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Greg Funfgeld, Artistic Director & Conductor Second Tuesdays Next Bach Together Tuesday, August 10, 2021 Concerts recorded LIVE all Summer! On The Bach Choir’s YouTube channel July 13, 2021 – PROGRAM – Interview with Elizabeth Field – Johann Sebastian Bach (1685–1750) Violin Concerto in E Major, BWV 1042 Allegro Adagio Allegro assai – Elizabeth Field, violin – Interview with Lawrence Jones & Uri Wassertzug – Ralph Vaughan Williams (1872–1958) from Four Hymns for Tenor, Viola and Piano No. 1. “Lord, Come Away” No. 3. “Come Love, Come Lord” – Lawrence Jones, tenor; Uri Wassertzug, viola; Greg Funfgeld, piano Johann Sebastian Bach Aria from Cantata 109, “Wie zweifelhaftig ist mein Hoffen” Elizabeth Field, Linda Kistler & Stephani Bell, violins; Uri Wassertzug, viola; Loretta O’Sullivan, cello; Dan McDougall, string bass; Greg Funfgeld, keyboards The July Bach at Noon is named in honor and loving memory of Alice Anne Miller. The concert is made possible in part by a generous legacy gift from the Century Fund and from Alice’s sister, Joan Miller Moran. Soloists Lawrence Jones, tenor Elizabeth Field, violin Uri Wassertzug, viola A Gift of Music & Spiritual Refreshment BACH at NOON Allentown Summer Series BACH t gether

BACH NOON BACH · 2021. 7. 13. · The Bach Choir of Bethlehem THE OLDEST AMERICAN BACH CHOIR, The Bach Choir of Bethlehem gave the first complete American performances of Bach’s

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Page 1: BACH NOON BACH · 2021. 7. 13. · The Bach Choir of Bethlehem THE OLDEST AMERICAN BACH CHOIR, The Bach Choir of Bethlehem gave the first complete American performances of Bach’s

Greg Funfgeld, Artistic Director & Conductor

Second Tuesdays

Next Bach Together Tuesday, August 10, 2021

Concerts recorded LIVE all Summer!

On The Bach Choir’s YouTube channel

July 13, 2021 – PROGRAM

– Interview with Elizabeth Field –

Johann Sebastian Bach (1685–1750)Violin Concerto in E Major, BWV 1042

AllegroAdagioAllegro assai

– Elizabeth Field, violin

– Interview with Lawrence Jones & Uri Wassertzug –

Ralph Vaughan Williams (1872–1958)from Four Hymns for Tenor, Viola and Piano• No. 1. “Lord, Come Away”• No. 3. “Come Love, Come Lord”– Lawrence Jones, tenor; Uri Wassertzug, viola; Greg Funfgeld, piano

Johann Sebastian Bach • Aria from Cantata 109, “Wie zweifelhaftig ist

mein Hoffen” – Elizabeth Field, Linda Kistler & Stephani Bell, violins;

Uri Wassertzug, viola; Loretta O’Sullivan, cello; Dan McDougall, string bass; Greg Funfgeld, keyboards

The July Bach at Noon is named in honor and loving memory of Alice Anne Miller. The concert is made possible in part by a generous legacy gift from the Century Fund and from Alice’s sister, Joan Miller Moran.

Soloists Lawrence Jones, tenorElizabeth Field, violinUri Wassertzug, viola

A Gift of Music & Spiritual Refreshment

BACH at NOON Allentown Summer Series BACH

t gether

Page 2: BACH NOON BACH · 2021. 7. 13. · The Bach Choir of Bethlehem THE OLDEST AMERICAN BACH CHOIR, The Bach Choir of Bethlehem gave the first complete American performances of Bach’s

Ralph Vaughan Williams | from Four Hymns for Tenor, Viola and Piano

No. 1. “Lord! Come Away!” words by Bishop Jeremy Taylor

Lord! come away! Why dost Thou stay? Lord, here Thou hast a temple too;Thy road is ready; and Thy paths, made straight And full as dear as that of Sion, With longing expectation, wait And as full of sin: The consecration of Thy beauteous feet! Nothing but thieves and robbers dwell therein;Ride on triumphantly! Enter, and chase them forth, and cleanse the floor!Behold we lay our lusts and proud wills in Thy way! Crucify them, that they may never moreHosanna, Hosanna, Hosanna! Profane that holy placeWelcome to our hearts! Where Thou hast chose to set Thy face!

And then, if our stiff tongues shall beMute in the praises of Thy Deity,The stones out of the temple wallShall cry aloud, and call –“Hosanna, Hosanna, Hosanna!”And Thy glorious footsteps greet!

No. 3 “Come Love, Come Lord” words by Richard Crashaw

Come Love, come Lord, and that long dayFor which I languish, come away.When this dry soul those eyes shall seeAnd drink the unseal’d of source of Thee,When glory’s sun faith’s shades shall chase,They for Thy veil give me Thy face.

Johann Sebastian Bach | Aria from Cantata 109 Translation by H. Ellis Finger

Wie zweifelhaftig ist mein Hoffen, How despairing is my hope,wie wanket mein geängstigt Herz! how my anxious heart trembles!Des Glaubens Docht glimmt kaum hervor, The wick of faith‘s candle barely flickers forth,es bricht dies fast zustossne Rohr, the nearly pierced reed breaks,die Furcht macht stetig neuen Schmerz. fear causes constant fresh pain.

Texts & Translations Soloists

Lawrence Jones, Tenor has established an active presence

on the concert and operatic stages, receiving praise for

his portrayals of Tom Rakewell in Stravinsky’s The Rake’s

Progress at the Princeton and Aldeburgh Festivals. The New

York Times wrote, “Tenor Lawrence Jones brought a light,

sweet voice and lyricism to Tom” and Opera News praised

him for his “clean, ringing tenor.” Opera credits include New

York City Opera, Glimmerglass Opera, and Opera Saratoga.

He has sung as a soloist with the Utah Symphony, Musica

Sacra, Boston Baroque, Boston Pops, Albany Symphony, and

Rhode Island Philharmonic. A frequent performer of Bach,

Lawrence’s credits include the Evangelist in the Christmas

Oratorio with the Harvard-Radcliffe Chorus, and tenor soloist

in the Saint John Passion with the Kalamazoo Bach Festival,

Bach Society of St. Louis, and the New Mexico Philharmonic.

In New York, he sang as tenor soloist in the Saint Matthew

Passion with the Saint Thomas Choir, the Mass in B Minor with the Oratorio Society of New York, and the Evangelist

in the Saint John Passion with the Cathedral Choirs and

Orchestra of St. John the Divine. Active in the performance

of contemporary works, Lawrence made his company debut

in Oliver Knussen’s Where the Wild Things Are at New York

City Opera, and sang in the American Stage Premiere of

Elliott Carter’s opera What Next? at Tanglewood. Concert

engagements have included the American Premiere of Nico

Muhly’s My Days with viol consort Fretwork, Arvo Pärt’s

Passio with Boston Modern Orchestra Project, and a tribute

concert for Elliott Carter at Juilliard, in Mad Regales.

Elizabeth Field, Violin, has served as concert master of the

Bach Festival Orchestra since 2001. She enjoys an active

career as a chamber musician and soloist on period and

modern instruments. She has served as guest concertmas-

ter of the Washington Bach Consort, National Philharmonic,

Opera Lafayette, and Choral Arts Society. Ms. Field founded

the period instrument group, the Vivaldi Project in 2007

and directs the Modern Early Music Institute (historical

performance practice for modern players). She also

plays with Hesperus, Harmonious Blacksmith, 4 Nations

Ensemble, and her mixed modern and period instrument

chamber group, ArcoVoce. As a Baroque violinist, she has

recorded for the Hungaroton, Naxos, and the Dorian labels.

Ms. Field collaborated on a DVD with fortepianist Malcolm

Bilson, exploring the historical performance practice of

18th-century violin and piano repertoire. As a modern

violinist, she performs frequently with the Washington

National Opera and, along with her husband, Uri Wassertzug,

is a member of the Novella Chamber Players. From

1982–1991, she performed and recorded for Deutsche

Grammophon with the Orpheus Chamber Orchestra and

also performed with leading New York ensembles such as

the St. Luke’s Ensemble, Brooklyn Philharmonic and New

York City Opera. In 2015, she was the Alan and Wendy

Pesky Artist-in-Residence at Lafayette College in Easton.

Uri Wassertzug, Viola, has performed professionally in many

locations around the world including Alaska, California, and

Utah in the U.S. as well as the UK, Italy, Japan, and New

Zealand. Since 1998 he has been a member of the Kennedy

Center Opera House/Washington National Opera Orchestra

as well as Idaho’s Sun Valley Summer Symphony. He has also

performed with the San Francisco Opera and Symphony, the

National Symphony, the Sacramento Symphony, the Cabrillo

Festival, and the California Symphony, among many others.

Mr. Wassertzug is a member of the National Chamber

Ensemble and appears frequently on the Kennedy Center’s

Millennium Concerts series. Other chamber music appearances

and affiliations have included the New Zealand Festival of

Chamber Music, Mozart in Monterey, the Foulger International

Music Festival, the Empyrean Ensemble, the Sun Quartet, and

the Beau Soir Ensemble. Mr. Wassertzug is on the faculty of

George Washington University. His own studies were at the

University of Maryland, the Aspen Music Festival (on a

fellowship), and the San Francisco Conservatory of Music

(awarded the Germaine Prevost Scholarship). Some of his

teachers included the members of the Guarneri Quartet,

Isadore Tinkleman, and Robert Becker. An aficionado of

coffee, Mr. Wassertzug has been roasting his own coffee

beans for several years. He lives in Virginia with his wife,

violinist Elizabeth Field, and their son.

Join us for our exciting 2021–2022 season! Concerts, including performing at the Bethlehem Bach Festival, travel, special events and more! Auditions are low-key and enjoyable – no music needs to be prepared in advance. Singers introduce themselves, sing a Major scale, and a familiar song like “Happy Birthday,” or “The National Anthem.” This helps our music director better understand the singer’s current level of musical ability. Audition in person Mondays and Thursdays in July from 5:30-8:30pm or via Zoom. Placement will be determined by the timing of the audition so we encourage singers to audition as soon as possible! To learn more about the process or to schedule an audition, please contact the Bel Canto Chorus Administrator by phone 610-866-4382, ext. 116

Bel Canto Youth Chorus Auditions Coming Up this Summer!

BACH at NOONTuesday, August 10

BACH t gether

All new concerts, presented virtually – recorded live at St. John’s Lutheran Church.

Join us on YouTube and Facebook!

SAVE THE DATE!

Page 3: BACH NOON BACH · 2021. 7. 13. · The Bach Choir of Bethlehem THE OLDEST AMERICAN BACH CHOIR, The Bach Choir of Bethlehem gave the first complete American performances of Bach’s

The Bach Choir of Bethlehem

THE OLDEST AMERICAN BACH CHOIR, The Bach Choir of Bethlehem gave the first complete American performances of Bach’s

Mass in B Minor in 1900 and Christmas Oratorio in 1901. Since its founding in 1898, the now-famous Choir has been attracting

thousands of visitors from across the United States and beyond to the annual Bethlehem Bach Festival in Pennsylvania. Since 1983,

under Greg Funfgeld’s direction, the 85 dedicated volunteer singers of The Bach Choir of Bethlehem, performing with the Bach

Festival Orchestra and distinguished soloists, have received international acclaim. Programming has expanded to 40 concerts

and educational programs per year for an audience of more than 22,000. Venues have included the Herkulessaal at Munich’s Royal

Residence and the Thomaskirche, Bach’s church in Leipzig, as part of the 1995 Germany tour; The Kennedy Center and Carnegie

Hall as part of The Choir’s Centennial Celebration in 1998–2000; the BBC Proms in London’s Royal Albert Hall as part of an eight-

concert tour of the United Kingdom in 2003; and Severance Hall, Cleveland, for the 75th anniversary of the Baldwin-Wallace

Bach Festival in 2007. In September 2011, The Bach Choir represented the Commonwealth of Pennsylvania in a 10th anniversary

musical observance of 9/11 in New York City, giving concerts in Saint Paul’s Chapel and Trinity Church, Wall Street. In 2013, The

Choir performed Mendelssohn’s Elijah at Strathmore in the Washington D.C. area, and in 2014, the new opera Young Meister Bach

for the 250th anniversary of the German Society of Pennsylvania in Philadelphia.

The Choir has released 11 recordings on the Dorian and Analekta labels including most recently Bach’s Cantata 21 (2018),

Handel’s Ode for Saint Cecilia’s Day (2018), A Child’s Christmas in Bethlehem (2013), and Saint John Passion (2012). The Choir

has been featured on National Public Radio’s Performance Today and Prairie Home Companion, Deutsche Radio, the BBC

World Service, CBS Sunday Morning, and the Emmy award-winning PBS documentary on The Choir, Make a Joyful Noise. It has

been recognized for its outstanding educational outreach programs (Bach at Noon, Bach to School, and interdisciplinary Family

Concerts) by annual awards from the National Endowment for the Arts (2011–2020). The J.S. Bach Foundation in Switzerland

named The Bach Choir of Bethlehem as the first American recipient of its annual award to a single Bach organization,

recognizing The Bach Choir’s outstanding work in Bach performance and education for young people (2012). Mr. Bach Comes

to Call, a film based on the acclaimed Classical Kids CD, was co-produced by The Bach Choir of Bethlehem and is distributed

internationally by the Children’s Group. In July 2018, our affiliated Bel Canto Youth Chorus, currently celebrating its 27th year

under the direction of founder Joy Hirokawa, officially merged with The Bach Choir of Bethlehem. Both organizations are

looking to increase their impact in training the next generation of choral singers and cultivating a life-long passion for the

choral arts. For more information visit The Bach Choir’s website – BACH.org.

Christmas Concert recording in Nazareth, PA 2020.

With great anticipation, we look forward to all the beautiful concerts to come! Throughout the year, we will celebrate and honor Greg Funfgeld, as he presents his final season as Artistic Director& Conductor of The Choir. Our community will reconnect with great joy, and experience the inspiration and comfort found in Bach’s music like never before. Join us!

Bach at Noon Second Tuesdays | 12:10 – 1 PM• Saint John’s Lutheran Church, Downtown Allentown, PA

2021 June 8 | July 13 | August 10

• Central Moravian Church, Historic Downtown Bethlehem, PA 2021 September 14 | October 12 | November 9 2022 January 11 | February 8 | March 8 | April 12

Christmas Concerts Bach Christmas Oratorio Parts 1, 2 & 3 • Saturday December 11, 2021 at 8pm | First Presbyterian Church of Allentown• Sunday December 12, 2021 at 4pm | First Presbyterian Church of Bethlehem

Greg Funfgeld Family Concert Dancing with BachA Bach Choir collaboration with the Dance Department of Lehigh Valley Charter High School for the Arts • Sunday February 27, 2022 at 3pm | Zoellner Arts Center, Lehigh University

Spring Concert Duruflé Requiem | Handel Messiah Part Two • Sunday March 27, 2022 at 4pm | First Presbyterian Church of Bethlehem

GALA Save the Date! A very special Gala announcement coming this summer!• April 30, 2022 at 8pm | Central Moravian Church, Bethlehem, PA

114th Bethlehem Bach Festival • May 13-14 & May 20-21, 2022 | Lehigh University, Bethlehem, PA

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Our 2021–22 season is here! One to treasure and remember… We hope you’ll join us, in person or online, for this exceptional season to enjoy the musical excellence of The Bach Choir and celebrate the remarkable tenure of Greg Funfgeld, in his final year as our Artistic Director and Conductor. Thank you to our Guarantors! As sustaining members, your dedicated annual support provides a base of support for The Bach Choir each season and ensures that we can continue to build our legacy.

If you would like to join our Guarantor family, please contact us so that you can enjoy a full season of benefits, including:• Advance season notices • Exclusive ticketing and seat selection opportunities• Invitations to special events • Recognition in programs, and much more

Contact the Development Office: 610-866-4382 x 113

Page 4: BACH NOON BACH · 2021. 7. 13. · The Bach Choir of Bethlehem THE OLDEST AMERICAN BACH CHOIR, The Bach Choir of Bethlehem gave the first complete American performances of Bach’s

Special thanks to: St. John’s Evangelical

Lutheran Church Bradley T. Carroll, Pastor Eric G. Gombert, Cantor

David Umla, Chairperson, Arts at St. John’s

John C. Baker, audio engineer MBC Productions, Videography

The Guarantors of The Bach Choir for their continuing support.

St. John’s Evangelical Lutheran Church

St. John’s Evangelical Lutheran Church in Allentown was founded in 1855 as the first English-speaking Lutheran church in the predominantly immigrant German city. This forward-looking spirit has marked the history of the congregation. The current eighty-foot high cathedral was constructed amid the Great Depression in the 1930s following a unanimous decision by the congregation “to perpetuate its mission in the present location, believing that the voice of the Gospel is needed in the heart of every great city.” With the conviction that beauty inspires mean-ingful worship, the architecture and the entire undertaking blended the religious and the aesthetic. The stained-glass windows, for example, are the creation of Nichola D’Ascenzo whose work is also displayed at the National Cathedral in Washington DC and the Cathedral of St. John the Divine in NYC. Matching the visual splendor of the church has been its long tradition of excellent music. The 5000-pipe Ernest M. Skinner organ with 4 manuals and more than 80 stops is one of the most outstanding instruments in the region. The Arts at St. John’s, in its 31st year, is pleased to host as part of its series The Bach Choir of Bethlehem.

Your free will contributions support The Choir's Community programs like

Bach at Noon. Please donate online at BACH.org or send your contribution to:

• The Bach Choir of Bethlehem

440 Heckewelder Place, Bethlehem, PA 18018

• To donate by phone, text BNOON to 44–321.

610-866-4382 | BACH.org

Bach at Noon 2020–2021 Bethlehem Schedule

For further information about The Bach Choir of Bethlehem:

• Visit Bach.org for upcoming concert and ticket information, to join our mailing

list or to order CDs and other Bach Choir merchandise.

• Consider becoming a Guarantor with The Choir: learn more at the website or

by calling 610-866-4382 extension 113

• Follow us on Facebook, Twitter and Instagram.

Watch us on YouTube.

The Bach Choir of Bethlehem gratefully acknowledges our

Bach at Noon corporate & foundation sponsors.

Jephson Educational Trust

Keystone Savings Foundation

Presser Foundation

Bach at Noon BroadcastBach at Noon concerts are broadcast on WWFM, a long-time media sponsor. This year’s broadcasts are made possible by the generous support of John L. and Carol Daniel and Arthur Mead Martin. Broadcast dates are on our website.

2021 2022September 14 January 11

October 12 February 8

November 9 March 8

April 12

Bach at Noon Together Allentown 2021: June 15 July 13 August 10

The Bach Choir is supported by the National Endowment for the Arts

and The Pennsylvania Council on the Arts