2
2 6 2 James Baldwin 10. John R, chavez, The Lost Land: The ChiC!LlW Images at the Southwest (Albuquerque, NM: University of New Mr:xioo Press, 1984), 88-9Q. U. "Hispanic" is derived Crom Hi.spa.f1is (Espana., Ii name given to the Iber ian Peninsula in ancient times when it was a part of tile Roman F.m.plre) and is a tenn designated by the U.S. gowrnment to ma.ke it easier to handle us 011 paper. . 12, The 'D:eaty of Guadalupe Hidalgo created tbe Mexican-American in 1848. l3 . Anglos, in order to alleviate their guilt for dispossessing the Chicano, stressed the Spanish part of us and perpetrated die myth of the Spanish Southwest. We have accepted t h ~ fiction that we arc Hispanic, that is Spanish, in order to acrommodate o1lrselves to the dominant cultnrE and its abhorrance of Indians. ChBve.1., 88-91. If Black English Isn't a Language 7 Then Tell Me 7 What Is? During the early 19805, James IJaI.dw£n ( 1 9 2 4 ~ 1 9 8 7 J was on the fdallty of the FCve Colleges in. ~ t e m Mnssachwetts (Amherst. Hampshire. Mount 'HolyokJ?, Smuh, and University of MassachusettS). He is the Quthor of lUl.menJUS book$, including Notes of a Native Son, Another Country, anJi If Beale Street Could Thlk. S t. Paul de Vence. France-The argument concerning the use, or the statue, or the reality, 01 black English is moted In American history dnd has absolutely nothing to do with the question th e argu ment supposes itself to be posing, The argument has nothing (0 do with language itself bu t with th e role of language. Language, incon testably, reveals the speaker. Language. also. far more dubjously, is meant to define th e other-and, in this case, the other is refusing to be defined by a language that has never been able to recognize him. .?eople evolve a langu age in order to describe an d LililS control their circumstances, or in order no t to qe submerged h y a .reality that they cannot articulate. (And, if they cannot articulate it, they are submeIged.) A Frenchman living in Paris speaks a subtly an d crucially different language from tnat of the man living in Mat seilles; neither sounds very much like a man living in Quebec: and they would all have great difficulty in apprehending what the man IfBladc: Bngngh Isn't 8. Language, Then Tell Me, What Lli? 2 6 3 from G u a d ~ l o u l ' e , or Martinique t is saying, to say nothing of the man from S e n ~ g a l - a I t h o l l g h the "common" language of aU these areas is French. But each ha s paid, and is paying, a different price for this "'common" language, in which, as it turns oul, they are nOl saying, and cannot be saying. the same things: They each have very or 3 What joins all languages, an d all men, :Is the necessity to con fronl1iie. in order, not inconceivably, to outwit death: The price fo r this is the acceptance, an d achievement, of one's temporal identity. So that, for example. though it is not taught in the schools (and this has the potential of becoming a political issue) the south of France still clings to it s ancient an d musical P r o v e n ~ I , which resists being described as a "dialect." And much. of the tension in the Basque cGuntries, an d m Wales, is due Co the Basque and -welsh determjna tiDn no t to allow their languagEs to be destroyed. This determina tion also feeds the flames in Ireland for many indignities th e Irish have been forced to undergo at English hands is the Englisb wn tempt for their language. 4 It goes without saying, then, that language is also a political instrument, means, an d proof of power. It 1s the most vivid and cru cial key to identity: It reveals the privale identity. and Cflnnects one with, or d i v o r c ~ s one from. th e larger., public, or communal identity. There have been, an d are. times, an d places s when to speak a cer tain language could be dangerous, even fatal. Or. one may speak the same language, bu t in such a way that one's antecedents are revealed, or (one hopes) hidden. This is true in France. and is absolutely true in England: The range (and reign) of accents on that damp little island make England coherent for the English an d totally incomprehensible for eVeryone else. 'Ib open your mouth in England is (if I may use black English) to ""put your business in th e street":, You have confessed your patents, your youth, your schQol, your salary, your self-esteem, and, alas, your future, s Now, I do not know what white Americans. would sound like if there ha d never been an y black people in th e United States, bu t they would no t sound th e way they sound. Jazz, for example. is a very specific sexual term, as in jazz Irte. baby, bu t white people purified it into the Jfi?,Z Age. Sock it to me, which means, roughly, the s ~ m e thing. ha s been adopted by Nathaniel Hawllorne's descendants with no quahns or besitations at all, along with let it all hang Ollt and right on! Beat to his socks which was once th e black's m ost total and despairing image of poverty, ~ a ! i transformed into a thing called the Beat Generation, which phenomenon was, largely, composed of uptight. middle-class white people, imitating poverty, trying to ge.t down, to get with it, doing their th:ing, doing l

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262 James Baldwin

10. John R, chavez, The Lost Land: The ChiC!LlW Images at the Southwest(Albuquerque, NM: University of New Mr:xioo Press, 1984), 88-9Q.

U. "Hispanic" is derived Crom Hi.spa.f1is (Espana., Ii name given to the Iber

ian Peninsula in ancient times when it was a part of tile RomanF.m.plre) and is a tenn designated by the U.S. gowrnment to ma.ke iteasier to handle us 011 paper. .

12, The 'D:eaty of Guadalupe Hidalgo created tbe Mexican-American in

1848.l3 . Anglos, in order to alleviate their guilt for dispossessing the Chicano,

stressed the Spanish part of us and perpetrated die myth of the SpanishSouthwest. We have accepted t h ~ fiction that we arc Hispanic, that isSpanish, in order to acrommodate o1lrselves to the dominant cultnrE

and its abhorrance of Indians. ChBve.1., 88-91.

If Black English Isn't a Language7 ThenTell Me7 What Is?

During the early 19805, James IJaI.dw£n ( 1 9 2 4 ~ 1 9 8 7 J was on the fdallty ofthe FCve Colleges in. ~ t e m Mnssachwetts (Amherst. Hampshire. Mount'HolyokJ?, Smuh, and University ofMassachusettS). He is the Quthor of

lUl.menJUS book$, includingNotes of a Native Son, Another Country, anJi If

Beale Street Could Thlk.

S

t. Paul de Vence. France-The argument concerning the use, or

the statue, or the reality, 01 black English is moted In Americanhistory dnd has absolutely nothing to do with the question the argument supposes itself to be posing, The argument has nothing (0 dowith language itself bu t with the role of language. Language, incontestably, reveals the speaker. Language. also. far more dubjously, ismeant to define the other-and, in this case, the other is refusing to

be defined by a language that has never been able to recognize him..?eople evolve a langu age in order to describe and LililS control

their circumstances, or in order not to qe submerged hya .realitythat they cannot articulate. (And, if they cannot articulate it, theyare submeIged.) A Frenchman living in Paris speaks a subtly and

crucially different language from tnat of the man living in Matseilles; neither sounds very much like a man living in Quebec: andthey would all have great difficulty in apprehending what the man

IfBladc: Bngngh Isn't 8. Language, Then Tell Me, What Lli? 263

from G u a d ~ l o u l ' e , or Martiniquet is saying, to say nothing of theman from S e n ~ g a l - a I t h o l l g h the "common" language of aU theseareas is French. But each has paid, and is paying, a different pricefor this "'common" language, in which, as it turns oul, they are nOl

saying, and cannot be saying. the same things: They each have verydifferent realities to articulate • or control.

3 What joins all languages, an d all men, :Is the necessity to confronl1iie. in order, not inconceivably, to outwit death: The price for

this is the acceptance, and achievement, of one's temporal identity.So that, for example. though it is not taught in the schools (and thishas the potential of becoming a political issue) the south of Francestill clings to it s ancient and musical P r o v e n ~ I , which resists beingdescribed as a "dialect." And much. of the tension in the BasquecGuntries, and mWales, is due Co the Basque and -welsh determjnatiDn no t to allow their languagEs to be destroyed. This determination also feeds the flames in Ireland for many indignities the Irishhave been forced to undergo at English hands is the Englisb wntempt for their language.

4 It

goes without saying, then, that language is also a politicalinstrument, means, and proof of power. It 1s the most vivid and cru

cial key to identity: It reveals the privale identity. and Cflnnects one

with, or d i v o r c ~ s one from. the larger., public, or communal identity.There have been, and are. times, and placess when to speak a certain language could be dangerous, even fatal. Or. one may speak the

same language, but in such a way that one's antecedents arerevealed, or (one hopes) hidden. This is true in France. and isabsolutely true in England: The range (and reign) of accents on thatdamp little island make England coherent for the English and

totally incomprehensible for eVeryone else. 'Ib open your mouth inEngland is (if I may use black English) to ""put your business in the

street":,Youhave

confessedyour

patents,your

youth, your schQol,your salary, your self-esteem, and, alas, your future,s Now, I do no t know what white Americans. would sound like

if there had never been any black people in the United States, but

they would not sound the way they sound. Jazz, for example. is avery specific sexual term, as in jazz Irte. baby, bu t white peoplepurified it into the Jfi?,Z Age. Sock it to me, which means, roughly,the s ~ m e thing. has been adopted by Nathaniel Hawllorne's

descendants with no quahns or besitations at all, along with let itall hang Ollt and right on! Beat to his socks which was once the

black's m ost total and despairing image of poverty, ~ a ! i transformedinto a thing called the Beat Generation, which phenomenon was,

largely, composed of uptight. middle-classwhite

people, imitatingpoverty, trying to ge.t down, to get with it, doing their th:ing, doing

l

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264 James Baldwin

their despairing best to be funky, which we, the blacks, never

dreamed of doing-we were funky, baby, like funk was going out of

style.6 Now, no one can eat his cake, and have it, too, and it is late in

the day to attempt to penalize black people for having created a lan

guage that permits the nation its only glimpse of reality, a languagewithout which the nation would be even more whipped than it is.

7 I say (hat the present skirmish is rooted in American history,

an d it is. Black English is the creation of the black diaspora. Blacks

came to the United States chained to ea.ch other, but from different

tribes: Neither could speak the other's language. If two black peo

ple, at that bitter hour of Ihe world's history, had been able to speak

to each other, the institution of chattel slavery could never have

lasted as long as it did. Subsequently, the slave was given, under

the eye, and the gun, of his master, Congo Square, and the Bible-or

in other words. and under these conditions, the slave began the formation of the black church, and it is within this unprecedented tab

ernacle that black English began to be formed. This was not,

merely, as il l the European example, the adoption of a foreign

tongue, but an alchemy that tnmsformed ancient elements into a

new language: A lJ1nguage comes into existence by means of brutalnecessity, arui. the roles of the lnnguage are dictated by what the Io.n

gu.a.ge mllSt convey.S There was a moment, in time, and in this p l a c : e ~ when my

brother, or my mother, or my {ather, or my sister, had to convey to

me, for example, the danger in which I was standing from the white

man standing just behind me. and to convey this with a speed, and

in a language, that the white man could not possibly understand.

and that, indeed, he cannot understand, until today. He cannot

afford to -ltnderstand it. This understanding would reveal to him toomuch about himself, and smash that mirror before which he hasbeen frozen for so long.

9 Now, if this passion, this skill. this (to quote Toni Mprrison)

"sheer intelIigence." this incredible music, the mighty achievem.entof having brought a people utterly unknown to, or despised by "his-

tory"-to have brought this people to their present, troubled, trou

bling, and unassailabl' and unanswerable plaee-if this absolutely

u n p r e c e d ~ n t e d journey does not indicate that black English a lan

guage. 1 am curious to know what definition of language'is to be

trusted,

10 A people at the center of the Western world. and in the midst

of so hostile a population, has not endured and transcended by

means of what is patronizingly called a "dialect." We, the blacks,are in trouble, certainly, but we are not doomed, and we are not

A NewPoland,NoIoKe 265

inarticulate because we are not compelled to defend a moraUty that

we know to be a lie.

The brutal truth is that the bulk of white people in America

never had any interest in educating black people. except as this

could serve white purposes. It is not the black child's language that

is in question, it is not his language that is despised: It is his experience. A child cannot be taught by anyone who despises him, and a

child canno t afford to be fooled. A child cannot be tau ght by anyone

whose demand, essentially, is that the child repudiate his experi

ence, and all that gives him sustenance, an d enter a limbo in which

he wiU no longer be black. and in which he .knows that he can

never become white. Black people have lost too many black children that way.

And, after all. finally, in a country with standards so untrust

worthy, a c ountry that makes heroes of so many criminal mediocri

ties, a country unable to face why so many of the nonwhite are in

prison, Or on the needle, or standing, futureless, in the streets-it

may very wellbe

that both the child, and his elder. have concludedthat they have nothing whatever to learn from the people of a country that bas managed to learn so Httle,

A New Poland, No Joke

Sarah Boxer was barn in DenlJer and earned her B.A. in phiwsophy at

Harvard.. She is a reporter on arts and. idells and a plwtography critic forTheNew York Times,wh.ereshe writes regularly aboUl psychoa1Wlysis, art,philosophy, science.. animals, comics, and sex. At the age Of eleven shepublished her first cartoon, an.d. at firtem she began reading Freud. Boxerand. her husband divik their time between New York and. Co:mhridge.Massac:hn.setts.

Hitting on the idea vi the .kite was "like finding gold in thestreet," Szymon GU'(kowski says. Gutkowski is the managing

director of DDB CoIpOrate Profiles, an advertising agency in War

saw. A kite, he says, connotes youth, freedom, playfulness and ho pe

"in any language, any country." It floats gracefully above nations

and politics. "It's extremely positive." And Soon it may becomePoland>s national logo.