15
Jazz Gateway Series TO THE DIRECTOR This beautiful ballad features alto saxophone, with an emphasis on lyricism and rich harmonies. The soloist is essential to the success of this chart. Work with the soloist to develop expressive, smooth phrasing, and encourage them to use some vibrato, especially at the ends of long notes. Listening to recordings of great saxophonists like Cannonball Adderley, Phil Woods, Paul Desmond and others playing ballads will help them to get ideas about ballad phrasing. There are many unison figures in this chart. Work to ensure that the figures are right in tune and also pay special attention to the dynamics. There is a place for the ensemble to shine in measures 68-83, however in general, the band should not overpower the soloist. In the double time section, a written solo is provided, however always encourage improvisation. The chord progression, DMA7 to Emi7 to A7, is I to II to V in D major (alto key), so the notes in a D major scale will work throughout the solo. SoloMate recordings are available at kendormusic.com for new Kendor and Doug Beach releases. This innovative resource lets students prac- tice their solos by downloading professionally-recorded rhythm section accompaniment tracks. A full recording of this chart can be downloaded at www.kendormusic.com. KENDOR MUSIC PRESENTS Blue Diamond features Eb Alto Saxophone and Kendor Konvertible instrumentation style: jazz ballad duration 5:05 Gregory Yasinitsky INSTRUMENTATION Full Score Flute (opt.) Bb Clarinet (opt.) *1st Eb Alto Sax *2nd Eb Alto Sax *1st Bb Tenor Sax 2nd Bb Tenor Sax Eb Baritone Sax *1st Bb Trumpet *2nd Bb Trumpet 3rd Bb Trumpet 4th Bb Trumpet Horn In F (opt.) *1st Trombone 2nd Trombone 3rd Trombone 4th Trombone Tuba (opt.) Guitar Guitar Chord Chart Vibes (opt.) *Piano *Bass *Drums EXTRA SCORES & PARTS AVAILABLE GREGORY YASINITSKY Gregory W. Yasinitsky, Regents Professor of Music at Washington State University, has an international reputation as a composer, arranger and saxo- phonist. He is the winner of the American Prize in Composition and is a member of the Board of Directors for the Jazz Education Network. Additionally, Yasinitsky is a member of the Washington State Music Educators Hall of Fame and is a recipient of the WSU Eminent Faculty Award, WSU’s top award for faculty. Yasinitsky is a recipient of grants and awards from the National Endowment for the Arts, The Commission Project, Artist Trust and ASCAP. He has written music especially for David Sanborn, Clark Terry, Dave Liebman and the USAF "Airmen of Note" big band. Yasinitsky has performed with Randy Brecker, Sean Jones, Tom Harrell, Ed Calle, Alex Acuna, Kirk Whalum, Claudio Roditi, Conrad Herwig, Sarah Vaughan, Ella Fitzgerald, Ray Charles, Louis Bellson, Stan Getz, Lionel Hampton, Lou Rawls, Manhattan Transfer, and many others. This chart playable by fewer than the standard number of instruments; * above indicates essential parts. FOR PREVIEW ONLY REPRODUCTION PROHIBITED KendorMusic.com

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Page 1: Blue Diamond FOR

Jazz G

ate

way Se

ries

TO THE DIRECTOR

This beautiful ballad features alto saxophone, with an emphasis on lyricism and rich harmonies.

The soloist is essential to the success of this chart. Work with thesoloist to develop expressive, smooth phrasing, and encourage them touse some vibrato, especially at the ends of long notes. Listening torecordings of great saxophonists like Cannonball Adderley, Phil Woods,Paul Desmond and others playing ballads will help them to get ideasabout ballad phrasing.

There are many unison figures in this chart. Work to ensure that the figures are right in tune and also pay special attention to the dynamics.There is a place for the ensemble to shine in measures 68-83, howeverin general, the band should not overpower the soloist.

In the double time section, a written solo is provided, however alwaysencourage improvisation. The chord progression, DMA7 to Emi7 to A7,is I to II to V in D major (alto key), so the notes in a D major scale willwork throughout the solo.

SoloMate recordings are available at kendormusic.com for new Kendorand Doug Beach releases. This innovative resource lets students prac-tice their solos by downloading professionally-recorded rhythm sectionaccompaniment tracks. A full recording of this chart can be downloadedat www.kendormusic.com.

K E N D O R M U S I C P R E S E N T S

Blue Diamondfeatures Eb Alto Saxophone

and Kendor Konvertible instrumentationstyle: jazz balladduration 5:05

Gregory YasinitskyINSTRUMENTATION

Full ScoreFlute (opt.)

Bb Clarinet (opt.)*1st Eb Alto Sax*2nd Eb Alto Sax*1st Bb Tenor Sax2nd Bb Tenor SaxEb Baritone Sax *1st Bb Trumpet*2nd Bb Trumpet3rd Bb Trumpet4th Bb TrumpetHorn In F (opt.)*1st Trombone2nd Trombone3rd Trombone4th TromboneTuba (opt.)Guitar

Guitar Chord ChartVibes (opt.)*Piano *Bass*Drums

EXTRA SCORES & PARTS AVAILABLE

GREGORY YASINITSKY

Gregory W. Yasinitsky, Regents Professor of Music at Washington StateUniversity, has an international reputation as a composer, arranger and saxo-phonist. He is the winner of the American Prize in Composition and is a memberof the Board of Directors for the Jazz Education Network. Additionally, Yasinitskyis a member of the Washington State Music Educators Hall of Fame and is arecipient of the WSU Eminent Faculty Award, WSU’s top award for faculty.Yasinitsky is a recipient of grants and awards from the National Endowment forthe Arts, The Commission Project, Artist Trust and ASCAP. He has written musicespecially for David Sanborn, Clark Terry, Dave Liebman and the USAF "Airmenof Note" big band. Yasinitsky has performed with Randy Brecker, Sean Jones,Tom Harrell, Ed Calle, Alex Acuna, Kirk Whalum, Claudio Roditi, Conrad Herwig,Sarah Vaughan, Ella Fitzgerald, Ray Charles, Louis Bellson, Stan Getz, LionelHampton, Lou Rawls, Manhattan Transfer, and many others.

This chart playable by fewer than the standard number of instruments;* above indicates essential parts.

FOR PREVIEW

ONLY

REPRODUCTION PROHIBITED

KendorMusic.com

Page 2: Blue Diamond FOR

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duration 5:05

KENDOR PRESENTS

Blue Diamond Gregory YasinitskyFULL SCORE

COPYRIGHT © 2019 BY ALMITRA MUSIC CO., INC. (ASCAP) - USED BY PERMISSION

ALL RIGHTS RESERVED - INTERNATIONAL COPYRIGHT SECURED - MADE IN U.S.A.

SOLE SELLING AGENT: KENDOR MUSIC, INC., DELEVAN NY 14042 U.S.A.

[5]

*1st Eb Alto Sax

*2nd Eb Alto Sax

*1st Bb Tenor Sax

2nd Bb Tenor Sax

Eb Baritone Sax

*1st Bb Trumpet

*2nd Bb Trumpet

3rd Bb Trumpet

4th Bb Trumpet

*1st Trombone

2nd Trombone

3rd Trombone

4th Trombone

Guitar

*Piano

*Bass

*Drums

4

4

4

4

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4

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mp

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p

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[13]

*1st Eb Alto Sax

*2nd Eb Alto Sax

*1st Bb Tenor Sax

2nd Bb Tenor Sax

Eb Baritone Sax

*1st Bb Trumpet

*2nd Bb Trumpet

3rd Bb Trumpet

4th Bb Trumpet

*1st Trombone

2nd Trombone

3rd Trombone

4th Trombone

Guitar

*Piano

*Bass

*Drums

mp p

mpp

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mp p

Fº(<7) F¾7 E¨º(<7) E¨¾7 E¨º(<7) E¨¾7

Fº(<7) F¾7 Fº(<7) F¾7

mp

E>7 E¨¾7

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[21]

*1st Eb Alto Sax

*2nd Eb Alto Sax

*1st Bb Tenor Sax

2nd Bb Tenor Sax

Eb Baritone Sax

*1st Bb Trumpet

*2nd Bb Trumpet

3rd Bb Trumpet

4th Bb Trumpet

*1st Trombone

2nd Trombone

3rd Trombone

4th Trombone

Guitar

*Piano

*Bass

*Drums

mf

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[29]

*1st Eb Alto Sax

*2nd Eb Alto Sax

*1st Bb Tenor Sax

2nd Bb Tenor Sax

Eb Baritone Sax

*1st Bb Trumpet

*2nd Bb Trumpet

3rd Bb Trumpet

4th Bb Trumpet

*1st Trombone

2nd Trombone

3rd Trombone

4th Trombone

Guitar

*Piano

*Bass

*Drums

mp mp

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C>7 F>7 G>7 C&7(#9) Fº(<7) F¾7 Fº(<7) F¾7 E¨º(<7) E¨¾7 E¨º(<7) E¨¾7

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[37]

*1st Eb Alto Sax

*2nd Eb Alto Sax

*1st Bb Tenor Sax

2nd Bb Tenor Sax

Eb Baritone Sax

*1st Bb Trumpet

*2nd Bb Trumpet

3rd Bb Trumpet

4th Bb Trumpet

*1st Trombone

2nd Trombone

3rd Trombone

4th Trombone

Guitar

*Piano

*Bass

*Drums

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*1st Eb Alto Sax

*2nd Eb Alto Sax

*1st Bb Tenor Sax

2nd Bb Tenor Sax

Eb Baritone Sax

*1st Bb Trumpet

*2nd Bb Trumpet

3rd Bb Trumpet

4th Bb Trumpet

*1st Trombone

2nd Trombone

3rd Trombone

4th Trombone

Guitar

*Piano

*Bass

*Drums

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[52]

*1st Eb Alto Sax

*2nd Eb Alto Sax

*1st Bb Tenor Sax

2nd Bb Tenor Sax

Eb Baritone Sax

*1st Bb Trumpet

*2nd Bb Trumpet

3rd Bb Trumpet

4th Bb Trumpet

*1st Trombone

2nd Trombone

3rd Trombone

4th Trombone

Guitar

*Piano

*Bass

*Drums

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[60]

*1st Eb Alto Sax

*2nd Eb Alto Sax

*1st Bb Tenor Sax

2nd Bb Tenor Sax

Eb Baritone Sax

*1st Bb Trumpet

*2nd Bb Trumpet

3rd Bb Trumpet

4th Bb Trumpet

*1st Trombone

2nd Trombone

3rd Trombone

4th Trombone

Guitar

*Piano

*Bass

*Drums

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[68]

*1st Eb Alto Sax

*2nd Eb Alto Sax

*1st Bb Tenor Sax

2nd Bb Tenor Sax

Eb Baritone Sax

*1st Bb Trumpet

*2nd Bb Trumpet

3rd Bb Trumpet

4th Bb Trumpet

*1st Trombone

2nd Trombone

3rd Trombone

4th Trombone

Guitar

*Piano

*Bass

*Drums

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[76]

*1st Eb Alto Sax

*2nd Eb Alto Sax

*1st Bb Tenor Sax

2nd Bb Tenor Sax

Eb Baritone Sax

*1st Bb Trumpet

*2nd Bb Trumpet

3rd Bb Trumpet

4th Bb Trumpet

*1st Trombone

2nd Trombone

3rd Trombone

4th Trombone

Guitar

*Piano

*Bass

*Drums

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[83]

*1st Eb Alto Sax

*2nd Eb Alto Sax

*1st Bb Tenor Sax

2nd Bb Tenor Sax

Eb Baritone Sax

*1st Bb Trumpet

*2nd Bb Trumpet

3rd Bb Trumpet

4th Bb Trumpet

*1st Trombone

2nd Trombone

3rd Trombone

4th Trombone

Guitar

*Piano

*Bass

*Drums

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[91]

*1st Eb Alto Sax

*2nd Eb Alto Sax

*1st Bb Tenor Sax

2nd Bb Tenor Sax

Eb Baritone Sax

*1st Bb Trumpet

*2nd Bb Trumpet

3rd Bb Trumpet

4th Bb Trumpet

*1st Trombone

2nd Trombone

3rd Trombone

4th Trombone

Guitar

*Piano

*Bass

*Drums

G>7 C&7(#9) Fº(<7) F¾7 Fº(<7) F¾7 E¨º(<7) E¨¾7 E¨º(<7) E¨¾7 Fº(<7) F¾7 Fº(<7) F¾7

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[99]

*1st Eb Alto Sax

*2nd Eb Alto Sax

*1st Bb Tenor Sax

2nd Bb Tenor Sax

Eb Baritone Sax

*1st Bb Trumpet

*2nd Bb Trumpet

3rd Bb Trumpet

4th Bb Trumpet

*1st Trombone

2nd Trombone

3rd Trombone

4th Trombone

Guitar

*Piano

*Bass

*Drums

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[105]

*1st Eb Alto Sax

*2nd Eb Alto Sax

*1st Bb Tenor Sax

2nd Bb Tenor Sax

Eb Baritone Sax

*1st Bb Trumpet

*2nd Bb Trumpet

3rd Bb Trumpet

4th Bb Trumpet

*1st Trombone

2nd Trombone

3rd Trombone

4th Trombone

Guitar

*Piano

*Bass

*Drums

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