¡BIENVENIDOS!nmfiberarts.org/assets/files/guide/guide.pdfLisa Peinado, Operations Director Loretta Chama, Contracts Administrator Ann Weisman, Program Coordinator Ruth Lommel, Administrator

A s Governor of New Mexico, I am pleased to welcome you to the New MexicoFiber Arts Trails developed by New Mexico Arts, our state arts agency, which

is a division of the Department of Cultural Affairs.The New Mexico Fiber Arts Trails are

focused on fiber artists, including weaversstatewide. The Arts Trails are designed toput our artists on the map and bring themarket to them. They are a part of my economic development and cultural tourisminitiatives for rural New Mexico.

We want you to experience fiber artsfrom “sheep to shawl” in New Mexicothrough these Arts Trails. Meet our talentedartists who practice traditional NativeAmerican and Hispanic art forms, as well as gifted contemporary fiber artists. Visitartists’ studios, galleries and cooperatives.Take a weaving class or learn how to dyefiber materials. Your children can pet sheep and hug llamas at farms and ranches along the way.

As you travel our scenic roads and see the beautiful landscapes that inspire ourartists, you will soon discover why New Mexico is truly the “Land of Enchantment.” So come explore the New Mexico Fiber Arts Trails. And please be sure to support our artists by taking a piece of New Mexico’s creativity home with you.

With warmest regards,

Bill RichardsonGovernor of New Mexico

¡BIENVENIDOS!

Governor Bill Richardson

From Governor Bill Richardson¡Bienvenidos!The Vision ...................................................... 3Traveling the TrailsTips and useful information .................... 4Calendar of Events ...................................... 6

north central ................................ 8Map ...................................................... 10Trail Sites ...................................... 12-29Continuity and ChangePueblo fiber arts .................................. 12Carla GomezWeaving opportunities .......................... 15Beatrice Maestas SandovalLearning leads to teaching .................. 16A Ribbon Through TimeRío Grande weaving ........................ 19Rachel BrownWeaving a living .............................. 21Tejedoras de las TrampasAn entreprenurial project .................... 23A Moment of PassionNew Mexico Fiber Arts Trails .......... 24Stretching the BoundariesNew Mexico contemporary fiber arts .. 29

northwest ...................................... 30Map ...................................................... 32Trail Sites........................................ 34-43Song of ResilienceNavajo/Diné weaving ........................ 35Ramona SakiestewaThe language of design ........................ 37Sustainability in Three StrandsGrowing livelihood at home ................ 38Clara ShermanDesigning a life of beauty .................. 40A Cultural ExchangeTrading posts and Navajo weaving .. 43

TABLE OF CONTENTS

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Background: Shiprock Trading Post. From top: Seedshaman;Holly Modine Studio; RT Davis Shepherd and Handweaver;Española Valley Fiber Arts Center.

2 new mexico fiber arts trails

south .................................................. 44Map ...................................................... 46Trail Sites........................................ 48-60Betty ReynoldsQuilting with the times ...................... 48Tres ManosCamaraderie counts.............................. 51Margaret ArmerThe Angora Queen .............................. 52A Matter of ValueHandmade in New Mexico ................ 54MeditationsOn the benefits of handwork................ 55Stitching Circumstance into BeautyQuilting in New Mexico .................... 57Cassie HobbsBeautifying Life .................................. 59Strength in NumbersNew Mexico Fiber Artisans................ 61 Trails Sites Alphabetically .................. 62Glossary .......................................... 63-65Suggested Reading .............................. 65

on the cover: Navajo “Eyedazzler” serape,Germantown yarn (detail of weaving), c. 1890. Shiprock Trading Post.Photography by Diane Bowman, Laura Marcus,Charmeine Wait, Claude Stephenson, Carol Cooper,and trails sites. Page 30 © Jack Parsons.

The New Mexico Fiber Arts Trails were developed by NewMexico Arts, a division of the Department of Cultural Affairs,with information provided by various contributors, and areintended for your personal enrichment, education, information,and entertainment. Due to the nature of the Arts Trails, NewMexico Arts cannot guarantee information, including hours ofoperation, provided by contributors and trail sites in the guide,brochure, and maps. Make sure to double-check informationwith the artists and trail sites before you travel the Arts Trails.New Mexico Arts is not responsible for the quality or deliveryof the products or services described along the Arts Trails. NewMexico Arts is not liable in case of accidents, damage and/orinjuries suffered by visitors to trail sites, users of the Arts Trails,or by trail sites and their representatives. Please take all necessarymeasures and precautions to protect yourself and others whiletraveling the Arts Trails.

From top: Karen Martinez Studio and Gallery;Doc Campbell’s Post/Gila Country Corner Gallery;Tapestry Gallery; Northern New Mexico College FiberArts Program.

TABLE OF CONTENTS

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THE NEW MEXICOfiber

ARTS TRAILS

new mexico artsA Division of the

Department of Cultural Affairs

Loie Fecteau, Executive DirectorCarol Cooper, Project Manager

Doug Patinka, DCA WebmasterLaura Marcus, Writer/Researcher

Diane Bowman, Northern New MexicoRegional Coordinator

Charmeine Wait, Southern New Mexico Regional Coordinator

Mary Sweitzer, DesignerCheryle Mano Mitchell, EditorGlen Strock, Map Illustrator

Bette Bradbury, WESST Corp.,Workshops Coordinator

special thanks to our invaluable partners:

New Mexico Fiber Artisans Steering Committee

Regional Development Corp.Empowering Business

Spirit InitiativeNew Mexico Women’s Foundation

And our many supporters

new mexico arts staff

Lisa Peinado, Operations DirectorLoretta Chama,

Contracts AdministratorAnn Weisman,

Program CoordinatorRuth Lommel, Administrator

Anna Blyth, Public Information Officer

Claude Stephenson, State FolkloristLaurie Wilder,

IS Database Administrator

department of cultural affairs

Stuart A. Ashman, Cabinet Secretary

Anne Green-Romig, Director of Legislative Affairs

Doug Svetnicka, Communications Director

Sue Sturtevant, Director of Statewide Partnerships

Maggie Coffey-Pilcher, General Counsel

Governor Bill RichardsonFirst Lady Barbara Richardson

Lt. Governor Diane DenishNew Mexico Legislature

New Mexico Arts Commission led by Chair Janice Spence

and Vice Chair Herb Denish

Contact: New Mexico Arts, PO Box 1450,Santa Fe, New Mexico, 87504-1450.

Tel: 505 827-6490; 1-800-879-4278(Instate); www.nmarts.org;

www.nmfiberarts.org

ARTISTS NEED OPPORTUNITIES TO MAKE A livingat home. This is the simple answer to “Why the New

Mexico Fiber Arts Trails?” The arts trails evolved from NewMexico Arts’ leadership in nurturing arts entrepreneurship.We believe arts-based economic development is vital to asustainable future for our state’s rural communities.

Our inspiration was the resounding success of HandMadein America’s western North Carolina Craft Heritage Trailsand its visionary founder Becky Anderson. She jumpstartedour gathering of rural cultural tourism advocates in August2005. Participating fiber artists wove a tale that called outfor fiber arts trails. The New Mexico Fiber Artisans coalitionborn at that meeting became invaluable trail planningpartners. A grassroots campaign resulted in Governor Bill Richardson and the New Mexico Legislature fundingNew Mexico Arts to create statewide arts trails – the first ofhopefully a series. We have many to thank.

So why fiber arts? They are universal yet local, democraticand accessible. They encompass rich and age-old culturaltraditions, spin over the edges into fresh contemporary work,and zigzag everywhere. No matter the artistic form, theyrequire structure but demand innovation and freedom, oftenof both artist and admirer.

And why trails? Because creativity flourishes on the backroads, for both artists and travelers. The trails celebrate NewMexico’s diverse communities, lifestyles, and landscapes. Theyreveal the natural world that inspires, nurtures, and suppliesfiber-related activities. The trails traverse an integrated cycle - from raw materials through a medley of techniquesand creative processes to hand-crafted works of art – and heart.

Enjoy! The work of more than 200 New Mexico fiberartists awaits you at 71 destinations along the trails. Weinvite you to support creativity at its source. Welcome to the rich textures of New Mexico fiber!

Loie Fecteau Executive Director, New Mexico Arts

Carol Cooper Project Manager, New Mexico Arts

new mexico arts vision | fiber arts trails 3

N E W M E X I C O F I B E R A RT S T R A I L S

THE VISION

NEW MEXICO IS HOME TO A REMARK-able diversity of fiber artists who createand present their work in varied settings.The New Mexico Fiber Arts Trails are acollaboration between New Mexico Artsand a grassroots network of fiber artiststo cultivate awareness of our rich andunique fiber arts heritage, as well asopportunities for artists to prosper intheir home communities. Sites appearingin the New Mexico Fiber Arts TrailsGuide have participated in an applicationprocess and are ready for company.

Some sites are collectives, representingmultiple local artists, while others areworking farms or studios, galleries,museums, suppliers, and more.Inevitably, there are many New Mexico-based fiber artists and businesses notlisted on the trails, leaving plenty ofroom for discovery along the way. Wehope this guide will be a springboardfor – dare we say it? – woolly adventures!Due to space limitations, guide entriesoffer only a glimpse of trail sites. Manyhave tantalizing Web sites where youcan learn more before embarking on theFiber Arts Trails.

We have organized the Trails by region:North Central, Northwest, and South.Within these loops, you will find spurs,inviting you to venture on your ownitinerary. So, remember to pack a goodmap of New Mexico and hit the Trails!

TIPSA few things to make your trip the best it can be:

� enjoy the wide open spacesThis is a rural guide, inviting you towander off the beaten path andexplore New Mexico’s back roads. The Trails meander through diverseecosystems, but our dry climate andhigh elevation are constants through-out. Be sure to bring plenty of water.Fill your tank before heading out onlong stretches of open road, as gaspumps can be few and far between,and some rural areas do not have cellphone reception. Sites indicated by � are located on dirt or gravel roadswhere access may be challenging,especially after rain or snow. A callahead to site hosts for advice will giveyou peace of mind. In winter monthsespecially, check all road conditionsand weather forecasts before strikingout on the Trails.

� food and lodging New Mexico is a traveler’s paradise, with localeateries and accommodations aplenty.Ask your Fiber Arts Trails hosts forrecommendations for those fabulous,out-of-the-way places. Some sites offertheir own lodging, an added treat!

� take your time The fiber arts invite us to take time out, to create, toobserve, to run fingers over sumptuoustextures, to call on passionate people with stories to tell, to meetcharming fiber animals, and to under-stand fiber processes – from fleece tofinish. Leave yourself time to visitwith hosts, travel scenic byways,explore local attractions, and loseyourself in the Land of Enchantment.

� hours Fiber Arts Trails site hours of operation vary, with some sites closedSundays or for major holidays or forentire seasons. Even if open, some


TRAVELING THE TRAILS

Background: Earth Arts. Above: Julie Wagner Studio.


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sites have limited hours or are openby appointment, welcoming visitorsat other times. Weather may alsoaffect hours, so check hours of opera-tion carefully! If there is a site you’rehoping to visit, or if it’s some distanceaway, it never hurts to call ahead.

� honor your furry hosts If you are traveling with pets, please do notbring them to Fiber Arts Trails sites,out of consideration for the animalswho live – and work – along the Trails.

� visitors with special needsSites vary in accessibility. Wheelchairaccessible sites are indicated by �.Sites with wheelchair accessible restrooms are designated by ��. Siteswithout wheelchair accessible restroomsoften are located near public facilities.It’s best to call ahead to sites on youritinerary to confirm specific accom-modations.

� trails for all to enjoy The Fiber Arts Trails will have specialappeal for fiber artists and aficionados,and we anticipate there will be con-verts along the way. Young peoplewill relish the occasion to learn about– or even try – fiber arts processesthemselves, or visit with fiber animals.Sites carrying fiber arts supplies ✃and those offering classes or work-shops are ideal for indulging yourfiber arts passions. Because the trailstraverse stunning landscapes, manywith public access, hiking, camping,

skiing, cycling, fishing, birdwatch-ing, and more – and areas of great cultural, historical, and archaeologicalinterest – we heartily believe there issomething for everyone on the NewMexico Fiber Arts Trails. Happytrails! ✸

USEFUL INFORMATION FOR TRAVELERS

� check the network As we go to press, site entry information iscurrent. To accommodate theinevitable – change, that is – twotrail hosts are serving as FIBERNETWORK sites, where travelers can stay informed. For Fiber ArtsTrails updates in northern ornorthwestern New Mexico, stop by or call the Espan~ola ValleyFiber Arts Center at 505.747.3577,or in the south, The CommonThread in Silver City, 505.538.5733.New Mexico is slated to add newarea codes; keep this in mind asyou dial.

� new mexico tourism department A wealth of infor-mation for travelers: cultural andhistorical highlights, includingNew Mexico Indian Tourism, Scenic Byways, State Parks andMonuments, events calendars, maps,and more helpful information.newmexico.org | 800.545.2070

� indian country new mexico Additional informationabout the state’s Native communi-ties. IndianCountryNM.org

� road conditions and weather nmroads.com800.432.4269 | AM radio 1610

� new mexico state police505.827.9300

traveling the trails | fiber arts trails 5

Peloncillo Mountains, near Rodeo

CROWNPOINT RUGAUCTIONmttaylor.com/rug-auction 505.786-7386An institution since 1968,this community-basedevent features a diverseselection of Navajo rugs.It’s held at the CrownpointElementary School, generallythe third Friday evening ofevery month; check Website for exact dates.

NEW MEXICO WOMEN’SFOUNDATION RAG RUGFESTIVALS nmwf.org/events.html 505.983.6155The New Mexico Women’sFoundation holds Rag RugFestivals around the state toexhibit and market theweaving and other fiber arts

of their grantee organizationsand individual artists.March, Las Cruces, NewMexico Farm & RanchHeritage Museum; August,Santa Fe, Udall Center forMuseum Resources,Museum Hill; November,Farmington, FarmingtonMuseum at Gateway Park.

QUILT SHOWSquiltguilds.com/new_mexico.htmNew Mexico is home toregional quilt guilds, manythat hold regular shows and events, among themthe Festival of Quilts inHobbs, held the first twoweeks in May. Contact:[email protected].

BIENNIAL ALBUQUERQUEFIBER ARTS FIESTA fiberartsfiesta.orgHeld biannually overMemorial Day weekend inMay at the Creative ArtsBuilding, EXPO NewMexico, home of the NMState Fair. Hosted by theAlbuquerque Fiber ArtsCouncil, a coalition of localfiber arts guilds, this eventhas a vendors mall, demon-strations, workshops, andmore – all under one roof.

EL RANCHO DE LASGOLONDRINASgolondrinas.orgLearn about Spanish colonialfiber arts in context at thisliving history museum, situated in an 18th-centuryrancho in La Cienega thatserved as a way stationalong the historic CaminoReal. Traditional fiber arts

Throughout the year, New Mexico is rich with events that feature fiber arts.Below is a listing of only some of the fiber arts activities around the state.Contact New Mexico Fiber Arts Trails site hosts, local fiber arts guilds, andother arts and civic organizations for information about activities in theirneighborhoods. New Mexico is also home to many studio tours that often feature fiber arts. For a detailed listing, visit the Albuquerque Arts Alliance at abqarts.org/resources/studiotours.htm.


CALENDAR OF EVENTS


Background: Terrazas TraditionalArts. From top: Ramah NavajoWeavers Association; The CommonThread; Thunder Creek QuiltCompany; Furniture and More.

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demonstrations everyFriday, June – October.Check Web site for calendarof special events.

SOUTHWEST REGIONALSPINNERS RETREATfiberartscollective.org/guildsorgs.html.Based in Las Cruces, theSouthwest RegionalSpinners meet in theSacramento Mountains foran annual retreat/workshopin July.

SPANISH MARKET spanishmarket.org 505.983.2226Held the last full weekendin July in the Santa FePlaza, a celebration andmarket of the unique artis-tic heritage of HispanicNew Mexico and Colorado,featuring many fiber artforms. Winter Market heldin downtown Santa Fe inDecember.

SANTA FE INDIAN MARKET swaia.org 505.983.5220The SouthwesternAssociation for Indian Artssponsors this premier event

every August that includeswork by Native Americanfiber artists. WinterShowcase held in downtownSanta Fe in November.

SHEEP TO SHAWL, NEWMEXICO STATE FAIRlasaranas.org/sheep_to_shawl.htmHeld in September as partof the New Mexico StateFair in Albuquerque. A collaborative project of Las Aranas Spinners andWeavers Guild and theNew Mexico Wool Growerswith a demonstration areashowing all phases fromraw sheep fleece to finisheditems and featuring agallery of handmade fiberarts. The State Fair also hasother fiber arts displays anddemonstrations.

TAOS WOOL FESTIVAL www.taoswoolfestival.orgHeld the first full weekendin October, sponsored bythe Mountain and ValleyWool Association. A cele-bration of wool in all imaginable forms, includ-ing regional traditional and contemporary fiberarts, yarn and tools, books,

demonstrations and work-shops, vendors’ booths, and fiber critter display.

BEST OF THE SOUTHWESTFIBER ARTS FESTIVAL woolfestivalsw.meridan1.net505.325.2837Held in November at theMcGee Park ConventionCenter in Farmington, thismulticultural, regionalevent features fiber arts and supplies vendors,demonstrations, workshops,competitions, an auction,and more! ✸

calendar of events | fiber arts trails 7

From top: Taos Pueblo land and TaosMountain; Española Valley Fiber ArtsCenter; Centinela Traditional Arts;also Centinela.

You have the Río Grande. On top of that was the indigenous acequia system. Then

the Spaniards came into different portions of the state and enhanced what was already

here. New Mexico is also a major flyway for birds and geese – the water and the flora

accompany that. Roads in cities are overlaid with freeways following those major

routes. And so, we identify with that. The idea of trails is still part of the contempo-

rary vocabulary, even though we don’t see the original – it’s like a historic X-ray.

—ramona sakiestewa contemporary fiber artist

2006 governor’s award for excellence in the arts

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B illowing clouds roll acrossthe heavens like lengths of

wool rovingready to spinagainst a cobaltsky. The ever-shifting lightshimmers withcreativity thatlives in the veryair we breathe.Geology carvesdesigns for theeye to behold,and imaginationsand fingers trans-form what we seeinto useful and beautiful items.

New Mexico fiber arts groworganically from the land and thecultures it nurtures. The peopleare as varied as the landscape:Pueblo communities with rootsgrowing deep into the soil, centuries-old Hispanic villagestucked into fertile valleys, artist

communities re-inhabitingabandoned mining and mill

towns. Their storiesare an interwoventapestry, built rowupon row intostriking patterns, at once familiar and new. Visithome studios,long-establishedworkshops, yarnemporiums brim-ming with colorand inspiration,fiber farms inhabitedby fleece-covered

creatures, galleries abundantwith local treasure, a farmresplendent with dye plants,community centers built aroundfiber arts. If you’re moved tonurture your own creativity, thematerials and willing teachersare close at hand. ✸

Background: Black Mesa, San Ildefonso Pueblo. Inset: Los Vigiles Living Traditions Fiber Studio & Supply.

C O L O R S , PAT T E R N S , A N D I N S P I R AT I O N . . .

NORTH CENTRAL LOOP

To the north, back roads beckon, weaving along river valleys,

winding through velvet mountains and red rock canyons sculpted

by time, crossing plains that stretch as far as the eye can see. The

land speaks in textures. Sage, golden chamisa, violet asters, and

grasses cover the earth in a blanket of natural hues.

north central | fiber arts trails 9

Española1–5

43 Upper Fruitland� �

44 FARMINGTON

ALBUQUERQUE �

Gallup�

Grants�

�Socorro

45 Toadlena�

� 47 Pine Hill

53 Datil �

54 Chloride � 7

�

Magdalena

�

46 Two Grey Hills

� 42 Chama

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35–38 Abiquiú

�

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39 Youngsville �

29 La Cienega �

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41 Los Ojos

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40 Ghost Ranch �

491

602

53

53

125

491

64

64

84

84

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19

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52

60

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47

49–52

32–34 El Rito �

� 48 ToméBelen �

47Los Lunas �

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�I-40

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�66�66

NORTH CENTRAL | LISTINGS 1-311 Española Valley Fiber Arts Center

(Fiber Network Site), Española2 Santa Clara Trading, Santa Clara Pueblo3 Black Mesa Fiber Arts, South of Española4 RT Davis Shepherd and Handweaver, La Mesilla5 Earth Arts, La Mesilla6 Marie Vigil Weavings, Cundiyó7 Karen Martinez Studio & Gallery, Chimayó8 Centinela Traditional Arts, Chimayó9 Los Vigiles Living Traditions Fiber Studio & Supply, Chimayó10 Ortega’s Weaving Shop, Chimayó11 Tejedoras de Las Trampas, Las Trampas12 Metier, Dixon13 Art for the Heart, Peñasco14 SandraSilk, Peñasco15 Taos Sunflower Yarns & Fibers, Arroyo Seco16 Weaving Southwest, Taos17 La Lana Wools, Taos18 Rio Fernando Farm, Taos19|21 Tapetes de Lana, Mora 19, Las Vegas 2120 Victory Ranch Alpacas, Mora22 Furniture and More, Las Vegas23 Viorge Designs, Tucumcari24 Good Fibrations!, Edgewood25 Robin Pascal Fiber Artist & Perfect Buttons, Edgewood26 Shooting Star Farm, Edgewood27 Johnsons of Madrid Galleries of Fine & Fiber Art, Madrid28 Tapestry Gallery, Madrid29 Lauren Camp Fiber Artist, La Cienega30 Koehler Studio, Eldorado31 Seedshaman, Glorieta


Map not to scale; includes trail routes only. Consult your detailed New Mexico State Map.

27–28Madrid

24–26Edgewood

�

�

23 Tucumcari �

�21–22Las Vegas

� 16–18 Taos

Clovis �

� Roswell

71 Nogal �

70 Ruidoso �

�

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30 Eldorado

� 31Glorieta

�

Santa Rosa

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51812 Dixon� � 13–14 Peñasco

� 11 Las Trampas

15 Arroyo Seco�

� 19–20 Mora76

518

104

60

60

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48

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75

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Chimayó6–10

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SANTA FE

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1. española valley fiberarts center Española,325 Paseo de Oñate

They say you can’t be allthings to all people, butEspañola Valley Fiber ArtsCenter (EVFAC) comes close.In 1995, the sight of loomsgathering dust was a call toaction for a handful of dedi-cated weavers. EVFAC hasblossomed into a vibrantnonprofit organization andcommunity that promotesfiber arts and supports 400members as artists and entre-preneurs. Opportunities toacquire skills, create prod-ucts, and earn income arerealized through 30 floorlooms; work space for myriadclasses; a dye kitchen; a fiberarts library; and a top-notchgallery of felted items; RíoGrande, Navajo, and rag rugs;wearable art; and more. In itshistoric quarters, EVFAC car-ries fiber, yarn, and supplies,much of it locally produced.Sign up for a class or drop byfor spinning or knitting.

M, 9-8; T-SA, 9-5; SU, 12-5505.747.3577 [email protected] Santa Fe, north on Hwy84/285. Enter Española onRiverside Dr. At third light,turn left on Paseo de Oñate. Go over Río Grande bridge.EVFAC is fourth building onright. ✃ ��

FIBER NETWORK SITECheck with EVFAC forupdates about northern FiberArts Trails sites.

2. santa clara tradingSanta Clara Pueblo,100 Thamu StreetSanta Clara Trading offers arare opportunity to see and


AS EARLY AS A.D. 200, THE MOGOLLON OFsouthern New Mexico and the Anasazi to the north –ancestors of today’s Pueblo peoples – used off-loomtechniques to craft items from plant fibers, human andanimal hair, fur, and feathers. New Mexico’s arid climatehas allowed the survival of an extraordinary range ofprehistoric fiber arts – sandals, straps and bags, netting,rope, clothing, baskets, mats, and more – many wovenin intricate techniques and designs. The cultivation ofcotton and the development of the upright loombrought woven cloth to prominence as a central featureof Pueblo daily and ceremonial life, and as a valuedintercultural trade commodity. The arrival of theSpanish in the late-16th century brought far-reachingchanges in Pueblo life, including wool for weaving.

Fiber arts remain an essential feature of Pueblo cere-monial life, including feast days when dancers wearembroidered kilts and mantas as well as loomed sashesand hair ties, and crocheted leggings. Unlike otherSouthwest Native art forms, Pueblo fiber arts havealways been made almost exclusively for communityuse, maintaining a connection to their cultural roots inthe agricultural cycle that is at the heart of ceremonialpractice. Contemporary fiber arts designs are strikinglysimilar to patterns on kilts and sashes worn by dancersdepicted in kiva murals from hundreds of years ago. Asin many cultures, fiber arts are a barometer of change –and continuity. ✸

P U E B L O F I B E R A RT S

CONTINUITY AND CHANGE

Santa Clara Trading

learn about Pueblo fiber arts– embroidered manta clothand kilts, hand-woven sashes,belts, and hair ties, crochetedleggings, Hopi wovenplaques – all part of the fabricof Pueblo ceremonial life.Knowledgeable hosts SusieHart and Dolly NaranjoNiekrug display high qualitypieces that engage the handand mind: willow baskets,Hopi woven plaques, bead-work, ribbon and rickrackshirts, Navajo baskets andrugs, cloth, and yarn.

Memorial Day-Labor Day,M-SA, 10-5:30; SU, 12-6Labor Day-Memorial Day,W-M, 10-5 505.747.0009 santaclaratrading.com1.1 miles south of intersection ofHwys 84 and 30, on Hwy 30.Round building on the east sideof the road, at the Thamu St.entrance to Santa Clara Pueblo.

✃��

3. black mesa fiber artsSouth of Española 24 Pajarito Loop

Trish Spillman’s studio is adelightful landscape of colorsand textures. Her rag rugs,shawls, shrugs, scarves, jewel-ry, felted hats, and accessoriesare made from an array of

materials, from her ownhand-dyed yarns to trimmedhems from the Santa FeOpera’s costume department,where she volunteers eachyear. Some of Spillman’s ninelooms are available for formalclasses or impromptu demon-strations. And her picnictable is available to enjoy andtake in a stunning view ofBlack Mesa.

M & TH, 10-4 505.753.3781 [email protected] Española, about 8 milessouth on Hwy 30. East onAvanyu Po, toward BlackMesa. Continue straight, roadwill become dirt. Bear left.Turn right on Pajarito Loop,over cattle guard. Studio on left,mailbox painted with sunflow-ers. ✃ �

4. rt davis shepherdand handweaverLa Mesilla, 36 Private Drive

In a cottonwood grove alongthe Río Grande, a colorfulflock of friendly Churro

sheep, their affable livestock-guarding dogs, a cat, donkeys,chickens, turkeys, and honeybees call Bob Davis’s farmhome. Since Davis inheritedhis first loom and a flock of sheep years ago, his knowledge, passion, andartistry have grown, alongwith his flock and collectionof looms. At the farm andstudio, learn about all aspectsof Río Grande weaving, fromraising the sheep, shearingand spinning their wool, totransforming the yarn intofine tapestries.

T & TH, 10-2 505.310.3099riograndeweaving.com

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RT Davis Shepherd and Handweaver

Española Valley Fiber Arts Center

Centinela Traditional Arts

✃ Supplies Classes and workshops �Wheelchair accessible��Wheelchair accessible restrooms �Check road conditions

South of Española at junction ofHwy 84/285 and 399, turnwest on 399 toward LaMesilla. Right on 581. Left on CR 16. Left on CR 11 andfollow to the end. Right on CR 14. Bear left on PrivateDrive; farm and studio are atthe end of the lane. Note: Callahead. This is a working farm,and Bob Davis wants to greetvisitors at the gate. ✃5. earth artsLa Mesilla, 7 County Road 14

At Earth Arts, experiencethe natural dyeing cycle inits entirety, from a gardenreplete with Hopi sunflowers,madder, and indigo, to stunning tapestries woven inLiesel Orend’s sun-drenchedstudio. The walls of her dye

workshop glow with a daz-zling array of gem tones thatshe achieves through thealchemy of natural dyeing.Take home a few hanks ofhand-dyed New MexicoChurro yarn or dye plantseeds for your own project,or expand your creativity inone of Orend’s natural dyeworkshops.

T & TH, 10-2 505.753.9744 earth-arts.comSouth of Española at junction ofHwy 84/285 and 399, turnwest on 399 toward LaMesilla. Right on 581. Left

on CR 16. Left on CR 11 andfollow to the end. Turn right onCR 14. Earth Arts is #7, onyour left. ✃ �

6. marie vigil weavingsCundiyó, 1160 HWY 503Entrada Del Arroyo

Nestled close to the Sangrede Cristo Mountains is thevillage of Cundiyó, whereMarie Vigil continues herfamily’s weaving tradition,using methods passed downfrom generations. Her workincludes Chimayó and RíoGrande style weaving – vests,runners, and intricate tapes-tries. Following her family'sunique method, she uses bob-bins made from wild reeds towind her vegetal hand-dyedChurro yarn. She offers acozy, intimate setting to viewthe authentic weavingprocess and shop for stun-ning, one-of-a-kind pieces.

May 1-Oct 31, F & S,10-2 505.351.4806North of Pojoaque on Hwy84/285, east on SR 503.Drive 8 miles, through Nambé,past the turnoff to Chimayó. Gofive more miles through themountains to Cundiyó. Followa winding road, cross thebridge, and turn right intoEntrada del Arroyo, enteringthe Vigil family compound.

7. karen martinez studio & galleryChimayó, 23B Santa Cruz Lake Road

Karen Martinez says thatweaving is in her blood. It’s afamily tradition that has nur-tured seven generations, andcounting. As children, she


Española Valley Fiber Arts Center


Earth Arts✃ Supplies Classes and workshops �Wheelchair accessible

��Wheelchair accessible restrooms �Check road conditions

and her siblings slept inbunk beds to leave room forthe walking looms tailorbuilt for each child, andpassed through the familylike clothing. Today, herupstairs home studio holds11 looms to accommodateproduction work, Martinez’sclasses, and her own creations– which favor traditionalSaltillo designs and her stunning color gradations.Shop in the downstairsgallery for work rangingfrom placemats to collectablewall pieces, and everything in between. Check nnmc.edu,Chimayó classes, for currentschedule.

All Year, SA & SU, 12-5;Mid-May–Mid-August,M & T, 8-5 [email protected] of Pojoaque on Hwy84/285, east on Rte. 503. Go 13.5 miles, past the villageof Cundiyó. Just after mile marker 13, turn left on Santa Cruz Lake Road. Go 2/10 miles and enter thedouble black pipe gates onright. Go down dirt road tolarge, two-story brown stuccohouse with green roof, on left.


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WEAVING IS A CONTINUOUS THREAD in CarlaGomez’s life, starting with her Spanish heritage and twograndfathers: one, a weaver from Los Luceros, and theother, a sheep rancher in Galisteo. From a childhoodtable loom and the spinning wheel she requested for her18th birthday, Gomez became a weaver in her ownright, selling her silk ruanas at prominent local galleries.As Curator of Textiles at the living history museum ElRancho de Las Golondrinas she deepened her personalconnection to her ancestral roots. This backgroundserved her well as a Master Artist in New Mexico Arts’Folk Arts Apprenticeship Program and currently in theArts Enterprise Partnerships program.

When she began teaching weaving for New MexicoHighlands University at her studio, a one-room school-house, she made the connection among weaving, culture,community, and livelihood, working with “real people,real life, and real issues.” With a core group of dedicatedstudents, she launched Tapetes de Lana, a nonprofit,focusing on training and marketing the work of localweavers, and developing the rural economy.

Gomez’s visionary leadership and persistence havenurtured productive partnerships, continually creatingnew opportunities and adding value to all aspects offiber. She says, “Throughout our country, incomeopportunities are becoming scarce in rural communities,as corporations move to Third World countries in searchof cheap labor sources. Big corporations and big commercialfarms have taken over the economy, and there’s notmuch left in rural communities for people to advance.The work of Tapetes is really empowering, changingpeople’s image of themselves. When they see peoplefrom all over the country, or even the world, purchasingtheir textiles, it gives them a lot of pride.” ✸

W E AV I N G O P P O RT U N I T I E S

CARLA GOMEZ

Tapetes de Lana

Tapetes de Lana

8. centinela traditional artsChimayó, 946 State Road 76

Master weavers Lisa and IrvinTrujillo have their feet andhearts firmly planted in theRío Grande tradition. Theircontemporary work takesflight in explorations of color,design, technique, andmaterials, making sense ofthe world through yarn.Weaving, family history, andcommunity involvementresound in this studio andgallery, which carries thework of over 30 other localfiber artists: traditional andcontemporary weaving, luscious chenille ruanas, classic Chimayó jackets andvests, and more. Customorders are a specialty.

M-SA, 9-6; SU, 10-5505.351.2180 chimayoweavers.comNorth of Pojoaque on Hwy84/285, east on Rte. 503toward Nambé. After severalmiles, turn left on Rte. 98.Enter Chimayó; 98 will deadend at Rte. 76. Turn right.Drive one mile, look for a largesign on the left. � ��

9. los vigiles living traditions fiber studio & supplyChimayó,776 State Road 76

Under the pitched roof ofthis charming territorialadobe home and studio, aworld of Río Grande weavingawaits. The arts: traditionalhand-woven textiles in strik-ing color combinations andnatural shades from NewMexico and Colorado-raisedChurro sheep. The tools:Chimayó production looms


LAS VEGAS NATIVE BEATRICE MAESTAS SANDOVALremembers hearing about her great-grandmother, aweaver. “Somehow, I always had her in the back of mymind.” When her children were grown, Sandoval doveinto learning Spanish colonial traditional arts – spinning,dyeing, weaving, colcha embroidery, woodworking,and tin work. At El Rancho de Las Golondrinas, a living

history museum south of Santa Fe, she learned traditional techniques for fiber arts, which she and

other volunteers demonstrate for visitors in thesummer. Not one for shortcuts, she spins and

dyes her own yarn for weaving Río Granderugs, as well as for the canvas, or sabanilla,on which she stitches traditional colcha

embroidery. “Once you get used to your ownhomespun, you can’t go back.” An active participant in Spanish Market, she

took Best of Show in 2000 for her colcha embroidery,setting new standards that require all prizewinningcolcha to be stitched on hand woven sabanilla. Herembroidery yarn is likewise her own, colored with nat-ural dyes – indigo, cochineal, flowers, Navajo tea, evenavocado pits and skins!

Sandoval has helped keep her art form alive throughNew Mexico Arts’ Folk Arts Apprenticeship Program as a Master Artist. “They’re good traditions,” she said.“We need to learn from our ancestors. And we’ve got to teach these kids, so it won’t get lost” ✸

L E A R N I N G L E A D S T O T E A C H I N G

BEATRICE MAESTAS SANDOVAL

From top: Española Valley Fiber Arts Center; Furniture and More.

designed and crafted by theVigil family, locally madeweaving, knitting, and crocheting tools for fiberartisans, and Churro yarn.The process: classes in spinning, dyeing, weaving,knitting, crocheting, andfelting. Best of all, a familyof passionate and knowl-edgeable Río Grandeweavers welcomes you to their studio.

M-SA, 10-5 505.351.4522 [email protected] Española, 7.6 miles easton SR 76; 1/8 mile south ofRte. 98. ✃ � ��

10. ortega’s weavingshopChimayó, 53 Plaza del Cerro

Visit a studio and gallerythat have been mainstays ofthe Río Grande weaving tra-dition and local economy forgenerations. Robert Ortegaproudly carries on the familybusiness begun by his grand-father in this family home,adjacent to Chimayó’s historicPlaza del Cerro. Twenty-fiveweavers create rugs andblankets, as well as yardagefor Ortega’s signature coats,vests, and home furnishings.Classic Chimayó and RíoGrande designs and high

quality are longstanding hallmarks of Ortega’s woven goods. Knowledgeable andcongenial hosts share theweaving process and familyand local history, makingthis stop both fun and educational.

M-SA, 9-5 877.351.4215 ortegasweaving.comNorth of Pojoaque on Hwy84/285, east on SR 503toward Nambé. Drive severalmiles; left on CR 98. InChimayó, Ortega’s is on left,just before CR 98 dead ends atSR 76. � ��

11. tejedoras de lastrampasLas Trampas,11 County Road 0005

In a historic farmhouseoverlooking an idyllic valley,magic is taking place. The“Weavers of Las Trampas” aretransforming rags into wovenand crocheted rugs and baskets to brighten yourhome. Theirs is a gatheringplace for women of all agesand backgrounds to work onprojects, visit with neighbors,and breathe new life into acherished local heritage. TheTejedoras weave in their cozystudio and offer their workfor sale in a two-room gallery.

TH-T, 11-5 505.689.1340From Chimayó, go east on Hwy 76. Go 1/2 mile past mile marker 24 (Las Trampas). Left on CR 0005 for 1/10 mile.Bear right to first house and up long driveway. From Peñasco,west on Hwy 76, go 1⁄2 milepast mile marker 25, turn righton CR 0005.


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Clockwise from left: Victory Ranch Alpacas; Koehler Studio; Viorge Designs.


12. metierDixon, 202 SR 75

Inside this historic mercan-tile building in charmingDixon, you’ll find high quality fiber arts, home furnishings and clothing.Owner and artist IreneSmith creates Appalachian-style baskets from reed andoak, and coiled miniaturesfrom hand-gathered yucca,willow, and pine needles.She alternates between herfour looms, weaving tradi-tional Río Grande piecesfrom wool, and complex patterned wearable art incotton, silk, rayon, and othernatural fibers. Classes in basketry, weaving, spinning,and natural dyeing.

Feb 15-Dec 31, T-SU, 10-5505.579.4111 [email protected] From Chimayó, east on SR 76;west on SR 75, 10 miles toDixon. Look for rock-facedbuilding on north side. FromEspañola, north on SR 68; easton SR 75; go 2 miles to Dixon.

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13. art for the heartPeñasco, 14197 SR 75

A believer in the therapeuticvalue of art, Jean Nichols hasstocked this community studio with cloth, yarns, and all manner of recyclablesfor creativity and play.Community members gatherto work on projects, learnfiber techniques, and justvisit. The gallery reflectstheir diversity: quilts, cro-chet, knitting, silk scarves,“Goddess Garb,” wiresculpture, and more. Checkout “Hersday,” an openwomen’s art group, Thursdayafternoons, and “GlamTrash,” an annual recycledfashion extravaganza!

May 1-Nov 15, TH-SU, 11-5;Nov 16-Apr 30,TH & SU, 11-4 & F, 1-4505.587.0202 | 505.587.2889art-for-the-heart.orgFrom Chimayó, east on SR 76;east on SR 75 to studio, onsouth side between mile markers14 and 15.

14. sandrasilkPeñasco, 5 State Road 73

Step inside a world of colorsand textures, a working studiowhere Sandra Holzmantransforms silks and otherfabrics into luxuriousgarments and home furnish-ings. A textile wizard,Holzman selects fabrics she paints and dyes to bringout the luster in each piece –and in the wearer. She appreciates the expression of joy on customers’ faces as the sensation of silk onskin makes them feel fabulous in her creations.Special orders welcome.

May 15-Oct 15, TH & F, 12-4505.587.2660 sandraholzman.comFrom Chimayó, east on SR 76; right on SR 75 toPeñasco. Where the roadcurves left (north) at end of town, continue straight onto Rte. 73 toward Llano.SandraSilk is 2nd house on right.


From left: Española Valley Fiber ArtsCenter (detail of weaving); Metier(detail of weaving).

Earth Arts✃ Supplies Classes and workshops �Wheelchair accessible


15. taos sunfloweryarns & fibersArroyo Seco,480 State Road 150

Arroyo Seco is a little jewelof a village. A warm andinviting space in a 200-year-old adobe, Taos Sunfloweroverflows with handspun anddyed yarns by Taos spinners,locally dyed roving, and anabundance of commercialyarns: wools, mohair, alpaca,linen, silk, cotton, rayon, andnovelty yarn. A haven forknitters, spinners, and felters,this shop carries tools, pat-terns, books, and more.

T-SA, 9:30-4; SU, 10:30-4505.776.5644taossunflower.comNorth of Taos on Hwy 64.Right on Hwy 150 (road toTaos Ski Valley) for 5 miles tovillage of Arroyo Seco. Shop ison the left in a compound behindDoug West gallery. ✃ ��

ALONG THE RÍO GRANDE RIVER VALLEY, weavingembodies a way of life planted in northern New Mexicowith the first Spanish settlers, who arrived in the late16th century with Churro sheep and the means to buildtreadle looms. Weaving furnished households with floorrugs, blankets, and clothing, among other utilitarianitems, and, along with livestock, grew into a thrivingtrade in the New Mexico Territory. In the 1820s, withthe opening of the Mexican border to the south and theSanta Fe Trail connecting east and west, the free flow ofcommerce, materials, and designs lifted Río Grandeweaving to new heights. At the close of the century, therailroad came to New Mexico with its attendant touristtrade. Concurrently, the industrial revolution broughtabout the growth of manufactured cloth and decline inthe American agrarian lifestyle. As a result, New Mexicanhandwoven goods were used mostly in households inmore remote areas of the north and were marketedthrough curio shops to outsiders. The formation of locallyowned businesses in weaving centers like Chimayó in theearly years of the 20th century bolstered textiles as a con-tinued livelihood and kept profits in the community.

The formation of the Spanish Colonial Arts Societyin 1926 reinvigorated Río Grande weaving as an artform in its own right by promoting high quality inmaterials, design, and technique, and developing a mar-ket for this distinctive tradition, among other Hispanicarts. Many weavers along the Fiber Arts Trails take partin Santa Fe’s annual Spanish Market, which showcasesexamples of an enduring tradition in its many contem-porary interpretations. ✸


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R Í O G R A N D E W E AV I N G

A RIBBON THROUGH TIME

Ortega’s Weaving Shop

From top: Santa Clara Trading;Española Valley Fiber Arts Center.

16. weaving southwestTaos, 216 B Paseo delPueblo Norte

Devoted exclusively totapestry weaving, an artform that owner Pat Dozierdescribes as “weaving withintent,” Weaving Southwestis alive with color and features contemporarypieces by over 18 tapestryartists, as well as wearableart. Get your fiber fix hereat the home of the RíoGrande Loom, the Cadillacof looms; Río GrandeSpinning Wheel; locallydyed Río Grande yarns; andmany other splendid yarnvarieties, tools, and books.In the studio, weavers specialize in filling customrug and blanket orders ofselected colors and designs.

M-SA, 9-5; SU, 11-4505.758.0433 weavingsouthwest.comTwo blocks north of TaosPlaza, across from Kit CarsonPark in Yucca Plaza. ✃ � ��

17. la lana woolsTaos, 136 Paseo del Pueblo Norte

An ode to naturally dyedyarn in all its serendipity!Luisa Gelenter and her staffare master spinners anddyers, creating their ownyarns – Forever Random, ingraduated blends of wooland mohair; and Jewels andWild Thing, thick-spunyarns for embellishmentsand inspiration. Knittingpatterns custom-designed forLa Lana highlight theirexquisite yarns, and all canbe seen in tantalizing sam-ples. Inquire about seasonalknitting and needle feltingworkshops and Saturdaymorning knitting classes.

M-SU, 10-5:30 505.758.9631 lalanawools.com1.5 blocks north of Taos Plaza.

✃ 18. rio fernando farmTaos, 3 Sunset Drive

In this tranquil mountainsetting, regal llamas, curious

pygora (cashmere) goats, andfluffy angora rabbits are yourhosts. Shelley Loveless knowsher fiber, and spins and knitsbeautiful blends of yarn andher own creations. This wel-coming farm offers raw fiber,yarn, and garments for sale.Loveless says of her furryfamily’s calming influence,“You just pet them and yourelax.”

Jun 1-Nov 1, T & TH,8-12 [email protected] Visitors Center on Hwy68 (Paseo del Pueblo Sur inTaos), right onto Bypass 585(Paseo del Cañon). When roadends at a T, go right onto Hwy64, east toward Angel Fire. Go5 miles, past Shady Brook Inn.After 7/10 mile, turn right atcluster of mailboxes onto SunsetDr. Cross river; Rio FernandoFarm is #3. ✃ �


Weaving Southwest


Marie Vigil Weavings

TRAINED IN PAINTING and drawingwhen she arrived in Taos in the 1950s,Rachel Brown was inspired by herHispanic neighbors’ weaving. Her ownweaving career began with reassemblingan abandoned loom in a former WPAworkshop and plucking stray fleece fromfences for wool to spin.

Brown’s The Weaving, Spinning, andDyeing Book, in its 14th printing, has soldmore than 100,000 copies. Brown’s detailedinstructions and more than 400 originaldrawings cover every aspect of transforminga fleece to a work of art, as well as making aliving from weaving.

Brown’s fiber arts experience andseemingly limitless energy were drivingforces behind the creation of Tierra Wools,the weaving-based cottage industry thattook root in Tierra Amarilla in 1982 and isstill going strong. Her Weaving Southwestgallery in Taos has been a stronghold ofhigh quality contemporary weaving formore than 20 years, launching the careersof many well-known New Mexico tapestryartists. Brown stocked the shelves with herown hand-dyed yarns, accomplished by

refining traditional tools and processes toincrease volume in addition to quality.Brown’s Río Grande Loom and Río GrandeSpinning Wheel are still available in theshop, which she sold to Pat Dozier in 2003.

Brown promoted weaving as an art form,hoping to nurture each weaver’s designsense. “I’ve tried to encourage weavers to letthe weaving and the medium itself dictateform. Many weavers, including myself, startout with the warp and nothing but thecolors chosen, and just weave free-form likean artist goes about creating an oil painting.Weaving is more difficult because you can’tgo back and change anything. It’s buildingwith threads.”

Brown’s work creating, teaching,organizing, and marketing has forged astrong fiber arts community in NewMexico. She reflects: “I’ve wanted to showothers the joys of weaving and that youcan make a living at it. What I love mostabout this work is empowering people andthe friendships it brings. I get passionateabout teaching somebody how they can dosomething that will be rewarding tothem.” ✸


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W E AV I N G A L I V I N G

RACHEL BROWN

Background: Terrazas Traditional Arts. Above: Rachel Brown with her tapestry, left, and one by Pat Dozier, right.

19. tapetes de lanaMora, 518 JCT 434

Tapetes de Lana – Weavingsof Wool – is in a historicmercantile building transformed into a vibrantcommunity center. In thecenter are a weaving studioand a gorgeous gallery ofrugs, products of Tapetes deLana students who have beentrained through the nonprof-it’s entrepreneurial programs.Also for sale are other homefurnishings woven fromlocally grown and processedwool; wearable arts; and anarray of local yarns. Tour themill where Tapetes processesdiverse fibers into a varietyof colors and textures.One-on-one weaving, spinning,and dyeing instructionavailable.

M-F, 8-5; SA, 10-5Mill closed weekends;check Web site or call fortour schedules.505.387.2247 tapetesdelana.comFrom Taos, SR 518 south and eastto junction with SR 434 in Mora.From Las Vegas, north on SR518 for 30 miles to Mora.

✃ � ��

20. victory ranchalpacasMora, 1 mile north oftown on HWY 434

This 1,100-acre ranch in themajestic Mora Valley is hometo 200-plus friendly alpacas.Take an informational tourwith knowledgeable hostswho will walk you throughevery step of caring foralpacas and transformingtheir fleece into wonderfullysoft yarn. Shearing is in June,and summer is when you just

might happen upon thebirth of one of some 40babies born at Victory Rancheach year. The Weisner familysells alpacas, alpaca yarn,alpaca garments, and highquality fiber arts. Ask aboutspinning and weaving classesand knitting retreats.

Feb 1-Dec 31, M-SU, 10-4;Tours at 11, 1, & 3 (fee).505.387.2254 victoryranch.com From Mora northeast on Hwy434 for one mile. Ranch gate ison left. From Las Vegas, northon SR 518 for 30 miles toMora. ✃ � ��

21. tapetes de lanaLas Vegas, 1814 Plaza

On the historic Las VegasPlaza, enter a world of vividcolors and striking designs.With a studio and a galleryof traditional and contem-porary rugs and garments, agreat place to steep yourselfin New Mexico’s weavingheritage. Learn aboutspinning, dyeing, and weaving from devoted andknowledgeable artists,

trained through entrepre-neurial programs. One-on-one weaving, spinning, anddyeing instruction is avail-able, and locally producedyarns tempt true fiber lovers.


From top: Metier; Santa Clara Trading;Victory Ranch Alpacas.


M-F, 8-5; SA, 10-5505.426.8638 tapetesdelana.comFrom Mora, south on SR 518to Las Vegas. From I-25, exit 345 (University Ave.). Go west toward downtown.Turn right on 7th St. Left on National Ave. (NM 65).Right on Gonzales St., which becomes Plaza Ave.Tapetes de Lana is on northwestcorner of the plaza.

✃ � ��

22. furniture and moreLas Vegas, 519 Sixth Street

Three dedicated fiber artistshave transformed a corner of a historic building in downtown Las Vegas into a showcase for their exquisitework. Beatrice MaestasSandoval spins and dyes her own Churro yarn that she weaves into finetraditional Río Grande rugs and colcha embroidery.Caroline Rackley weavestapestries, architecturalsculptures, upholstery,domestic linens, and scarvesin rich tones and vibrantdesigns. Dorothy Lake’s knitted garments are wearable art, alive withtexture and complex patterns. All artists display at the annual fiber show inLas Vegas.

M-F, 10-4 505.454.9133 505.425.8485nmmercado.com/bmaestasimagenm.comFrom Mora, south on SR 518to Las Vegas. From I-25, exit 345 (University Ave.)west for two blocks towarddowntown. Left on Sixth St.; go 2 blocks; shop is on right. �


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BEFORE MANUFACTURED cloth became common-place, handmade textiles were a precious commodity.Not easily replaced, worn clothing was patched andmended, recycled into smaller items, and finally woveninto rag rugs to salvage every thread of possible use.Tejedoras weaving instructor Jody Ford observes thattoday most used clothing ends up in the dump, wastinggood material and taking up scarce landfill space.

Tejedoras de Las Trampas, “Weaving Women of Las Trampas,” is a fiber arts cooperative that promotescommunity wellness through collaborative projectsthat care for the environment, bring income into localhouseholds, ease rural isolation, and uphold culturalheritage. Ford notes that memories are sparked atTejedoras. “Many people come in here and say, ‘Mymother used to do this,’ or ‘My grandmother had theonly loom in town.’”

Tejedoras welcomes all with a desire to do hand-work, learn to weave or spin, and enjoy the company of kindred spirits, whether eight or 80 years old. Thetherapeutic value of participation is clear. Says Ford,“There’s something about a sewing circle – it’s justvery encompassing.” ✸

AN ENTREPRENEURIAL PROJECT SPONSORED

BY ESPAÑOLA VALLEY FIBER ARTS CENTER

TEJEDORAS DE LAS TRAMPAS

Tejedoras de la Trampas


OUR NEW MEXICO FIBER ROOTSrun deep. In the south, people have plantedcotton and used its fibers for hundreds ofyears. Sheep have been a more adaptablefiber source since the Spanish brought themto the area. We also have natural fibers forbaskets and paper at hand. New breeds ofsheep, goats, rabbits, and even llamas andalpaca have been brought into New Mexico.But wool has been the predominant fiber inour artists’ hands for the last 400 years.We’ve never ceased raising sheep, spinningtheir wool, dyeing it with whatever isavailable, and making beautiful things.

With the industrial revolution, manypeople quit making things with their ownhands. In New Mexico, the industrialrevolution brought trains and manufacturedgoods. Industry, per se, did not come toNew Mexico: no manufacturers set uppower looms here. The fiber industry wason a smaller scale. The products of people’shands were sold to visitors who wanted tobring home a piece of the exotic Southwest.

Why have fiber arts continued here in

New Mexico, when they’ve largely beenabandoned elsewhere? Because we’ve alwayshad land and materials but not wealth tobuy goods. Because the fiber arts have stayedeconomically viable in comparison to otheropportunities available to us. Because if theywanted beautiful things for their homes,New Mexicans had to produce their own.

A rag rug makes good sense if you haveold worn-out clothes but nothing to warm acold floor. Willows must be cut from irriga-tion ditches, so why not put them to use?

Our deep fiber roots have allowed avibrant growth in recent decades. We learnnot only from generations of fiber artistswho lived here before us but also from fibertraditions and innovators that have comefrom all over the world. Today, we have afabulous proliferation of fiber creativityright here in New Mexico. We invite youto share our roots and our vision by visitingour fiber artists and growers. ✸

—Lisa Trujillo, Centinela TraditionalArts, and New Mexico Fiber Artisans


A MOMENT OF PASSION

Background: Terrazas Traditional Arts. Above: Urban Eagle Herb Co. & Farm’s Hopi dye sunflowers.

23. viorge designsTucumcari,809 S Monroe Street

The fiber arts are taking offin Tucumcari, and ViorgeDesigns is leading the way.The Wallaces are dedicatedfiber artists whose galleryshowcases her pin-wovenjewelry and his homespun,hand-dyed yarns that findtheir way into unique wovenand felted garments. Beadingsupplies and GeorgeWallace’s handmade crochetand knitting tools and rigidheddle and triangular loomsare available, along withhandspun and specialty yarns.Sign up for a class or indi-vidual instruction at thisworking studio.

T-TH, 6-9; F, 1-9; SA, 10-6505.461.4527 viorge.comFrom Las Vegas, east on SR104. From I-40, exit332/First St. Go north to thefirst light; right on Rte. 66,also Tucumcari Blvd. East 2blocks; right on S. Monroe.First house on the right. ✃

24. good fibrations!Edgewood, #4 GeorgeCourt, Suite D

Bethe Orrell is doing herpart to keep handwork alive and well in the EastMountains. A fiber paradiseoffering a huge selection of locally produced roving,yarns, and tools. A livingroom for knitters, a weavingarea, a dye and feltingkitchen, and classroom. And classes in just aboutevery imaginable fiber art.Orrell raises sheep and angora goats, and can shareinformation about buying or raising fiber animals.What more could you dreamof? Check Web site or subscribe to e-newsletter forclasses and special events.

M-SA, 10-6; T, 10-9;SU, 12-5 505.281.5963 goodfibrations.netFrom I-40 east of Albuquerque,exit 187 (Edgewood). Followsigns to Rte. 66. Right at light by Smiths. Go 1/2 milewest on Old 66. Right onGeorge Ct., into Family Dollarentrance. Shop is at the top ofdriveway on right. ✃ � ��

25. robin pascal fiberartist & perfect buttonsEdgewood, 58 Moriarty Road

At this fiber haven, you’llfind Robin Pascal weaving,painting roving or yarn, orcreating one-of-a-kind fusedglass buttons in her workingstudio. Pascal makes her ownyardage that she sews intojackets and tops. Fiber artistswill revel in the selection of

hand-painted roving (woolblends, silk, mohair, oralpaca) and hand paintedyarns (cashmere, wool, silk,cotton, and rayon), kits withher yarn and patterns, andhandmade buttons. Callabout Saturday morningknitting classes, privateweaving lessons, and one-dayyarn-painting workshops.

T & W, 12-4 505.286.1783perfect buttons.comFrom I-40 east of Albuquerque,exit 187 (Edgewood). South on Hwy 344. Straight through light with Old 66, and up hill. Right ontoMoriarty (a dirt road).Moriarty curves to the left,becoming Duke. Take first right onto Willard. Right onto Steeplechase at yield sign.Steeplechase ends at MoriartyRd.; turn left. Studio is secondhouse on the right. ✃ �


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From top: Victory Ranch Alpacas;Española Valley Fiber Arts Center.



26. shooting star farmEdgewood, 12 Digby Lane

Connie Dyba’s scenic fiberfarm is a treat for all. Tourthe farm and meet hospitablealpacas, llamas, angora goats, and sheep. Miniaturedonkey Itty Bitty – who stars in nativity scenes eachChristmas – is a willingguide. Dyba’s coloring andinformation sheets for youngpeople are take-hometreasures. She also has classesand individual instruction in circular knitting, tatting,lacemaking, lavender wands,

and pressed flowers, pluslocally made fiber arts, fiberanimals, roving, fleeces,yarn, instruction and patternbooks, and fiber kits foryoung people. Call for tours.

W-SU, 11-4 505.281.7775shootingstar-farm.comFrom I-40 east of Albuquerque,exit 181 (Sedillo). East fromramp onto Old Rte. 66. Left on Mountain Valley Rd. Right on Crestview. Right on County Line Rd. Left onDigby Lane, up hill. Farm is second driveway on right.

✃27. johnsons of madridgalleries of fine &fiber artMadrid, 2843 HWY 14

The Johnsons are the “oldest newcomers” inMadrid, arriving in the ’70s at the dawn of this

ghost town’s rebirth as anarts community. Diana andMel Johnson’s block-printedand silk-screened clothingare among the works of over 50 northern NewMexico fiber artists, whose“wearables and wallables” fill this massive space – formerly the coal truck repair garage in Madrid’scoal-mining heyday. Choosefrom willow baskets, wovenclothing, rugs, and hangings,crocheted and knitted clothing, hand-painted silks, beadwork, and muchmore.

Feb 1-Dec 31, M-SA, 10-6;SU, 12-6; First SA recep-tions 10-6 [email protected] I-40, exit 175 north on SR 14 (Turquoise Trail).Across from MineshaftTavern. �


Clockwise from top left: Española Valley Fiber ArtsCenter; Española Valley Fiber Arts Center; EspañolaValley Fiber Arts Center; Tapestry Gallery.

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28. tapestry galleryMadrid, 04 FirehouseLane, Suite D

An eclectic treasure trovewith the work of 30 NewMexico fiber artists istucked inside a charmingadobe, where you’ll findhand-woven chenille clothing,rag rugs, artist dolls, wovencopper pieces, and poplarwall pockets. Expect theunexpected here. OwnerJudith Colvin readily sharesher knowledge about theartists, delighting in work-ing with people who are passionate about their calling:“You can feel the artists’enjoyment of their work.”

Mar 16-Dec 31, M-SU, 11-5;Jan 1-Mar 15, F-M, 11-5505.471.0194 tapgal.comFrom I-40, exit 175 north on SR 14 (Turquoise Trail). In Gypsy Plaza at south end of Main. ✃

29. lauren camp fiberartistLa Cienega,25 Theresa Lane

Lauren Camp loves sharingthe stories behind herabstract and thematic figu-rative pieces, which range insize from eight inches to fivefeet. She paints and dyes cotton fabric, and cuts apartsilk clothing, giving it a new

life in her collages. Thread-work adds color and con-tour. This working studio,with windows onto a lusharroyo, is lined with shelvesof fabric, a palette of color:layers of cloth, layers ofmeaning.

M 1-5 & T, 9-1 505. 474.7943 laurencamp.comFrom I-25, exit 271 west of Santa Fe, go west toward La Cienega on Entrada LaCienega. Left at first stop signonto Paseo C de Baca (CR50). Go 2/10 mile to TheresaLane, turn left. Drive up thesteep hill past barn and twohouses; turn into #25. Parkjust past the house, and walkdown hill to red stucco studio.�

30. koehler studioEldorado, 7 Estambre Road

James Koehler began weaving in a northern New Mexico Benedictinemonastery, where the sale of liturgical vestments andhome accessories of hand-dyed yarns supportedthe community. For years,passing the shuttle back and forth to build tapestries figured into his meditation


From top: Tapetes de Lana; Española Valley Fiber Arts Center.

Lauren Camp Fiber Artist✃ Supplies Classes and workshops �Wheelchair accessible



practice, engaging him inpure creativity. Today, hisbright, open studio welcomesstudents and visitors to learnabout dyeing, design, andweaving. Koehler’s world-renowned tapestries arestudies of “the patterns thatsurround us,” melding inter-nal and external landscapesin undulating color grada-tions. Koehler offers individ-ual instruction and classes;his hand-dyed yarn is for sale.

SA-T, 1-4 505.466.3924jameskoehler.comFrom I-25, exit 290 east ofSanta Fe to Hwy 285; go

south. Right at thirdentrance to Eldorado,Avenida Eldorado. Go 7/10mile. Right on AvenidaCompadres. Left onHerrada. Third right,Estambre Rd. Studio is seconddrive on left. ✃ �

31. seedshamanGlorieta,39 Velasquez Road

Twenty-plus years ago,Richard Solomon, then amarketing consultant for the World Wildlife Fund in Manhattan, was walkingin the country when he

encountered a stand of grasswhose beauty stopped him inhis tracks. He wondered:“How can I make my way inthe world using this beauty?”Today, Solomon sculpts withplant materials, which aretied and wrapped with yuccafibers. His flat pieces suspendlayers of seeds in Plexiglass as if floating in space to form breathtaking designs.Nature’s magnificenceabounds in and outside of his working studio in the forest.

TH-SA, 10-3 505.757.2855 seedshaman.comFrom I-25, exit 299 east ofSanta Fe. Go north from ramp,then right at the T, onto SR50.Continue two streets past 3-milemarker. Left on Velasquez; 4/10 mile on dirt road; left into #39. �

Clockwise from above: the High Road to Taos; Black Mesa Fiber Arts; EspañolaValley Fiber Arts Center.



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tral]CONTEMPORARY FIBER ARTSstretch the boundaries, challenging thesenses with ever-expanding possibilities.In the fertile soil of venerable fiber tradi-tions, New Mexico contemporary fiberarts have taken root, as generations ofartists have found home in a place wherereverence for daring creativity reigns.

Traditional arts themselves remainvibrant through innovation. At CentinelaTraditional Arts, Lisa and Irvin Trujilloare forging new ground within the Río Grande weaving tradition, throughongoing explorations beyond the canon.

Where does inspiration live?Internationally acclaimed tapestry artistJames Koehler finds patterns in nature,in chaos theory, and spiritual connections.From his background in chemistry comesa growing palette of dyes, producing thecolor gradations that give his work depth.

Sculptor Julie Wagner and SeedshamanRichard Solomon incorporate naturalmaterials directly into their pieces, celebrating fiber’s innate forms.

Holly Modine combines her back-ground as a 3-D artist with her love ofthe tactile art of basketry. Scrap metal,bolts, and wires find their way into hersculptural baskets, along with naturalmaterials.

Contemporary fiber artists RamonaSakiestewa and Lauren Camp make col-lages that combine their own art work,which they cut up or “deconstruct,”

with magazine clippings, as the basis for new pieces. In the process, they arereconfiguring color, form, and texture tocreate something fresh, embodying thevery essence of contemporary work.

Many contemporary fiber artists workin series, delving into permutations of anidea until it runs its course. The operativeprinciple for all is exploration, whetherit be of new technique, materials, designs,or avenues for personal expression. Mostoften, these elements work in tandemand are inseparable. ✸

N E W M E X I C O C O N T E M P O R A RY F I B E R A RT S

STRETCHING THE BOUNDARIES

Background: Terrazas Traditional Arts. From top: KoehlerStudio; Seedshaman. Left: Julie Wagner Studio.

Many weavers say they start out with an idea, but the design takes off

on its own. It’s a collaboration between the weaver and the design.

The design is a gift. It is visualized, not drawn. As you go along,

it develops in a cycle of moving forward with life.

—yin-may lee

ramah navajo weavers association

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Pueblo, Navajo, and Spanishcolonial textiles are strands

in a braid inextricably woven withhistory, culture, envi-ronment, trade, andtourism – complexrelationships of mutualinfluence. Newmigrations of artistsoverlay inspirationand energy onto this unique andtreasured landscape. Artifactsendure through time. But it’s theprocess and passion, connectionbetween land and community, thatbuoy fiber art forms, threads fromthe past, ever with a new twist.

In northwest New Mexico,beauty wells up in red rock symphonies, in vast stretches ofopen space and sacred geology,in deep pine forests and volcanicplains, sparkling rivers, grassymeadows, and majestic mountains.

Creativity lives in tucked-awaystudios, where welcoming artists share timeless techniques

and contemporaryinterpretations – and

from where they sit,stunning views,gemlike gardens, anddeep knowledge of

place. Across aninterconnected web, weaversgather to breathe new life intolocal traditions, create a goodliving at home, and enjoy thecompany of kindred spirits.Dyers conjure color from theearth. Trading posts maintainthe custom of cultural and artistic exchange. Museums holdtreasures past and present, in landscapes of endless fascination. Step into theseworlds and experience creativityat its source. ✸

Background: Shiprock Peak. Inset: Shiprock Trading Post.

C R E AT I V I T Y AT I T S S O U R C E . . .

NORTHWEST LOOP

Some of New Mexico’s earliest history is written in fiber.

Across centuries, our dry climate has been kind, leaving yucca

sandals, cotton blankets, and baskets to behold and ponder.

All speak of deft fingers that gathered materials from the land

and crafted things of beauty, for practical use, for ceremonial

practice, for the joy of creation.

northwest | fiber arts trails 31

SANTA FE

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�I-40NORTHWEST | LISTINGS 32-4732 Julie Wagner Studio, El Rito33 Northern New Mexico College Fiber Arts Program,

El Rito34 Vanderbrook Studios, El Rito35 Some Enchanted Weavings, Abiquiú36 Regalos de Abiquiú, Abiquiú37 Galeria de Don Cacahuate, Abiquiú38 Vj of Abiquiú, Abiquiú39 Urban Eagle Herb Co. & Farm, Youngsville40 Museums at Ghost Ranch, Ghost Ranch41 Tierra Wools/Los Ojos Handweavers, Los Ojos42 Terrazas Traditional Arts, Chama43 Upper Fruitland Chapter Resource Center Weaving

Program, Upper Fruitland44 Shiprock Trading Post, Farmington45 Historic Toadlena Trading Post, Toadlena 46 Two Grey Hills Trading Company, Two Grey Hills47 Ramah Navajo Weavers Association, Pine Hill


32. julie wagner studioEl Rito, County Road 231,House #21

At Julie Wagner’s 100-year-old adobe, it’s hard to tellwhere nature leaves off andthe studio begins. Withsweeping vistas of the Sangrede Cristo mountains, thisworking space is a delightfulhaven for Wagner’s fibersculptures, handmade books,and works on paper. Wagnerremembers childhood daysspent roaming the woods andbringing home leaves, bugs,and rocks – firsthand teachersabout nature’s life cycles.Today, she gathers manymaterials from the landscapethat end up in her artwork.

Apr-Nov, T & W, [email protected] of Española on Hwy 84.Just after the 208 mile marker,turn east on Hwy 554 towardEl Rito. Go 11 miles and turnright on CR 571. Go 3/10mile and turn left on CR 231. Studio is first houseon the left, #21.

33. northern new mexico college fiberarts programEl Rito, HWY 554

Experience every phase ofRío Grande weaving, fromfleece to finished textile. Aloom-filled room where stu-dents’ and teachers’ weavingsadorn the walls. Theresounding thunk-thunk ofrows being tamped intoplace, a heartbeat of woodand yarn. Rooms brimmingwith naturally dyed yarn in abreathtaking palette of hues.

A spacious dye kitchen and a spinning studio. Best of all is the blend of enduring tradition, experimentation,and innovation, and exchange as students and teachersengage as a learning community.

Mid-Aug–Mid-May,M-TH, 8:30-2:30505.581.4113 nnmc.eduNote: Check Web site forcurrent schedule.North of Española on Hwy 84.Just after the 208 mile marker,turn east on Hwy 554 towardEl Rito. Left through stone gate onto the NNMC campus.Bear right around circle, pastElectricity and Automotivebuildings. Fiber Arts Building is on your right.

✃ � ��

34. vanderbrook studiosEl Rito, #02 County Road 246

Kathleen Vanderbrook mixesmedia to create a remarkablearray of pieces that variouslycombine quilting, handmadepaper, painting and printing,to take you on a journey oftextures. Her artwork fusesmaterials and ideas from thenatural world and interweaves community inenchanting ways. Knowingher passion for recycling andexperimentation, neighborshave saved such items as corduroy scraps, library catalog cards, dryer lint,and special grasses from horse pastures for her to work into her art.

Apr-Sep, SA-W, 12-5;Oct-Mar, SA & SU, 12-4505.581.4597

From top: Historic Toadlena Trading Post; Some Enchanted Weavings; TerrazasTraditional Arts.



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North of Española on Hwy 84.Just after the 208 mile marker,turn east on Hwy 554 towardEl Rito. After mile marker 11,left on CR 246. Studios sign on Rte. 554 at junction of CR 246.

35. some enchantedweavingsAbiquiú, County Road1622, House #24

Ann Lumaghi built her ownadobe home along theChama River and surround-ed it with gardens. It’s herown paradise. Her studiolooks upon this natural splendor while inside her fivelooms are always busy. Ragrugs are her specialty –woven from cloth, beach towels, or Pendleton blanketselvages. She also makesshawls, scarves, and place-mats from crisp, colorful silk,cotton, and rayon. Designyour own piece – Lumaghi welcomes custom orders.

M-F, 1-4 [email protected] Española, north on Hwy84 to Abiquiú. Just past milemarker 210, turn east onto CR 1622, then left over cattleguard, and down a long dirtroad. House #24 is on right.

Galeria de Don Cacahuate

NAVAJO WEAVING IS A SONG OF RESILIENCE,carrying the People’s story through time in threads ofcontinuity and change. Once, all Navajo weavers spunnaturally colored yarn from the wool of their flocks.Stripes, blocks, diamonds, and triangles created patternsthat draped the body. With increased interaction withEuropean cultures, velvet and calico became the fashion.Some weavers embraced factory-made yarns and com-mercial dyes, gaining more time for designing andweaving. Saltillo patterns inspired by Hispanic weaving,pictorial interpretations of their changing world, andregional rug designs promoted by reservation traders for the outside market contributed to an explosionof new designs in Navajo weaving around the turn ofthe 19th century.

What hasn’t changed is the ingenious simplicity of the upright Navajo loom. Another constant is the balance of family and cultural tradition with personal innovation each weaver brings to her work. Weaverstoday have an unprecedented abundance of choices in materials, designs, and markets, thanks to pavedroads and publicity. Like any tradition, Navajo weavingis a cross-fertilization of time, place, and individuality.Regardless of individual variation, most weavers findin their work a meditative refuge from daily cares, acherished vehicle of self-expression, cultural andindividual identity, and a means of income. ✸

N AVA J O / D I N É W E AV I N G

SONG OF RESILIENCE

Historic Toadlena Trading Post

36. regalos de abiquiúAbiquiú, Mile Marker 212HWY 84

A gem within a gem withina gem is in the heart ofAbiquiú’s commercial district. Inside Bode’s GeneralMerchandise, you’ll findRegalos de Abiquiú gallery, a treasure chest of fiber artsthat speak to northern NewMexico’s unique heritage:

Navajo rugs, Río Grandeweaving, and all manner oftraditional and contemporaryhandwork – quilting, bead-work, embroidery, knitting,crochet, lacework, fibersculpture and more. Ask thestaff about the art forms, the artists, and the area.

Apr 1-Dec 31, M-SU, 10-5;Jan 1-Mar 31, TH-M, 10-5505.685.4948 regalosnm.comOn Hwy 84 in Abiquiú, insideBode’s General Merchandise.� ��

37. galeria de doncacahuate Abiquiú, Private Drive 1625 #8

In an old adobe that hasbeen home to co-ownerLeopoldo Garcia’s family for five generations, businesspartner Barbara Manzanareskeeps a loom and showcasesher wall hangings, blankets,runners, and more. From herNavajo and Spanish roots, she weaves her cultural andfamily heritage into richlycolored pieces from her ownhand-dyed yarns. The hues of the land come alive in herwork. In spring, summer, and fall, Manzanares offersnatural dye workshops. She

and Garcia are well versed inlocal history, which theygladly share with visitors.

Apr-Oct, T-SU, 9-5; Nov 1-Mar 30, TH-M, 10-5505.685.0568From Hwy 84 in Abiquiú,across from Bode’s GeneralMerchandise, turn up hill intoold Abiquiú village. South of St. Thomas Church, PrivateDrive 1625 is on left. ✃

38. vj of abiquiúAbiquiú, County Road 189Lane 1633, Gate 20

Vj Montanye comes by her fiber talents naturally, from a grandmother whoquilted and great aunts who beaded moccasins.Montanye’s contemporarywork springs from these traditions. The landscapeand cultures around herinspire wall quilts, storiespieced from cotton embel-lished with silk, thread,beads, and yarn. Her striking neckwear incorporates her own beadwork and handmadebeads by others. Individualand group classes are available in beading and beginning quilting.

SA & SU, 12-4505.685.4617

Julie Wagner Studio

Shiprock Trading Post

The road to Two Grey Hills Trading Post✃ Supplies Classes and workshops �Wheelchair accessible




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From Española, north on Hwy84 to Abiquiú. Just past Bode’sGeneral Merchandise, south onCR 189. Continue on windingroad. Right on Lane #1633through Gate #20. Drive to top of mesa on dirt and gravelroad. Studio is at end of house.

�

39. urban eagle herbco. & farmYoungsville, 3698 HWY 96

At this welcoming farm,Katy Blanchard spins localfleece into yarn, which shedyes in vibrant colors fromher garden. Her sweaters,vests, and hats are inspiredby Native American designs.Learn about Puebloan wafflegardening techniques, andcultivation, care, and use oftraditional dye plants. In season, when available, takehome seeds or plants for yourdye garden from hers. AskBlanchard about her Herbal Moth-Away blend.

Jul & Aug, F & SA, 8-12505.638.0306 urbaneagle.comFrom Española, Hwy 84 northpast Abiquiú. West on Rte. 96,(to Abiquiú Lake). Drive 11miles, through Youngsville tomile marker 37. Turn left atthe end of the guard rails. Cross a cattle guard, bear left,and go through the green pipegate. Garden is on your right.

✃

Urban Eagle Herb Co. & Farm entrance

RAMONA SAKIESTEWA GREW UP IN Albuquerqueat a time when people sewed their own clothing and darnedsocks. Connecting to her Hopi roots, she taught herself allaspects of pre-historic and historical Southwest fiber arts,from spinning to dyeing to weaving. This thoroughunderstanding has been a bridge to her contemporarytapestries, and her explorations of texture, vibrant color,and layered geometric shapes. Much of her work todaycenters on design, as she collaborates with architects toenhance buildings with details. Her participation in thedesign of the National Museum of the American Indian inWashington, DC, was a study of fiber writ large: a wovencopper wall, the rim of a basket emerging from the earth,an homage to the indigenous people of that area.

Sakiestewa respects early fiber artists for their impres-sive and labor-intensive work. Early cloth speaks to herof connection: “It’s an amazing document. There’s somuch encoded in the fabric itself. You’ve got the individualartist, where and how it was manufactured, what theplants and the dyes might have been, the reason formaking it. It’s like a woven ‘chip’ of history. Living,breathing people somehow participated in its creation.”

Sakiestewa hopes that by guiding visitors to those whostill engage in these processes, the Fiber Arts Trails willbring others to share her reverence for New Mexico fiberarts and help to restore the value of handmade items. ✸

T H E L A N G U A G E O F D E S I G N

RAMONA SAKIESTEWA[2006 GOVERNOR’S AWARD FOR EXCELLENCE IN THE ARTS]

“Eclipse 1,” wool tapestry by Ramona Sakiestewa.


40. museums at ghostranchNorth of Abiquiú,Mile Marker 224 HWY 84

New Mexico’s interwovenheritage comes alive at theFlorence Hawley EllisMuseum of Anthropology.Rotating exhibits featuringthe work of regional fiber artsguilds and Northern NewMexico College studentscycle through the calendar,sharing space on thick adobewalls with the museum’s permanent collection of prehistoric, historical, andcontemporary NativeAmerican and Spanish colonialarts. The exhibits offer adiversity of locally producedtraditional and contemporaryarts: weaving, embroidery,beadwork, knitting, crochet-ing, hand-dyed yarn, andbasketry. Classes in fiber artsare available year round.

All Year, T-SA, 9-5;Memorial Day-Labor Day,SU, 1-5; Closed last twoweeks of Dec505.685.4333 x118 ghostranch.orgFrom Española, take Hwy 84north toward Chama. After milemarker 224, 14 miles north ofAbiquiú, enter Ghost RanchEducation and Retreat Center onright. Follow an accessible gravelroad and bear left to arrive atthe museum. � ��

A VITAL THREAD IN NEW MEXICO’S CULTURAL,artistic, and economic landscape, the fiber arts are anatural for rural economic development. Three sites onthe Fiber Arts Trails are models for what can be accom-plished when talented and dedicated citizens worktogether to revitalize cultural traditions that generaterural income.

The Ramah Navajo Weavers Association was the firstcooperative of its kind to enhance land-based livelihoodsthrough a focus on traditional weaving. For more than20 years, the Ramah weavers have worked through acommunity process aimed at rebuilding Churro flocks,encouraging fine spinning, expanding natural dye colors,and setting high standards for weaving.

Through a series of partnerships, Tapetes de Lana hasevolved from a Welfare-to-Work program to a rural eco-nomic development initiative. Today, it’s flourishingwith two sites – a downtown gallery and workshop inLas Vegas, and a weaving studio, gallery, conferenceroom, and 11,000-square-foot mill in Mora.

Tierra Wools was founded as a nonprofit over 20years ago to revive local heritage and create opportunitiesfor weavers to earn income. It’s now a thriving locallyowned and operated for profit, with classes in spinning,dyeing, and weaving that keep the art forms alive whiledrawing visitors to its beautiful setting.

Despite diverse cultures and histories, these sites sharecommon principles for sustainability. They’ve been builtby grassroots efforts that reflect community needs andvalue the area’s heritage. And they have the flexibility togrow and change with the times, as new ideas evolve. ✸

G R O W I N G L I V E L I H O O D AT H O M E

SUSTAINABILITY IN THREE STRANDS

Tierra Wools/Los Ojos Handweavers

Vj of Abiquiú


41. tierra wools/losojos handweaversLos Ojos, 91 Main St

Adobe, wood, and stone –feel the warmth of thishistoric mercantile buildingfilled with brilliant color and design. Wander through galleries vibrant with RíoGrande blankets and rugs,and a great selection of fiberarts made by local artisans.Demonstration and produc-tion looms and a busy dyeingarea invite customers to learnabout spinning, dyeing, andweaving firsthand. Take aclass, or shop for locallyproduced yarn, knitting andweaving tools, or books.

Jun-Oct, M-SA, 9-6; SU, 11-4;Nov-May, M-SA, 10-5505.588.7231handweavers.comNorth on Hwy 84. From inter-section of Hwy 84 and Hwy 64at mile marker 175, go 2.3 milesnorth to Hwy 112 and turn left.Take immediate right onto Hwy514. Go 8/10 mile into villageof Los Ojos. Tierra Wools is onyour left. ✃ � ��

42. terrazas traditional artsChama, 16288 HWY 84

In this working studio, you will see all phases of traditional Río Grandeweaving, from skirting andwashing local wool, to spinning and natural dyeing,to weaving intricatelypatterned blankets. JohannaTerrazas lovingly tends toeach step, to ensure the high quality of her work.She has researched andrevived the wedding blanket, customarily wovenas a gift that joined twofamilies in the Spanish colonial Río Grandetradition.

M & T, 9-5 [email protected] Hwy 84, 1.5 miles south of Chama and 10 miles north of Los Ojos.Just north of mile marker 163, near historic marker. � ��

43. upper fruitlandchapter resourcecenter weaving programUpper Fruitland

At the Weaving Program,you’ll meet a dedicatedgroup of Navajo weavers of all ages. The common thread is a passion for learning and teaching every phase of the weavingprocess: carding, washing,spinning, dyeing wool,weaving on upright looms,lap looms, and sash-beltlooms. Pull up a chair tolearn firsthand about Navajo weaving, or try your own hand at one of these techniques.

Oct 1-May 31 TH & F, 1:30-6:30505.598.9478Note: Call ahead to arrange for demonstrations in spinning, dyeing, or weavingtechniques.

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From top: Urban Eagle Herb Co. & Farm; Regalos de Abiquiú; Some EnchantedWeavings; Northern New Mexico College Fiber Arts Program .



WHEN SHE WAS LITTLE Clara Shermanand her sister gathered wool for spinningby chasing the family flock through afence, where tufts of fleece caught on thewires. Their mother was unwilling tosquander her good homespun yarn onnovice weavers. She also taught her daughtersto keep their knowledge of farming, caringfor sheep, and weaving to themselves, sothat each would learn independently,sharpening her own mind.

Sherman’s Churro sheep are descendantsof her mother’s flock. They run in thearroyos near her home, and in the eveningsshe rattles a can filled with dried corn,calling them home, “Behe, behe, behe.”Sherman, who was born to the Hashtl’ ishnii(Mud) Clan and for the Naashashi (Bear)Clan, thinks of her sheep as both herchildren and her parents, a relationship of mutual caring and dependency.

Her colorful flock is the palette forSherman’s exquisite tapestries, woven fromher own fine homespun yarn. When shebegins a rug, she envisions the design inher mind. She describes the design processas a series of “footprints” or motifs, repeatingin patterns across the rug.

For Sherman, weaving is a friend thathas supported her all her life. To her,weaving is a glass window through whichshe sees the brightness of her life, past andfuture. Each rug holds vivid memories, achapter unfolding over the year or more ittakes to make it. When she takes a rug offthe loom, she feels an initial sadness atseeing it go, with all her thoughts woveninto its design. Ultimately, she lets it goto make room in her mind for the nextrug. “It’s like everyday life and MotherEarth. Each year, new crops grow, newlambs are born. Things come and go.” ✸

D E S I G N I N G A L I F E O F B E A U T Y

CLARA SHERMAN[2006 GOVERNOR’S AWARD FOR EXCELLENCE IN THE ARTS]

Background: Terrazas Traditional Arts. Above: Clara Sherman with one of her rugs. Look for Sherman’s weavings atHistoric Toadlena Trading Post.


Approaching Farmington fromthe east, on NM 64 W, take 64Truck Bypass. Left on Hwy371, also Bisti Hwy, at thetraffic light. Right on NavajoRte. 36, also Upper FruitlandHwy, and travel 5.5 miles. Goleft, following the sign for UpperFruitland. Upper FruitlandChapter Resource Center is onleft. ✃ �

44. shiprock tradingpost Farmington,301 W Main Street

Fifth-generation trader JedFoutz has seen many changesin the trading business overthe years. Good rapport with local Navajo artists and work of the highest quality are threads of continuity. Foutz and hisknowledgeable staff estimatethat their Rolodex of localweavers holds around 1,000

names. The rug room atShiprock Trading offers dazzling proof of this abundance in its range ofregional designs and individual styles of contem-porary Navajo weaving.Yarn, weaving tools, and a selection of books aboutNavajo arts and culture arealso available. ✃ �M-F, 9-6; SA, 9-2505.324.0881800.210.7847 (rugs)shiprocktrading.com

45. historic toadlenatrading post Toadlena, HWY N 19

Step inside the original1909 Toadlena Trading Postbuilding and you’ll be in the “bullpen,” a hallmark of early trading post days.Trader Mark Winter’s TwoGrey Hills Museum is arotating display of fine spinning and weaving, pastand present. In summer, buy an ice cream from thecooler and take in the view of the two grey hills from theporch. In winter, sit in theold barber’s chair by thewoodstove. Contemporaryand historical rugs are for sale in the historic trader’s quarters.

Apr 1-Dec 30, M-SU, 9-6;Dec 31-Mar 30, M-SA, 9-5505.789.3267 toadlenatradingpost.comFrom Shiprock, south on Hwy 491; west on N19 for 10 miles. ✃

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Clockwise from left: Upper Fruitland Chapter Resource Center Weaving Program;Historic Toadlena Trading Post; Museums at Ghost Ranch.

46. two grey hillstrading companyTwo Grey Hills, Jct 5000 & N 5001

Visit the trading post thatput the venerable Two GreyHills Navajo rug design onthe map. Local weavers takepride in finely spinning theirown Churro wool and weavingintricate designs from apalette of natural browns,greys, ivory, and black – thecolors of their flocks. TraderLes Wilson is the ninthowner of this post, whichopened in 1897. The rugroom showcases weaving byartists of all ages. SeeWilson’s album of historicalphotos and documents for afascinating journey back intime. Locally produced wooland weaving tools available.

M-SA, 8:30-5 505.789.3270 twogreyhills.com

From Shiprock, south on Hwy491, west on N19 for 7 miles;south on N5000 for 3 miles.Follow signs. ✃ 47. ramah navajoweavers associationPine Hill, BIA Route 125

In the heart of ponderosapine country, in the RamahNavajo community, theRamah Navajo WeaversAssociation welcomes you to their hogan, a traditional

eight-sided Navajo dwelling.These weavers maintain theirown standards for beautifulrugs and pillows. All arewoven with locally grown,handspun, naturally dyedChurro wool. High qualityweaving and original designsare their hallmark. Learnfirsthand about traditionalNavajo wool preparation,handspinning, and weaving,time-honored processes forthe expression of individualcreativity and Diné identity.

May 1-Nov 30, TH, 12-4 & F, 10-2 [email protected] Gallup, south on SR 602for 29 miles. East on SR 53about 20 miles. Turn south ontoBIA Rte. 125. Go 12 miles toPine Hill. Turn left to RamahNavajo School Board, Inc. complex. Take first right at first road to the RNWAhogan. �


From top: Shiprock Trading Post (detail);Upper Fruitland Chapter ResourceCenter Weaving Program; HistoricToadlena Trading Post; VanderbrookStudios.


FOR CENTURIES, NAVAJO OR DINÉweaving has been treasured in theSouthwest trade network for its beauty andquality. With the establishment of theNavajo Reservation in 1868, trading postsbecame the hub of Navajo life, a meetingplace for far-flung communities, serving asmercantile, bank, post office, and more.Many trading posts had guest hogans – tra-ditional Navajo dwellings – welcoming vis-itors to linger for hours or days. Navajo cus-tomers brought livestock, wool, piñon, andtraditional arts to exchange for dry goods,food, enamel cookware, and other staples.

During the latter years of the 19th century, increased European settlement andthe advent of the railroad and tourism tothe Southwest forged a market for NativeAmerican arts. A downturn in the wooltrade inspired traders to promote weavingas a better return on the Navajo woolharvest. Tapping popular taste for oriental carpets, traders encouraged weavers to makethicker pieces that could serve as floorrugs. As the link between weavers and the

outside market, traders embraced diversenotions of taste. Regional rug designsnamed for particular trading posts emergedat this juncture and are still current today.

In the mid-20th century, a cash economygradually replaced the traditional bartersystem as Navajo people increasingly leftthe reservation for wage work, boardingschool, and military service, and as pavedroads and pickup trucks facilitated travel.Today, Navajo weavers still contribute totheir families’ livelihood but generally selltheir rugs for cash.

“Trading post” now encompasses any-thing and everything from conveniencestores to high-end galleries. ShiprockTrading Post exemplifies the latter,while posts like Two Grey Hills andToadlena, once the norm, are among thehandful of trading posts where you canstill buy a can of soup or a bottle ofshampoo, check out the community bulletin board, or buy a handwovenNavajo rug of the highest quality. ✸

T R A D I N G P O S T S A N D N AVA J O W E AV I N G

A CULTURAL EXCHANGE

Background: Terrazas Traditional Arts. Above: Historic Toadlena Trading Post.


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When you feel like the world is out of control, it is comforting to do something

that is so traditional and grounding. They’re sending people to the moon, but when

I weave, I’m still doing the same thing people did thousands of years ago.

—charmeine waitthe common thread

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south | fiber arts trails 45

D rift off the I-25 corridorthrough wildly diverse,

breathtaking vistas to discoverhidden gems. Where oncesilver drew settlers to boom andbust towns, today’sresidents counttheir fortune indwelling in close-knit communities,with natural beautyand quiet as theirtreasure.Throughout this landscape ofcontrasts, you’ll never leavesight of mountains – some rising distantly in sculpturalsplendor, others embracing youclosely in their piney folds. InHatch and parts south, NewMexico chile radiates in rowsfrom the river, amid cottonfields and enchanted pistachioand pecan groves.

It’s all about passion, the

desire to sit in quiet meditationon color and design, growingfrom the connection betweenknowing fingers and focused mind.

Yet, handworkerscrave community,gathering togetherto stretch creativity,earn a livelihoodfrom their hands,and share in life’sunfolding stories.

Here you know there’s strength innumbers. In fiber-based organi-zations and programs, in cooperative and group galleries,in fiber businesses – everyone isof value to the larger whole.Spectacular scenery, welcomingartists eager to share theirextraordinary fiber creations, andan open invitation to participate.What more could you desire? ✸

Background: The road between Deming and Silver City. Inset: Tomé Art Gallery strawappliqué.

M I N I N G H I D D E N G E M S . . .

SOUTHERN LOOP

Thread your way south along the Río Grande, accompanied on

its route by majestic cottonwood bosques and villages settled like

pearls on a string. The land opens into the Chihuahuan desert,

with sage giving way to creosote, mesquite, towering yucca sen-

tinels, stands of prickly pear, graceful ocotillo, and carpets of

wildflowers in the spring, a vibrant tapestry of random colors.

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SOUTH | LISTINGS 48-7148 Tomé Art Gallery, Tomé49 Peppers Gallery, Magdalena50 Magdalena Arts Gallery, Magdalena51 Holly Modine Studio, Magdalena52 Cat Brysch Creations Studio, Magdalena53 Shepherd Studios, Datil54 Monte Cristo Gift Shop & Gallery, Chloride55 Grasshopper Silk, Elephant Butte56 Celestial Creations, Truth or Consequences57 Geronimo Springs Museum, Truth or Consequences58 Percha Creek Traders Co-op, Hillsboro59 The Common Thread (Fiber Network Site), Silver City60 Elemental Arts, Silver City61 Yada Yada Yarn, Silver City62 Thunder Creek Quilt Company, Silver City63 Doc Campbell’s Post/Gila Country Corner Gallery,

Gila Hot Springs64 Chiricahua Gallery, Rodeo65 Galeria 200, Deming66 Tres Manos Boutique, Mesilla 67 Tres Manos Workshop, San Miguel68 Unravel Yarn Shop & Gallery, Las Cruces69 New Mexico Farm and Ranch Heritage Museum,

Las Cruces70 Royal Fiber Spinnery, Ruidoso71 ZW’s Gallery, Nogal

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BETTY REYNOLDS’ QUILTS MELDtraditional quilt blocks with contemporarymaterials: batiks and watercolor printsglowing with color. The old patternsstand the test of time but are amenable toinnovation. She collects fabric wherevershe travels, and her expertise as a formerlibrarian leads her to sources on the Web.

Reynolds sells her work and enjoyscontributing to charity quilting projects.But some of her quilts are keepers.When she first retired from her 18-yeardirectorship at the New Mexico TechLibrary in Socorro, she spent hours eachday conversing with other quilters online.Swaps with her virtual quilting communityhave led to pieces with personal meaning.“Quilters on the Information Highway” ispieced from blocks called “Logon Cabin,”houses with doors containing the names of

each quilter, and telephone poles and wiresconnecting the blocks. The millenniumquilt, stitched from 1,000 “charms,” orpieces of cloth sent to her from around thecountry, was one of 24 selected for displayat Houston’s International Quilt Show, thelargest in the United States.

Reynolds sees her work and quiltingin general changing with the times.Once, women quilted to keep theirfamilies warm. The tradition wanedwhen machine-made bed covers becameeasy to buy. Nostalgia generated by the1976 Bicentennial sparked a revival, as people revisited quilting and found in it an art form. Reynolds also sees inquilting a deeper value. “It’s like findingan ancient gene, a comfort that is missingin our modern bodies. We need to getback to that.” ✸


Q U I LT I N G W I T H T H E T I M E S

BETTY REYNOLDS

Background: Earth Arts. Inset: Percha Creek Traders Co-op.

48. tomé art galleryTomé, 2930 HWY 47

Along the Río Grande valley, just off a historicplaza, Tomé Gallery payshomage to longstandinglocal traditions like weaving and strawappliqué, while presentingoutstanding contemporarywork. Wander the rooms ofthis cozy adobe to find felted bags and hats, baskets, fiber sculpture,woven wearables and house-hold items, jewelry, beadedpictures, handspun and dyed Churro yarn, andmore. Visit with the artistswho staff this cooperativegallery. There is almostalways something happeningin Tomé Gallery. Inquireabout classes, workshops,and summer youth classes.

T-SU, 10-5 505.565.0556tomegallery.netFrom I-25, Los Lunas exit, eastto Hwy 47. Turn south on Hwy47. Gallery is just north of milemarker 25 on Hwy 47, betweenLos Lunas and Belen.

49. peppers galleryMagdalena, 100 First Street

A historic house has beenconverted to be a showcaseof local talent. See thework of over 20 area fiberartists, including weavingand beadwork from thenearby Alamo NavajoReservation, woven rugs,shawls, and scarves of silkand chenille, felted hats,knitted and crocheted acces-sories, handmade paper, artbaskets, quilts, and more,all under one roof.

TH-SU, 9-5 505.854.3696peppersgallery.comFrom I-25 in Socorro, Hwy 60to Magdalena. Gallery is atmile marker 113, on right. �

50. magdalena artsgalleryMagdalena, 602 HWY 60

Community is at the heart of this cooperative gallery,whose members worktogether running the store,hosting special events, andinspiring each other withnew ideas. This bright, openspace has had multiple incar-nations as a car dealership,telephone office, beauty parlor, and feed store. Today,it showcases an amazingarray of rugs, clothing, andyardage woven from localwool, framed batik on silk,and needle-felted scenes,quilts, knitted apparel, tie-dyed clothing, and more.New Mexico-made soy silk,mohair, and special blendyarns are sold here.

W-M, 10-4 505.854.3318From I-25 in Socorro, Hwy 60to Magdalena. Gallery is intown center on Hwy 60. ✃

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Chiricahua Gallery

Monte Cristo Gift Shop & Gallery(Pioneer Store Museum)


51. holly modine studioMagdalena, 460 Spruce

Holly Modine’s basketsemanate from her visionthat while baskets are anancient, functional tradition, they are also anart form with sculpturalpossibilities. She combinesreeds and seagrass – somedyed in vibrant colors –with materials gatheredfrom the landscape aroundher home: branches, vines,antlers, and metal scraps.She delights in the tactileprocess of basketry, herhands working in partnership with her materials. “They have a life of their own – I’m just there to help themfind it.”

T & W, 10-4 505.854.2918 modinehollyj.comFrom I-25 in Socorro, Hwy 60 to Magdalena. Left on Spruce St.; south 4.5blocks. Studio is on right inOld School. � ��

52. cat brysch creationsstudioMagdalena,100 Eighth Street

Step into this bright, openstudio for a weaving educa-tion. With seven looms incontinual production, CatBrysch happily explains “TheLife of a Thread” to visitors.Marvel at her exquisiteyardage, stoles, and scarves

woven from cotton, rayon,silk, linen, and metallics –in intricate patterns, light as air. Call to arrange largetours. The studio is alsohome of Hokett WouldWork, producer of spinningand weaving tools andequipment.

W & TH, 10-2 [email protected] I-25 in Socorro, Hwy 60to Magdalena. In Magdalena,left onto Chestnut at WEAV-ING sign. Left at second stopsign. You will see CRE-ATIONS sign outside the studio with turquoise Frenchdoors. ✃

53. shepherd studiosDatil, 11 Agua Fria Trail

It’s a scenic drive to JonilleShepherd’s sun-filled studioand gallery. Take in stunningviews of South Crosby Peak,the Black Range, and Plainsof San Augustín. Her intricateweaving will appeal to your elegant and practicalsides. Chenille shawls andscarves and felted hats, sideby side with aprons wovenin old-fashioned coverletdesigns – classic. Visit in the summer, and you mightjust walk away with an armful of fresh herbs fromShepherd’s abundant garden.

M & F, 12-4 505.772.5603 [email protected] Magdalena, west on Hwy60 to Datil. Left on NM 12;travel 6 miles. Right onWildwood Trail, a gravel road.After 1/2 mile, left on AguaFria Trail. Go 1.5 miles.Studio on the left. �


From top: Royal Fiber Spinnery; Tomé Gallery; Magdalena Arts Gallery.


54. monte cristo giftshop & galleryChloride, Wall Street

Meander through grassy valleys and mountain vistasto a ghost town alive withart and history. Once theMonte Cristo Saloon andDance Hall, this gallery features fiber art made bylocal hands. Felting, knitting,handmade paper, beadwork,spinning, quilting, rug hooking, weaving, minia-tures, locally made knittingkits with handspun, hand-dyed yarn, and more. Nextdoor, the town mercantile, a boarded-up time capsulefor more than 70 years, isnow a restored Pioneer Store Museum.

M-SU, 10-4 [email protected] I-25, exit 83, north ofTruth or Consequences. Northon Hwy 181. West on Hwy 52to Winston. Take second left,stay on the paved road toChloride, 2.5 miles to the westend of town. ✃��

THE “THREE HANDS” OF TRES MANOS are itssponsor, the Community Action Agency of Southern NewMexico, the local community, and the women who weavein the San Miguel workshop. Program director MariaNavarra Pino jokes, “If anybody knows anything aboutweaving, they know you need three hands!” Since 2002,she has taught residents of local colonias on the U.S.-Mexico border the art of contemporary weaving, givingthem a new and satisfying way to earn a living close tohome, where the only alternative is working in the fields.Remarkably, none of the Tres Manos weavers ever wovebefore entering the program. From dressing the loom todeveloping her own color palette and designs, each womanhas blossomed into an accomplished artist. With supportfrom New Mexico Arts, the program’s earliest participantshelp teach new weavers.

In 2006, Tres Manos weavers visited the New MexicoState Legislature, where they successfully rallied funds fortheir program. For many of the women, this was their firsttrip away from home. En route back from Santa Fe, oneweaver inquired, “When are we going to Washington?The president needs to know about us.” ✸

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C A M A R A D E R I E C O U N T S

TRES MANOS

Tres Manos

Thunder Creek Quilt Company (all above).


55. grasshopper silkElephant Butte,509 Bass Road

“Painting on silk keeps you thinking on your feet.”Sandra Hopper delights in the free-flow way thatsteam-set dyes take on a life of their own when theymeet up with silk, leadingto abstract designs andvibrant colors. Learn firsthand about this complexprocess, which she teachesin private classes and workshops. Shop for hand-painted silk clothing orframed pieces.

SA & SU, 11-4 505.740.4958grasshoppersilk.comFrom I-25, exit 83, takeHwy 195 toward Hot SpringsLanding. Turn left

on Rock Canyon Rd. at Valerostation. Go 7/10 mile; turnright on Springland. At HotSprings Landing Welcomesign, bear left onto HotSprings Rd. Go 1/10 mile;turn right on Bass. Brightpink studio overlooks lake, 3.9 miles from I-25.

56. celestial creationsTruth or Consequences,220 Date Street

Celeste Rich is dedicated to showcasing the work ofarea artists: “It’s amazing,the amount of talent inSierra County.” Heremporium of local treasuresastounds with its variety:Mescalero Apache bead-work, hand-pieced quilts,woven rugs and shawls,handmade paper cards,decorated gourds, crochetedwork, and more.

M, T, TH-SA, 11-5; SU, 11-4505.894.7591 celestial-creations-nm.comFrom I-25, exit 79, whichbecomes Date St. Gallery is at corner of 2nd Ave. andDate. �

MARGARET ARMERwas a young womanand mother of six whenwidowed by her hus-band, an unsuccessfulSierra County miner.

The family’s adoptedangora goat providedmilk, as well as inspira-tion that paved the wayto better times. Armer(1863–1933) and heroldest son traded herd-ing a neighbor’s flock of1,000 angoras for ashare of their profits.Over time, she acquiredthe flock and bred itcarefully, making it thelargest in the U.S.,while obtaining thefinest mohair.

Her success and fameextended to the ChicagoWorld’s Fair, amongother illustrious venues,and across the ocean:royalty from Russia andPakistan bought hergoats.

Thankful for thehelp the angora goatsgave her family in diffi-cult times, the womanwho came to be knownas the Angora Queenwas able to put her sonsthrough college, “toplace them just as highin life as I can afford.”

See mohair samplesand Armer’s trophies atthe Geronimo SpringsMuseum in Truth orConsequences. ✸

THE ANGORA QUEEN

MARGARET ARMER

Grasshopper Silk


From left: Chiricahua Gallery; Tomé Art Gallery.


57. geronimo springsmuseumTruth or Consequences,211 Main Street

This true community muse-um is chock-full of localtreasures. Experience historythrough fiber: prehistoricwoven sandals and baskets,Navajo blankets, beaded andsewn clothing, a quilt piecedfrom recycled tobacco sacksstitched with local cattlebrands. Colorful vintage Fiestadresses tell the story of thecity’s name. On April Fool’sDay 1950, Hot Springsbecame Truth or Consequencesfor a day, honoring visitingtelevision host Ralph Edwardswith a Fiesta. Extravaganthandmade outfits enlivenedthe celebration: tiered skirtsfrom yards of fabric and milesof trim, with matching blous-es. The name and the annualfiesta (now in May) stuck.

M-SA, 9-5; SU, 11-4505.894.6600 geronimospringsmuseum.comFrom I-25 N, exit 75. Followsigns to museum. Left onPershing St. to 211 Main St.From I-25 S, exit 79. Followsigns to Geronimo SpringsMuseum. �

58. percha creektraders co-opHillsboro, 300 Main Street

A cozy territorial adobe inthe heart of Hillsboro’s his-toric downtown. Fiber loverswill find stunning quilts,handmade dolls, lampshadescrafted from handmade paper textured with native seeds,grasses, and flowers, andmuch more. Members staffthis cooperative gallery, soyou can visit with the artists.A gem in the heart of an oldmining town.

W-SU, 10-4 505.895.5116From I-25, exit 63 south ofTruth or Consequences. Go 18miles.

59. the common threadSilver City, 107 Broadway

The heart of southern NewMexico’s fiber arts communityis home to the SouthwestWomen’s Fiber ArtsCollective. SWFAC is anonprofit organization bridging rural isolation byproviding mutual support forregional fiber artists to growartistically and economically.Their classes and programsbring quality learning oppor-tunities to local underservedpopulations. The commonthread within this diversegroup is their passion forfiber arts and a commitmentto building more vibrantcommunities through creativ-ity and connection. In theirelegant Silver City gallery,more than 60 area artistsshow an astonishing array ofwork: hand-woven and knittedwearables, rugs, feltedsculptures, petit point, hand-made paper, colorful baskets,crochet, quilts, beaded headdresses, and more. Alsoavailable are handspun yarn,hand-dyed fat quarters andsilk squares, and handmadebuttons. Visit with the artists

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Elemental Arts

From left: Elemental Arts; Hillsboro General Store Cafe.


– they’re the staff and regu-lar droppers-by. SWFACpublishes an annual fiberartists’ directory, emailsmembers, and participatesin several shows annually.Inquire about classes, volun-teer opportunities, and fiberarts summer camp. ✃ �

M, TH-SA, 10-5 505.538.5733fiberartscollective.org [email protected]

FIBER NETWORK SITECheck with SWFAC forupdates about southern FiberArts Trails sites.

60. elemental artsSilver City,106 W Yankie Street

In the heart of Silver City’sdowntown Yankie-Texas Art District, step inside alight-filled space to findhigh quality art by localartists. It’s elemental: fiber,clay, gourds, and feathers,celebrating the earth’s bounty and the creative spirit. The focus is contem-porary: fabulous gourdmasks and sculptures byproprietor Valerie Milner.Woven, quilted, and surface-adorned pieces,among other genres.

M-SA, 10-4; SU, 10-1505.590.7554 gourdweb.com

THE NEW MEXICO FIBER ARTS TRAILS windthrough remarkably varied ecosystems, cultural land-scapes, and artistic practices. Whether their roots reachfor generations into New Mexico soil or their heartshave brought them here from elsewhere, fiber artistsstatewide share a deep connection to place and thedesire to make their art and a living where they live.

Customers sometimes balk at the price of a fiber artspiece, wondering, Why so expensive? In two words: timeand dedication. Many local fiber artists process their ownmaterials, spending many hours growing, harvesting,spinning, or dyeing, before they even begin a piece. Masteryof art forms and creative growth evolve over decades.

Handmade New Mexico fiber arts compete withinexpensive imports, with machine-made items, a discountmentality, and the notion that fiber arts are somehowless valuable than “fine” arts. Shelley Loveless of RioFernando Farm observes, “With modern technology,people lose track of where things come from.”

“People think it’s all done by magic because theyjust go to the store and buy things,” says weaver CatBrysch. But when she shares the process of her work,the response from visitors is often, “My goodness, yourprices are not that high after all!”

What fiber artists do is magic when you consider thesynergy of creativity, materials, and place. Learning first-hand what goes into a fiber art piece adds beauty – andvalue – to the eye of the beholder. Buying locally madefiber arts is an investment in one of New Mexico’s mostprecious resources. You come away with something ofenduring value to enjoy, and you support the creativeheritage that makes our state an artistic gem. ✸

H A N D M A D E I N N E W M E X I C O

A MATTER OF VALUE

The Common Thread

Monte Cristo Gift Shop & Gallery(Pioneer Store Museum)


61. yada yada yarnSilver City, 614 N Bullard

“Art & Conversation: agallery and gatheringspace.” Yada Yada Yarnlives up to its moniker:warm and inviting and fullof beautiful yarns, knittingand crochet tools, books,art work, and a comfy nookwhere locals and visitorsalike drop in to hang out,work on projects, and learnnew stitches. Stop by for

open knitting, crochet,spinning, and kids’ sessions.

✃ � ��

W-M, 11-5; M Evenings,6:30-9 505.388.3350yadayadayarn.com

62. thunder creek quiltcompany Silver City,1330 N Hudson

Fabric heaven! ThunderCreek is itself a crazyquilt of fabrics,notions, kits, pat-terns, and books.Multi-talentedmother-daughterteam Nancy Coryelland Cindy Ugartekeep a workshop inthe store,where they pieceand design quilts inthose few and far between

From top: Thunder Creek Quilt Company; Galeria 200.

WE ARE LIVING INa time when handworkis gaining momentum.Ever wonder why? Ask many fiber artistswhat they love abouttheir work and theywill mention its meditative quality.

Perhaps MariaNavarra Pino of TresManos puts it best:“We have evolved moretechnologically than we have physically orbiologically. Peopledon’t even come out of their homes, doingall their work on thecomputer. And they’redying of isolation.Doing handworkmakes you feel connect-ed to yourself and toother people, to something real.” ✸

MEDITATIONS ON THE BENEFITS OF HANDWORK


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quiet moments. Their finehandwork abounds in everycorner. Specialty: southwest-ern fabrics. Also available:one-on-one instruction, long-arm quilting, and, yes,sewing machine repair. ✃ M-F, 9-5; SA, [email protected]

63. doc campbell’s post/gila country cornergalleryGila Hot Springs,Mile marker 39 HWY 15

Steeped in local history, DocCampbell’s Post harks backto a family tradition of hos-pitality that began in 1940,when the Campbell familybought the Gila Hot SpringsRanch. In the upstairs gallery,shop for a wide variety oflocally made fiber arts: knitted clothing from silkand wool (including yarnspun from the resident flockof Churros), felted bags andhats, beadwork, mixed media,woven, crocheted and quilteditems. Enjoy spectacular

views of the Gila Wildernessand delicious homemade icecream!

Memorial Day Weekend–Labor Day, 8:30-5;Winter, 10-4 505.536.9551gilahotspringsranch.comFrom Silver City, go 39 milesnorth on Hwy 15. Store is onright. Note: 39 miles as the crowflies, but Hwy 15 wends its wayover a winding route. Allow atleast 1.5 hours to travel, prefer-ably in daylight. � ��

64. chiricahua galleryRodeo, HWY 80

A historic building that has evolved from frontiersaloon to church to its present incarnation as an art gallery is now the homeof the longstandingChiricahua Guild. It isworth every scenic mile ofthe drive to see high quality work by artists from a 100-mile radius at agallery displaying a diversityof fiber arts: weaving,basketry, crochet, felting, knitting, embroidery, quilting, and gourd art. The Chiricahua Gallery isaptly named. Gaze throughmottled antique glass windows at the constant play of light across theChiricahua Mountains.

M-SA, 10-4 [email protected] Silver City, take Hwy 90 south. I-10 west. At Road Forks, take Hwy 80 south to Rodeo.Gallery is on left in historicchurch building.

Left and right: The Common Thread.

Thunder Creek Quilt Company



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UNIVERSAL ACROSS theUnited States, quilting hasits own flavor in NewMexico.

During the last quarterof the 19th century, therailroad and mail-order catalogs brought fabric tonorthern New Mexico,where weaving had longprevailed as a source ofwarm bed covers. Quiltingevolved organically as aneconomic alternative, oftenincorporating Hispanic aesthetics in the outer layers, and recycled weav-ing materials like woolblankets, clothing, or carded wool inside as batting.

In southern New Mexico,traditional quilting designsand techniques from theeastern United States tookroot as Anglo settlers madethe area their home.

Over time, distinctionsbetween northern and south-ern quilting tapered off, asease of travel and publishedquilting patterns fueled mutual influence.The common thread has always been thrift combined with personal expression,as quilters pieced whatever might be onhand – tobacco pouches, flour sacks, clothing, and remnants – to beautify theirhomes or pad bedrolls.

Today, New Mexico quilters tendtoward machine piecing and quilting with new fabrics. Hand piecing and quilting are often the province of elders or devotees of historical quilting.

Contemporary art quilts have joinedthe ranks of practical bed covers. Visit alocal county fair or quilt show and you’llsee enduring favorites like Log Cabin

or Dresden Plate. Just aslikely, you’ll encounterdesigns inspired by

Hispanic or Native American weaving, pottery or rock art motifs, depictions ofmountainous landscapes, desert creatureslike roadrunners or horned toads, chile ristras, and hot air balloons, as well asabstract or contemporary designs.

Throughout the state, the abundance of quilting guilds attests to the art form’sunwavering popularity as a way to buildcommunity and share ideas, whether on the latest technique or a civic issue. Onceisolated by geography and the demands of agricultural work, quilters continue toembrace the need to gather as a refuge fromthe demands of hectic lives. ✸

Q U I LT I N G I N N E W M E X I C O

STITCHING CIRCUMSTANCE INTO BEAUTY

Background: Earth Arts. Insets:Percha Creek Traders Co-op,Friendship Star quilt and detail.


65. galeria 200Deming, 200 S Gold Street

Artists Lyn and RichardOrona long dreamed of having their own gallery.Their dream-come-true isnow a boon for local artists,who have a beautiful place to market their work. In a lovingly restored historicbuilding in the heart of arailroad town, you will findhand-painted silk clothing,southwestern gourd masksand bowls, woven pieces foryour home, and art quiltslike none you’ve ever seenbefore.

TU-F, 10-5; SA, 10-4 505.546.9590galeria200.comFrom I-10, exit 82. South onHwy 180/Gold St. At secondtraffic light, look for a redbrick building on southwest corner. �

66. tres manos boutiqueMesilla,1910 Calle de Parian

The Tres Manos boutiquecharms a corner of Mesilla’sold tortilla factory, a shortwalk from the historic Plaza.A dazzling array of shawls,scarves, clothing, and rugs,woven in a multitude of

colors and patterns from cotton, tencel, silk, chenille,hand-dyed bouclé, and moreawait you in this elegantstore. Delight the senses withrich colors and textures – the“Oooh!” factor is high at TresManos.

SA, SU, 10-5 505.524.2334 [email protected] I-10, exit 140, Avenidade Mesilla, also Hwy 28, turnsouth. The old tortilla factoryhousing Tres Manos boutique ison the right.

67. tres manos workshopSan Miguel, 19030 HWY 28South of Mesilla, across theRío Grande, through cottonand chile fields and anenchanting pecan grove, SanMiguel is home to the TresManos workshop. Stop byand visit the dedicated andtalented weavers whose workgraces the boutique (see entryabove). Each artist has herown style, her own eye forcolor and design. The com-mon denominator amongthis congenial group isfriendship and a high stan-dard of quality, strictlyenforced by the weaversthemselves.

M-F, 8-4 [email protected] Mesilla, go 10 milessouth on Hwy 28. In SanMiguel, the Youth ArtDevelopment Building is onyour left. �

68. unravel yarn shop& galleryLas Cruces,300 N Downtown Mall

Unravel your cares at thiscozy corner brimming with local materials and talent. Everything you need for your next project is right here: dazzling yarns,tools, books, classes, and afriendly, knowledgeable staff who will help retrievedropped stitches.

Clockwise from top left: Unravel YarnShop & Gallery; Magdalena ArtsGallery; The Common Thread;Galeria 200.



M, TU, TH, F, 10-5; W, 9-5;SA, 9-4 505.647.1181unravel-yarn-shop.comFrom I-25, take the LohmanSt. exit. West on Lohman.Right on Campo. Left on LasCruces. First block on right.

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69. new mexico farmand ranch heritagemuseumLas Cruces,4100 Dripping Springs Rd

Spacious grounds have open-air livestock and farm-ing displays and a splendidview of the Organ Mountains.Compelling permanent androtating exhibits – manywith bilingual signage –explore the state’s agriculturalheritage and interweave of cultures, from prehistorictimes to the present at thisNew Mexico Department ofCultural Affairs museum.Wednesday mornings from 9 to noon, local artistsdemonstrate spinning, weaving,quilting, and sewing. Giftshop and restaurant add tothe experience.

M-SA, 9-5; SU, 12-5505.522.4100 frhm.orgFrom I-25, take Universityexit. Go 1.5 miles east onUniversity, which becomesDripping Springs Rd. Museumis on left. � ��

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“CASSIE HOBBS WAS QUITE A LADY, emphasis onthe word lady,” Linda Turner, of Monte Cristo Gift Shop& Gallery, remembers her inspiring neighbor.

Hobbs traveled to New Mexico with her family viacovered wagon from Oklahoma and Texas. When sheand her husband, Earl, a cowboy, settled in Chloride,she not only hoisted the beams for their living room butalso furnished their home with her own hand-hewn furniture, and stitched upholstery, linens, and clothingto beautify their lives.

Over a life of frequent moves, Hobbs (1904–1989)used simple tools and her ingenuity to craft furnishingsfrom found and recycled materials.

Among her mind-boggling creations are handmadeshoes, carved from wood and covered in crocheted lace,with handbags and bonnets to match. Embroidery,hand-tailored clothing, crochet, appliqué, and manyother handmade items are her legacy, telling the story ofa spirited pioneer woman. See these treasures at thePioneer Store Museum in Chloride. ✸

B E A U T I F Y I N G L I F E

CASSIE HOBBS

Cassie Hobbs, Monte Cristo Gift Shop & Gallery (Pioneer Store Museum).

The Common Thread


70. royal fiber spinneryRuidoso, 815 GavilanCanyon Road

Rod and Marilyn Dakanhave made it their businessto make high-quality alpacaavailable to knitters, crocheters,and weavers nationwide.Imagine: five weights of yarn in over 100 natural and hand-dyed colors! Take a guided tour of the farm and mill – one of the largestU.S. processors of alpaca.Visit cuddly alpacas and seeevery step of the work fromfleece to finished yarn, andindulge your yarn addictionin a rainbow of a showroom.

TU-TH, 10-4 505.258.9276(yarn) rstoreonline.comGavilan Rd. can be accessedfrom Hwy 48 or Hwy 70(Sudderth Rd.) in Ruidoso. The mill is well marked on west side of the road. ✃ � ��

71. zw’s galleryNogal, 109 Red Fox

Nancie Ferguson grew up on a Wisconsin dairy farmwhere, she says, “We re-usedeverything.” Fergusonupholds the recycling tradi-tion, weaving colorful andsturdy rugs from Pendletonloom selvages or bluejeans lefton her porch by neighbors. This

working studio also carries herdouble-walled, Cherokee-stylebaskets, quilts, rugs, and runnerswoven from her own homespun,and brooms she weaves frombroom corn for her blacksmithhusband’s fireplace sets.

TH & F, 12-5 [email protected] 37 between Ruidoso andCarrizozo, between mile markers4 and 5 on the east side of Hwy37. Closer to Ruidoso thanCarrizozo.

Clockwise from top left: The CommonThread; Doc Campbell’s Post/GilaCountry Corner Gallery; The CommonThread; Percha Creek Traders Co-op;Chiricahua Gallery.



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NEW MEXICO FIBER ARTISANS(NMFA) was born from the same collec-tive momentum that launched the NewMexico Fiber Arts Trails. NMFA makes avital connection among fiber artists andfiber arts activities statewide.

In 2005, New Mexico Arts broughtHandmade in America’s rural arts and heritage visionary Becky Anderson toexplore possibilities for rural economicdevelopment among New Mexico’s artists.Her contagious positive energy lit a sparkamong representatives from ten fiber artsorganizations statewide, who recognizedthe unique assets among their diverse communities, as well as the benefits of collaboration.

A network of kindred spirits then galvanized to become New Mexico FiberArtisans. The group’s charter is to supportfiber arts wherever they are, in all thewonderful far-flung corners of the statewhere creativity thrives in centuries-oldtraditions and cutting-edge contemporary

work. Arts Enterprise Partnerships fundingfrom New Mexico Arts contributes tothose efforts.

NMFA has blossomed into an organiza-tion of 100 members and growing, withinclusiveness and diversity a strength uponwhich to build. Fiber artists, non-profitorganizations, businesses, mills, galleries,artists’ co-ops, museums, schools, farms,and gardens – each has something to con-tribute and something to learn. Collectively,fiber artists from around the state sharetheir thoughts, ideas, opportunities, andexpertise to bridge New Mexico’s wideopen spaces. The nascent organization promotes mutual support, through whichnew opportunities for marketing, self-suf-ficiency, artistic growth, and stewardshipof our precious resources will benefit all.

Founding NMFA member DianeBowman writes, “It is our vision to encom-pass the entire state with a structure ofsupport, encouragement, and economicopportunity for fiber artisans . . . and forvisitors to experience the unbroken connection between the land, culture, andcreativity that we are blessed with in New Mexico.”

New Mexico Fiber Artisans maintains a mailing list, online discussion group,and member directory. Learn more atnmfiberartisans.org, or at 505.747.3577in northern New Mexico, or 505.538.5733in the south. ✸

N E W M E X I C O F I B E R A RT I S A N S

STRENGTH IN NUMBERS

Background: Terrazas Traditional Arts. From top: KoehlerStudio; Española Valley Fiber Arts Center.

Shooting Star Farm


13 Art for the Heart, Peñasco3 Black Mesa Fiber Arts, South of Española52 Cat Brysch Creations Studio, Magdalena56 Celestial Creations, Truth or Consequences8 Centinela Traditional Arts, Chimayó64 Chiricahua Gallery, Rodeo63 Doc Campbell’s Post/Gila Country Corner

Gallery, Gila Hot Springs5 Earth Arts, La Mesilla60 Elemental Arts, Silver City1 Española Valley Fiber Arts Center,

(Fiber Network Site), Española22 Furniture and More, Las Vegas37 Galeria de Don Cacahuate, Abiquiú65 Galeria 200, Deming57 Geronimo Springs Museum,

Truth or Consequences24 Good Fibrations!, Edgewood55 Grasshopper Silk, Elephant Butte45 Historic Toadlena Trading Post,

Toadlena51 Holly Modine Studio, Magdalena27 Johnsons of Madrid Galleries of Fine &

Fiber Art, Madrid32 Julie Wagner Studio, El Rito7 Karen Martinez Studio & Gallery, Chimayó30 Koehler Studio, Eldorado17 La Lana Wools, Taos29 Lauren Camp Fiber Artist, La Cienega9 Los Vigiles Living Traditions Fiber

Studio & Supply, Chimayó50 Magdalena Arts Gallery, Magdalena6 Marie Vigil Weavings, Cundiyó12 Metier, Dixon54 Monte Cristo Gift Shop & Gallery, Chloride40 Museums at Ghost Ranch, Ghost Ranch69 New Mexico Farm and Ranch

Heritage Museum, Las Cruces33 Northern New Mexico College

Fiber Arts Program, El Rito10 Ortega’s Weaving Shop, Chimayó49 Peppers Gallery, Magdalena58 Percha Creek Traders Co-op, Hillsboro

47 Ramah Navajo Weavers Association, Pine Hill36 Regalos de Abiquiú, Abiquiú18 Rio Fernando Farm, Taos25 Robin Pascal Fiber Artist & Perfect

Buttons, Edgewood70 Royal Fiber Spinnery, Ruidoso4 RT Davis Shepherd and Handweaver,

La Mesilla14 SandraSilk, Peñasco2 Santa Clara Trading, Santa Clara Pueblo31 Seedshaman, Glorieta53 Shepherd Studios, Datil44 Shiprock Trading Post, Farmington26 Shooting Star Farm, Edgewood35 Some Enchanted Weavings, Abiquiú15 Taos Sunflower Yarns & Fibers, Arroyo Seco28 Tapestry Gallery, Madrid19 Tapetes de Lana, Mora 21 Tapetes de Lana, Las Vegas11 Tejedoras de Las Trampas, Las Trampas42 Terrazas Traditional Arts, Chama59 The Common Thread,

(Fiber Network Site), Silver City62 Thunder Creek Quilt Company, Silver City41 Tierra Wools/Los Ojos Handweavers,

Los Ojos48 Tomé Art Gallery, Tomé66 Tres Manos Boutique, Mesilla 67 Tres Manos Workshop, San Miguel46 Two Grey Hills Trading Company,

Two Grey Hills68 Unravel Yarn Shop & Gallery, Las Cruces43 Upper Fruitland Chapter Resource Center

Weaving Program, Upper Fruitland39 Urban Eagle Herb Co. & Farm, Youngsville34 Vanderbrook Studios, El Rito20 Victory Ranch Alpacas, Mora23 Viorge Designs, Tucumcari38 Vj of Abiquiú, Abiquiú16 Weaving Southwest, Taos61 Yada Yada Yarn, Silver City71 ZW’s Gallery, Nogal

TRAILS SITES IN ALPHABETICAL ORDER


alpaca Gentle fiber animals native to the Andes, of growing popularity inNew Mexico. Alpaca fleeces vary incolor, and the yarn is exceptionallywarm, soft, and durable, which may bewhy alpacas were once exclusively owned by Incan royalty. Learn moreabout them at newmexicoalpacabreeders.org.

angora Angora goats are thought to have originated in the Himalayas buttake their name from the Ankararegion of Turkey, where they wereprized for the strong, lustrous mohairyarn spun from their fleece, whichgrows about an inch a month. Angorarabbits are lovable creatures whosesilky fur – seven times warmer thansheep’s wool – is often spun with otherfibers. Angora fur is plucked or clippedand spun into angora yarn.

batting The inside layer of a quilt, fixedwith quilted or tied stitches betweenthe top and bottom layers. The battingof a quilt provides its warmth.

bullpen A product of their time, historic trading posts were modeled after old-time general stores, where socializingwas a key ingredient of trade.Merchandise was stacked to the ceilingon shelves behind a three-sidedcounter, leaving the area beyond – thebullpen – for customers to visit, sipcoffee, and trade.

churro The breed of sheep brought to New Mexico by the Spanish in the late16th century. Churro fleeces occur inmany beautiful natural colors – some-times on the same sheep! Over the centuries, Churros, once the prevalentSouthwest breed, became scarce. Inrecent years, they are making a come-back in New Mexico, where they are

cherished as fiber animals for their easi-ly spun, double-coated fleece and fortheir roots in local heritage (navajochurrosheep.com and navajolifeway.org).

colcha Colcha is Spanish for “bed cover,”as it was used in Spanish colonialhouseholds. Colcha also refers to theactual stitch and the style of embroi-dery; the latter is unique to New Mexicoand southern Colorado. Traditionally,colcha was done with handspun, naturally dyed yarn on a hand-wovenwoolen cloth. With the advent ofmanufactured cloth, yarn, and dyes,these more painstaking techniqueswaned but have been revived in recentyears by artists dedicated to preservingthe traditional approach. Colcha isoften stitched in floral or bird motifs onto altar cloths or other householditems.

fat quarter Literally, a quarter of a yard of fabric cut “fat,” or square, asopposed to long and thin, giving amore usable dimension for most quilters. “FQ’s,” generally 22” wide x 18”high, allow quilters to add to theirstash economically and are easily traded, given away, or sent through themail. FQ bins are a staple at fabricstores and quilting festivals.

felting A process by which woolenfabric is soaked and agitated in soapywater to shrink and mat it, joining the fibers together to make felt.

jerga In colonial northern New Mexico, jerga was a thick cloth woven fromwool yarn on a four-harness loom intwill weave patterns – checks, plaids,or diamonds, or ojo de perdiz, “partridgeeye.” Jerga was used for floor coverings,sack cloth, and clothing.

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GLOSSARY


llama The ancient ancestors of llamas migrated from North America toSouth America, where they were prized by the Incans as pack animalsand for the fiber produced from theirfleece. Llama fiber varies in color –black, white, and shades of brown, red, and gray – and in fiber, from fine to coarse.

manta Manta is Spanish for “blanket”– in the Southwest, a term with multiple meanings. Manta refers tosmall blankets woven historically byboth Pueblo and Navajo people to wear as dresses or shawls. Before the arrivalof sheep in the Southwest, mantas were woven from cotton on uprightlooms. Mantas varied widely in appearance, woven in plain or fancyweaves, with woven, embroidered, or painted designs. They are still worn today in Pueblo ceremonials.

natural dyes Colors derived from natural materials to dye fiber that isused in traditional and contemporaryfiber arts. Some plant sources includeindigo for blue; madder for orange orred-brown; chamisa and cota, or Navajo tea, for yellow; and black walnut for brown. Dyes made frominsects include cochineal for reds andpinks and lac for red.

navajo baskets Coiled Navajo basketsare traditionally woven from sumacand willow in the red and black,stepped “wedding” design. These baskets enjoy continued use in ceremonials and are also valued by collectors. In recent years, basketweavers have added pictorial baskets to the repertoire, creating designs with animals, flowers, and scenes fromNavajo life and history in a multitudeof colors.

roving A continuous rope of slightly twisted fiber, made in preparation forspinning.

ruana A long shawl open in the front.

sabanilla Wool yardage woven on a treadle loom as ground cloth for colchaembroidery.

spinning The process of simultaneously drawing out and twisting fiber into a continuous strand to create yarn. InNew Mexico, handspinning isaccomplished on a traditional Hispanicmalacate or Navajo spindle, or on aspinning wheel. The resulting yarn ishomespun or handspun.


GLOSSARY

río grande weaving design systemsrío grande The design that took

root in New Mexico with the earliestSpanish settlers in the late-16th century,consisting of banded stripes of alternat-ing color, sometimes designs within thestripes.

saltillo Entering the Río Granderepertoire in the early 1900s, inspiredby blankets from Saltillo, Mexico.Serrated diamonds are its hallmark, usu-ally in a central motif, often withvibrant design elements in the back-ground or corners. Variations abound.

vallero A symmetrical eight-pointed star, often with one large motif in thecenter of a piece and smaller stars in the corners or borders.

chimayó Originating in the early20th century, Chimayó designs have striped borders at either end, with central diamond motifs that are used in recogniz-able variation. In addition to rugs andblankets, other items such as wool pil-lows, throws, jackets, purses, and vestsare also woven in Chimayó designs.

straw appliqué Thought to have been inspired by intricate marquetry – or wood inlay – techniques from Spainand/or Southwest Native stone inlay ormosaic work, straw appliqué took hold inSpanish colonial New Mexico by the late-18th century. Devotional items likecrosses or nichos, and furniture, boxes, or picture frames are crafted from woodthat is smoothed and painted a dark colorto create a striking contrast with thegolden straw. Cut and flattened straw ispressed or inlaid into the wood. A pineresin-based varnish is applied to the fin-ished piece for protection. Straw appliquéhad faded by the mid-19th century butwas revived during the WPA era and hasflourished ever since. Intricate figurativework has augmented the geometric andfloral designs favored in earlier times.

tapestry Fabric with a particular coloredweft woven back and forth in one area tocreate a pattern.

treadle or walking loom A floor loom using foot pedals, or treadles, tochange the shed, the space between thewarp threads through which the weftpasses to create a row of weaving. OnRío Grande treadle looms, weavers workstanding. Hence the name, walking loom.

twill A weave structure in which the weft floats, passing over or under two ormore warps at a time, often resulting indiagonal patterns.

warp The lengthwise threads held in tension on the loom.

weft The horizontal threads that interlacewith the warp to create fabric.

glossary | fiber arts trails 65

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READ MORE ABOUT NEW MEXICO FIBER ARTS

Blanket Weaving in the Southwest, Joe Ben Wheat, edited by Ann LaneHedlund, 2003

Indian Basketry Artists of the Southwest, Susan Brown McGreevy, 2001

Prehistoric Textiles of the Southwest, Kate Peck Kent, 1983

Pueblo Embroidery Convocation, School of American Research, sarweb.org/embroidery/convocation/convocation.htm

Pueblo Indian Textiles; A Living Tradition, Kate Peck Kent, 1983

Río Grande Textiles, compiled and edited by Nora Fisher, 1994

Stokes Carson; Twentieth-Century Trading on the Navajo Reservation, Willow Roberts, 1987

Surviving the Winter: The Evolution ofQuiltmaking in New Mexico, Dorothy R. Zopf, 2001

The Centinela Weavers of Chimayó:Unfolding Tradition, Mary Terence McKayand Lisa Trujillo, 1999

The Thread of New Mexico, Douglas Kent Hall, 2001

The Weaving, Spinning, and Dyeing Book, Rachel Brown, 1978

Three Weavers, Joan Potter Loveless, 1992

Woven by the Grandmothers: NineteenthCentury Navajo Textiles from the NationalMuseum of the American Indian, edited by Eulalie H. Bonar, 1996


GLOSSARY

Documents

¡BIENVENIDOS!nmfiberarts.org/assets/files/guide/guide.pdfLisa Peinado, Operations Director Loretta Chama, Contracts Administrator Ann Weisman, Program Coordinator Ruth Lommel, Administrator