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Basic Principles of Sensation and Perception

Basic Principles of Sensation and Perception

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Basic Principles of Sensation and Perception. Sensation vs. Perception. Basketball Study: http://www.youtube.com/watch?v=vJG698U2Mvo - PowerPoint PPT Presentation

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Page 1: Basic Principles of Sensation and Perception

Basic Principles of Sensation and Perception

Page 2: Basic Principles of Sensation and Perception

Sensation vs. Perception• Basketball Study:

http://www.youtube.com/watch?v=vJG698U2Mvo

• Inattentional Blindness = inability to see an object or a person in our midst. Intuitively, we think that as long as our eyes are open, we are seeing. Research beginning with Ulrich Neisser’s “basketball study,” has clearly indicated that visual perception is not like a videotape.

Page 3: Basic Principles of Sensation and Perception

Sensation vs. Perception

Sensation /Bottom-Up Processing

• The stimulation of sensory receptors (cilia in ears, rods/cones in vision, taste buds) by the properties of the stimulus (sound waves, light energy, chemicals) and the transmission of sensory information into the central nervous system

Perception/Top-Down Processing

• The process by which the brain organizes and interprets the data received from the senses, enabling us to recognize meaningful objects and events.

• Interpreting what we sense based on prior knowledge or context

Psychophysics = study of the relationship between physical characteristics of stimuli and our

psychological experience of them (light brightness, sound volume, pressure weight, taste

sweetness)

Page 4: Basic Principles of Sensation and Perception

Sensation vs. PerceptionBottom-Up Processing

Analysis of the stimulus begins with the sense receptors and works up to the level

of the brain and mind.

Picture is really black and white blotches broken down into features by the brain

Top-Down Processing

Information processing guided by higher-level mental processes as we construct perceptions, drawing on our experience

and expectations.

Based on expectations, context or “love of dogs”, we make meaning out of the black and white blotches and perceive a dog.

4

What is this picture?

Page 5: Basic Principles of Sensation and Perception

5

THE CHT

Bottom-Up ProcessingAnalysis of the stimulus begins with the sense receptors and works up to

the level of the brain and mind.

Letter “A” is really a black blotch broken down into features by the brain that we perceive as an “A.”

Top-Down ProcessingInformation processing guided by higher-level mental processes as

we construct perceptions, drawing on our experience and expectations.

Sensation vs. Perception

Page 6: Basic Principles of Sensation and Perception

Sensation/Perception

• Transduction: sensory receptors (eyes, ears, nose, skin, tongue) convert the stimulus into neural impulses which are sent to the brain

• EX: Receptor cells in the inner ear convert sound waves/vibrations into electrochemical signals. These signals are carried by neurons to the brain

Page 7: Basic Principles of Sensation and Perception

Process of Sensation and Perception1. Any change in energy in environment creates stimuli

(light waves, sound vibrations, pressure)…

2. which activates receptor cells of sense organs (eye, ear) to trigger electrical signals or impulses…

3. which are transformed by the brain into…

4. sensations or meaningless bits of sensory information…

5. to which experience automatically adds meanings, feelings, and memories…

6. which result in meaningful patterns or images known as perceptions.

Page 8: Basic Principles of Sensation and Perception

Sensation & Perception Don’t “Just Happen”

Sensation Light bounces off Lemon Light forms image of Lemon on

retina (upside down) Image generates electrical

signals in receptors Signals travel along nerve fibers to

the brain...

PerceptionSignals are processed and you “perceive” Lemon

Page 9: Basic Principles of Sensation and Perception

9

No

Detection

Intensity

AbsoluteThreshold

Detected

YesYesNo No

Observer’s Response

Tell when you (the observer) detect the light (50% of the time).

Page 10: Basic Principles of Sensation and Perception

Absolute Thresholds

0

25

50

75

100

Low Absolutethreshold

Medium

Intensity of stimulus

Percentageof correctdetections

Subliminal stimuli

Page 11: Basic Principles of Sensation and Perception

Sensing the World: Basic Principles • Absolute Threshold = the lowest amount of stimulus needed to notice it 50% of the

time.

– Measure absolute threshold by recording the stimulation needed for us to pinpoint its appearance 50% of the time

– As stimulus intensity increases, subjects’ probability of responding to stimuli gradually increases

– There is no single stimulus intensity at which the subject jumps from no detection to completely accurate detection not really “absolute” or constant. Threshold varies within a person over time – due to changing psychological states, hormone levels, sensory adaptation, etc

– EX: You turn down the radio to a point where you only hear the faint sound half the time. Then that loudness (decibel) is your absolute threshold for sound.

– EX: The level of heat on a car heat warmer to feel it half the time.

– EX: Lemon Lab – the number of lemons it takes to smell the scent of lemons in a room half the time

Page 12: Basic Principles of Sensation and Perception

Sensing the World: Basic Principles • Difference Threshold (just noticeable difference or jnd) = the

lowest difference between two stimuli that person can detect 50% of the time.

• EX: A musician must detect minute discrepancies in an instrument’s tuning

• EX: A wine taster must detect the slight flavor difference between two vintage wines

• EX: Parents must detect the sound of their own child’s voice amid other children’s voices

• EX: Lemon Lab – students must detect the slight weight, firmness, size, etc between the lemons.

Page 13: Basic Principles of Sensation and Perception

13

Difference ThresholdDifference Threshold: Minimum difference

between two stimuli required for detection 50% of the time, also called just

noticeable difference (JND).

DifferenceThreshold

Tell when you (observer) detect a difference in the light. (50% of the time)Light intensity – the two light bulbs must differ by 8% (Weber’s Law)

NoObserver’s Response

No Yes

Page 14: Basic Principles of Sensation and Perception

Sensing the World: Basic Principles • Weber’s Law = regardless of magnitude, two stimuli must differ by a

constant proportion for the difference to be noticeable.

• Light intensity – 8%

• Tone frequency - .3%

• Weight – 2%

– EX: Lemon Lab – if you lemon weighs 6 oz then the next lemon will have to weigh .12 oz heavier or .12 oz lighter in order to detect the difference between lemon

– JND varies according to the strength or intensity of the original stimulus. The greater the stimulus the greater the change necessary to produce JND

• EX: If a farmer grows giant lemons, a greater difference threshold will be needed to determine a change from a 500 oz lemon, such as a change of 10 oz versus .12 oz with a 6 oz lemon.

Page 15: Basic Principles of Sensation and Perception

Sensing the World: Basic Principles • Fechner’s Law – larger and larger increases in stimulus intensity are required to produce

perceptible increments in the magnitude of sensation. Constant increments in stimulus intensity produce smaller and smaller increases in perceived magnitude of sensation.

• Scene #1: dark room – add one light bulb – difference in light is striking

• Scene #2: same room – add a second light bulb – the amount of light is doubled but the room does not seem twice as bright

• Scene #3: same room – add a third light bulb, it adds just as much light as the second, but you barely notice the difference

• Three equal increases in stimulus intensity produces progressively smaller differences in the magnitude of sensation

Page 16: Basic Principles of Sensation and Perception

Sensing the World: Basic Principles • Sensory Adaptation = lowered sensitivity due to constant

exposure from a stimulus. After constant exposure to a stimulus, our nerve celss fire less frequently

– EX: when you go into someone’s house you notice an odor…but this only lasts for a little while because sensory adaptation allows you to focus your attention on changing environment

– EX: forget your sunglasses are on the top of your head.

– EX: Lemon Lab – students toward the end had a harder time detecting their lemon

Page 17: Basic Principles of Sensation and Perception

Sensing the World: Basic Principles • Signal Detection Theory – predicting when we will notice a weak stimulus

(signal). Detecting a weak signal depends on:

1. Signal’s strength

2. Our internal psychological state (experience, motivation, and fatigue)

Absolute threshold is not really “absolute”! Absolute Threshold varies depending on the level and nature of ongoing sensory stimulation; differs moment to moment and person to person

– EX: exhausted parents of a newborn will notice the faintest whimper from the cradle, while failing to notice louder, unimportant sounds.

– EX: On a dark night, on a lonely street, a twig snapping might trigger a stimulus that wouldn’t fire if it were light and busy.

– EX: Lemon Lab – fatigue, embarrassment, motivation among students can influence the detection of the lemon

Page 18: Basic Principles of Sensation and Perception

Sensing the World: Basic Principles • A stimulus is Subliminal if it is below your absolute

threshold, you detect it less than 50% of the time.

0

25

50

75

100

Low Absolutethreshold

Medium

Intensity of stimulus

Percentageof correctdetections

Subliminal stimuli

Not always about unconscious processing, just means below absolute threshold (consciously detect a weak stimulus some of the time)

Page 19: Basic Principles of Sensation and Perception

Vision

Page 20: Basic Principles of Sensation and Perception

Visual Processing: SENSATION->light waves cornea pupil (iris) lens retina (rods and cones – Begin Color trichromatic theory bipolar ganglion – 1st stage of Color opponent process) optic nerve (blind spot) thalamus occipital lobe (visual cortex – end of Color opponent process ) feature detectors abstraction (cells in parietal and temporal lobe combine info from feature detectors) PERCEPTION

Page 21: Basic Principles of Sensation and Perception
Page 22: Basic Principles of Sensation and Perception

Farsighted Nearsighted Normal Vision Vision Vision

Acuity = sharpness of vision- Nearsightedness = nearby objects seen more clearly; lens focuses image of distant objects in front of retina- Farsightedness = faraway objects seen more clearly; lens focuses near objects behind retina

Page 23: Basic Principles of Sensation and Perception

Nearly a million messages can be sent by the optic nerve at once, through nearly 1 million ganglion fibers.One cone often synapses onto one bipolar and ganglion cell, while the axons of many rods have to share one bipolar and ganglion cell allows cones to be more senstivie to detail.

Page 24: Basic Principles of Sensation and Perception

Union of Opposites: Rods and cones are responsible for transduction - the transformation

of stimulus energy (sights, sounds, smells) into neural impulses.

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25

Blind Spot: Point where the optic nerve leaves the eye because there are no receptor cells located there.

Blind Spot Activity – Cover one eye and hold up a finger at arm’s length. Have them focus straight ahead and move the finger about two palm widths to the side until it disappears.

Page 26: Basic Principles of Sensation and Perception
Page 27: Basic Principles of Sensation and Perception

Hermann Grid

Page 28: Basic Principles of Sensation and Perception

Hermann Grid4 bright patches in the inhibitory surround inhibits cell, less neural activity so seems less bright

2 bright patches in the inhibitory surround less inhibition so more neural activityLook directly at intersection,

the OFF and ON regions are so small that both fit within the width of a strip. Thus, all the cells around the region of fixation give the same response, whether in the intersection or not

Page 29: Basic Principles of Sensation and Perception

Motion Aftereffects• Waterfall Illusion:

http://www.michaelbach.de/ot/mot_adapt/index.html– Fixing gaze sensory

adaptation (over-stimulate cells that detect outward movement)

– Shift gaze when the outward-movement detectors stop firing, there is a tendency for inward-movement detectors to start firing for a few seconds

*Motion Blindness:

• http://www.michaelbach.de/ot/mot-mib/index.html

(+)(-) (-)

Activated by outward-movement

Activated by inward-movement

Page 30: Basic Principles of Sensation and Perception

Parallel Processing simultaneous processing of

several aspects of a problem simultaneously

the brain divides a visual scene into subdivisions such as color, depth, form, movement, etc.

Feature Detectors nerve cells in the visual cortex

respond to specific features shape angle movement

Page 31: Basic Principles of Sensation and Perception

Visual Information ProcessingRetinal Processing

Rods & Cones Bipolar Cells Ganglion Cells

Feature DetectionDetector cells respond to elementary features

AbstractionHigh-level cells respond to combined info

from feature-detector cells

RecognitionBrain matches the constructed image with stored images

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33

From Sensation to Recognition

Page 33: Basic Principles of Sensation and Perception

Color VisionDo objects possess color?

Is a lemon “yellow”?

Is a chili pepper “red”?

NO!Light has no color – brain constructs color from the variations in light waves reflected from objects

Page 34: Basic Principles of Sensation and Perception

Two basic types of color mixing: Psychophysics!1. subtractive color mixture - combining different color

paints Different pigments subtract different wavelengths: red subtracts all but red, blue all but blue, green subtracts blue and red, etc…

2. additive color mixture - combining different color lights.By combining lights of different wavelengths we can create

the perception of new colors. Examples: red + green = yellow; red + blue = purple; green + blue = cyan; red + blue + green = white

http://www.michaelbach.de/ot/col_mix/index.html

Page 35: Basic Principles of Sensation and Perception

• Hue (color) = dimension of color determined by the wavelength of light (the distance from the peak of one wave to the peak of the next wave). Visible light has wavelengths from about 400nm to 700nm

• Intensity (brightness) = amount of energy in a wave determined by the amplitude.

• Saturation = richness or purity of light determined by the smoothness or complexity of the waves

Most humans can distinguish 7 million different color shades

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37

Wavelength (hue) - different wavelengths of light resultin different colors.

Short wavelengths400 nm 700 nm

Long wavelengths

Violet Indigo Blue Green Yellow Orange Red

Intensity (brightness) - Blue color with varying levels of intensity. As intensity increases or decreases, blue colorlooks more “washed out” or “darkened.”

Page 37: Basic Principles of Sensation and Perception
Page 38: Basic Principles of Sensation and Perception

Color Perception pg 418• Humans are able to discriminate 7 million different hues.• Colors convey important information:

– Ripeness of food– Danger signals

• Trichromatic theory (1st stage, occurring at the level of cones)– Eye contains 3 different color sensitive elements

• Blue, green or red elements• Trichromatic theory accounts for color mixing of lights.

• Opponent-Process theory (2nd stage, occurring further on in the visual system– Visual system is organized into red-green, blue-yellow and black-white

units.• Theory can account for negative color afterimages.

Page 39: Basic Principles of Sensation and Perception

Trichromatic Theory of Color Vision

Helmholtz 1852

Human eye has 3 types of coneHuman eye has 3 types of conereceptors sensitive to differentreceptors sensitive to different

wavelengths of lightwavelengths of light.

Short Medium Long

People see colors because thePeople see colors because theeye does its own “color mixing”eye does its own “color mixing”

by varying ratio of coneby varying ratio of coneneural activityneural activity

Page 40: Basic Principles of Sensation and Perception

“Blue”

“Green”

“Red”

Blue

Wavelength Input Cone Signal to Brain

Theories of Color Vision: Trichromatic Theory

Equal Parts Red and Green =Yellow

Page 41: Basic Principles of Sensation and Perception
Page 42: Basic Principles of Sensation and Perception

• Trichromatic Theory can explain some aspects of colorblindness:– most of us are trichromats– someone missing one of the three cone types is a dichromat

• dichromats have only two primaries: any color they can see can be matched with differing proportions of the two wavelengths to which they are sensitive

• most common is deuteranopia (~3% of men, <1% of women) - missing “green” cones

• cannot see color difference between reds and greens - but they can see luminance difference

– someone missing two is a monochromat– someone missing all cone types is called a rod monochromat (very poor

vision!)

Theories of Color Vision: Trichromatic Theory

People who suffer red-green blindness have trouble perceiving the number

within the design

Page 43: Basic Principles of Sensation and Perception

44

Some Views With and Without Color Vision

Link Jay and Maureen Neitz Color Vision Page

Page 44: Basic Principles of Sensation and Perception
Page 45: Basic Principles of Sensation and Perception

Theories of Color Vision: Opponent-Process Theory

Page 46: Basic Principles of Sensation and Perception

G+R-

G+R-

R+G-

R+G-

Red/Green

Y+B-

Y+B-

B+Y-

B+Y-

Blue/Yellow

Double Opponent Cells in V1

Theories of Color Vision: Opponent-Process Theory

Page 47: Basic Principles of Sensation and Perception

Opponent Process- Afterimage Effect

Gaze at the middle of the flag for about 30Seconds. When it disappears, stare at the dot

and reportwhether or not you see Britain's flag.

Page 48: Basic Principles of Sensation and Perception

Explaining Complementary Afterimages

• white normally stimulates the red and green cells equally

• exposure to green fatigues the green cell while the red cell rests

• exposure to white NOW causes red receptor to respond but green receptor is “tired”

• we see red instead of white

Page 49: Basic Principles of Sensation and Perception

Opponent Process – Afterimage Effect

Page 50: Basic Principles of Sensation and Perception

Color Constancy Perceiving familiar

objects as having consistent color, even if changing illumination alters the wavelengths reflected by the object

Visual Pathway Review Activity

Page 51: Basic Principles of Sensation and Perception
Page 52: Basic Principles of Sensation and Perception

“If a tree falls…”

If a tree falls in the forest and there is

nobodyaround to hear it…

Does it make a noise?

NO…Sound (like color) is all in your head!

Page 53: Basic Principles of Sensation and Perception

What is Sound?What is Sound? Compression & expansion (rarefaction) of air molecules.

Page 54: Basic Principles of Sensation and Perception

Pitch – high or lowness of sound

• The greater the number of cycles per second, the higher the pitch. Longer the wave = lower the pitch / Shorter the wave = higher the pitch

• Frequency – number of cycles per second as expressed in the unit Hertz.

• Hertz – A unit expressing the frequency of sound waves. One Hertz, or 1Hz, equals one cycle per second.

• Human hearing detect sounds ranging in frequency from 20Hz – 20,000Hz

Page 55: Basic Principles of Sensation and Perception

Presbycusis: Older people tend to hear low frequencies well but suffer hearing loss for high

frequencies

https://www.youtube.com/watch?v=VxcbppCX6Rk

Pitch and Age

Page 56: Basic Principles of Sensation and Perception

Loudness

• The higher the amplitude of a wave, the louder the sound.

• Amplitude – strength or height of wave. • Decibel – A unit expressing the loudness of a

sound, abbreviated dB.• Perceived loudness doubles about every 10

decibels. The absolute threshold for hearing is arbitrarily defined as 0 decibels.

Page 57: Basic Principles of Sensation and Perception

58

Loudness of Sound

70dB

120dB

Richard K

aylin/ Stone/ Getty Im

ages

Page 58: Basic Principles of Sensation and Perception

Highest Frequency? Loudest? Highest Amplitude? Highest Pitch?

A. B.

C.

Page 59: Basic Principles of Sensation and Perception
Page 60: Basic Principles of Sensation and Perception

61

The Ear

Outer Ear - acts as a funnel to direct sound waves towards inner structuresMiddle Ear - consists of three small bones (or ossicles) that amplify the soundInner Ear - contains the structures that actually transduce sound into neural response

Page 61: Basic Principles of Sensation and Perception

Outer Ear

PinnaPinna - collect and direct “sound” into auditory canalAuditory Canal (ear canal) Auditory Canal (ear canal) - amplify and funnel - amplify and funnel “sound to tympanic membrane“sound to tympanic membraneTympanic Membrane Tympanic Membrane – collect “sound” and vibrate – collect “sound” and vibrate ossiclesossicles

Page 62: Basic Principles of Sensation and Perception

Middle Ear

Malleus (Hammer) Malleus (Hammer) - vibrate & move the IncusIncus (Anvil)Incus (Anvil) - vibrate & move the StapesStapes (Stirrup)Stapes (Stirrup) - vibrate against Oval Window of Cochlea

Page 63: Basic Principles of Sensation and Perception

Inner Ear

CochleaCochlea - filled with fluid & contains receptors for hearing (Hair Cells)(Hair Cells)Basilar Membrane Basilar Membrane – divides – divides length of cochlea and holds the length of cochlea and holds the hair cells hair cells

*Semicircular Canals-*Semicircular Canals-=Vestibular Senses (Balance and Equlibrium) =Vestibular Senses (Balance and Equlibrium)

Page 64: Basic Principles of Sensation and Perception

-The structures of the ear transform changes in air pressure (sound waves) into vibrations of the Basilar Membrane.-As the Basilar Membrane vibrates it causes the hairs in the Hair Cells to bend.-The bending of the hairs leads to a change in the electrical potential within the cell

Closer Look at the Cochlea

Page 65: Basic Principles of Sensation and Perception

Perceiving Pitch (Class Demo)

Place Theory (Traveling Wave Theory) = pitch determined by point of maximal vibration on basilar membrane.

Different pitches activate different places of the cochlea’s basilar membrane.

Only applicable to high pitched sounds – over 5000 Hz Only applicable to high pitched sounds – over 5000 Hz (low pitched sounds do not localize as well)(low pitched sounds do not localize as well)

Frequency Theory = frequency of a tone (or pitch) matches the

rateat which the hair cells fire or the rate of nerve

impulsestraveling up the auditory nerves (i.e., 1KHz tone

causehair cells to fire 1k times/sec)

Only applicable to sounds under 1000 Hz Only applicable to sounds under 1000 Hz (individual neurons cannot fire faster than 1000 (individual neurons cannot fire faster than 1000

times/sectimes/sec))Therefore Volley Theory (1000-5000Hz)

= receptors in the ear fire in sequence. Severalneurons together, firing in sequence, can send a

more rapid series of impulses to the brain than one.

Page 66: Basic Principles of Sensation and Perception

67

Localization of SoundsSound Shadows (Class demos) Clack &

Tube

Because we have two ears, sounds that reach one ear faster than the other ear cause us to

localize the sound.

Time differences as small as 1/100,000 of a second can cause

us to localize sound.

We locate a sound by sensing differences in the speed and intensity with which it reaches our ears.

The head acts as a “shadow” or partial sound barrier. A sound that comes from directly ahead will be harder to locate than a sound

that comes from off to one side.

Page 67: Basic Principles of Sensation and Perception

Hearing Loss

Page 68: Basic Principles of Sensation and Perception

Conduction Deafness

• Caused by the failure of the three tiny bones inside the middle ear to pass along sound waves to the inner ear or the failure of the eardrum to vibrate in response to sound waves

• Possible cause is a build-up of fluid• Hearing aids - amplifies sound (many people lose sensitivity to soft sounds but not

loud sounds – unfortunately, some hearing aids amplify all sounds)• Normal hearing may return.

Page 69: Basic Principles of Sensation and Perception

Sensory-Neural Deafness

• Damage to the inner ear. Most often caused by loss of hair cells that will not regenerate.

• Damage to the auditory nerve.

• Cochlear implants can help patients with this form of deafness.

Page 70: Basic Principles of Sensation and Perception

Tinitus: http://www.youtube.com/wat

ch?v=OE5fIoveLoM

Page 71: Basic Principles of Sensation and Perception

Stimulation Deafness

• Exposure to very loud sounds

• Prolonged exposure to 85 dB can cause stimulation loss.

• Tinnitus - ringing sound can mean hair cells have been damaged

Page 72: Basic Principles of Sensation and Perception

Touch

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74

TouchSensory receptors located around the roots of hair cells fire when

surface of skin is touched (mechanical and thermal energy).

The sense of touch is a mix of four distinct skin senses—pressure, warmth, cold, and pain.

Only pressure has identifiable receptors. All other skin sensations are variations of pressure, warmth, cold and pain.

Two pathways: #1 – signals from thermal receptors + pain signals; #2 – signals from tactile stimulation (pressure)

Hot = warm ( firing) +cold ( firing)Wet = pressure + coldTickling itch = pressure + pain

Page 74: Basic Principles of Sensation and Perception

Sensory Homunculus

Homunculus - Latin for "little human“; any representation of a

human being.

The Motor Cortex is the area at the rear of the frontal lobes

that control voluntary

movements. The Sensory Cortex (parietal cortex)

receives information from skin surface and sense organs.

Page 75: Basic Principles of Sensation and Perception

Sensory Homunculus

• Two-Point Threshold – to assess sensitivity to pressure - the least distance by which two rods touching the skin must be separated before the subject will report that there are two rods, not one, on 50% of occasions

• Most sensitive – fingertips, lips, noses and cheeks

1. nerve endings are more densely packed in the fingertips and face than in other locations

2. a greater amount of sensory cortex is devoted to the perception of sensations in the fingertips and face

Page 76: Basic Principles of Sensation and Perception

Gate-Control Theory

• Small fibers (pain + temp) = open gate = pain. When tissue is injured, the small fibers activate and open the neural gate

– Slow pathway – lags a second or two behind the fast system; longer lasting, aching pain

– Fast pathway – registers pain and relays it to the cortex in a fraction of a second

• Large fibers (tactile – pressure or vibration) = close gate = no pain.

– Stimulate (massage, rub, acupuncture) gate closing activity to treat pain.

– Also closed by signals from the brain – attention and expectations

• Endorphins can also close gate• Brain (attention and expectations) also close

gate 77

Spinal cord contains neurological “gates” that either block pain or allow it to be sensed.

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78

Biopsychosocial Influences

Page 78: Basic Principles of Sensation and Perception

Phantom Limbs• How do you Amputate a

Phantom Limb?• http://www.npr.org/

templates/story/story.php?storyId=101788221

• Phantom Limbs = involves feeling pain in a limb after it has been amputated

• The awareness we have our physical self is constructed by the brain. How our body feels depends on the maps of the body that are held within our brain and emerges as a conscious output. People with pathological pain have distorted maps of the body

Page 79: Basic Principles of Sensation and Perception

Body Integrity Identity Disorder

• BIID = relentless desire to amputate healthy limbs.

• Lobby for surgery as a safe and legal option to remove body part

• Medical Mysteries Clip

• Determined to Amputate: One Man's Struggle With Body Integrity Identity Disorder

• http://www.foxnews.com/story/0,2933,520811,00.html

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81

TasteTraditionally, taste sensations consisted of sweet, salty, sour,

and bitter tastes. Recently, receptors for a fifth taste have been discovered called “Umami”.

Sweet Sour

Salty

Bitter Umami (Savory/Meaty)

http://www.npr.org/templates/story/story.php?storyId=1813416

Study: Tastes Form in Infancy

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82

SmellLike taste, smell is a chemical sense. Odorants enter the nasal cavity to stimulate 5 million receptors to sense smell. Unlike taste, there are many different

forms of smell.

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83

Smell and Memories

The brain region for smell (in red) is

closely connected with the brain

regions involved with memory (limbic

system). That is why strong memories are

made through the sense of smell.

Page 83: Basic Principles of Sensation and Perception

84

Sensory InteractionWhen one sense affects another sense,

sensory interaction takes place. So, the taste of strawberry interacts with its smell and its

texture on the tongue to produce flavor.

FLAVOR DEPENDS ON…•Temperature

•Odor

•Texture

•Taste(I T.O.T.T. you about

flavor)

Page 84: Basic Principles of Sensation and Perception

KINESTHESIS – The sense that informs us about the positions and motion of parts of our bodies

VESTIBULAR SENSE – The sense of equilibrium that informs us about the positions of our bodies and our heads relative to gravity; sense of balance

Read “The Remarkable Case of Ian Waterman” on page 31

Page 85: Basic Principles of Sensation and Perception

Visual Capture

• When vision competes with our other senses, vision usually wins – a phenomena called visual capture.