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Throughout your life there is a common thread. Separate accounts of how you live this life are intricately woven together to tell a larger story. Each piece calls your attention in unique way. The grocer at your local market, your favorite coffee cup—even you come from a place that’s meant to be heard. As we embark on our eighth issue, our goal is to capture those stories. Some we created in our imagination, while others come from extraordinary people with remarkable experiences.
In our own lives, the four of us have experienced a lot together over the past two years: laughter, surprises, heartache, loss, excitement, achievements, and every other emotion a twenty-something girl can have. All of these things have been a part of our life journeys and are developing us into the women we’re striving to be.
We hope when you complete this issue, you can feel the deep fondness we have for learning and sharing the talents we’re surrounded by. Without them, we would never have had this crazy idea of starting a digital magazine. For that, we’re forever grateful.
B o w & A r r o w M A g A z i n e
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ABOUT US
KATIE DOSENfashion editor
In kindergarten, Katie was the girl that wore the 101 Dalmatians outfit, matching beret included. Although some may not have been fond of her favorite birthday gift, that didn’t bother her one bit. Her unique appreciation for fashion grew throughout the years and led her to major in Apparel Merchandising. After college, she landed her dream job at a modeling agency. Working there inspires her every day. When she’s not doing something fashion related, you can find her at the lake, taste testing all the chocolate chip cookies Minneapolis has to offer, or cuddling with her parents’ dog, Chloe.
VANESSA FANGMEIERcreative director
Vanessa moved from Buffalo Lake (try finding it on the state map without using the index) to St. Paul, MN to get a degree in Communications and Journalism from the University of St. Thomas. She’s more into St. Paul than Minneapolis, prefers late nights to early mornings, takes her coffee with cream (no sugar), and has an addiction to Target that ought to be seriously diagnosed. When she’s not working on design for Bow & Arrow, she’s out ordering pho with her boyfriend, pinning images of Beagle puppies on Pinterest, or catching up on episodes of The Voice and The Bachelor.
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JACLYN HANSELphotography director
A natural explorer, this girl enjoys new and unique experiences, always with her camera by her side. From repelling off of 20-story buildings to navigating the caves in an abandoned brewery, she craves adventure. After studying visual communications at Iowa State University (go Cyclones!), Jaclyn moved to the Twin Cities to pursue a career in photography. From photojournalism to fashion, she loves it all. In her free time you can find her discovering Twin Cities cuisine, salsa dancing around town, and dreaming about future travels.
LAURA WIERINGlifestyle editor
“You’re like a girl version of John Wayne.” What does that mean? Laura isn’t really sure either, but somehow it’s perfect and she has decided to take it as a compliment. From the unpredictable nature of her day job in advertising, to spontaneous weeknight concerts at First Ave, she takes whatever life throws at her and enjoys a good challenge. Standing at 5’2”, she has an impressive heel collection, sews as a creative outlet, and dearly loves to laugh. Oh yeah, and she went to college for painting. Noted.
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ELYSELANKFORD
Elyse Lankford lives in Seattle and is finishing her last year of high school. She writes the blog Short and Sweet and loves fashion, reading, and anything artistic.
CONTRIBUTORS
CHELSEALANKFORD
Chelsea Lankford moved to Minneapolis from Seattle three years ago for a change of pace and scenery. She works full-time in finance, writes the style blog Zipped, and spends all of her free time writing.
GUNNARCOOK
Gunnar’s passion for photography has always gone hand-in-hand with his craving for adventure. He loves to travel and explore, feeling most at home when abroad or spending time with old friends and making new ones. For Gunnar, every shot represents an opportunity to capture an honest moment, and he loves working with clients who share that view. Photo by Tim Ho.
MARKNAVARRO
Hair and makeup artist, Mark Navarro, has an ever-growing client list and continues to be featured across a variety of publications and media. His work was seen on Soledad O’Brien in her last documentary as a CNN employee, Mpls.St.Paul Magazine, and Artful Living Magazine. Most recently Mark’s makeup tips were highlighted in the Star Tribune, and he also taped multiple makeup demonstration videos for their online viewers.
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EMILYKLIPP
No stranger to the retail world, Emily has been working her way through the Twin Cities boutique scene for the past four years. Currently at Primp, her appreciation for savvy entrepreneurship, store development and fashion brought her to freelance with the Style-Architects’ team. As a stylist, Emily curates everything from editorial shoots to fashion shows to boutique development.
WANT TO BE A CONTRIBUTOR?
We ARe AlWAyS lOOkINg fOR TAleNTed PeOPle TO helP US OUT.If yOU WOUld lIke TO OffeR yOUR TAleNTS TO OUR MAgAzINe,
We WOUld lOve TO TAlk ABOUT OPPORTUNITIeS AvAIlABle.
SeNd US A NOTe! [email protected]
ATHENAPELTON
Athena Pelton is a photographer, writer, and calligraphy artist in the Twin Cities. She has a love for fashion and styling, good coffee and the smell of summer rain, and lives for authenticity, imperfection, and documenting the beauty in the mundane.
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take note
As you flip through the magazine,
be sure to visit the pages we’ve linked to.
From contributors and blogs, to boutiques
and restaurants, more information is just a
click away! Simply move your mouse around
the pages to see what we’ve linked to.
!
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CONTeNTS
THE BITTERS TRUTH 10Discover the chemistry behindMidwest company, Bittercube
SUMMER SOUL 20Macailah Maxwell shows us it’snot too late for sun
A TALE OF TWIN CITIES 30Turning the tables on fiveMinnesotan storytellers
COLORS OF THE DUSK 40Fading summer colorscome out to play
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bitterstruth By Jaclyn hansel
So what does a twenty-something year-old girl need to know about bitters?
We asked this question to Nick Kosevich, owner of Bittercube, a Midwest
company that is changing the way people think about craft cocktails. Kosevich is
a Minneapolis native who joined forces with his buddy, Ira Koplowitz, in 2009 to
kick-start a mission to educate the world about the mastery of mixology. Together
they derived a business model that builds bar programs, delivers a high quality
product, and educates the masses on how to use it.
the
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in This Business of BittersAccording to Kosevich, the Bittercube definition of bitters is: “The amalgamation of roots, barks, fruits, flowers, spices and herbs, macerated through high proof spirit, aged over time, and softened with water, sugar and citrus.” In short, “think liquid spices.” They are used not only in cocktails, but also in cooking
and even that beloved elixir we call coffee. Bittercube created a line of six artfully formulated bitters—recipes that are now seen in 18 states, Canada, Australia and an increasing number of global locations. “We’ve found success in putting our heads down, and believing in ourselves and believing in what our vision is, and riding that,” Kosevich said.
Turns out, a lot of other people believe in them, too. Bittercube has gone from a 20-gallon to a 300-gallon batch operation. “And we’re not cutting any corners,” Kosevich explains, telling a story of how they peel each orange by hand. “We are real people making a real product and I think that is worth supporting.”
bittercubecocktail
recipe on page 17
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A Thirst for KnowledgeIn our conversation with Kosevich we learned that the demand for cocktail-making knowledge is on the rise. People are also more interested in learning about the science and history behind the craft. Classes are popping up all around town including Cocktail Lab by LAB MPLS, and other offerings at places like Eat Street Social and Marvel Bar. “Our
community is hungry for knowledge and this is a new thing. It’s not necessarily a trend that is going away,” Kosevich explained. “The only way we can do this is because people want that.”
The First StepSo, for the average young adult looking to graduate from their UV Blue and lemonade days in
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exchange for a more sophisticated experience, what is the first step? Kosevich and his team have tailored their approach around classic cocktails, going back to original recipes whose glory days preceded prohibition, and balancing the formulas for the modern palette. “We are not trying to reinvent the wheel. It is really about embracing history and then interpreting that and incorporating unique ingredients,” Kosevich attributes. Thanks to Kosevich and his right hand man (and City Pages Bartender of the Year), Marco Zappia, you can dive into the following classic cocktail recipes (plus a bonus formula for a Marco Zappa original just for you!). You can find resources online or even email the Bittercube team with questions on how to use their products. With an open and curious mind, the world of cocktail crafting is at your hands.
french‘75
recipe on page 17
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oldfashioned
2oz Old Weller 107 Bourbon.25oz Muscavado Syrup
2 dashes Bittercube Trinity Bitters
Stir until proper water dilution and temperature have been achieved.
Strain off spent ice.
glass: RocksIce: Large Chunk
garnish: Grapefruit Peel
Ready to get mixing?
These recipes may seem overwhelming to the newcomer, but don’t let the lingo intimidate you . Look up any terms or methods you aren’t familiar with and get your self-education in mixology underway. You’ll be a pro in no time!
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french ‘75
1oz Bombay Sapphire.5oz lemon juice
.5oz simple syrup3oz Sparkling wine, dry
1 dash Bittercube Bolivar Bitters
Short shake, add sparkling wine to tin, double strain.
glass: FluteRinse: Long lemon twist
bittercubecocktail
1 demerara Sugar Cube1 dash Bittercube Cherry-Bark vanilla Bitters
Sparkling wine, dry1 dash Bittercube Orange Bitters
Soak sugar cube in Bittercube Cherry-Bark Vanilla Bitters. Top with dry sparkling wine.
glass: FluteRinse: 1 dash Bittercube Orange bitters
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challenge recipe!
paint the roses red
.5oz Solveig gin1oz dolin dry vermouth
.5oz Shiso Syrup.33oz lime Oleo-Citrate
3oz seltzer water
Instructions: Build in glass.glass: Rose Riedel
Ice: One Kold Draft or Shardgarnish: 1 dash Bittercube Jamaican #1 Bitters
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video killed the radio star.
(well, we sure hope not.)Check out our podcast with Falen of KDWB!
episode 4: Minnesota MindsBow & arrow Magazine
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Photographed by gunnar CookStyled by Chelsea lankford and elyse lankford
hair and Makeup by Mark NavarroModel: Macailah M.
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Black and white jumpsuit,Cliche Boutiqueheels, model’s ownJewelry, SBG Designs
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Black and white crop top, Cliche BoutiqueBlack and white shorts, Parc BoutiqueShoes, model’s ownkimono, model’s ownJewelry, SBG Designs
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Stay Cool tee, Parc Boutiqueknit cardigan, Parc Boutiquedenim shorts, Parc Boutique
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Tropical dress, Cliche Boutiquehandbag, Lulu*sSandals, model’s ownJewelry, SBG Designs
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Black tank, Cliche BoutiqueSilk shorts, Cliche Boutiquehat, Rag & BoneJewelry, SBG Designs
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Black tank, Cliche BoutiqueSilk shorts, Cliche Boutiquehat, Rag & BoneJewelry, SBG Designs
lIke MACAIlAh’S lOOk?CheCk OUT heR BlOg!
www.takealovelylook.com
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a tale ofTwin Cities
Everyone has a story.
It’s a well-worn cliché, but there’s
a reason it’s so often said. This idea is
seemingly simple, yet speaks to something
true, something deeper — the need for
human connection. Here are the stories of
five Minnesotans who devote their time
to sharing others’ stories, each through a
different lens.
By Laura WieringPhotography by Jaclyn Hansel
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Sarah Hrudka,Photographer Most Twin Cities residents have a preconceived
notion relating to North Minneapolis, and usually
it isn’t positive. But after a year as a resident of the
neighborhood, Sarah Hrudka still doesn’t understand
why people get nervous when she tells them her
address. She loves her neighborhood, and has
wonderful neighbors. But, “Just as everything gets a
reputation,” she realized, “after a while people say stuff,
and they don’t really know why they’re saying it. It just
sticks.”
Sarah, however, felt differently.
“I don’t agree with that, so I’m going to do
everything in my power to show a different angle. Look
through a different lens. Why don’t I use this tool, that
is my camera, and shift the focus a bit?”
And thus began her project 30 North, a journalistic
photo essay magnifying the lives of North Minneapolis
residents through portraiture. Every day in June, Sarah
found someone in her community to photograph. She
always gave her subjects the option to decline, but was
surprised to find that no one turned her down. When
approaching her subjects she explained the goal of
the project, and found that people were excited to talk
about the neighborhood they loved and called home.
And the initial awkwardness of the encounter led to
even more honest interactions. “When we were both
sitting in that ambiguity of what was going to happen,
the walls came down, and their stories were told,” Sarah
said. “I trusted that the sincerity would come out.”
Wanting the photos to be as genuine as possible,
Sarah photographed her subjects wherever they were
found. Nothing was contrived. Nothing was staged. She
also didn’t want there to be any rules surrounding the
portraits, except one: that they would all be in black
and white. Monochromatism created cohesiveness.
Being that the photos were diverse in every sense of
the word, it unified the project.
“You were most focused on their eyes and
expression, and you saw the raw person that came out.”
The project was met with a lot of support and
positivity by both North Minneapolis residents and
those of other neighborhoods. Surprised and humbled
by the incredible response, Sarah believes it has legs to
grow beyond North Minneapolis to other communities.
“I’m so grateful. It has been overwhelming, but in the
best way. When you pour so much of your heart into
something, and put it out for the world to judge, it’s
like standing naked on the street corner. But it’s also
just as much that for the people that I took photographs
of. So I feel that it’s all of our success. It was only
possible because people allowed me to take their
photo.”
Outside of the publicity, Sarah believes in a grander
plan.
“It was by happenstance that I even moved to North
Minneapolis, but obviously happened for a greater
reason. I would have never chosen this project had I not
felt so passionate because I spend so much time here.
“If I hold a space for people to be themselves and help them feel comfortable in that vulnerability,
people will share their stories.”
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Alex Skjong andEric JohnsonThe Spade podcast
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It brought me back to why I chose to do it in the first
place. All of my worlds collided, and melted into this.
If I hold a space for people to be themselves and help
them feel comfortable in that vulnerability, people will
share their stories. And that’s why I carry this camera
around in this giant bag. To tell people’s stories.”
Alex Skjong and Eric Johnson,The Spade podcast It is in the living room of an Uptown apartment
that Alex Skjong and Eric Johnson record their
weekly podcast, The Spade. Equipment is minimal: a
soundboard, computer and a couple of microphones.
Laid-back and relaxed, you’d guess they had grown up
together judging by the way they play off one another.
In reality, the duo met through a blog collective
while they were living in different cities, and hadn’t
actually met in person until 2012. A few tweets, an
email here and there, and “the modern day bromance
began.” When Alex moved back to Minneapolis at the
beginning of this year, they began The Spade.
Based out of Minneapolis, The Spade features
guests who are “cool people doing cool things” as Alex
put it. It’s as simple as that. The show is a medium
where you can learn about a wide variety of people
and their interests—from art to music to sports, all in
the Twin Cities. Their name spawned from the idea of
unearthing, or digging up the hidden gems of the city.
“When we seek out our guests, we’re not shooting
for celebrities. It’s cooler to show normal people, and
it’s fun to interview people who aren’t used to being in
the spotlight,” Alex said.
“And,” Eric added, “We like to talk to people we
haven’t met. Because we’re learning right along with
the listener, and that provides a more meaningful
connection for everyone.”
The podcast isn’t meant to be academic or
mechanically driven. It’s lighthearted, humorous
and entertaining. The duo hopes that because it’s
more personality-based, there is more potential for
connection for the listeners. Growing up, Alex listened
to a number of podcasts, and he believes that once you
get to know the hosts—their likes and dislikes—they in a
way become like your friends. He hopes to provide that
same connection to his audience through interviewing
their guests. “If you talk with someone long enough,
you can always find that nugget of gold, whether it’s
funny or moving.”
Eric became interested in broadcasting through
talk shows such as The Daily Show and the early days
of Jimmy Kimmel Live, along with talk radio. He knew
it was something he’d like to do. “The goal of anything
creative is to have it reach as many people as possible,”
Eric said. “Everyone has a story to tell. And that’s why I
write. The podcast is just an extension of my writing. By
talking to people and hearing their story, you find the
hook, that nugget of gold that Alex mentioned. It gives
listeners something to relate to.”
They completed their first season this summer,
and will begin their second this fall. Through their
witty dynamic, they help guide the story through
engaging comedic banter that helps the guest open
“If you talk with someone long enough, you can always find
that nugget of gold, whether it’s funny or moving.”
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“They may not all be good,but I think everyone does have
a story. And I’d like to thinkthat I can find it.”
up, and captivate the listener, even if the topic isn’t
immediately of interest. “Stories make people feel
something. It’s that human connection that people
want,” Eric explained. “I love learning about other
people and helping people see things in a different
way. That’s why I do everything I do.”
Brendan Lauer,Videographer Once a week, Brendan Lauer posts an original video
to his website. Within the collection, themes and styles
vary. Sometimes there are a lot of people involved, and
sometimes just one. Sometimes it’s a documentary,
and sometimes it’s more abstract.
The website is called 50 Videos / 50 Weeks, and it’s
a project Brendan created to develop his filmmaking
skills and style. Always fostering a love for film and
movies, he realized that it was sharing others’ stories
that truly captivated him. In fact, it felt intuitive. “What
are we here for other than to connect with people and
build relationships? That’s my favorite way to connect,
by telling stories. There is no greater high than telling a
great story and captivating your friends.”
Brendan works at a local cycling manufacturing
company in the marketing department. This detail of
his life automatically clicked with me after seeing him
ride up on his swanky hipster bike. Originally frustrated
by what seemed to be roadblocks of equipment and
travel in his day job, his mentor encouraged him
to persevere. “He was a big inspiration,” Brendan
explained. “I was peering over this cliff and he pushed
me off to really commit and be accountable.” And it is
this mentality that aligns with how he approaches his
creative work. “Do a lot, fail a lot and don’t be afraid to
take risks. Because you never want to settle for low-
hanging fruit.”
For Brendan, with risk came vulnerability. “It was
important for me to say ‘I’m not as good at this as I
wanna be.’ I want to be great at it, and I’m committing
to it. So I’m putting everything on the line.”
And so began his nearly year-long creative quest of
filmmaking.
Like most creatives in the Twin Cities, Brendan
believes that this has been a great location for him
to flourish. With agencies, production houses, and
freelancers abounding, he has met dozens of people
through the project, and says his network continues
to grow every day. “Minneapolis is a town where your
work can speak for itself. If you’re doing great work,
then that’s enough.”
To Brendan, everyone has something to share from
his or her own life experiences. ”You can’t grow up
and you can’t be a child without having a plethora of
interesting stories. It’s where most of our stories are
from. They may not all be good, but I think everyone
does have a story. And I’d like to think that I can find it.”
His welcoming and genuine demeanor lends itself
well to his work, whether in filmmaking or simply
conversing. It was this confidence and sincerity that was
apparent, even after just two minutes of chatting while
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“I like to show what I think is great about the city, and people can relate to that themselves.”
eating gelato on St. Anthony Main. “What I think I’m
really strong at is connecting with people and making
them feel comfortable with me. Because that’s what I
really like—meeting people, really connecting and then
hopefully getting to tell their story. That’s what I’m
chasing on a larger scale.”
Adam Turman,Illustrator & Designer Welcoming you to downtown Minneapolis—and
in a certain way to Minnesota weather—a large mural
covers the entire side of local restaurant Butcher & the
Boar. The mural depicts four pin-up inspired women,
anthropomorphizing the four seasons. The master
behind this impressive work is none other than Adam
Turman.
Trained in graphic design, he learned first and
foremost how to create work for clients.
“For the mural on the Butcher & the Boar, it’s all
about having a party and serving beer, so we wanted it
to look fun from the outside.”
From gig posters for local music venues, to event
artwork to large-scale murals, he portrays the client’s
vision through his unique style, which is graphic and
illustrative, with thick lines and a vintage feel. Pin-up
girls, local architecture, and Minnesotan folklore are
often his subjects. There’s always something a little
cheeky, too.
“I like to say there’s always something fun and
positive, with a little bit of chaos.”
You can spot one of Turman’s pieces due to his
now-iconic signature. In a special way, his signature has
become a part of the work itself. “Knowing that people
associate my style with my name is really special, and
much more meaningful.”
Turman tells the story of Minnesota and
Minneapolis by using images of well-known landmarks
and state traditions. His illustrations include the Grain
Belt sign, the Foshay, and Babe the Blue Ox clinking
beer mugs with Paul Bunyan. In addition to the main
subjects of his work, he adds in little historical or
cultural clues.
For one gig, his poster featured a feisty female hockey
player, but with an octopus in the background. Why?
Because in certain games, fans have a tradition of
throwing the sea creature onto the ice.
On the First Ave prints, he uses a purple and black
color scheme to symbolize the venue’s ties to Prince
and Purple Rain.
“I like to incorporate a little bit of history and other
little things to show roots.”
For a lot of the landmarks, it’s nostalgia that ties
people to the prints. Attending the first ever game
at Target Field, or living for a summer in Uptown can
easily encourage someone to purchase one of his
popular prints depicting the ballpark or famous movie
theatre sign. “This is the Minneapolis I know, so it
comes naturally, and I think that’s what people connect
with when they see it.” It’s this nostalgia that ignites
customers to share their own stories. “People get fired
up about Minneapolis. I like to show what I think is
great about the city, and people can relate to that
themselves. It puts a smile on peoples’ faces.”
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Photographed by Athena PeltonStyled by emily klipp / Model: Abby f.
Clothing and accessories courtesy of Primp
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Burgundy lace overlay $28Aztec maxi $34
Necklace $24
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Short tan dress $42Cream cardigan $48Necklace $24Boots $56
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denim vest $40vintage tee $28Maxi skirt $40hat and shoes, personal collection
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Black romper $48Red kimono $46
Necklace $16Shoes, personal collection
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Tan maxi $54Necklace $24Bracelet $14
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how’S your inSTAgrAM?ourS iS in A preTTy good STATe.
@BowAndArrowMAg
