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BIRAAJ DODIYA Stone is a Forehead

BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

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Page 1: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

BIRAAJ DODIYA

Stone is a Forehead

Page 2: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Stone is a Forehead

“Stone is a forehead where dreams grieve, without curving waters and frozen cypresses. Stone is a shoulder on which to bear time, with trees formed of tears and ribbons and planets.”

Stone is a Forehead, the title of Biraaj Dodiya’s debut solo at Experimenter is a reference to ‘The Laid Out Body’, a part of the poem ‘Lament for Ignacio Sanchez Mejias’ by Federico García Lorca commemorating the death of a friend.

Referring to personal memory, loss and coming of age, the body of work takes the form of a lament; bringing together signifiers of youth and mortality, discomfort and relief, absence and distance through paintings and sculptures. The works in the exhibition explore stages of material proposition and cancellation. Like an excavation site, they are a result of processes of breakdown and repair, much like the urgent recalling of moments of crisis.

The process of applying paint, scraping it off and slapping it on becomes undecipherable and refers to moments where sequences of events are a blur and not chronological. The sculptures, take the form of ramps and beams—structural elements commonly used as aids for supporting or opposing weight. Abstract forms combine with discarded objects, and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between the found and the made, and simultaneously playing with perception of weight. The paintings, part funereal abstractions, part nocturnal landscapes, are primarily studies of uncertainty and distance. Moments of abrasion and resistance are hinged from slivers of light, balancing movement and stasis, form and vision.

Dodiya is interested in metaphors that develop through modes of making, where erasure of meaning becomes a process of negotiating with time. Stone becomes a forehead, paint becomes revocation, rubber becomes skin or blood or sweat or a pool of dirty rainwater from many monsoons ago. Lodged between memory and traversing shifting emotions of forfeiture, Stone is a Forehead reveals a nuanced practice, navigating a space between the inner self and trepidation of precarious moments of personal loss.

Biraaj Dodiya (b. 1993) holds a MFA from New York University (2018), and a BFA from School Of The Art Institute Of Chicago (2015), with an emphasis in Painting and Drawing. Dodiya lives and works in Mumbai, India.

Page 3: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Stone is a ForeheadInstallation view

Page 4: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Stone is a ForeheadInstallation view

Page 5: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Stone is a ForeheadInstallation view

Page 6: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Stone is a ForeheadInstallation view

Page 7: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Stone is a ForeheadInstallation view

Page 8: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Stone is a ForeheadInstallation view

Page 9: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Stone is a ForeheadInstallation view

Page 10: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Stone is a ForeheadInstallation view

Page 11: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Stone is a ForeheadInstallation view

Page 12: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Stone is a ForeheadInstallation view

Page 13: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Stone is a ForeheadInstallation view

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Stone is a ForeheadInstallation view

Page 15: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Sirens

Oil on linen78 x 60 in

2020

Page 16: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Oil on linen78 x 60 in

Sirens 2020

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Transit Bed

Oil on linen78 x 60 in

2020

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Oil on linen78 x 60 in

Transit Bed 2020

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More Wall on Water

Oil on linen78 x 60 in

2020

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Oil on linen78 x 60 in

More Wall on Water 2020

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Stone is a Forehead

Oil on linen30 x 22 in

2020

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Oil on linen30 x 22 in

Stone is a Forehead 2020

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Memory Fume

Oil on linen18 x 14 in

2020

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Oil on linen18 x 14 in

Memory Fume 2020

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Folded Sky

Oil on linen18 x 14 in

2020

Page 26: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Oil on linen18 x 14 in

Folded Sky 2020

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Velvet Underpass

Oil on linen18 x 14 in

2020

Page 28: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Oil on linen18 x 14 in

Velvet Underpass 2020

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Skin of the Sea

Oil on linen18 x 14 in

2020

Page 30: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Oil on linen18 x 14 in

Skin of the Sea 2020

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Slopes

Oil on linen18 x 14 in

2020

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Oil on linen18 x 14 in

Slopes 2020

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Bare Teeth

Oil on linen18 x 14 in

2020

Page 34: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Oil on linen18 x 14 in

Bare Teeth 2020

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Veiled Gates

Oil on linen18 x 14 in

2020

Page 36: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Oil on linen18 x 14 in

Veiled Gates 2020

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Open Vault

Oil on linen18 x 14 in

2020

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Oil on linen18 x 14 in

Open Vault 2020

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Sky Without Flags

Oil on linen18 x 14 in

2020

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Oil on linen18 x 14 in

Sky Without Flags 2020

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Fuel Chart

Oil on linen 30 x 22 in

2020

Page 42: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Oil on linen 30 x 22 in

Fuel Chart 2020

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The Night Illuminates the Night

Oil on linen18 x 14 in

2019

Page 44: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

The Night Illuminates the Night 2019Oil on linen18 x 14 in

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Faraway Flame

Oil on linen18 x 14 in

2019

Page 46: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Faraway Flame 2019Oil on linen18 x 14 in

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Frozen Divers

Oil on linen21 x 16 in

2019

Page 48: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Frozen Divers 2019Oil on linen21 x 16 in

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Neighbor’s Sunset

Oil on linen16 x 12 in

2019

Page 50: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Oil on linen16 x 12 in

Neighbor’s Sunset 2019

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The Edge & The Dive

Oil on linen10 x 8 in each

Suite of 22019

Page 52: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Oil on linen10 x 8 in each

The Edge & The Dive Suite of 2 2019

Page 53: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Oil on linen10 x 8 in each

The Edge Suite of 2 2019

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Oil on linen10 x 8 in each

The Dive Suite of 2 2019

Page 55: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Sirens

Oil on linen78 x 60 in

2020

Page 56: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Ramp 1 (Bruise)

Wood, cement, autoclaved aerated concrete, rubber tube, knee brace, epoxy compound, varnish, polyurethane rubber, walnut ink, epoxy resin,

metal bracket with oil on linen.Ramp: 72 x 24 x 19 in

Painting: 13 x 9 in2020

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Mixed mediaDimensions variable

Ramp 1 (Bruise) 2020

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Mixed mediaDimensions variable

Ramp 1 (Bruise)Detail view

2020

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Mixed mediaDimensions variable

Ramp 1 (Bruise)Detail view

2020

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Mixed mediaDimensions variable

Ramp 1 (Bruise)Detail view

2020

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Mixed mediaDimensions variable

Ramp 1 (Bruise)Detail view

2020

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Mixed mediaDimensions variable

Ramp 1 (Bruise)Detail view

2020

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Mixed mediaDimensions variable

Ramp 1 (Bruise)Detail view

2020

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Mixed mediaDimensions variable

Ramp 1 (Bruise)Detail view

2020

Page 65: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Ramp 2 (Salt)

Wood, cement, bicycle chain, varnish, leather gloves,polyurethane rubber, epoxy resin with oil on canvas.

Ramp: 99 x 7 x 30 inPainting: 14 x 11 in

2020

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Mixed mediaDimensions variable

Ramp 2 (Salt) 2020

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Mixed mediaDimensions variable

Ramp 2 (Salt) 2020

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Mixed mediaDimensions variable

Ramp 2 (Salt)Detail view

2020

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Mixed mediaDimensions variable

Ramp 2 (Salt)Detail view

2020

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Mixed mediaDimensions variable

Ramp 2 (Salt)Detail view

2020

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Ramp 3 (Cobra)

Wood, bicycle chain, varnish, polyurethane rubber, epoxy resin,harmonica, snakeskin wallet, T bevel.

96 x 3.5 x 3 in2020

Page 72: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Mixed media96 x 3.5 x 3 in

Ramp 3 (Cobra) 2020

Page 73: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Mixed media96 x 3.5 x 3 in

Ramp 3 (Cobra) 2020

Page 74: BIRAAJ DODIYA - Experimenter · and personal relics, becoming signposts of an interior life. Materials and surfaces seem to communicate with each other allowing exchanges between

Mixed media96 x 3.5 x 3 in

Ramp 3 (Cobra)Detail view

2020

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Mixed media96 x 3.5 x 3 in

Ramp 3 (Cobra)Detail view

2020

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Ramp 4 (Rising Smoke)

Wood, rubber tube, knee brace, polyurethane rubber, epoxyresin, duct tape, magic eye card with oil on canvas.

Ramp: 93 x 10.5 inPainting: 18 x 14 in

2020

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Mixed mediaDimensions variable

Ramp 4 (Rising Smoke) 2020

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Ramp 4 (Rising Smoke) Mixed mediaDimensions variable

2020

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Ramp 4 (Rising Smoke)Detail view

Mixed mediaDimensions variable

2020

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Ramp 4 (Rising Smoke)Detail view

Mixed mediaDimensions variable

2020

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Ramp 4 (Rising Smoke)Detail view

Mixed mediaDimensions variable

2020

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CV

Biraaj Dodiya (b. 1993)

EDUCATION2018. New York University, Master of Fine Arts

2015. School Of The Art Institute Of Chicago, Bachelors of Fine Arts emphasis in Painting and Drawing

2013. Syracuse University, Florence, Italy, Summer - Painting and Art History, specializing in Italian Pre-Renaissance and Renaissance art history.

SOLO EXHIBITIONS2020. Stone is a Forehead, Experimenter-Hindustan Road, Kolkata

2017. Burn your finger, And kiss it yourself, 80WSE, New York, NY

EXHIBITIONS2020. India Art Fair, Delhi

2019. AD Design Show, Mumbai

2018. NYU Performance Video Art Show curated by Sue de Beer, Center for Ballet and the Arts, New York, NY

2018. NYU MFA Thesis Show Part I, 80WSE, New York, NY

2017. in medias res, 80WSE, New York, NY

2017. Send Your Location, 33 Orchard, New York, NY

2017. NYU MFA First Year Exhibition, 80WSE, New York, NY

2016. Xenophilia, Eye on India, Fulton Street Collective, Chicago, IL

2016. Luminarts Cultural Foundation: Visual Arts Fellowship Exhibition, Union League Club of Chicago, Chicago, IL 2015. Still Collisions, Local-lective, Chicago, IL

2015. Bed, Bath and Beyond, Johnson, VT

2015. Cubical the Musical: A Survey of Work by Advanced Painting class, Chicago, IL

2015. Advanced Pain, Crybaby Gallery, Chicago, IL

2015. Spring Undergraduate Exhibition, Sullivan Galleries, Chicago, IL

2014. Or, Just Come Over, Outhouse, Chicago, IL

2014. PickleJuiceJeanJacket curated by Ursula Andreeff, Stone Soup Ashland Cooperative, Chicago, IL

2013. IceCreamPaintJob curated by Ursula Andreeff, Stone Soup Ashland Cooperative, Chicago, IL

2013. Photograph Chicago, Nuveen Center, SAIC, Chicago, IL

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CV

AWARDS / HONORS / RESIDENCIES / PUBLICATIONS2019. Ginger Zine, Issue 16, Spring 2019

2018. Jack Goodman Scholarship in Art and Technology, Recipient

2018. The Dedalus Foundation Master of Fine Arts Fellowship in Painting and Sculpture, Nominee

2017. NYU MFA scholarship, Recipient

2016. Ace Hotel, Chicago drawing collection

2016. Luminarts Cultural Foundation: Visual Arts Fellowship, Finalist

2015. Welcome to my Guest Room Digital Artist Residency

2015. Vermont Studio Center, Residency, Merit Scholarship Recipient

2014-15. SAIC Advanced Painting program

2013. SAIC, Nuveen Center: Photograph Chicago Award

2012-15. SAIC Student Leadership Award

2012. Work published in SAIC First 2011-12

2011-15. SAIC Merit Scholarship recipient