3
& # 4 4 j œ œ œ . œ j œ G 7 œ œ œ œ œ œ œ j œ œ j œ b ˙ . œ j œ œ b j œ & # œ œ œ œ œ œ C 7 . œ j œ œ œ œ œ j œ ˙ œ œ N G 7 œ b j œ œ œ n œ œ & # œ œ œ œ j œ œ j œ b D 7 œ N œ œ œ j œ œ j œ # C 7 œ œ œ œ œ œ b œ n œ G 7 & # œ œ œ b œ n œ œ œ ( œ œ b œ n œ œ œ ) œ œ b œ n œ b œ œ œ œ œ N œ b œ œ œ œ œ N œ b œ œ & # œ œ œ ( œ œ b œ n œ œ œ ) œ œ b œ n œ œ œ œ œ b œ œ œ œ œ œ b œ œ œ œ Ó & # œ œ œ ( œ œ n œ # œ œ œ ) œ œ n œ # œ œ œ œ œ n œ œ œ œ œ a œ n œ œ œ œ Ó Want more materials like this? Visit www.christianhowes.com Check out free instructional videos at www.youtube.com/user/ChristianHowesTube Blues in G major: Etude #1 This etude focuses on developing melodic ideas within a 12-bar traditional blues, using the major blues scale of each chord (aka using a g major blues scale over a G7 chord, c major blues scale over a C7, etc.) Starting with a simple three-note idea means lots of room for developing that idea over the course of the solo. Remember that repition is a good thing when improvising! Repitition helps maintain the cohesiveness of your solo and keeps the listener's attention. Once you've learned this etude, practice the major blues scales listed below, pick a three-note pattern and try writing and/or improvising your own solo! From Christian Howe's Creative Strings Academy www.creativestrings.christianhowes.com Written by William Strickler Root position G major blues scale (R, 2, b 3, 3, 5, 6, R) Root position C major blues scale (R, 2, b 3, 3, 5, 6, R) D major blues scale (R, 2, b 3, 3, 5, 6, R) Root position Violin

BluesEtudeinG1_VlnVlaCl

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Page 1: BluesEtudeinG1_VlnVlaCl

&#44 ‰ jœ œ œ .œ

G7

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Want more materials like this? Visit www.christianhowes.com Check out free instructional videos at www.youtube.com/user/ChristianHowesTube

Blues in G major: Etude #1

This etude focuses on developing melodic ideas within a 12-bar traditional blues, using the major blues scale of each chord(aka using a g major blues scale over a G7 chord, c major blues scale over a C7, etc.) Starting with a simple three-note ideameans lots of room for developing that idea over the course of the solo. Remember that repition is a good thing when improvising!Repitition helps maintain the cohesiveness of your solo and keeps the listener's attention. Once you've learned this etude, practice the major blues scales listed below, pick a three-note pattern and try writing and/or improvising your own solo!

From Christian Howe's Creative Strings Academywww.creativestrings.christianhowes.com Written by William Strickler

Root position

G major blues scale (R, 2, b3, 3, 5, 6, R)

Root position

C major blues scale (R, 2, b3, 3, 5, 6, R)

D major blues scale (R, 2, b3, 3, 5, 6, R)

Root position

Violin

Page 2: BluesEtudeinG1_VlnVlaCl

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Want more materials like this? Visit www.christianhowes.com Check out free instructional videos at www.youtube.com/user/ChristianHowesTube

Blues in G major: Etude #1

This etude focuses on developing melodic ideas within a 12-bar traditional blues, using the major blues scale of each chord(aka using a g major blues scale over a G7 chord, c major blues scale over a C7, etc.) Starting with a simple three-note ideameans lots of room for developing that idea over the course of the solo. Remember that repition is a good thing when improvising!Repitition helps maintain the cohesiveness of your solo and keeps the listener's attention. Once you've learned this etude, practice the major blues scales listed below, pick a three-note pattern and try writing and/or improvising your own solo!

From Christian Howe's Creative Strings Academywww.creativestrings.christianhowes.com Written by William Strickler

Root position

Root position

Root position

G major blues scale (R, 2,b3, 3, 5, 6, R)

C major blues scale (R, 2, b3, 3, 4, 6, R)

D major blues scale (R, 2, b3, 3, 5, 6, R)

Cello

Page 3: BluesEtudeinG1_VlnVlaCl

B # ‰ jœ œ œ .œ jœG7

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œ œ) œ œn œ#œ œ œ œ œ œ œn œ œ œ œ œa œn œ œn œ œ

Ó

Want more materials like this? Visit www.christianhowes.com Check out free instructional videos at www.youtube.com/user/ChristianHowesTube

Blues in G major: Etude #1

This etude focuses on developing melodic ideas within a 12-bar traditional blues, using the major blues scale of each chord(aka using a g major blues scale over a G7 chord, c major blues scale over a C7, etc.) Starting with a simple three-note ideameans lots of room for developing that idea over the course of the solo. Remember that repition is a good thing when improvising!Repitition helps maintain the cohesiveness of your solo and keeps the listener's attention. Once you've learned this etude, practice the major blues scales listed below, pick a three-note pattern and try writing and/or improvising your own solo!

From Christian Howe's Creative Strings Academywww.creativestrings.christianhowes.com Written by William Strickler

Root position

Root position

Root position

G major blues scale (R, 2,b3, 3, 5, 6, R)

C major blues scale (R, 2, b3, 3, 4, 6, R)

D major blues scale (R, 2, b3, 3, 5, 6, R)

Viola