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    Continued

    Before&After XiBAmagazine.com U

    Design talk 0634

    FiveDesignIdeasLow-Budget Layout PhotoGridVisualHierarchy StorytellingObject

    RevealingCover

    DesignTalk5

    2006AgriScience

    Conference

    2720 West Ellers Lane

    Fairfield, Idaho 83330

    P: 208.123.4567

    F: 209.123.4568

    www.agrowtechnology.com

    AGROWTECHNOLOGY

    THE CENTER FOR AGRISCIENCE & TECHNOLOGY EDUCATION

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    2of9 Design talk 0634

    XiBAmagazine.com UDesign talk 2of9

    Layout Narrow page makes a revealing cover

    Give your next report cover a bit of intrigue! A narrow page greets the reader with

    a colorful photo (the establishing shot) and a peek at the page beneath. Behind the

    cover is the introductory text. Its a segue thats easy to make and always engaging.

    This is basically a two-page cover, so both pages should be on heavy, cover-weight

    stock. Note in the layout above that the text aligns with the horizon.Colored, textured stock is an inexpensive

    alternative excellent for a series (above).

    Reverse the sequence Headline on the

    cover with photo inside shifts the emphasis.

    2006AgriScience

    Conference

    2720 West Ellers Lane

    Fairfield, Idaho 83330

    P: 208.123.4567

    F: 209.123.4568

    www.agrowtech nology.com

    2006AgriScience

    Conference

    2720 West Ellers Lane

    Fairfield, Idaho 83330

    P: 208.123.4567

    F: 209.123.4568

    www.agrowtech nology.com

    Introduction

    (Left) Texture and flasp netexating end mistofit snooling. Spaffforl isntcubularbut

    quastic, leam restartthatcantprebast. Itstope, thisfluant chasible. Silk, shast, lape its

    and behastthe thin chack flasp netexating end mistof itsnooling.

    Texture and flaspnetexating end mistof it snooling.Spaff forl isntcubular itbut

    quastic,leam restartthatcantprebast.Its tope,thisfluantchasible.Silk,shast,

    lape and behastthe thin chack.Ithaslarch tosay fan.Why? Elesaraand orderis

    fayof alm.A card whintnotoogum orbont.Pretty simple,glead and tarm.Texture

    and flaspnet exatingend mistof itsnooling. Spaff forl isntcubular butquastic,

    leam restartthat cantprebast.Its tope,this isfluant chasible.Silk,shast, lape and

    behastthe thin chack.It haslarch tosayfan. Why? Texture and flaspnetexating

    endsitmistof itsnooling.tntnotoogum or bont.Prettysimple,glead and tarm

    thatcant fayof alm leam restartprebast.

    Its tope,thisfluantchasible.Silk,shast,lape and behastthe thin chack.Ithas

    larchto sayfan.Why? Elesaraand orderis fayof alm.A card itswhintnotoogum

    orbont. Prettysimple, glead and tarm.Texture and flaspnetexating end mistof

    itsnooling. Spaff forl isntcubular butquastic, leam restartthat cantprebast.It s

    tope,thisfl uantthe thin chacknet exatingchasible.

    A card whintnot oogum orbont.Pretty simple,glead and tarm.Texture and flasp

    netexatingend mistof itsnooling.Atnotoogum or bont.Ithaslarchtosayfan.

    Why? Elesaraand orderis fayof alm.A card isnot atall whintnot oogum orbont.

    Prettysimple,glead and tarm.Texture and flaspnet exatingend mistof it.Behast

    the thin chack.Ithaslarchtosayfan fluantthe thin chacknet.

    AGROWTECHNOLOGY

    THE CENTER FOR AGRISCIENCE & TECHNOLOGY EDUCATION

    AGROWTECHNOLOGY

    THE CENTER FOR AGRISCIENCE & TECHNOLOGY EDUCATION

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    XiBAmagazine.com U

    Layout Many photos? Display them in a grid!

    Neater than a scrapbook-style collage yet just as versatile, a grid is a beautifully simple

    way to display a group of photos. A grid accommodates large and small photos, side by

    side and overlapped, yet functions as a single, easy-to-design unit.

    Grid of squares Sometimes you cant find that one perfect

    photo. Use many! Set up a uniform grid, then crop your pho-

    tos to fit a square or some multiple of squares. A 16-unit grid

    (above) can contain between one and 16 images. Note (right)

    that the grid lines remain on top.

    Grid divides the

    page neatly into

    three sections; type

    aligns to a grid line.

    Child Health & Nutrition

    A parents guide for childrenfrom birth to five

    Image overlapping

    another

    Design talk 3of9

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    XiBAmagazine.com U

    It has a strong foundaton (1) The page is first divided

    into three main sections. (2) Each section is divided into

    subsections. (3) The sub-sections are then divided again.

    High dark-lightcontrast separates section A from the other

    two; slight value differences then separate its subsections

    (2). Thus divided, the page can carry many kinds of infor-

    mation. Note especially that the main headlines are identi-

    cal in style, a unifying point among the differences.

    Men.style.coms Web page is presenting a lot

    of information; we count nine photos, a dozen

    headlines with deckheads, more than a dozen

    sections, a header, big stories, small stories,

    advertising, a search function . . . whew! Yet

    the result is focused, handsome and accessible.

    How do they do it? By paying attention to visualhierarchy. The page has objects big to small,

    contrasts ofdarkand lightand differences of

    organicand geometric. A few pointers:

    Web design Visual hierarchy is the key to handling lots of information

    Straight-shooter Gyllenhaal is the unmistakable focal point. Why is his

    image so strong? Count the ways: 1) Its the BIGGEST thing on the page.

    2) Its a silhouette in contrast with all those rectangles. 3) It overlaps an

    edge. 4) Its dark set against white. 5) Its a face, the most familiar of all

    images, and hes looking straight at you.

    1 2

    A

    www.men.style.com

    3

    Design talk 4of9

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    XiBAmagazine.com U

    Image Small objects soften the scene

    Draw the reader into your story with a technique that Jeep is usingadd to

    your page a small object or two from the scene. This softens hard edges and gives

    your layout an inviting, human dimension.

    Warm the scene

    (Above) The Jeeps are big and mechanical and coming

    at you! By adding objects that are small enough to hold

    in your hand, youll warm the scene by giving it a human

    scale. Natural objects like stones and leaves serve to

    soften straight, artificial edges. (Right) For the most tac-

    tile look, remove the object from its original background,

    and place it right on the page! Add a hint of shadow.

    www.jeep.com

    Design talk 5of9

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    Layout No budget? In a hurry? Think in extremes

    Small, fast, low-budget jobs are easiest to

    do when you think in extremesmake your

    image very large, or make it very small. Dip

    into your clip-art (or picture-font) collection,

    and have a look:

    Itsaboy!Name: TomWilsonRenaldsBorn:March3, 2006Time: 2:15a.m.Weight: 7lbs3 oz

    Black & white picture font? Need color?

    Type your picture, and convert it to outlines

    (Type>Create Outlines). Then use the Direct Selection

    Tool (the white arrow) to select and fill areas with color.

    Small and repetitive Generic images seem less generic when

    your design is helping out. Here, three small pictures in a row

    make a playful design in minutes. Single line of small type adds

    sophistication. White is the dominant design element.

    Big and simple Scale a single image up, up,

    up, then lower its opacity, and youll have acool announcement with almost no effort. Light type and image are

    a classy counterpoint to the goofy stork. Note the alignment (inset).Celebrate the start ofsummer at our backyard

    bash! when: 5 /30 /0 6 @3 p.m. where: 1525 Stone Creek Drive, Lincoln CA

    dogs burgersyou

    Itsaboy!Name:TomWilson RenaldsBorn: March 3,2 006Time:2 :15a .m.Weight: 7 lbs 3 oz

    Design talk 6of9

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    XiBAmagazine.com UDesign talk 7of9

    AGROWTECHNOLOGY

    THE CENTER FOR AGRISCIENCE & TECHNOLOGY EDUCATION

    Typefaces

    1 (ad) Laudatio BQ Medium Condensed

    a) 20 pt, b) 230 pt, c) 95 pt, d) 10 pt

    2 Adobe Caslon Regular | 12/17 pt

    3 Frutiger 55 Roman | 8/14 pt

    4 Frutiger 67 Bold Condensed | 24 pt

    Images

    5 (ad) iStockphoto.com | a b c d

    Article resources

    Colors

    C5 M50 Y100 K5

    C40 M35 Y90 K45

    C0 M0 Y0 K65

    C0

    M0

    Y0

    K75

    6

    7

    8

    9

    BENEFITS

    5b 5c 5d

    6

    7

    8

    9

    4

    2006AgriScienceConference

    2720 West Ellers Lane

    Fairfield, Idaho 83330

    P: 208.123.4567

    F: 209.123.4568

    www.agrowtechn ology.com

    Introduction

    (Left) Texture and flasp netexating end mistofit snooling. Spaffforl isntcubularbut

    quastic, leam restartthatcantprebast. Itstope, this fluantchasible. Silk, shast, lape its

    and behastthe thin chackflasp netexating end mistofit snooling.

    Texture and flaspnetexating end mistof it snooling.Spaff forl isntcubular itbut

    quastic,leam restartthatcantprebast.Its tope,thisfluant chasible.Silk,shast,

    lape and behastthe thin chack.Ithaslarch tosayfan. Why? Elesaraand orderis

    fayof alm.A card whintnotoogum orbont.Pretty simple,glead and tarm.Texture

    and flaspnet exatingend mistof it snooling.Spaff forl isntcubularbutquastic,

    leam restartthat cantprebast.Its tope,this isfluant chasible.Silk,shast, lape and

    behastthe thin chack.It haslarch tosayfan. Why? Texture and flaspnetexating

    endsitmistof itsnooling.tntnot oogum orbont.Prettysimple,glead and tarm

    thatcant fayof alm leam restartprebast.

    Its tope,thisfluantchasible.Silk,shast,lape and behastthe thin chack.Ithas

    larchto sayfan.Why? Elesaraand orderis fayof alm.A card itswhint notoogum

    orbont. Prettysimple, glead and tarm.Texture and flaspnet exatingend mistof

    itsnooling. Spaff forl isntcubular butquastic, leam restartthat cantprebast. Its

    tope,this fluantthe thin chacknet exatingchasible.

    A card whintnot oogum orbont.Pretty simple,glead and tarm.Texture and flasp

    netexatingend mistof itsnooling.Atnotoogum or bont.Ithaslarchtosayfan.

    Why? Elesaraand orderis fayof alm.A card isnot atall whintn otoogum orbont.

    Prettysimple,glead and tarm.Texture and flaspnet exatingend mistof it.Behast

    the thin chack.Ithaslarchtosayfan fluantthe thin chacknet.

    1a

    1b

    1c

    5a

    2

    1d

    3

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    Its a boy!Name:Tom RenaldsBorn:March3,2006Time:2:15a.m.Weight: 7lbs3 oz

    dogs burgers you

    Child Health & Nutrition

    A parents guide for childrenfrom birth to five

    Celebratethestartofsummeratourbackyardbash! when:5/30/[email protected]. where: 1525StoneCreekDrive,LincolnCA

    Design talk 8of9

    Typefaces

    1 (ab) Adobe Jenson Pro Regular

    a) 46 pt, b)12/15 pt

    2 DF Inspirations One LET Plain

    3 PictureFonts Food and Drink

    4 Expressions

    5 (ab) Hamilton Light | a) 15 pt,b) 13 pt

    6 Helvetica Neue Std Thin | 27 pt

    7 Helvetica Neue Std Bold | 17/19 pt

    8 Utopia Italic | 12.5 pt

    9 Helvetica Neue Std Light | 10 pt

    Images

    10 (ah) iStockphoto.com | a b cd e f g h

    Article resources

    Colors

    C45 M5 Y0 K0

    C0 M0 Y0 K100

    C0 M0 Y0 K50

    C100

    M40

    Y0

    K35

    11

    12

    13

    14

    14

    10f

    3

    1a

    3 4

    10a

    10b

    10c

    10d

    6

    7

    10e

    8

    1b

    2

    11

    5a

    12

    13

    5b 9

    10h

    10g

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    Before&After

    9of9 | Printing formats

    Design talk 0634

    XiBAmagazine.com U

    Before & After magazine

    Before & After has been sharing its practical approach

    to graphic design since 1990. Because our modern world

    has made designers of us all (ready or not), Before &

    After is dedicated to making graphic design understand-

    able, useful and even fun for everyone.

    John McWade Publisher and creative director

    Gaye McWade Associate publisher

    Vincent Pascual Staff designer

    Dexter Mark Abellera Staff designer

    Design advisor Gwen Amos

    Before & After magazine

    323 Lincoln Street, Roseville, CA 95678

    Telephone 916-784-3880

    Fax 916-784-3995

    E-mail [email protected]

    www http://www.bamagazine.com

    Copyright 2006 Before & After magazine

    ISSN 1049-0035. All rights reserved.

    You may pass along a free copy of this article to others

    by clicking here. You may not alter this article, and you

    may not charge for it. You may quote brief sections

    for review; please credit Before & After magazine, and

    let us know. To link Before & After magazine to your

    Web site, use this URL: http://www.bamagazine.com.

    For all other permissions, please contact us.

    Subscribe to Before & After

    Did you learn from this article? Subscribe, and

    become a more capable, confident designer

    for pennies per article. To learn more, go to

    http://www.bamagazine.com/Subscribe

    E-mail this articleTo pass along a free copy of this article to

    others, click here.

    Join our e-list

    To be notified by e-mail of new articles as

    they become available, go to

    http://www.bamagazine.com/email

    Design talk 9of9

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    XiBAmagazine.com UBefore&After

    Back | Paper-saver format

    For paper-saver formatPrint: (Specify pages 1115)

    For presentation formatPrint: (Specify pages 19)

    Before & After is made to fit your binder

    Before & After articles are intended for permanent reference. All are titled and numbered.

    For the current table of contents, click here. To save time and paper, a paper-saver format of this article,

    suitable for one- or two-sided printing, is provided on the following pages.

    Print

    Format: Landscape

    Page Size: Fit to Page

    Save

    Presentation format or

    Paper-saver format

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    1of5

    DesignTalk5:FiveDesig

    nIdeas0634

    0634DesignTalk5:FiveDesignIdeas

    LayoutNarrow

    pagemakesarevealingcover

    Th

    isisbasicallyatwo-pagecover,sobothpagesshouldbeon

    heavy,cover-weight

    st

    ock.Noteinthelayoutabove

    thatthetextalignswiththeh

    orizon.

    Co

    lored,texturedstockisaninex

    pensive

    alternativeexcellentforaseries(abo

    ve).

    Re

    versethesequenceHeadlineo

    nthe

    coverwithphotoinsideshiftstheem

    phasis.

    2006

    AgriScience

    Conference

    2720WestEllersLane

    Fairfield,Idaho83330

    P:208.123.4567

    F:209.123.4568

    www.agrowtechnology.com

    2006

    AgriScience

    Conference

    2720WestEllersLane

    Fairfield,Idaho83330

    P:208.123.4567

    F:209.123.4568

    www.agrowtechnology.com

    Introduction

    (Left)Textureandflaspnetexatingend

    mistofitsnooling.Spaffforlisntcubularbut

    quastic,leamrestartthatcantprebast.Itstope,thisfluantchasible.Silk,shast,lapeits

    andbehastthethinchackflaspnetexa

    tingendmistofitsnooling.

    Textureandflaspnetexatingendm

    istofitsnooling.Spaffforlisntcubularitbut

    quastic,leamrestartthatcantprebast.Itstope,thisfluantchasible.Silk,shast,

    lapeandbehastthethinchack.Ith

    aslarchtosayfan.Why?Elesaraandorderis

    fayofalm.Acardwhintnotoogum

    orbont.Prettysimple,gleadandtarm.Texture

    andflaspnetexatingendmistofitsnooling.Spaffforlisntcubularbutquastic,

    leamrestartthatcantprebast.Itstope,thisisfluantchasible.Silk,shast,lapeand

    behastthethinchack.Ithaslarchtosayfan.Why?Textureandflaspnetexating

    endsitmistofitsnooling.tntnotoogumorbont.Prettysimple,gleadandtarm

    thatcantfayofalmleamrestartprebast.

    Itstope,thisfluantchasible.Silk,

    shast,lapeandbehastthethinchack.Ithas

    larchtosayfan.Why?Elesaraand

    orderisfayofalm.Acarditswhintnotoogum

    orbont.Prettysimple,gleadandtarm.Textureandflaspnetexatingendmistof

    itsnooling.Spaffforlisntcubularbutquastic,leamrestartthatcantprebast.Its

    tope,thisfluantthethinchacknetexatingchasible.

    Acardwhintnotoogumorbont.P

    rettysimple,gleadandtarm.Textureandflasp

    netexatingendmistofitsnooling.Atnotoogumorbont.Ithaslarchtosayfan.

    Why?Elesaraandorderisfayofalm

    .Acardisnotatallwhintnotoogumorbont.

    Prettysimple,gleadandtarm.Textureandflaspnetexatingendmistofit.Behast

    thethinchack.Ithaslarchtosayf

    anfluantthethinchacknet.

    AGROWTECHNOLOGY

    THECENTERFOR

    AGRISCIENCE

    &TECHNOLOGY

    EDUCATION

    AGROWTECHNOLOGY

    THECENTER

    FORAGRISCIENCE&TECHNOLOGYEDUCATION

    Giveyournextreportc

    overabitofintrigue!Anarr

    owpagegreetsthereaderw

    ith

    acolorfulphoto(theestablishingshot)andapeekatthepagebeneath.Behi

    ndthe

    coveristheintroducto

    rytext.Itsaseguethatseas

    ytomakeandalwaysengag

    ing.

    Five

    Design

    Ideas

    Low-Budg

    etLayout

    PhotoGrid

    VisualHierarc

    hy

    Storytelling

    Object

    Revealin

    gCover

    D

    esignT

    alk5

    2006

    AgriScience

    Conference

    2720WestEllersLane

    Fairfield,Idaho83330

    P:208.123.4567

    F:209.123.4568

    www.agrowtechnology.com

    A G R O WTECHNOLOGY

    THECENTERFOR

    AGRISCIENCE&TECHNOLOGYEDUCATION

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    2of5

    DesignTalk5:FiveDesig

    nIdeas0634

    0634DesignTalk5:F

    iveDesignIdeas

    ChildHealth

    &Nutrition

    Aparentsguide

    forchildren

    frombirthtofive

    WebdesignVisualhierarchyisthe

    keytohandlinglot

    sofinformation

    GridofsquaresSometime

    syoucantfindthatoneperfect

    photo.Usemany!Setupau

    niformgrid,thencropyourpho-

    tostofitasquareorsomem

    ultipleofsquares.A16-unitgrid

    (above)cancontainbetweenoneand16images.Note(right)

    thatthegridlinesremainon

    top.

    Griddivid

    esthe

    pagenea

    tlyinto

    threesec

    tions;type

    alignstoagridline.

    Imageoverlapping

    another

    Ithasa

    strongfoundaton(1)Thepage

    isfirstdivided

    intothre

    emainsections.(2)Eachsectionisdividedinto

    subsections.(3)Thesub-sectionsarethen

    dividedagain.

    Highdark

    -lightcontrastseparatessection

    Afromtheother

    two;slightvaluedifferencesthenseparate

    itssubsections

    (2).Thus

    divided,thepagecancarrymany

    kindsofinfor-

    mation.Noteespeciallythatthemainhead

    linesareidenti-

    calinsty

    le,aunifyingpointamongthedifferences.

    Men.style.comsWebpageisprese

    ntingalot

    ofinfo

    rmation;wecountninepho

    tos,adozen

    headlineswithdeckheads,morethanadozen

    sections,aheader,bigstories,sma

    llstories,

    advert

    ising,asearchfunction...w

    hew!Yet

    theresultisfocused,handsomean

    daccessible.

    Howd

    otheydoit?Bypayingatten

    tiontovisual

    hierarchy.Thepagehasobjectsbigtosmall,

    contra

    stsofdarkandlightanddifferencesof

    organi

    candgeometric.Afewpointers:

    Straight-shooterGyllenhaalistheunmistakablefocalpoint.Whyishis

    imageso

    strong?Counttheways:1)Itsthe

    BIGGESTthingonthepage.

    2)Itsasilhouetteincontrastwithallthose

    rectangles.3)Itoverlapsan

    edge.4)It

    sdarksetagainstwhite.5)Itsaf

    ace,themostfamiliarofall

    images,andheslookingstraightatyou.

    1

    2

    A

    www.me

    n.style.com

    3

    LayoutManyphotos?Displaytheminagrid!

    Neaterthanascrapbook-stylecollageyetjustasversatile,agridisabeautifull

    ysimple

    waytodisplayagroup

    ofphotos.Agridaccommo

    dateslargeandsmallphotos,sideby

    sideandoverlapped,y

    etfunctionsasasingle,easy-to-designunit.

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    3of5

    DesignTalk5:FiveDesig

    nIdeas0634

    0634DesignTalk5:F

    iveDesignIdeas

    Drawthereaderintoy

    ourstorywithatechniquethatJeepisusingaddto

    yourpageasmallobje

    ctortwofromthescene.Th

    issoftenshardedgesandgives

    yourlayoutaninviting

    ,humandimension.

    W

    armthescene

    (Above)TheJeepsarebigandmecha

    nicalandcoming

    at

    you!Byaddingobjectsthataresm

    allenoughtohold

    in

    yourhand,youllwarmthescenebygivingitahuman

    scale.Naturalobjectslikestonesand

    leavesserveto

    softenstraight,artificialedges.(Right)Forthemosttac-

    tile

    look,removetheobjectfromitsoriginalbackground,

    an

    dplaceitrightonthepage!Adda

    hintofshadow.

    www.jeep.com

    ImageSmallob

    jectssoftenthesc

    ene

    Small,fast,low-budge

    tjobsareeasiestto

    dowhenyouthinkinextremesmakeyour

    imageverylarge,ormakeitverysmall.Dip

    intoyourclip-art(orp

    icture-font)collection,

    andhavealook:

    Itsaboy!

    Name:TomWilsonRenalds

    Born:March3,2006

    Time:2:15a.m.

    Weight:7lbs3oz

    Black&white

    picturefont?Needcolor?

    Typeyourpictu

    re,andconvertittooutlines

    (Type>CreateOu

    tlines).ThenusetheDirectSelection

    Tool(thewhitea

    rrow)toselectandfillareaswithcolor.

    SmallandrepetitiveGenericimagesseemlessgenericwhen

    yourdesignishelpingout.H

    ere,threesmallpicturesinarow

    makeaplayfuldesigninmin

    utes.Singlelineofsmalltypeadd

    s

    sophistication.Whiteisthedominantdesignelement.

    BigandsimpleScaleasingleimageup,up,

    up,thenloweritsopacity,andyoullhavea

    coolannouncementwithalmostnoeffort.Lighttypeandimageare

    aclassycounterpointtothe

    goofystork.Notethealignment(inset).

    C e le b ra te th e s ta

    rto fsu m m e ra to u rb a ck ya rd b a sh !

    w h

    e n :5 /30 /0 6 @ 3p .m .w h e r e :15 25 Sto n e C re e k D r ive ,Lin co l n C A

    d o g s

    b u rg e rs

    y o u

    Itsaboy!

    Name:TomWilsonRenalds

    Born:March3,2006

    Time:2:15a.m.

    Weight:7lbs3oz

    Layout

    Nobudget?Inahurry?Thinkinextremes

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    4of5

    DesignTalk5:FiveDesig

    nIdeas0634

    0634DesignTalk5:F

    iveDesignIdeas

    Itsaboy!

    Name:TomRenalds

    Born:March3,2006

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