Boston Architectural College Segment I Portfolio

Eric Yangid: 100049250

Work Collection: 2008 - 2012BDS: Sustainable Design

Segment 1 Portfolio Review : 01/02/2013

Architectural Design, Graphic Design, Web [email protected] / 469-499-6804 / Boston, MA YANG SHUO

CDSketchUpVectorworksAutoCAD3ds MaxRevitM

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V-RayMaxwellPodiumIDX RenditioneriPadAfter EffectsR

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RConcept DevelopmentResearch & AnalysisSketchingDiagrammingModel MakingManual DraftingD

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IGN

PhotoshopIllustratorInDesignMuseFlashSketchBookG

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ICEXPERIENCESTUDIO 2112 LANDSCAPE ARCHITECTURE - Boston, MA 2012- New Office Setup - RFP for Boston Redevelopment Authority- Company Website Re-design- Presentation Graphics - Construction Documents - 3D Modeling

CUBE DESIGN & RESEARCH - Boston, MA 2011 - 2012- Time Management Research & Implemntation- Dwell Playhaus Competition Design- On-site Meetings with Clients, Contractors & Engineers- Construction Documents- Project Research & Design - 3D Modeling

ALLIANCE FOR REGENERATION - Boston, MA 2011- Master Plan Client Presentation Drawing- Sketch to CAD Conversion- 3D Modeling & 2D Rendering- Construction Phase Drawing

REFERENCES

JOHN A.BOECKER, AIA, HON.FIGP, LEED AP,Partner 7group [email protected]

JAMES ROYCE, ASLA, LEED AP,Principle Studio 2112 Landscape [email protected]

CHRIS JOHNSPartner CUBE Design + Research, LLC [email protected]

MORRIS TYLERBoston Architectural College Studio [email protected]

EDUCATIONBOSTON ARCHITECTURAL COLLEGE 2008 - CURRENTDesign Studies w/ concentration on Sustainable DesignTEXAS TECH UNIVERSITY 2005 - 2007International Business

resume / 03

1Design Studio

1.1 design studio / 07Composition & Transformation

1.2 design studio / 07Thresholds & Occupiable Space

1.3 design studio / 07Ceremonial Space

1.4 design studio / 07Cabin in the Woods

1.5 design studio / 07Building Analysis

1.6 design studio / 07Boat House

1.7 design studio / 07Hostel

1.8 design studio / 07Tectonic Strategies

tab

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f co

nten

ts

04 / table of contents

2Professional Work

3Visualization

1.1 design studio / 07Sketch

1.2 design studio / 07Pen & Ink

1.3 design studio / 07Vectorworks

1.4 design studio / 07AutoCAD

1.5 design studio / 07Sketchup

1.6 design studio / 07Revit

1.7 design studio / 073D Studio Max

1.8 design studio / 07Photography

2.1 design studio / 07Campus Master Plan

2.2 design studio / 07Playhaus

2.3 design studio / 07Hayden

2.4 design studio / 07Postcard

2.5 design studio / 07Office Shading

2.6 design studio / 07BRA RFP

2.7 design studio / 07Office Park

2.8 design studio / 07Studio 2112 Website

2.9 design studio / 07Duxbury Residence

table of contents / 05

1Design Studio

1.1 Composition & Transformation

1.2 Thresholds & Occupiable Space

1.3 Ceremonial Space

1.4 Cabin in the Woods

1.5 Building Analysis

1.6 Boat House

1.7 Hostel

1.8 Tectonic Strategies

06 / design studio

project 1.1

Composition &Transformation

a-1 design studio

5 weeks duration

fall 2008

instructor - Morris tyleR

INTRODUCTION:

Composition and transformation is an introductory project to the concept of figure and ground, or positive and negative space in form. This concept is to be investigated in both two dimensions and three dimensions. The goal of this five weeks long design exercise is to further our thinking in design, while getting accustomed to the studio environment. The project is organized in two parts. The first two weeks are to develop a series of compositions on paper, and the last three weeks are to design in three dimensions through model making. The project begins with a list of given word pairings as inspirations to guide the concept.

1.1 design studio / 07

instabilityconvergence

opacitychaos

circularstillness

heavyasymmetry

stability divergence transparency order linear motion light symmetry

design vocabulary

COMPOSITION

Formalized two dimensional compositions developed from sketches. Each panel developed from sketches was based on the originality of the concept and legibility of each series in reading. Panels are 8” x 8”, made with black paper on white background. The consideration for layout placed equal importance on the relationship from one panel to the next, as well as the composition of each panel individually. The transformation from linear to circular was investigated with two different approaches, and is also the basis for the next step of the process.

linear - circular

motion - stillness divergence - convergence

linear - circularPreliminary Sketches

ITERATION 1 - SOLID

The first step of the three dimensional translation was based on the selected composition due to its unambiguous form. The design added another element of structure to the original composition.

ITERATION 2 - VOID

Using the first iteration as a reference in form and scale, the negative space was constructed with the same structural idea in mind while creating a void of the previous design. However, each individual layer doesn’t connect in forming a solid geometry, as a way to further the idea of transformation in motion by activating the viewer’s imagination to complete each layer.

08 / 1.1 design studio

ITERATION 3 VOID

The system forming the void space progresses in the final iteration of the series by strengthening its structural support. The most external layers now provide stability through their connection. The inner most layers becomes static. The dimensions were modified to increase the clarity of the circle in void.


project 1.2

Thresholds & Occupiable Space

a-1 design studio

6 weeks duration

fall 2008

instructor - Morris tyleR

INTRODUCTION:

To define a space is to create a separation of one space from another. The separation can create a relationship between the spaces and give each space its own distinction. The difference is made by purpose. The goal of this project is to design two spaces, one space for gathering, and another for solitude. The separation between the two spaces is created by a threshold. The threshold is to provide a transition, and also to create a relationship between gathering and solitude.

The design begins with the concept of appearing and disappearing. Starting with two squared shaped “rooms”, the design focused on the use of scale and light to create the separation and the experience of transition by the threshold to clearly contrast the two spaces in its purpose. This project is a conceptual exercise to design architectural elements without program, material or structural considerations.


conceptual sketch

“Architecture is the thoughtful making of space” - Louis Kahn


TRANSITION

The study of transition in perspective is to further the investigation of each design element in more detail. The horizontal and vertical changes guide the carefully coordinated transitioning experience. Light introduces another element of openness and privacy.

THRESHOLD

A series of study models exploring the transition between a space for gathering and a space for solitude. The study was focused on the use of light, scale, and openness to each space. The first part of the series made use of massing models to study the overall relationships, and then a series of spatial studies were done to form each space.

THRESHOLD

The threshold is a narrow path offset from the gathering spaces. Without light, the threshold is invisible from the main gathering space, giving a sense of discovery to the overall experience.


FINAL DESIGN

Based on the concept of appearing and disappearing, the last design of the project combined all design elements from the previous studies. The gathering space defines two connecting rectangular geometry. The larger geometry serves as the main gather space, and the smaller geometry as the secondary gathering space and also serves as a transition space to the threshold and solitude space.

Openings above allow light into the space on all corners and the center of the space, giving both geometry equal amount of attention.

The exterior form is an additional element added to the overall design. The goal is to use the exterior to inform the viewer of the interior experience and layout.



project 1.3

Ceremonial Space

a-2 design studio

6 weeks duration

spring 2009

instructor - tatiana berger

INTRODUCTION:

A ceremonial space is the setting for what is traditionally considered a highly ritualized experience. While it can be formal or informal, or a private or public affair, the end user will find a ceremonial space is designed for a mentally personal event regardless of the number of users at any given time.The ritual of going to the gym is about taking time for one’s self. It’s about caring, challenging, and progressing one’s self. Designing for such a ritual provided an opportunity to analyze and the human transition that needs to take place, as well

as to set-up a progression of transitions to aid in creating an atmosphere for said ritual.The ceremonial space is nestled between the Boston Public Library and Lord & Taylor on Boylston Street in the Back Bay neighborhood. Moving from such a busy area of town into what is to be a place for personal development required slowing down the user via circulation transitions so the user may mentally prepare for their ritual.

initial site visit


west site elevation

site map view from street level

SITE

In reaction to the existing site, the structure became a landmark that stands out against the local conditions in order to parallel with the idea that this space is a place to challenge and advance the user’s general life experience. Having such an angular design resolution, allowed users to remain motivated and excited, while clean lines and smooth surfaces made for a clear mind and a no-fuss atmosphere.


spatial investigation

east site section

north elevation

south elevation

GEOMETRY

The structure’s dynamic shape reflects the interior environment and the relationship of the interior spaces. With the program of a gym, it was important to provide a unique experience that included good line of sight, day lighting opportunities, and general openness in easy way finding.


USER EXPERIENCE

As the user enters the site, they are sheltered by an overhang, which creates a level of intimacy, contrasting from a more open and hostile environment of the street. They become enclosed as they enter the space and a series of more intimate but layered spaces unfold with generous framed views of the exterior environment and the cityscape.Space is provided not only for the physical exertion of a workout, but also for rest and reflection. An upper level sanctuary and roof garden allow users to recover above the street level to find a more peaceful atmosphere.


project 1.4

Cabin in the Woods

sketch problem

1 day duration

spring 2009

instructor - Ian Taberner

INTRODUCTION:

Sketch problem is a one day design intensive workshop organized once every term. A program was given along with a set of specific design parameters. The project is to design an all seasons retreat for a writer/musician who is a scholar of the famous author and philosopher Henry David Thoreau. The cabin is a contemporary interpretation of Thoreau’s wood cabin which inspired his writing of his best known book “Walden”. The site is a remote location in the woods with a 15% hill and a maximum footprint of 15’ x 10’. An added consideration to the design was to incorporate sustainable elements for the cabin to be completely energy independent, while serving the daily needs of its resident.


Footprint

The design developed from Henry David Thoreau’s cabin to include a space for writing, a space for music, and a place to rest.

Site

The site is to be located on a 15% slope with a

15’ x 10’ maximum footprint.

space for music

place for rest

space for writing

program organization natural day-lighting water collection solar heating kang stove/bed


back elevation front elevation side elevation

legend

1. resting/seating

2. writing area

3. studio/dining area

4. toilet

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plan



INTRODUCTION:

The first project of the B-level studio is a research & diagrammatic exercise of a selected building. The goal is to develop a series of studies as a way to understand a residential building from the beginning of the 20th century.Le Maison de Verre is an early modern building completed in 1932. The design of the house emphasized three primary traits: honesty of the materials, variable transparency of forms, and the juxtaposition of industrial fixtures in a traditional home. The house is completed with the collaboration of the furniture and interior designer Pierre Chareau, a Dutch architect Bernard Bijvoet, and a metal craftsman Louis Dalbet. Designed for Annie Dalsace and her husband Dr. Jean Dalsace, the house had a unique program requirement which served the accommodation of the the household as well as for the patients of Dr.Dalsace in his medical practice.

project 1.5

Building Analysisb-2 design studio

5 weeks duration

spring 2010

instructor - janet buck

le maison de verre ( the house of glass )

north-south building section front elevation back elevation

manual

ventilation unit

main living space Doctor’s office sliding partition

screen

grand staircase

private garden

project

site

main residence

entry court

path to street1.5 design studio / 23

ANALYSIS

Le Maison de Verre is a modern interpretation of the traditional architectural elements of a Parisian home. The introduction of industrial material displays a level boldness in its experimental qualities. The three dimensional arrangements of its spaces are specific to the needs of the client. The building comprises of a servants’ quarter, the

doctor’s practice, and the residence. With a clear separation between public and private spaces, the three areas of the house function uninterrupted with each other, while careful connections are made between the three areas.

structure vertical circulation spatial separation public vs private space spatial hierarchy

individual circulationprogram elementsaxisnatural daylighting double height spacesspatial geometry

circulation



project 1.6

Boat House

b-2 design studio

9 weeks duration

spring 2010

instructor - janet buck

INTRODUCTION:

The Charles River Esplanade is a river front park located between Boston and Cambridge, near the end of this 80 miles long river before reaching the Atlantic Ocean. Distant from the city and free from high rise, the sky opens above to panoramic views of both cities’ skylines. The design of what is to be the 20th boat house along the Charles River will be placed on the esplanade. Design consideration placed equal importance for both the function of the space as well as response to the site elements.

Located between two major cities, the esplanade brings a unique experience to an urban setting. The park receives millions of visitors every year. The design is to provide equal amount of space to the users of the facility as well as to park visitors. Rather than placing an alarming building on the existing landscape, the boathouse enters the site discreetly as an extension of the park to the river free from all visual obstructions.


view to river front park

connecting bridge to mass ave public dock pedestrian bridge adjacent highway running / biking path

selected site location


MAJOR SITE ACCESS

SOLAR DIAGRAM

VIEW

diagrammatic study abstract site elements contour study selected views

SITE

The park is a transition between the congested city skylines and the open air above the Charles. The suffocation from towering buildings and hostile vehicular traffic melt away, and is replaced by a sense of peace and relaxation. This effect is noticeably shared among the guests of the park. A sense of community appears here which is uncommon just two blocks away.

concept sketches site consideration view to cambridge

south-north section



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Legend

1 Entry

2 Boat Storage

3 Gym

4 Event Room

5 Office

6 Locker

7 Shower

8 Toilet

9 Equipment storage

10 Shop/Repair

11 Storage

12 Deck

13 Meeting

14 Kitchen

15 Lounge

entry progression

plan

program organization


1 Entrytop view

2 boat storage

4 event room

10 shop/repair

14 kitchen

3 gym

0 front desk roof deck

5 office

park view

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project 1.7

Hostel

sketch problem

1 day duration

spring 2011

instructor - lee peters

INTRODUCTION:

The Hostel is designed to accommodate the needs of 12 travelers for overnight rest. Program requirement include bedrooms, bathrooms, kitchen, mechanical room, a place for gathering, and a space for planning. Strong emphasis was placed on response to site and sustainability considerations. The challenge is to allow openings for natural lighting into the space without giving up privacy and receiving interruptions from the busy surroundings. Building elements included roof installed PV panels, rain water recycling, and solar heating with the use of south facing masonry walls.


site map

project

site


site considerations

concept sketches

design response to site conditions

edge conditions

wind study view from site

parking sun diagram

existing tree locations

building footprint building scale building entry program arrangement


roof pv panels

solar water heater

exterior wood panels

mansonry wall


project 1.8

Tectonic StrategiesB2 DESIGN STUDIO

15 WEEKS duration

spring 2011

instructor - CHRIS JOHNS

INTRODUCTION:

Tectonic is the “building” in “architecture”. The B-2 studio is a semester long process of learning and developing a system of construction, to design a system of logic in construction and define relationship between elements which create structure. The construction system is developed through three projects. The first project is an abstract exercise of system design. The idea is to design a kit of parts which eventually becomes a structure. The second project is a continuation of the first project with a given site. The developed system from project 1 is to be redefined in order to respond to its site surroundings. Project 3 is to join the designs from project 1 and 2 to continue the development of the construction system to serve the functions of a building program.


PROJECT 1 : TECTONIC DEVELOPMENT

Rather than exploring complexity, the initial development focused on a simple joining method which has the potential to become a flexible system that will serve the complex of program requirement. The first strategy is to design a skin, or an outside layer at various scales. The secondary system is a structural frame that will serve as a supportive layer.

initial tectonic system

alternative strategies

scale study

secondary tectonic system

horizontal overhead condition

inside condition

outside condition

place to rest

wall

floor condition


side elevation front elevation back elevation

project 1 tectonic system


PROJECT 2 : APPARATUS ON A SLOPE

Arnold Arboretum is the oldest public arboretum in North America. It’s located in the south west border of Boston, and operated by Harvard University as both a public park as well as a facility for the education and research of plant biodiversity. The design is a small but completely open space at the arboretum’s highest elevation. The minimum program requirement consists of an office for the staff, an educational space that can also serve as an exhibition space, and a utility room. Surrounding greenery is an exhibition itself throughout the park. The design takes

a transparent approach and begins with the process of arranging a path to approach a subtle structure that will blend in with its environment. A series of three gates are placed along with three open landings and provide a space to rest for the visitors as well as an opportunity for the arboretum to increase its tree species collection. The structure is located at the end of this path. The constant shift of the vertical and horizontal dimensions brings a sense of expansion and compression along the gates to the structure. The experience is enhanced as one travels to the top of the highest elevation.

site map

view from peters hill to downtown boston

SITE STUDY

PATH TO PAVILION

STUDY OF STRUCTURE AND SITE INTEGRATION

PROGRAM DEVELOPMENT

TECTONIC ANAlySIS



PROJECT 2 TECTONIC SYSTEM

EAST-WEST SITE SECTION


1 Entrance

2 Viewing Deck

3 Staff Office &

Utility Room

4 Education &

Exhibition Space

Entry Level UPPER Level

view from peters hill to downtown boston


PROJECT 3:URBAN CULTURAL CENTER

In Boston’s southeastern corner of downtown resides the city’s Chinatown district. The area has passed many hands over the years and once served as the city’s garment and leather district. The area has since been filled with small restaurants, shops, and businesses.What was once a bustling manufacturing district, is now a run-down and poorly maintained. In desperate need of something that will encourage Chinatown’s rehabilitation, an urban cultural center would promote the local identity of the neighborhood, as well as encouraging visitors and residents to matriculate and circulate the area. In an attempt to open up a relatively private neighborhood, the center would redirect the

entry into the community by inviting a greater diversity of patrons while maintaining the local design language. Tectonics were carefully studied at three scales to create a kit of joinery that would each play a significant role in the center’s structural design and space creation. While this space is for community gathering, the program also includes a highly versatile black-box theater that can serve as a space for performance, events, ceremonies, etc. throughout the year, which can provide income for the community. Providing this cultural experience as well as a way to source income for the community drives a way to reinvigorate a neglected neighborhood.

INITIAL SKETCH

CHINATOWN STREET VIEW


ENTRY STAFF AREA GALLERY SPACE PERFORMANCE SPACE

TECTONIC DEVELOPMENT AND INTEGRATION TO SITE

PRIMARY TECTONIC SYSTEm SPATIAL TECTONIC


FIRST LEVEL SECOND LEVEL THIRD LEVEL

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LEGEND

1 Courtyard

2 Lobby

3 Conference Room/

Kitchen

4 Toilet

5 Gallery

6 Director’s Office

7 Office

8 Dressing Room

9 Performance

10 Projection Room

program development


site model

section persepctive from entry

to performance space

street elevation

entry courtyard

main entry

receptioni

entry to gallery


2Professional Work

2.1 Campus Master Plan

2.2 Playhaus

2.3 Hayden

2.4 Postcard

2.5 Office Shading

2.6 BRA RFP

2.7 Office Park

2.8 Studio 2112 Website

2.9 Duxbury Residence

46 / professional work

PROJECT BRIEF:

To design a master plan for an ecologically conscious design and build school means placing a great amount of importance on the land and its natural systems. As the popularity of the school grew over time, the need for expansion Of its current campus is more necessary than ever before. The lead architect John Boecker takes a principles based approach to his design. He designed some of the first LEED certified buildings in the country. His design for the school focuses on the rehabilitation of the land natural ecosystem prior to human activities. As a result, the master plan drawing placed equal importance on the visual representation of the landscaped design with its architectural elements.

project 2.1

Campus Master Plan

2.1 professional work / 47

freelance project

4 weeks duration

fall 2010

architect - john boecker, AIA, LEED AP

task - drafting presentation design

48 / 2.1 professional work

rendered master plan

working drawings from THE architect

2.1 / professional work 49

campus layout

1. primary infrastructure

2. studio & dormitories

3. remaining dormitories & circulation

4. core buildings & library


PROJECT BRIEF:

This architectural play structure fosters children’s creativity and self-direction through physical and cognitive interaction. Rather than replicating figurative notions of “house,” this play structure departs from traditional playhouse designs by providing a dynamic framework for imagination. Its wood slats filter light and create a rich spatial interior that allows passage over, under, and through its various levels. A perfect place for learning, growing, and discovering, cubePLAY exposes children to the value of design through lively hands-on interaction. 2fold is part of the cubePLAY series as a entry for the Dwell Playhaus competition. project 2.2

Playhaus

dwell design competition

2 weeks duration

fall 2010

cube design & research

task - project design presentation design

First design of the cubePLAY series by CUBE

principle Chris Johns located in San Diego, CA.

side view

front view

back view

MATERIAL

One of the competition requirement calls for the use of James Hardie Siding and Trim products. In response, 2fold is a structure designed with a solid structural system but flexible panel arrangement. A series of studies were done to illustrate various options for panel layout.



PROJECT BRIEF:

The Hayden Building is a significant national historic landmark built in 1875 and designed by Henry Hobson Richardson, the renowned 19th century architect of Trinity Church in Copley Square. Constructed of rough-cut brownstone, the building exemplifies Richardson’s use of the Romanesque Revival style for commercial buildings. The Hayden Building’s large rhythmic window openings and heavy stone façade changed how large buildings where designed in the 19th century and became the façade blueprint for the first skyscrapers. It is Richardson’s last remaining commercial building in Boston. The project consists of the rehabilitation and conversion of the Hayden Building from a five-story office building to multi-family housing with ground floor retail. The narrow Hayden floor plates present unique challenges to the housing program; yet, the massive masonry walls and multiplicity of windows provide ample natural light and distinctive design opportunities. Acknowledging the ‘edges’ as the dominant feature of Richardson’s building, the exterior walls are accentuated and thickened with ancillary program features; thus, prompting the residents to engage with Richardson’s re-purposed brownstone facade.

project 2.3

Hayden

architectural project

10 weeks duration

spring 2012


task - construction documentation

existing exterior repair notes


interior wall details


view from kitchen into hallway & unit entry


main stairwell


retail space interior elevations



PROJECT BRIEF :

After relocating the CUBE Design & Research office from the Boston Waterfront to Chinatown, they wanted a unique way to inform former clients and the Chinatown community of the new office location. Rather than designing a formal business postcard, the approach was to design a graphic layout that will hold people’s interest. Inspired by the history of Chinatown as the red light district, also known as the Combat Zone, the postcard design begins with the graphic style of a 70’s grindhouse movie poster.

project 2.4

Postcarddesign project

3 weeks duration

spring 2012


task - design

Firm Logo New Office

Location

Address Postage


Hayden

BuildingJason

HartChris

JohnsAaron

MalnarickJetty

House

developmental collage

postcard back postcard front


project 2.5

Office Shading

design project

3 weeks duration

spring 2012


task - design

PROJECT BRIEF:

As the amount of work grew in the practice, time investment in office management becomes more chellenging. The large south facing windows without shading causes glare and is an ongoing issue of our daily working lives. When the time finally became available, addressing the office shading issue was on top of the list. But what is an architectural design office without putting our own signature on the product we buy. The window shading issue presented an opportunity to showcase the office to the new neighborhood. The design brings clarity to the ambiguity of multi-store buildings.


existing office interior legibility study proposed shading solution

view from street level


project 2.6

BRA RFP

request for proposal

3 weeks duration

fall 2012

studio 2112

task - graphic illustration presentation design

PROJECT BRIEF:

With the support of the Downtown Boston Business Improvement District (BID), the Boston Redevelopment Authority issued a Request for Proposals (RFP) to develop a Streetscape Design Standards & Wayfinding Program for the public realm within the BID area. The BRA required proposals from Consultants or Consultant Teams that have demonstrated excellence in integrating the disciplines of planning, urban design, wayfinding and infrastructure development. Lead by the architects from CUBE Design & Research, the project team consists of a group of landscape architects, urban planners, graphic designers, and engineers. The cross disciplined team brings a broad range of experiences and takes an integrated approach to the design process. The proposed design is a series of streetscape design standards, wayfinding and vending programs.

presentation “map” submitted to the bra


lower gateway site: chinatown

upper gateway site: chinatown government center comprehensive development plan


lower gateway site: chinatownupper gateway site: chinatown government center

canopy as gateway wayfinding through lighting

pavement wayfinding wayfinding through lighting

mobile street vending pavement engraving

pavement engraving wayfinding through lighting

precedents precedents


project 2.7

Office Park

landscape architecture project

6 weeks duration

fall 2012

studio 2112

task - construction documentation presentation design

PROJECT BRIEF:

The proposed office building development includes a five story tower and above grade parking garage which creates a central courtyard as the focal point. A series of raised planters and stepped amphitheater create a pedestrian scale entry sequence, outdoor café terrace and vehicular drop-off area. A hierarchy of native plantings provide careful layering and scaling of the space while the perimeter landscape connects the site to the naturalized context. On-site stormwater management techniques are applied to improve water quality, increase infiltration, and reduce runoff.

site scheme LeGeND

1 eNtry Drive

2 auto court with fire truck raDius

(90’ Diameter)

3 raiseD pLaNter/seatwaLL at maiN eNtry

4 amphitheater with seat waLLs

5 fLush pLaNter

6 cafe terrace with raiseD

pLaNter/seatwaLLs

7 sLopeD pLaNter at eDGe of terrace

8 LoaDiNG Dock

9 utiLity LocatioNs

10 sNow DisposaL areas

11 GaraGe eNtry

12 pLaNt screeNiNG at parkiNG GaraGe

13 aDDitioNaL pLaNtiNG iN parkiNG Lot

isLaNDs to iNcrease screeNiNG of

structure

14 traNsformer LocatioN

15 eNtry tree Grove

16 site waLLs

17 LawN areas at site perimeter

18 meaDow Grasses with bioswaLe

19 eNtry waLLs with siGNaGe

20 west terrace with seatwaLL

21 fire room access

22 emerGeNcy eGress pathways with

boarDwaLks over swaLe

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proposed building

proposed parkinggarage


view to parking and main courtyard material plan planting plan

pedestr ian plaza with ra ised planter(covered walkway and cafe terrace beyond)

below Grade park ing

main entry

with canopy

amphitheater with seatwalls park ing Garage


section through entry plaza

planting details


project 2.8

Studio 2112 Website

web design project

10 weeks duration

fall 2012

studio 2112

task - web design & planning

PROJECT BRIEF:

After one year of setting up the office, Studio 2112’s website was in need for an update with the most recent projects. After some study of the existing web page, it was clear that instead of an update, the studio needed a fresh look that best represent the design beliefs and philosophy of the practice. The design of the site takes a minimalist approach to present Studio 2112 in a clear and straightforward manner.


principles page

project detail page

studio intro page project selecion page office contact


project 2.9

Duxbury ResidencePROJECT BRIEF:

The goal of this new beach house was to restore a native ecological condition to a site currently consisting of manicured lawn, non-native vegetation, and a large swimming pool. An existing eroding dune will be restored while native dune vegetation is planted to secure the grade and anchor the structure within the landscape. A brackish rain garden accommodates site stormwater and periodic beach overwash through grading and salt tolerant plant material. The remaining landscape will be planted as native meadow with woodland vegetation. Circulation is defined through boardwalks, mown grass paths, and a formal gravel driveway. Formal flowers and residential plantings are kept adjacent to the main entry creating a contrast with the adjacent native material enriching the experience of the site.

landscape architecture project

8 weeks duration

fall 2012

studio 2112

task - construction documentation presentation design model making

site model

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LeGeND 1 vehicuLar turN arouND (60’ Diameter) 2 privacy siGN 3 Driveway to beach house 4 pathway markiNG footpath access to beach house 5 NeiGhborhooD access to beach, seasoNaL vehicuLar access for beach NourishmeNt as NeeDeD 6 NeiGhbor/beach parkiNG 7 Goose poiNt LaNe with reDuceD roaD wiDth (14’)


Delineated Wetland:Remove lawn and restore with wet

meadow and OBL/FACW species

Pond edge 100’ Buffer Zone:Remove lawn and understory plantings, replace with

shade tolerant meadow grasses and understory.Maintain lawn pathway to dock

BOAT HOUSE SECTION1” = 20”-0”

Parking Court Goose Point Lane

Boat HouseExisting slope to house

Existing Grade

Existing House

48 GOOSE POINT LANECONSERVATION COMMISSION SUBMISSION

December 4, 2012

2112LANDSCAPE ARCHITECTURE

studio

Restored duneExisting dune crest

BEACH HOUSE SECTION A1/16” = 1’-0”

Beach Terrace

Garden Terrace

SlopedLawn

Beach House

Courtyard

100’ Setback LineCoastal Dune line

Existing GradeExisting House

1 SPRING STREETCONSERVATION COMMISSION SUBMISSION

December 4, 2012

2112LANDSCAPE ARCHITECTURE

studio

beach house site section boathouse site section

3Visualization

visualization / 72

3.1 Sketch

3.2 Pen & Ink

3.3 Vectorworks

3.4 AutoCAD

3.5 Sketchup

3.6 Revit

3.7 3D Studio Max

3.8 Photography

sketches from design principles and architecture history

project 3.1 Sketch

3.1 sketch / 73

sketches from design principles and architecture history

project 3.1 Sketch

74 / 3.1 sketch

1 POINT PERSPECTIVE

2 weeks duration

fall 2012

instructor - Stephen Rich

media-drafting pencil

drafting pen

marker

project 3.2 Pen & Ink

3.2 pen & ink / 75

1 POINT PERSPECTIVE

2 weeks duration

fall 2012



drafting pen

marker

photoshop


76 /3.2 pen & ink

2 POINT PERSPECTIVE

3 weeks duration

fall 2012



drafting pen

marker

sketchbook for ipad


3.2 pen & ink / 77

self directed study

4 weeks duration

summer 2011

architect - yoshiharu tsukamoto

application - vectorworks

project 3.3 Atelier Bow-WowHome Office

78 / 3.3 vectorworks

autocad 2d

8 weeks duration

fall 2008

architect - renzo piano

instructor - michael fiorillo

application - autocad 2007

project 3.4 Brin Station

3.4 autocad / 79

autocad 3d

2 weeks duration

spring 2009

instructor - carlos caraballo

application - autocad 2007

project 3.4 Cabin

80 / 3.4 autocad

autocad 3d

6 weeks duration

SPRING 2009

architect - LOUIS KAHN

instructor - CARLOS CARABALLO

application - autocad 2007PHOTOSHOP CS3

project 3.4 SALK

3.4 autocad / 81

self-directed study

3 weeks duration

summer 2009

application - sketchup 6 photoshop cs3

project 3.5 Suburban Home

82 / 3.5 sketchup

self-directed study

6 weeks duration

summer 2010

application - revit architecture

project 3.6 Office Building

3.6 revit architecture/ 83

UP REF

.O

VEN

--

-

-

-

-

-

-

1 2 3 4 5 6

A

B

C

D

E

F

GUEST ROOM1

CLOSET2

BATHROOM3

UTILITY CLOSET4 HALLWAY

9

LIVING ROOM8

KITCHEN7

CLOSET5

BATHROOM6

B

B

B

8A

2

3

1

4

8B

5

6

A

B

A

B

B

B

B

05 5

4

-

-

--

555 Mountainview Rd, Denver, Colorado, USA 15578

Scale: 3/16" = 1'-0"MOUNTAIN HOUSE

11/8/2011LEVEL ONE FLOOR PLAN

DN

--

-

-

-

-

-

-

1 2 3 4 5 6

A

B

C

D

E

F

13A 13B

15A

----

15B

MASTERBEDROOM

10

CLOSET13

MASTER SHOWER11

MASTER BATH12

HALLWAY17

KID'S ROOM16

CLOSET15

BATHROOM14

12

11

16

14

B

B

10

-

---

-

-

--

-

---



11/8/2011LEVEL TWO FLOOR PLAN

self-directed study

3 weeks duration

summer 2011


project 3.6 Residential Building

84 / 3.6 revit architecture

REF

.O

VEN

5 6

C

D

KITCHEN7

6

A

B

B

05 5

4

5 6

C

D

8' - 0"

EQ EQ

EQEQ

EQEQ

EQ EQ

8' - 0"

05 5

4



11/8/2011KITCHEN VIEWS

3/16" = 1'-0"1 Kitchen Plan 3/16" = 1'-0"2 Kitchen Ceiling Plan

3 Kitchen Axon 3/16" = 1'-0"4 Kitchen- North Elevation

3/16" = 1'-0"5 Kitchen- East Elevation


Scale:MOUNTAIN HOUSE

11/8/2011SCHEDULES

Door ScheduleLevel Mark Width Height

Level 1 1 2' - 10" 7' - 0"Level 1 2 2' - 10" 7' - 0"Level 1 3 2' - 10" 7' - 0"Level 1 4 2' - 10" 7' - 0"Level 1 5 2' - 10" 7' - 0"Level 1 6 2' - 10" 7' - 0"Level 1 8A 3' - 0" 6' - 9"Level 1 8B 3' - 0" 6' - 9"Level 2 10 2' - 6" 7' - 0"Level 2 11 2' - 6" 6' - 8"Level 2 12 2' - 10" 7' - 0"Level 2 13A 6' - 0" 7' - 0"Level 2 13B 6' - 0" 7' - 0"Level 2 14 2' - 10" 7' - 0"Level 2 15A 6' - 0" 7' - 0"Level 2 15B 6' - 0" 7' - 0"Level 2 16 2' - 10" 7' - 0"

Room ScheduleLevel Name Number Floor Finish

Level 1 GUEST ROOM 1 CPTLevel 1 CLOSET 2 CPTLevel 1 BATHROOM 3 PTLevel 1 UTILITY CLOSET 4 COLevel 1 CLOSET 5 COLevel 1 BATHROOM 6 PTLevel 1 KITCHEN 7 PTLevel 1 LIVING ROOM 8 PTLevel 1 HALLWAY 9 PTLevel 2 MASTER BEDROOM 10 WDLevel 2 MASTER SHOWER 11 PTLevel 2 MASTER BATH 12 PTLevel 2 CLOSET 13 WDLevel 2 BATHROOM 14 PTLevel 2 CLOSET 15 WDLevel 2 KID'S ROOM 16 WDLevel 2 HALLWAY 17 CPT

3.6 revit architecture/ 85

self-directed study

3 weeks duration

summer 2011


project 3.6 Residential

Building

3d studio max 2d

8 weeks duration

fall 2012

architect - mies van der rohe

instructor - vincent lecour

application - 3DS MAX 2012

MENTAL RAY

PHOTOSHOP CS 6

project 3.7 Barcelona Pavilion

86 / 3.7 3d studio max

3d studio max animation

8 weeks duration

fall 2012

architect - mies van der rohe

instructor - vincent lecour

application - 3DS MAX 2012

MENTAL RAY

PHOTOSHOP CS 6 extended

after effects

project 3.7 BP Animation

3.7 3d studio max / 87

project 3.8 Boston Public Library

photography

summer 2008

architect - mckim,mead, & white

boston, ma

88 / 3.8 photography

project 3.8 The Class of 1959 Chapel

3.8 photography / 89

photography

fall 2008

architect - moshe safdie

boston, ma

project 3.8 Imperial Garden

photography

summer 2009

architect - qianlong

beijing, china


project 3.8 Forbidden City


photography

fall 2009

architect - n/a

beijing, china

project 3.8 Fallingwater

photography

winter 2010

architect - Frank lloyd wright

mill run, pa


project 3.8 Kimbell Art Museum


photography

fall 2010

architect - louis kahn

fort worth, tx

project 3.8 The Menil Collection

photography

summer 2010

architect - renzo piano

houston, tx


project 3.8 Big Dig House


photography

fall 2010

architect - single speed design

lexington, ma

Adobe InDesign CS6

Adobe Photoshop CS6

Adobe Muse

Adobe After Effects

Autodesk AutoCAD 2012

Autodesk Revit 2011

Autodesk 3DS Max 2012

Google Earth

Google Sketchup 8

Sketchup Layout 8

V-Ray

Vectorworks

Eric Yang469-499-6804

[email protected]

Computer Software Used: