin

(1890-1959)

I—III

A. H 7875 H 7946 H 7963

H 7970

1912 1925

Felix Mendelssohn Bartholdy

(1809-1847)

/ R.

BA 9069

op. 7 op. 72 /

H. M. BA 9083

op. 54 op. 82 op. 83 /

H. M. BA 9082

Wolfgang Amadeus Mozart

(1756-1791)

C

K. 265 (300e) /

K. v. BA 5765

/ W. W. K. v. BA 5749

1 2 3 4 5

H 7970

1912 1925


(1809-1847)

/ R.

BA 9069

op. 7 op. 72 /

H. M. BA 9083

op. 54 op. 82 op. 83 /

H. M. BA 9082


(1756-1791)

C K. 265 (300e)

/ K. v.

BA 5765

13

NEW


“Ah, vous dirai-je Maman”Twelve variations in C maj for piano K. 265 (300e)Urtext / Ed. K. v. FischerBA 4779

Complete Piano SonatasUrtext / Ed. W. Plath, W. Rehm

Volume 1Nos. 1-9 K. 279-284, 309-311BA 4861

Volume 2Nos. 10-18 K. 330-333, 457, 475, 533 + 494, 545, 570, 576BA 4862

Complete Variations for PianoUrtext / Ed. K. v. FischerBA 5746

Fantasy in D min K. 397 (385g)Urtext with fingering / Ed. W. PlathBA 5764

Miscellaneous Works for PianoUrtext / Ed. W. PlathBA 5745

Sonata in C maj “facile” K. 545Urtext with fingering / Ed. W. Plath, W. RehmBA 5763

Sonata in A maj (with the “Rondo alla turca”) K. 331Urtext with fingering / Ed. W. Plath, W. RehmBA 9178

Rameau, Jean-PhilippeRameau, Jean-Philippe(1683-1764)

Pièces de ClavecinWith the composer’s original appended texts unabridged and with several facsimile reproductionsEd. E. R. JacobiBA 3800

Pièces de ClavecinÉdition intégraleComplete Keyboard Works I-IIIUrtext / Ed. S. Rampe

Volume I: The Books from1705/6 & 1724 • La DauphineLes petits marteauxBA 6581

Volume II: The Booksfrom 1726/27 & 1741BA 6582

Volume III: Les Indes Galantes.Balet, reduit a quatre grandsconcerts(1735/36)BA 6583

Set of all three volumes:BA 6584 Special price

Ravel, MauriceRavel, Maurice(1875-1937)

Pavane pour une infant défunte pour pianoUrtext / Ed. R. Back, D. Woodfull-HarrisBA 9632

Mussorgsky, ModestMussorgsky, Modest(1839-1881)

Pictures at an ExhibitionA Remembrance of Viktor HartmannUrtext / Ed. C. FlammBA 9621

The piano cycle Pictures at an Exhibition, composed in 1874, is not only Mussorgsky’s most important contribution to the piano repertoire, but holds through its relationship to Viktor Hartmann’s pictures and the translation of this idea into a composition, a unique place in 19th century piano repertoire.

� Optimum page turns

� New readings

� Extensive information on the work and performance- related issues


(1756-1791)

C

K. 265 (300e) / K. v.

BA 4779

/ W. W.

1-9 K. 279-284 309-311 BA 4861

10-18 K. 330-333 457

475 533 + 494 545 570 576 BA 4862

/ K. v.

BA 5746

Jean-Philippe Rameau

(1683-1764)

E. R.

BA 3800

I-III / S.

1705/1706 1724

BA 6581

1726/1727 1741 BA 6582

1735/1736 BA 6583

BA 6584

D K. 397 (385g) / W.

BA 5764

/ W.

BA 5745

C K. 545 / W.

W. BA 5763

A

K. 331 / W.

W. BA 9178

Modest Mussorgsky

(1839-1881)

/ C. BA 9621

1874

19

Maurice Ravel

(1875-1937)

/ R. D. — BA 9632


(1756-1791)

C K. 265 (300e)

/ K. v. BA 4779

14

NEW

NEW

NEW

NEWNEW

Piano Sonatas IEarly SonatasUrtext / Ed. W. LitschauerBA 5642

Sonata in G maj D 894 op. 78Urtext / Ed. W. LitschauerBA 5630

Sonata in C min D 958Urtext / Ed. W. LitschauerBA 5632

Sonata in A maj D 959With a supplement bookletwith all of Schubert’s draftsUrtext / Ed. W. LitschauerBA 10861in preparation

Sonata in B-flat maj for Piano D 960Urtext / Ed. W. LitschauerBA 10860

� Scholarly-critical edition based on the New Schubert Edition

� Newly engraved with a clear layout

� With notes on performance practice (Ger/Eng) by M. Aschauer

� With practical page turns

� Schubert’s drafts to this work can be viewed on the Bärenreiter website

Schubert, FranzSchubert, Franz(1797-1828)

Editions with new engravingUrtext with fingering / Ed. W. Dürr

� With detailed information on historical performance practice as well as on performing on the modern piano

Fantasie in C min D 2 E / Fantasia in C maj “Grazer Fantasy” D 605 A /Fantasia in C maj “Wanderer Fantasy” D 760 op. 15Urtext / Ed. W. DürrBA 10862

Fantasy in C maj op. 15 – D 760“Wanderer Fantasy” for pianoBA 10870

Impromptus D 899 op. 90and D 935 op. post. 142BA 9648

Late Piano PiecesBA 9634

� Ungarische Melodie D 817 /Allegretto in C min D 915 /Drei Klavierstücke D 946

Moments Musicaux D 780 op. 94BA 9647


Satie, ErikSatie, Erik(1866-1925)

OgivesGymnopédiesUrtext / Ed. J. RosteckSuggestions for performance by S. SchleiermacherBA 10806

GnossiennesUrtext / Ed. J. RosteckSuggestions for performance by S. SchleiermacherBA 10807

Mit der Edition aller sieben Gnossiennes legt Bärenreiter weitere zentrale Klavierwerke Saties im Urtext vor. Wie die Gymnopédies (BA 10804) eignen sich die Gnossiennes durch ihren leichten bis mäßigen spieltech-nischen Anspruch in besonderer Weise auch für den Klavierun-terricht. Auff ührungspraktische Hinweise des Satie-Spezialisten Steff en Schleiermacher sowie ein ausführliches Vorwort des re-nommierten Musikwissenschaft-lers Jens Rosteck geben wertvolle Informationen zu Entstehung, Bedeutung und Interpretation.

...............

Erik Satie

(1866-1925)

/ J. S.

BA 10806

/ J.

S. BA 10807

BA 10804

Franz Schubert

(1797-1828)

/

W.

C D 2 E / C D 605 A / C D 760 op.15

/ W. BA 10862 C op.15 — D 760

BA 10870

D 899 op. 90 D 935 op. post 142 BA 9648

BA 9634

D 817 / C D 915 /

D 946

D 780 op. 94 BA 9647

/ W. BA 5642 G D 894 op. 78

/ W. BA 5630 C D 958

/ W. BA 5632 A D 959

/ W. BA 10861

B D 960 / W.

BA 10860

A.

/

M.

/

15

NEW

NEW

NEW

Schulhoff, ErwinSchulhoff, Erwin(1894-1942)

Jazz-inspirierte Stücke für KlavierBA 9559

� Partita (1922) / Cinq Études de jazz op. 58 (1926) / Esquisses de jazz. Sechs leichte Stücke op. 64 (1927) / Hot Music. Zehn synkopierte Etüden op. 67 (1928) / Suite dansante en jazz op. 74 (1931)

Sonaten Nr. 1-3 für KlavierUrtext / Ed. M. KubeBA 9560 in preparation

Schumann, ClaraSchumann, Clara(1819-1896)

Romantic Piano MusicBA 6550 Volume 1BA 6556 Volume 2

Schumann, RobertSchumann, Robert(1810-1856)

Album for the Young, op. 68Urtext with fingering /Ed. H. StüweBA 9641 in preparation

Kinderszenen /Scenes from Childhood op. 15Urtext with fingering /Ed. H. StüweBA 9639

Waldszenen op. 82Urtext with fingering /Ed. H. StüweBA 9640

Skrjabin, AleksandrSkrjabin, Aleksandr(1871-1915)

Complete Piano SonatasUrtext / Ed. C. Flamm

Volume I: Youth SonatasBA 9616

Volume II: Sonatas Nos. 4 and 5BA 9617

Volume IV: Sonatas Nos. 9 and 10BA 9619 in preparation

It was Skrjabin who, unlike any other composer of his generation, contributed to the continuation of the sonata tradition. Particular milestones

in his output were Sonatas nos. 4 and 5 of 1903 and 1907, in which we hear forms and harmonies not heard previously. When these works are occasionally given the name “Poème” Sonatas, this indicates that they stem from the time and allude to the compositional context of Skrjabin’s daring orchestral works Le Divin Poème and Le Poème de l´exstase. The editor Christoph Flamm is an expert in Russian music, particularly piano music. For his edition of Skrjabin’s Sonata no. 5, he has drawn on sources which were until recently regarded as lost or could only be consulted with great difficulty.

� Kritisch-praktische Urtext- Edition auf dem neuesten Forschungsstand

� Auswertung aller autographen Quellen, Skizzen und Entwürfe

� Praktische Wendestellen

� Kenntnisreiches Vorwort (dt. /engl.) und detaillierter Kritischer Kommentar (engl.)

Skrjabin’s Complete Piano Sonatas will be published in 4 volumes.

BA 9559

1922 / op. 58 1926 /

op. 64 1927 / Hot Music op. 67

1928 / op. 741931

1—3

/ M. BA 9560

Clara Schumann

(1819-1896)

BA 6550 1 BA 6556 2

Robert Schumann

(1810-1856)

op. 68 / H.

BA 9641

op.15 /

H. BA 9639

op.82 / H.

BA 9640

Erwin Schulhoff

(1894-1942)

Aleksandr Skrjabin

(1871-1915)

/ C.

BA 9616

4 5 BA 9617

9 10 BA 9619

1903 1907 4 5

5

/

(1810-1856)

16

NEW NEW

NEW

NEW

NEW

Satie, ErikSatie, Erik(1866-1925)

3 Morceaux en forme de poire for piano duetUrtext / Ed. J. RosteckWith notes on performance-related issues by S. SchleiermacherBA 10809

� First scholarly-critical Urtext edition

� Easy to moderate level of difficulty

� Includes translations of all expression and tempo markings (Fr/Ger/Eng)

� Detailed foreword with notes on performance practice (Ger/Eng) and Critical Commentary (Eng)


Works for Piano Duet IIIUrtext / Ed. W. Litschauer,W. AderholdBA 9645

Smetana, BedřichSmetana, Bedřich(1824-1884)

Vltava / The MoldauVersion for piano duet by the composerUrtext / Ed. H. MacdonaldBA 9549

Hugh Macdonalds‘s new Urtext edition presents the composer‘s original version of The Moldau for piano duet.

Slavonic Dances for Piano DuetEd. J. Burghauser

1st Series op. 46BA 9547

2nd Series op. 72BA 9548


Complete Works for two PianosUrtext with fingering /Ed. E. F. Schmid(K. 426 and 448 and fragments)and F. Ferguson/W. Rehm(Larghetto and Allegro in E-flatmaj, K.6 deest), based on theedition by G. Croll. BA 9161

Works for Piano DuetUrtext / Ed. W. Rehm, M. TöpelBA 9179

Part I: Original worksfor piano duet;

Part II: 1. Completions of the fragments K. 357 (Fr 1787i and Fr 1791a); 2. Transcriptions of individual pieces by Mozart for Organ and Mechanical Organ

Piano Duet / Two Pianos – Collections

Klavier-Festival RuhrBärenreiter Piano Album

Contemporary musicfor two and four handsEd. T. Bleek, M. TöpelBA 9659

page 81

Piano Duet / Two Pianos – Composers


Concerto a due Cembalisenza ripieno BWV 1061aUrtext / Ed. K. Heller, H. J. SchulzeTwo scores are requiredfor performanceBA 5245


Serenade No. 1 in D maj op. 11for piano duetUrtext / Ed. C. KöhnBA 6570

Serenade No. 2 in A maj op. 16for piano duetUrtext / Ed. C. KöhnBA 6571

Dvořák, AntonínDvořák, Antonín(1841-1904)

From the Bohemian Forrestop. 68 for piano duetEd. C. Köhn / Revised byF. BartošBA 9565

Legends op. 59 for piano duet Revised by F. Bartoš, A. ÈubrH 1801

.. …………..

.. ............

T. M. BA 9659

81 .. ………….... ............ Johann Sebastian Bach

(1685-1750)

BWV 1061a / K. H. J.

BA 5245

Johannes Brahms

(1833-1897)

D 1 op.11

/ C. BA 6570 A 2 op.16

/ C.

BA 6571

Antonín Dvo ák

(1841-1904)

op. 68

C. / F. BA 9565

op. 59

F. A. H 1801

J.

op.46 BA 9547

op. 72 BA 9548 Wolfgang Amadeus Mozart

(1756-1791)

/ E. F.

K. 426 448 F. / W.

K.6 deest G.

BA 9161

/ W. M.

BA 9179

/ J.

S. BA 10809

/ /

/

Franz Schubert

(1797-1828)

/ W.

W. BA 9645

Bed ich Smetana

(1824-1884)

/ H.

BA 9545

Erik Satie

(1866-1925)

9

1. K. 357 Fr 1787i Fr

1791a 2.

17

Der Vertrieb dieser Ausgaben ist nur in der V.R. CHINA zulässig! Weitere Ausgaben sind geplant.

KlavierWolfgang Amadeus MozartWolfgang Amadeus MozartKonzert KV 467 (Nr. 21) in C-Dur für Klavier und OrchesterBÄRENREITER URTEXT / Ed. H. Engel, H. HeussnerKlavierauszug von D. Woodfull-HarrisBA 5317-15 Sonderpreis: € 3.50

Konzert KV 488 (Nr. 23) in A-Dur für Klavier und OrchesterBÄRENREITER URTEXT / Ed. H. BeckKlavierauszug von H. BeckBA 4740-15 Sonderpreis: € 3.00

CelloJohann Sebastian BACHJohann Sebastian BACHSechs Suiten für Violoncello solo BWV 1007-1012Ed. August WenzingerBA 320-15 Sonderpreis: € 3.00

Ludwig van BEETHOVENLudwig van BEETHOVENSonaten für Violoncello und Klavier Op. 5, Nr. 1 und 2, op. 69, op. 102, Nr. 1 und 2BÄRENREITER URTEXT / Ed. J. Del MarBA 9012-15 Sonderpreis: € 5.00

Bärenreiter Sonderedition V. R. CHINAHöchste Qualität zum einmaligen Sonderpreis

Bärenreiter Notenausgaben garantieren einen Notentext auf dem aktuellen Stand der Forschung. Sie zeichnen sich durch editorische Genauigkeit, durch einwandfreien Druck

und hervorragende Bindung aus. Diese überragende Qualität hat Bärenreiter zu einem der weltweit führenden Musikverlage gemacht.

Mit einer Sonderedition, exklusiv für die V. R. CHINA, werden einige dieser hervorragenden Ausgaben nun auch für chinesische Studenten erschwinglich. Notentext, Papierqualität, Druck

und Bindung dieser Ausgaben sind identisch mit den originalen Bärenreiter-Ausgaben.Die Bärenreiter Sonderedition V. R. CHINA bietet originale Bärenreiter-Qualität

»Made in Germany« zu einem konkurrenzlosen Preis.


C K. 467 21 / H. H.

D. BA 5317-15 3.50

A K. 488 23 / H.

H. BA 4740-15 3.50

Wolfgang Amadeus MOZART

Op. 5, Nr. 1

Op. 5, Nr. 1

. 5, Nr. 1

. 5, Nr. 1

. 5, Nr. 1

18

NEW

NEWConcerto No. 1 in C maj for Pianoforte and Orchestra, op. 15Urtext / Ed. J. Del Mar BA 9021-90 ° Piano reductionBA 9021-40 Critical Commentary (Eng)

Del Mar has found no less than 17 corrections in Beethoven’s autograph which he made after the Piano Concerto No. 1 in C major op. 15 was published. These have been brought to light in this new Bärenreiter edition.

� Includes Beethoven’s cadenzas

Concerto No. 2 in B-flat maj for Pianoforte and Orchestra, op. 19Urtext / Ed. J. Del Mar BA 9022-90 ° Piano reductionBA 9022-40 Critical Commentary (Eng)

Although the sources to Beethoven’s piano concerto op. 19 are generally known, many misconceptions and misinterpretations are put right in this Bärenreiter Urtext edition.

The new Bärenreiter edition corrects misreadings of Beethoven’s autograph which were already present in the first edition and had subsequently been incorporated into other editions of this work.

Beethoven, Ludwig vanBeethoven, Ludwig van(1770-1827)

Concerto in C majfor Pianoforte, Violin,Violoncello and Orchestra op. 56 “Triple Concerto”Urtext / Ed. J. Del MarBA 9027-90 Piano reduction

In his Triple Concerto Beethoven varies his treatment of the solo parts, allowing each instrument to play alone with the orchestra (particularly the cello), using two solo instruments together in ever new combinations, and finally bringing together all three instruments with the orchestra.

Bärenreiter’s new Urtext edition of Beethoven’s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newly-discovered sources, editor Jonathan Del Mar has cleaned up the text, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven’s day might have recognized, with all necessary information for directing the piece included in the solo piano part.

� Piano reduction with separate parts for all three soloists

� Draws on three new sources � Correction of many errors found in previous editions

Piano Concertosin arrangements for 2 pianos (solo piano / orchestral reduction)


Eight Concertos for harpsichord and stringsUrtext / Ed. W. BreigTP 410 Study score

Piano reductions:

Concerto I in D min BWV 1052BA 5224-90 °

Concerto II in E maj BWV 1053BA 5225-90 °

Concerto III in D maj BWV 1054BA 5226-90 °

Concerto IV in A maj BWV 1055BA 5227-90 °

Concerto V in F min BWV 1056BA 5228-90 °

Concerto VI in F maj BWV 1057 for harpsichord, two recorders and stringsBA 5229-90 °

Concerto in G min BWV 1058BA 5230-90 °

Concerto in D min BWV 1052a arranged by C. P. E. BachBA 5231-90 °


(1770-1827) C

op. 56

/ J. BA 9027-90

1807

D BWV 1052

BA 5224-90 °

E BWV 1053 BA 5225-90 °

D BWV 1054 BA 5226-90 °

A BWV 1055 BA 5227-90 °

F BWV 1056 BA 5228-90 °

F BWV 1057

BA 5229-90 ° G BWV 1058 BA 5230-90 ° D BWV 1052a

C. P. E. BA 5231-90 °

Johann Sebastian Bach

(1685-1750)

/ W.

TP 410

C

op.15 / J.

BA 9021-90 ° BA 9021-40

17C op.15

° = Performance material available on sale


(1770-1827) C

op. 56

/ J. BA 9027-90

B

op.19 / J.

BA 9022-90 ° BA 9022-40

op.19

C

op.15 / J.

BA 9021-90 ° BA 9021-40

19

From: Beethoven, Concerto No. 2 in B-flat maj op. 19 · BA 9022-90

NEW

NEWNEW

The Beethoven Piano Concertos

� Piano reductions with separate solo piano parts

The piano reductions appear in a new format: As customary in the 19th century there is a separate solo piano part containing

tutti passages and cues. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano.

The piano reduction includes the orchestral reduction as well as the solo piano part above it in small print.

Concerto No. 3 in C min for Pianoforte and Orchestra, op. 37Urtext / Ed. J. Del Mar BA 9023-90 ° Piano reductionBA 9023-40 Critical Commentary (Eng)

Beethoven’s Piano Concerto No. 3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation, dynamics and pedal markings are for the most part absent. However, Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with which Beetho-ven placed slurs and pedal mar-kings in order to be consistent and unambiguous.

By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation, dynamics and notes.

Concerto in D maj for Pianoforte and Orchestra after the Violin Concerto op. 61Urtext / Ed. J. Del MarPiano reduction with an Urtext solo piano part and an additional piano part with fingering byY. Murikami BA 9013-90 ° BA 9019-40 Critical Commentary (Eng)

Del Mar has worked with all known sources to bring together a groundbreaking scholarly critical edition which fi nally provides clarity regarding Beethoven’s solo and tutti markings, as well as his articulation and dynamics in the solo piano part. Of great importance and interest are Beethoven’s original cadenzas as no original cadenzas for the earlier version of op. 61 for violin and orchestra exist.

Concerto No. 5 in E-flat maj for Pianoforte and Orchestra op. 73 – “Emperor”Urtext / Ed. J. Del MarBA 9025-90 ° Piano reductionin preparation

Concerto No. 4 in G maj for Pianoforte and Orchestra op. 58Urtext / Ed. J. Del MarBA 9024-90 ° Piano reductionin preparation

G

op.58 / J.

BA 9024-90 °

E op.73

/ J. BA 9025-90 °

C op.37

/ J. BA 9023-90 ° BA 9023-40

1804

D

Op.61 / J.

Y. BA 9013-90 ° BA 9019-40

Op.61

B op.19 BA 9022-90

20

Piano Concertos


Piano Concertos

- K. 175 (No. 5), ConcertRondo in D maj K. 382Urtext / Ed. M. FlothuisBA 5315-90 ° Piano reduction

- K. 238 (No. 6) in B-flat majUrtext / Ed. M. FlothuisBA 5316-90 ° Piano reduction

- K. 242 (No. 7) in F maj“Lodron Concerto” for threeor two Pianos and OrchestraEdition for 2 soloists andaccompanimentUrtext / Ed. M. FlothuisBA 5389-90 ° Piano reduction3 copies needed for performance

- K. 246 (No. 8) in C maj“Lützow Concerto”Urtext / Ed. C. WolffBA 5388-90 ° Piano reduction

- K. 271 (No. 9) in E-flat maj“Jeunehomme Concerto”Urtext / Ed. C. WolffBA 4790-90 ° Piano reduction TP 242 Study score

- K. 365 (No. 10) in E-flat majfor two Pianos and OrchestraUUrtext / Ed. C. WolffBA 5390-90 ° Piano reduction3 copies needed for performance

- K. 413 (No. 11) in F majUrtext / Ed. C. WolffBA 4874-90 ° Piano reduction TP 245 Study Score

- K. 414 (No. 12) in A majUrtext / Ed. C. WolffBA 4876-90 ° Piano reduction TP 244 Study score

- K. 415 (No. 13) in C majUrtext / Ed. C. WolffBA 4878-90 ° Piano reductionTP 246 Study score

- K. 449 (No. 14) in E-flat majUrtext / Ed. M. FlothuisBA 5381-90 ° Piano reductionTP 247 Study score

- K. 450 (No. 15) in B-flat majUrtext / Ed. M. FlothuisBA 5382-90 ° Piano reduction TP 248 Study score

- K. 451 (No. 16) in D majUrtext / Ed. M. FlothuisBA 5383-90 ° Piano reductionTP 249 Study score

- K. 453 (No. 17) in G majUrtext / Ed. E. and P. Badura-SkodaBA 5384-90 ° Piano reductionTP 156 Study score

- K. 456 (No. 18) in B-flat majUrtext / Ed. E. and P. Badura-SkodaBA 5385-90 ° Piano reduction

- K. 459 (No. 19) in F majUrtext / Ed. E. and P. Badura-SkodaBA 5386-90 ° Piano reduction

- K. 466 (No. 20) in D minUrtext / Ed. H. Engel,H. HeussnerBA 4873-90 ° Piano reductionTP 147 Study score

- K. 467 (No. 21) in C majUrtext / Ed. H. Engel,H. HeussnerBA 5317-15 ° Piano reduction Special Chinese Edition at a reduced price TP 148 Study score

K. 482 (No. 22) in E-flat majUrtext / Ed. H. Engel,H. HeussnerBA 5387-90 ° Piano reductionTP 149 Study score

- K. 488 (No. 23) in A majUrtext / Ed. H. BeckBA 4740-15 ° Piano reduction Special Chinese Edition at a reduced price TP 62 Study score

- K. 491 (No. 24) in C minUrtext / Ed. H. BeckBA 4741-90 ° Piano reduction TP 63 Study score

- K. 503 (No. 25) in C majUrtext / Ed. H. BeckBA 4742-90 ° Piano reduction TP 64 Study score

- K. 537 (No. 26) in D maj“Coronation Concerto”Urtext / Ed. W. RehmBA 5318-90 ° Piano reduction TP 90 Study score

- K. 595 (No. 27) in B-flat majUrtext / Ed. W. RehmBA 4872-90 ° Piano reduction TP 91 Study score

Badura-Skoda, PaulBadura-Skoda, Paul(*1927)

Cadenzas, Lead-ins &Ornaments to the PianoConcertos of W. A. MozartK. 17, 238, 415, 449, 453, 456, 466, 467, 482, 491, 503, 537, 595BA 4461

— K. 414 12 A / C.

BA 4876-90 ° TP 244 — K. 415 13 C

/ C. BA 4878-90 ° TP 246 — K. 449 14 E

/ M. BA 5381-90 ° TP 247 — K. 450 15 B

/ M. BA 5382-90 ° TP 248 — K. 451 16 D

/ M. BA 5383-90 ° TP 249

— K. 453 17 G

/ E. — P. — BA 5384-90 ° TP 156 — K. 456 18 B

/ E. — P. — BA 5385-90 ° — K. 459 19 F

/ E. — P. — BA 5386-90 ° — K. 466 20 D

/ H. H. BA 4873-90 ° TP 147 — K. 467 21 C

/ H. H. BA 5317-15 °

TP 148

... ....... Wolfgang Amadeus Mozart

(1756-1791)

— K. 175 5 D K. 382

/ M. BA 5315-90 °

— K. 488 23 A

/ H. BA 4740-15 °

TP 62 — K. 491 24 C

/ H. BA 4741-90 ° TP 63 — K. 503 25 C

/ H. BA 4742-90 ° TP 64 — K. 537 26 D

/ W.

BA 5318-90 ° TP 90 — K. 595 27 B

/ W. BA 4872-90 ° TP 91

Paul Badura-Skoda

(*1927) W. A.

K17 238 415 449 453 456466 467 482 491 503 537595 BA 4461

— K. 482 22 E / H.

H. BA 5387-90 ° TP 149

— K. 246 8 C

/ C. BA 5388-90 ° — K. 271 9 E

/ C. BA 4790-90 ° TP 242 — K. 365 10

E / C.

BA 5390-90 ° 3

— K. 413 11 F / C.

BA 4874-90 ° TP 245

— K. 242 7 F

2

/ M. BA 5389-90 °

3

— K. 238 6 B

/ M. BA 5316-90 ° — K. 242 7 F

2

/ M. BA 5389-90 °

3

— K. 271 9 E / C.

BA 4790-90 ° TP 242

21

22





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20,000 organists worldwide

Johann Sebastian BachThe Complete Organ Works

The Definitive Edition!An eleven-volume performing edition in a slipcase

Format: 30.5 x 24 cm • BA 5279

With the completion of the New Bach Edition where all sources have now been exhaustively researched, Bärenreiter presents the definitive edition of Bach’s organ

works in a set of 11 volumes.

BA 5279 includes the volumes already published in separate Bärenreiter editions, BA 5171-5178,

the famous Neumeister Chorales, BA 5181, and the two editions BA 5243 (Freely Composed Organ

Works and Chorale Partitas from Miscellaneous Sources) and BA 5251 (Organ Chorales from Miscellaneous Sources).

A superb foundation for everyone interested in the authentic performance of Bach’s organ music.

Organ

Music for Organ2014/2015SPA 238

The catalogue Organ Music (in English) includes Bärenreiter’s Urtext programme as well as collections and series. You will also find jazzy works, transcriptions, works for organ and voice, as well as a selection of contemporary music. The catalogue contains cover illustrations, musical samples, descriptive texts for numerous editions, as well as excerpts from reviews.


....... .............. .

2012/2013 SPA 238

pdf


BA 5279 BA 5171 5178 BA 5181

BA 5243

BA 5251

30.5 x 24 · BA 5279

20,000

2014/2015

23

From: Bach, Organ Concertos, Volume 8 · BA 5178


Volume 1Orgelbüchlein BWV 599-644;Appendix: BWV 620a, 630a,631a, 638a / “Schübler-Chorales”BWV 645-650 / Chorale-Partitas BWV 766-768, 770; AppendixI-III to BWV 768Urtext / Ed. H. H. LöhleinBA 5171

Volume 2The Organ Chorale Preludesfrom the Leipzig autographBWV 651-668 / BWV 769Urtext / Ed. H. KlotzBA 5172

Volume 3Miscellaneous ChoralesBWV 690, 691, 694-701, 703, 704, 706, 709-715, 717, 718, 720-722, 722a, 724-738, 729a, 732a, 735a, 738a, 741Urtext / Ed. H. KlotzBA 5173

Volume 4Clavier Übung, Part threePrelude and Fugue in E-flat majBWV 552 / 21 Chorale settings BWV 669-689 (“Organ Mass”) / Four Duets BWV 802-805Urtext / Ed. M. TessmerBA 5174

Volume 5Preludes, Toccatas, Fantasias and Fugues I: BWV 531-550, 562Urtext / Ed. D. KilianBA 5175

Volume 6Preludes, Toccatas, Fantasias and Fugues II: BWV 551, 563-566,568-570, 573-575, 578, 579 /Early Versions and Variants to I (Volume 5) and II (Volume 6)BWV 532a, 533a, 535a, 536a, 543a, 545a, 549a, 574a, 574bUrtext / Ed. D. KilianBA 5176

Volume 7Six Sonatas and VariousIndividual Pieces BWV 525-530 / Trio in D min BWV 583 /Passacaglia in C min BWV 582 /Alla breve in D maj BWV 589 / Canzona in D min BWV 588 /Pastorella in F maj BWV 590 /Pièce d'orgue in G maj BWV 572; Appendix with different variantsUrtext / Ed. D. KilianBA 5177

Volume 8Arrangements of Works by other composers: Concertoarrangements after A. Vivaldi and J. E. Prinz von Sachsen-Weimar BWV 592-596 /Transcriptions of triocompositions by othercomposers BWV 585-587Urtext / Ed. K. HellerBA 5178

Volume 9Organ Chorales from theNeumeister Collection:35 Chorale Preludes BWV 714, 719, 742, 957, 1090-1120(Yale University Manuscript).Urtext / Ed. C. WolffBA 5181

Volume 10Organ Chorales fromMiscellaneous SourcesUrtext / Ed. R. EmansBA 5251

Volume 11Freely Composed Organ Works and Chorale Partitas from Miscellaneous SourcesUrtext / Ed. U. Bartels (Freely Composed Organ Works),P. Wollny (Chorale Partitas)BA 5243


(1685-1750)

1 BWV 599-644

BWV 620a 630a 631a 638a / BWV 645-650 / BWV 766-768 770; BWV 768 I-III

/ H.H. BA 5171

2

BWV 651-668 / BWV 769

/ H. BA 5172

3 BWV 690 691 694-

701 703 704 706 709-715717 718 720-722 722a 724-738 729a 732a 735a 738a741

/ H. BA 5173

4

E BWV 552 / 21 BWV 669-689 / BWV 802-805

/ M. BA 5174

5

BWV 531-550 562 / D.

BA 5175

6

BWV 551 563-566 568-570 573-575 578 579/

56

BWV 532a, 533a, 535a, 536a, 543a, 545a, 549a, 574a, 574b

/ D. BA 5176

7

BWV 525-530/ D BWV 583/ C BWV 582 / D BWV 589 / D

BWV 588 / F BWV 590 / G BWV 572;

/ D. BA 5177

8

A. — J. E.

BWV 592-596 /

BWV 585-587 / K.

BA 5178

9

35 BWV 714 719742 957 1090-1120

/ C.

BA 5181

10

/ R. BA 5251

11

/ U.

P.

BA 5243

8 BA 5178

24

From: Ševčík, Schule der Violintechnik, op. 1 · BA 9552

NEW

NEW

NEW

Volume 2BA 9551

These exercises are intended for violinists who have a basic knowledge of shifting positions and playing double stops. At first fixed positions and shifting are practised separately from one another in one and two part combinations. In the second volume these two techniques are combined and consolidated.

The aim of these studies is to improve fingering techniques, enabling the student to execute shifting positions with greater confidence. Gola’s Violin Technique should be used for study purposes by musicians on a continuous basis.

Educational Music for Violin

Arditti, Irvine Arditti, Irvine / Platz, Robert HPPlatz, Robert HP

The Techniques of Violin Playing(Ger/Eng) 117 pages, with a DVD; paperbackISBN 978-3-7618-2267-8 page 83

Gola, ZdeněkGola, Zdeněk(*1929)

Violin Technique(Cz/Ger/Eng)

Volume 1BA 9550





Music for Strings2013/2014SPA 234

The catalogue Music for Strings (in English) includes Bärenreiter’s complete Urtext programme as well as all educational titles and collections for string instruments. There is an extensive list of Bärenreiter chamber music editions as well as a list of study scores, books and facsimiles relating to string music. The catalogue contains cover illustrations, many musical samples, authors of piano reductions, descriptive texts for numerous editions, as well as excerpts from reviews.


..

.. .... .... .

pdf


Irvine Arditti / Robert HP Platz

HP.

/

117 DVD ISBN 978-3-7618-2267-8

83

Zden k Gola

(*1929)

/ /

BA 9550

BA 9551

op.1 BA 9552

2013/2014

SPA 234

25

NEW

NEW

Martin Wulfh orst Martin Wulfh orst

The Orchestral Violinist’s Companion

Volume 1Training · Practicing and Sight-Reading · Basic Orchestral Technique · Bowing Technique and Sound Production

Volume 2Left-Hand Technique · Pizzicato and Other Special Techniques · Rhythm and Ensemble Playing · Notation and Performance Practice · Repertoire and Style · Profession and Career · Resources

480 pagesEnglish text, paperback, format 23 x 30 cm. Approx. 1,000 excerpts from 340 works by 87 composers; approx. 30 illustrations, diagrams, and tables. ISBN 978-3-7618-1758-2

This book is a guide to the art of playing the violin in a professional orchestra. It is a workbook, reference tool, and textbook for:

� Conservatory and college students who are preparing for an orchestral career

� Audition candidates at the beginning or at later stages in their careers

� String teachers, conductors, and composers

� Classes at conservatories, universities, and summer programs.

Ševčík, OtakarŠevčík, Otakar(1852-1934)

Schule der Violintechnik, op. 1Ed. J. Foltýn

Heft 1: 1. LageBA 9552

Heft 2: 2.–7. LageBA 9553

Heft 3: Lagenwechsel BA 9554

Heft 4: Übungen mit Doppelgriffen und Flageolett-TönenBA 9555

Schule der Bogentechnik, op. 2Ed. J. Foltýn

Heft 1: BA 9591Heft 2: BA 9592Heft 3: BA 9593in preparation

8.6 Irregular Off-Beats and Syncopations, Off-Beat Accents

The following challenges are related to the rhythmic patterns in-cluded in the previous Chapter.

– • Irregular off-beats and irregular syncopations • Prac-tice with a partner or a click track. Where appropriate practice the off-beat patterns with sustained notes instead of rests.

&

&

# ## #

89

8986

86

..

..

89

89

œœœœn ‰ œœœœ ‰ ‰ jœœœœ ‰ jœœœœ ‰

œ3. œ. œ> œ œ. œ. œ. œ. œ.

q.

RachmaninoffDances/iii f

f

œœœœn ‰ œœœœ ‰ ‰ jœœœœ ‰ jœœœœ ‰

œ> jœ> œ œ. œ. œ. œ. œ>

œœœœn ‰ œœœ œœœ œœœ ‰

œ œ. œ. jœ. œ>

œœœœn ‰ œœœœ ‰ œ≤. œ. œ. œ. œ.

œ.>jœ> œ œ. œ. œ. œ. œ.

F

& bbb C 23 C .. 23 C ..Ó œœ.2 œœ. œœ.h

ShostakovichCello Concerto 1/i F Œ œœn .

≤ Œ œœb .≤ œœ. œœ.q = q

«2 ∑1 Ó œœn# .3 œœ. œœ. Œœœn .≤ ‘ ∑1

& bbb 23 C 23 CŒ œœn# . œœ. œœ. Œœœn .3 œœ œœb

Œœœn . œœ. Œ

œœb .≤Ó œœb . œœ. œœ. Œ œœ.≤ ‘ Œ œœb . œœ. œœ. Œ œœ. œœ. œœ. Œ œœ. œœ. œœ. œœ.

– • For practicing purposes, exaggerate off-beat accents in order to achieve complete independence between bow accent and pulse.

• Practice ostinato patterns in displaced form at full speed.

Otakar ev ík

(1852-1934)

op.1 J.

1

BA 9552

2—7 BA 9553

BA 9554

BA 9555

op.2 J.

BA 9591 BA 9592 BA 9593

· ·

·

· · · · ·

480

23 × 30 87 340 1000

30 ISBN 978-3-7618-1758-2

Martin Wulfhorst

26

NEW

Violin Solo / 2–4 Violins – Composers


Three Sonatas and threePartitas BWV 1001-1006for solo violinUrtext / Ed. G. HaußwaldBA 5116

Paganini, NiccolòPaganini, Niccolò(1782-1840)

24 Capricci per Violino Solo op. 1, 24 Contradanze inglesiper Violino Solo (First edition)Urtext / Ed. D. MacchioneBA 9424

In addition to the Caprices, this is the first time that the 24 Contradanze inglesi have been published. These simple pieces are each 16 measures in length and exploit various techniques.

Telemann, Georg PhilippTelemann, Georg Philipp(1681-1767)

Twelve Fantasias TWV 40:14-25 for violin without bass (1735)Urtext / Ed. G. HaußwaldBA 2972

Six Sonatas op. 2 TWV 40: 101-106 for two violins or two flutesUrtext / Ed. G. Haußwald

- Volume 1: Sonatas No. 1in G maj, No. 2 in E min,No. 3 in D majBA 2979

- Volume 2: Sonatas No. 4in B min, No. 5 in A maj,No. 6 in E majBA 2980

Six Canonic Sonatas op. 5TWV 40: 118-123for two violins (or two flutes)Urtext / Ed. G. Haußwald

- Volume 1: Sonatas No. 1in G maj, No. 2 in G min,No. 3 in D majBA 2981

- Volume 2: Sonatas No. 4in D min, No. 5 in A maj,No. 6 in A minBA 2982

Concerto in D maj TWV 40: 202for four violins without bcEd. H. EngelHM 20 Score with parts

1–2 Violins andKeyboard Instrument – Composers

Accolay, Jean BaptisteAccolay, Jean Baptiste(1833-1900)

Concerto No. 1 in A minfor violin and pianoBärenreiter’s Concert PiecesBA 8976


The Concertosfor Violin and OrchestraUrtext / Ed. D. Kilian

- Concerto in A min BWV 1041for violin, strings and bcBA 5189-90 ° Piano reductionTP 269 Study score

- Concerto in E maj BWV 1042for violin, strings and bcBA 5190-90 ° Piano reductionTP 269 Study score

Concerto in D min BWV 1043for two violins, strings and bcBA 5188-90 ° Piano reductionTP 284 Study score

Each edition offers an easy to play keyboard reduction, an Urtext violin part and a second violin part prepared with fingering, bowing and performance practice comments by Andrew Manze.

Two Sonatas and a Fugue BWV 1021, 1023, 1026 for violin and bcUrtext / Ed. P. WollnyContinuo realization byZ. MenikerBA 5167 Score with parts

� With an Urtext violin part and an additional violin part prepared with fingering, bowing and performance practice comments by Andrew Manze.

.. …

.. .... Johann Sebastian Bach

(1685-1750)

BWV 1001-1006

/ G. BA 5116

Georg Philipp Telemann

(1681-1767)

TWV 40:14-25 (1735)

/ G. BA 2972

op. 2 TWV 40: 101-106

/ G.

1 G 2 E 3 D

BA 2979

4 B 5 A 6 E

BA 2980

op. 5 TWV 40: 118-123

/ G.

1 G

2 G 3 D BA 2981

4 D 5 A 6 A

BA 2982 D TWV 40: 202

H.

HM 20

Jean Baptiste Accolay

(1833–1900) A

BA 8976

.. ....................... …... …..........….


(1685-1750)

/ D.

A BWV 1041

BA 5189-90 ° TP 269

E BWV 1042

BA 5190-90 ° TP 269

D BWV 1043

BA 5188-90 ° TP 284

BWV 1021 1023 1026

/ P. Z.

BA 5167

Niccolò Paganini

(1782-1840)

24 op. 1 24

/ D.

BA 9424

24

16

27

From: Beethoven, Concerto in D maj op. 61 · BA 9019-90


Concerto in D maj for Violin and Orchestra op. 61Urtext / Ed. J. Del Mar BA 9019-90 ° Piano reduction BA 9019-40 Critical commentary � With Beethoven’s intended articulation, dynamics and slurring in the solo violin part

� With over 100 corrections in the orchestral parts

� With an Urtext solo violin part and a second violin part prepared with fingering and bowing by Detlef Hahn

Cadenzas to Beethoven's Violin Concerto op. 61Ed. M. Wulfh orst BA 9020

This compilation of cadenzas to Beethoven’s beloved concerto contains cadenzas found in various publications such as

those by Auer and Joachim, but goes much further providing violinists with cadenzas by Ferdinand David (the fi rst known cadenza to op. 61), Louis Spohr, Eugen Ysaÿe, Camille Saint-Saëns, Ferrucio Busoni, Henri Vieuxtemps, Jakob Dont and, for the fi rst time, a cadenza by Henryk Wieniawski.

Romances in F maj and G majfor Violin and Orchestra op. 40 and op. 50Urtext / Ed. J. Del Mar BA 9026-90 ° Piano reduction


Six Sonatas for Violin and obbligato HarpsichordBWV 1014-1019Urtext / Ed. R. Gerber

� Score with Urtext violin and viola da gamba parts and with an additional violin part prepared with fingering, bowing and comments on performance practice by Andrew Manze

- Six Sonatas in two volumesVolume 1: Sonatas in B minBWV 1014, in A maj BWV 1015,in E maj BWV 1016BA 5118 Score with parts

Volume 2: Sonatas in C minBWV 1017, in F min BWV 1018,in G maj BWV 1019BA 5119 Score with parts

- Six Sonatas in one volumeBA 5240 Score with parts

SPA 234

85

dimin. Cor. con sord. Viol.

ppp

88

attacca subito il Rondo

pp ff

Cadenzaad libitum

Archi senza sord.

f ff

.

.

Rondosul G

p

Vc.

p


(1685-1750)

BWV 1014-1019 / R.

B BWV 1014A BWV 1015 E BWV 1016 BA 5118

C BWV 1017 F BWV 1018 G BWV 1019 BA 5119

BA 5240


(1770-1827) Dop. 61

/ J. BA 9019-90 ° BA 9019-40

100

op. 61 M.

BA 9020

op. 61

F G

op. 40 op. 50 / J.

BA 9026-90 °

� ��

28

NEW


Romantic Pieces op. 75for violin and pianoBA 9576 Score with parts

Fiocco, Joseph-HectorFiocco, Joseph-Hector(1703-1741)

Allegro for violin and pianoBärenreiter’s Concert PiecesBA 8977


Complete Worksfor Violin and BcUrtext / Ed. T. BestBA 4226 Score with parts

� First ever performing edition of the complete works for violin and basso continuo in one volume

� Separate violin and basso continuo parts

� Basso continuo part with figures

� Includes two movements not available in any other performing edition

� Preface (Eng/Ger) with valuable information on the sources, their origins and genesis as well as performance practice comments

Three Trio Sonatas op. 5for two violins (flutes) and bcUrtext / Ed. S. FleschBA 4228 Score with parts

� Sonatas No. 2 in D maj HWV 397, No. 3 in E minHWV 398, No. 6 in F majHWV 401

Corelli, ArcangeloCorelli, Arcangelo(1653-1713)

Sonatas for Violin andBasso continuo, op. 5Urtext / Ed. C. Hogwood,R. Mark

Volume I op. 5, I-VIBA 9455

Volume II op. 5, VII-XIIBA 9456

� Score with realization of the basso continuo by Tonelli (1686-1765) as well as the surviving, unrealized figured bass line

� Appendix with source descriptions, critical commentary (Eng) and preludes for keyboard instrument by Tonelli

� With a separate Urtext violin part

� With a separate unrealized figured continuo part

� Includes a supplement with contemporary violin embellishments


Concerto in A minfor Violin and Orchestra op. 53H 1005 Piano reduction

1-2 Violins and Keyboard Instrument – Composers


Concerto in D maj for Violin and Orchestra op. 77With cadenzas by J. Joachim, C. Halir, H. Heermann, L. Auer, F. Busoni Urtext / Ed. C. BrownBA 9049-90 ° Piano reductionBA 9049-40 Critical commentary

This publication contains not only Brahms’ own piano reduction, an Urtext violin part, a second violin part with fingering and bowing by J. Joachim from his 1905 violin method but also an additional brochure with cadenzas by Brahms’ contemporaries J. Joachim, C. Halir, H. Heermann, L. Auer and F. Busoni. In addition Clive Brown has provided an enlightening preface on Romantic period performance practice as well as the history of the work and its sources.

Chédeville, NicolasChédeville, Nicolas(1705-1782)

Il pastor fido(attributed to Antonio Vivaldi)Six sonatas op. 13 for violin(flute / treble recorder / oboe) and bcUrtext / Ed. F. M. SardelliHM 135 Score with parts


Antonín Dvo ák

(1841-1904)

op. 75

BA 9576 Joseph-Hector Fiocco

(1703-1741)

BA 8977


(1685-1759)

/ T.

BA 4226

/

op. 5

/ S. BA 4228

D 2 HWV 397 E 3HWV 398 F 6HWV 401

Johannes Brahms

(1833-1897)

D op. 77

J. C. H. L. F.

/ C. BA 9049-90 ° BA 9049-40

J. 1905

J. C. H. L.

F.

Nicolas Chédeville

(1705-1782)

/ /

op. 13 / F. M.

HM 135

.. .......... .... ….....................

Arcangelo Corelli

(1653-1713)

op. 5 / C. R.

op. 5, I-IV:

BA 9455

op. 5, VII-XII: BA 9456

1686-1765

Antonín Dvo ák

(1841-1904)

A op. 53 H 1005

29

Sonatas for Violin and PianoUrtext / Ed. H. HoshinoBA 9066 Score with parts

This publication is the first ever Urtext edition of Mendelssohn’s Sonatas for Violin and Piano.

The edition includes all com-pleted sonatas by Mendelssohn for this instrumentation. The works have a moderate degree of difficulty similar to Franz Schubert’s sonatinas.

� First Urtext edition of Mendelssohn’s Violin Sonatas (with facsimile pages)

� With an Urtext violin part as well as a second violin part with fingering and bowing by Takeshi Kiriyama

� Excellent repertoire of moderate technical difficulty

Monti, VittorioMonti, Vittorio(1868-1922)

Czardasfor violin and pianoBärenreiter’s Concert PiecesBA 8975


Complete Concertosfor Violin and OrchestraUrtext / Ed. C. H. Mahling

Each edition includes:

� Easy-to-play piano reduction

� Violin solo part with the Urtext of the New Mozart Edition

� Additional violin solo part with fingering, bowing and performance comments by M. Wulfhorst

� Additional booklet with cadenzas and transitions by L. Auer, J. Joachim, S. Franko, E. Ysaÿe, J. D. Alard, M. Wulfhorst


Works for Violin and PianoUrtext / Ed. J. Krejci, A. NìmcováBA 9508 Score with parts


Concerto in E minfor Violin and Orchestra op. 64Urtext / Ed. R. L. ToddVersions 1 and 2

- Piano reduction of version 2BA 9050-90 °

- Piano reduction of versions 1 & 2BA 9050-92 °

TP 397 Study score

� First ever Urtext edition of both versions of op. 64 � Critical commentary in English included with full score � Piano reductions each with an Urtext violin part and a second violin part prepared with fingering and bowing by Martin Wulfhorst

- Concerto in B-flat majK. 207 (No. 1)Urtext. With cadenzas, fermata embellishments and lead-ins by J. D. Alard, M. WulfhorstBA 4863-90 ° Piano reductionTP 270 Study score

- Concerto in D maj K. 211 (No. 2)Urtext. With cadenzas byL. Auer, M. WulfhorstBA 4864-90 ° Piano reductionTP 271 Study score

- Concerto in G maj K. 216 (No. 3)Urtext. With cadenzasby L. Auer, E. Ysaÿe, S. Franko,M. WulfhorstBA 4865-90 ° Piano reductionTP 272 Study score - Concerto in D maj K. 218 (No. 4)Urtext. With cadenzas by J. Joachim, L. Auer,M. WulfhorstBA 4866-90 ° Piano reductionTP 273 Study score

- Concerto in A maj K. 219 (No. 5)Urtext. With cadenzas byJ. Joachim, S. Franko,M. WulfhorstBA 4712-90 ° Piano reductionTP 20 Study score

Single Movements for Violin and Orchestra K. 261, 269, 373Urtext / Ed. C. H. MahlingWith cadenzas and fermataembellishments by M. WulfhorstBA 5379-90 ° Piano reduction

Leoš Janá ek

(1854-1928)

/ J.

A. BA 9508

/ BA 9066

Vittorio Monti

(1868-1922)

BA 8975


(1756-1791)

/ C. H.

M.

L. J. S. E. J.

D. M.

B

K. 207 1 J. D. M.

BA 4863-90 ° TP 270

D K. 211 2 L. M.

BA 4864-90 ° TP 271

G K. 216 3 L. E.

S. M.

BA 4865-90 ° TP 272

D K. 218 4 J. L.

M. BA 4866-90 ° TP 273

A K. 219 5

J. S. M. BA 4712-90 ° TP 20

K. 261

269 373 / C. H.

BA 5379-90 °


(1809-1847)

E op. 64

/ R. L. 1 2

2

BA 9050-90 °

1 2 BA 9050-92 ° TP 397

64

30

1-2 Violins and Keyboard Instrument – Composers


Sinfonia concertante in E-flat maj K. 364 (320d) for Violin, Viola and Orchestra. With original scordatura viola partUrtext / Ed. C. H. MahlingBA 4900-90 ° Piano reductionTP 176 Study score

Complete Works for Violin and Piano in two volumesUrtext / Ed. E. Reeser

� With an Urtext violin part as well as a violin part prepared with fingering and bowing and important performance practice tips by M. Wulfhorst

This publication contains all the completed works by Mozart for Violin and Piano. Several works which are not found in other editions are presented with the Urtext of the New Mozart Edition: Sonatas K. 6-9, Sonatas K. 26-31, the Andante and Allegretto in C maj K. 404 as well as the three sonata fragments K. 372, 403 and 402 completed by Maximilian Stadler.

- Volume IBA 5761 Score with parts

- Volume IIBA 5762 Score with parts

Works for Violin and PianoUrtext / Ed. E. Reeser

- The Mannheim, Paris, Salzburg SonatasK. 301 (293a), 302 (293b), 303 (293c), 304 (300c), 305 (293d), 306 (300l), 296, 378 (317d)BA 4774 Score with part

- Early Viennese SonatasK. 379 (373a), 376 (374d), 377 (374e), 380 (374f), 404 (385d), 372, 403 (385c), 402 (385e)BA 4775 Score with part

- Late Viennese SonatasK. 454, 481, 526, 547BA 4776 Score with part

Complete Church SonatasUrtext / Ed. M. E. Dounias

- Volume 1: Nine Sonatas K. 67-69, 144, 145, 212, 224, 225 and 241 for two violins, organ and violoncello/double bassBA 4731 Score with parts

- Volume 2: Five Sonatas K. 244, 245, 274 (271d), 328 (317c) and 336 (336d) for two violins, organ, violoncello/double bassBA 4732 Score with parts


TziganeRhapsody for Violin andOrchestraUrtext / Ed. D. Woodfull-HarrisPiano reduction, also versionfor violin and pianoBA 8849-90 °

This Urtext edition presents the first scholarly-critical edition of Ravel’s masterpiece. It is published both in the orchestral version as well as in the composer’s earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition; one of the available sources, consulted for the first time, was a copy of Tzigane from the estate of Jelly D’Aranyi, the Hungarian violin

virtuoso who played the premiere and is the dedicatee of the work. This copy is today part of a private collection.

The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions stemming from Jelly D’Aranyi. D’Aranyi’s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D’Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.

Rieding, OskarRieding, Oskar(1840-1918)

Concerto in B min op. 35for violin and pianoBärenreiter’s Concert PiecesBA 8971

Concertino inHungarian Style op. 21for violin and pianoBärenreiter’s Concert PiecesBA 8973

Saint-Saëns, CamilleSaint-Saëns, Camille(1835-1921)

Havanaisefor Violin and Piano op. 83Urtext / Ed. Ch. BaurBA 9426 Score with part

............................... …….........……. Wolfgang Amadeus Mozart

(1756-1791)

E K. 364 (320d)

/ C. H.

BA 4900-90 ° TP 176

/ E.

M.

K. 6-9K. 26-31 C K. 404

K. 372 K. 403 K. 402

BA 5761

BA 5762

/ E.

KV 301 293a 302 293b

303 293c 304 300c 305293d 306 300l 296 378 317d

BA 4774

K 379 373a 376 374d 377

374e 380 374f 404385d 372 403 385c 402385e

BA 4775

KV 454 481 526 547 BA 4776

/ M. E.

K 67-69

144 145 212 224 225 241 /

BA 4731

K 244245 274 271d 328 317c 336 336d

/

BA 4732

Maurice Ravel

(1875-1937)

/ D. —

BA 8849-90 °

20

Oskar Rieding

(1840–1918) B op. 35

BA 8971

op. 21

BA 8973

Camille Saint-Saëns

(1835-1921)

op. 83

/ Ch. BA 9426

31

NEWVivaldi, AntonioVivaldi, Antonio(1681-1767)

La Stravaganza op. 412 Konzerte für Violine, Orchester und Basso continuoUrtext / Ed. C. Hogwood

Libro PrimoBA 7566-90 ° Piano reduction

Libro SecondoBA 7567-90 ° Piano reduction

in preparation

Bärenreiters neue wissen-schaftlich-kritische Ausgabe von La Stravaganza, herausge-geben von dem renommierten Dirigenten und Musikwissen-schaftler Christopher Hogwood, stellt die einzige, zur Zeit erhältliche vollstän-dige Edition dar. Zusätzlich zu den zwölf Konzerten, die in der Roger-&-La Cene-Ausgabe überliefert sind, legt Bärenrei-ter die alternativen Fassungen des vierten Konzerts aus dem ersten Heft, wie bei Walsh erschienen, sowie eine alter-native Fassung des sechsten Konzerts aus dem ersten Heft, die in einem handschriftlichen Stimmenset überliefert ist, vor.

� Einzige, zur Zeit erhältliche vollständige Ausgabe

� Orchesterstimmen im vergrößerten Format


Complete Worksfor Violin and PianoUrtext / Ed. H. Wirth

- Fantasia in C maj D 934op. post. 159BA 5620 Score with parts

� With an additional violin part based on the first edition of 1850

- Rondo in B min D 895 op. 70BA 5618 Score with part

- Sonata in A maj D 574op. post. 162BA 5605 Score with part

- Three Sonatas D 384, 385, 408 op. post. 137 nos. 1-3 “Sonatinas”BA 5606 Score with part

Rondo in A maj for Violin and Orchestra D 438Urtext / Ed. M. KubeBA 5653-90 ° Piano reduction


From the Homeland Two duets for violin and pianoUrtext / Ed. F. Bartoš, J. Plavec, K. ŠolcBA 9526 Score with part

Tartini, GiuseppeTartini, Giuseppe(1692-1770)

Sonata in G min “Devil’s Trill” for violin and bcUrtext / Ed. A. PavanelloHM 278 Score with parts


Little Chamber MusicSix Partitas for violin (flute, oboe, recorder) and bcEd. H. RufHM 47 Score with part

Three Concertos for Violin and Orchestra(A min, D maj, G min)TWV 51: a1, 51: D9, 51: g1Urtext / Ed. S. KrossBA 5876-90 Piano reduction

Twelve Methodical SonatasTWV 4: 41Urtext / Ed. M. Seiffert

- Volume 1: Sonata in G min, Sonata in A maj for violin (flute) and bcBA 2241 Score with part

- Volume 2: Sonata in E min, Sonata in D maj for violin (flute) and bcBA 2242 Score with part

- Volume 3: Sonata in A min, Sonata in G maj for violin (flute) and bcBA 2243 Score with part

- Volume 4: Sonata in B min, Sonata in C min for violin (flute) and bcBA 2244 Score with part

- Volume 5: Sonata in E maj, Sonata in B-flat maj for violin (flute) and bcBA 2245 Score with part

- Volume 6: Sonata in D min, Sonata in C maj for violin (flute) and bcBA 2246 Score with part

Vivaldi, AntonioVivaldi, Antonio(1681-1767)

Concerto in A min op. 3/6for violin and pianoBärenreiter’s Concert PiecesBA 8974

Concerto in G maj op. 3/3for violin and pianoBärenreiter’s Concert PiecesBA 8980

The Four Seasonsfor violino principale,two violins, viola and bcUrtext / Ed. C. HogwoodAll four concertos in one volumeBA 6994-90 ° Piano reductionTP 399 Study score

Franz Schubert

(1797-1828)

/ H.

C D 934 op. post. 159

BA 5620

1850

B D 895 op. 70

BA 5618

A D 574 op. post. 162 BA 5605

D 384 385 408 op. post. 137 1-3 BA 5606

A D 438

/ M. BA 5653-90 °

Bed ich Smetana

(1824-1884)

/ F. J. K.

BA 9526

Giuseppe Tartini

(1692-1770)

G

/ A. HM 278


(1681-1767)

H.

HM 47

A D G

TWV 51: a1 51: D9 51: g1 / S.

BA 5876-90

TWV 4: 41 / M.

1 G A

BA 2241

2 E D

BA 2242

3 A G

BA 2243

4 B C

BA 2244

5 E B

BA 2245

6 D C

BA 2246 Antonio Vivaldi

(1678-1741) A op.3/6

BA 8974 G op.3/3

BA 8980

/ C.

BA 6994-90 °

Antonio Vivaldi

(1678-1741)

op. 4 12

/ C.

BA 7566-90 °

BA 7567-90 °

Roger-&-La Cene12

Walsh

Roger-&-La Cene12

Walsh

/ C.

BA 6994-90 ° TP 399

32

NEW

NEW

Viola and Keyboard –Collections

Concert Piecesfor Viola and Piano

Bärenreiter’s Viola CollectionEd. K. SassmannshausBA 9697 Viola part and enclosed piano accompanimentin preparation

Viola and Keyboard Instrument – Composers


Concerto in E-flat majfor viola, strings and bcReconstructed from BWV 169, 49 and 1053. Ed. W. FischerBA 5149-90 ° Piano reduction

Three Sonatas BWV 1027-1029 for viola da gamba (viola) and harpsichordUrtext / Ed. H. EppsteinBA 5186 Score with parts

Berlioz, Hector Berlioz, Hector (1803-1869)

Harold en ItalieSymphony in four parts withsolo viola. With performancesuggestions by F. LainéUrtext / Ed. P. Banks,H. MacdonaldBA 5457-90 � Piano reduction

� The first modern piano reduction of Berlioz' central work for orchestra and viola

� Designed with additional music from the orchestral tutti for the solo viola for performances with piano


Rhapsody-Concertofor Viola and Orchestra (1952)Piano reduction by the composerBA 4316-90 Piano reductionBA 4316 � Study score


Concerto in A majfor Viola and Orchestraafter the Clarinet ConcertoK. 622Anon. arrangement (1802) /Ed. C. HogwoodBA 5336-90 Piano reductionBA 4773 °

Sinfonia concertante in E-flat maj K. 364 (320d) for Violin, Viola and OrchestraWith original scordatura viola partUrtext / Ed. C. H. MahlingBA 4900-90 ° Piano reductionTP 176 Study score


Concerto in B min op. 35Arranged for viola,transposed to E minBärenreiter’s Concert PiecesBA 8983


Sonata in A min“Arpeggione” D 821Arranged for viola and pianoafter the Urtext by U. v. WrochemBA 5683 Score with part

Seitz, FriedrichSeitz, Friedrich(1848-1918)

Student Concerto in D maj op. 22 Arranged for viola,transposed to G majBärenreiter’s Concert PiecesBA 8986


Concerto in G maj TWV 51: G9 for Viola and OrchestraUrtext / Ed. W. HirschmannRevised editionBA 5878-90 ° Piano reduction

The Concerto in G maj (TWV 51: G 9) is not just Telemann’s only concerto for the viola but one of the earliest viola concertosin history. It belongs to the standard repertoire of every violist and is also suited for less experienced players.

�

°

E K. 364 320d

/ C. H. BA 4900-90 ° TP 176

Oskar Rieding

(1840–1918) B op. 35

E

BA 8983 Franz Schubert

(1797-1828)

A D 821

U. v.

BA 5683

Friedrich Seitz

(1848–1918)

D op. 22 G

BA 8986


(1681-1767) G TWV 51: G9

/ W.

BA 5878-90 °

G TWV 51: G9

Hector Berlioz

(1803-1869)

F.

/ P.

H. BA 5457-90

Bohuslav Martin

(1890-1959)

1952

BA 4316-90 BA 4316


(1756-1791) A

K. 622 1802 /

C. BA 5336-90 BA 4773 °

/ K. BA 9697

. . ….....................……….. Johann Sebastian Bach

(1685-1750)

E

BWV 169 49 1053 W.

BA 5149-90 °

BWV 1027-1029

/ H.

BA 5186

.

. ….....................………..

33

1–2 Violoncellos and Keyboard Instrument

Concert Piecesfor Cello and Piano

Bärenreiter’s Cello CollectionEd. Ch. SassmannshausBA 9695 Cello part andenclosed piano accompaniment

Six Suites BWV 1007-1012for violoncello soloEd. A. WenzingerBA 320-15 Special Chinese Edition at a reduced price page 34

Gabrielli, DomenicoGabrielli, Domenico(1659-1690)

The Complete Worksfor violoncello solo andfor violoncello and bcUrtext / Ed. B. HoffmannHM 279 Score with parts

Violoncello Solo –Composers


Six Suites a Violoncello Solo senza Basso BWV 1007-1012Scholarly critical performing edition.Slipcase with 7 volumes(newly engraved edition, text,5 facsimiles), 352 pages.Critical report“Best Edition 2000”Urtext / Ed. B. Schwemer, D. Woodfull-HarrisBA 5216 (English)

This edition, in contrast to the array of Bach Cello Suite publications available today, has made use of all the five sources which have come down to us. The basis for this edition is the most reliable of the sources, the manuscript copy in the hand of A. M. Bach. All variant readings from the four other sources are clearly laid out for performance.

BA 320-15

.. ...................

.. .................................


(1685-1750)

BWV 1007-1012

7

5 352

2000 / B.

D. BA 5216

A. M.

BWV 1007-1012 A.

BA 320-15

34

Domenico Gabrielli

(1659-1690)

/ B. HM 279

Domenico Gabrielli

(1659-1690)

. ................

. ….......................

Ch. BA 9695

34

Ludwig van BEETHOVENLudwig van BEETHOVENSonatas for Violoncello and Piano op. 5, Nos. 1 & 2, op. 69, op. 102, Nos. 1 & 2Urtext / Ed. J. Del MarSonderausgabe V.R. ChinaBA 9012-15 E 5.00

Scholarship has advanced, new sources have come to light and the renowned Beethoven expert Jonathan Del Mar has turned his attention to the centrally important

works in the cello œuvre, the fi ve Beethoven Sonatas for Violoncello and Piano. Jonathan Del Mar’s scholarly-critical edition not only contains the defi nitive music text, but also the fi rst critical commentary to these works.

� »Cellists, pianists, and Beethoven-lovers everywhere have been eagerly awaiting an authoritative version of these sonatas for far too long; now we will have an edition that promises to remain THE standard text for the foreseeable future.« (Steven Isserlis)

� »Jonathan Del Mar has laboured heroically to present Bärenreiter’s new edition of the complete sonatas for cello and piano by Beethoven – and no praise can do justice to this towering archievement.« (Music Teacher)

from: Beethoven, Sonaten für Violoncello und Klavier

Bärenreiter Sonderedition V. R. CHINAHöchste Qualität zum einmaligen

Sonderpreis

CELLO

Johann Sebastian BACHJohann Sebastian BACHSechs Suiten für Violoncello solo BWV 1007-1012Ed. August WenzingerBA 320-15 Sonderpreis: € 3.00

Ludwig van BEETHOVENLudwig van BEETHOVENSonaten für Violoncello und Klavier Op. 5, Nr. 1 und 2, op. 69, op. 102, Nr. 1 und 2BÄRENREITER URTEXTEd. J. Del MarBA 9012-15 Sonderpreis: € 5.00

Der Vertrieb dieser Ausgaben ist nur in der V.R. CHINA zulässig! Weitere Ausgaben sind geplant.

Johann Sebastian BACH

BWV 1007-1012

BA 320-15 3.00

Ludwig van BEETHOVEN

Op. 5 1 2op. 69 op. 102 1 2

/ J.

BA 9012-15 5.00

�

�

35

NEW


Sonatas for Piano andVioloncello op. 5, Nos. 1 and 2, op. 69, op. 102, Nos. 1 and 2“Best Edition 2005”Urtext / Ed. J. Del MarBA 9012-15 Score with part and critical commentarySpecial Chinese Edition at a reduced price page 34

Variations for Pianoforte and Violoncello WoO 45, Op. 66, WoO 46Urtext / Ed. J. Del MarBA 9028 Score with part

Debussy, ClaudeDebussy, Claude(1862-1918)

Sonata for Violoncello and PianoUrtext / Ed. R. Back,D. Woodfull-HarrisBA 9412 Score with part

This Urtext edition makes use of, for the first time, Debussy’s sketches held in a private collection which contain not only an important comment by Debussy regarding the balance of the instruments but also clarify several musical ambiguities found in the autograph and first edition.

Bärenreiter’s Urtext edition comes with a detailed preface (Ger/Eng/Fr) elaborating not only on the genesis of the composition and its first performances but also providing performance practice information.


Concerto in B min for Violoncello and Orchestra op. 104Urtext / Ed. J. Del MarPiano reduction by thecomposerBA 9045-90 °

Facsimile editionISBN 978-3-7618-1849-7 page 85

1–2 Violoncellos and Keyboard Instrument – Composers

Bach, Johann Christoph FriedrichBach, Johann Christoph Friedrich(1732-1795)

Sonata in G majfor violoncello and bcEd. H. RufBA 3745


Concerto in a-Moll für Violoncello, Streicher und Basso continuo nach BWV 593Bearbeitung von Joachim F. W. SchneiderBA 5136-90 Piano reduction

Johann Sebastian Bach’s famous concerto for organ BWV 593 is an arrangement of Antonio Vivaldi’s concerto op. 3 no. 8 from L’Estro Armonico for two solo violins, strings and basso continuo. Our new edition, in turn, is an arrangement of this organ concerto and has been scored for violoncello solo, strings and basso continuo. It was commissed for the renowned cellist Sol Gabetta who premiered it at the 2013 Bachwoche in Ansbach, a famous music festival in southern Germany.

� Arrangement of Bach’s organ concerto BWV 593

� Idiomatic arrangement for cellists

Three Sonatas for Violoncello and Harpsichord after theGamba Sonatas BWV 1027-1029Violoncello part prepared forperformance by Claude GénetayUrtext / Ed. H. EppsteinBA 5210 Score with part


.

. .....................

. ............................. Johann Christoph Friedrich Bach

(1732-1795) G

H.

BA 3745

Antonín Dvo ák

(1841-1904)

B op. 104

/ J.

BA 9045-90°

/ /


(1770-1827)

op. 5 1 2 op. 69, op. 102 1 2

2005 / J.·

BA 9012-15

34

WoO 45, Op. 66, WoO 46 / J.

BA 9028

Claude Debussy

(1862-1918)

/ R.

D. BA 9412


(1685-1750) A

BWV 593 F. W.

BA 5136-90

BWV 593

op. 3 8

2013

BWV 593

BWV 1027-1029

/ H.

BA 5210


(1685-1750)

ISBN 978-3-7618-1849-7 85

36

1-2 Violoncellos and Keyboard Instrument – Composers

Elgar, EdwardElgar, Edward(1857-1934)

Concerto in E min forVioloncello and Orchestra op. 85Urtext / Ed. J. Del MarPiano reduction by the composerBA 9040-90 °TP 398 Study score

Critical commentaryBA 9040-40

� First ever Urtext edition

� With many colour facsimile pages in the critical commentary (Eng) and information on sources and performance history.


Gabrielli, DomenicoGabrielli, Domenico(1659-1690)

The Complete Worksfor violoncello solo andfor violoncello and bcUrtext / Ed. B. HoffmannHM 279 Score with parts


Works for Violoncello and Piano Urtext / Ed. J. Fukac, B. HavlíkBA 9509 Score with part

Lalo, ÉdouardLalo, Édouard(1823-1892)

Concerto in D min for Violoncello and Orchestra“Best Edition 2007”Urtext / Ed. H. MacdonaldPiano reduction by the composerBA 6999-90 °

The autograph score of Lalo’s much played concerto is lost; the only remaining sources are the first edition score and parts as well as the autograph piano reduction by Lalo. Hugh Macdonald, the highly acclaimed editor of French music, has discovered that Lalo’s piano reduction was used as a working score by Lalo himself. He continued to make alterations to the work in the reduction even after the work was officially published. These changes provide for many corrections in the solo part as we know it, but also call for some orchestral passages to be re-orchestrated to match up with Lalo’s final alterations.


Variations on a Slovakian Theme for violoncello and piano (1959)BA 3969 Score with part


Sonata in B-flat maj for violoncello (bassoon) andpiano according to K. 292 (196c) or for two bass instruments (violoncellos, bassoons) K. 292(196c). Arranged by M. Töpel after the Urtext / Ed. D. BerkeBA 6974 Score with set of parts


Concerto in B min op. 35Arranged for cello,transposed to D minBärenreiter’s Concert PiecesBA 8984

�

°

............................... …................…. Edward Elgar

(1857-1934)

E op. 85

/ J.

BA 9040-90 ° TP 398

BA 9094-40

ISBN 978-3-7618-1928-9 85

Domenico Gabrielli

(1659-1690)

/ B.

HM 279

Leoš Janá ek

(1854-1928)

/ J.

B. BA 9509

Bohuslav Martin

(1890-1959)

1959

BA 3969


(1756-1791)

B K 292 196c

K 292 196c M.

/ D. BA 6974

Édouard Lalo

(1823-1892) D

2007

/ H.

BA 6999-90 °

Oskar Rieding

(1840–1918) B op. 35

D

BA 8984

ISBN 978-3-7618-1928-9 85

37

From: Seitz, Student Concerto in D maj op. 22 · BA 8987

NEW


Sonata in D maj from“Der getreue Musikmeister”for violoncello and bcEd. J. D. DegenHM 13 Score with part


Complete Sonatasfor Violoncello andBasso continuo RV 39–47Urtext / Ed. B. HoffmannScore with figured bass realization, violoncello part and figured continuo partBA 6995 Score with parts

Seitz, FriedrichSeitz, Friedrich(1848-1918)

Student Concerto in D maj op. 22Arranged for cello,transposed to G majBärenreiter’s Concert PiecesBA 8987

Stamitz, CarlStamitz, Carl(1746-1801)

Concertos for Violoncelloand OrchestraEd. W. UpmeyerPiano reductions by H. Füssl

- Concerto No. 1 in G majHM 104-90 ° Piano reductionHM 104 Score

- Concerto No. 2 in A majBA 3711 Piano reduction

- Concerto No. 3 in C majHM 105-90 ° Piano reductionHM 105 Score

Saint-Saëns, CamilleSaint-Saëns, Camille(1835-1921)

Allegro Appassionatoin B min op. 43for violoncello and pianoUrtext / Ed. Ch. BaurBA 9047 Score with part

This edition includes readings from the version for orchestra rendered as ossias and contains an enlightening preface (Eng/Ger/Fr). Two solo parts are included: an unmarked Urtext part and a second part with fingering and bowing by M. Edmondson. The solo parts are generously laid out with a fold-out page.


Sonata in A min “Arpeggione”D 821. Arranged for violoncello and piano. Based on the Urtext.Ed. H. WirthBA 5685 Score with part

Camille Saint-Saëns

(1835-1921)

B op. 43

/ Ch. BA 9047

/ /

M.

Friedrich Seitz

(1848–1918)

D op. 22 G

BA 8987 Carl Stamitz

(1746-1801)

W.

H.

G HM 104-90 ° HM 104

A BA 3711

C HM 105-90 ° HM 105


(1681-1767) D

J. D. HM 13

Antonio Vivaldi

(1678-1741)

RV 39-47

/ B.

BA 6995

Franz Schubert

(1797-1828)

A D 821

H. BA 5685

D op. 22 BA 8987

38

Every Cellist’s Studies

� Edited by Martin Rummel� Newly engraved and corrected � Clear, reader-friendly layout

� With fingering and bowing for today's cellists � With fold-out pages where players need them � With optimal page turns

Battanchon, Felix Battanchon, Felix(1814-1893)

12 Etudes in the Thumb Position for Solo Violoncello op. 25 BA 9405

The French cellist Felix Battanchon was solo cellist in the Orchestra of the Grand Opéra in Paris. Further details of his life have yet to be researched, but what we do know is that he composed about 40 works. The vast majority of his compositions are “Salon” pieces for 1 to 3 cellos. He also wrote several collections of etudes. The 12 Etudes in the Thumb Position are not only suitable for players who are starting to play in the thumb position but also for those who are more advanced.

Duport, Jean-Louis Duport, Jean-Louis(1749-1819)

21 Etudes for Violoncello with an Accompaniment of a 2nd Violoncello (ad lib.)Score with part and text volume BA 6980

� With a separate score for the ad libitum second cello

� With a brochure (Ger/Eng) including playing tips and

technical advice

Grützmacher, Friedrich Grützmacher, Friedrich(1832-1903)

Technology of Violoncello Playing. Twenty-four Etudes for Violoncello Solo op. 38 BA 6997 Score and text volume

� With a brochure (Ger/Eng) including playing tips and technical advice

Lee, Sebastian Lee, Sebastian(1805-1877)

40 Easy Etudes for Violoncello with an Accompaniment of a 2nd Violoncello (ad lib.) op. 70 BA 9401

The editor has based his edition on the first edition of Sebastian Lee’s (1805-1887) etudes from 1855; he has sparingly added fingering, bow strokes and slurs indicating them editorially so players can immediately see the textural alterations.

Merk, Joseph Merk, Joseph(1795-1852)

20 Etudes for Violoncello op. 11 BA 9411

� Only modern edition of these studies

� Valuable performance tips (Ger/Eng)

Popper, David Popper, David(1843-1913)

Fifteen Easy Melodic-Harmonic Etudes for Violoncello with an Accompaniment of a 2nd Violoncello (ad lib.) op. 76 I / Ten Grand Etudes of Moderate Difficulty for Violoncello Soloop. 76 BA 6979

“High School of Violoncello Playing”. Forty Etudes for Solo Violoncello op. 73 BA 6978

� First modern edition of these standard studies

� With an additional brochure in German and English including playing tips and references to the cello literature where the individual techniques are found.

Felix Battanchon

(1814—1893) 12 op. 25 BA 9405

40

12

Jean-Louis Duport

(1749—1819)

21

BA 6980

Friedrich Grützmacher

(1832—1903)

24 op. 38 BA 6997

/

Sebastian Lee

(1805—1877) 40

op. 70 BA 9401

1805—1887 1855

Joseph Merk

(1795—1852) 20 op. 11 BA 9411

David Popper

(1843—1913)

15

op. 76 I / 10

op. 76 BA 6979

40 op. 73 BA 6978

87

39

From: Rossini, Andantino and Allegro brillante for Harp · BA 10541

NEW

Rossini, GioachinoRossini, Gioachino(1792-1868)

Andantino and Allegro brillante for HarpUrtext / Ed. P. BraunerBA 10541

Harp

Krenek, ErnstKrenek, Ernst(1900-1991)

Sonata for harp op. 150 (1955) BA 3230 Score


Concerto in C maj K. 299 (297c) for Flute, Harp and OrchestraUrtext / Ed. F. GieglingBA 4598-90 ° Piano reductionTP 286 Study score

Double Bass

Concert Piecesfor Double Bass and Piano

Bärenreiter’s Double Bass CollectionEd. J. P. Close, H. SassmannshausBA 9696 Bass part and enclosed piano accompaniment


Duet for Violoncelloand Double BassUrtext / Ed. P. GossettBA 10544 Score with parts

Seite 49

.. ................................. Ernst Krenek

(1900-1991)

op. 150 1955 BA 3230


(1756-1791) C K 299 297c

/ F.

BA 4598-90 ° TP 286

Gioachino Rossini

(1792-1868)

/ P. B.

BA 10541

.. ..........................

J. P. , H. BA 9696

Gioachino Rossini

(1792-1868)

/ P.

BA 10544

49

BA 10541

40

Educational Music and Collections for Flute

Levine, Carin Levine, Carin / Mitropoulos-Bott, ChristinaMitropoulos-Bott, Christina

The Techniquesof Flute PlayingVolume I: Flute(Ger/Eng). 143 pagesISBN 978-3-7618-1595-3

Volume II: Piccolo, Alto and Bass (Ger/Eng) 127 pages with CDISBN 978-3-7618-1788-9

19th Century Italian Musicfor Flute and Piano

Ed. A. CeleghinBA 8174 Score with part

With works by Emanuele Kra-kamp, Giulio Briccialdi, Raffaele Galli and Giuseppe Gariboldi

Flute Solo – Composers

Bach, Carl Philipp EmanuelBach, Carl Philipp Emanuel(1714-1788)

Sonata in A min Wq 132for flute solo. Ed. M. HarrasBA 6820


Partita in A minBWV 1013 for flute soloUrtext / Ed. H. P. SchmitzRevised edition by U. LeisingerBA 5187


Syrinx for flute soloUrtext / Ed. D. Woodfull-HarrisBA 8733

This work for solo flute comes down to us in the first edition publication and a non-autograph manuscript copy formerly used by Louis Fleury, the performer at the premiere in 1913. Unfortunately the manuscript used to engrave the first edition no longer exists and so we are left with two sources which differ in many details. Bärenreiter’s critical edition of Syrinx relies primarily on the first edition score adding readings from the non- autograph source where they are musically justified.

� High-quality Urtext edition of this French classic

� Informative preface (Eng/Fr/Ger)

� Includes critical commentary (Eng)

Marais, MarinMarais, Marin(1656-1728)

Les Folies d'Espagnefor flute soloEd. H. P. SchmitzBA 3311


Twelve Fantasias TWV 40: 2-13 for flute without bassUrtext / Ed. G. HaußwaldBA 2971

1913

. .. .......

. ..............................

Carl Philipp Emanuel Bach

(1714-1788)

Claude Debussy

(1862-1918)

A Wq 132

M.

BA 6820


(1685-1750)

A BWV 1013

/ H. P. U. BA 5187

/ D. —

BA 8733

Carin Levine, Christina Mitropoulos-Bott

1 143

ISBN 978-3-7618-1595-3

2

127 ISBN 978-3-7618-1788-9

19 A.

BA 8174

. ...........

Marin Marais

(1656-1728)


(1681-1767)

TWV 40: 2-13

/ G. BA 2971

H. P. BA 3311

41

42

Flute(s) and Keyboard Instrument – Composers


Overture (Orchestral Suite)in B min BWV 1067for transverse flute andobbligato harpsichord (piano)Ed. G. KirchnerBA 6812 Score with part

Six Sonatas after BWV 525-530 for flute and obbligatoharpsichordEd. W. and G. KirchnerEach edition: score with partBA 6801 Volume 1 BA 6802 Volume 2 BA 6803 Volume 3

Sonata for Flute and obbligato harpsichord in G min BWV 1020Ed. A. DürrBA 8170 Score and 2 parts

Sonata in C majBWV 1033 for flute and bc /Sonatas in E-flat majBWV 1031 and in G minBWV 1020 for flute andobbligato harpsichord handed down as works by J. S. BachEd. A. DürrBA 5220 Score with part

Four SonatasTwo Sonatas for flute and bc BWV 1034-1035 /Two Sonatas for flute andobbligato harpsichordBWV 1030, 1032Urtext / Ed. H. P. SchmitzRevised by U. LeisingerBA 5198 Score with parts

Trio Sonata in G majBWV 1039 for two flutes and bcUrtext / Ed. H. P. SchmitzBA 5199 Score with parts


Il pastor fido(attributed to Antonio Vivaldi)Six sonatas op. 13 for flute(or treble recorder / oboe /violin) and bcUrtext / Ed. F. M. SardelliHM 135 Score with parts


Eleven Sonatas for flute and bcScore (with fully realised bc) and parts (flute, figured bc)in a slipcoverUrtext / Ed. H. P. SchmitzBA 4225 Score with parts

Three Trio Sonatas from op. 5No. 6 in F maj HWV 401,No. 3 in E min HWV 398,No. 2 in D maj HWV 397for two flutes (violins) or othermelody instruments and bcUrtext / Ed. S. FleschBA 4228 Score with parts


Concerto in G maj K. 313for Flute and OrchestraEdition with cadenzas andlead-ins by R. Brown,K. Hünteler and K. EngelUrtext / Ed. F. GieglingBA 4854-90 ° Piano reduction

Andante in C majK. 315 for Flute and OrchestraWith cadenzas by R. Brown,and K. EngelUrtext / Ed. F. GieglingBA 5748-90 ° Piano reduction

Concerto in D majK. 314 for Flute and OrchestraUrtext / Ed. H. MoehnBA 4855-90 ° Piano reduction

Concerto in C maj K. 299 (297c) for Flute, Harp and OrchestraUrtext / Ed. F. GieglingBA 4598-90 ° Piano reductionTP 286 Study score


. ……….………

. …………...


(1685-1750)

B BWV 1067

G.

BA 6812

BWV 525-530

W. G.

BA 6801 BA 6802 BA 6803 G

BWV 1020 A.

BA 8170 2

C BWV 1033

/ E BWV 1031

G BWV 1020

J. S. A.

BA 5220

BWV 1034-1035 / BWV 1030 1032

/ H. P. U. BA 5198 G BWV 1039

/ H. P.

BA 5199

op. 5 6 F HWV 401 3 E HWV 398 2 D HWV 397

/ S.

BA 4228


(1685-1759)

/ H. P.

BA 4225


(1756-1791) G K. 313

R. K. K.

/ F.

BA 4854-90 ° C K. 315

R. K.

/ F. BA 5748-90 ° D K. 314

/ H.

BA 4855-90 ° C K. 299 297c

/ F.

BA 4598-90 ° TP 286

Nicolas Chédeville

(1705-1782)

op. 13 / F. M.

HM 135

43


Sonata in A min“Arpeggione” D 821Arranged for flute and pianoBased on the Urtext /Ed. K. HüntelerBA 5681 Score with part

Variations on “Trockne Blumen” from “Die schöne Müllerin”op. post. 160 D 802for flute and pianoUrtext / Ed. H. WirthBA 5641 Score with part


Little Chamber MusicSix Partitas for flute (oboe,violin, recorder) and bcEd. H. RufHM 47 Score with part

Two Sonatasfor flute and bcTWV 41:D9, TWV 41: G9Urtext / Ed. K. HofmanBA 5890

Twelve Methodical SonatasTWV 4: 41Urtext/ Ed. M. Seiffert

Volume 1: Sonata in G min,Sonata in A majfor violin (flute) and bcBA 2241 Score with parts

Volume 2: Sonata in E min,Sonata in D majfor violin (flute) and bcBA 2242 Score with parts

Volume 3: Sonata in A min,Sonata in G majfor violin (flute) and bcBA 2243 Score with parts

Volume 4: Sonata in B min,Sonata in C minfor flute (violin) and bcBA 2244 Score with parts

Volume 5: Sonata in E maj,Sonata in B-flat majfor flute (violin) and bcBA 2245 Score with parts

Volume 6: Sonata in D min,Sonata in C majfor flute (violin) and bcBA 2246 Score with parts

Oboe

Peter Veale,Peter Veale,Claus-Steffen MahnkopfClaus-Steffen Mahnkopf

The Techniques of Oboe Playing A compendium with additional remarks on the whole oboe family (Ger/Eng/Fr) 181 pages with CDISBN 978-3-7618-1210-5


Concerto in A maj for oboe d'amore (oboe), strings and bc.Reconstructed from theConcerto for HarpsichordBWV 1055 by W. Fischer. UrtextPiano reduction with partsfor oboe d'amore and for oboeBA 5145-90 ° Piano reduction

Concerto in C min for oboe,violin, strings and bc.Reconstructed from theConcerto for two Harpsichords BWV 1060 by W. Fischer. UrtextBA 5147-90 ° Piano reduction


Il pastor fido(attributed to Antonio Vivaldi)Six sonatas op. 13 for oboe(or flute / treble recorder / violin) and bcUrtext / Ed. F. M. SardelliHM 135 Score with parts

Geminiani, FrancescoGeminiani, Francesco(c. 1687-1762)

Sonata in E minfor oboe (flute, violin) and bcEd. H. RufHM 178 Score with part


Complete Sonatas forOboe and Basso continuoSonata in B-flat maj HWV 357Sonata in C min HWV 366Sonata in F maj HWV 363aUrtext / Ed. T. BestBA 4260 Score with part

Six Sonatas HWV 380-385for oboe, violin (oboe) and bcUrtext / Ed. S. Flesch

Volume 1: Sonatas in B-flat maj and in D minBA 4251 Score with parts

Volume 2: Sonatas in E-flat maj and in F majBA 4252 Score with parts

Volume 3: Sonatas in G majand in D majBA 4253 Score with parts


Concerto in C maj K. 314 (285d) for Oboe and OrchestraUrtext / Ed. F. GieglingBA 4856-90 ° Piano reductionTP 252 Study score

Quartet in F maj K. 370 (368b)for oboe, violin, viola andvioloncelloUrtext / Ed. J. PohankaBA 4867 Parts in slipcoverTP 151 Study score


Two Sonatas for Oboe andBasso Continuo TWV 41:B6, TWV 41: e6Urtext / Ed. K. HofmannBA 5889

Franz Schubert

(1797-1828) A D 821

/ K. BA 5681

op. post. 160 D 802

/ H. BA 5641


(1681-1767)

H. HM 47

TWV 41 D9 TWV 41 G9 / K.

BA 5890

TWV 4: 41 / M.

1 G A

BA 2241

2 E D

BA 2242

3 A G

BA 2243

4 B C

BA 2244

5 E B

BA 2245

6 D C

BA 2246

……………...…....….…… Peter Veale, Claus-Steffen Mahnkopf

181 ISBN 978-3-7618-1210-5


(1685-1750)

A

W. BWV 1055

BA 5145-90 ° C

W. BWV 1060

BA 5147-90 °

Nicolas Chédeville

(1705-1782)

op. 13 / F. M. HM 135

Francesco Geminiani

( 1680-1762) E

H. HM 178


(1685-1759)

B HWV 357

C HWV 366 F HWV 363a

/ T. BA 4260

HWV 380-385

/ S.

1 B D BA 4251

2 E F BA 4252

3 G D BA 4253


(1756-1791) C K. 314 (285d)

/ F. BA 4856-90 ° TP 252 F

K. 370 (368b) / J.

BA 4867 TP 151


(1681-1767)

TWV 41 B6 TWV 41 e6

/ K. BA 5889

/


(1685-1750)

A

W. BWV 1055

BA 5145-90 °


(1685-1759)


(1681-1767)

Nicolas Chédeville

(1705-1782)

op. 13 / F. M.

HM 135

C

W. BWV 1060

BA 5147-90 °

44

NEW

Clarinet


Sonate für Klarinette und Klavier (nach der Sonate für Violine und Klavier)Bearbeitet von Shirley BrillBA 9581in preparation

Kramář-Krommer,František VincencKramář-Krommer,František Vincenc(1759-1831)

Concerto in E-flat majfor Clarinet and Orchestraop. 36 MAB I/13H 888 Piano reduction


Sonata in E-flat majfor clarinet and pianoUrtext / Ed. G. AllroggenBA 8151 Score with part


Clarinet Concerto in A majK. 622 for Clarinet andOrchestraUrtext / Ed. F. GieglingBA 4773-90 ° Piano reductionTP 254 Study score

- Transposed to B-flat majfor clarinet in B-flatBA 4773-38 Piano reduction

Grande Sonatefor clarinet (or violin) and piano,anonymus arrangement(1809) after the ClarinetQuintet K. 581Ed. C. Hogwood

- Edition for clarinet in A(or violin) and pianoBA 9162 Score with parts

- Edition for clarinet in B-flatand pianoBA 9163 Score with parts

Quintet in A maj K. 581for clarinet, two violins,viola and violoncelloUrtext / Ed. E. F. SchmidBA 4711 Parts in slipcoverTP 14 Study score

Trio in E-flat maj K. 498“Kegelstatt-Trio” for piano,clarinet (violin) and violaUrtext / Ed. W. Plath, W. RehmBA 5325 Score with parts

Schubert, FranzSchubert, Franz(1797-1828

The Shepherd on the RockD 965 op. post. 129 for voice,clarinet and pianoUrtext / Ed. W. DürrBA 5619 Score with part

Sonata in A min“Arpeggione” D 821Arranged for clarinet andpiano after the Urtext byD. Woodfull-HarrisBA 5682 Score with part

Tchaikovsky, PeterTchaikovsky, Peter(1840-1893)

Nutcracker Suite for threeclarinets. Arranged by M. TöpelBA 8158 Performance score

Saxophone

Weiss, Marcus Weiss, Marcus / Netti, GiorgioNetti, Giorgio

The Techniques of Saxophone Playing(Ger/Eng). 188 pagesISBN 978-3-7618-2114-5

� Comprehensive, systematic description of all important playing techniques for contemporary music on the saxophone

� Clear explanation of special tonal effects and practice tips to try out

� With internet links to all important sound excerpts


. ………...…..……… František Vincenc Kramá -Krommer

(1759-1831)

E

op. 36 MAB I/13 H 888


(1809-1847)

E / G.

BA 8151


(1756-1791) A K. 622

/ F.

BA 4773-90 ° TP 254

B B

BA 4773-38

K. 581 1809

C.

A

BA 9162

B BA 9163

A K. 581

/ E. F.

BA 4711 TP 14

E K. 498

/ W. W. BA 5325


(1756-1791) A K. 622

/ F.

BA 4773-90 ° TP 254

B B

BA 4773-38

K. 581 1809

C.

A

BA 9162

B BA 9163

A K. 581

/ E. F.

BA 4711 TP 14

E K. 498

/ W. W. BA 5325

/

Leoš Janá ek

(1854-1928)

BA 9581

František Vincenc Kramá -Krommer

(1759-1831)

E

op. 36 MAB I/13 H 888


(1809-1847)

E / G.

BA 8151

Franz Schubert

(1797-1828)

D 965 op. post. 129

/ W.

BA 5619 A

D 821 D.

BA 5682

Peter Iljitsch Tschaikowski

(1840-1893)

M.

BA 8158

. …..….........…… Marcus Weiss /

Giorgio Netti

/ 188 ISBN 978-3-7618-2114-5

45

Glazunov, AlexanderGlazunov, Alexander(1865-1936)

Concerto in E-flat majfor Alto Saxophone andString Orchestra op. 109Urtext / Ed. R. Back,D. Woodfull-HarrrisBA 8732-90 ° Piano reduction

The Concerto for Alto Saxophone and Orchestra is Glazunov’s last work. The sole surviving autograph is the hand-written

dedication score given by Glazunov to Sigurd Raschèr (Raschèr was the founder and leader of the well-known and innovative Raschèr Saxophone Quartet). This score contains the original version of the work without the alterations which were made in the proofs to the orchestral score as well as the full version of the composer’s cadenza which was later shortened.

The autograph manuscript also contains some performance markings by Raschèr. The solo part includes both the complete and the shortened version of the cadenza as well as a cadenza by Raschèr which the composer authorised.

� First scholarly-critical edition of the work

� With helpful performance tips by Carina Raschèr, the daughter of Sigurd Raschèr

� With an Urtext solo saxophone part and a second part prepared by Carina Raschèr

Bassoon

Gallois, PascalGallois, Pascal

The Techniques of Bassoon Playing (Ger/Eng/Fr) 126 Pages with 2 CDsISBN 978-3-7618-1860-2

Berwald, FranzBerwald, Franz(1796-1868)

Concert Piece op. 2(1827)for Bassoon and OrchestraUrtext / Ed. N. Castegren,F. SchnappBA 8512-90 Piano reduction


Concerto in B-flat maj K. 191 (186e) for Bassoon and OrchestraUrtext / Ed. W. GieglingBA 4868-90 ° Piano reductionTP 253 Study score

This publication offers an easy-to-play piano reduction, a solo bassoon part with the Urtext of the New Mozart Edition and an extra cadenza and lead-in brochure by Jane Gower.

Pivoņka, KarelPivoņka, Karel(1907-1986)

Rhythmical Studiesfor bassoon soloH 3291

. ………………….……

Pascal Gallois

/ / 126 2 ISBN 978-3-7618-1860-2

Franz Berwald

(1796-1868)

op. 2 1827

/ N. F. BA 8512-90


(1756-1791)

B K. 191 (186e)

/ W. BA 4868-90 ° TP 253

Karel Pivo ka

(1907-1986)

H3291

/

Alexander Glazunov

(1865-1936)

E op.109

/ R. D. — BA 8732-90 °

3291

46

From: Mozart, Rondo in Es für Horn und Orchester · BA 5329-90

- No. 4 in E-flat maj K. 495With cadenzas and lead-insby D. Brain, T. Brown and D. NunnsBA 5313-90 ° Piano reductionTP 324 Study score

Concerto Movement in E majK. 494a for Horn and OrchestraEd. D. NunnsBA 5349-90 � Piano reduction

Rondo in E-flat maj K. 371for Horn and OrchestraFirst editionUrtext / Ed. F. GieglingBA 5329-90 Piano reduction

Quintet in E-flat maj K. 407 (386c) for horn, violin, twoviolas and bass (violoncello)Urtext / Ed. E. F. SchmidBA 4708 Parts in slipcover

Horn


Complete Concertosfor Horn and OrchestraUrtext / F. Giegling

These publications reflect the needs of performers today.They contain clearly laid out solo horn parts in D (No. 1), in E-flat (Nos. 2-4) as well as in F for all concertos. A detailed historical preface (Ger/Eng) commenting on the sources and a special brochure containing cadenzas and lead-ins are included.

- No. 1 in D maj K. 412 + 514BA 5314-90 ° Piano reductionTP 324 Study score

- No. 2 in E-flat maj K. 417With lead-ins by T. Brown and D. NunnsBA 5311-90 ° Piano reduction

- No. 3 in E-flat maj K. 447With cadenzas and lead-insby D. Brain and T. BrownBA 5312-90 ° Piano reductionTP 324 Study score

�

°

.. ……………… ..… Wolfgang Amadeus Mozart

(1756-1791)

/ F.

D 1 E 2-4 F

/

D 1 K. 412 + 514 BA 5314-90 ° TP 324

E 2 K. 417 T. D.

BA 5311-90 °

E 3 K. 447 D. T.

BA 5312-90 ° TP 324

E 4 K. 495 D. T. D.

BA 5313-90 ° TP 324

E K. 494a

D.

BA 5349-90

E K. 371

/ F.

BA 5329-90

E K. 407 (386c)

/ E. F.

BA 4708

D 1 K. 412 + 514

BA 5314-90 ° TP 324

E 2 K. 417 T. D.

BA 5311-90 °

E 3 K. 447 D. T.

BA 5312-90 ° TP 324

E BA 5329-90

47

From: Brahms, Trio Opus 101 · BA 9437

NEW

NEW

NEW

Trio for Violin,Violoncello and Piano Opus 87Urtext / Ed. C. HogwoodBA 9436 Score with parts

Klaviertrio nach dem Streichsextett op. 18 in B-DurBearbeitung von Theodor Kirchner (1823-1903)Urtext / Ed. C. HogwoodBA 9441

Christopher Hogwoods wis-senschaftlich-kritische Edition beinhaltet ein historisches Vorwort, das die Entstehungs-geschichte des Trios, eine Be-trachtung der Bearbeitung als eigenständigem Werk als auch die Beziehung zwischen Brahms und Kirchner beleuchtet.


Trio for Violin, Violoncello and Piano Opus 101Urtext / Ed. C. HogwoodBA 9437 Score with parts

Christopher Hogwood’s scholar-ly-critical edition of Brahms’ fi-nal and perhaps greatest trio is based on two main sources, the first edition and the autograph.

The foreword of this edition presents detailed information on contemporary performance practise; Hogwood has drawn on the comments of Fanny Davis, a Brahms student, to shed light on this. She describes how Brahms played the trio with Joseph Joachim and Robert Hausmann at an informal reading (with Clara Schumann turning pages) in Baden Baden in c. 1895. Davis’ descriptions have much to do with articulation, dynamics and tempo fluctuations; in short exactly those aspects of performance practice where we lack real direction.

� Includes detailed information on performance practice of the day

� With critical commentary (Eng)

Music for Strings2013/2014For further information,please ask for this catalogueSPA 234 page 24

Piano Trio – Piano, Violin, Violoncello


Dumkas op. 90H 1551 Score with parts

Piano Trio in B-flat maj op. 21H 1128 Score with parts

Piano Trio in G min op. 26Ed. A. Pokorný, K. ŠolcBA 9538 Score with parts

Piano Trio in F min op. 65Ed. F. BartošBA 9564 Score with parts

..

…………

Johannes Brahms

(1833-1897)

101 / C.

BA 9437

87 / C.

BA 9436

B op. 18

(1823-1903) / C.

BA 9441

Antonín Dvo ák

(1841-1904)

B op. 21

H 1128 G op. 26

A. K. BA 9538

F op. 65

F. H 9564

op. 90

H 1551

101 BA 9437

2013/2014

SPA 234 24

1895

BA 9564

48

NEW

Piano Trio – Piano, Violin, Violoncello


Trio for Piano, Violin andVioloncello op. 120Urtext / Ed. J. W. SobaskieBA 7902 Score with parts

� First scholarly-critical edition of this work

� High-quality Urtext edition based on the Complete Works of Gabriel Fauré


Complete Piano TriosUrtext / Ed. W. Plath, W. RehmBA 4787 Score with parts

Six Sonatas K. 10-15Early Sonatas II for keyboard(harpsichord), violin (or flute)and violoncelloUrtext / Ed. W. Plath, W. RehmBA 4756 Score with parts


Trio for Piano, Violin andVioloncelloUrtext / Ed. J. AppoldBA 9418 Score with parts

Appold’s edition not only corrects the many engraver errors present in existing editions, it also reinstates for example the violin passages in movement II (Pantoum) which appear in other editions partly simplified or placed in the piano part.


Complete Piano TriosUrtext / Ed. A. Feil

Trios in B-flat majD 28 and in E-flat maj D 897op. post. 148 BA 5626 Score with parts

Trio in B-flat maj D 898 op. 99 BA 5607 Score with parts

Trio in E-flat maj D 929 op. 100BA 5610 Score with parts


Trio in G minUrtext / Ed. F. Bartoš, J. Plavec, K. ŠolcBA 9518 Score with parts

Piano Quartet – Piano, Violin, Viola, Violoncello


Piano Quartet in E-flat majop. 87Ed. A. Pokorný, K. ŠolcBA 9537 Score with parts


Piano Quartet op. 15Urtext / Ed. D. HerlinBA 7903 Score with parts

Piano Quartet op. 45Urtext / Ed. D. HerlinBA 7904 Score with parts


Piano Quartet in G min K. 478Urtext / Ed. H. FederhoferBA 4728 Score with parts

Piano Quartet in E-flat majK. 493Urtext / Ed. H. FederhoferBA 4729 Score with parts

Suk, JosefSuk, Josef(1874-1935)

Piano Quartet in A min op. 1Urtext / Ed. Z. NouzaBA 9546 Score with parts

. ….. .. Antonín Dvo ák

(1841-1904)

E op. 87 A. K.

BA 9537

Gabriel Fauré

(1845-1924)

op.15 / D.

BA 7903

op. 45 / D.

BA 7904


(1756-1791) G K. 478

/ H. BA 4728

E K. 493 / H.

BA 4729

Josef Suk

(1874-1935)

A op. 1

/ Z.

Gabriel Fauré

(1845-1924)

op.120 / J. W.

BA 7902


(1756-1791)

/ W. W.

BA 4787

K. 10-15 II

/ W. W.

BA 4756

. ... . ..

Maurice Ravel

(1875-1937)

/ J.

BA 9418

Pantoum

Franz Schubert

(1797-1828)

/ A.

B D 28 E

D 897 op. post.148 BA 5626

B D 898 op. 99 BA 5607

E D 929 op. 100 BA 5610

Bed ich Smetana

(1824-1884)

G / F. J. K.

BA 9518 BA 954 6

49

NEW

Bärenreiter’s scholarly-critical edition, the first ever of this masterpiece, presents the work in two performing scores. It contains an introduction on the history of the work reflecting Ravel’s work and rehearsals with violinist Hélène Jourdan-Morhange and cellist Maurice Maréchal.Sources for this new edition include the engraved copy, the personal autograph scores (with earlier versions of some passages) which were used to rehearse the work and the first edition scores with emendations by Jourdan-Morhange and Maréchal.Included in the appendix are the original fingerings by the performers which are not found in the first edition.

Violoncello and Bass


Duet for Violoncelloand Double BassUrtext / Ed. P. GossettBA 10544 Score with parts

Bärenreiter’s critical edition is the only currently available publication which is based on Rossini’s autograph and not on the first edition.

� Urtext based on the Works of Gioachino Rossini� First critical edition of the work� Reference score and separate parts

String Duo

Violin and ViolaMozart, Wolfgang AmadeusMozart, Wolfgang Amadeus(1756-1791)

Duos for Violin and ViolaK. 423, 424Urtext / Ed. D. BerkeBA 4772 Score with parts

Twelve Duets K. 487 for two horns. Arranged for violin and viola by W. Müller-CrailsheimHM 115 Performance score

Violin and VioloncelloMozart, Wolfgang AmadeusMozart, Wolfgang Amadeus(1756-1791)

Two Duos for Violin and Violoncello after K. 423, 424Anonymus arrangement (1805) / Ed. D. BerkeBA 9164 Score with parts


Sonata for Violin andVioloncelloUrtext / Ed. D. Woodfull-HarrisWith an introductionby J. AppoldBA 9417 Text volume with 2 performance scores as well as a reduced cello part in order to avoid page turns

Piano Quintet – Quintet for Piano and Strings


Piano Quintet in A majfor piano, 2 violins, viola and violoncello op. 5H 2783 Score with parts

Piano Quintet in A maj op. 81 for piano, 2 violins, viola and violoncelloBA 9573 Score with parts


Chamber Music Editionsof the Piano Concertosfor two violins, viola, violoncello and pianoPiano reductions with string partsUrtext / Ed. C. Wolff

- Concerto in F maj K.413(No. 11)BA 4875 Score with parts

- Concerto in A maj K. 414(No. 12)BA 4877 Score with parts

- Concerto in C maj K. 415(No. 13)BA 4879 Score with parts

- Concerto in E-flat maj K. 449 (No. 14)BA 4871 Score with parts

Schubert, FranzSchubert, Franz

(1797-1828)

Quintet in A maj “TroutQuintet” D 667 op. post. 114for piano, violin, viola,violoncello and double bassUrtext / Ed. A. Feil BA 5608 Score with parts

..… . .. ..

Antonín Dvo ák

(1841-1904) A

2 op. 5

H 2783 A op. 81

2

BA 9573 Wolfgang Amadeus Mozart

(1756-1791)

2

/ C.

F K. 413 11

BA 4875

A K. 414 12

BA 4877

C K. 415 13

BA 4879

E K. 449 14

BA 4871 Franz Schubert

(1797-1828) A D 667 op. post. 114

/ A.

BA 5608

.. ……………….


(1756-1791)

K. 423 424

/ D. BA 4772

K. 487

W.

HM 115


(1756-1791)

K. 423 424

1805 D.

BA 9164

Maurice Ravel

(1875-1937)

/ D. —

J. BA 9417 2

Gioachino Rossini

(1792-1868)

/ P.

BA 10544

Maurice Ravel

(1875-1937)

/ D. —

J. BA 9417 2

50


String Quartet op. 121Urtext / Ed. J. W. SobaskieBA 7901 Parts in slipcoverTP 412 Study score

NEW

NEW

String Trio


Terzetto in C maj op. 74for two violins and violaEd. J. BurghauserBA 9543 Parts in slipcover


Divertimento in E-flat maj K. 563for violin, viola and violoncelloUrtext / Ed. D. BerkeBA 4844 Parts in slipcoverTP 319 Study score


Complete String Triosfor violin, viola and violoncello. Urtext / Ed. W. AderholdBA 5609 Parts in slipcoverTP 306 Study score

� Schubert´s complete string trios

� This edition includes both versions of Schubert’s string trio D 581 as well as all his drafts for string trio.

String Quartet


The Art of Fugue BWV 1080Ed. H. Diener

- Version for string quartet(a: violin I, b: violin II, c: viola, d: violoncello)BA 2600 a,b,c,dTP 26 Score


String Quartets page 51


String QuartetUrtext / Ed. D. Woodfull-HarrisBA 9414 Parts in slipcoverTP 414 Study score

Debussy’s groundbreaking quartet has never been edited using all known sources; the Bärenreiter scholarly-critical edition fills this noticeable gap.

Numerous engraving mistakes found in earlier editions have been corrected and the differences between the first edition parts and score have been clarified. A critical commentary details all editorial decisions and an appendix lists

the changes made in the 1929 posthumous re-engraving of the score.


Cypresses / CypřišeH 6663 Parts in slipcover

String QuartetNo. 1 in A maj op. 2BA 9539 Parts in slipcoverTP 539 Study score

String Quartet No. 2 in B-flat maj BA 9540 Parts in slipcoverTP 540 Study Scorein preparation

String QuartetNo. 5 in F min op. 9BA 9545 Parts in slipcoverTP 535 Study score

String Quartet No. 9 in D min op. 34BA 8304 Parts in slipcover

String Quartet No. 12 in F maj “American” op. 96H 1594 Parts in slipcover


String Quartet op. 121Urtext / Ed. J. W. SobaskieBA 7901 Parts in slipcoverTP 412 Study score

.. ………………. Antonín Dvo ák

(1841-1904) C op. 74

2 J.

BA 9543


(1756-1791)

E K. 563

/ D. BA 4844 TP 319

.. ………………. Johann Sebastian Bach

(1685-1750)

BWV 1080 H.

—

a bc d BA 2600 a,b,c,d TP 26


(1770-1827)

51

Anton ín Dvo ák

(1841-1904)

H 6663

A 1 op. 2 BA 9539 TP 539

B 2

BA 9540 TP 540

F 5 op. 9 BA 9545 TP 535

D 9 op. 34 BA 8304

F 12 op. 96

H 1594

Franz Schubert

(1797-1828)

/ W. BA 5609 TP 306

D 581

Claude Debussy

(1862-1918)

/ D. —

BA 9414 TP 414

1929

Antonín Dvo ák

(1841-1904)

Gabriel Fauré

(1845-1924)

op. 121 / J. W.

BA 7901 TP 412

51

“... magnificent and mandatory”

Music example above = BA 9016Music example below = TP 918


String Quartets op. 18, 1-6Urtext / Ed. J. Del Mar BA 9016 Parts in slipcover BA 9016-40 Critical commentary TP 916 Study score

String Quartets op. 59, 1-3Urtext / Ed. J. Del Mar BA 9017 Parts in slipcover BA 9017-40 Critical commentary TP 917 Study score

String Quartets opp. 74, 95Urtext / Ed. J. Del Mar BA 9018 Parts in slipcover BA 9018-40 Critical commentary TP 918 Study score

� Critical commentary (Eng) with facsimile pages

� Meticulously laid out performance parts

� Study scores include historical introduction (Ger/Eng) by Barry Cooper


(1770-1827)

op. 18 1-6 / J.

BA 9016 BA 9016-40 TP 916

op. 59, 1-3 / J.

BA 9017 BA 9017-40 TP 917

op. 74 op. 95 / J.

BA 9018 BA 9018-40 TP 918

= BA 9016 = TP 918

52

String Quartet

Franck, CésarFranck, César(1822-1890)

String QuartetUrtext / Ed. C. Strucken-PalandBA 9421 Parts in slipcoverTP 421 Study score


String Quartet No. 1 after Tolstoy's “Kreutzer Sonata”Urtext / Ed. L. Faltus, M. ŠtědroňBA 9520 Parts in slipcoverTP 520 Study score

String Quartet No. 2“Intimate Letters”Urtext / Ed. L. Faltus, M. ŠtědroňBA 9533 Parts in slipcoverTP 533 Study score


Eine kleine Nachtmusik in G maj K. 525 for string quartetUrtext / Ed. E. F. SchmidBA 4700 Parts in slipcoverTP 19 Study score



The Ten Celebrated StringQuartets in G maj K. 387, in D min K. 421, in B-flat maj K. 458, in E-flat maj K. 428, in A maj K. 464, in C maj K. 465, in D maj K. 499, in D maj K. 575, in B-flat maj K. 589, in F maj K. 590Urtext / Ed. L. FinscherBA 4750 Parts in slipcoverTP 140 Study score

The Thirteen Early String QuartetsUrtext / Ed. K. H. Füssl, W. Plath, W. Rehm

- Volume 1: Quartets in G majK. 80, in D maj K. 155, in G majK. 156, in C maj K. 157BA 4847 Parts in slipcover

- Volume 2: Quartets in F maj K. 158, in B maj K. 159,in E-flat maj K. 160BA 4848 Parts in slipcover

- Volume 3: Quartets in F maj K. 168, in A maj K. 169, in C maj K. 170BA 4849 Parts in slipcover

- Volume 4: Quartets in E-flat maj K. 171, in B-flat maj K. 172,in D min K. 173BA 4850 Parts in slipcover

Three Divertimenti K. 136-138 (125a-c) for string quartetUrtext / Ed. K. H. FüsslBA 4860 Parts in slipcoverTP 278 Study score


String QuartetUrtext / Ed. J. AppoldBA 9413 Parts in slipcoverTP 413 Study score with critical commentary


Complete String Quartets

- String Quartets IQuartet in D maj D 94, Overturein C min D 8A, Quartet in C majD 46, Minuet in D maj D 86.Five Minuets and five German Dances D 89Urtext / Ed. M. Chusid, D. Finke-Hecklinger, W. AderholdBA 5625 Parts in slipcover

- String Quartets IIQuartet in G min/B-flat maj D 18, Quartet in C maj D 32, Quartet in B-flat maj D 36, Quartet in B-flat maj D 68Urtext / Ed. M. ChusidBA 5631 Parts in slipcover

- String Quartets IIIQuartet in D maj D 74,Quartet in E-flat maj D 87(op. post. 125/1), Quartet in B-flat maj D 112 (op. 168),Quartet in G min D 173, Quartetin E maj D 353 (op. post. 125/2)Urtext / Ed. W. AderholdBA 5636 Parts in slipover

- String Quartet in A min “Rosamunde” D 804 op. 29, String Quartet in C min “Quartett-Satz” D 703Urtext / Ed. W. AderholdBA 5614 Parts in slipcoverTP 304 Study score

- String Quartet in D min “Death and the Maiden” D 810Urtext / Ed. W. AderholdBA 5613 Parts in slipcoverTP 301 Study score

- String Quartet in G maj D 887 op. post. 161Urtext / Ed. W. AderholdBA 5616 Parts in slipcoverTP 303 Study score

Complete Chamber Musicin 3 volumes. Study score edition. UrtextTP 409 Special reduced price

.. …… ……… César Franck

(1822-1890)

/ C. —

BA 9421 TP 421

Leoš Janá ek

(1854-1928)

/ L. M. BA 9520 TP 520

/ L. M. BA 9533 TP 533


(1756-1791) G K. 525

/ E. F. BA 4700 TP 19

ISBN 978 3 7618 2282 1

85


(1756-1791)

G K. 387 D K. 421 B

K. 458 E K. 428 AK. 464 C K. 465 D K.

499 D K. 575 B K. 589 F K. 590

/ L. BA 4750 TP 140

/ K. H.

W. W.

1 G K. 80 D K. 155 G

K. 156 C K. 157 BA 4847

2 F K. 158 B K. 159 E

K. 160 BA 4848

3 F K. 168 A K. 169 C

K. 170 BA 4849

4 E K. 171 B K. 172 D K. 173 BA 4850

K. 136-138 125a-c

/ K. -H. BA 4860 TP 278

Maurice Ravel

(1875-1937)

/ J.

BA 9413 TP 413

Franz Schubert

(1797-1828)

D D 94 C D 8A C D 46 D

D 86 D 89

/ M. D. —W.

BA 5625

G / B D 18 C

D 32 B D 36 B D 68

/ M. BA 5631

D D 74 E D 87 op. post. 125/1 B

D 112 op. 168 G D 173 E D 353

op. post. 125/ 2 / W.

BA 5636

A D 804 op. 29 C

D 703 / W.

BA 5614 TP 304

D D 810

/ W. BA 5613 TP 301

G D 887 op. post. 161

/ W. BA 5616 TP 303

3 TP 409


(1756-1791) G K. 525

/ E. F. BA 4700 TP 19

ISBN 978 3 7618 2282 1

85

K. 136-138 125a-c

/ K. H.

BA 4860 TP 278

53

NEW

NEW


String Quartet No. 1in E min “From my Life”Urtext / Ed. F. Bartoš, J. Plavec, K. ŠolcBA 9516 Parts in slipcoverTP 516 Study score

String Quartet No. 2 in D minUrtext / Ed. F. Bartoš, J. Plavec, K. ŠolcBA 9517 Parts in slipcoverTP 517 Study score

String Quintet


Nocturne in B maj op. 40for two violins, viola, violoncello and double bassH 6590 Score with parts

String Quintet in G maj op. 77for two violins, viola, violoncello and double bassBA 9577 Parts in slipcover

String Quintet in E-flat maj op. 97for two violins, two violas and violoncelloEd. F. BartošBA 9542 Parts in slipcoverTP 532 Study score


Adagio and Fugue in C min for strings K. 546Urtext / Ed. W. PlathBA 5378 Score with parts:V I, V II, Va, Vc, Cb

Complete String QuintetsK. 174, 406, 515, 516, 593, 614 for two violins, two violas and violoncelloUrtext / Ed. E. Hess, E. F. SchmidBA 4771 Parts in slipcoverTP 159 Study score


String Quintet in C maj D 956 op. post. 163 for two violins, viola and two violoncellosUrtext / Ed. M. ChusidBA 5612 Parts in slipcoverTP 287 Study score

String Sextet – 2 Violins, 2 Violas, 2 Violoncellos


Sextet in B-flat maj op. 18Urtext / Ed. C. HogwoodBA 9419 Parts in slipcoverTP 419 Study score


Sextet in G maj op. 36Urtext / Ed. C. HogwoodBA 9420 Parts in slipcoverTP 420 Study score

� First Urtext editions of these popular chamber music works

� Include variant readings from contemporary parts

� With facsimile pages


String Sextet in A maj op. 48Ed. A. ČubrBA 9566 Parts in slipcover


Grande Sestetto Concertante(1808) after the SinfoniaConcertante K. 364Ed. C. HogwoodBA 9504 ScoreBA 9504-22 Parts in slipcover

Bed ich Smetana

(1824-1884)

E

/ F. J. K.

BA 9516 TP 516 D

/ F. J. K.

BA 9517 TP 517

.. ……………..…. Antonín Dvo ák

(1841-1904)

B op. 40

H 6590 G op. 77

BA 9577

E op. 97

F. BA 9542 TP 532


(1756-1791) C K. 546

/ W. BA 5378 VI, VII, Va, Vc, Cb

K. 174 406 515 516 593 614

/ E. E. F.

BA 4771 TP 159

Franz Schubert

(1797-1828)

C D 956 op. post. 163

/ M.

BA 5612 TP 287

…… …... 2 …………….. 2 2 .... Johannes Brahms

(1833-1897)

B op. 18

/ C. BA 9419 TP 419

Antonín Dvo ák

(1841-1904)

A op. 48 A.

BA 9566


(1756-1791)

K. 364

1808 C.

BA 9504 BA 9504-22

E op. 97

F. BA 9542 TP 532

Franz Schubert

(1797-1828)

C D 956 op. post. 163

/ M.

BA 5612 TP 287

…… …... 2 …………….. 2 2 .... Johannes Brahms

(1833-1897)

B op. 18

/ C. BA 9419 TP 419

Johannes Brahms

(1833-1897) G op. 36

/ C. BA 9420 TP 420

Antonín Dvo ák

(1841-1904)

B op. 40

H 6590

G op. 77

BA 9577

Antonín Dvo ák

(1841-1904)

A op. 48 A.

BA 9566


(1756-1791)

K. 364

1808 C.

BA 9504 BA 9504-22

54

String Orchestra


Serenade for Strings op. 20Urtext / Ed. C. HogwoodBA 9041 ° Score


“Eine kleine Nachtmusik”in G maj K. 525 for stringsUrtext / Ed. E. SchmidBA 4701 ° ScoreTP 19 Study score


Three Divertimenti for StringsK. 136-138 (125a-c)Urtext / Ed. K. H. FüsslBA 4857 ° Score

Miscellaneous Chamber Ensembles


Musical Offering BWV 1079Urtext / Ed. C. Wolff

- Volume 2: Trio Sonata in C minfor flute, violin and bcBA 5155 Score with partsTP 198 Study score

- Volume 3: Canons for flute,two violins, obbligatoharpsichord (piano) and bcBA 5156 Score with partsTP 198 Study score

Trio Sonata in G maj BWV 1038 for flute, violin (or two flutes) and bc, handed down as a work by Johann Sebastian BachEd. G. KirchnerHM 236 Score with parts


Concerto in C majfor Pianoforte, Violin,Violoncello and Orchestra op. 56 “Triple Concerto”Urtext / Ed. J. Del MarBA 9027-90 Piano reduction

In his Triple Concerto Beethoven varies his treatment of the solo parts, allowing each instrument to play alone with the orchestra (particularly the

cello), using two solo instruments together in ever new combinations, and finally bringing together all three instruments with the orchestra.

Bärenreiter’s new Urtext edition of Beethoven’s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newly-discovered sources, editor Jonathan Del Mar has cleaned up the text, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven’s day might have recognized, with all necessary information for directing the piece included in the solo piano part.

� Piano reduction with separate parts for all three soloists

� Draws on three new sources � Correction of many errors found in previous editions

Brahms, Johannes Brahms, Johannes(1833-1897)

Trios page 55


The London Trios Hob. IV: 1-4for two flutes and violoncelloEd. L. BaletBA 6897 Parts in slipcover


Capriccio for Piano Left Handand Wind EnsembleUrtext / Ed. L. Faltus, J. ProcházkováBA 9535 Score and parts


. ………………………. Edward Elgar

(1857-1934)

op. 20 C.

BA 9041 °


(1756-1791) G K. 525

/ E.

BA 4701 ° TP 19

ISBN 978 3 7618 2282 185

K. 136-138 (125a-c) / K. H.

BA 4857 °

… .… …..……….. Johann Sebastian Bach

(1685-1750)

BWV 1079 / C.

2 C

BA 5155 TP 198

3

BA 5156 TP 198 G BWV 1038

G.

HM 236


(1770-1827)

C Op. 56

/ J. BA 9027-90

Edward Elgar

(1857-1934)

op. 20 C.

BA 9041 °


(1756-1791) G K. 525

/ E.

BA 4701 ° TP 19

ISBN 978 3 7618 2282 185

K. 136-138 (125a-c) / K. H.

BA 4857 °


(1770-1827)

C Op. 56

/ J. BA 9027-90

/

1807

Johannes Brahms

(1833-1897)

55

Joseph Haydn

(1732-1809)

Hob. IV: 1-4

L. BA 6897

Leoš Janá ek

(1854-1928)

/ L.

J. BA 9535

ISBN 978 3 7618 2282 185

55

From: Brahms, Trio for Violin, Horn and Piano · BA 9435

Brahms’ two famous trios and an astounding discovery

Trio for Clarinet (Viola), Violoncello and Piano op. 114Urtext / Ed. C. Hogwood BA 9438 Score with parts

Brahms’ Clarinet Trio, composed in 1891, was inspired by the exceptional musicality of clarinettist Richard Mühlfeld. As he did for his horn trio, Brahms prepared a viola part as a possible alternative to the clarinet. Both scorings were rehearsed (the viola part being played by Joseph Joachim)prior to the premiere and publication of the work.

Bärenreiter’s scholarly- critical edition, prepared by Christopher Hogwood, offers a foreword on the trio’s compositional process with comments on performance practice, as well as a comprehensive critical commentary and facsimile excerpts of the manuscript.

� Viola part included as an alternative to the clarinet part

now the work was believed to have a strong emotional connection to the death of his mother three months earlier. Christopher Hogwood draws on a newly discovered source for this Bärenreiter publication, a source that has not been available for any previous edition. We now learn that Brahms wrote at least the trio part of the Scherzo movement some twelve years earlier – in 1853 – and that it was originally intended for solo piano. This piano movement is printed in the appendix.

This Urtext edition offers not only the standard instrumen-tation of violin, horn and piano but also the alternative scoring for violoncello or viola instead of horn. The variants found in the violoncello and viola parts are shown as ossias in the score.

� Appendix with the 1853 piano version of the trio movement

� Includes alternative parts for violoncello and viola

Brahms, Johannes Brahms, Johannes(1833-1897)

Trio for Violin, Horn (Viola or Violoncello) and Piano op. 40Urtext / Ed. C. Hogwood BA 9435 Score with parts

Brahms’ famous Horn Trio op. 40, composed in 1865 for the natural horn, is a work of considerable significance within the composer’s output. Up until

Johannes Brahms

(1833-1897)

op. 40 / C.

BA 9435

op. 40 1865

1853

op. 114 / C.

BA 9438

BA 9435

56

/

From: Mussorgsky, Eine Nacht auf dem kahlen Berge · BA 8608

NEW

MiscellaneousChamber Ensembles


Promenades for flute, violinand harpsichord (piano) (1940)BA 3327 Score with parts

Sonatafor flute, violin and piano (1936)BA 3326 Score with parts


Quartets K. 285, 285a,K. Anh. 171 (285b), K. 298for flute, violin, viola andvioloncelloUrtext / Ed. J. PohankaBA 4405 Parts in slipcoverTP 150 Study score


Octet in F maj D 803 op. post. 166 for clarinet, bassoon, horn, two violins, viola, violoncello and double bassUrtext / Ed. A. FeilBA 5617 Parts in slipcoverTP 302 Study score


Quartet in D min TWV 43:d1for two flutes, treble recorder(bassoon, violoncello),violoncello and bcfrom the Tafelmusik IIUrtext / Ed. J. P. HinnenthalBA 3539 Score with parts

Chamber Music for Winds

Woodwind Quintet(Flute, Oboe, Clarinet, Horn, Bassoon)

Bizet, GeorgesBizet, Georges(1803-1869)

L’Arlésienne Suite No. 1Arranged by J. LinckelmannBA 8604 Score with parts

Gershwin, GeorgeGershwin, George(1898-1937)

Rhapsody in Bluefor Woodwind QuintetArranged by J. LinckelmannBA 8612

Grieg, EdvardGrieg, Edvard(1843-1907)

Peer Gynt Suite No. 1 op. 46Arranged by J. LinckelmannBA 8603 Score with parts


Symphony in G min K. 550Arranged by J. LinckelmannBA 8602 Score with parts

Mussorgsky, ModestMussorgsky, Modest(1835-1881)

Eine Nacht auf dem kahlen BergeArranged by J. LinckelmannBA 8608 Score with parts


“Mother Goose Suite”Arranged by J. LinckelmannBA 8605 Score with parts

………………...…….....................................................

….…………..….. ……… …. Georges Bizet

(1838-1875)

J. BA 8604

Edvard Grieg

(1843-1907)

op. 46 J.

BA 8603

George Gershwin

(1898-1937)

J. BA 8612


(1756-1791) G K. 550

J. BA 8602

Modest Mussorgsky

(1835-1881)

J.

BA 8608

Maurice Ravel

(1875-1937)

J.

BA 8605

........................ Bohuslav Martin

(1890-1959)

1940 BA 3327

1936

BA 3326


(1756-1791)

K. 285 285a K. Anh. 171285b K. 298

/ J.

BA 4405 TP 150

Franz Schubert

(1797-1828)

F D 803 op. post. 166

/ A.

BA 5617 TP 302


(1681-1767) D TWV 43: d1

/ J. P. BA 3539

BA 8608

57

58

From: Mozart, “Gran Partita” · BA 5331

Chamber Music for Winds

Various Wind Ensembles


Mládí (Youth). Wind sextetUrtext / Ed. J. Doležal, L. FaltusBA 9528 Parts in slipcoverTP 528 Study score


NocturnoUrtext / Ed. C. HogwoodBA 9064 ScoreBA 9065 Parts

Overture in C majfor Winds op. 24Urtext / Ed. C. HogwoodBA 9055 ScoreBA 9055-65 Parts (Wind set)


Quintet in E-flat maj K. 452for piano, oboe, clarinet, hornand bassoonUrtext / Ed. H. FederhoferBA 4730 Score with parts


Sinfonia concertante for oboe, clarinet, horn, bassoon andorchestra K. Anh 1,9 (297b)Urtext / Ed. C. H. Mahling, W. PlathBA 5770-90 ° Piano Reduction

Sinfonia concertante in E-flat maj for flute, oboe, horn,bassoon and orchestraReconstructed by R. Levinbased on the Sinfoniaconcertante in E-flat majfor oboe, clarinet, horn, bassoon and orchestra K. Anh. I/9 (297b)BA 7137-90 � Piano Reduction

Serenade in B-flat maj“Gran Partita” K. 361 (370a)for two oboes, two clarinets, two basset horns (clarinets), four horns, two bassoons and double bassUrtext / Ed. D. N. Leeson, N. ZaslawBA 5331-22 Parts in slipcoverTP 312 Study score

Serenade in C min K. 388(384a) for two oboes, two clarinets, two horns and two bassoonsUrtext / Ed. D. N. Leeson, N. ZaslawBA 5332 Parts in slipcoverTP 313 Study score

Serenade in E-flat maj K. 375Urtext / Ed. D. N. Leeson, N. ZaslawOctet version for two oboes,two clarinets, two horns andtwo bassoonsBA 5333 Parts in slipcoverTP 315 Study score


Andante and Theme withVariations for flute, clarinet, horn and bassoonUrtext / Ed. P. GossettBA 10542 Score with parts

.. …………………. ….………………….………

……..………. Leoš Janá ek

(1854-1928)

/ J.

L. BA 9528 TP 528


(1809-1847)

/ C.

BA 9064 BA 9065

C op. 24

/ C. BA 9055 BA 9055-65


(1756-1791)

E K. 452

/ H.

BA 4730


(1756-1791)

K. Anh. 1,9 (297b) / C. H.

W. BA 5770-90 °

R.

K. Anh. I/9 (297b) BA 7137-90

B K. 361 (370a)

/ D. N.

N. BA 5331 TP 312

C K. 388 384a

/ D. N.

N. BA 5332 TP 313

E K. 375 / D. N.

N.

BA 5333 TP 315

Gioachino Rossini

(1792-1868)

/ P. BA 10542

/ P.

BA 10542

Leoš Janá ek

(1854-1928)

/ J.

L. BA 9528 TP 528


(1809-1847)

/ C.

BA 9064 BA 9065

C op. 24

/ C. BA 9055 BA 9055-65


(1756-1791)

E K. 452

/ H.

BA 4730

BA 5331

59

Choral Music 2013/2014SPA 30

The catalogue Choral Music (in English) includes sacred and secular choral works as well as choral collections, selected facsimiles, and books relating to vocal music. The catalogue contains cover illustrations, many musical samples, authors of piano reductions, descriptive texts for numerous editions, as well as excerpts from reviews. You will find a pdf of this catalogue on the Bärenreiter website under “Service”.

Sacred and Secular Choral Works


Cantatas

BWV 4Christ lag in Todes Banden (Ger/Eng)Cantata for Easter SundayUrtext / Ed. A. DürrBA 10 004-90 ° Vocal scoreTP 1004 Study score

BWV 78Jesu, der du meine Seele (Ger/Eng)Cantata for the 14th Sundayafter TrinityUrtext / Ed. W. NeumannBA 10 078-90 ° Vocal scoreTP 1078 Study score

BWV 106Gottes Zeit ist die allerbeste Zeit (Actus tragicus)(Ger/Eng)Urtext / Ed. R. HiguchiBA 10 106-90 ° Vocal scoreTP 1106 Study score

BWV 140Wachet auf, ruft uns die Stimme (Ger/Eng)Cantata for the 27th Sunday after TrinityUrtext / Ed. A. DürrBA 10 140-90 ° Vocal scoreTP 1140 Study score

BWV 147Herz und Mund und Tat und Leben (Ger/Eng)Cantata for the Feast of Visitation B.V.M.Urtext / Ed. U. WolfBA 10 147-90 ° Vocal scoreTP 1147 Study score

�

�

�

BWV 78

14 / W.

BA 10 078-90 ° TP 1078 BWV 106

/ R. BA 10 106-90 ° TP 1106 BWV 140

/

27 / A.

BA 10 140-90 ° TP 1140 BWV 147

/ U.

BA 10 147-90 ° TP 1147

.. …………...….. ………...…………. Johann Sebastian Bach

(1685-1750)

BWV 4

/

/ A.

BA 10 004-90 ° TP 1004

2013/2014

SPA 30

pdf

60

NEW

NEWMatthäus-Passion BWV 244 In den Versionen von Felix Mendelssohn Bartholdy Berlin 1829 und Leipzig 1841 (Ger)Urtext / Ed. K. WinklerBA 9088-90 � Vocal score in preparation

Himmelfahrts-OratoriumLobet Gott in seinen ReichenBWV 11Urtext / Ed. P. BrainardBA 10011-90 ° Vocal scoreTP 1011 Study scorein preparation


Symphony No. 9 in D minop. 125. Finale (Ger)Urtext / Ed. J. Del MarBA 9009-90 ° Vocal scoreTP 909 Study score

Facsimile editionISBN 978-3-7618-2169-5 Seite 85



BWV 211Schweigt stille, plaudert nicht“Coffee Cantata” (Ger/Eng)Urtext / Ed. W. NeumannBA 10 211-90 ° Vocal scoreTP 1211 Study score

The Complete Cantatas,Chorales and MotetsUrtext. 19 volumes instudy score formatTP 2004 Seite 75

Christmas OratorioBWV 248 (Ger/Eng)Urtext / Ed. W. Blankenburg, A. DürrBA 5014-90 ° Vocal scoreChoral parts also available separatelyTP 85 Study score

Magnificat in D majBWV 243 (Lat)Urtext / Ed. A. DürrBA 5103-90 ° Vocal scoreTP 2 Study score

Mass in B min BWV 232 (Lat)Urtext / Ed. U. WolfNew revised editionBA 5935-90 ° Vocal score TP 1232 Study score

For the first time the “Dresden parts” of 1733 which were largely written by Bach are included as valuable additional source material.

Also for the first time, annotations by J. S. Bach and C. P. E. Bach can be differentiated by using ink analysis (x-ray spectography of over 500 places in the score). This method also enables in-depth-analysis of areas which have been eroded to a large extent by iron ink gall erosion.


St. John Passion BWV 245(Ger/Eng)Urtext / Ed. A. MendelBA 5037-90 ° Vocal scoreTP 197 Study score

St. Matthew Passion BWV 244(Ger/Eng)Urtext / Ed. after M. Schneiderby A. DürrBA 5038-90 ° Vocal scoreTP 196 Study score


�

°


(1770-1827)

D op. 125

/ J. BA 9009-90 ° TP 909

ISBN 978-3-7618-2169-5

85

1733

500

ISBN 978-3-7618-2194-7

84

BWV 245

/ A.

BA 5037-90 ° TP 197

BWV 244

/ A. M.

BA 5038-90 ° TP 196

ISBN 978-3-7618-2294-4

84

............... .... Johann Sebastian Bach

(1685-1750)

BWV 211

/ W.BA 10 211-90 °TP 1211

19 TP 2004 75

BWV 248

/ W. A.

BA 5014-90 °

TP 85 D BWV 243

/ A. BA 5103-90 ° TP 2

B BWV 232

/ U.

BA 5935-90 ° TP 1232

BWV 244 1829

1841

/ K. BA 9088-90

BWV 11 / P.

BA 10011-90 ° TP 1011

61

NEW

NEW

NEW


Messe solennelle (Lat)Urtext / Ed. H. MacdonaldBA 5463-90 � Vocal scoreTP 333 Study score

Grande messe des morts,“Requiem” (Lat)Urtext / Ed. J. KindermannBA 5449-90 Vocal scoreTP 332 Study score


Requiem op. 89 (Lat)H 2924-90 Vocal score

Stabat Mater op. 58 (Lat)Ed. J. Kachlík, M. SrnkaVocal score based on Dvořák’soriginal piano versionH 7920 � Vocal score

The Spectre’s Brideop. 69 (Cz/Ger/Eng)Ed. F. Bartos, A. CubrBA 9544-90 � Vocal score


Requiem (Lat)Urtext / Ed. C. M. Stahl, M. StegemannBA 9461-90 ° Vocal score

� High-quality Urtext based on the Complete Works of Gabriel Fauré

� First systematic evaluation of all sources

� Based on the large orchestral version of 1900

� Foreword (Ger/Eng)

� Vocal score suitable for all versions of the Requiem


Acis and Galatea HWV 49bSerenata in tre parti(2nd version) (Eng/Ital/Ger)Urtext / Ed. A. HeinrichBA 10700-90 ° Vocal score

Alexander’s Fest or The Power of MusickHWV 75 (Ger/Eng)Urtext / Ed. K. AmelnNew revised editionBA 4001-92 ° Vocal score

Messiah HWV 56 (Eng)Urtext / Ed. J. TobinBA 4012-90 ° Vocal score(Ger/Eng)BA 4012-73 ° Vocal scoreTP 175 Study score


SolomonOratorio HWV 67 (Eng)Urtext / Ed. H. D. Clausen BA 10709-90 ° Vocal scorein preparation


The Creation / Die SchöpfungHob. XXI:2 (Ger/Eng)Urtext / Ed. A. OppermannBA 4648-90 ° Vocal score

Missa brevis Sancti Joannis de Deo “Little Organ Mass”Hob. XXII:7 (Lat)Urtext / Ed. H. C. Robbins Landon, K. H. Füssl, C. LandonBA 4653-90 ° Vocal scoreTP 95 Study score

Die Jahreszeiten Hob. XXI:3 (Ger/Eng/Fr)Urtext / Ed. A. RaabBA 4647-90 ° Vocal score

Stabat Mater Hob. XXbis (Lat)Urtext / Ed. M. Helms, F. StoltzfusBA 4642-90 ° Vocal score


Die erste Walpurgisnachtop. 60 (Ger/Eng)Text by Johann W. von GoetheUrtext / Ed. J. M. CooperPiano reduction by the composerBA 9072-90 � Vocal score

Hector Berlioz

(1803-1869)

/ H. BA 5463-90 TP 333

/ J. BA 5449-90 TP 332

Antonín Dvo ák

(1841-1904)

op. 89 H 2924-90

op.58 J. M.

H 7920

op. 69 / /

F. A. BA 9544-90

Gabriel Fauré

(1845-1924)

/ C. M.

M. BA 9461-90 °

1900

HWV 56 / J.

BA 4012-90 °

BA 4012-73 ° TP 175

ISBN 978-3-7618-2109-1 85

Joseph Haydn

(1732-1809)

Hob. XXI:2 /

/ A. BA 4648-90 °

Hob. XXII:7 / H. C.

K. H. C. BA 4653-90 ° TP 95

Hob. XXI:3

/ A. BA 4647-90 °

Hob. Xxbis / M.

F. BA 4642-90 °


(1809-1847)

op. 60 /

/ J. M.

BA 9072-90

HWV 67 ( ) / H. D.

BA 10709-90 °

HWV 56 / J.

BA 4012-90 °

BA 4012-73 ° TP 175

ISBN 978-3-7618-2109-1 85


(1685-1759)

HWV 49b / /

/ A. BA 10700-90 °

HWV 75 / / K.

BA 4001-92 °

Gabriel Fauré

(1845-1924)

/ C. M.

M. BA 9461-90 °

62

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NEW



Elijah op. 70 (Ger/Eng)OratorioText compiled by the composerfrom the Old and New TestamentsUrtext / Ed. D. SeatonPiano reduction by the composer, A. KöhsBA 9070-90 ° Vocal score

St. Paul op. 36 (Ger/Eng)Urtext / Ed. J. M. CooperPiano reduction by the composer, A. KöhsBA 9071-90 ° Vocal score

Psalm 42 op. 42(Ger/Eng)Urtext / Ed. J. M. CooperPiano reduction by the composerBA 9074-90 ° Vocal score

Monteverdi, ClaudioMonteverdi, Claudio(1567-1643)

Vespro della Beata Vergine (Lat)Urtext / Ed. H. Schulze et al.BA 8794-90 ° Vocal score

� Scholarly-critical Urtext edition orientated towards performance practice� Detailed critical commentary (Eng) in the full score


Ave verum corpus K. 618 (Lat)Urtext / Ed. H. FederhoferBA 4946-90 Vocal score

Laudate Dominumfrom the Vesperae solennesde Confessore K. 339 (Lat)Urtext / Ed. K. G. Fellerer,F. SchroederBA 5339-90 ° Vocal score

Missa in C maj “Coronation Mass” K. 317 (Lat)Urtext / Ed. M. HollBA 4880-90 ° Vocal scoreTP 316 Study score

Missa in C min K. 427 (417a) (Lat)Credo in unum Deum,Et incarnatus est, Sanctus, Hosanna. Reconstructed and completed by Helmut EderUrtext / Ed. M. HollBA 4846-90 � Vocal scoreTP 255 Study score

Requiem K. 626 (Lat)Mozart’s fragment in the version completed byFranz Xaver SüssmayrUrtext / Ed. L. NowakBA 4538-90 ° Vocal scoreTP 152 Study score


in preparation

Sancta Maria, mater DeiK. 273 (Lat)Urtext / Ed. H. FederhoferBA 4751-90 ° Vocal score

Veni Sancte Spiritus K. 47 (Lat)Urtext / Ed. H. FederhoferBA 4883-90 ° Vocal score

Vesperae solennesde Confessore K. 339 (Lat)Urtext / Ed. K. G. Fellerer, F. SchroederBA 4894-90 ° Vocal score


Petite Messe solennelle (Lat)Urtext / Ed. P. B. Brauner,P. GossettBA 10501-90 ° Vocal score

Winner of the Claude Palisca Prize 2010 awarded by the American Musicological Society for Best Musical Edition


German Mass D 872 (Ger)Second definitive versionUrtext / Ed. M. KubeBA 7599-90 ° Vocal score

Missa A-flat maj D 678 (Lat)Urtext / Ed. D. Finke-HecklingerBA 5623-90 Vocal score

Missa in C maj op. 48 D 452 (Lat)Urtext / Ed. P. ScattolinNew revised editionBA 5622-90 ° Vocal score

Verdi, GiuseppeVerdi, Giuseppe(1813-1901)

Messa da Requiem (Lat)Urtext / Ed. M. UviettaBA 7590-90 ° Vocal score


Gloria RV 589 (Lat)Urtext / Ed. M. BrunoBA 7674-90 ° Vocal Score

.......... ..... .... Felix Mendelssohn Bartholdy

(1809-1847)

op. 70 /

/ D.

A. BA 9070-90 °

op. 36 / / J. M.

A. BA 9071-90 °

42 op. 42 / / J. M.

BA 9074-90 °

Gioachino Rossini

(1792-1868)

/ P. B.

P. BA 10501-90 °

2010

Franz Schubert

(1797-1828)

D 872

/ M. BA 7599-90 °

A D 678 / D.

BA 5623-90 C op. 48 D 452

/ P.

BA 5622-90 °

Giuseppe Verdi

(1813-1901)

/ M.

BA 7590-90 °

Antonio Vivaldi

(1678-1741)

RV 589 / M.

BA 7674-90 °


(1756-1791)

K. 618 / H.

BA 4946-90

K. 339 / K. G.

F. BA 5339-90 ° C K. 317

/ M. BA 4880-90 ° TP 316 C K. 427 417a

/ M. BA 4846-90 TP 255

K. 626

/ L.

BA 4538-90 ° TP 152

K. 273 / H.

BA 4751-90 °

K. 47 / H.

BA 4883-90 °

K. 339 / K. G.

F. BA 4894-90 °

ISBN 978-3-7618-1880-0 86

ISBN 978-3-7618-2346-0

Claudio Monteverdi

(1567-1643)

/ H.

BA 8794-90 °

63

SACRED AND SECULAR CHORAL WORKS

64

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Stage Works


Fidelio (Ger) Urtext / H. Lühning, R. DidionBA 9011-90 � Vocal score

Bizet, GeorgesBizet, Georges(1838-1875)

Carmen (Fr/Ger) Urtext / Ed. F. OeserAE 129-90 � Vocal score

Chabrier, EmmanuelChabrier, Emmanuel(1841-1894)

L’Étoile (Fr/Ger)Opéra bouffe in three actsUrtext / Ed. H. MacdonaldBA 8708-90 � Vocal score


Rusalka op. 114 (Cz/Ger/Eng) Urtext / Ed. J. BurghauserBA 9510-90 � Vocal score

Gluck, Christoph WillibaldGluck, Christoph Willibald(1714-1787)

AlcesteParis Version 1776 (Fr/Ger)Tragédie-opéra en trois actesUrtext / Ed. R. GerberRevised editionBA 5848-90 � Vocal Score

Gluck, Christoph WillibaldGluck, Christoph Willibald(1714-1787)

AlcesteVienna Version 1767 (Ital/Ger)Urtext / Ed. G. CrollBA 5844-90 � Vocal Scorein preparation

Iphigenie auf Tauris Wiener Fassung 1781 (Ger)Urtext / Ed. G. CrollBA 5843-90 � Vocal Scorein preparation

Iphigenie auf Tauris Pariser Fassung 1779 (Fr/Ger)Urtext / Ed. G. CrollBA 5847-90 � Vocal Scorein preparation

Orfeo ed EuridiceVienna version 1762(Ital/Ger)Urtext / Ed. A. A. Abert, L. FinscherBA 5845-90 � Vocal Score

Orphée et Euridice Paris version 1774 (Fr/Ger)Urtext / Ed. L. FinscherBA 2282-90 � Vocal Score


Alcina HWV 34 (Ital/Ger)Urtext / Ed. S. FleschBA 4061-90 � Vocal score

Ariodante HWV 33 (Ital/Ger)Urtext / Ed. D. BurrowsBA 4079-90 � Vocal score

Arminio HWV 36Opera in three acts (Ital/Ger)Urtext / Ed. M. PacholkeBA 4100-90 � Vocal score

Giulio Cesare in Egitto HWV 17(Ital/Ger) Urtext / Ed. F. ZschochBA 4078-90 � Vocal score


Rinaldo (1711) HWV 7a(Ital/Ger) Urtext / Ed. D. R. B. KimbellBA 4033-90 � Vocal score

Rodelinda, Reginade’ Longobardi HWV 19(Ital/Ger) Urtext / Ed. A. V. JonesBA 4064-90 � Vocal score

Xerxes / Serse HWV 40(Ital/Ger) Urtext / Ed. T. BestBA 4076-90 � Vocal score


Osud (Destiny) (Cz/Ger)Three novel-like scenesof Fedora BartošováUrtext / Ed. J. ZahrádkaBA 9562-90 � Vocal Score

Monteverdi, ClaudioMonteverdi, Claudio(1567-1643)

L’Orfeo (Ital) Urtext / Ed. R. AlessandriniBA 8793-90 � Vocal score

commentary. � Mit Informationen (dt./engl.) zu den Werken� = Performance material available on hire

.. … .. .. Ludwig van Beethoven

(1770-1827)

/ H. R.

BA 9011-90

Georges Bizet

(1838-1875)

/ / F.

AE 129-90 Emmanuel Chabrier

(1841-1894)

/

/ H. BA 8708-90

Antonín Dvo ák

(1841-1904)

op. 114

/ J. BA 9510-90


(1685-1759)

HWV 34 /

/ S. BA 4061-90

HWV 33

/ D. BA 4079-90

HWV 17 /

/ F. BA 4078-90

Leoš Janá�ek

(1854-1928)

/ J.

BA 9562-90 �

Christoph Willibald Gluck

(1714–1787)

1767 /

/ G. BA 5844-90

1781

/ G. BA 5843-90

1779

/ G. BA 5847-90

1762

/ A. A.

L. BA 5845-90

1774

/ L. BA 2282-90


(1685-1759)

HWV 34 /

/ S. BA 4061-90

HWV 33

/ D. BA 4079-90

HWV 17

/ / F.

BA 4078-90

HWV 36

/ M.

BA 4100-90 �

Christoph Willibald Gluck

(1714–1787)

1776 /

/ R.

BA 5848-90

Emmanuel Chabrier

(1841-1894)

/

/ H. BA 8708-90

Antonín Dvo ák

(1841-1904)

op. 114

/ J. BA 9510-90


(1685-1759)

(1711) HWV 7a

/ D. R. B. BA 4033-90

HWV 19

/ A. V.

BA 4064-90

HWV 40

/ T. BA 4076-90

Claudio Monteverdi

(1567-1643)

/ R. BA 8793-90

.. … .. ..

65

NEW


Die Entführung aus dem Serail K. 384 / The Abduction from the Seraglio (Ger) Urtext / Ed. G. CrollRevised editionBA 4591-90 � Vocal scoreTP 311 Study score


Bastien and Bastienne K. 50 (46b) (Ger) F. W. Weiskern,Urtext / Ed. R. AngermüllerBA 4570-90 � Vocal score

La clemenza di Tito K. 621(Ital/Ger) Urtext / Ed. F. GieglingRevised editionBA 4554-90 � Vocal scoreTP 321 Study score


Così fan tutte ossiaLa scuola degli amanti K. 588(Ital/Ger) Urtext / Ed. F. Ferguson, W. RehmRevised editionBA 4606-90 � Vocal score(hardback)TP 314 Study score


Il dissoluto punitoossia il Don Giovanni K. 527(Ital/Ger) Urtext / Ed. W. Plath, W. RehmRevised editionBA 4550-90 � Vocal score(hardback)TP 279 Study score


La finta giardiniera K. 196(Ital/Ger) Urtext / Ed. R. Angermüller, D. BerkeBA 4578-90 � Vocal score(hardback)

Idomeneo K. 366(Ital/Ger) Urtext / Ed. D. HeartzRevised editionBA 4562-90 � Vocal score(hardback)TP 322 Study score


Le nozze di Figaro /The Marriage of Figaro K. 492(Ital/Ger) Urtext / Ed. L. FinscherRevised editionBA 4565-90 � Vocal score(hardback)TP 320 Study score


Die Zauberflöte K. 620(Ger) Urtext/ Ed. G. Gruber, A. OrelRevised editionBA 4553-90 � Vocal scoreTP 155 Study score


Mozart’s seven great Operasin a boxed setTP 601 Seite 78


The Barber of SevilleUrtext / Ed. P. B. BraunerBA 10506-92 � Vocal score (Ital/Eng)BA 10506-90 � Vocal score (Ital/Ger)TP 411 Study score

Salieri, Antonio Salieri, Antonio(1750-1825)

Prima la musica e poi le parole (Ital/Ger) Divertimento teatrale in un attoUrtext / Ed. T. BetzwieserBA 8811-90 � Vocal score

commentary. � Mit Informationen (dt./engl.) zu den Werken� = Performance material available on hire


(1756-1791)

K. 384 / G.

BA 4591-90 TP 311

ISBN 978-3-7618-1881-7

86

K. 50 (46b) F. W.

/ R. BA 4570-90

K. 621

/ F.

BA 4554-90 TP 321

ISBN 978-3-7618-1886-2

86

K. 588

/ F. W.

BA 4606-90

TP 314

ISBN 978-3-7618-1884-8

86

K. 527

/ W. W.

BA 4550-90

TP 279

ISBN 978-3-7618-1883-1

86

K. 196

/ R. D. BA 4578-90

K. 366

/ D.

BA 4562-90

TP 322

ISBN 978-3-7618-1880-0

86

Gioachino Rossini

(1792-1868)

/ P.

BA 10506-92

BA 10506-90

TP 411

TP 601

K. 620

/ G. A.

BA 4553-90 TP 155

ISBN 978-3-7618-1882-4 86

ISBN 978-3-7618-1885-5 86

K. 492

/ L.

BA 4565-90

TP 320

78

Antonio Salieri

(1750-1825)

/

/ T. BA 8811-90

66

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NEW

Solo Voice

Isherwood, NicholasIsherwood, Nicholas

The Techniques of Singing(Ger/Eng)ISBN 978-3-7618-1861-9 page 83


The Aria Book.Based on the Urtext of theNew Bach EditionEd. C. Lehmann

Each volume contains a detailed booklet in English with notes on performance practice and suggestions for teaching

Soprano BA 5211-04Alto BA 5212-04Tenor BA 5213-04Basso BA 5214-04


Mélodiespour voix haute et piano (Fr)Songs for high voice and pianoWith English and German song text translationsUrtext / Ed. I. Rumbold

Volume I: BA 5984Volume II: BA 5985

Les nuits d’été (Fr)Six mélodies avec un petit orchestre for high voice and piano.With English and German song text translationsUrtext / Ed. I. KempBA 5784-90 � Vocal score

Les nuits d’été (Fr)Six mélodies avec un petit orchestre for medium voice and piano.With English and German song text translationsUrtext / Ed. I. KempBA 5786-90 � Vocal score


Cypřiše (Cypresses)for High Voice and Piano (Cz)Song cycle based on texts ofGustav Pfleger-MoravskýEd. A. FreseBA 9569

Gypsy Songs op. 55(Cz/Eng/Ger)for voice and pianoH 1559 Tenor (Soprano)H 1739 Alto (Baritone)

Moravian Duets op. 20, 32, 38 (Cz/Ger/Eng)for soloists (SA) and pianoH 337 Full score

Rusalka’s Song to the Moon(Cz/Ger/Eng)for soprano and pianoText by Jaroslav KvapilH 4460 Vocal score


Aria Albums fromHandel’s Operas (Ital)Urtext. Selected and with a foreword by Donald Burrows

- Female Roles for High VoiceRecitatives and arias from: Alcina, Ariodante, Giulio Cesare in Egitto, Imeneo, Riccardo primo, Rinaldo, Serse (Xerxes), Tamerlano, Tolomeo, Re d’EgittoBA 4295

- Male Roles for High VoiceRecitatives and arias from: Alcina, Ariodante, Giulio Cesare in Egitto, Imeneo, Lotario, Radamisto, Rinaldo, Rodelinda, Serse (Xerxes), TamerlanoBA 4296

- Mezzo-Soprano and ContraltoRecitatives and arias from:Amadigi, Ariodante, Ezio, Flavio, Giulio Cesare in Egitto, Lotario, Orlando, Radamisto, Rinaldo, Rodelinda, Serse (Xerxes), TamerlanoBA 10253

- TenorRecitatives and arias from:Alcina, Ariodante, Ezio, Lotario, Rodelinda, Rodrigo, TamerlanoBA 10254

- BassRecitatives and arias from: Ariodante, Deidamia, Ezio, Giulio Cesare in Egitto, Imeneo, Lotario, Orlando, Radamisto, Riccardo Primo, Rodelinda, Serse (Xerxes), TolomeoBA 10255

I. BA 5784-90

I. BA 5786-90

op. 55 / /

H 1559 H 1739

op. 20, 32, 38 / /

H 337

/ /

H 4460

Nicholas Isherwood

ISBN 978-3-7618-1861-9 83

.. ………… …….


(1685-1750)

C.

BA 5211-04 BA 5212/04 BA 5213-04 BA 5214-04

Hector Berlioz

(1803-1869)

/ I.

BA 5984 BA 5985

Antonín Dvo ák

(1841-1904)

A. H 9569

BA 10253

BA 10254

BA 10255

BA 4296

BA 4295


(1685-1759)

op. 20, 32, 38

/ /

H 337

/ /

H 4460

BA 5211-04 BA 5212-04 BA 5213-04 BA 5214-04

BA 9569

67

From: Handel, Chamber Duets · BA 10257

NEW


Duets, Trios and Ensemble Scenes from Handel’s Operas(Ital)Urtext. Selected and witha foreword by Donald Burrows12 duets from: Ariodante, Flavio,Giulio Cesare in Egitto, Orlando, Rinaldo, Rodelinda, Sosarme, Tamerlano, Tolomeo and 3trios/ensemble scenes from: Alcina, Imeneo, TamerlanoBA 4297

Chamber Duetsfor Soprano and Alto (Ital)Urtext / Ed. K. MusketaRealization of basso continuoby Christoph HarerBA 10257

Nine German AriasHWV 202-210 (Ger)for soprano, one solo instrument and bcUrtext / Ed. W. Siegmund-SchultzeBA 4245 Score with parts


Lieder for high and medium voice and piano (Ger)Urtext / Ed. E. AstiBA 9085


The Aria BookBased on the Urtext of theNew Mozart EditionEd. C. LehmannEach volume contains a detailed booklet in English with notes on performance practice and suggestions for teaching

SopranoBA 5371-04 Volume 1BA 5372 Volume 2(without booklet)

AltoBA 5374

Complete Songs for high voice(Ger) With English song text translationsUrtext / Ed. E. A. BallinBA 5330

Complete Songsfor medium voice (Ger)With English song text translationsUrtext / Ed. E. A. BallinBA 5328

�

°


(1809-1847)

/ E.

BA 9085


(1756-1791)

C.

BA 5371-04 1 BA 5372 2

BA 5374

/ E. A.

BA 5330

/ E. A.

BA 5328

HWV 202-210

/ W.

BA 4245


(1685-1759)

12

BA 4297

/ K.

BA 10257

BA 10257

68

From: Mozart, Concert Arias for High Soprano · BA 9181

NEW

Pergolesi, Giovanni BattistaPergolesi, Giovanni Battista(1710-1736)

Stabat mater (Lat)for Soprano, Alto, Strings and Basso continuoUrtext / Ed. M. Bruno, C. RitchieBA 7679-90 ° Vocal score


Auf dem Strom D 943 (Ger)op. post. 119 for high voice,horn (violoncello) and pianoUrtext / Ed. W. DürrBA 5635

The Shepherd on the RockD 965 (Ger) op. post. 129 for high voice, clarinet and pianoUrtext / Ed. W. DürrBA 5619

Solo Voice


Concert AriasCompilation and foreword by Th. SeedorfNotes and suggestions onperfomance practice byTh. Seedorf and U. KrempUrtext / Ed. T. Seedorf �

Concert Arias for High SopranoBA 9181

Concert Arias for SopranoBA 9182

Concert Arias for Low Soprano and AltoBA 9183

Concert Arias for TenorBA 9184

Concert Arias for BassBA 9185

Exsultate, jubilate K. 165 (158a) (Lat) with additional materialfrom the Salzburg versionUrtext / Ed. H. Federhofer,R. MünsterBA 4897-90 ° Vocal score

�

°

................................. ....

K. 165 (158a)

/ . H. R. BA 4897-90 °

Giovanni Battista Pergolesi

(1710-1736)

/ M. C.

BA 7679-90 °

Franz Schubert

(1797-1828)

D 943 op. post. 119

/ W.

BA 5635

D 965 op. post. 129

/ W.

BA 5619


(1756-1791)

Th. Th. U.

/ Th.

BA 9181

BA 9182

BA 9183

BA 9184

BA 9185

Giovanni Battista Pergolesi

(1710-1736)

BA 9181

K. 165 (158a)

/ . H. R. BA 4897-90 °

/ M. C. BA 7679-90 °

69

NEW

NEWSchumann, RobertSchumann, Robert(1810-1856)

Liederkreis by H. Heine op. 24 (Ger)Urtext / Ed. W. H. EwertBA 7852

Dichterliebe op. 48 (Ger)Urtext / Ed. H. EwertBA 7851

Frauenliebe und Leben op. 42 (Ger)Urtext / H. EwertBA 7854

� Originalausgabe für mittlere Stimme

� Umfassendes zweisprachi ges Vorwort (dt./engl.) und Kritischer Bericht (dt.)

� Enthält separat abgedruckt die Liedtexte und ihre englischen Übersetzungen von Richard Stokes (The book of lieder)

Spohr, Louis Spohr, Louis (1784-1859)

Six German Songs op. 103for voice, clarinet and piano (Ger)Ed. F. O. LeinertBA 7571 Score with part


LiederTo be published in 14 volumes (Ger)Urtext / Ed. W. DürrWith a prefatory note (Ger/Eng)by Christoph Prégardien andAndreas Staier.

Volume 1From Erlkönig (op. 1) toDie schöne Müllerin (op. 25)BA 9101 highBA 9121 mediumBA 9141 low

Volume 2From Ariette (Rosamunde op. 26)to Die Allmacht (op. 79,2)BA 9102 highBA 9122 mediumBA 9142 low

Volume 3From Der Wanderer an denMond (op. 80,1) to Iphigenia(op. 98,3), including Winterreise(op. 89)BA 9103 highBA 9123 mediumBA 9143 low

Volume 4Op. 105-108; D 906-990C(incl. Schwanengesang D 957)BA 9104 highBA 9124 mediumBA 9144 low

Volume 5from Hagars Klage (D 5)to Der Geistertanz (D 116)BA 9105 highBA 9125 mediumBA 9145 low

Volume 6from Nachtgesang (D 119)to Sehnsucht der Liebe (D 180)BA 9106 highBA 9126 mediumBA 9146 low

Volume 7from Die erste Liebe (D 182)to Wer kauft Liebesgötter (D 261)BA 9107 highBA 9127 mediumBA 9147 low

Die schöne Müllerin op. 25 (Ger)Urtext / Ed. W. DürrBA 9117 highBA 9137 mediumBA 9157 low

Schwanengesang D 957 /D 965 A (Ger)Urtext / Ed. W. DürrBA 9116 highBA 9136 mediumBA 9156 low

Winterreise op. 89 (Ger)Urtext / Ed. W. DürrThe Appendix includes Wasserflut, Rast, Mut and Der Leiermann in Schubert’s original keysBA 9118 highBA 9138 mediumBA 9158 low

Franz Schubert

(1797-1828)

Robert Schumann

(1810-1856)

H. op. 24

/ H. BA 7852

op. 48 / H.

BA 7851

op. 42

/ H. BA 7854

The book of lieder

Louis Spohr

(1784-1859)

op. 103

F. O. BA 7571

1

op. 1 op. 25

BA 9101 BA 9121 BA 9141

2

op. 26 op. 79,2BA 9102 BA 9122 BA 9142

3 op. 80,1

op. 98,3 op. 89

BA 9103 BA 9123 BA 9143

4 Op. 105-108 D 906-990C

D 957 BA 9104 BA 9124 BA 9144

5 D 5

D 116 BA 9105 BA 9125 BA 9145

op. 89

/ W.

BA 9118 BA 9138 BA 9158

6 (D 119) (D 180)

BA 9106 BA 9126 BA 9146

7 (D 182)

(D 261) BA 9107 BA 9127 BA 9147

op. 25 / W.

BA 9117 BA 9137 BA 9157

D 957/D 965A

/ W. BA 9116 BA 9136 BA 9156

14

/ W.

/

70

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NEW

NEW

Orchestral Scores


OverturesUrtext / Ed. H. Besseler, H. Grüss

Overture in C maj BWV 1066BA 5252 °

Overture in B min BWV 1067BA 5253 °

Overture in D maj BWV 1068BA 5254 °

Overture in D maj BWV 1069BA 5255 °


The Nine SymphoniesUrtext / Ed. J. Del Mar

- No. 1 in C maj op. 21BA 9001 °

- No. 2 in D maj op. 36BA 9002 °

- No. 3 in E-flat maj op. 55 “Eroica”BA 9003 °

- No. 4 in B-flat maj op. 60BA 9004 °

- No. 5 in C min op. 67BA 9005 °

- No. 6 in F maj op. 68 “Pastoral”BA 9006 °

- No. 7 in A maj op. 92BA 9007 °

- No. 8 in F maj op. 93BA 9008 °

- No. 9 in D min op. 125BA 9009 °

Critical commentaries available separately.

The Nine SymphoniesUrtext / Ed. J. Del MarBoxed set of conducting scoresBA 9000 Special price

Beethoven’s Piano Concertos

Concerto No. 1 in C maj for Pianoforte and Orchestra, op. 15Urtext / Ed. J. Del MarBA 9021 °

Concerto No. 2in B-flat maj for Pianoforteand Orchestra, op. 19Urtext / Ed. J. Del MarBA 9022 °

Concerto No. 3in C min for Pianoforteand OrchestraBA 9023 °

in preparation:Concerto No. 4in G maj for Pianoforteand OrchestraBA 9024 °

Critical commentariesavailable separately.


Prélude à l’après-midi d’un faune / Prelude to the Afternoon of a FaunUrtext / Ed. D. Woodfull-HarrisBA 8841 °

La MerUrtext / Ed. D. Woodfull-HarrisBA 7880 °TP 780

� Neue Urtext-Ausgabe mit zahlreichen Änderungen im Vergleich zu anderen Editionen

� Berücksichtigung von wichtigen Quellen, die bisher nicht zugänglich waren


......... .... . Johann Sebastian Bach

(1685-1750)

/ H. H.

C BWV 1066 BA 5252 ° B BWV 1067 BA 5253 ° D BWV 1068 BA 5254 ° D BWV 1069 BA 5255 °


(1770-1827)

/ J.

C op. 21

TP 9001 °

D op. 36 TP 9002 °

E op. 55

TP 9003 °

B op. 60 TP 9004 °

C op. 67 TP 9005 °

F op. 68

TP 9006 °

A op. 92 TP 9007 °

F op. 93 TP 9008 °

D op. 125 TP 9009 °

C

op.15 / J.

BA 9021 °

B op.19

/ J. BA 9022 °

C

BA 9023 °

G

BA 9024 °

C BWV 1066 BA 5252 ° B BWV 1067 BA 5253 ° D BWV 1068 BA 5254 ° D BWV 1069 BA 5255 °


(1770-1827)

/ J.

C op. 21

TP 9001 °

D op. 36 TP 9002 °

E op. 55

TP 9003 °

B op. 60 TP 9004 °

Claude Debussy

(1862-1918)

/ D.

BA 8841 °

/ D. —BA 7880 ° TP 780

/ J.

BA 9000

C

op.15 / J.

BA 9021 °

B op.19

/ J. BA 9022 °

71

NEW

NEWDvořák, AntonínDvořák, Antonín(1841-1904)

Symphony No. 7 in D min op. 70Urtext / Ed. J. Del MarBA 10417 °

Dvořák’s Symphony No. 7 was commissioned by the Royal Philharmonic Society in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvořák’s cello concerto in B minor (BA 9045), not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in the appendix as well as in the performing material.

� First Urtext edition of this important work

� Contains the original London version of the second movement

� Includes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)


Variations on an Original Theme “Enigma” for Orchestra op. 36Urtext / Ed. C. HogwoodBA 9042 °

� First Urtext edition of this popular concert work� Critical commentary (Eng) with facsimiles


Pavane op. 50Urtext / Ed. R. TaitBA 7887in preparation

Die vorliegende wissenschaft-lich-kritische Neuausgabe von Faurés beliebter Pavane wurde von Robin Tate im Rahmen der Gesamtausgabe der Werke Gabriel Faurés ediert. Das Werk erfreut sich heute vor allem in seinen zahlreichen Bearbeitungen großer Beliebt-heit, die ursprüngliche Fassung für Orchester jedoch wird hier zum ersten Mal verlegt. Kurz nachdem Fauré das Orchester-werk vollendet hatte, wandte er sich einer Fassung für Chor zu, die dann ihre Erstauffüh-rung vor der des Orchester-werks erleben sollte.

Die neue Bärenreiter-Ausgabe bietet Dirigenten und Orche-stern eine zuverlässige Urtext-Ausgabe für die Urfassung der Pavane, die Konzertprogram-me bereichern wird.


Music for the Royal Fireworks HWV 351Urtext / Ed. C. Hogwood, T. BestBA 4299 °

Water Music HWV 348-350Urtext / Ed. C. Hogwood,T. BestBA 4298 °


Konzert in C-Dur für Violine und Orchester Hob. VIIa:1Urtext / Ed. C.-G. Stellan MörnerBA 4678


The Great OverturesUrtext / Ed. C. Hogwood

Die schöne Melusine /The Fair Melusina op. 32BA 9051 °

Overture in C maj“Trumpet Overture” op. 101BA 9052 °

The Hebrides,Concert Overture op. 26, 1830/1832BA 9053 °

Ruy Blas, Overture op. 95BA 9054 °

Overture in C maj for Winds op. 24BA 9055 °

A Midsummer Night's Dream,Concert Overture op. 21BA 9056 °

Calm Sea and ProsperousVoyage, Concert Overture op. 27BA 9057 °

Symphony No. 3in A min “Scottish” op. 56Urtext / Ed. C. HogwoodBA 9093 °

Symphony No. 4in A maj “Italian” op. 90Urtext / Ed. C. HogwoodBA 9094 °

Symphony No. 5in D maj “Reformation” op. 107Urtext / Ed. C. HogwoodBA 9095 °

Edward Elgar

(1857-1934)

op. 36

/ C. BA 9042 °


(1685-1759)

HWV 351 / C.

T.

BA 4299 °

HWV 348-350 / C.

T. BA 4298 °

Antonín Dvo ák

(1841-1904)

D op. 70 / J.

BA 10417 ° 1883

81885 4 22

6401885 Simrock

BA 9045

Gabriel Fauré

(1845-1924)

op. 50 / R.

BA 7887

Joseph Haydn

(1732-1809) C Hob. VIIa:1

/ C.-G. BA 4678


(1809-1847)

/ C.

op. 32

BA 9051 ° C op. 101 BA 9052 °

op. 26

1830/1832 BA 9053 °

op. 95 BA 9054 ° C op. 24 BA 9055 °

op. 21

BA 9056 °

op. 27

BA 9057 ° A

op. 56 / C.

BA 9093 ° A

op. 90 / C.

BA 9094 ° D

op. 107 / C.

BA 9095 °

72

NEW

Orchestral Scores


Opera Overtures

Le nozze di Figaro /The Marriage of Figaro K. 492Urtext / Ed. L. FinscherBA 8801 °

Don Giovanni K. 527Urtext / Ed. W. Plath, W. RehmBA 8802 °

Così fan tutte K. 588Urtext / Ed. F. Ferguson,W. RehmBA 8803 °

Idomeneo K. 366Urtext / Ed. D. HeartzBA 8804 °

La clemenza di Tito K. 621Urtext / Ed. F. GieglingBA 8805 °

Die Zauberflöte /The Magic Flute K. 620Urtext / Ed. G. Gruber, A. OrelBA 8806 °

Die Entführung aus demSerail / The Abduction fromthe Seraglio K. 384Urtext / Ed. G. Croll,D. Woodfull-HarrisBA 8807

Symphonies

Bärenreiter offers the salesmaterial to the completeMozart symphonies with the Urtext of the New MozartEdition.

Symphony in G min No. 25K. 183Urtext / Ed. H. BeckBA 4748 °

Symphony in A maj No. 29K. 201Urtext / Ed. H. BeckBA 4722 °

Symphony in D maj “Haffner”No. 35, K. 385Urtext / Ed. C. H. MahlingBA 4781 °

Symphony in C maj “Linz”No. 36, K. 425Urtext / Ed. F. SchnappBA 4704 °

Symphony in D maj “Prague” No. 38, K. 504Urtext / Ed. L. SomfaiBA 4766 °

Symphony in E-flat majNo. 39, K. 543Urtext / Ed. H. C. Robbins LandonBA 4723 °

Symphony in G min No. 40,K. 550. First versionUrtext / Ed. H. C. Robbins LandonBA 4710, BA 4724 °

Symphony in G min No. 40,K. 550. Second versionUrtext / Ed. H. C. Robbins LandonBA 4724 °

Symphony in C maj “Jupiter” No. 41, K. 551Urtext / Ed. H. C. Robbins LandonBA 4703 °

Complete Symphonies4 study scores in a setUrtextTP 600 page 78


Pavane pour une infantedéfunte pour orchestreUrtext / Ed. R. Back,D. Woodfull-HarrisBA 9044 °

TziganeRhapsody for Violin andOrchestraUrtext / Ed. D. Woodfull-HarrisBA 8849 °


Il barbiere di Siviglia /The Barber of SevilleOvertureUrtext / Ed. P. BraunerBA 10546 °

� First Urtext edition of this popular overture

� Foreword (Ger/Eng/Ital)

� Optimal page-turns incorporated


Die MoldauOrchesterfassungUrtext / Ed. H. MacdonaldBA 9558 °

. ..... Wolfgang Amadeus Mozart

(1756-1791)

K. 492

/ L. BA 8801 °

K. 527 / W. W.

BA 8802 °

K. 588 / F. W.

BA 8803 °

K. 366 / D.

BA 8804 °

K. 621 / F.

BA 8805 °

K. 620 / G.

A. BA 8806 °

K. 384 / G.

D. — BA 8807

G

25 K. 183 / H.

BA 4748 ° A

29 K. 201 / H.

BA 4722 °

D

35 K. 385 / Chr. H.

BA 4781 ° C

36 K. 425 / F.

BA 4704 ° D

38 K. 504 / L.

BA 4766 °

E 39 K. 543

/ H. C. BA 4723 ° G

40 K. 550 / H. C.

BA 4710 BA 4724 ° G

40 K. 550 / H. C.

BA 4724 ° C

41 K. 551 / H. C.

BA 4703 °

Maurice Ravel

(1875-1937)

/ R. D. — BA 9044 °

/ D. — BA 8849 °

D

35 K. 385 / Chr. H.

BA 4781 ° C

36 K. 425 / F.

BA 4704 ° D

38 K. 504 / L.

BA 4766 °

E 39 K. 543

/ H. C. BA 4723 ° G

40 K. 550 / H. C.

BA 4710 BA 4724 ° G

40 K. 550 / H. C.

BA 4724 ° C

41 K. 551 / H. C.

BA 4703 °

Gioachino Rossini

(1792-1868)

/ P. BA 10546 °

Bed ich Smetana

(1824-1884)

/ H. BA 9558 °

4

TP 600 78

Maurice Ravel

(1875-1937)

/ R. D. — BA 9044 °

/ D. — BA 8849 °

73

74

Die Edition von Beethovens IX. Symphonie

aus dem Bärenreiter-Verlag ist Grundlage

einer neuen App für iPhone und iPad von der

Deutschen Grammophon und Touch Press.

In der App wurden vier herausragende

Interpretationen des Werkes synchronisiert

und können zu jedem Zeitpunkt verglichen

werden:

• Berliner Philharmoniker,

Ferenc Fricsay (1958)

• Berliner Philharmoniker,

Herbert von Karajan (1963)

• Wiener Philharmoniker, Leonard Bernstein

(1979), auch als Video

• Orchestre Révolutionnaire et Romantique,

John Eliot Gardiner (1992)

Zu den Aufnahmen kann die komplette

digitalisierte und aufbereitete Orchester-

partitur des Bärenreiter-Verlags

in der Edition von Jonathan Del Mar in

verschiedenen Darstellungsweisen

eingeblendet werden.

Begleittexte und Interviews ergänzen das

für klassische Musik neuartige Medium.

Weitere Informationen im Internet unter:www.baerenreiter.com

Beethoven’s 9th Symphony as an app for iPad and iPhone

from Deutsche Grammophon and Touch Press edited by Jonathan Del Mar

App


appiPad IPhone

Touch Press

Touch PressiPhone iPad App

App

1958

1963

1979

1992

75

Violin Concertos in A minBWV 1041 and in E majBWV 1042Urtext / Ed. D. KilianTP 269

Overture No. 2 in B minBWV 1067Urtext / Ed. H. GrüßTP 193

Johann Sebastian BachJohann Sebastian Bach

The Complete Cantatas, Chorales and Motets19 study scores in paperback

Urtext. Study scores 19 volumes with more than 11,000 pages. Includes an index volume. TP 2004

Study Scores


Chamber Music

Complete Piano WorksUrtext. 4 study scores in a setTP 2002 Special price

The Art of Fugue BWV 1080Urtext / Ed. H. DienerTP 26

Orchestral Works

Six Brandenburg ConcertosBWV 1046-1051Urtext / Ed. H. BesselerTP 9

Concertos for HarpsichordBWV 1052-1058Urtext / Ed. W. BreigTP 410

Double Concerto in D minBWV 1043 for two violins, strings and bcUrtext / Ed. D. KilianTP 284

�

�

�

�

. ………….. ……. Johann Sebastian Bach

(1685-1750)

BWV 1080

/ H. TP 26

BWV 1046-1051 / H.

TP 9

BWV 1052-1058

/ W. TP 410 D BWV 1043

/ D.

TP 284

A BWV 1041 EBWV 1042

/ D. TP 269

B 2 BWV 1067

/ H. TP 193

4 TP 2002

19 11,000 TP 2004


BWV 1046-1051 / H.

TP 9

BWV 1052-1058

/ W. TP 410 D BWV 1043

/ D.

TP 284

19

76

NEW

Study Scores


Masses, Oratorios

Christmas Oratorio BWV 248Urtext / Ed. W. Blankenburg,A. DürrTP 85

Mass in B min BWV 232Urtext / Ed. U. WolfNew revised editionTP 1232

St. John Passion BWV 245Urtext / Ed. A. MendelTP 197

St. Matthew Passion BWV 244Urtext / Ed. A. DürrTP 196

Oratorium Festo Ascensionis Christi (Himmelfahrts-Oratorium)Lobet Gott in seinen Reichen, BWV 11TP 1011


Concerto in D majfor Violin and Orchestra op. 61Urtext / Ed. J. Del MarTP 919

String Quartets op. 18, 1-6Urtext / Ed. J. Del MarTP 916

String Quartets op. 59, 1-3Urtext / Ed. J. Del MarTP 917

String Quartets opp. 74, 95Urtext / Ed. J. Del MarTP 918

The Nine SymphoniesUrtext / Ed. J. Del MarWith an introduction (Ger/Eng)by Barry Cooper

- No. 1 in C maj op. 21TP 901

- No. 2 in D maj op. 36TP 902

- No. 3 in E-flat maj op. 55“Eroica”TP 903

- No. 4 in B-flat maj op. 60TP 904

- No. 5 in C min op. 67TP 905

- No. 6 in F maj op. 68“Pastoral”TP 906

- No. 7 in A maj op. 92TP 907

- No. 8 in F maj op. 93TP 908

- No. 9 in D min op. 125TP 909

The Nine Symphonies9 study scores in a setTP 900 Special price


Symphonie fantastiqueUrtext / Ed. N. TemperleyTP 331


Concerto in D maj for Violinand Orchestra op. 77Urtext / Ed. C. BrownTP 949


La MerUrtext / Ed. D. Woodfull-HarrisTP 780 in Vorbereitung

Prélude à l’après-midi d’un faune / Prelude to the Afternoon of a FaunUrtext / Ed. D. Woodfull-HarrisTP 841


The Nine Symphonies

Symphony No. 1 in C minTP 501

Symphony No. 2 in B-flat maj op. 4TP 502

Symphony No. 3 in E-flat maj op. 10TP 503

Symphony No. 4 in D minop. 13TP 504

Symphony No. 5 in F majop. 76TP 505

Symphony No. 6 in D majop. 60TP 506

.. Johann Sebastian Bach

(1685-1750)

BWV 248

/ W. A. TP 85 B BWV 232

/ U.

TP 1232

BWV 245 / A.

TP 197

BWV 244 / A.

TP 196


(1770-1827)

D op. 61

/ J. TP 919

op. 18, 1-6 / J.

TP 916

op. 59, 1-3 / J.

TP 917

op. 74 op. 95 / J.

TP 918

/ J.

/

C op. 21

TP 901

D op. 36 TP 902

E op. 55

TP 903

B op. 60 TP 904

C op. 67 TP 905

F op. 68

TP 906

A op. 92 TP 907

F op. 93 TP 908

D op. 125 TP 909

Hector Berlioz

(1803-1869)

/ N.

TP 331

Johannes Brahms

(1833-1897)

D op. 77

/ C. TP 949

Antonín Dvo ák

(1841-1904)

C TP 501

B op. 4 TP 502

E op. 10 TP 503 D op. 13 TP 504 F op. 76 TP 505 D op. 60 TP 506

9 TP 900

Claude Debussy

(1862-1918)

/ D. —

TP 780

/ D. —

TP 841

BWV 11 / P.

TP 1011

77

NEW


Symphony No. 7 in D minop. 70TP 507

Symphony No. 8 in G majop. 88TP 508

Symphony No. 9 in E minop. 95TP 509


Concerto in E minfor Violoncello and Orchestra op. 85Urtext / Ed. J. Del MarTP 398


Messiah HWV 56Urtext / Ed. J. TobinTP 175

Music of the Royal Fireworks HWV 351Urtext / Ed. C. HogwoodTP 373

Water Music HWV 348-350Urtext / Ed. T. BestTP 374


Concerto No. 1 in C majfor Violoncello and OrchestraHob. VIIb:1Urtext / Ed. S. GerlachTP 291

Concerto No. 2 in D majfor Violoncello and OrchestraHob. VIIb:2Urtext / Ed. S. GerlachTP 292

Concerto in E-flat majfor trumpet and orchestraHob. VIIe:1Urtext / Ed. M. OhmiyaTP 351


Concerto in E min forViolin and Orchestra op. 64Urtext / Ed. R. L. ToddTP 397

The HebridesConcert Overture op. 26 Urtext / Ed. C. HogwoodTP 395

A Midsummer Night's DreamConcert Overture op. 21Urtext / Ed. C. HogwoodTP 396


Chamber Music

Eine kleine NachtmusikK. 525Urtext / Ed. E. F. SchmidTP 19

Quartets K. 285, 285a, Anh. 171, 298 for flute, violin, viola andvioloncelloUrtext / Ed. J. PohankaTP 150

Quintet in A maj K. 581for clarinet, two violins, viola and violoncelloUrtext / Ed. E. F. SchmidTP 14

Serenade in C min K. 388 (384a)Urtext / Ed. D. N. Leeson,N. ZaslawTP 313

Serenade in E-flat maj K. 375Urtext / Ed. D. N. Leeson,N. ZaslawTP 315

The Ten Celebrated StringQuartets K. 387, 421, 428, 458, 464, 465, 499, 575, 589, 590Urtext / Ed. L. FinscherTP 140

Three Divertimentifor strings K. 136-138 (125a-c)Urtext / Ed. K. H. FüsslTP 278

Concertos for Strings

Complete Violin ConcertosUrtext / Ed. C. H. Mahling

- No. 1 in B-flat maj K. 207TP 270

- No. 2 in D maj K. 211TP 271

- No. 3 in G maj K. 216TP 272

- No. 4 in D maj K. 218TP 273

- No. 5 in A maj K. 219TP 20

Sinfonia concertante in E-flat maj for Violin, Viola andOrchestra K. 364 (320d)Urtext / Ed. C. H. MahlingTP 176

Werke für Violine und OrchesterUrtext / Ed. C. H. MahlingTP 325

Concertos for Winds

Concerto in C maj for Oboeand Orchestra K. 314 (285d)Urtext / Ed. F. GieglingTP 252

Concerto in A maj for Clarinet and Orchestra K. 622Urtext / Ed. F. GieglingTP 254

Antonín Dvo ák

(1841-1904)

D op. 70 TP 507 G op. 88 TP 508 E op. 95 TP 509

Edward Elgar

(1857-1934) E

op. 85 / J.

TP 398


(1685-1759)

HWV 56 / J.

TP 175

HWV 351 / C.

TP 373

HWV 348-350 / T.

TP 374 Joseph Haydn

(1732-1809)

C Hob. VIIb: 1

/ S. TP 291 D

Hob. VIIb:2 / S.

TP 292 E

Hob. VIIe:1 / M.

TP 351


(1809-1847)

E op. 64

/ R. L. TP 397

op. 26 / C.

TP 395

op. 21 TP 396


(1756-1791)

K. 525 / E. F.

TP 19

K. 285 285a Anh. 171298

/ J. TP 150 A K. 581

/ E. F.

TP 14 C K. 388 (384a)

/ D. N. N. TP 313

E K. 375 / D. N.

N. TP 315

K. 387 421428 458 464 465 499 575589 590 / L. TP 140

K. 136-138 125a-c

/ K. H. TP 278

/ C. H. — B 1 K. 207 TP 270 — D 2 K. 211 TP 271 — G 3 K. 216 TP 272 — D 4 K. 218 TP 273 — A 5 K. 219 TP 20

E

K. 364 (320d) / C. H.

TP 176

C

K. 314 285d / F.

TP 252

A K. 622

/ F. TP 254

/ C. H.

TP 325

C

K. 314 285d / F.

TP 252

A K. 622

/ F. TP 254

E

Hob. VIIe:1 / M.

TP 351


(1756-1791)

K. 525 / E. F.

TP 19

K. 285 285a Anh. 171298

/ J. TP 150 A K. 581

/ E. F.

TP 14 C K. 388 (384a)

/ D. N. N. TP 313

E K. 375 / D. N.

N. TP 315

K. 387 421428 458 464 465 499 575589 590 / L. TP 140

K. 136-138 125a-c

/ K. H. TP 278

op. 21

/ C. TP 396

/ C.

78

Study Scores


The Horn ConcertosK. 417, 447, 495, 412 + 514 (386b)Urtext / Ed. F. GieglingTP 324

Piano Concertos

The Piano Concertos3 study scores in a set. UrtextTP 602 Special price

- No. 12 in A maj K. 414Urtext / Ed. C. WolffTP 244

- No. 20 in D min K. 466Urtext / Ed. H. Engel, H. HeussnerTP 147

- No. 21 in C maj K. 467Urtext / Ed. H. Engel, H. HeussnerTP 148

- No. 23 in A maj K. 488Urtext / Ed. H. BeckTP 62

- No. 24 in C min K. 491Urtext / Ed. H. BeckTP 63

Symphonies

Complete Symphonies4 study scores in a setUrtextTP 600 Special price

- No. 29 in A maj K. 201Urtext / Ed. H. BeckTP 43

- No. 31 in D maj “Paris” K. 297Urtext / Ed. H. BeckTP 41

- No. 35 in D maj “Haffner” K. 385Urtext / Ed. C. H. MahlingTP 180

- No. 36 in C maj “Linz” K. 425Urtext / Ed. F. SchnappTP 16

- No. 38 in D maj “Prague” K. 504Urtext / Ed. L. SomfaiTP 160

- No. 39 in E-flat maj K. 543Urtext / Ed. H. C. Robbins LandonTP 39

- No. 40 in G min K. 550,second version with clarinetsUrtext / Ed. H. C. Robbins LandonTP 40

- No. 41 in C maj “Jupiter” K. 551Urtext / Ed. H. C. Robbins LandonTP 17

Sacred Vocal Works

Mass in C maj“Coronation Mass” K. 317Urtext / Ed. M. HollTP 316

Mass in C min K. 427Urtext / Ed. M. HollTP 255

Requiem K. 626Urtext / Ed. L. NowakTP 152

Stage Works

The Abduction from theSeraglio K. 384 (Ger)Opera Singspiel in three actsUrtext / Ed. G. CrollTP 311

La clemenza di TitoOpera seria in two acts K. 621Urtext / Ed. F. GieglingTP 321

Wolfgang Amadeus MozartWolfgang Amadeus Mozart

Seven Great Operas in a boxed set

Seven study scores in a set UrtextTP 601 Special price

.. Wolfgang Amadeus Mozart

(1756-1791)

K.417 447 495412+514 386b

/ F. TP 324

3 TP 602 — 12 A K. 414

/ C. TP 244 — 20 D K. 466

/ H. H. TP 147 — 21 C K. 467

/ H. H. TP 148 — 23 A K. 488

/ H. TP 62 — 24 C K. 491

/ H. TP 63

C

K. 317 / M.

TP 316 C K. 427

/ M. TP 255

K. 626 / L.

TP 152

K. 384

/ G.

TP 311

K. 621

/ F. TP 321

7

TP 601


— 29 A K. 201

/ H. TP 43 — 31 D K. 297

/ H. TP 41 — 35 D K. 385

/ C. H. TP 180 — 36 C K. 425

/ F. TP 16 — 38 D K. 504

/ L. TP 160 — 39 E K. 543

/ H. C. TP 39 — 40 G K. 550

/ H. C.

TP 40 — 41 C K. 551

/ H. C. TP 17

4 TP 600

79

From: Mozart, The Magic Flute K. 620 · TP 155

Study Scores

Stage Works


Così fan tutte K. 588Urtext / Ed. F. Ferguson,W. RehmTP 314

Don Giovanni K. 527Urtext / Ed. W. Plath, W. RehmTP 279

Idomeneo K. 366Urtext / Ed. D. HeartzRevised editionTP 322

The Magic Flute K. 620Urtext / Ed. G. Gruber, A. OrelTP 155

Le nozze di Figaro K. 492Urtext / Ed. L. FinscherTP 320


The Barber of SevilleUrtext / Ed. P. BraunerTP 411 page 72


Complete Chamber Musicin 3 Volumes. Study score edition. UrtextTP 409 Special reduced price

The Eight SymphoniesUrtext

- No. 1 in D maj D 82Ed. C. Landon, A. FeilTP 401

- No. 2 in B-flat maj D 125Ed. C. Landon, A. FeilTP 402

- No. 3 in D maj D 200Ed. C. Landon, A. FeilTP 403

- No. 4 in C min D 417Ed. D. Woodfull-HarrisTP 404

- No. 5 in B-flat maj D 485Ed. D. Woodfull-HarrisTP 405

- No. 6 in C maj D 589Ed. D. Woodfull-HarrisTP 406

- No. 7 in B min D 759“Unfinished”Ed. W. AderholdTP 407

- No. 8 in C maj D 944Ed. D. Woodfull-HarrisTP 408


The Four SeasonsUrtext / Ed. C. HogwoodTP 399

.. ………… Wolfgang Amadeus Mozart

(1756-1791)

K. 588

/ F. W. TP 314

K. 527 / W. W.

TP 279

K. 366 / D.

TP 322

K. 620 / G.

A. TP 155

K. 492 / L.

TP 320

Gioachino Rossini

(1792-1868)

/ P.

TP 411 72

Franz Schubert

(1797-1828)

3 TP 409

K. 620 / G.

A. TP 155

K. 492 / L.

TP 320

Gioachino Rossini

(1792-1868)

/ P.

TP 411 72

Franz Schubert

(1797-1828)

3 TP 409

D D 82

C. A. TP 401

B D 125 C. A.

TP 402

D D 200 C. A.

TP 403

C D 417 D.

TP 404

B D 485 D.

TP 405

C D 589 D.

TP 406

B D 759

W.

TP 407

C D 944 D.

TP 408

Antonio Vivaldi

(1678-1741)

/ C.

TP 399

65

K. 620 TP 155

80

Bärenreiter Study Score Reader

Einstieg über die kostenlose Demo-Version zu Debussys Prélude à l’après-midi d’un faune!

Die großen Werke der klassischen Musik von Bach bis Debussy

Angenehmes und einfaches Notenstudium auf Ihrem iPad

Hochaufgelöste und gestochen scharfe Partiturseiten

Mit der Möglichkeit, persönliche Eintragungen vorzunehmen

Stetige Erweiterung der digitalen Partituren-Bibliothek

Ausführliche Informationen unter www.baerenreiter.com

◼

◼

◼

iPad


81

NEW

NEW

ZeitgenössischeMusik

Piano Album BärenreiterContemporary Composers


� Please find the complete contents at www.baerenreiter.com

Klavier-Festival RuhrBärenreiter Piano Album

BA 9659

Diese Sammlung neuer Klavier-werke für zwei und vier Hände zeigt, dass zeitgenössische Musik Kinder und Erwachsene mit ganz unterschiedlichen musikalischen Vorkenntnissen und Interessen begeistern kann. The album includes exclusively first publications.

In the versions for piano duet, one part is kept sufficiently easy for the less experienced pianist to play.

� L. Bedford, Give Him His Hat (versions for piano two and four hands) / G. Benjamin, Two or Four (versions for piano two and four hands) / Y. Höller, Solo play (for piano two hands) / Y. Höller, Duo play (for piano four hands) / O. Lervik, Imbalances I (for piano two hands) / O. Lervik, Imbalances II (for piano four hands) / V. Nicolaou, astronauts (for piano two hands) / V. Nicolaou, scene (for piano four hands) / M. Stroppa, Le marteau fantôme (for piano two and four hands)

Barraqué, JeanBarraqué, Jean(1928-1973)

Sonate pour piano (1959)BA 7284

Burkhard, WilliBurkhard, Willi(1900-1955)

Serenade op. 71 Nr. 3Für Flöte und Gitarre (ca. 1945)BA 8175

Distler, HugoDistler, Hugo(1908-1942)

11 kleine Klavierstücke für die Jugend op. 15bBA 1803

Furrer, BeatFurrer, Beat(*1954)

Drei Klavierstücke (2004)BA 9326

Enigma I-IV und VI für gemischten Chor a cappella (2006-2013)BA 11052

Invocation für Sopran und Bassflöte (2002/2003)BA 9396

Presto für Flöte und Klavier (1997)BA 8284

SpurFür Klavier und Streichquartett (1998)BA 7423

20. Jahrhundert zählen heute unter anderem Jean Barraqué, Günter Bialas, Beat Furrer, Rudolf Kelterborn, Ernst Krenek, Leoš Janáček, George Lopez, Bohuslav Martinů und Manfred Trojahn.

Darüber hinaus sehen es die Bärenreiter-Verleger als eine in die Zukunft weisende Verpfl ichtung an, junge und

i l h d A t

Zeitgenössische Musik

Ein besonderes Anliegen ist dem Bärenreiter-Verlag seit seiner Gründung die Publikati-on zeitgenössicher Musik und die Förderung ihrer Autoren.

Zu den prominenten, interna-tional bekannten Autoren des Bä it V l d

betreuen und ihrem Werk eine professionelle Vermarktung zukommen zu lassen.

Zu dieser Gruppe junger Bärenreiter-Autoren gehören neben Matthias Pintscher, der zu den renommiertsten und markantesten Erscheinun-gen seiner Generation zählt, Vadim Karassikov, Andreas Lorenzo Scartazzini, Charlotte Seither Miroslav

20

Beat Furrer , 2010 Eclat rosalie

Beat Furrer

(*1954)

2004 BA 9326

I-IV VI

(2006-2013) BA 11052

(2002/2003) BA 9396

1997 BA 8284 Spur

1998 BA 7423

.. ………………….

M. BA 8762


BA 9659

L. / G.

/ Y. / Y.

/ O. / O.

/ V.

/ V. / M.

Jean Barraqué

(1928-1973)

1959 BA 7284

Willi Burkhard

(1900–1955)

op. 71 3 1945

BA 8175

Hugo Distler

(1908-1942) 11 op. 15b BA 1803

BA 9659

82

NEW

NEW

NEW

Zeitgenössische Musik

Kabelac, MiroslavKabelac, Miroslav(1908-1979)

Motifs from Exotic land Op. 38For piano solo H 7906

Kelterborn, RudolfKelterborn, Rudolf(*1931)

10 Duosfor Bariton and and Piano (2012)BA 11030

10 Duos for female voice and piano (2012)BA 11031

Krenek, ErnstKrenek, Ernst(1900-1991)

Four pieces for Oboe and PianoOp. 193 (1966)BA 6149

Kleine Suite op. 28Für Klarinette und klavier (1924)BA 3419

Sonate für Harfe op. 150(1955)BA 3230

Sonatina op. 92 Nr. 2bFür Flöte und Klarinette (1942)BA 3334

Pintscher, MatthiasPintscher, Matthias(*1971)

Sieben BagatellenMit Apotheose der Glasharmonika- Fassung für Bassklarinette (1993)BA 7288

JanusgesichtFür Viola und Violoncello (2001)BA 8271 Spielpart.

in nomineÜbermalung für Viola sola (1999)BA 7495

on a clear dayfor Piano (2004)BA 8593

Shining forthFür Trompete in B oder C (2008/2012)BA 9334

Study III for the Treatise on the Veilfür Violine soloBA 9322

Pivoňka, KarelPivoňka, Karel(1907-1986)

Rhythmical Studiesfor bassoon soloH 3291

Scelsi, GiacintoScelsi, Giacinto(1905-1988)

Krishna e RadhaFür Flöte und Klavier (1986)Ed. C. LevineBA 7444

Quays für Flöte (Altflöte) solo(1953)Ed. C. LevineBA 7443

Schlee, Thomas DanielSchlee, Thomas Daniel(*1957)

Streichtrio für Violine, Viola und Violoncello op. 75 (2007)BA 11012

Schulhoff, ErwinSchulhoff, Erwin(1894-1942)

Jazz-inspirierte Stücke für KlavierBA 9559

Sextett for two violin, two violas and two violoncellosBA 7488 ScoreBA 7488-22 Parts in Slipcover

Seither, CharlotteSeither, Charlotte(*1965)

haute terrain. For 12-part mixed choir (2010)BA 9398

Trojahn, ManfredTrojahn, Manfred(*1949)

IV. Streichquartett (2009)BA 9378

Deux Préludes pour PianoBA 9331

Douze Préludes pour Piano (2006/07)BA 9329

Mendelssohns MöwenEin Lied ohne Worte für Violoncello solo (2012)BA 11043

.. .......... .........................

Rudolf Kelterborn

(*1931)

Ernst Krenek

(1900–1991)

Op. 193 1966 BA 6149

op. 28 1924

BA 3419

op. 150 (1955) BA 3230

op. 92 Nr. 2b 1942

BA 3334

Matthias Pintscher

(*1971)

— 1993 BA 7288

2001

BA 8271

1999

BA 7495

Miloslav Kabelac

(1908–1979)

Op. 38

H 7906

10

(2012) BA 11030 10

(2012) BA 11031

(2004)

BA 8593

B C (2008/2012) BA 9334

BA 9322

Karel Pivo ka

(1907-1986)

H 3291

Erwin Schulhoff

(1894-1942)

BA 9559

BA 7488 BA 7488-22

(2012)

BA 11043

Charlotte Seither

(*1965)

12 (2010) BA 9398

Manfred Trojahn

(*1949)

(2009) BA 9378

BA 9331

2006/2007

BA 9329

Thomas Daniel Schlee

(*1957)

op. 75 (2007) BA 11012

Giacinto Scelsi

(1905–1988)

1986

C. BA 7444

1953 C.

BA 7443

12 (2010) BA 9398

83

NEW

NEW

NEW

Die Spieltechnik …

The series will be continued.

Isherwood, NicholasIsherwood, Nicholas

The Techniques of Singing(Ger/Eng)212 pages with CD; paperback ISBN 978-3-7618-1861-9

� Nicholas Isherwood erläutert diese Techniken anhand zahlreicher Literatur- Beispiele, gibt praktische Übungstipps und führt die Techniken auf der CD auch klingend vor.

Arditti, Irvine Arditti, Irvine / Platz, Robert HP Platz, Robert HP

The Techniques of Violin Playing(Ger/Eng)117 pages, with a DVD; paperback ISBN 978-3-7618-2267-8

� Detaillierte Erklärungen des technisch auf der Violine Möglichen werden hier für Interpreten, aber auch für Komponisten gegeben.

� Dabei wird die Virtuosität einer neuen Generation von Solisten berücksichtigt, die durch ihre außerordentlichen Fähigkeiten den Weg zu einem tieferen Verständnis sowohl von klassischer als auch von neuer Musik geebnet haben.

Levine, CarinLevine, Carin / Mitropoulos-Bott, ChristinaMitropoulos-Bott, Christina

The Techniques of Flute Playing, Volume I: Flute(Ger/Eng). 143 pages ISBN 978-3-7618-1595-3

The Techniques of Flute Playing, Volume II: Piccolo, Alto and Bass (Ger/Eng) 127 pages with CD ISBN 978-3-7618-1788-9

Veale, Peter Veale, Peter /Mahnkopf, Claus-SteffenMahnkopf, Claus-Steffen

The Techniques of Oboe Playing A compendium with additional remarks on the whole oboe family (Ger/Eng/Fr) 181 pages with CD ISBN 978-3-7618-1210-5

Gallois, Pascal Gallois, Pascal

The Techniques of Bassoon Playing (Ger/Eng/Fr) 126 Pages with 2 CDs ISBN 978-3-7618-1860-2

Weiss, Marcus Weiss, Marcus / Netti, Giorgio Netti, Giorgio

The Techniques of Saxophone Playing(Ger/Eng). 188 pages ISBN 978-3-7618-2114-5

Buchmann, BettinaBuchmann, Bettina

The Techniques of Accordion Playing(Ger/Eng). 121 pages with CD and fold-out chart ISBN 978-3-7618-1930-2

� Comprehensive description of all relevant playing techniques on the button accordion

� Music examples from important contemporary works

� Full size, fold-out chart giving the arrangement of the buttons on the instrument

Josel, Seth F. Josel, Seth F. /Tsao, MingTsao, Ming

The Techniques of Guitar Playing(Eng). approx. 250 pages with CD ISBN 978-3-7618-2243-2

Der Gitarrist Seth F. Josel und der Komponist Ming Tsao geben in ihrem gemeinsam geschriebenen Buch einen umfassenden Über-blick über zeitgenössische Spiel-techniken der klassischen Gitarre.

Für Komponisten interessant sind die ausführlichen Analysen von zeitgenössischer Gitarren-literatur, die viele Beispiele aus Kammer- und Ensemblemusik mit einbeziehen. Außerdem werden veschiedene Arten von Notationsmöglichkeiten für zeitgenössische Musik in der Gitarrenliteratur vorgestellt.

Vier Hauptkapitel haben die ver-schiedenen Techniken von rech-ter und linker Hand, besondere Harmonien, perkussive Techniken und die Hauptinstrumente der Gitarrenfamilie zum Thema. Detallierte Grafiken zu Multiphonics-, Bitones- und Per-kussions-Techniken und eine bei-gelegte Audio-CD ergänzen die im Buch beschriebenen Beispiele.

Nicholas Isherwood

212

ISBN 978-3-7618-1861-9

...Carin Levine, Christina Mitropoulos-Bott

1 143

ISBN 978-3-7618-1595-3

2

127 ISBN 978-3-7618-1788-9 Peter Veale, Claus-Steffen Mahnkopf

181 ISBN 978-3-7618-1210-5 Pascal Gallois

/ /

126 ISBN 978-3-7618-1860-2

Seth F. Josel / Ming Tsao

F. /

250 ISBN 978-3-7618-2243-2

F.

Bettina Buchmann

/ 121 ISBN 978-3-7618-1930-2

Marcus Weiss, Giorgio Netti

/ 188 ISBN 978-3-7618-2114-5

Irvine Arditti / Robert HP Platz

HP.

/

117 DVD ISBN 978-3-7618-2267-8

84

NEW

Johann Sebastian Bach Johann Sebastian Bach

St. Matthew Passion BWV 244BÄRENREITER FACSIMILE

“I have never experienced su� silence or seen an audience moved in this way” Felix Mendelssohn Bartholdy

Facsimile of the autograph score in the Staatsbibliothek zu Berlin – Preußischer Kulturbesitz. With a commentary by Christoph Wolff , Martina Rebmann and Barbara Schneider-Kempf (Eng/Ger)168 pages of facsimile and 26 pages of commentary Half-leather binding, hardback ISBN 978-3-7618-2294-4

Reference Works /Books on Music

Christensen, Jesper BøjeChristensen, Jesper Bøje

18th Century Continuo PlayingA Historical Guide to the Basics.Translated by J. B. Robinson155 pages, hardcoverBA 8177 English editionBA 8186 German editionBA 8176 French edition

Konrad, UlrichKonrad, Ulrich

Mozart. Catalogue of his WorksEnglish text 251 pages, paperbackISBN 978-3-7618-1848-0

Otterstedt, AnnetteOtterstedt, Annette

The ViolHistory of an InstrumentTranslated by Hans Reiners English text294 pages, hardcoverISBN 978-3-7618-1151-1

Wulfhorst, MartinWulfhorst, Martin

The Orchestral Violinist’s Companion480 pages English text, paperback, format 23 x 30 cm. Approx. 500 musical samples; approx. 30 illustrations, diagrams, and tablestwo volumesISBN 978-3-7618-1758-2

page 25

Facsimiles and Reprints


“Alles mit Gott und nichts ohn’ ihn” BWV 1127Aria for Solo Soprano, Strings and Bassco continuo. Facsimile of the autograph from the Herzogin Anna Amalia Library Weimar (Ger/Eng) 23 pages with CD, half-clothBÄRENREITER FACSIMILEISBN 978-3-7618-1870-1

Mass in B min BWV 232Facsimile of the autograph score in the Staatsbibliothek zu Berlin (Eng/Ger/Jap)Linen-bound with silver embossingBÄRENREITER FACSIMILEISBN 978-3-7618-2194-7

Notebook for Anna Magdalena Bach (1725)Facsimile of the autograph(Ger/Eng/Fr).ISBN 978-3-7618-0915-0

Orgelbüchlein BWV 599-644Facsimile of the autograph score in the original size (Ger/Eng/Fr).ISBN 978-3-7618-1434-5

… .. Jesper Bøje Christensen

18

J. B.

155 BA 8177 BA 8186 BA 8176

Ulrich Konrad

251 ISBN 978-3-7618-1848-0

Annette Otterstedt

294 ISBN 978-3-7618-1151-1

… .... ... . Johann Sebastian Bach

(1685-1750)

BWV 1127

/

23 ;

ISBN 978-3-7618-1870-1

B BWV 232

/ /

ISBN 978-3-7618-2194-7

1725

/ /

ISBN 978-3-7618-0915-0

BWV 599-644

/ / ISBN 978-3-7618-1434-5

/ /

Martin Wulfhorst

480

23 × 30 500 30

2 ISBN 978-3-7618-1758-2

25

168 26

ISBN 978-3-7618-2294-4


BWV 244

… .... ...

BWV 1127

/

23 ;

ISBN 978-3-7618-1870-1

1725

/ / ISBN 978-3-7618-0915-0

85

NEW

Facsimile of the autograph With a commentary by Wolfgang Rehm.

14 pages of facsimile (individually trimmed) and a 24-page accompanying booklet (Eng/Ger). Presented in a handsome box

ISBN 978-3-7618-2282-1

Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart

Eine kleine Nachtmusik K. 525

BÄRENREITER FACSIMILE

“... wri� en with ease, but skillfully refi ned”


Symphony No. 9 op. 125Facsimile of the autograph score in the Staatsbibliothek zu Berlin – Preußischer Kultur-besitz, the Beethoven-Haus Bonn and the Bibliothèque nationale de France (Eng/Ger/Jap)half-linen, hardbackBÄRENREITER FACSIMILEISBN 978-3-7618-2169-5

Dvořák, Antonín Dvořák, Antonín (1841-1904)

Concerto in B min for Violoncello and Orchestra op. 104Facsimile of the autograph score and the autograph piano reduction (Eng/Ger/Cz) half-linen, hardbackBÄRENREITER FACSIMILEISBN 978-3-7618-1849-7

Elgar, Edward Elgar, Edward (1857-1934)

Concerto for Violoncello and Orchestra op. 85Facsimile based on the autograph score (Eng/Ger),hardcoverISBN 978-3-7618-1928-9

Froberger, Johann Jacob Froberger, Johann Jacob (1616-1667)

Toccatas · Suites · LamentiThe Manuscript SA 4450 of the Berlin Sing-AkademieFacsimile and Transcription (Ger/Eng), hardcoverISBN 978-3-7618-1783-4

Handel, George FridericHandel, George Frideric (1685-1759)

Messiah, HWV 56Facsimile of the autograph score in the British Library (Eng/Ger/Jap), half-linen BÄRENREITER FACSIMILEISBN 978-3-7618-2109-1

The Musick for the Royal Fireworks HWV 351. Concerti HWV 335a & 335bFacsimile of the autograph score (Eng/Ger), hardcoverISBN 978-3-7618-1666-0


A Midsummer Night’s DreamOverture op. 21Facsimile of the autograph score in the Biblioteka Jagielloñska, Kraków (Eng/Ger/Jap)half-linen, hardbackBÄRENREITER FACSIMILEISBN 978-3-7618-2116-9


“Ein Mädchen oder Weibchen wünscht Papageno sich”Facsimile of the aria from The Magic Flute. (Ger/Eng/Jap) incl. vocal scorecloth-boundISBN 978-3-7618-1775-9

Antonín Dvo ák

(1841-1904)

B op. 104

ISBN 978-3-7618-1849-7

Edward Elgar

(1857-1934)

op. 85

/

ISBN 978-3-7618-1928-9

Johann Jacob Froberger

(1616-1667)

SA 4450

/ ISBN 978-3-7618-1783-4


(1685-1759)

HWV 56

ISBN 978-3-7618-2109-1

HWV 351

HWV 335a 335b

/ ISBN 978-3-7618-1666-0


op. 21

/ /

ISBN 978-3-7618-2116-9 Wolfgang Amadeus Mozart

(1756-1791)

ISBN 978-3-7618-1775-9


(1770-1827)

op. 125

ISBN 978-3-7618-2169-5


K. 525

1424

ISBN 978 3 7618 2282 1

86

NEW

NEW

Faksimile der autographen Partitur des Royal College of Music, LondonMit einem Kommentar von Robert Levin(engl./dt.), Halbleder, gebundenBÄRENREITER FACSIMILEISBN 978-3-7618-1927-2

Mozarts Klavierkonzert c-Moll gehört zu den bekanntesten seiner Klavierkonzerte, nicht zuletzt durch den besonderen Charakter der Moll-Tonart –

selten bei Mozart – und durch den dramatischen Gegensatz zwischen Solo und Tutti.

Ebenso außergewöhnlich ist das Autograph: Hier verwendete Mozart für die Partitur aus-nahmsweise auch Skizzenblät-ter, die er ergänzte und intensiv korrigierte. So lässt sich einer-seits der Entstehungsprozess nachverfolgen, andererseits ist an manchen Stellen eine Fassung letzter Hand kaum erkennbar – gerade in der Stimme des Solo-Klaviers. Das Faksimile ermöglicht es nun jedem, sich zu den frag-lichen Stellen eine eigene Mei-nung zu bilden. Erstmals wird hiermit Mozarts Werk im Farb-faksimile veröffentlicht, sodass die unterschiedlichen Tinten-farben gut zu erkennen sind. Der renommierte Mozart-Forscher und Pianist Robert Levin erläutert Mozarts Kompositionsweise und führt detailliert Seite für Seite durch das Autograph.

Wolfgang Amadeus MozartWolfgang Amadeus Mozart

Klavierkonzert c-Moll KV 491

Facsimiles and Reprints


Requiem KV 626Faksimile der autographen Partitur in der Österreichischen NationalbibliothekMit einem Kommentar von Christoph Wolff und Günter Brosche(engl./dt.), Halbleder, gebundenBÄRENREITER FACSIMILEISBN 978-3-7618-2346-0

in preparation

My Ladye Nevells BookeFacsimile of the manuscript in the British Library(Eng/Ger), hardcoverISBN 978-3-7618-2213-5

Ortiz, DiegoOrtiz, Diego

Trattado de GlosasRome, 1553 (Span/Ital/Eng/Ger) Including separate viol part,

The Packard Humanities Institute (PHI), Los Altos, Ca.

and the International Mozarteum Foundation, Salzburg present the autograph scores of the seven great Mozart operas.

Idomeneo K. 366 with ballet K. 367**

ISBN 978-3-7618-1880-0

Die Entführung aus dem SerailK. 384*

ISBN 978-3-7618-1881-7

Le nozze di Figaro K. 492** ISBN 978-3-7618-1882-4

Don Giovanni K. 527** ISBN 978-3-7618-1883-1

Così fan tutte K. 588** ISBN 978-3-7618-1884-8

Die Zauberfl öte K. 620** ISBN 978-3-7618-1885-5

La clemenza di Tito K. 621* ISBN 978-3-7618-1886-2

The FacsimilesConsolidation of Mozart

manuscripts held in diff erent places

Highest level of precision in reproduction and authenticity

of colour through use of the latest technology

With introductions (Eng/Ger).Format: 34 x 26 cm. Cloth-bound

and half leather with gold embossed lettering

* 1 facsimile + text volume** 2 facsimile volumes +

text volume

Mozart’s Great Operas

..

ISBN 978-3-7618-2213-5

Diego Ortiz

Trattado de Glosas 1553

ISBN 978-3-7618-1594-6

Richard Wagner

(WWV 90).

ISBN 978-3-7618-2270-8


(1756-1791)

KV 626

ISBN 978-3-7618-2346-0 K. 366

K. 367** ISBN 978-3-7618-1880-0

K. 384* ISBN 978-3-7618-1881-7

K. 492**

ISBN 978-3-7618-1882-4

K. 527** ISBN 978-3-7618-1883-1

K. 588**

ISBN 978-3-7618-1884-8 K. 620**

ISBN 978-3-7618-1885-5

K. 621* ISBN 978-3-7618-1886-2

PHI

/

34 x 26

* 1 + ** 2 +

ISBN 978-3-7618-2213-5

Diego Ortiz

Trattado de Glosas 1553

ISBN 978-3-7618-1594-6


C KV 491

ISBN 978-3-7618-1927-2

C

Richard Wagner

(WWV 90).

ISBN 978-3-7618-2270-8

87

60

88

Werke – Revidierte Edition (NBArev)

Herausgegeben vom Bach-Archiv LeipzigCa. 15 Bände, jeweils inkl. Revisionsbericht. Vorwort deutsch und englisch; Revisionsbericht deutsch

Pro Jahr werden in der Regel 1-2 Bände erscheinen.

Gesamtsubskription zum reduzierten Preis möglich.

HECTOR BERLIOZHECTOR BERLIOZ(1803-1869)

Neue Ausgabe sämtlicher Werke»Neue Berlioz-Ausgabe«

Herausgegeben vom Berlioz Centenary Committee, London in Zusammenarbeit mit der Calouste Gulbenkian Foundation, Lissabon

26 Bände inkl. Kritischem Bericht; Vorwort englisch, französisch und deutsch; Kritischer Bericht englisch

Die Ausgabe ist abgeschlossen.

Gesamtabnahme zum reduzierten Preis möglich.

FRANZ BERWALDFRANZ BERWALD(1796-1868)

Sämtliche Werke

Editionsleitung: Berwald-Kommittén

26 Bände inkl. Kritischem Be-richt, z.T. beigelegte Stimmen. Vorwort deutsch und englisch; Kritischer Bericht englisch



FRANCESCO CAVALLIFRANCESCO CAVALLI(1602-1676)

Opere

Editionsleitung. Ellen RosandLibretto-Edition: Lorenzo Bianconi

Ca. 14 Bände inkl. Kritischem Bericht.Vorwort englisch, eine Edition des Librettos in italienisch mit englischer Übersetzung, Kritischer Bericht in englisch.


GABRIEL FAURÉGABRIEL FAURÉ(1845-1924)

Œuvres complètes Gabriel Fauré (OCGF)

Editionsleiter: Jean-Michel Nectoux

28 Bände inkl. Kritischem Be-richt, 7 Serien. Vorwort fran-zösisch, englisch und deutsch; Kritischer Bericht französisch oder englisch Gesamtsubskription zum reduzierten Preis möglich.

NIELS WILHELM GADENIELS WILHELM GADE(1817-1890)

Werke

Bärenreiter-Verlag und

hardcoverISBN 978-3-7618-1594-6

Wagner, RichardWagner, RichardTristan und Isolde

(WWV 90). Facsimile of the autograph score from the National Archive of the Richard-Wagner-Stiftung Bayreuth (Eng/Ger). Half leather bindingBÄRENREITER FACSIMILEISBN 978-3-7618-2270-8

JOHANN SEBASTIAN BACHJOHANN SEBASTIAN BACH(1685-1750)

Neue Ausgabe sämtlicher Werke»Neue Bach-Ausgabe«

Herausgegeben vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig117 Bände, 9 Serien. Vorwort und Kritischer Bericht (separat) deutsch

Die Ausgabe wird voraussichtlich 2014 abgeschlossen sein.

Gesamtsubskription und Teil-subskription einzelner Serien zum reduzierten Preis möglich, wahlweise mit oder ohne Kritische Berichte

Neue Ausgabe sämtlicher

HECTOR BERLIOZ

(1803–1869)

26;

FRANZ BERWALD

(1796–1868)

26

GABRIEL FAURÉ

(1845 1924)

OCGF

28 7

JOHANN SEBASTIAN BACH

(1685 1750)

117 9

2014

NBArev

15

FRANCESCO CAVALLI

(1602 1676)

NIELS WILHELM GADE

(1817–1890)

APS

377

1 2

2014

89

WOLFGANG AMADEUSMOZART

(1756–1791)

124 1035

I-IXX 2014

GEORG FRIEDRICH HÄNDEL

(1685–1759)

128 5

2023

LEOŠ JANA EK

(1854–1928)

53 8

ORLANDO DI LASSO

(1532–1594)

26

LEONHARD LECHNER

( 1553–1606)

14

CHRISTOPH WILLIBALD GLUCK

(1714–1787)

607

2023

Engstrøm & Sødrings Musikforlag APS

Herausgegeben von der »Stiftung zur Herausgabe der Werke Niels W. Gades«, Kopenhagen

Ca. 37 Bände inkl. Kritischem Bericht, 7 Serien. Vorwort deutsch und englisch; Kritischer Bericht englisch

Gesamtsubskription und Teil-subskription einzelner Serien zum reduzierten Preis möglich.

CHRISTOPH WILLIBALD GLUCKCHRISTOPH WILLIBALD GLUCK(1714-1787)

Sämtliche Werke

Begründet von Rudolf Gerber. Fortgeführt von Gerhard Croll.Herausgegeben von der Akademie der Wissenschaften und der Literatur, Mainz

Ca. 60 Bände inkl. Kritischem Bericht, 7 Abteilungen. Vorwort und Kritischer Bericht deutsch

Die Ausgabe wird voraussicht-lich 2023 abgeschlossen sein.


GEORG FRIEDRICH HÄNDELGEORG FRIEDRICH HÄNDEL(1685-1759)

Hallische Händel-AusgabeKritische Gesamtausgabe

Herausgegeben von der Georg-Friedrich-Händel-Gesellschaft

Ca. 128 Bände, 5 Serien. Der Kritische Bericht ist zumeist Bestandteil der Notenbände; zu einigen größeren Werken ist er separat erschienen. Vorwort deutsch und englisch; Kritischer Bericht deutsch oder englisch



LEOŠ JANÁČEKLEOŠ JANÁČEK(1854-1928)

Kritische Gesamtausgabe der Werke von Leoš Janáček

Bärenreiter-Verlag und Bärenreiter Praha

Ca. 53 Bände inkl. Kritischem Bericht, 8 Reihen. Vorwort tschechisch, deutsch, englisch, französisch und russisch; Kritischer Bericht tschechisch und deutsch


ORLANDO DI LASSOORLANDO DI LASSO(1532-1594)

Sämtliche Werke – Neue Reihe

Herausgegeben von der Académie Royale de Belgique und der Bayerischen Akademie der Wissenschaften

26 Bände und 1 Supplement. Vorwort und Wissenschaft-licher Apparat deutsch



LEONHARD LECHNERLEONHARD LECHNER(um 1553-1606)

Werke

Im Auftrag der Internationalen Heinrich-Schütz-Gesellschaft herausgegeben von Konrad Ameln

14 Notenbände inkl. Kritischem Bericht. Vorwort und Kritischer Bericht deutsch



WOLFGANG AMADEUS MOZARTWOLFGANG AMADEUS MOZART(1756-1791)

Neue Ausgabe sämtlicher Werke»Neue Mozart-Ausgabe«

In Verbindung mit den Mozart-städten Augsburg, Salzburg und Wien herausgegeben von der Internationalen Stiftung

GEORG FRIEDRICH HÄNDEL

(1685–1759)

128 5

2023

LEOŠ JANÁ EK

(1854–1928)

53 8

ORLANDO DI LASSO

(1532–1594)

26

LEONHARD LECHNER

( 1553–1606)

14

CHRISTOPH WILLIBALD GLUCK

(1714–1787)

607

2023

WOLFGANG AMADEUSMOZART

(1756–1791)

124 1035

I-IXX 2014

90

Mozarteum Salzburg

124 Bände, 10 Serien (35 Werkgruppen). Vorwort und Kritischer Bericht (separat) deutsch

Der Hauptteil (Serie I-IX) ist komplett, das Supplement (Serie X) wird voraussichtlich 2014 abgeschlossen sein.

Gesamtsubskription und Teil-subskription einzelner Serien zum reduzierten Preis möglich, wahlweise mit oder ohne Kritische Berichte.

L’OPÉRA FRANÇAIS

Editionsleitung: Paul Prévost

Ca. 35 Bände inkl. Kritischem Bericht. Die ersten 10 Bände werden bis 2018 erscheinen. Vorwort französisch, englisch und deutsch, Kritischer Bericht französisch oder englisch


JOHANN PACHELBELJOHANN PACHELBEL(1653-1706)

Sämtliche Vokalwerke

Herausgegeben im Auftrag des Instituts für Musikforschung der Julius-Maximilians-

OPERA

Spektrum des europäischen Musiktheaters in Einzeleditionen

Historisch-kritische Hybridausgaben

Editionsleiter: Thomas Betzwieser

Ca. 21 Bände. Jeder Band enthält ein Vorwort auf Deutsch und Englisch, sowie der Sprache des jeweiligen Werkes. Sämtliche musikali-schen und textlichen Quellen, die Editionen der dramatischen Texte, die Edition des Notentextes sowie dieKritischen Berichte befinden sich auf einem im band enthaltenen USB-Stick im Scheckkarten-Format

Das Projekt OPERA – Spektrum des europäischen Musiktheaters in Einzeleditio-nen widmet sich der kritischen Edition herausragender Werke des europäischen Musikt-heaters des 17. bis 20. Jahrhun-derts. Herausgegeben werden insgesamt 21 Kompositionen französischer, italienischer, deutscher, englischer, skan-dinavischer und slawischer Herkunft, wobei gezielt auch Gattungen einbezogen werden, die in bisherigen editorischen Unternehmungen wenig Beachtung fanden und jeweils eigene editorische Problema-tiken mit sich bringen, wie beispielsweise Ballett, Schau-spielmusik, Melodram oder Operette.

Die ersten Bände der Reihe mit Edirom (Digitale Musikedition)

� Antonio Salieri, Giambattista Casti: Prima la musica e poi le parole (1786); Ed. Thomas Betzwieser, Adrian La Salvia »Best Edition 2014« BA 8811

� Adolphe Benoit Blaise, Marie-Justine-Benoite Favart: Annette et Lubin (1762); Ed. Andreas Münzmay BA 8812

� Thomas Arne, Isaac Bickerstaff: Love in a Village (1762); Ed. N.N. BA 8814

� Ferdinando Paër, Giacomo Cinti: Leonora ossia L’amor conjugale (1804); Ed. Norbert Dubowy BA 8813

� Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann: Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832); Ed. Antje Tumat BA 8815

Die Bände der historisch-kritischen Hybridausgabe OPERA können einzeln zu einem zeitlich befristeten reduzierten Einführungspreis bezogen oder zur Fortsetzung subskribiert werden.

L’OPÉRA FRANÇAIS

35

10 2018

JOHANN PACHELBEL

(1653–1706)

11

Edirom

1786

2014

BA 8811

1832 ;

BA 8815

(1762);

BA 8812

2015

(1762);

BA 8814

(1804);

BA 8813

21

USB

91

Universität Würzburg und des Instituts für Kirchenmusik der Kunstuniversität Graz von Wolfgang Hirschmann, Katharina Larissa Paech und Thomas Röder

11 Bände inkl. Kritischem Bericht. Einführung deutsch und englisch; Kritischer Bericht deutsch



SERGEI RACHMANINOFFSERGEI RACHMANINOFF(1873-1943)

Die kritische Gesamtausgabe der Werke und Schriften (RCW)

Russian Music Publishing. Auslieferung: Bärenreiter

In Zusammenarbeit mit dem Glinka State Central Museum of Musical Culture (Moskau)

Ca. 50 Bände »Musikalisches Erbe« in 12 Serien, ca. 10 Bände »Das Literarische Erbe« und ca. 25 Bände »Die Quellenstudie – Anhang«. Einleitung russisch und englisch; Kritischer Bericht (separat) russisch und englisch


JEAN-PHILIPPE RAMEAU JEAN-PHILIPPE RAMEAU(1683-1764)

Opera omnia Rameau (OOR)Kritische Gesamtausgabe der musikalischen Werke

Editionsleitung: Sylvie Bouissou

Herausgegeben von der Société Jean-Philippe Rameau unter der Schirmherrschaft des Centre national de la recherche scientifique (CNRS), des Ministère de la Culture et

de la Communication français und der Bibliothèque nationale de France

Auslieferung weltweit: Bärenreiter-Verlag

Ca. 38 Bände inkl. Kritischem Bericht, 5 Serien. Einleitung französisch und englisch; Kritischer Bericht französisch oder englisch

Gesamtsubskription, sowie Teilsubskription von Serie IV (Bühnenmusik) zum reduzierten Preis möglich.

GIOACHINO ROSSINIGIOACHINO ROSSINI(1792-1868)

Works of Gioachino Rossini

In Zusammenarbeit mit dem Center for Italian Opera Studies an der University of ChicagoEditionsleiter: Philip Gossett

21 Bände. Vorwort englisch und italienisch; Kritische Berichte (separat) englisch



JOHANN HERMANN SCHEINJOHANN HERMANN SCHEIN(1586-1630)

Neue Ausgabe sämtlicher Werke»Neue Schein-Ausgabe«

Begonnen von Adam Adrio. Im Auftrag der Internationalen Heinrich-Schütz-Gesellschaft herausgegeben von Arno Forchert

10 Bände inkl. Kritischem Bericht. Vorwort und Kritischer Bericht deutsch



FRANZ SCHUBERTFRANZ SCHUBERT

(1797-1828)

Neue Ausgabe sämtlicher Werke»Neue Schubert-Ausgabe«

Herausgegeben von der Interna-tionalen Schubert-Gesellschaft

Ca. 83 Bände, 8 Serien. Vorwort und Wissenschaftlicher Apparat (Quellen und Lesarten) deutsch



HEINRICH SCHÜTZHEINRICH SCHÜTZ(1585-1672)

Neue Ausgabe sämtlicher Werke »Neue Schütz-Ausgabe«

Herausgegeben im Auftrag der Internationalen Heinrich-Schütz-Gesellschaft

Ca. 45 Bände inkl. Kritischem Bericht. Vorwort deutsch und englisch; Kritischer Bericht deutsch


GEORG PHILIPP TELEMANNGEORG PHILIPP TELEMANN(1681-1767)

Musikalische Werke

Bis 2010 herausgegeben von der Akademie der Wissen-schaften und der Literatur, Mainz, ab 2011 herausgegeben vom Institut für Musik (Abt. Musikwissenschaft) der Martin-Luther-Universität Halle-Wittenberg und vom Zentrum für Telemann-Pflege

SERGEI RACHMANINOFF

(1873—1943)

RCW

5012 10

25

GIOACHINO ROSSINI

(1792–1868)

21

2020

JOHANN HERMANN SCHEIN

(1586–1630)

10

FRANZ SCHUBERT

(1797–1828)

83 8

2027

HEINRICH SCHÜTZ

(1585–1672)

45

JEAN PHILIPPE RAMEAU

(1683–1764)

OOR

CNRS

385

IV

GEORG PHILIPP TELEMANN

(1681–1767)

2010

2011

501 2020

51


45

92

Bärenreiter-Verlag · 34111 Kassel · Germany · www.baerenreiter.com · SPA 471

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