2 0 1 5 s e l e c t w o r k s

s t u d i o e d i t i o n

ta b l e o f c o n t e n t sARTICLES

ABOUT US. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3A NEW NORMAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5A LANDSCAPE IS A LEGACY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3THE VISION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3DRESSED FOR SUCCESS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3360 DEGREES OF AWARENESS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3GREEN ON GREEN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

WORKS

LE CHALET. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3BASAL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3ZAMBONI DREAMS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3ICE RINK AT QUARRY MOUNTAIN RANCH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3UPLAND UPSET. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3OMGEVALLEN BOOM. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3TACOMA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3ARGENTINE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3VILLA VINEDO. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

ta b l e o f c o n t e n t sARTICLES

ABOUT US. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3A NEW NORMAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5A LANDSCAPE IS A LEGACY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3THE VISION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3DRESSED FOR SUCCESS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3360 DEGREES OF AWARENESS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3GREEN ON GREEN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

WORKS

LE CHALET. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3BASAL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3ZAMBONI DREAMS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3ICE RINK AT QUARRY MOUNTAIN RANCH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3UPLAND UPSET. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3OMGEVALLEN BOOM. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3TACOMA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3ARGENTINE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3VILLA VINEDO. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

ABOUTUSOUR PHILOSOPHYAs a landscape architect that specializes in modern and contemporary site and landscape design services, for a successful and discerning clientele it is especially the case that the first and most prominent part of our philosophy is to make every effort to understand and adopt the project owners and architects own values, wants and desires for the preparation of the landscape design.

Even more so than building architecture; every project is unique from the last in the landscape architecture discipline. Since there are differing sites and differing accompanying structures, there are various new opportunities and restrictions; Add changing clients with differing yet critically important visions and needs and it can begin to get overwhelming. So what takes priority for us as the designer?

What is important is that we succeed in all we set out to accomplish; and this is best realized through a team based, organized process and approach, an honest attempt to satisfy all concerns! Working with architects, interior designers the landscape architect must draw from and contribute to the projects program from an early stage.

The end result is a comprehensive site and landscape design that meets or exceeds the client’s demands, compliments the architecture in meaningful ways, stays in budget and stands the best chance of satisfying everything.

“ T h e b a s i s f o r m y d e s i g n p h i l o s o p h y a s a p o s t m o d e r n i s t i s b a l a n c e . I f i n d

t h at t h e c l i e n t ’ s n e e d s a r e a c h i e v e d p r i m a r i ly t h r o u g h i m p l e m e n tat i o n o f

f i r s t p r i n c i pa l s , i . e . i t ’ s n o t a p r o c e s s o f c r e at i v i t y, o r a r t i s t r y at f i r s t,

b u t a s c i e n t i f i c a l ly g u i d e d m e t h o d o f i n v e n t o r y, a n a ly s i s a n d p r o g r a m m i n g

w h i c h p r o v i d e s a f r a m e w o r k f r o m w i t h i n w h i c h w e t h e n d i s c o v e r t h e o p p o r t u n i t i e s

f o r c r e at i v e a r t i s t r y. A n y o t h e r p h i l o s o p h y i s a n e x t r e m i s t p o i n t o f v i e w.

T h e r e m u s t b e a b a l a n c e , t h e a r t i s t a n d c o m m i s s i o n e r m u s t b o t h b e s at i s f i e d f o r

t h e p r o j e c t t o b e c a l l e d a s u c c e s s . ”

- S e t h B o c k h o lt

A newNormalWITH ANYTHING BUT NORMAL EXPECTATIONS.More and more clients are inquiring about outdoor kitchens and living rooms. Sometimes the motivation is personal, they look forward to relaxing privately but also to facilitate entertaining and almost always a plus… the outdoor living areas are a great form of bribery to get the grand kids to come over more often. Either way the average client today has higher expectations when it comes to the outdoors than many design professionals realize.

These spaces can now be just as lavish as your indoor equivalents. You can find an outdoor model to every indoor appliance. From wine coolers to dishwashers. But the old favorites are the standard; a fireplace, some furniture and maybe a bar. These seem to be standard requests; but again designing and planning for these spaces is anything but simple; and brings a certain set of challenges the Landscape Architect is more suited to tackle challenges than any other design professional.

The savvy architect realizes the importance of collaboration and specialized consultation to handle these specifics, but all to often Architect dictates these spaces or an Interior designer is tasked with this exterior feat. Makes sense right? Often the landscape architect, interior designer and architect will most often all consider this ‘patio’ realm as theirs. We find it is best to have a healthy overlap of scopes in order to assure collaboration, and that discussions between disciplines about these areas early on can galvanize a healthy collaboration for the entire process resulting in a product that will meet the highest expectations.

LE CHALET The pond is a tool to essentially integrate the architecture to the site and its ecology. Seasonal changes unfortunately mean that sometimes some plants aren’t looking so great. Providing a constant aesthetic a reflection pond is called into service to create a dramatic and controlled entry experience year round. Reflections of the architecture wil l dance across the water, as visitors come & go.

S I M P L E I S C L E A N A N D C L E A N I S B E A U T I F U LWorking with Architect Scott Jaffa the overall concept for this landscape design was guided by a desire to “ground” the architecture to the land by embracing the site and its ecology.

T h e l aw n s e c t i o n e l e vat i o n

With and eye to protecting views while creating privacy the floor elevation of the home is intentionally set into the grade, requiring a cut into the slope creating a terrace for the lawn, and setting outdoor activit ies on a lower plane than neighboring uses. The excess of f i l l material was balanced to create privacy berms in strategic locations around the home.

R a i n G a r d e n s e c t i o n e l e vat i o n

The planning for storm water runoff in major events becomes a feature of this landscape. A timber slab bridging to retaining walls that wil l al low one to cross the bio-fi ltration basin en route from the front yard to the backyard high and dry in storm events and with interest and appeal year round.

T h e pat i o s s e c t i o n e l e vat i o n

The division of spaces creates outdoor rooms that vary in size and appeal for differing experiences and activit ies. Central to the main exit of the home is a outdoor kitchen with large banqueting counter and viewing / dining deck. To the left a sunken fire pit and orchard. On the right a secluded garden patio space.

BASALThe cl ient ’s purchase of a neighboring vacant lot for these outdoor environments speaks to the changing trends and the increased value home owners are placing on the landscape. With the desire to spend more t ime out of doors, and l ive a more social and healthy l i fe, this changing paradigm is leaving many architects and builders fal l ing short of their cl ients expectations when it comes to the planning of high end residential landscapes. Working with Bockholt you can be sure NOT to fal l into that category.

In a del iberately minimal way, the land volume is strategical ly broken into smaller elements that are connected through materials and a procession of uses. These smaller spaces dictate uses specif ied by the cl ient which have progressed into a f inal configuration that frames the site ’s prist ine mountain views while preserving privacy.

The design is also grounded in the use of historical ly based materials drawn from the areas rich mining history.

F o r m a n d s c a l eWith that valuable addition of space via the purchase of a neighboring lot the design

strives to meld the interior to exterior making the two once separate lots feel unified, and intentional.

The project, being within the historical district of Park City must also meet several criteria for the design to be approved. Through the careful planning of the new forms and their

scale in relation to the historic home the new elements of the design maintain the integrity of the historical neighborhood and enhance the communities appeal.

Va r y i n g s pa c e s f o r va r i o u s u s e sThe overall concept divides the lot into 4 functional spaces. The upper space is a private spa featuring a built in hot-tub with views of the mountains, Directly below is a cut basalt boulder fire pit with custom designed modular and mobile furnishings to allow various

configurations. All furnishings can fit within the adjacent shed which also houses the spa mechanical equipment. Separated by a band of steel paving which emphasizes the axis of

the main egress featuring a Nana wall and a huge imported multi trunk birch is the outdoor dining and kitchen space. Privacy of these lower spaces is maintained by a board formed concrete wall and a textured juniper end-cut custom designed Bockholt art installation. A

wide landscaped frontage serves as a buffer from the street noises and activities of the city.

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LANDSCAPE ARCHITECTLAND PLANNER

614 MAIN ST. SUITE 405PARK CITY UT. 84060

CELL: 801.602.9951EMAIL: seth@bockholtla.com

L-5.0

DRAWING NUMBER

DETAIL1

PROJECT NUMBER

DWN BY CHCK BY

MP SB

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REFLECTING POND1/2" = 1'-0"

SYMBOL DESCRIPTION

CHECK VALVE

MANUAL VALVE

PUMP TO SWIMMING POOL

BASKET STRAINER

BACKFLOW PREVENTER

RETURN FITTING

AUTOMATIC AIR VENT

RESERVOIR

WATER LEVEL SENSOR

FILTER AT SWIMMING POOL

FILL AND MAKE UP VALVE

WATER SUPPLY FROM SWIMMING POOL

SUPPLY FITTING

STEPPING CASCADE 2" STONE

6" - 9" TAN COBBLE

FLOW DIRECTION

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NOTE:CONTRACTOR SHALL COORDINATE WITH POOL CONTRACTOR TO PROVIDEHYDRAULIC ENGINEERING. AND PROVIDE OPTION FOR UNDERWATER LIGHTING.

FLOW FROM SWIMMING POOL TO THIS POND SHALL BE 140 GPM

1S-06

KEYED_NOTES

BID SET

SYMBOL DESCRIPTION

CHECK VALVE

MANUAL VALVE

PUMP

BASKET STRAINER

BACKFLOW PREVENTER

RETURN FITTING

AUTOMATIC AIR VENT

RESERVOIR & BOILER/HEATER

WATER LEVEL SENSOR

FILTER ASSEMBLEY

FILL AND MAKE UP VALVE

WATER SUPPLY PIPING

SUPPLY FITTING

OVERFLOW TROUGH

6" - 9" TAN COBBLE

FLOW DIRECTION

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6"

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FREE STANDING WATER WALL3/8" = 1'-0"

TILE FINISH

6"

6"

#3 BAR 1" O.C.

NOTE:CONTRACTOR SHALL COORDINATE WITH POOL CONTRACTOR TO PROVIDEHYDRAULIC ENGINEERING.

THIS POND FLOW SHALL BE 380 GPM MIN13

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KEYED_NOTES

INFINITY EDGE FOUNTAIN1/2" = 1'-0"

16'-2"

9'-8"

3'-3"

4'-0"

6'-0"1'-0"

CUT AND POLISHED BLACK GRANITE

6" - 9" BLACK COBBLE

WATER JET

NOTCH FOR LED

6" x 6" TROUGH

9" x 2" ANGLE IRON FASTENED TO CONCRETE

WATER RETURN INLET

RUN CONDUIT TO KEYSTONEFOR FLEX LED LIGHTING

# 3 REBAR @ 12" O.C.

S/S GRATE SUPPORTED WITH 1"SQUARE TUBE TO HOLD COBBLE

1'-0"

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EXPANDED VIEW1

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1 12"

1" CHAMFER

WATER PROOFINGWATER STOPNOTE:CONTRACTOR SHALL COORDINATE WITH POOLCONTRACTOR TO PROVIDE HYDRAULIC ENGINEERING. AND PROVIDE OPTION FOR UNDERWATER LIGHTING.

POND FLOW SHALL BE 1920 GPM MIN.

S-093 COBBLE WITH WEED BARRIER

3" = 1'-0"

5 OZ. WEED BARRIER

COBBLE OR ROCK MULCH STEEL EDGING

4S-35

DRAINAGE REACEWAYS & DRIVEWAY BANDING3" = 1'-0"

KLORO STONE PERVIOUSPAVING UNIT GRAY OR BLACK

3/8"PEAGRAVEL OR UTILITE3/8"PEAGRAVEL OR UTILITE

EPDM POND LINER( SLOPE TO DRAIN @RACEWAY)

1" JOINT (TYP)

3/4" DRAINAGE AGGREGATE

CONCRETE DRIVE( IF BANDING)

STEEL EDGE AND STAKE AT PERMEABLE PATH

COMPACTED SUBGRADE

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CUSTOM SPORTS LIGHTING1/4" = 1'-0"

LIMESTONE FINISH TO MATCH BUILDING

LIMESTONE CAP

FINISH I BEAM TOMATCH HOUSE

12" WOODEN POST

27" UA1-C1NA-63-MW-BTR-1LF80-120

2'-0"

WELD

5'-0" 1'-8"

W 8 x 31 STEEL I-BEAM

6S-25

GEO GRID PERMIABLE PATH

3" OF 14" CRUSHER

FINES TOPPED WITH1" SPECIFIED MATERIAL

EXISTING NATIVE SOILCOMPACTED WITH A PLATE COMPACTOR

MAKING SEVERAL PASSES CLEAN TOPSOIL

LANDSCAPING MULCHKEEP MULCH AT LEAST 1"BELOW FG OF PATH KEEP SOD FLUSH

4'-0"

4"x 18" STEEL EDGING WELDTOGETHER AT SEAMS

18"x38" REBAR WELD TO STEEL EDGE

GRASS

TYPAR GEOGRID

71" = 1'-0"

SLOT DRAIN

CAST IN PLACE TROUGH

S/S MARSHALLS SLOT DRAIN TOP COMPONENT

DRAINAGE AGGREGATE

UNDISTURBED ORCOMPACTED GRADE

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ZAMBONI DREAMS Besides planning for the option of an ice rink where the main sports lawn now sits the site features a number of amenit ies that help to echo the natural surroundings and provide prime outdoor l iv ing spaces which also promote physical activity and social connections. Bio swales have also been integrated into the design in order to capture storm water runoff al lowing it to recharge the groundwater table.

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LANDSCAPE ARCHITECTLAND PLANNER

614 MAIN ST. SUITE 405PARK CITY UT. 84060

CELL: 801.602.9951EMAIL: seth@bockholtla.com

L-2.0

DRAWING NUMBER

PLANTING1

PROJECT NUMBER

DWN BY CHCK BY

SB

PLANTING 1SCALE: 1" = 20' NORTHA

DA

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MP

BID SET

TREES QTY BOTANICAL NAME / COMMON NAME CONT CAL SIZE

8 Acer grandidentatum / Bigtooth Maple B & B 1.5"Cal

2 Acer griseum / Paperbark Maple B & B 2"Cal

15 Betula occidentalis / Water Birch B & B 1.5"Cal

16 Betula papyrifera / Paper Birch B & B 2"Cal

14 Betula x `Crimson Frost` / Crimson Frost Birch B & B 2"Cal

4 Hamamelis x intermedia `Arnold Promise` / Arnold Promise Hybrid Witch Hazel 15 gal

26 Juniperus scopulorum `Wichita Blue` / Wichita Blue Juniper B & B 6`-8` HIGH

2 Magnolia stellata `Waterlily` / Star Magnolia 15 gal

18 Pinus nigra `Brepo` / Austrian Black Pine B & B 2"Cal 6`-8` HIGH

SHRUBS QTY BOTANICAL NAME / COMMON NAME CONT SIZE

4 Agave americana / Century Plant 15 gal

53 Artemisia cana / Silver Sage 3 gal

58 Calamagrostis x acutiflora `Avalanche` / Feather Reed Grass 3 gal

170 Eleocharis palustris / Great Spike Rush 1 Gal.

55 Festuca glauca `Boulder Blue` / Boulder Blue Fescue 1 Gal.

20 Helictotrichon sempervirens / Blue Oat Grass 1 Gal.

131 Miscanthus sinensis `Yakushima` / Dwarf Maiden Grass 3 gal

28 Muhlenbergia capillaris / Pink Muhly 3 gal

GROUND COVERS QTY BOTANICAL NAME / COMMON NAME CONT SIZE

40 Allium sphaerocephalum / Drumstick Allium BULBS

59,307 sf NATIVE SEED MIX WILDFLOWER SEED MIX seed 20LB/ACRE

6,450 sf Poa pratensis / Kentucky Bluegrass sod N/A

PLANT SCHEDULE

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PLANTING NOTES

THE CONTRACTOR SHALL NOTIFY BLUESTAKES 3 DAYS BEFORE ANY EXCAVATIONFOR PLANTING BEGINS.

THE CONTRACTOR SHALL HAND DIG ANYPLANTING PITS WITHIN THE 3' OFFSETLIMITS OF ANY MARKED UTILITY.

THE CONTRACTOR MUST BE PROACTIVE INTHEIR ACQUISITION OF THE LISTED SPECIES.

1.) THE CONTRACTOR SHALL PERFORM ASOIL PH TEST. AND REPORT THE FINDINGS TOTHE LANDSCAPE ARCHITECT 3 DAYS PRIORTO PLANTING

2.) THE CONTRACTOR SHALL NOTIFY THELANDSCAPE ARCHITECT 2 DAYS PRIOR TOWHEN PLANTS WILL BE LAID OUT SO THATTHE LANDSCAPE ARCHITECT MAY ADJUSTTHEM ONSITE AS REQUIRED.

3.) IF TREES AND PLANTS ARE TO BESTOCKPILED ONSITE, A TEMPORARYIRRIGATION SYSTEM ON AN AUTOMATICTIMER MUST BE SET UP PRIOR TO THEIRDELIVERY.

4.) ALL PLANTS SHALL BE TRUE TO NAMEAND SIZE OR AN ACCEPTED SUBSTITUTEAPPROVED BY THE LANDSCAPE ARCHITECT.THE CONTRACTOR MUST REPLACE ANYPLANT MATERIAL FOUND TO BE FOREIGN TOTHIS LIST.

5.) AMMEND AND TILL EXISTING SOILS TO ADEPTH OF AT LEAST 6" OBTAIN A NEUTRAL PHWITH APPROX 2% ORGANIC CONTENT.

8.) STAKE TREES

9.) THE CONTRACTOR SHALL APPLY 4" OFROCK MULCH IN ALL PLANTERS.

10.) ALL ROCK MULCH SHALL BE DIRT FREEAND SPREAD OVER A 3. OZ. NON WOVENWEED BARRIER FABRIC.

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An environment for entertaining with features upon featuresFive fire features, three year round water feature including and infinity edge fountain, reflecting pond and water wall. A pool, jacuzzi, bar, putting green, lighted sports field, amphitheater, picnicking orchard, bio-filtration swales, and various patios and decks.

T h e a r c h i t e c t u r e

Working with Constantino Grandjaquet of Summa Ars Architects the four acre site design for this beautiful contemporary home aims at fusing the homes inherent modern aesthetic into the mountain environment through the clean use of native materials and responsible development practices through out the landscape.

T h e e n t r y

Designed to impress, the entry immediately accomplishes this with a vast but intriguing drive with inlaid brick banding extending from the architectural l ines. Central to this an infinity edge fountain, with a l ighted reveal at the base, a 12’ long basalt pil lar f ire feature, and another water feature cascading from the back reflecting pond emerges from under a glass bottom bridge connecting the owners office to the main entry.

T h e B a c k Ya r d

Constantino’s architecture features beautiful portals from indoor spaces to the outdoors, and that effort is carried through the exterior spaces programmed for l ike neighboring uses, graduating in change. The back yard features, outdoor kitchen, four fire features, pool, bar, shaded picnic area, pool deck, putting green, in-ground trampoline, large shade tree, reflecting pond, and a outdoor office lounge.

T h e wat e r

This home is surrounded by water. The infinity edge fountain, discharging 1900 gallons per minute, a fabulous pool and jacuzzi, a water wall with striated basalt veneer and a large reflecting pond. All of these elements are design for maximum efficiency and year round use. This was no l itt le task, with design challenges such as, the placement of in ground boiler vaults, and intake and venting without unsightly accouterments.

T h e l aw n

Adjacent to the kids rooms and between the home and a detached garage, wil l sit a large sports turf lawn 50 feet wide and 120 feet long. Complete with a circumnavigating path, benches for the casual observer, an allee of trees providing speckled shade and sports l ighting custom designed and inspired by the architectural form. This space is also designed to be adapted to a professional quality ice rink.

T h e e n v i r o n m e n t

The structure and the adjoining built areas are integrated into the ecology through the use of existing native cobbles in the water features, Gabion walls and bio fi ltration swales which would have otherwise required to be hauled away. Storm water is retained allowed to percolate. The construction disturbance is repaired with meadows of native plant species that existed prior to development.

ICE RINK AT QUARRY MTN. Park City’s cl imate supports many winter sports which provide numerous opportunities for recreation and healthy l iving. Spotting a great opportunity to extend those opportunities into the Quarry Mountain Ranch community, Bockholt made this proposal with renderings of the rink concept to the HOA. The rink would encourage healthy activit ies for youth in addition to providing the HOA with a supplementary venue for programmed events and family engagement.

This proposal locates the seasonal ice rink on parkland adjacent to an existing tennis court, adding to the locations designation as active play.

The land is adjacent to an irrigation pond allowing flooding of the rink an easy task and the natural topography makes the improvement low impact.

LandscapeSA legacyWE ARE IN IT FOR THE LONG RUNEvery client deserves to be consulted early on about what to expect with regards to the landscape for the project. There is often a disconnect between how the architect, owner, and landscape architect all understand and anticipate the landscape to look and function. A meeting of minds is almost always called for to settle the matter and establish a clear vision, and budget for the project.

Why almost always and not always? Well landscaping is simply a luxury. This is due to the fact that it is high cost in labor, material, and maintenance; and these costs may be somewhat daunting to many owners. Some prefer to simply run from this reality in order to live to fight that battle another day.

The smart Architect realizes this, and will not ignore it, but do his due diligence to at least educate the client, by setting up the initial LA consultation. The smart client will understand this and plan for that final goal from the beginning, phasing the work as required to avoid double expenses for poorly thought out design and additions and changes over the life of the project.

We find that there is about a 5 year gap between how a newly installed landscape looks and how the landscape architect envisiones it to look. (See photo A install in its first season and B in its fifth.) In order to realize this a long term maintenance plan should be included in the projects scope ensuring communication between those who have the vision and those who maintain that vision; resulting in a legacy project that stands the test of time.

A B

A B

THEVISIONTHE SKETCH LAYS THE GROUNDWORK FOR SUCCESS.Both the owner and designer must be satisfied by the projects design. The creation of a vision statement and initial sketches reflecting that vision early on facilitates cohesion and sets the tone throughout the design process. There are three sketches to the right, each of a different project, each with a different vision statement. Basic by design, with only enough detail to illustrate the vision these sketches developed at the onset of each project help to guide our team members along the way while maintaining the vision.

Project A, vision statement: “Industry-A post modern space giving attention to an industrial history. Increase space to facilitate a full program by layering uses and elements.”

Project B, vision statement: “A home away from home, the landscape should mimic a patchwork of fields like the tulip fields of the Netherlands. Horizontal planes shall be king!”

Project C, vision statement: “No logs, lighten the feel of the now chunky log cabin stairs from the deck and create a landscape that generally lightens the mood.”

A

B

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DRESSEDFOR SUCCESSFIRST IMPRESSIONS MATTERRenderings play a critical part in the projects overall success. These images are essentially the outward appearance of the project for those that are as yet unfamiliar with what is being proposed, and as such are a powerful tool to set the mood and possibly help sway opinions. However one must be careful to portray a project as realistically as possible, in order to be honest and genuine in the delivery, assuring a happy client, city and public. The rendering should not only properly illustrate the improvement but communicate an emotion.

To do this well not only the building design must be nearing completion, but also the landscape design too; since most renderings depict an outdoor view and as we stated above, accuracy is important. As Landscape Architects we are finding this task to be well aligned with our process, and timing of the overall work. We are looking to create renderings for the client at about the same time the Architect and owner are looking for them to provide to stakeholders. So incorporating cutting edge 3d design and rendering tools with experienced graphic artists onto our team this has become an important service we are providing more and more.

These sorts of illustrations have incredible production value to the client as they are used not only once but multiple times along throughout the process again and again in order to finalize the vision, seek government approvals, assuage public concerns, market the project increasing buzz and investment, communicate design intent to contractors, and finally ending up as sign-age and sales material.

3 6 0 of awarenessTHE ROLES OF MODELS IN SITE AND LANDSCAPE PLANNING.We take the role of site planner very seriously, and will go to great lengths to assure our clients that everything that could be considered, has been considered in the placement and orientation of the building, drives, walks patios etc. However those lengths are shorter than ever before with the use modern technology.

Moving most buildings from 2d elevation drawings to digital 3d models takes only a few hours, often revealing details of the design that warrant a closer look. Then geo-locating that building on the land only takes minutes. Afterwhich many tools are now available to the design team to analyze all the conditions including solar orientation, grade, views, etc. The design team is more efficient in the subsequent preparation of the drawings as the model is a great resource, almost as if one could visit the project without leaving the desk. A more thorough understanding of the physical challenges that will be encountered during the construction are seen and accounted for resulting in a better product in a shorter time allotment.

Views, windows, roofline, cut, fill sun shade... The model gives the landscape architect a holistic view of all these considerations durring the planning for the landscape and hardscape elements of the design providing a wealth of insight in placement of trees, and shrubs. Exterior color and finish options are easily demonstrated as well giving the owner more information for their decisions during the process.

A few videos of these models and other examples can be seen at:

https://www.youtube.com/user/sethbockholt/videos

GreenOn greenTHE BEST WAY OF GOING GREEN IS THROUGH THE ROOFResearch shows that there are many benefits obtained with the proper design and installation of a green roof, our top three picks are:

1.) Storm water runoff rates are decreased allowing for less, or smaller infrastructure.

2.) Roofing material lasts twice as long as it is shielded from UV rays and insulated from freeze-thaw cycles.

3.) Additional usable outdoor square footage can be obtained for gardens and patio’s

Bockholt Landscape Architecture is a member of Green Roofs for Healthy Cities and a professional green roof designer. We have seen an increasing interest for the incorporation of green roofs into many projects across the Mountain West. With proper planning and design a green roof is a great way to make a project unique and more environmentally friendly, In some scenario’s it is one way a developer can get a greater return on their investment.

Green Roofs require proper engineering for the structure to support the additional weight so it should be part of the plan early on. Most green roofs are extensive (less than 12” of media, and as little as 4”) and have a saturated weight of only 20 lbs/ sq. ft. however codes usually require engineering for 90 lbs/ sq ft.

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LANDSCAPE ARCHITECTLAND PLANNER

614 MAIN ST. SUITE 405PARK CITY UT. 84060

CELL: 801.602.9951EMAIL: seth@bockholtla.com

L-1.0

DRAWING NUMBER

LANDCAPESITE PLAN

PROJECT NUMBER

DWN BY CHCK BY

SB SB

LANDSCAPE SITE PLANSCALE: 1/4" = 1' NORTHA

0 feet8

1/4" =1''

4 12

DA

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7136 DECK

7149.417 DECK

7126.57132

7134.5

7134

7147.917 DECK

7247.834 GREEN ROOF

7137 TOW7146

7114.5 FFE7115.5 CEDAR PLANK

7114

7116 DECK

7139 COUNTER

7149.832 TO SPA

7119 TOWGAS GRILL

COUNTER 3CM GRANITE

STEEL CLAD GAS FIREPLACE

STACK STONE VENEER PLANTER

STACK STONE RETAINING WALLSEEPING WALL ICE FEATURE

7115.5

7136.15 TOW

STAIRS 5x 6" RISES

7117.5 TOW

7148 TOW

6 TREADS 6" RISERS

1

7134.

2

3

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7116 TOW

SPA

SYMBOL DESCRIPTION

36" McNichols Quality GRIP STRUT Tred.

IPE DECKING WITH SNOWMELT

CONCRETE WALL WITH MOUNTAIN VALLEY BLEND STONE VENEER

1

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STEEL RETAINING WALL

STEEL RETAINING WALL

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OMGEVALLEN BOOM Norwegian describing a fallen tree in the forest ‘Omgevallen Boom’ became the vision for this project; it is the inspiration for this mountain sports lovers home.

Left - Wood slabs are set into a decomposed granite entry courtyard mimicking the criss crossed fallen trees in the forest.

Below - A section of the back yard shows the grade separation of the deck and fire place patio.

Below Right - A simple shed for storage of bike and ski.

Above - the non orthogonal layout of the site and landscape clash with the square angles of the architecture.. .BOOM

TREES QTY BOTANICAL NAME / COMMON NAME CONT CAL SIZE

15 Abies concolor / White Fir B & B 8`-12` HIGH

15 Betula platyphylla (Clump) / White Birch B & B 2"Cal

10 Populus tremuloides / Quaking Aspen (Multi) B & B 2"Cal

SHRUBS QTY BOTANICAL NAME / COMMON NAME CONT SIZE

5 Artemisia frigida / Fringed Wormwood 2 gal

26 Cornus sericea spp. Occidentalis / Red Twig Dogwood 2 gal

14 Lavandula x intermedia `Grosso` / Grosso Lavendin 1 Gal

21 Perovskia atriplicifolia `Little Spire` TM / Little Spire Russian Sage 1 Gal

74 Physocarpus opulifolius `Nanus` / Dwarf Ninebark 1 Gal

3 Prunus virginiana / Chokecherry 5 gal

36 Rhus aromatica `Gro-Low` / Gro-Low Fragrant Sumac 1 Gal

41 Ribes alpinum / Alpine Currant 2 gal

84 Rosa woodsii / Mountain Rose 1 Gal

16 Salix drummondiana / Drummond`s Willow 2 gal

6 Spiraea japonica `Froebelii` / Spirea 1 Gal

27 Symphoricarpos oreophilus / Mountain Snowberry 2 gal

ANNUALS/PERENNIALS QTY BOTANICAL NAME / COMMON NAME CONT SIZE

84 Aquilegia x / Columbine 4" Pot

57 Echinacea purpurea / Purple Coneflower 4" Pot

141 Hemerocallis x `Stella de Oro` / Stella de Oro Daylily 4" Pot

120 Lupinus x `Russell Hybrids` / Russell Hybrid Lupine 4" Pot

69 Veronica spicata `Pink Goblin` / Spike Speedwell 4" Pot

GRASSES QTY BOTANICAL NAME / COMMON NAME CONT SIZE

34 Helictotrichon sempervirens / Blue Oat Grass 4" Pot

123 Pseudoroegneria spicata / Bluebunch Wheatgrass 4" Pot

GROUND COVERS QTY BOTANICAL NAME / COMMON NAME CONT SIZE

2,126 sf Achillea millefolium / Common Yarrow flat

421 sf Aegopodium podagraria `Variegatum` / Variegated Goutweed flat

149 sf Carex bebbii / Bebbs Sedge flat

SOD/SEED QTY BOTANICAL NAME / COMMON NAME CONT SIZE

13,129 sf Bouteloua dactyloides / Buffalo Grass seed

PLANT SCHEDULE

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LANDSCAPE ARCHITECTLAND PLANNER

614 MAIN ST. SUITE 405PARK CITY UT. 84060

CELL: 801.602.9951EMAIL: seth@bockholtla.com

L-2.0

DRAWING NUMBER

PLANTING1

PROJECT NUMBER

BID SET

DWN BY CHCK BY

SB

PLANTING PLANSCALE: 1" = 10' NORTHA

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PLANTING NOTES

THE CONTRACTOR SHALL NOTIFY BLUESTAKES 3 DAYS BEFORE ANY EXCAVATIONFOR PLANTING BEGINS.

THE CONTRACTOR SHALL HAND DIG ANYPLANTING PITS WITHIN THE OFFSET LIMITSOF ANY MARKED UTILITY.

THE CONTRACTOR MUST BE PROACTIVE INTHEIR ACQUISITION OF THE LISTED SPECIES.

1.) THE CONTRACTOR SHALL PERFORM ASOIL PH TEST. AND REPORT THE FINDINGS TOTHE LANDSCAPE ARCHITECT AT LEAST 3DAYS PRIOR TO PLANTING

2.) THE CONTRACTOR SHALL NOTIFY THELANDSCAPE ARCHITECT 3 DAYS PRIOR TOWHEN PLANTS WILL BE LAID OUT SO THATTHE LANDSCAPE ARCHITECT MAY ADJUSTTHEM ONSITE AS REQUIRED.

3.) IF TREES AND PLANTS ARE TO BESTOCKPILED ONSITE, A TEMPORARYIRRIGATION SYSTEM ON AN AUTOMATICTIMER MUST BE SET UP PRIOR TO THEIRDELIVERY.

4.) ALL PLANTS SHALL BE TRUE TO NAMEAND SIZE OR AN ACCEPTED SUBSTITUTEAPPROVED BY THE LANDSCAPE ARCHITECT.THE CONTRACTOR MUST REPLACE ANYPLANT MATERIAL FOUND TO BE FOREIGN TOTHIS LIST.

5.) IMPORT TOPSOIL TO AMMEND AND FILLPLANTER AREAS. OBTAIN A SANDY LOAMSOIL WITH A NEUTRAL PH WITH AT LEAST2% ORGANIC CONTENT. TO AT LEAST 8"

6.) THE CONTRACTOR SHALL DESIGN ANDINSTALL A DRIP AREA IRRIGATION SYSTEMFOR ALL NEW PLANTINGS. AND A ROTATORSPRAY SYSTEM FOR ALL LAWN AREAS.

7.) DO NOT STAKE TREES

8.) THE CONTRACTOR SHALL APPLY A 5 OZWEED BARRIER FABRIC IN ALL PLANTERSWHERE THERE IS ROCK. KEEP FABRIC ATLEAST 4' FROM TREE TRUNKS

EXISTING TREE TO REMAIN

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TACOMAStemming from the owners interest

in Native American traditions and alignments of the sun, and night sky this

project has several interesting features

Right - The overall layout strives to cut back on water use by decreasing turf

square footage by 70%.

Below - a timber henge of si lvered aspen trunks surround a steel box. An interior

l ight and patterned holes in the steel wil l cast dots of l ight on the surrounding

patio surface at night.

Below Left - A path and water feature Align with midsummer sunset.

Above - The planting plan features many native and drought tolerant species.

B O C K H O LT L . A .PO BOX 325

750 KEARNS BLVD. SUITE 230PARK CITY UT 84060

STUDIO| 1.435.649.3856

104 E. MAIN ST. SUITE 210BOZEMAN MT 59715

STUDIO| 1.406.586.3387

EMAIL| SETH@BOCKHOLTLA.COM