BA in Dance - KATHAK - Bangalore Universitybangaloreuniversity.ac.in/wp-content/uploads/2014/07/B… · · 2016-01-13Brief about 10 qualities of dancer ... 1. Yoga BA in Dance -

BA in Dance - KATHAK I SEMESTER SYLLABUS

Subjects

Part 1 Language 1 – Sanskrit/Kannada

Language 2 – English

Part 2 Theory – Kathak

Practical – Kathak

Part 3 Theory – Music

Practical – Music

Part 4 Theory – FC/SDC

CC&EC

Subjects Paper Marks

IA Exam Total Credits

Part 1 Language 1 Theory 30 70 100 2

Language 2 Theory 30 70 100 2

Part 2 Dance-Kathak Theory 50 100 150 3

Practical 50 100 150 3

Part 3 Music Theory 30 70 100 2


Part 4 FC/SDC Theory 30 70 100 2

CC&EC -- 50 -- 50 1

Total 16

Internal Assessment marks are divided as 10 for Attendance,

10 for Viva/Project and 10 for internal tests. In case of FC/SDC 10 for Attendance and 20 for internal tests.

Instructions for the Paper-Setter The question paper will consist of five sections: A, B, C, D and E.

Section A, B, C and D will have two questions from the respective

sections of the syllabus and will carry each questions of 10 marks in Kathak Theory and 6 marks in Music Theory. Section E will consist of

10 short answer type questions in Kathak Theory and 11 short answer

type questions in Music Theory which will cover the entire syllabus uniformly and will carry 2 marks each.

Instructions for the Candidates Candidates are required to attempt five questions in all, selecting at

least one question from each section. Section E is compulsory.


Part 2

Kathak Theory (Subject Code: UGK 101KT)

Theory - 4 Periods per week Max. Marks: 150 Time Allowed: 3 Hours Internal Assessment: 50

Section – A

1. Origin & Development of Kathak Dance

2. Detailed Study of Lucknow & Jaipur Gharana 3. Study of Asamyutha – Samyutha Hastas

4. Anga – Prathyanga – Upanga with Shlokas According to

Abhinaya Darpana

Section – B

5. Knowledge of Nritta, Nruthya & Natya 6. Study of Shiro Bheda, Greeva Bhedha, Drishti Bhedha, Bhru

Bhedha with shloka according to Abhinaya Darpana

Section – C

7. Study of technical terms used in Kathak Dance:

Tatkar, Laya, Taal, Tehai, Tukra, Thaat, Amad, Tora, Paran and Chakkardarparan.

8. Define Hindu-Mogal costumes and Jewelries in Kathak

Section – D

9. Brief about 10 qualities of dancer

10. Writing the notations of the following

Teen taal (Matra 16)

Notation of all the following material:

(a) Simple Tatkar with Dugan and Chougan layakaries

(b) Tora - 2 Thaat -I (c) Amad - 1 Kavit-I

(d) Salami-1

Section – E

11. Section E will consist of 10 short answer type questions

which will cover the entire syllabus uniformly and will carry 2 marks each.


Part 2

Kathak Practical (Subject Code: UGK 102KP)

Practical - 4 Periods per week Max. Marks: 150

Time Allowed: 3 Hours Internal Assessment: 50

1. Practical Demonstration of Teen Taal - Footwork

2. Practical Demonstration of following taals:- Teen taal (Matra 16)


(a) Simple Tatkar with Dugan and Chougan layakaries (b) Tora - 2 Thaat -1

(c) Amad - 1 Kavit-1

(d) Salami-1

3. Any Vandana Stuti


Part 3

Music Theory (Subject Code: UGK 103MT)

Theory - 3 Periods per week Max. Marks: 100


Section – A

1. General history of music from Vedic period to the period of

Bharat. a) Vedic Period b) Ramayan Period

Section – B 2. Definitions and explanation of the following musical terms:

a) Sangeet b) Naad c) Swara d) Saptak

Section – C

3. Importance of music in human life

Section – D

4. Biographical sketches of the following:

a) Pandit. Vishnu Digambar Pluskar b) Gujjr Ram Vasdev Ragi

Section – E 5. Section E will consist of 11 short answer type questions

which will cover the entire syllabus uniformly and will carry

2 marks each.


Part 3

Music Practical (Subject Code: UGK 104MP)



Viva 05 Marks Tabla/Harmonium 10 Marks

1. Reciting the notations of the following


Notation of all the following material: (a) Simple Tatkar with Dugan and Chougan layakaries

(b) Tora - 2 Thaat -I

(c) Amad - 1 Kavit-I (d) Salami-1

Two patriotic songs

2. Three Bhajan


Part 4

Foundation, Skill Development or Interdisciplinary Courses.

(Subject Code: UGK 105SD)


Internal Assessment: 30

1. Environment Science

Part 4

Extension and Co-curricular and Extra-curricular Based

Activities.

1. Yoga

BA in Dance - KATHAK II SEMESTER SYLLABUS

Subjects






Practical – Music


CC&EC










CC&EC -- 50 -- 50 1

Total 16


10 for Viva/Project and 10 for internal tests.

In case of FC/SDC 10 for Attendance and 20 for internal tests.

Instructions for the Paper-Setter

The question paper will consist of five sections: A, B, C, D and E.

Section A, B, C and D will have two questions from the respective sections of the syllabus and will carry each questions of 10 marks in

Kathak Theory and 6 marks in Music Theory. Section E will consist of

10 short answer type questions in Kathak Theory and 11 short answer type questions in Music Theory which will cover the entire syllabus

uniformly and will carry 2 marks each.




Part 2




Section – A 1. Origin & Development of Indian Dance

2. Study of Asamyutha – Samyutha Hastas

3. Study of Natya Shastra with Special reference to Indian Dances.

Section – B 4. Study of Abhinaya & its kinds.

5. Definition of the following:-

Kavitt, Vandana, Gat Nikas, Paremlu.

Section – C

6. Study of Shiro Bheda, Greeva Bhedha, Drishti Bhedha, Bhru Bhedha with shloka according to Abhinaya Darpana

7. Recognition of taals through some bols.

Writing the notations of the following Teen taal (Matra 16)

(a) Simple Tatkar with Dugan and Chogun layakaries

(b) Tora-2 Thaat-1 (c) Amad-1

(d) Chakardar Paran-1

Section – D

8. Study of Taandva & Lasya

9. Description and comparative study of Taals mentioned in section-C above.



2 marks each.


Part 2


Practical - 4 Periods per week Max. Marks: 150 Time Allowed: 3 Hours Internal Assessment: 50

1. Practical demonstration of Teen Taal.

2. Practical demonstration of the following Taals :- Teen taal (Matra 16)




(c) Amad - 1 Kavit-I

(d) Salami-1 (e) Paran-2

(f) Chakaradar Paran-1

3. Two Gatnikas

4. Padhant of whole material


Part 3




Section – A

1. General history of music from Vedic period to the period of Bharat.

a) Mahabharat period b) Natyashastra period

Section – B

2. Biographical Sketches of the following:

a) Pandit Vishnu Narayan Bhahtkhande b) Tansen

Section – B 3. Define:

a) Aroh, b) Avroh c) Pakar d) Jaties of Ragas

Section – D

4. Definations and explanation of the following musical terms :

a) Raag, b) Thaat, c) Taal d) Laya

Section – E

5. Section E will consist of 11 short answer type questions which will cover the entire syllabus uniformly and will carry

2 marks each.


Part 3




Viva 05 Marks

Tabla/Harmonium 10 Marks

1. Reciting the notations of the following

Teen taal (Matra 16) Notation of all the following material:



(d) Salami-1

(e) Paran-2

2. Two Patriotic songs

3. Two Bhajans


Part 4


(Subject Code: UGK 205SD) Theory - 5 Periods per week Max. Marks: 100


1. Indian Constitution

Part 4

Extension and Co-curricular and Extra-curricular Based

Activities.

2. Field Studies

2383/3, 1st Main Road, E-Block, Sahakarnagar, Bangalore - 560092 Phone: 080 40945979, Mobile: +91 9880529878

BA in Dance - KATHAK III SEMESTER SYLLABUS

Subjects






Practical – Music


CC&EC










CC&EC -- 50 -- 50 1

Total 16

Internal Assessment marks are divided as 10 for Attendance, 10 for Viva/Project and 10 for internal tests.




Section A, B, C and D will have two questions from the respective

sections of the syllabus and will carry each questions of 10 marks in

Kathak Theory and 6 marks in Music Theory. Section E will consist of 10 short answer type questions in Kathak Theory and 11 short answer

type questions in Music Theory which will cover the entire syllabus


Instructions for the Candidates

Candidates are required to attempt five questions in all, selecting at least one question from each section. Section E is compulsory.


Part 2




Section – A

1. Development of Kathak Dance during Mughal and British Period.

2. Study of Kathakali & Mohiniattam Dance.

3. Study of Banaras Gharana.

Section – B

4. Study of Natya, Nritta and Nritya. 5. Study of Asamyutha - Samyutha Hasta according to

Abhinaya Darpana.

6. Comparative Study of Classical and Folk Dances.

Section – C

7. Writing the notations of the following Jhap taal (Matra 10)


(a) Simple Tatkar with Dugan and Chougan layakaries (b) Tora - 2 Thaat -I




Section – D

8. Notation of Talas in Dugun, Tigun and Chougan layakaries

mentioned in section C above. 9. Notation of Nagma in Teen taal & Jhap taal.



2 marks each.


Part 2




1. Practical Demonstration of any taal of your choice. 2. Practical demonstration of the following taals:

Jhap taal (Matra 10)




(e) Paran-2


3. Two Gatnikas & One Gat bhava.

4. Padhant of whole material.


Part 3




Section – A

1. Brief about Hindustani Music and Carnatic Music.

Section – B

2. Historical Development of Indian Music Ist to 12th Century.

(a) Period of Gupta with reference to Kalidas Poetry. (b) Matang.

Section – C 3. General Study of Alap & Taan

4. Biographical sketches and contributions to Indian Music of

the following great Master: a) Pandit. Onkar Nath Thakur

b) Swami Harivallabh

Section – D

5. Brief study about origin and development of the following

Gayan Shallies:- Khayal, Dhamar



2 marks each.


Part 3




1. One Chota Khayal in each of the following raags with simple Alaaps and Taans.

a) Kalyan b) Vrindavani

2. Practical demonstration of the following taals:

Jhap taal (Matra 10)




(e) Paran-2



Part 4




1. Computer Fundamentals

Part 4

Extension and Co-curricular and Extra-curricular Based Activities.

1. Community work through dance 2383/3, 1st Main Road, E-Block, Sahakarnagar, Bangalore - 560092

Phone: 080 40945979, Mobile: +91 9880529878

BA in Dance - KATHAK IV SEMESTER SYLLABUS

Subjects






Practical – Music


CC&EC










CC&EC -- 50 -- 50 1

Total 16

Internal Assessment marks are divided as 10 for Attendance, 10 for Viva/Project and 10 for internal tests.




Section A, B, C and D will have two questions from the respective sections of the syllabus and will carry each questions of 10 marks in

Kathak Theory and 6 marks in Music Theory. Section E will consist of

10 short answer type questions in Kathak Theory and 11 short answer type questions in Music Theory which will cover the entire syllabus



Candidates are required to attempt five questions in all, selecting at



Part 2




Section – A 1. Detailed history of Kathak Dance upto 20th Century.

2. Patronage and contribution of Indian kings towards Kathak

Dance. 3. Study of Odissi Dance.

Section – B 4. Study of Asamyutha - Samyutha Hasta vinayogas according

to Abhinaya Darpana.

5. Study of Gati and its various aspects. 6. Study of Nayak-Nayaka Bhedas and their manifestations.

7. Study of the folk dances of Rajasthan and their historical

background, music, style, costumes and makeup etc.

Section – C

8. Writing the notations of the following Ek taal (Matra 12) Notation of all the following material:





9. Writing the notations of the following Chau taal (Matra 12) (a) Simple Tatkar with Dugan and Chogun layakaries

(b) Tora-2 Thaat-1

(c) Amad-1 (d) Chakardar Paran-1 (e) Paran-1 (f) Kavit-1

Section – D 10. Description and comparative study of Taals mentioned in

section-C above.

11. Notation of talas in Dugun, Tigun and Chougan layakaries mentioned in section C above.



2 marks each.


Part 2



1. Practical Demonstration of any taal of your choice.

2. Practical demonstration of the following taals: Ek taal (Matra 12)


(a) Simple Tatkar with Dugan and Chougan layakaries (b) Tora - 2 Thaat -I




Chau taal (Matra 12)

(a) Simple Tatkar with Dugan and Chogun layakaries (b) Tora-2 Thaat-1

(c) Amad-1

(d) Chakardar Paran-1 (e) Paran-1

(f) Kavit-1

3. Bhava on Bhajan. 4. Padhant of whole material.


Part 3




Section – A 1. Brief about different kinds of Hindustani instruments

Section – B 2. Origin and development of Dhrupad.

Section – C 3. Biographical sketches and contribution of the following

great Masters:

(a) Ustad Faiyaz Khan (b) Pt.Vishnu Digambar Pulaskar

Section – D

4. Historical development of Indian Music 1st to 12th Century

with reference to Following:-

(a) Sharangdev (b) Matang



2 marks each.


Part 3




1. One Thumri in any Raag. 2. Description of Raags and Taals prescribed in syllabus.


Ek taal (Matra 12) Notation of all the following material:


(b) Tora – 2 (c) Thaat – 1 (d) Amad – 1 (e) Kavit – 1 (f) Salami – 1 (g) Paran – 2

(h) Chakaradar (i) Paran – 1

Chau taal (Matra 12) (a) Simple Tatkar with Dugan and Chogun layakaries

(b) Tora – 2 (c) Thaat – 1 (d) Amad – 1

(e) Chakardar (f) Paran – 1 (g) Paran – 1 (h) Kavit – 1


Part 4

Skill Development or Interdisciplinary Courses.




1. Innovative compositions in dance

Part 4 Extension and Co-curricular and Extra-curricular Based

Activities.

BA in Dance - KATHAK V SEMESTER SYLLABUS

Subjects






Practical – Music

Part 4 Theory – SDC









Part 4 SDC Theory 30 70 100 2

Total 20


10 for Viva/Practicals and 10 for internal tests.



The question paper will consist of five sections: A, B, C, D and E. Section A, B, C and D will have two questions from the respective

sections of the syllabus and will carry each question 10 marks. Section

E will consist of 10 short answer type questions which will cover the entire syllabus uniformly and will carry 2 marks each.


Candidates are required to attempt five questions in all, selecting at



Part 1


Theory - 4 Periods per week Max. Marks: 150 Time Allowed: 3 Hours Internal Assessment: 50

Section – A 1. Study of Kuchipuddi dance

2. Study of Kathak dance used in modern contemporary dance

Section – B

3. Study of Asamyutha - Samyutha hasta vinayogas according

to Abhinaya Darpana 4. Origin of Taal and its ten Prans and Uttri and Dakshani Taal

Paditi

Section – C






(h) Chakaradar Paran – 1

6. Writing the notations of the following Sool taal (Matra 10)


(a) Simple Tatkar with Dugan and Chougan layakaries (b) Tora – 2 (c) Thaat – 1 (d) Amad – 1

(e) Kavit – 1 (f) Salami – 1 (g) Paran – 2

(h) Chakaradar Paran – 1

Section – D

7. Notation of Nagma in Sool taal & Swari taal 8. Recognition of taals through some bols.



2 marks each.


Part 1









Sool taal (Matra 10)




3. Tarana/Sargam.


Part 2

Kathak Theory (Subject Code: UGK 503KP)



Section – A 1. Study of Nritya Natika and Ballets Contributions of Pt. Uday

Shankar and Birju Maharaj towards Indian Ballets

2. Study of Ashta Nayikas and Nayakas

Section – B

3. Dance and its relation with other performing arts. 4. Origins of Jain Sculpture/study of Jain Centers of workship

in Karnatak. Architecture and Dance Sculptures – in

Karnataka during the period of Chalukyas, Hoysala Kingdoms.

Section – C 5. Writing the notations of the following

Rudra taal (Matra 11)




(e) Kavit – 1 (f) Salami – 1 (g) Paran – 2 (h) Chakaradar Paran – 1


Swari taal (Matra 15) (a) Simple Tatkar with Dugan and Chogun layakaries


(e) Chakardar Paran – 1 (f) Paran – 1 (g) Kavit – 1

Section – D 7. Notation of Nagma in Sool taal & Swari taal


Section – E




Part 2






Rudra taal (Matra 11) (a) Simple Tatkar with Dugan and Chougan layakaries


(e) Kavit – 1 (f) Salami – 1 (g) Paran – 2 (h) Chakaradar (i) Paran – 1

Swari taal (Matra 15) (a) Simple Tatkar with Dugan and Chogun layakaries


(e) Chakardar (f) Paran – 1 (g) Paran – 1 (h) Kavit – 1


Part 3




Section – A 1. Origin & development of following Gayan Shallies:-

(i) Tappa (ii) Thumri (iii) Partal

Section – B

2. Contribution and life sketch of the following:-

(i) Ustad Bade Ghulam Ali Khan (ii) Pt. Krishna Rao Shankar Pandit.

Section – C 3. Description of the following Ragas and Taals:-

Raagas:-

(i) Miyan Ki Todi (ii) Bhairavi

(iii) Ramkali

Section – D 4. Taals:

(i) Jhumra (ii) Jatt Tal

Section – E




Part 3




Viva 10 Marks

Tabla/Harmonium 50 Marks

1. One Bhajan with proper Gayaki in any raags.

2. Basic Knowledge to play teen taal on Tabla and by hand

showing khali and Bhari. 3. Aroh, Avroh, Pakar of the following raag.


Teen taal (Matra 16), Sool taal (Matra 10), Rudra taal (Matra 11)




5. Practical demonstration of the following taals: Swari taal (Matra 15) or Basant tall (Matra 9)

(a) Simple Tatkar with Dugan and Chogun layakaries

(b) Tora – 2 (c) Thaat – 1 (d) Amad – 1 (e) Chakardar (f) Paran – 1 (g) Paran – 1

(h) Kavit – 1


Part 4 Skill Development or Interdisciplinary Courses.




1. Life skills and personality development

2383/3, 1st Main Road, E-Block, Sahakarnagar, Bangalore - 560092 Phone: 080 40945979, Mobile: +91 9880529878

BA in Dance - KATHAK VI SEMESTER SYLLABUS

Subjects






Practical – Music

Part 4 Theory – SDC









Part 4 SDC Theory 30 70 100 2

Total 20

Internal Assessment marks are divided as 10 for Attendance, 10 for Viva/Practicals and 10 for internal tests.



The question paper will consist of five sections: A, B, C, D and E. Section A, B, C and D will have two questions from the respective

sections of the syllabus and will carry 6 marks each question. Section

E will consist of 10 short answer type questions which will cover the entire syllabus uniformly and will carry 2 marks each.




Part 1




Section – A

1. Essay on Guru Shishya Parampara. 2. Study of Dashavataar.

Section – B 3. Study of Asamyutha - Samyutha hasta vinayogas according

to Abhinaya Darpana.

4. Medium and Sources to depict Bhav, Ang in Kathak Dance.

Section – C

5. Origin of dance according to Vedas, Puranas. Explain literature, Sculpture, Painting and Drama in relation to

dance.

Section – D

6. Notation of talas in Dugun, Tigun and Chougan layakaries

mentioned in section C above. 7. Recognition of taals through some bols.

Section – E


2 marks each.


Part 1







(a) Simple Tatkar with Dugan, Tigun and Chougan

layakaries (b) Thaat-2 (c) Tora – 4 (d) Amad - 2

(e) Paran-2 (f) Chakaradar Paran-2 (g) Pharmaishi Chakardar Paran. (i) Kavit-1

3. Bhava on Thumri/Sufi.


Part 2




Section – A

1. Biography and contribution of Pt. Birju Maharaj,

Pt. Rajinder Gangani, Pt. Teerath Ram Azad, Guru Dr. Maya Rao in the field of Kathak Dance.

Section – B 2. Study of Chari and Mandal.

3. Study of common elements used in Music and Dance.

Section – C


Teen taal (Matra 16) (a) Simple Tatkar with Dugan and Chogun layakaries


(e) Chakardar Paran – 1 (g) Paran – 1 (h) Kavit – 1

Section – D 5. Notation of talas in Dugun, Tigun and Chougan layakaries

mentioned in section C above.


Section – E


2 marks each.


Part 2





2. Padhant of whole material. 3. Presentation of any item for 30 minutes duration.


Part 3




Section – A 1. Origin and development of the following Gayan Shallies:-

(i) Tarana (ii) Chaturang (iii) Raagmala

Section – B

2. Contribution and life sketch of the following:-

(i) Pandit Dalip Chander Bedi (ii) Onkar Nath Thakur

Section – C

3. Description of the following Raags and Taals:- Raagas:-

(i) Miyan Malhar (ii) Sohni (iii) Bhairav

Taals:- (i) Ada Chautal (ii) Sool Taal

Section – D

4. Elementary Knowledge of the followng Raagas:- (i) Marwa (ii) Todi



2 marks each.


Part 3




1. Practical demonstration of the following taals : Teen taal (Matra 16)

(a) Simple Tatkar with Dugan, Tigun and Chougan

layakaries (b) Thaat-2 (c) Tora - 4 (d) Amad - 2

(e) Paran-2 (f) Chakaradar Paran-2

(g) Pharmaishi Chakardar Paran. (h) Tiser Jati Paran (i) Kavit-1

Jhoomra (Matra 14)

(a) Simple Tatkar with Dugan and Chogun layakaries (b) Tora – 2 (c) Thaat – 1 (d) Amad – 1

(e) Chakardar Paran – 1 (g) Paran – 1

(h) Kavit – 1

3. Bhava on Thumri/Sufi.

4. Tuning of Tanpura. 5. Aroh Avroh and Pakar of Raags:-

(i) Malkouns (ii) Bhairav


Part 4

Skill Development or Interdisciplinary Courses.



1. Entrepreneurship

Documents

BA in Dance - KATHAK - Bangalore Universitybangaloreuniversity.ac.in/wp-content/uploads/2014/07/B… · · 2016-01-13Brief about 10 qualities of dancer ... 1. Yoga BA in Dance -