Upload
behindthesceneglos
View
216
Download
2
Embed Size (px)
DESCRIPTION
BEHIND THE SCENE GLOUCESTERSHIRE is online for FREE. It's the county's only live music magazine with a HUGE gig guide for the forthcoming month. December's issue features: John Power, Scott James & The Revolution, Stressechoes, Glosfolk, Black Feathers and the launch of our first Behind The Scene Gloucestershire Awards for 2014!
Citation preview
Welcome to December’s issue of BEHIND THE
SCENE GLOUCESTERSHIRE. Last month’s issue
was read in record numbers and we feel that we
are really building some momentum. Please share
the magazine with your friends either by telling
them in person or on social media sites. We hope
that you enjoy the usual mix of reviews,
interviews and articles in December’s issue. As
Christmas approaches we thought that it would
slow down, but as you can see, this month has
been as busy as ever. Enjoy reading the magazine!
BEHIND THE SCENE GLOUCESTERSHIRE Issue #14 December 2014
[email protected] Twitter: @behindsceneglos
Facebook: http://www.facebook.com/behindthesceneglos
http://behindthescenegloucestershiregigguide.wordpress.com/
E-MAIL US TO
GET IN THE GIG
GUIDE EACH
MONTH
All photos in the magazine are used with permission,
credited or found openly on the internet. No copyright
infringement is meant. Please don’t get angry or sue us
(we don’t have any money anyway).
COVER DESIGN BY ROBBIE PERT
COVER PHOTO BY STEVE GRIFFIN
http://chesmu.zenfolio.com/
We’d love to review your gig, festival,
CD, vinyl, new album etc — just ask us!
GIG GUIDE DISCLAIMER: Please check with the
venue before travelling to gigs. The information is
up to date at time of print, but often changes.
We don’t want you to waste your petrol.
JOHN POWER, JOE SUMMERS, JOE RICHARDSON Everybody is in good spirits tonight at The Frog & Fiddle. Even the
promoter gets a cheer when he welcomes the first support act on
stage and all he even says is, "Good evening." You see, there's a
whiff of excitement in the air (as well as a strong stench of
Guinness) as it’s a Saturday night, the Cheltenham Races are in full
flow, and bona fide Britpop legend JOHN POWER has come to
town.
JOHN POWER played bass guitar in The La's and fronted multi-platinum
selling Cast, hence why there are a steady stream of people in parkas
stood around the room watching opening act JOE RICHARDSON. In fact,
Joe himself has that Britpop look and feel about him. Unfortunately, his
efforts are drowned out by people loudly reminiscing about the time they
saw Cast at Gloucester Leisure Centre in 1996 and how their souvenir
shirt (which they've worn especially tonight) still just about fits them.
JOE SUMMERS nearly suffers the same fate, but is experienced enough
to plug away regardless with his acoustic songs that rewind further back
than Britpop, and enter the era of singer-songwriters Neil Young and Cat
Stevens. A drunk race-goer, who has obviously lost all of his mates at
some point during the day, stumbles back and forth to the front of the
stage, swaying not from the music but from the alcohol he has steadily
consumed since 10am. Although he doesn't mean it, he fits well into the
theme of the evening as he's doing a pretty good impression of Liam
Gallagher in his heyday.
As we wait for JOHN POWER I decide that you can pretty much split the audience into one of two categories:
Those that have kept their hair since the turn of the millennium, or those that have lost it. I, thankfully, am in
the former.
Then POWER, looking more like Bob Dylan now his trademark mop-top has had a good chop itself, takes to the
stage with former LA's bandmate Jay Lewis and the levels of interest are upped several notches. New songs are
mixed with old and there's no way you wouldn't recognise that powerful voice from appearances on Top of the Pops
in the mid-90's. People hold up their camera phones to record the old songs and go to the toilet during some of
the new ones. But he gets the mix just right and there's absolutely no denying that if you were even on the
fringes of Britpop 20 years ago, then hearing 'Walkaway' performed on an acoustic guitar in a venue not a tenth of
the size of the ones Cast were playing in the 90's, leaves the hairs on the back of your neck standing to attention.
He’s still got the power (ahem). [Image by STEVE GRIFFIN http://chesmu.zenfolio.com/]
FROG & FIDDLE, CHELTENHAM 15TH NOVEMBER
WHO’D BE A...TOURING BAND?
WITH THE BLACK FEATHERS
HOW LONG HAVE YOU BEEN A TOURING BAND?
We've been performing as The Black Feathers for a
couple of years now, but only really been ‘touring’ for
about a year now.
WHERE ARE YOU A TOURING BAND?
We’re from Cirencester in Gloucestershire but we tour
all over the country, we’ve also toured the USA and
we’re heading out to Germany in February.
IS GLOUCESTERSHIRE A GOOD PLACE TO BE A
TOURING BAND?
It’s not bad at all, it’s got some nice little venues.
The best ones are tucked away in little towns and
villages.
WHAT DO YOU DO WHEN YOU’RE NOT A TOURING
BAND?
We’re pretty much touring non-stop at the moment,
but when we have a day or two off we can usually be
found in our home studios writing songs for our first
album.
WHAT’S THE BEST THING ABOUT BEING A TOURING
BAND?
For us it’s almost like a working holiday, we get to see
new places and meet new people. We love it, every
show in every town is a new experience.
WHAT’S THE WORST THING ABOUT BEING A
TOURING BAND?
We’ve got a little dog, sometimes we take him with
us but sometimes we have to leave him behind. We
miss his little face
WHAT TIPS WOULD YOU GIVE TO A TOURING BAND?
1. Join the AA. 2. Always know where the nearest
burger van is. 3. Be sociable because you never know
where you might need a bed for the night!
GIVE YOURSELF A PLUG!
Our website is www.theblackfeathers.com where you
can find links to our music, videos and gig dates for
the coming year. You can also find us at facebook.com/
theblackfeathers and twitter.com/blackfeathersuk
100 WORD DEBATE
YES
It’s a dead duck. It’s
deader than a [note to
self: insert the rest of a
Blackadder style joke
here].
You see, no one goes to
gigs any more unless the
band has been on X-
Factor or Fame Academy
or Opportunity Knocks (or
whatever the youth are
watching these days).
Besides, why do you need
to go to a gig when you
can watch endless hours of
live footage from the
comfort of your own
home on Youtube? The
drinks are cheap, you can
always get a seat and you
don’t have to wait until
11pm for the band to
start.
The world has moved on.
Gigs were alright when
you absolutely had to go
out and do something. On
a Tuesday night when
your only other choices
were to read a book, talk
to your family or go to
bed from sheer boredom,
who wouldn’t want to go
to a gig? But in 2014
anyone can spend the
night happily sending
endless text messages or
or watching for that little
red notification on
Facebook until the cows
come home. Come on
Grandad, no one goes to
gigs anymore!
Nobody came to my gig. Is the
music scene dead around here?
No one came to your
gig? No one came to
my birthday party.
Only 3 people came to
my Christmas shindig
and 2 of them were
driving (which made
for quite a dull night
and a lot of left over
mulled wine, I can
assure you).
Just because they
didn’t go to your gig
doesn’t mean that the
music scene is dead.
Perhaps you didn’t
promote the gig very
well. Maybe there was
a lot of other stuff on
that night or, and this
is the biggie, you
misjudged how popular
the bands you booked
are. You may love
them, but does
everybody else?
Don’t expect instant
gratification. These
things take time.
You’ve got to get the
word out there by
putting on consistently
good shows, you’ve got
to offer something a
bit different from just
some bands playing in
a pub with dirty
toilets. Jawbreaker
released a song in
1995 called ‘Bad
Scene, Everybody’s
Fault’ so it really is
n o t h i n g n e w .
NO
NEXT MONTH’S DEBATE:
“My girlfriend asked me for the
McBusted album for Christmas. Should
I end the relationship now or give her
a second chance?”
MOULETTES As I browse the very reasonably priced range of Charles
Bukowski books on the shelves in Rise Records, a girl with
a flyer approaches me. "A band are playing in the store in
5 minutes," she says and hands over a glossy double-sided
leaflet. It's nice to see THE MOULETTES attempting to
drum up an audience through good old fashioned flyering
(as opposed to just Facebook or Twitter). Whatever
next, vinyl making a comeback?
In-stores are great because they give you a chance to
watch a band in an unusual setting at a reasonable time
of day (2.30 on a Sunday afternoon in this case). But
in-stores are bad because you kind of feel like you're
standing in the way of genuine shoppers looking for the latest Breaking Bad box-set. And you can't get a pint of
cider from the bar because there is no bar (however, Rise Records does have a comprehensive range of vinyl,
books, CDs and vintage clothing, but you can't drink yourself dizzy with those).
THE MOULETTES from Glastonbury are currently touring huge venues with the award-winning contemporary folk
band Bellowhead. This in-store is a far more intimate affair with a handful of people stopping, listening, clapping,
moving on to Debenhams and then being replaced by others who have strolled into the shop and stumbled on
these 5 musicians at the back of the room. The band are wearing knit-wear like it's going out of fashion (it
already has done but nobody seems to have told them) but their finger clicking, shaker shaking and vocal
harmonies are just sublime. This is modern folk for modern folk (not the monotonous 'Kumbaya' we used to sing
daily in school assemblies). Almost apologetically, the band say that they have a more orchestral sound on
record, but this stripped back set is a treat to listen to nonetheless. The flyer girl has now turned into the
'mailing-list sign up girl' and is busy asking everyone to put their e-mail addresses down on the sheet. Aspiring
bands take note: Do more of this because it works.
Rise Records, Cheltenham 16th November 2014
DECEMBER 2014
Wed 3rd DECEMBER – FUNKE AND THE TWO TONE
BABY
Fri 5TH DECEMBER – MISSIN’ ROSIE
Fri 5TH DECEMBER – THE SUNKEN FOAL (CELLAR
BAR)
Sat 6th DECEMBER – HOUSEBOUND (CELLAR BAR)
Wed 10TH DECEMBER –LEWIS CREAVEN BAND
Fri 12th DECEMBER – WILL EDMUNDS TRIO
Fri 12th DECEMBER – DIRTY LYLE (CELLAR BAR)
Sat 13th DECEMBER – BOUNCE (CELLAR BAR)
Wed 17th DECEMBER – MARY SPENDER
Fri 19TH DECEMBER – THE SOUL STRUTTERS
Fri 19th – TBC – CELLAR BAR
Wed 24th DECEMBER – TBC
Thur 25TH DECEMBER – THE YOUTUBE SHOW
Where you choose the music!
Friday 26th DECEMBER – SKA-VILLE
Saturday 27th DECEMBER – HIRED GUNS
Saturday 27th DECEMBER - DANCE CONSPIRACY
(CELLAR BAR)
Sunday 28th DECEMBER – TBC
Mon 29th DECEMBER – RUZZ GUITAR’S BLUES
REVUE
NYE – details to be released soon. A ticketed
event, two floors of music and free buffet included
in the ticket price.
Every time I’ve watched SCOTT JAMES & THE
REVOLUTION play a gig, by the end of the first song the
audience have cut short their conversations and found
themselves glued to the performance, whether they’ve
come to see the band or not. It’s a talent that some
bands have and some bands just don’t. After a quiet few
months, the band are ready to launch themselves again
with a new EP. I caught up with lead singer and
songwriter Scott James to find out more about the
band…
“Me and Chris were writing songs and started looking for
additional musicians to form a group. We met James
first, then through Scope Music Management we were
introduced to Oli (Drums), Groovey (Bass), Reuben
(Electric) and Shelina (Vocals).”
SCOTT JAMES & THE REVOLUTION’s roots are firmly
set in Gloucestershire. With links to the Forest Of Dean,
Gloucester and Cheltenham, there’s no other band
playing the same style of music so well in the county.
Their soulful take on hip-hop is politically charged, yet
effortlessly slick at the same time. Over the last couple
of years the band have expanded from their initial
acoustic roots to a full band arrangement.
“It gives us more freedom to experiment with
creativity; there are more people involved so more ideas
transpire because we have more resources available to
utilise.” The band have recently changed one of their
vocalists. “Previously we worked with Sophie Cotterell,
and now we have Shelina Taylor Gordon. We also have a
new electric guitar player – Reuben Reynolds. I think any
change in the line-up of a band brings an inevitable
alteration to the sound, but it’s still the same set up.”
If you haven’t listened to SCOTT JAMES & THE
REVOLUTION before, then now would be a good time to
start as the band are in full swing after a short period
of transition.
Despite Scott’s name being at the forefront of the
band, song-writing is a collaborative process. “We all play
SCOTT JAMES & THE REVOLUTION a role in song-writing. The initial ideas begin with me
and Chris and it stems outwards to James and
Shelina, then to Oli, Groovey and Reuben. I write the
lyrics.” Those lyrics can be very politically minded,
which is refreshing in this time of X-Factor-styled
mediocrity and mind-numbing covers. In what way do
politics and social justice influence the song-writing
process? “It depends on your perspective as a musician
and what you want to achieve with your music. It can
potentially be a powerful voice to propagate ideals of
peace. There are things happening today that simply
cannot be ignored and if we are lucky enough to have a
platform of influence we will try to use it in a
positive way.”
So much so that last summer members of the band
completed a 100km walk in aid of Oxfam. “This was
another opportunity for us to try and help out.
Oxfam is an important organisation and it deals with
humanitarian issues that we believe should be
supported. We were proud to raise over £2000 for
them, we had a lot of support from people and we
were very grateful. We’ve performed at Oxjam Festival
twice and will continue to support them in the future.
The actual event was a pretty gruelling experience! We
walked non-stop for 29 hours along the South Downs
from Petersfield to Brighton. It is a rewarding
achievement; our biggest challenge was trying to
persevere with so many blisters and fatigue.” Not only
do the band talk the talk, but they also walk the
walk.
On a final note, which Gloucestershire bands and
venues get the SCOTT JAMES & THE REVOLUTION
seal of approval? “We like watching King Solomon play.
We enjoy performing at The Guildhall, Sound Music
Venue and The Frog And Fiddle, they’re always very
welcoming.”
The band are currently in the process of recording a
new EP which will be available for free download very
soon and in the New Year they have several gigs lined
up. Don’t just take our word for it, go see them for
yourself.
There are things
happening today that
simply cannot be ignored
and if we are lucky
enough to have a platform
of influence we will try to
use it in a positive way.”
E-mail us if you’d like
copies of the magazine in
your venue/shop/studio!
IF YOUR GIG ISN’T LISTED IT’S BECAUSE YOU DIDN’T SEND IT TO US!
HERE’S THE E-MAIL ADDRESS FOR NEXT MONTH: [email protected]
Check with the venue before travelling because it’s rubbish when you turn up to a
gig and been cancelled or the headline band has changed or the drummer has fallen
ill. We can’t control these things—we just list the gigs!
View past issues of BEHIND THE SCENE GLOUCESTERSHIRE at:
http://www.behindthescenegloucestershiregigguide.wordpress.com
We have yet to purchase a snappier domain name. It’s on our Christmas list.
We have a mailing list too. Sign up to it by visiting our website. We promise not
to spam you. http://www.behindthescenegloucestershiregigguide.wordpress.com
STEVE & THE ACHIEVERS THEY SAY: “A love of upbeat Blues, Southern Soul, Rhythm & Blues and
Roots music have brought us together in the hope that we can play the
music that we love for folks who want to have a good time.”
ARE THEY A COVERS BAND? In a way. They play mostly obscure
numbers and forgotten gems as well as some popular classics.
YOU MAY KNOW STEVE & THE ACHIEVERS FROM SUCH PREVIOUS GIGS
IN STROUD AS: The Ale House, The Brewery and The Globe where they
have performed recently.
WHAT EXACTLY HAVE THEY ACHIEVED? Good question. We’ll ask them
and get back to you.
WE LIKE STEVE BECAUSE: He once said this about our magazine. “It's
good to see a music publication that isn't littered with hyperbole!” What
a remarkable, amazing, stupendous fella he is!
FIND OUT MORE: http://www.steveandtheachievers.com/
PRINCE ALBERT, STROUD 20TH DECEMBER
ACTUAL REAL QUOTES FROM PEOPLE WHO READ OUR MAGAZINE:
“So nice to see a 'local-interest' fanzine put together with dedication and intelligence.”
“Another fine issue, fast becoming an essential read....”
“Really pleased that someone set up a really useful listings mag at last! More power to you.”
“You’re fired.”
(Ok, so that last one is made up).
Glosfolk is a wonderful resource if you a) like folk music and b)
live in Gloucestershire. I like and I live in both, so I caught up
with Chairman Peter Cripps to discuss what the organisation
offers the county and whether traditional folk music is still
relevant today.
“Very much so,” says Peter, “Otherwise 10,000 people a week
would not be listening or taking part in folk! Involving younger
people is a challenge, particularly when many schools do not do
country dancing, or use traditional songs and tunes in their music
curriculum. We are trying to change that with the 'Gloucestershire
T r a d i t i o n s ' p r o j e c t ( d e t a i l s a t h t t p : / /
gloucestershiretraditions.co.uk/).
So how did Glosfolk form? Why did you feel a need for an
organisation such as this? “Over 20 years ago Glosfolk was formed
from Gloucestershire Folk Association. It’s aims are to promote and
preserve traditional music, song, dance, drama, and customs in and
around the county. About 10 years ago a new bunch of people joined
the committee determined to raise the profile of folk in the county. Since then, membership has risen to over
400, the web site gets 1000 hits a month, the Folk Diary has over 200 events a month, and there are
nearly 300 entries in the Directory of performers. So it’s doing well and it is all free! No grants, no subsidies,
no membership fees, and the officers and committee claim no expenses - the 'Big Society' in action!”
Somebody tell David Cameron! But seriously, with 61 singers and groups, 14 Morris dance sides, 43 dance bands,
24 dance callers, 35 musicians, 10 folk clubs and many social dance clubs and sessions most nights of the week,
folk in Gloucestershire appears to be thriving. So when the team behind the Cheltenham Folk Festival recently
announced that it would no longer run in its current format, there was what can only be described as an
‘outcry’ from enthusiasts. Many ankle bells were shaken in anger. A series of three concerts titled ’Folk Three’
will replace the festival which has been running for around 18 years. What are Glosfolk’s views on this? “We
very much regret these changes. We have lobbied the Cheltenham Town Hall management without success. Our
strong conviction is that people will not come to a series of three evening concerts in the same numbers as
come to a vibrant festival with concerts, ceilidhs, workshops, music sessions, dancing in the streets. Therefore
Cheltenham's economy - which used to benefit to nearly £500,000 a year will suffer. However any replacement
- and we are working on plans for 2016 - will have to be sustainable in the longer term.”
With the challenges of a largely amateur style of music and very few royalties or commercial radio play for
traditional songs, Glosfolk are doing their very best to keep alive the tradition of local folk music in the county.
Good on them.
GLOSFOLK
Join Glosfolk for free at: http://www.glosfolk.org.uk/
WHO THE DEVIL ARE THEY? A ska-punk/hip-hop party machine
who have previously toured with Less Than Jake and Ugly Duckling.
EXPECT: Trumpets, keys, plenty of energy and approximately 8
grown men trying to fit onto the tiny 2 Pigs stage.
HAVE I SEEN THEM SOMEWHERE BEFORE? 2000 Trees, The Frog
& Fiddle and Boogie Lounge have all hosted Imperial Leisure locally in
the last few years.
WHO IS SUPPORTING? Emmett Brown, Kelso & Lanterns.
OUT NOW: An EP called ‘Razzle Dazzle.’ Available from all good
record shops (and some bad ones too).
DID YOU KNOW? That the band used to perform impromptu
guerrilla gigs in car parks, streets and even building sites across London. They even performed in the car park at
Reading Festival.
BUT THE 2 PIGS DOESN’T OPEN ON A THURSDAY? Imperial Leisure are coming to town—it’s a special occasion.
TICKETS: £6.50 or £9 on the door (£8 for students) from http://www.wegottickets.com/event/295881
IMPERIAL LEISURE
2 Pigs, Cheltenham December 11th
Alex Petrie and Andrew Corey make up Cheltenham band
STRESSECHOES. They recently slung their guitars over their
shoulders and visited Germany where they packed in a series of
gigs over three weeks. I asked Alex to recount his experiences
of touring in a European country and how it differs to the
circuit in the UK. Over to him…
We were recently lucky enough to tour in Germany for the third year in a
row. This time Andy and I went as a duo as we couldn’t make it as a full
band. We played 26 gigs in 21 days at various different venues: bars, cafes,
cultural centres, a university, and someone’s house. The tour was organised
by our friends at Songs & Whispers, who are based in Bremen.
It’s a pleasant change from gigging in the UK as audiences here have a
tendency to be a little ….chatty. Your average German audience will listen
in silence, and applaud heartily where appropriate, even if they weren’t
expecting a band to be playing. It is a slightly surreal experience to have
dead silence from a crowd of people while you introduce the next song or
readjust your capo. We tried to tell funny stories but Stressechoes aren’t
known for their easy stage banter.
It is traditional, in northern Germany at least, for the band to pass a collection hat around the room
and for your audience to pay you directly for their entertainment. This is a convention which has faded
out in the UK but my parents insist it used to be quite common. If pub landlords here re-introduced
the hat pass then they could put music on at no additional cost. Another lovely thing is being asked to
autograph your CD as it makes you feel like a proper musician, and slightly famous. People have been
very friendly and chatty and I suppose having an English band playing in their town must seem slightly
exotic. We must have sold more CDs in one month than we had in the previous year.
Most Germans speak conversational English, which made us both feel slightly embarrassed. On many
occasions we would launch into a practised sentence only to receive a reply in perfect English. They’re
not all good though; it is apparent that very few Germans can clap in time. It is very disconcerting
when you’re trying to keep the rhythm on guitar and you have up to 60 people all enthusiastically
keeping a different beat.
Some of you hardened musicians will have noticed that I have not addressed the most important
question: what are the kebabs like, Alex?! Well, they’re pretty amazing, so much so that we put on
about half a stone each.
STRESSECHOES do Germany.
Visit stressechoes.com or find them on Twitter @stressechoes and Facebook. They
launch a new record on January 14th at The Bayshill in Cheltenham.
BENSON DOYLE MARLBOROUGH ARMS, CIRENCESTER
WHO’S HE? They are a band, not a person.
FOR FANS OF: Led Zeppelin, U2, The Cult and The Doors.
THE BAND SAY: “We'll be previewing our new piece of work called 'Dark Flow'
which'll be a 20 minute er, epic.”
THEY HAVE RECENTLY SUPPORTED: Ex-Iron Maiden singer Blaze Bailey in
Carlisle.
IF YOU LIKE BEER: Then Corinium Ales (who are based in Cirencester) are
brewing a one off festival beer for the gig called 'Saturnalia'.
BEER AND MUSIC. CAN THIS GIG GET ANY BETTER? Indeed it can—entry is
free which means that you just need enough money for said beer and the bus ride home (other drinks are
available).
WHAT SHALL I WEAR? Casual gig attire. Jeans, souvenir t-shirt from Pink Floyd’s 1974 UK tour and optional
Santa hat to get into the festive spirit.
DOORS OPEN AT: 7.30pm. FIND OUR MORE: facebook.com/bensondoyle
ADAM BARNES ALSO ON THE BILL: Local lad Russ Poole, plus other acoustic acts in the
bar before the gig.
THE PRESS SAY: “Adam Barnes is a rising star on the folk scene with
an enviable beard and an even more impressive voice, packed with soul,
sincerity and warmth.” [Gigwise]
JUST WHAT IS THIS OBSESSION WITH FACIAL HAIR? I’ really have no
idea. What will be fashionable next? Hairy backs?
I’M ON THE FENCE ABOUT THIS BEARD THING. WHAT CAN I LISTEN
SO I CAN MAKE MY MIND UP? His album 'The Land, The Sea &
Everything Lost Beneath' can be streamed here: http://
adambarnes.bandcamp.com
DID YOU KNOW? The closest car park to Gloucester Guildhall is the Kings Walk multi-storey. Parking is FREE after
7pm. The postcode is GL1 1EA and once you’ve parked your car you can enter the Guildhall via the secret rear
entrance (stop sniggering at the back).
OTHER FAMOUS BARNES INCLUDE: John (ex-England footballer), Stuart (rugby commentator) and that
dysfunctional family from Hollyoaks (aren’t they all?).
IT’S NEARLY CHRISTMAS AND I HAVEN’T BOUGHT A SINGLE PRESENT YET. IS THIS SHOW GOING TO COST ME
AN ARM AND A LEG? Nope. Entry is just £5. Go on, treat yourself.
GUILDHALL, GLOUCESTER 5TH DECEMBER
BEHIND THE SCENE GLOUCESTERSHIRE
END OF YEAR AWARDS 2014
LIVE MUSIC VENUE
OF THE YEAR
RELEASE OF THE
YEAR (sponsored by
Cheltenham Flooring Services)
SOLO ARTIST OF THE
YEAR (sponsored by Lansdown
Studios)
BAND OF THE YEAR (sponsored by Lansdown Studios)
We’ve had a crazy idea to present some local music awards for a bit of end of year fun. We
asked for your nominations and you literally bombarded us with them! Now we’ve made a
shortlist for each category. In December our panel of judges will lock themselves in a padded
room, argue for several hours and then come up with some winners which will be announced in
January’s issue. Thank you to everyone who has contributed. Here’s our shortlist…
PRINCE ALBERT, STROUD
FROG & FIDDLE, CHELTENHAM
ST PAUL’S TAVERN, CHELTENHAM
CAFÉ RENE, GLOUCESTER
2 PIGS, CHELTENHAM
GUILDHALL, GLOUCESTER
KING SOLOMON, STILLBUST, EDENFALL,
EMP!RE ETHEMIA, ERICA
CHARLIE BAXTER, HATTIE BRIGGS, MEN
DIAMLER, PECHE/GREY AREA, EMI
MCDADE, DAMON T
EDD DONOVAN & THE WANDERING
MOLES—SOMETHING TO TAKE THE EDGE
OFF (album)
LONGSTONE— RISAIKURU (album)
HOT FEET—MIST IS DUST (EP)
BAD NEWS—SARASWATI (EP)
LANTERNS—MOVING ON (single)
THE GOING GOODS—HIP HOP ANONY-
MOUS (single)
BEHIND THE SCENE GLOUCESTERSHIRE
AWARDS SHORTLIST 2014
LIVE MUSIC VENUE OF THE YEAR
BAND OF THE YEAR (sponsored by Lansdown Studios—the
winner receives a free rehearsal slot)
PRINCE ALBERT,
STROUD
2 PIGS,
CHELTENHAM
ST PAUL’S TAVERN,
CHELTENHAM
CAFÉ RENE,
GLOUCESTER GUILDHALL,
GLOUCESTER
FROG & FIDDLE,
CHELTENHAM
Clockwise from top left:
KING SOLOMON, EMP!RE
STILLBUST, ERICA,
EDENFALL, ETHEMIA
RELEASE OF THE YEAR (sponsored by Cheltenham
Flooring Services)
SOLO ARTIST OF THE YEAR (sponsored by Lansdown
Studios—the winner receives a free rehearsal slot)
CHARLIE BAXTER HATTIE BRIGGS
MEN DIAMLER
PECHE/GREY AREA EMI MCDADE DAMON T
EDD DONOVAN &
THE WANDERING
MOLES—
SOMETHING TO
TAKE THE EDGE
OFF (album)
LONGSTONE—
RISAIKURU (album)
HOT FEET—MIST IS
DUST (EP)
BAD NEWS—
SARASWATI
(EP)
LANTERNS—
MOVING ON
(single)
THE GOING
GOODS—HIP HOP
ANONYMOUS
LIVE MUSIC VENUE OF THE YEAR
(sponsored by Behind The Scene Gloucestershire)
PRINCE ALBERT, STROUD The Prince Albert hosts live music on most nights of the week.
Artists are often creative, left-field type, ranging from local folk
musicians to more established bands. Regardless of where they
come from, they are always of the highest quality. Highlights this
year include Emily Barker, Glenn Tillbrook and Martyn Joseph.
ST PAUL’S TAVERN, CHELTENHAM
The St Paul’s Tavern is a free entry pub in the centre of
Cheltenham that just loves live music. Twice a week they put
on Open Mic nights and at the weekend you’ll see the best local
bands making as much noise as possible. Once a year they close
off the adjoining street for the bands to perform in, all in aid
of the Help For Heroes charity. This year was headlined by
Tewkesbury ska-punkers Spunge.
FROG & FIDDLE, CHELTENHAM The Frog & Fiddle has a large barn at the back that acts as a
showcase for local bands as well as a stop-off on the UK
touring circuit. 2014 has seen gigs from the likes of John
Power, Kal Lavelle and Mad Dog Mcrea, as well as local
favourites Hattie Briggs and Edd Donovan & The Wandering
Moles.
2 PIGS, CHELTENHAM The 2 Pigs is a music venue that specialises in alternative music,
whether it’s the numerous local bands it gives a first chance to
or its popular club nights that keep going until the early hours.
One of the few venues that lets under 18’s enjoy the live music
experience, it has recently played host to a show by the popular
Funeral For A Friend which sold out months in advance.
CAFÉ RENE, GLOUCESTER Café Rene has garnered a reputation for great beer, great food
and, most importantly, great music. Local acoustic artists play
throughout the week and on weekends the party gets started
with up-tempo music from all over the UK. Their annual Nott
The Notting Hill Carnival and Rene:Gade festivals are not to be
missed!
GUILDHALL, GLOUCESTER The Guildhall continues to attract national bands to Gloucester.
The venue has a superb set up for watching live music. This
year, as well as the usual touring acts that have graced the
Guildhall stage, it has also hosted it’s annual Underground
Festival and Summer Sound Fest to showcase the best up and
coming young indie and alternative bands.
KING SOLOMON King Solomon have their roots set firmly in reggae. This year
the band have played anywhere and everywhere, including One
Love Festival in Weymouth, Sport Beat and Fashion Rocks in
Gloucester. Their single ‘The Brave’ has received widespread
airplay and over 1500 plays since being released in January.
EMP!RE Empire are a 5 piece rock band. They recorded their debut mini album
‘Where the World Begins' in 2013 and have garnered positive reviews
from the likes of Kerrang, Rock Sound and Metal Hammer. This year
they paraded their vitriolic sound at venues and festival countrywide,
including Sonisphere, Y Not, Hevy and 2000 Trees.
ETHEMIA Cirencester’s Ethemia write heartfelt folk songs which have been
performed all over the country this year. In November the band
released a single for Children In Need titled ‘Don’t Let Them Down.’
And if that hasn’t persuaded you of their merits, then here’s a quote
from Gabby Roslin (of Big Breakfast fame) following a BBC Radio
London live session: “I'm completely overwhelmed. Gosh! You're
fabulous." That’s one to tell the grandchildren about.
EDENFALL
Cheltenham band Edenfall describe themselves as a 'Blackened
Gothic Doom Metal' band - not for the faint hearted! This year
their second album, 'Under Sultry Moons and Velvet Skies',
received positive reviews all over the place and the band have
supported big names such as Hecate Enthroned and Blaze Bailey.
They also played at the prestigious Whitby Gothic Weekend.
STILLBUST Earlier in the year Stillbust released their ‘77 For You
(57 For Me)’ EP on Matt Records. Punktastic said, "Still
Bust manages to cram a multitude of time signatures,
vocal styles, and varied riffing into a frantic four minutes."
In May the band performed at Groezrock Festival in
Belgium and in August supported A Willhelm Scream at
Gloucester Guildhall.
ERICA Erica’s year peaked in the summer when they performed
on the main stage at Lakefest (with Steve Norman from
Spandau Ballet as a guest on a few songs). The self-
proclaimed ‘Sons of the Highland’ host regular gigs at their
‘Funhouse’ venue out in the sticks and have recently taken
to performing on the back of a pick up truck in
Winchcombe and London to anyone who will listen.
BAND OF THE YEAR (sponsored by Lansdown Studios in
Cheltenham—the winner receives a free rehearsal slot)
CHARLIE BAXTER Charlie Baxter has taken his electro-rock sound all over the county this year,
either as a solo artist or as pasrt of bands Oui Legionairres and Last Night's
Victory. In the summer he entertained crowds at more festivals than you
could shake a stick at, including Oxjam Cheltenham, Witcombe Cider Fest,
Walk The Line, Lechlade and Vinestock.
EMI McDADE
Still in her teens, Emi McDade has cut her teeth on the Gloucestershire
open mic stage and now performs her pop-ballads regularly in
Gloucestershire accompanied by her trusty keyboard. Regularly appearing on
BBC radio, Emi released second single 'Just Begun' in July and played at
festivals far and wide this summer.
HATTIE BRIGGS Hattie Briggs' stock has risen and risen this year. As well as receiving
regular airplay over the last few months from the likes of Mark Radcliffe
and Simon Mayo, she also performed live on BBC1 Points West Television
as a result of her BBC Young Folk Awards nomination. She has supported
Sam Brookes at gigs in London and in Cheltenham, and is constantly
playing live across the country. Performances at Wychwood Festival and
Monmouth Festival supporting Seth Lakeman capped off a busy summer.
PECHE/THE GREY AREA
Peche is a familiar face on the local music scene. He hosts weekly open
mic and acoustic nights at St Paul's Tavern in Cheltenham. He also
performs under the moniker of The Grey Area, which he describes as: 'A
mixture of rock, ballad, folk, indie and everything in between, mixing in
stories and experience to bring the most out of lyrics and giving songs
meaning to many different people.'
MEN DIAMLER
Men Diamler (or Richard Abberline) has played hundreds of gigs and
festivals and released several albums over the years. This year he
toured the UK for one last time to put these songs to bed, which
culminated in one final Cheltenham gig in November at The Exmouth
Arms. Expect a new project from him in 2015 which will no doubt be
as abrasive, soulful and meaningful as the last one.
DAMON T Damon T is a New York City born singer-songwriter who frequently plays in
Gloucester and the surrounding areas. Both as a solo musician and as part
of duos, Damon is influenced by traditional blues, folk and Americana roots
music. His music is bluesy and from the heart - a real taste of Americana
in the Gloucestershire.
SOLO ARTIST OF THE YEAR (sponsored by Lansdown
Studios in Cheltenham—the winner receives a free rehearsal slot)
EDD DONOVAN & THE WANDERING MOLES—
SOMETHING TO TAKE THE EDGE OFF (album)
Edd Donovan & The Wandering Moles' debut album, Something To Take
The Edge Off, was released in April 2014 on Paper Label Records.
Described by Folk Radio UK as, "Witty, thoughtful, thought-provoking and
blessed with a melodic touch," the album has received widespread airplay
and been released on both CD and vinyl to great acclaim.
LANTERNS—MOVING ON (single)
Lanterns play good, honest pop-punk the way Billy-Joe Armstrong first
intended. Taking cues from Millencolin and Blink 182, 'Moving On' is their
debut single and was released in September. Clocking in at less than 3
minutes long, the song is an up-beat tale of breaking up and...well,
moving on. It does exactly what it says on the tin.
LONGSTONE— RISAIKURU (album)
Longstone is an improv/electronic group from Cheltenham and 'Risaikuru' is a
musical interpretation of two photographs taken in Miyagi prefecture in
Japan in 2013. Each member of the group viewed and musically interpreted
the photographs independently, and the resulting recordings were then
collected together and recycled into a cohesive composition. It's not your
average release, but then Longstone aren't your average band.
BAD NEWS—SARASWATI (EP)
Bad News' debut EP 'Saraswati' is 4 tracks of indie-folk that might just be
the start of something. Self-released in October, the EP was launched at
the Frog & Fiddle in Cheltenham. The band's dreamy vocals and delicate
guitar sound has been taken to Birmingham, Oxford and London so far this
year and they have recently recorded a BBC Introducing session.
HOT FEET—MIST IS DUST (EP)
With echoes of delta blues and the pulsing rhythms of world music, Hot
Feet's 'Mist Is Dust' EP was launched in October at The Goods Shed in
Stroud. A nationwide tour with Cocos Lovers in the same month raised
the profile of the Stroud band who are shaking off their folk tag by
making music that both haunts and mesmerises at the same time.
THE GOING GOODS—HIP HOP ANONYMOUS
(single)
'Hip-Hop Anonymous' by The Going Goods is a beatbox driven, hip-
hop confessional. It is light-hearted and summery, perfect crowd
pleasing festival music. As a big fan of potato based snacks, any song
that name-checks Pringles and Wotsits deserves a nomination for an
end of year award in our book.
RELEASE OF THE YEAR
(sponsored by Cheltenham Flooring Services)
www.cheltenhamflooringservices.co.uk
HOW DID YOU CHOOSE THE SHORTLIST?
We had a few thoughts in mind and then we asked the great Gloucestershire music loving
public to suggest their ideas too via an online survey in the second week of November.
Hundreds of you put forward your opinions and we took most of them on board!
HOW CAN A BAND BE NOMINATED FOR ‘BAND OF THE
YEAR’ BUT NOT ‘ALBUM OF THE YEAR’ TOO?
We’ve given a maximum of one nomination per band/artist. We wanted to spread the
nominations around as much as possible and that seemed the best way to do it.
MY BAND DIDN’T MAKE ANY SHORTLIST. WHY THE HELL
NOT? I GOT ALL OF MY FRIENDS TO VOTE FOR US.
Because the awards would end up going to the people with the most persistent fans (and that
just isn’t our thing). Sorry you didn’t make the shortlist, but at least you know that you
have good friends who will do anything for you!
WILL THERE BE AN AWARDS CEREMONY?
Not this year. A few kind venues have offered to host one but we just don’t have time to
organise it properly at the moment. We’ve got full-time jobs to work, presents to wrap and
turkeys to stuff. And besides, we don’t want Chumbawumba turning up and throwing a
bucket of water over us.
SO WHAT NOW?
We’ll put our heads together, get some opinions of like-minded Gloucestershire music fans, and
make a decision on the winners. They’ll be announced in January’s issue of Behind The Scene
Gloucestershire.
YOUR QUESTIONS ANSWERED...
WILL THE WINNERS GET AN ACTUAL AWARD?
They sure will! Just a little token of our appreciation that they can put on their
mantelpiece, use as a doorstop or sell for scrap metal (whatever takes their fancy). The
winners of the ‘Band of the Year’ and ‘Solo Artist of the Year’ will also win a rehearsal slot
at Lansdown Studios in Cheltenham (who have kindly donated those prizes).
YOU’VE ONLY CHOSEN BANDS YOU LIKE.
Well, we wouldn’t choose bands we didn’t like would we? Thanks for your support!
A HUGE THANK YOU TO OUR SPONSORS
CHELTENHAM FLOORING SERVICES
www.cheltenhamflooringservices.co.uk
LANSDOWN STUDIOS
Prior to his performance at the 2 Pigs in Cheltenham on Friday 21st
November, I caught up with Tom Spice to have a chat about how he
prepares for performances and some of his experiences playing live…
How do you decide what your setlist is going to be? I normally have a
rough idea of what songs I want to play but I’ll feed off the crowd and
change the set list around to suit the atmosphere. I have quite a big
repertoire that I can take songs from so I’ll try and fit it to the crowd.
Where do you like playing? I tend to play in pubs or in more intimate
venues. In pubs it can be tricky if there’s people that are just in there
for a drink and they don’t really expect you to be in the corner singing!
Or there might be a drunk heckler that requests ‘Wonderwall’! But it’s a
good experience. It’s different to a venue where it’s more professional
and people that attend are purposely there to watch music.
Do you still get nerves before a gig or are you used to it now? No! I still get nervous, all the time. If I didn’t
get nervous there would be something wrong!
Do you have a rider? I don’t, I just ask for a few pints! A pint tends to help with the nerves a little and it has
become part of my look now! It’s nice to go on stage with a drink.
TOM SPICE
TOM SPICE, POLARY BEAR, FREEFALL & ALL EARS AVOW
The night got off to a flying start when
Tom Spice stepped on to the stage to
kick off the night’s action. Playing a
range of covers, the crowd went wild for
a flamenco style rendition of ‘I Will
Survive’, followed by ‘King of The
Swingers’ (yes, that one from The
Jungle Book!) that even included a scat
solo.
Polary Bear kept the audience going,
their set of hard rock got rowdy and
the crowd ate it up. Mosh pits were
formed and crowd surfers were raised up
to the heavens. Or the roof at least. Both the throng before the stage and the band themselves were
unrestrained, as demonstrated in their lively antics.
Freefall maintained the energy, keeping the crowd singing along. They played their own brand of pop-punk and
covered Blondie’s ‘Maria’. Lead singer Elin Allan brought a powerful voice to the stage, and rocked the covers.
All Ears Avow were by far the loudest act on a bill of loud acts. The mosh pits were a grand affair, one reveller
even injuring themselves. Playing songs from their EP ‘Home’ and some new material, the headliners have
certainly established themselves as an enthralling live band. They ended on ‘Crazy Chris’, dedicated to one of the
members’ dads, rounding off what was an excellent night of local talent.
2 PIGS, CHELTENHAM 21ST NOVEMBER
www.facebook.com/tomspicemusic
Freefall
Our thanks go to Tone Radio from University of Gloucestershire for their
contributions. Tom Spice interview and 2 Pigs gig review by Hannah Barlow.
http://www.toneradio.co.uk/