B E H O L D T H E K I N G

A Christmas Trilogy

A Play in Four Acts

Written by

Bill Ruegg

BEHOLD THE KING

A Christmas Trilogy

Preface "Behold the King" is a trilogy of dramas folded into a single comprehensive production. Each of the three is able to stand alone in completeness and message, or together they meld into one grand overview of the entire Christmas story. Act I, the first drama in the sequence, "Let Us Go with Him to Bethlehem" pictures the betrothal and reception of the Bride of Christ through the romance, engagement, marriage and trials of Joseph and Mary. Act II, "Unto You is Born This Day" centers on the virgin birth and signs pointing to the Word become flesh. Acts III and IV, "One Small King" is a drama of contrasts: Jesus Christ and Herod, prophecy and pedigree, Scripture and science, danger and deliverance. Individually or collectively they challenge our traditional notions of Christmas against the testimony of the exact truth of the Word of God. As previously stated, each drama may be performed separately and has been written with complete introductory background and theme, set design, and costume and character profiles. For this reason, there is much redundancy in direction guidelines between the Acts/dramas in regard to these many features. Helpful suggestions and notations for the complete production, as well as potential combinations of the dramas, are as follows:

"Behold the King: A Christmas Trilogy" A play of four acts. Act I: "Let Us Go with Him to Bethlehem" (25 min.) Act II: "Unto You is Born This Day" (40 min.) Intermission: 15 min. Acts III & IV: "One Small King" (70 min.) Presentation time: 150 min. (including intermission) Narration: Delete final narration from Act I and place it at the end of Act IV beginning with the phrase: "and the child continued to grow . . ."

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“Behold the King: A Christmas Trilogy”: A play of three acts. Act II: "Unto You is Born This Day" (40 min.) Intermission: 15 min. Acts III & IV: "One Small King" (70 min.) Presentation time: 125 min. (including intermission) Narration: Recite the final narration from Act I at the end of Act IV beginning with the phrase, "and the child continued to grow . . ." “Behold the King”: A play of two acts. Act I: "Let Us Go with Him to Bethlehem" (25 min.) Act II: "Unto You is Born This Day" (40 min.) Presentation time: 65 min. (no intermission) Narration: The entire final narration from Act I is placed at the end of Act II to finish the production. Bill Ruegg, Roseburg, Oregon 541-673-0582 billruegg@hotmail.com billruegg@cmspan.net June 2, 2004

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Let Us Go With Him to Bethlehem (Act I)

Introduction

God began to prepare the way for Jesus' arrival through Mary and Joseph, as well as Zacharias and Elizabeth. Ultimately, Israel was being prepared to receive their King by John the Baptist who would "make smooth in the desert a highway for our God." This core group of believers, along with some shepherds, Anna and Simeon, and the Magi, were privileged to see the "Word become flesh." Most Christmas programs center on the actual birth or Nativity of Christ. This story differs by focusing upon the intervention of God in the lives of two special people prior to the birth of the Son of God. It is a Bible-centered perspective of the virgin conception seen through Mary and Joseph, whom God gave the blessing and responsibility to receive His Son into their budding family. The romance, betrothal, marriage and trials of this couple vividly demonstrate the sovereignty of God and the picture of the betrothal and reception of the Bride of Christ, the Church. An excellent discussion of this imagery is found in Behold, the Bridegroom Comes! Written by, Dr. Renald Showers, and can be obtained from: Friends of Israel Gospel Ministry, Inc. 475 White Horse Pike West Collingwood, NJ 06107. www.foi.org This was an invaluable resource for the writing of this play and is an excellent tool to present the gospel and communion worship following this drama. Let Us Go With Him To Bethlehem: presentation time: 25-30 minutes.

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Acknowledgments: God was at work on this program for years before I was obedient to His call to write it. During this time, Elder Dave Forgard sensed God could use me in our church’s drama ministry; but I was not ready. Whenever I mentioned this project, others in our Body encouraged me. As I finally submitted to undertake this work, I prayed for resources to accomplish it. I sensed the importance of understanding Jewish betrothal/marriage customs as I meditated upon the message God had given through Joseph and Mary. I prayed and God answered with a visit to Mildred Zech, to whom I go with intercessory prayer requests (nearly all of us in our church do). Mildred just happened to be studying this very subject (Providentially I’m sure!) and lent me the Friends of Israel pamphlet. I thank my wife, Elizabeth, for putting up with my single-mindedness to finish this play. Also to my children who gave me Phil Keaggy’s True Believer CD which helped to inspire and encourage me as I wrote this; and also Phil Keaggy whose beautiful ballad, “And On That Day”, showed both the human and biblical sides of Mary. The Holy Spirit led me to scripture after scripture as I put this together. In fact, nearly all of the dialogue is simply scripture that this would be for His glory, and His alone. The Lord also answered prayer with a willing typist and capable editor, Gloria Best, and I am trusting that He will equip cast and production crews to use this as a springboard for worship and evangelism as we await our Lord’s shout. Bill Ruegg October 1998

1.2 Cast and Costumes NARRATOR: Unseen man with excellent reading skills. MARY: The Lord Jesus' mother played by a sweet young woman who

exudes a gentle and noble character. She wears a light-colored or pastel, long gown and headdress. She will need a small pillow and support to appear pregnant in Scene 5. This scene will also require she have in place over her headdress a sheer (not lace) white pullover veil.

JOSEPH: A young and strong but sensitive man of few words. He wears a robe

of coarse material (earth-tones) with a sash around his waist and a headband. He has a thin dark beard (obtain realistic glue-on beard from costume shop) and a wooden mallet in his sash. In Scene 4, he should have a cloth matching his garment that can be easily and loudly ripped in his grief.

ELI: Mary's father played by a distinguished, godly older man with a

graying beard. He wears the usual Bible-time robe and headdress. MARY'S MOTHER: Older supportive woman with a long robe and flowing headdress. GABRIEL (ANGEL): Clothed in long white gown with a gold belt. Use a bright spotlight

(light from transparency projector works well) to silhouette him from behind. He speaks with a deep calming voice.

ELIZABETH: Older pregnant woman who is enthusiastic. Long gown (use same

pillow/support that Mary will need later in Scene 5) showing her enlarged belly, with a flowing headdress covering her gray hair.

BARTIMAEUS: Impetuous young friend of Joseph who is dressed similarly, but with

a fuller dark beard. JACOB: Joseph's father portrayed as a kind, older man with a gray beard and

costume similar to Eli. PAGE: Official-sounding male tenor voice. Not actually seen.

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Properties Stage: The physical stage is best if at least 25 feet across. Certainly an altar area

which is cleared will do. Scene 5 requires a layout of two sets, like a split screen, with simultaneous

action (but not dialogue). A divider is not necessary. Joseph will need to exit stage-right and reenter the scene stage-left later in this scene.

Lighting that can be dimmed or lowered is important. Elaborate lighting and

staging can make for a more polished presentation, but improvising can be a lot of fun! Many stages will not have curtains requiring dimming the lights to transition between scenes.

Scene 1: Simple wooden table and two stools. Mary has an earthen water pitcher,

and her mother a wicker basket or pottery bowl with a wooden mixing spoon. A leather wine flask (alternatively a pottery pitcher) is used to "pour" wine into a goblet. Joseph will need a small sack of coins and a rope for a heifer.

Scene 2: Mary is stitching a garment as this scene begins. A large cloth bag or purse

is needed on opposite stage with folded clothes by it. She will hastily pack it during this scene.

And on That Day by Phil Keaggy (True Believer, Sparrow) is played at the

end of this scene and at the conclusion of the play. Available on tape or CD. Scene 3: No props required. Scene 4: Joseph is hammering some boards (actually finishing a gate). A small

fence-like gate can be constructed so that it is able to stand upright. Audio tape: This will be played during the dialogue and can be made ahead

of time and used for sound effect. It is a group of about five to six men and women casting insults at Joseph because of Mary (i.e., "Look, Joseph the fool”, “let me cast the first stone”, “Raca!”, “Is Joseph's betrothed named Gomer?!” “Joseph, you are shamed!”) Use derisive laughter and an attitude of contempt.

A rolled oriental carpet will be set in area of the stage where Joseph will

pray and lie down to sleep. Scene 5: Mary and her mother use same table and one stool from Scene 1. An oil (or

candle) lamp is lit on the table. Scripture: All Bible verses are from the New American Standard Bible.

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Scene 1: The Covenant Set: ELI and MARY'S MOTHER sit at the table. (SHE is mixing contents of a

bowl.) MARY is standing and holds a water pitcher. A leather wine flask and goblet are hidden nearby where MARY and HER MOTHER will retreat.

MARY: Father, Mother, I have met a young man, a carpenter named Joseph. His

home and wood shop are near the gate, where I go to draw water. ELI: Yes, of course! I know his father, Jacob. We used to go together to

Jerusalem for Passover many years ago. They are a God-fearing family, and believe me I know something of this young man.

MOTHER: Mary . . . Does this young man interest you? MARY: Only that the Lord our God would lead me to one as kind, gentle and

handsome as Joseph. MOTHER: Look, who is approaching? (SHE glances and points to where HE will

enter.) MARY: It is Joseph! (MARY and MOTHER move to opposite stage and listen

attentively.) ELI: Shalom! Welcome to my home, Joseph. (THEY hug side-to-side.) Here, sit...and tell me what is on your mind. JOSEPH: Eli . . . If it be agreeable to you and your daughter, Mary . . . I wish to . . .

well . . . to ask your consideration to give Mary to be my wife. ELI: Joseph, your reputation and character are remarkable as the elders speak

so highly of you. Mary, I believe, is open to this. But with what can I (emphasis) gauge your earnestness and worthiness to receive such a request?

JOSEPH: I have worked diligently for this very day. I offer these seven gold coins, a

heifer (HE hands ELI the sack of coins and rope) and my promise to build a new shelter and fold for your sheep. (HE places hand on the mallet.)

ELI: (In subtle voice) Ahhh, you have noticed the plight of my flock. A generous

offer indeed! I am well-pleased, Joseph, well-pleased. JOSEPH: It is nothing compared to my pledge to love her with all my heart, and, if

need be, to die for her.

1.5 ELI: Now I know of God's provision for Mary and your worthiness. Mary! Come

quickly. Bring the wine and let us make a covenant for your betrothal to Joseph. (MARY and HER MOTHER, who is carrying the flask and goblet, come forward. ELI stands and MARY sits in HIS place facing JOSEPH.)

(ELI now pours wine into the goblet. The COUPLE grasp the goblet with

both hands.) "Drink and imbibe deeply, O' lovers!" (Song of Solomon 5:1). (JOSEPH drinks first, then hands the cup to MARY, WHO drinks.) (ELI raises HIS hands and offers a benedictory prayer):

Jehovah God, the Holy One of Israel! In your presence, by Your power, we ask Your sacred seal upon the covenant that Joseph and Mary have entered into.

(ELI turns to JOSEPH to bless HIM.) "We are witnesses. May the Lord make the woman who is coming into your

home like Rachel and Leah, both of whom built the house of Israel; and may you achieve wealth in Ephrathah and become famous in Bethlehem." (Ruth 4:11)

JOSEPH: (Placing HIS hand on MARY'S cheek) Mary, I pledge to be faithful to the promise I spoke to your father and to

prepare a place for you in my father's house to receive you as my bride. (MARY places HER hand over JOSEPH'S outstretched hand.) MARY: Joseph, I consecrate myself to God and to you, and I will be waiting

faithfully for you. (JOSEPH gets up to exit as THEY slowly release hands with loving, longing looks.)

ELI/JOSEPH: Shalom. (THEY hug side-to-side) ELI: (Turning now to MARY and HER MOTHER as THEY stand together arm-in-

arm) Let us celebrate the goodness of the Lord! HA! HA! (THEY then exit)

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Scene 2: The Annunciation Set: MARY is alone sitting on the ground stitching a garment. A cloth tote bag

with folded clothes by it is on the other side of stage. NARRATOR: "Now in the sixth month the angel Gabriel was sent from God to a city in

Galilee, called Nazareth, to a virgin engaged to a man whose name was Joseph, of the descendants of David; and the virgin's name was Mary." (Luke 1:26-27)

GABRIEL: (The bright light silhouettes HIS frame) "Hail favored one! The Lord is with you." (Luke 1:28) MARY: (Astonished, saying under HER breath) What can this mean? GABRIEL: "Do not be afraid, Mary; for you have found favor with God. And behold, you

will conceive in your womb, and bear a son, and you shall name Him Jesus. He will be great, and will be called the Son of the Most High; and the Lord God will give Him the throne of His father David; and He will reign over the house of Jacob forever, and His Kingdom will have no end." (Luke 1:30-33)

MARY: "How can this be, since I am a virgin?" (Luke 1:34) GABRIEL: "The Holy Spirit will come upon you, and the power of the Most High will

overshadow you; and for that reason the holy offspring shall be called the Son of God. And behold, even your relative, Elizabeth, has also conceived a son in her old age; and she who was called barren is now in her sixth month. For nothing will be impossible with God." (Luke 1:35-37)

MARY: (Now kneels, lifting HER hands to God) "Behold, the bondslave of the Lord: be it done to me according to your

word." (Luke 1:38) (The angel light goes off and stage lights dim to "off" for 15-20 seconds of silence, then come back on. MARY then gets up directly and begins to pack HER bag during the narration.)

NARRATOR: "Now at this time Mary arose and went with haste to the hill country, to a

city of Judah." (Luke 1:30) MOTHER: (Enters stage) Mary! Where are you preparing to go in such a hurry?

(MARY stands.)

1.7 MARY: To see our cousin, Elizabeth, and Zacharias. God has told me she is with

child. It is a sign from God. MOTHER: O, make me laugh with the laughter of Sara. (SHE chuckles.) Can it be

another old and barren woman conceives in Israel? I suppose you shall find out soon enough. Mary...you look pale...are you well, my child? (SHE holds MARY'S arms.)

MARY: Yes, Mother, never more so! MOTHER: Then I will ask your father to send your brother, Josias, with you. Go with

God's blessing, my Mary. (SHE kisses MARY on the forehead and exits.) (MARY continues packing HER bag, walks slowly off-stage towards the

audience, then out. Meanwhile, And on That Day by Phil Keaggy is playing. It continues until the refrain "Holy, Holy, Holy.")

1.8 Scene 3: The Arrival Set: No props needed. ELIZABETH is looking intently to where MARY will enter. MARY: Elizabeth! . . . Elizabeth! It is I, Mary! ELIZABETH: Ohhh!! (SHE shows a startle at the baby’s kick.) “Blessed among women are you, and blessed is the fruit of your womb!”

And how has it happened to me, that the mother of my Lord should come to me? For behold, when the sound of your greeting reached my ears, the baby leaped in my womb for joy. And blessed is she who believed that there would be a fulfillment of what had been spoken to her by the Lord.” (Luke 1:42-45)

MARY: “My soul exalts in the Lord, and my spirit has rejoiced in God my Savior. For

He has regard for the humble state of His bondslave. For behold, from this time on, all generations will count me blessed. For the Mighty One has done great things for me; and holy is His name. And His mercy is upon generation after generation toward those who fear Him. (Verses 51-53 can be omitted to shorten this praise.) He has given help to Israel, His servant, in remembrance of His mercy, as He spoke to our fathers, to Abraham and his offspring forever.” (Luke 1:46-55)

ELIZABETH: These five months I have kept myself in seclusion for “This is the way the

Lord has dealt with me in the days when He looked with favor upon me, to take away my disgrace among men.” (Luke 1:25)

MARY: For truly, I have much to share of what God has revealed by the mouth of

His angel, Gabriel, and how the Holy Spirit overshadowed me so that I conceived a holy offspring.

ELIZABETH: I, too, have much upon my heart. God has revealed to Zacharias that our

son “will turn back many of the sons of Israel to the Lord their God. And it is he who will go as a forerunner before Him in the spirit and power of Elijah, to turn the hearts of the fathers back to the children and the disobedient to the attitude of the righteous, so as to make ready a people prepared for the Lord.” (Luke 1:17-18)

And now, behold the mother of my Lord has come to me! MARY: But, oh, Elizabeth, what shall I do? I am now betrothed to my beloved

Joseph. How can I tell him this? He will surely come to know it! (distressed, nearly sobbing, with ELIZABETH comforting HER)

1.9 ELIZABETH: My offspring is a forerunner to confirm what God is about to do through you

and Joseph. If Joseph seeks God, He will reveal to him what He is about to do. (THEY exit as ELIZABETH continues . . .)

I am overjoyed and bless the Lord for sending you to help me at this time. NARRATOR: "And Mary stayed with her about three months, and then returned to her

home." (Luke 1:56)

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Scene 4: The Affirmation Set: This scene begins with JOSEPH fitting and hammering boards on the gate.

A rolled carpet is placed on the opposing side of the stage. JOSEPH: (Being approached by BARTIMAEUS) Shalom! Bartimaeus, my friend, see how I have finished Eli’s sheepfold to

purchase my bride. (HE gestures to HIS work while standing up.) So, tell me what you have found out to dispel the murmurings of those who

would dishonor my betrothed. BARTIMAEUS: Dear Joseph, I only pray with all my soul that I could. These are no longer

rumors, for I have seen Mary with my own eyes and heard for myself. She is now great with child. The one you love has betrayed you!!!

JOSEPH: (Devastated, dropping HIS hammer, HE tears the garment, squats down

and covers HIS head with HIS hands.) No! No! How can this be! BARTIMAEUS: She should be stoned for this adultery! At the very least, put her away in

humiliation and disgrace. This child will surely face the reproach of his people. He would become known as “the carpenter’s son.” (HE spits.) You must act swiftly!

JOSEPH: God knows how I love her. And as I love the Lord my God, I cannot defile

myself in His sight. Let me now consider how I might put her away in secret that Mary may be not grieved to hers or the child’s harm.

AUDIO TAPE: (As the taped insults are played, JOSEPH and BARTIMAEUS look to the

direction of the “crowd.”) BARTIMAEUS: Joseph, you are too righteous and too soft-hearted for your own good! Do

not delay in making the certificate. I myself will deliver it to her if you are lacking in courage. (HE slowly exits.)

JOSEPH: See that Jehovah God is my righteousness and comforter. He will deliver

me from this reproach. (JOSEPH goes to opposing stage as though entering HIS room, unrolls the carpet and kneels with uplifting hands to pray.)

1.11 JOSEPH: O' Lord, my God! What is it you are doing? Give me understanding that

Your path may be my path. "My soul languishes for Thy salvation. I wait for Thy word. My eyes fail with longing for Thy word, while I say, 'When wilt Thou comfort me?' Though I have become like a wineskin in the smoke, I do not forget Thy statutes. How many are the days of Thy servant? When wilt Thou execute judgment on those who persecute me? The arrogant have dug pits for me, men who are not in accord with Thy Law. All Thy commandments are faithful; they have persecuted me with a lie; help me! They almost destroyed me on earth, but as for me, I did not forsake Thy precepts. Revive me according to Thy lovingkindness, so that I may keep the testimony of Thy mouth." (Psalms 119:81-88) (HE lies down, burying HIS head in HIS arms as if to exhausted sleep, while lights dim.)

ANGEL: (Appearance of bright silhouette light as with MARY in Scene 2. JOSEPH

remains asleep.) "Joseph, son of David, do not be afraid to take Mary as your wife; for that

which has been conceived in her is of the Holy Spirit. And she will bear a Son; and you shall call His name Jesus, for it is He who will save His people from their sins." (Matt. 1:20-21)

NARRATOR: "Now all this took place that what was spoken by the Lord through the

prophet might be fulfilled, saying 'Behold, the virgin shall be with child and shall bear a Son, and they shall call His name Immanuel', which translated means, 'God with us.'" (Matt. 1:22-23)

(Lights come on and JOSEPH gets up and quickly exits.) JOSEPH: Truly, God has heard the pleas of His servant!

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Scene 5: Arise! Set: On audience's left stage, MARY stands while HER MOTHER sits at the

wooden table with an oil lamp on it. MARY is looking off-stage wistfully while HER MOTHER is occupied with stitching. On the right, JOSEPH and HIS FATHER, JACOB, are standing. This is a split-stage so that actors on each side totally ignore what is happening on the other side.

JACOB: Joseph, are you sure this is of God? JOSEPH: Yes, Father. God has again spoken to His Joseph in a dream. PAGE: (Starts speaking the second JOSEPH finishes, almost as to interrupt. PAGE

is in background, off-stage, and not seen.) Caesar Augustus, Emperor of Rome, has decreed that a census be taken of

all the inhabited earth. By the authority of Quirinius, governor of Syria, all Jews must report to their ancestral homes to be taxed!

JACOB: When shall we be freed of this Roman tyranny! Besides, we have just

returned home from the Festivals! JOSEPH: God will surely send to us a Deliverer. There is no choice but to make the

journey to Bethlehem, the sooner the better. I must take Mary for my wife and leave at once, before the Holy Child is born, or it will be too late and difficult to register. The ass is saddled and provisions for our journey and stay are packed.

JACOB: You can make arrangements to stay at the inn there. As you have desired,

we will prepare the wedding feast eight weeks from now here in Nazareth. I will pray that the Lord will not send the rains early this season.

JOSEPH: Then so be it! Shalom, Father. JACOB: Shalom, Son. (THEY hug side-to-side.) (JOSEPH) exits front and side; JACOB follows. Lights dim slightly.) MARY: My time is drawing nigh. Oh! (SHE feels a birth pang.) The hours seem

endless. I know not when my Joseph shall appear; I only know that it will be soon.

1.13 MOTHER: Oh, Mary, have you not given up hope? How is it you know he will come?

Look, none of your maids stand with you, unless I be the only one. MARY: Dear Mother, Joseph always honors his promises, and I have faith that God

revealed the truth to my beloved. See that he has not put me away in disgrace, though nearly all of Nazareth calls for it. Mother, you must accept that this is God's mercy upon me! Remember our barren cousin, Elizabeth. The birth of John is a sign for us to believe that this Child will redeem Israel.

JOSEPH: (HE shouts off-stage, and then enters into view during this line.) ARISE!!! Mary, your bridegroom has come to receive you to myself! MARY: (SHE quickly places veil over HER face and goes to JOSEPH.) Joseph, my

beloved! (THEY embrace.) JOSEPH: All praise to our God who has brought us together for His purpose, the

advent of His Son, Jesus. MARY: "For the Mighty One has done great things for me; and holy is His name."

(Luke 1:49) JOSEPH: Let us go with Him to Bethlehem! (JOSEPH picks up HIS bride and carries

HER off stage.) (Just after narration begins, start And on That Day as low-level background

music.) NARRATOR: "And Joseph arose from his sleep, and did as the angel of the Lord

commanded him, and took her as his wife, and kept her a virgin until she gave birth to a Son; and he called His name Jesus."

(Matt. 1:24-25) "And she gave birth to her first-born Son; and she wrapped Him in cloths,

and laid Him in a manger; because there was no room for them in the inn." (Luke 2:7)

"And the Child continued to grow and become strong, increasing in wisdom;

and the grace of God was upon Him." (Luke 2:40)

"Now while the people were in a state of expectation and all were wondering in their hearts about John, as to whether he might be the Christ, John answered and said to them all, 'As for me, I baptize you with water but one is coming who is mightier than I, and I am not fit to untie the thong of His sandals. He will baptize you with the Holy Spirit and fire.'" (Luke 3:15-16)

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“And after John had been taken into custody, Jesus came into Galilee,

preaching the gospel of God, and saying, ‘The time is fulfilled, and the kingdom of God is at hand; repent and believe in the gospel.’” (Mark 1:14-15)

“And coming to His home town, He began teaching them in their

synagogue, so that they became astonished, and said, ‘Where did this man get this wisdom, and these miraculous powers? Is not this the carpenter’s son? Is not His mother called Mary, and His brothers James and Joseph and Simon and Judas? And His sisters, are they not all with us? Where then did this man get all these things?’ And they took offense at Him. But Jesus said to them, ‘A prophet is not without honor except in his home town, and in his own household.’ And He did not do many miracles there because of their unbelief.” (Matt. 13:54-58)

“. . . later Jesus took with Him Peter and James and John his brother, and

brought them up to a high mountain by themselves. And He was transfigured before them; and His face shone like the sun, and His garments became as white as light . . . While He was still speaking, behold, a bright cloud overshadowed them; and behold, a voice out of the cloud, saying, ‘This is my beloved Son, with whom I am well-pleased; listen to Him!’” (Matt. 17:1-2, 5)

“And while they were gathering together in Galilee, Jesus said to them, ‘The

Son of Man is going to be delivered into the hands of men; and they will kill Him, and He will be raised on the third day.’ And they were deeply grieved.” (Matt. 17:22-23)

“Now before the feast of the Passover, Jesus, knowing that His hour had

come that He should depart out of this world to the Father, having loved His own who were in the world, He loved them to the end . . . ’Let not your heart be troubled; believe in God, believe also in Me. In My Father’s house are many dwelling places; if it were not so, I would have told you; for I go to prepare a place for you. And if I go to prepare a place for you, I will come again, and receive you to myself; that where I am, there you may be also. And you know the way where I am going . . . I am the way, and the truth, and the life; no one comes to the Father but through Me.’” (John 14:1-4, 6)

(Narration should finish just prior to stanza “Holy, Holy, Holy Redeemer. . . ”

The volume should be increased as the remainder of the song finishes the play.)

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Unto You is Born This Day (Act II)

Introduction This is the Christmas story, as first compiled by Luke the physician and Gospel writer, after probing interviews with eyewitnesses and careful investigation as to the sequence of events. Luke gives a synopsis or general overview of the advent of the Son of Man so that we may know the "exact truth." This short play, or act of four scenes, endeavors to follow this exact truth while adorning it with everyday human faces and plausible circumstances making it come alive to the audience. Parallelism and symbolism are used liberally to flavor the performance with the savory aroma of the person and teaching of the Lord Jesus Christ. For example, the shepherds act out Jesus' discourse on the Good Shepherd, Joshua being the embodiment of the "door of the sheep" as well as the Good Shepherd who retrieves the lost one. The observer familiar with the Bible will, hopefully, appreciate these subtleties and be edified by their application to this unfolding Christmas drama. The Word of God offers none or scant clues to the date of Jesus Christ's birth and other details. Similar controversies over these particulars plague this drama as well. Arguments for the traditional Christmas of December 25th (Jewish calendar 9th Tebheth) are tempered by practical considerations and computations favoring the latter days of Tishrei (Sept./Oct.). The Tishrei dating is adapted in this production but in no way can be proven beyond doubt; nor is it likely to replace the centuries-established Latin and Orthodox traditions. Roman Catholics will also take exception to Mary (whom they believe was herself immaculately conceived and, therefore, sinless) experiencing the multiplied pain of childbirth brought on by sin's curse. Scripture is silent as to the role of a midwife during the birth, but one may be assumed from cultural insights, in addition to affording useful dramatic dialogue to emphasize the virgin birth. One could also imagine that the couple returned to Nazareth after they "performed everything according to the Law of the Lord" (Luke 2:39) for their wedding feast and consummation. The social stigma they undoubtedly encountered there prompted a return to Bethlehem, intending there to settle and raise their children until God's guidance and precarious circumstances altered their course. The viewer or reader is encouraged to scour the Word itself and helpful commentaries listed below in a quest for deeper understanding of the exact truth.

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References Leeper, Wayne D. Star of Jacob: Insights Into the Birth of Jesus of Nazareth. Christian Communications, Nashville, TN, 1988. Edersheim, Alfred, Sketches of Jewish Social Life, Hendrickson Publishers, Peabody, MA 1994. Edersheim, Alfred, The Life and Times of Jesus the Messiah: New Updated Edition,

Hendrickson Publishers, Peabody, MA 1993. Edersheim, Alfred, The Temple: Its Ministry and Services, Hendrickson Publishers,

Peabody, MA 1994. Holmes, Marjorie, Two From Galilee - A Love Story, Fleming H. Revell Company, Carmel, NY 1972. McGee, Vernon J., Stranger in a Stable, Through the Bible Radio Network, Pasadena, CA. McGee, Vernon J., Better Than Bethlehem, Through the Bible Radio Network, Pasadena, CA. Acknowledgments: My thanks to Gloria Best for her skillful editing and manuscript preparation, and to Mildred Zech for her timeless wisdom, encouragement and thought-provoking analysis. Bill Ruegg May 2004 Unto You is Born This Day: Presentation time 40 min.

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Cast and Costumes (in order of appearance)

MARY: A sweet young woman who exudes a gentle and noble character. She

wears a long, light-colored or pastel gown, and a headdress. She will need a small pillow with support holds under the gown to appear pregnant in Scene 1 and the beginning of Scene 3. She will have a simple pottery cup or goblet handy for her conversation with Hadassah in Scene 1. In Scene 4, she will carry a burlap or coarse sack with contents to simulate the turtledoves.

JOSEPH: A young and strong, but sensitive, man of few words. He wears a

tunic of coarse, earth-tone material, and a brown sash and headband. The outer tunic is coarse and worn, and he has simple sandals. He wears a thin, dark beard. Joseph will need a small bag to hold the shekels for Scene 4.

HADASSAH: She has a long gown and flowing headdress with a belt worn below

the waist across the hips, and simple sandals. She is carrying a large pottery jar with water, and has a towel draped over her waistband.

JOSIAH, JOSHUA, JAMES, ISAAC: They are bearded, 20 to 40-year-old men wearing peasant dress and

sandals similar to Joseph’s. Josiah and Joshua have shepherd’s crooks. Joshua will have a dark red area on one of his arms which will show as he carries the lamb. Use rouge or other makeup to simulate a wound.

DAVID: A young boy of 10 to 12 years in similar attire to other shepherds,

including a headband and shepherd’s crook. ANGEL: A young man dressed in a pure white tunic (white T-shirt and pants

underneath). He should stand on a ladder which is draped with a dark covering so that he is seen from the waist up. He also has a white headband. Silver or gold glitter paint will enhance his dazzling appearance.

HEAVENLY HOST: They can be simulated by a bank of bright lights with reflectors hung

in back of the Angel. A loud recording of an enthusiastic recitation of Luke 2:14 and the chorus “Glory to God in the Highest” from “Messiah” by G. Handel imitate the Host of Heaven.

MIRIAM: A strong middle-aged woman in peasant dress with a cloth servant’s

towel hanging from her waistband.

2.3

JESUS: Use a realistic doll the size of a newborn. A recording of a startled

newborn baby cry is needed for Scene 3. EZRA, HASHABIAH: Priestly garb adorns these full-bearded men of 30 to 60 years in age.

They appear pious in their long white tunics and large scarlet waistbands. Their caps are of blue and white linen and shaped like a calyx. They have waist-length outer tunics covering their shoulders, and simple sandals.

SIMEON: An older man in his 70s with a full gray beard, who walks with an

elderly gait and the assistance of a long staff-like cane. He has inner and outer tunics. He is a prophet with a commanding but gentle countenance.

ANNA: Very old woman in her 80s. She is in typical peasant garb and

sandals. Anna walks crouched over but has a spring in her step for a woman of her age. She must strain somewhat to hear distant conversation.

2.4

Properties

Stage: A size of at least 25 feet across and 12 to 15 feet in depth is desirable. Most

altar areas which are cleared will suffice. Lighting that can be dimmed and lowered, with separate spots for

left/right and front/back, is very important. Two canvas mural backdrops will be useful, one of the Bethlehem

valley of fields, crops, flocks and sparse buildings, and the other looking into the Temple and showing an altar and laver in front of a curtain. Sparsely-set palms, Mediterranean trees and plants around the stage will distract from surrounding objects not in the production, or other props used in later portions of a particular scene. The smell of incense and grilled beef during Scene 4 will heighten its ambiance.

Scene 1: Decorate the front stage with palms, plants and a few rocks. Light up

the Bethlehem Valley mural in the background for the second portion of this scene.

Scene 2: On stage-left is the front face of a sheepfold made of branch rounds

which has an open gateway of 4 feet in width (no door). It has straw around it. A small, easily broken stick is on the ground for Josiah to pick up and break as he describes disciplining a lost sheep. A large stuffed sheep toy is required. Low-level background audio of bleating sheep is needed.

The lighting will switch to the watchtower for the second part of this

scene. It is an elevated platform of simulated stones/bricks with a staircase of 2 to 4 steps. The platform is large enough for the four shepherds and has a brick/stone wall circling the back to help simulate height in this over-looking watchtower. Back of, and across from, the tower is a draped ladder for the Angel to be propped up on so he is level with, or slightly higher than, the shepherds. Intense spotlights will be required for the Angel and Heavenly Host. Recordings required are described in the Cast and Costumes section.

2.5 Scene 3: The rock cave manger is the centerpiece for this scene. It is

supported by a wood frame with concave, draped foam mattress pads. Remove chunks from the pads and paint with dark colors and grays to simulate a cave. Use plenty of straw in and around the cave and for Mary's bedding and blanket. The front or audience side of the cave should have a cloth partition with lighting behind the characters so that only their silhouettes are seen. This is the private birthing area. Pottery, basins, baskets and rock are lying about. Strips of cloth are in the birthing area along with the doll representing the Baby Jesus. Outside of the birthing area in the cave is a cradle made of limb rounds, filled with straw and draped with a small blanket. This is a nighttime scene, so lighting should be dim.

Scene 4: The Temple is framed by columns, one or two on each side of the

stage and angled slightly to center attention on the Temple mural described in the “Stage” section. Two to three steps or more up to the Temple or stage platform will help to simulate the grandeur of the white alabaster Temple. Three loud crescendo trumpet blasts (recorded or live) announce the liturgy prior to the morning offering.

Scripture: All Bible verses are from the New American Standard Bible.

2.6

UNTO YOU IS BORN THIS DAY (Act II)

Scene 1: Taxing Journey Set: The scene begins with desert scenery and front stage lighting only. As

THEY arrive in Bethlehem (after a brief exit and re-entrance), the mural of Bethlehem Valley is backlit.

MARY: It seems like only yesterday I was inhaling the dust from this road on

my way to Elizabeth's in Hebron. Not that I complain, except for Samaria. I would have welcomed the additional days to have not set foot there.

JOSEPH: It is not merely where one walks that defiles, but rather how one

walks, Mary. This trip has been risk enough without the difficult crossings of the Jordan and trek over the rugged hills and cliffs of Judea between Jericho and Jerusalem, beautiful though as they are.

MARY: I should be loathe to judge the Samaritan's heritage as we approach

the land of my father's kindred. JOSEPH: What do you mean? MARY: Tamar, Ruth, Bathsheba and now, me, in this predicament--although

the Lord's will. Who would have thought the Son of God is to be born from such a lineage!

JOSEPH: (HE wanders away, looking beyond.) Whose household is worthy of

Messiah? Yes, of course, your kindred but also God’s very own likeness for His Spirit has no lineage "having neither beginning of days nor end of life." (Heb. 7:3). Mary, look into the valley below: vineyards, fields and crops rolling into Bethlehem.

MARY: (Walks over to JOSEPH.) Oh, good! I'm so tired. Let us find a place to

rest. (THEY exit briefly and return to backlit stage with Bethlehem field/farm motif.)

JOSEPH: Wait here while I speak to the innkeepers. (MARY is met by a woman carrying a water pot.)

2.7

HADASSAH: Shalom, I'm Hadassah. We, my husband, children and I, are from Gilead. Look at you . . . dusty and tired. Let me pour you some water and cool your brow. (SHE pours MARY a cup of water, soaks a cloth and gently wipes MARY'S face.)

MARY: Thank you, and, Shalom. My husband, Joseph, and I have journeyed

from Nazareth of Galilee. My name is Mary. HADASSAH: This inn and all of Bethlehem are filled to overflowing. I have barely

slept at all in this place. We are doubled with another family. And there are so many animals. And as for privacy, we might as well have camped in the middle of the market. I hope you have planned to stay with relatives.

MARY: Why . . . no. (Sounding concerned) HADASSAH: I wish there was something we could do for you (looking at and

pointing to MARY'S belly). Will you be in need of a midwife soon? MARY: Yes, any day now. HADASSAH: I've heard there is a woman here . . . Miriam . . . Yes . . . Miriam, she

ministers to all of the women who are with child in Bethlehem's regions. Mary, I must return to my family. Tell your husband about her. (SHE begins to exit.)

MARY: I will, and thank you so much, Hadassah. (JOSEPH returns, looking

dejected.) JOSEPH: There is no room here. If so much as a locust were to fly inside of this

inn, the walls would burst open. MARY: I've heard. It's all right, Joseph, our Lord will provide. JOSEPH: Pilgrims staying over from the Feasts have been waiting for Caesar's

publicans to arrive. They just want to register, pay taxes and leave for home. Meanwhile, there is scant daylight before the Sabbath. We must hurry and find a place to camp this night. (MARY and JOSEPH exit.)

2.8

Scene 2: Shepherds Only Set: Stage-left is the sheepfold area and stage-right is the platform of

bricks and rocks comprising the Watchtower of the Flock. Bleating and animal noises are played as background sounds.

JOSIAH: Shalom! And welcome, David, to Migdal Eder, the Watchtower of the

Flock. Our fields stretch from Hebron to Bethlehem and all of the flocks and herds in between.

DAVID: Shalom. (THEY hug side-to-side) Before he died, my father told me

everything in caring for and guiding our family's sheep. JOSIAH: That is good, for until you love the sheep, you are not worthy to be a

shepherd. And these are not ordinary sheep, but those destined for the altar in Jerusalem, the Temple Flock.

DAVID: This is a large sheepfold and these many sheep have been left alone!

Where is the Chief Shepherd? JOSIAH: Joshua cannot be far off, for evening approaches. Ah, look there, I

think I see him. DAVID: Is that a lamb he is carrying? JOSIAH: (JOSIAH picks up a twig which HE breaks during HIS description.)

Yes, you're right, a lost sheep. Some shepherds will break one of the lamb's legs to keep it from straying again. (JOSHUA approaches carrying a sheep draped over HIS shoulders.) Shalom! Joshua. This is my cousin, David, our new assistant.

JOSHUA: Shalom, Josiah, and to you, David! DAVID: (Eagerly) Did you have to break his leg? Why are you bleeding? JOSHUA: (Laughs and smiles) No, No, my young shepherd! Little Petros had to

be protected from a cunning wolf that grazed me just before I clubbed him. Once a lamb has wandered away and become lost, I find him and return with him, carrying him on my shoulders. This kindness so touches his heart that he will not leave my side ever again. (HE cradles the lamb.)

DAVID: Will you be coming to the Tower with us tonight?

2.9

JOSIAH: No, he will stay with his sheep. DAVID: Where is his tent? JOSHUA: I have no tent. I will lie across the opening of the sheepfold where my

presence will comfort the sheep and deter intruders like those wolves. JOSIAH: Come, David, let us make our way up to the Tower. It is also James'

and Isaac's rotation and they will be receiving us there. (THEY wave to JOSHUA and climb to the platform where a spotlight goes on.)

JAMES: Shalom, you must be David. DAVID: Yes, Shalom. (THEY all silently greet EACH OTHER.) ISAAC: (Looking upward) The sky tonight will be streaked with stars as

numerous as the descendants of Abraham. JOSIAH: Don't you have that backwards, Isaac? ISAAC: Maybe a little. (THEY laugh.) JAMES: These cool, still nights of Tishrei are a relief. DAVID: It's so lonely out here. ISAAC: Not loneliness, David, but solitude, long periods of solitude where God

is all and I am nothing. JOSIAH: Yes, solitude was the parchment on which David, the shepherd,

inscribed Psalms of worship. (Suddenly an intense light appears and the SHEPHERDS recoil in

fear.) JAMES: What, What judgment is this?! ANGEL: "Do not be afraid; for behold, I bring you good news of great joy which

will be for all the people (gestures to audience); for today in the city of David there has been born for you a Savior, who is Christ the Lord. This will be a sign for you: You will find a baby wrapped in cloths lying in a manger." (Luke 2:10-12)

2.10 HEAVENLY HOST:

"Glory to God in the highest, and on earth peace among men with whom He is pleased." (Luke 2:14) (Recording of chorus "Glory to God in the Highest" from "Messiah," G. Handel. Intense lights out; SHEPHERDS have 10-15 seconds of silent disbelief.)

JOSIAH: Did . . . did all of you see what I just saw and hear what I . . . just

heard? "Angels as winds and ministers as flames of fire!" (Psalms 104:4)

DAVID: My eyes still see spots (rubbing them ). ISAAC: "Let us go straight to Bethlehem then, and see this thing that has

happened which the Lord has made known to us." (Luke 2:15) ALL THREE: Yes, Yes, Yes! (THEY hurry down and off stage.) DAVID: (Stopping JOSIAH) Will every night be this exciting? JOSIAH: Come! (HE grabs DAVID by the arm.)

2.11

Scene 3: The Way in a Manger Set: The dimly lit rock cave has one or two candle-lit or battery-lit lanterns. There

is a cloth-partitioned birthing area and a cradle on the other side. Hay is strewn about and blankets, cloths and pottery basins are around.

JOSEPH: A cave full of dung and scorpions is desperately below the honor due my

wife and this blessed child. (HE has removed a sandal to swat a scorpion on the floor.)

MARY: Oh, Joseph, you have prepared it so well, while I have been of little use to

you. My bed is comfortable and the cradle made for Jesus is fit for a king, the way I see it. Besides, the inn is loud and lacks any modesty; and now we have our own private tabernacle. Didn't I tell you God would make a way? (JOSEPH lies beside MARY.)

JOSEPH: And didn’t I tell you how much I love you this day? MARY: (Teasing) I think you just did, but maybe you should tell me again just to be

sure. JOSEPH: Once will have to do, that is, until the day we come together as one. Then I

suppose a thousand times will not be enough. (HE tickles MARY playfully) MARY: (Laughing at first, then seized by pains, JOSEPH comforting HER) The

times are shortened and the pangs ever more powerful! JOSEPH: What delays Miriam? (HE stands.) Wait, this must be her coming now. She

is even older than my mother, but very strong. JOSEPH: (Comes out from the partition and cave.) Miriam? MIRIAM: It is I. (SHE looks skeptically at the surroundings.) I've seen caves as

refuges for animals or even linen-wrapped bodies, but never a birthing place!

JOSEPH: Come quickly; I have cloths, salt and jars full of water according to the

instructions I received. What can I do for you or Mary? MIRIAM: Pray. Fast and pray as you have never fasted and prayed before! (SHE

goes in to MARY.) MARY: In the hours after the flow has ceased, the pains have multiplied their intense

grip! Yet, my son has not emerged!

2.12

MIRIAM: A son! You speak as though one can predict with such certainty!

Every woman in Israel wants to present a man-child to her husband. I suspect Joseph would be very pleased to know he has fathered a son this night.

MARY: Indeed, he will be pleased, though the Child was conceived of the

Holy Spirit and I have known no man, not even my own husband. MIRIAM: The strain has made you mad, Mary! Such things are impossible!

Now, let me look for the crowning of the child. (SHE holds a lantern and pauses to look.) What is this? . . . A veil of flesh encompasses the opening and prevents passage of the child. Your womb is sealed like, like a . . .

MARY: (Interrupting) A sanctuary, a sacred undefiled place for this Holy Child.

All things are possible with God, Miriam! MIRIAM: For your sake I am glad that you are still delirious with exhaustion.

This veil must be rent or you and your child will be held in the grip of death.

MARY: I am but a perishable vessel of God, but this Child shall live. Triumph

will be born from suffering. (MARY feels sudden, sharp pain.) Ohhhhh!!

MIRIAM: Amazing! It has split open before my eyes! I can clearly see a little

head of hair. Gather all your might, Mary, for your time is at hand. During the next pain, push with the might of Samson as he felled the house of the Philistines!

MARY: It is rising. (SHE continues with grunts/pushes.) MIRIAM: Now give it everything! Don't let up, Mary. The child is appearing . . .

don't stop . . . once more . . . I've got Him!! He is out! You have your boy, Mary! (Recording of loud baby cry)

MARY: (Tearfully sighing) I know, I know! MIRIAM: Let me release and cleanse Him. Joseph! Hand me the basin. (SHE

washes and rubs the doll.) Your mama will treasure you all of her days, little One! Sit up, Mary. I will lay out the cloths for you. Here He is.

MARY: My precious little lamb! Jesus, you are so lovely.

2.13 MIRIAM: Mary! It is your husband's prerogative to name a child, especially a

son! We have no other custom. MARY: His Father has fixed His name as Jesus, for He will save His people

from their sins. MIRIAM: (Shaking HER head in disbelief) Make haste, Mary, and wrap Him

tightly . . . that's it. Now you can give Him to suck. May God be with you, Mary.

MARY: Thank you, and may God's blessing and peace be with you, Miriam.

(MIRIAM leaves chamber to meet JOSEPH.) MIRIAM: A firstborn son is a blessing from God, Joseph, your own flesh and

blood. JOSEPH: Were it so, Miriam, that One so Holy could spring from mine or

Adam's likeness. Yet know that He has been conceived of the Holy Spirit.

MIRIAM: Go now to your family, Joseph. This day has been long and your

journey has fatigued your bodies and minds. From where have you and Mary sojourned?

JOSEPH: Nazareth . . . (HE goes in to MARY and JESUS.) MIRIAM: Ohhh! . . . That explains it. (SHE turns to the audience and gestures.)

Galilean fools!! JOSEPH: Mary, my Mary. Your face glows like the moon set alongside the

Bright and Morning Star. MARY: Look, my beloved, He is sleeping. Come and hold the Savior of Israel.

(SHE hands HIM to JOSEPH and, after a brief time, MARY puts JESUS into the cradle. THEY kneel around HIM.)

(JOSIAH runs up to the cave, panting, and shouts to the OTHERS

offstage.) JOSIAH: James, Isaac, David! Over here! I see a flickering lamp in this cave. JOSEPH: (Concerned) Who is there? JOSIAH: (The OTHERS arrive running/panting.JOSEPH goes to meet THEM.)

I'm Josiah and these men are James, Isaac and David. We are shepherds.

2.14

JOSEPH: Shalom! My name is Joseph. Why are you in such a hurry? If you

need a place for the night, there is room in this humble stable with straw and blankets to spare.

DAVID: We are seeking a sign. JOSIAH, JAMES, AND ISAAC: Yes, a sign from Heaven. JOSEPH: What exactly is this sign? JAMES We were camped at Migdal Eder watching the Temple flocks, when

suddenly we were surrounded by the glory of the Lord in a light that cast no shadows!

JOSIAH: An awesome sight! JAMES: An angel appeared and spoke to us, and then a vast chorus of the

heavenly host sang praises, giving glory to God. JOSEPH: An angel proclaimed a message to you? JAMES: Yes, he said, "For unto you is born this day in the city of David, a

Savior, who is Christ the Lord." (Luke 2:11) DAVID: And he announced a sign: "You shall find a baby wrapped in

swaddling cloths and laid in a manger." (Luke 2:12) JOSEPH: (Gestures and leads THEM into the manger.) Come and behold Him

who is born the King of Israel. (The SHEPHERDS kneel in adoration alternately giving astonished looks among THEMSELVES.)

JOSIAH: It is just as the angel said. JAMES: A wondrous miracle before our eyes. (HE raises HIS hands in praise.)

O Lord God, we give you praise and glory! JOSIAH: Joseph, we must return to the flocks. What a blessed event! What a

blessed hope! Shalom. (THEY exit, making celebratory announcements.)

DAVID: "On earth, peace among men with whom He is pleased." (Luke 2:14) SHEPHERDS: Messiah is born this day!! Messiah!! (MARY and JOSEPH stand

arm-in-arm pondering. MARY’S hand is over HER heart.)

2.15

Scene 4: Temple Crossings

Set: The Temple columns are near the sides of the stage. A mural of the

inner Temple forms the backdrop. The PRIESTS are just in back of the column, stage-left.

EZRA: Hashabiah, some shepherds bringing the morning offerings were

making grand claims of an angelic vision and birth of a Messiah. HASHABIAH: Yes, the Priests and Levites from the previous courses began

hearing such nonsense over a month ago. At least this Messiah cannot yet lead another ill-fated rebellion against Rome.

EZRA: They supposedly received this heavenly vision and proclamation at

Migdal Eder. HASHABIAH: And a sign: a baby in a manger that same night…in Bethlehem. Yet

no one else either heard or saw such things. EZRA: Certainly no credible witnesses among the Priests, Levites or Rabbis.

Probably just some shepherds at their station with little to do and much to drink! (SIMEON rushes into the middle of the Temple with a slightly crippled, elderly gait.)

EZRA: Simeon! HASHABIAH: Shalom, Simeon. SIMEON: (Ignoring THEIR greetings, HE first kneels, and then completely

prostrates HIMSELF.) Blessed be the Lord God of Israel whose Holy Spirit has driven me here in anxious expectation of the consolation of Israel. Praise and glory and honor are yours O’ Lord, evermore!

HASHABIAH: Simeon, let me help you. (HE assists SIMEON back to HIS knees,

where HE continues in prayer. EZRA and HASHABIAH look on in wonderment, while the scene and lighting shift to MARY and JOSEPH carrying JESUS, stopping stage-right at the foot of steps leading up to the Temple. JOSEPH has a money purse on HIS waistband and MARY has a sack with the two turtledoves. ANNA walks diagonally and slowly up the Temple steps from stage-left to stage-right, onto the Temple platform.)

2.16

MARY: Look, Joseph, Anna the prophetess. She must be over eighty years

old. Eighty-four I think. Amazing! What a faithful servant of God. I remember her presence in the Temple always, since the time I can remember at all.

JOSEPH: Of course, the Asherite woman. Her husband was slain when

Pompey seized Jerusalem, Judea and all of Palestine. Almost 60 years now she has fasted and prayed without ceasing for the redemption of Jerusalem. (HASHABIAH steps forward to receive offerings.)

MARY: Joseph, I must bring the offering for my purification to the Priest. (SHE

steps up to HASHABIAH, handing HIM the sack of doves. HE looks into it, and then exits, as does EZRA. MARY bows in prayer and JOSEPH, holding JESUS, joins HER.)

SIMEON: (HE turns now, looking intently at THEM, now without HIS cane and

walking slowly upright, approaching JOSEPH with open arms. MARY puts HER hand on JOSEPH'S arm to momentarily stop HIM, but JOSEPH nods gently and approvingly, handing JESUS to SIMEON. ANNA looks and listens intently from a distance.)

"Now Lord, You are releasing your bondservant to depart in peace,

according to Your word; for my eyes have seen Your salvation, which You have prepared in the presence of all peoples, a light of revelation to the Gentiles, and the glory of Your people Israel." (Luke 2:29-32)

(HE looks at the astonished JOSEPH and MARY.) Blessed be the

Lord our God Who has entrusted you with His anointed One. (HE hands the BABY to MARY, speaking now directly at HER.) "Behold, this Child is appointed for the fall and rise of many in Israel, and for a sign to be opposed--and a sword will pierce even your own soul--to the end that thoughts from many hearts may be revealed." (Luke 2:34-35)

ANNA: (SHE quickly approaches, kneels and crosses HER hands over HER

chest.) "I will tell of Your name to my brethren; in the midst of the assembly I will praise You. You who fear the Lord, praise Him; all you descendants of Jacob, glorify Him, and stand in awe of Him, all you descendants of Israel. For the kingdom is the Lord's and He rules over the nations. All the prosperous of the earth will eat and worship, all those who go down to the dust will bow before Him, even he who cannot keep his soul alive. Posterity will serve Him; it will be told of the Lord to the coming generation. They will come and will declare His righteousness to a people who will be born, that He has performed it." (Psalms 22:22-23, & 28-31)

2.17

(Trumpet blasts announce the offerings while the W0RSHIPPERS bow down in an attitude of prayer.)

EZRA: (He reads this offstage.) "`True it is that Thou art Jehovah our God,

and the God of our fathers; our King and the King of our fathers, our Savior and the Savior of our fathers; our Maker and the Rock of our salvation; our Help and our Deliverer. Thy name is from everlasting and there is no God beside Thee. A new song did they that were delivered sing to Thy name by the seashore; together did all praise and own Thee as King, and say, Jehovah shall reign who saveth Israel. Be graciously pleased, Jehovah our God, with Thy people Israel, and with their prayer. Restore the service to the oracle of Thy house; and the burnt offerings of Israel and their prayer accept graciously and in love; and let the service of Thy people Israel be ever well-pleasing unto Thee.'" (The Temple, Its Ministry and Services, Alfred Edersheim p.128-129.)

WORSHIPPERS: (JOSEPH, MARY, SIMEON and ANNA recite this responsive prayer.) "`We praise Thee, who are Jehovah our God, and the God of our

fathers, the God of all flesh our Creator, and the Creator from the beginning. Blessing and praise be to Thy great and holy name, that Thou has preserved us in life and kept us. So preserve us and keep us, and gather scattered ones into Thy holy courts, to keep Thy statutes, and to do Thy good pleasure, and to serve Thee with our whole heart as this day we confess unto Thee. Blessed be the Lord, unto Whom belongeth praise.'" (Edersheim p.129) (SIMEON and ANNA exit. JOSEPH, holding JESUS, and MARY approach EZRA, now waiting at mid-stage. EZRA has a chalice of blood.)

EZRA: A firstborn? JOSEPH: Yes, a son named Jesus, born forty-two days ago. My wife's offering

for purification was presented this morning.

2.18 EZRA: (HE dips HIS fingers and sprinkles MARY with contents from the

chalice.) In the name of Jehovah God, I declare you cleansed. (Turning to JOSEPH) Let me see your son. (HE proceeds to uncover JESUS while JOSEPH holds HIM.) Healed very well . . . no blemishes . . . He is fit for the Priesthood. (EZRA takes JESUS into HIS arms holds HIM to HIS chest and bows.) "Every firstborn male that opens the womb shall be called holy to the Lord." (Luke 2:8) "Blessed be the Lord God of Israel, from everlasting to everlasting, Amen and Amen." (Psalm 41:13) As you have given up your firstborn to be redeemed of the Lord, receive Him back from the Lord as a gift. (EZRA gives JESUS back to JOSEPH. EZRA crosses HIS arms over HIS chest and bows.) "Save us, O Lord our God, and gather us from among the nations, to give thanks to Your holy name and glory in Your praise. Blessed be the Lord, the God of Israel from everlasting even to everlasting. And let all the people say, "Amen. Praise the Lord." (Psalm 106:47-48)

JOSEPH: The price of redemption, five shekels, silver of the Temple weight.

(HE hands EZRA the coins as HE and MARY begin to leave.) EZRA: Shalom! Have you sojourned from afar? JOSEPH: Yes, from Galilee--Nazareth. EZRA: Ahh, for a moment I thought you might say Bethlehem. What a

coincidence that would have been!

2.19

One Small King (Acts III & IV)

Introduction Imagine a thatch-covered barn on a cool but comfortable evening under a clear and sparkling starlit sky. A straw-filled wooden manger cradling a serenely sleeping Lord Jesus is surrounded by shepherds, lambs, cattle, and three wise men kneeling beside Him, along with Mary and Joseph. All is calm, all is peaceful, everything is in its perfect place according to the traditions we have come to accept. The testimony of Scripture, history and the ancient Jewish culture of that time, however, stand in stark contrast to our Christmas visions. One Small King (Acts III and IV) is a drama that projects before us the dangerous and difficult times in which the Messiah was born. Its foundation is poured upon the Scriptures which speak of the time, place and circumstances of His birth. The bricks of historical evidence regarding the central figures and powers of ancient Palestine have been carefully laid. Plausible scenarios and Bible-based themes are the mortar bonding the structure together. To be sure, all that can be relied upon as absolute truth is the biblical record. For instance, many theories and traditions have been put forth regarding the Magi: as to who they were, where they were from and when they fit into the story of Jesus' birth. Recent scholarship suggests they were of Arabia rather than Persia. Scripturally, one can only assert that there were two or more Magi. The traditional number of three in this portrayal assists the dramatic interaction, conveys three distinct points of reference, three royal gifts for the King, and no more. What of the astral phenomenon we call the Star of Bethlehem? After carefully examining the descriptions of Matthew and Luke, and the intriguing assertions of astronomers, theologians and the like, only one conclusion can be reached in harmony with the Bible, and hopefully the viewers will agree. It is desired that the audience will be able to see and touch the diligently constructed reality of this drama while still being inspired by the miraculous protecting hand of the Father over His Son. This is a drama of contrasts: Jesus Christ and Herod, prophecy and pedigree, scripture and science, danger and deliverance, and ultimately our notions of Christmas against the testimony and veracity f the Word of God who became flesh as One Small King. o

3.1

References: Maalouf, Tony T., Were the Magi From Persia or Arabia? Bibliotheca Sacra, Vol. 156, pp. 423-442, Oct-Dec 1999 Leeper, Wayne D., Star of Jacob: Insights Into the Birth of Jesus of Nazareth, Christian Communications, Nashville, TN, 1988. Jeffers, James S., The Greco-Roman World of the New Testament Era, Intervarsity Press, Downers Grove, IL, 1999. Richardson, Peter, Herod, King of the Jews and Friend of the Romans, Univ. of S. Carolina Press, Columbia, SC, 1996. Morris, Henry M., When They Saw the Star, Institute For Creation Research, El Cajon, CA, 2000. DeYoung, Donald B., Astronomy and the Bible, Baker Books, Grand Rapids, MI, 2000. McGee, Vernon, Q&A All About Christmas--Bible Answers to Your Questions, Thru the Bible Radio Network, Pasadena, CA. Acknowledgments: I wish to express my thanks to Gloria Best for her skillful editing and transcription. Bill Ruegg April 2, 2002 ONE SMALL KING: Presentation time 70 minutes.

3.2

Cast and Costumes (in order of appearance) HEMAN, DARDA, CALCOL: The Magi are 30 to 50-year-old men with trimmed beards. They are

distinguished leaders, scientists and theologians of Jewish heritage. Each costume consists of a short cloak to just below the knees, with long sleeves and a Nehru collar, covered with a chlamys. The chlamys is clasped at the shoulder with small gold tassels on the remaining two free ends which hang at the same level as the cloak. (A Webster's Unabridged Dictionary will have an illustration.) In addition, they have distinctive long stockings and slipper-like shoes. With the exception of Act III, Scene 1, the Magi wear close-fitting pointed caps (Phrygian caps). Accessorize with gold and ivory jewelry. (Note: Heman is pronounced "HEE'muhn.")

ETHAN: A bright young boy of 7 to 12 years in age who wears a simple earth-tone

smock reaching to his knees, and a headband. HEROD: A man with a totally gray trimmed (thin) beard, made up to look

approximately 70 years of age. Many scholars believe that Herod showed the manifestations of late syphilis, an untreated sexually transmitted disease. According to the Cecil Textbook of Medicine (Chap. 365, Hook, Edward W. III), these neurological symptoms can range from irritability, headaches, fatigue, personality changes, impaired memory, depression and marked elation to delusional behavior. Herod wears an ivory tunic with sleeves and a gold sash or belt around his waist. A sleeveless royal purple outer tunic is accompanied by gold-embellished sandals. Herod wears two to three large gold rings and has a 4 to 5 foot scepter made from a wooden dowel with an ornate cap, both painted gold. Herod's crown consists of seven thin gold, jewel-studded diadems (bands) mounted on a 4 inch wide, solid purple headband.

NICOLAS: Nicolas is a slightly younger contemporary of Herod, with a small gray

mustache and goatee. He is a highly educated man who is Herod's confidant and advisor. He wears a long light brown tunic with a purple sash covered with a long (to ankles) dark brown outer tunic/robe and sandals. He wears the servant's garb in Act IV, Scene 5.

ARCHELAUS: A boy in his late teens who is clean-cut, having short hair. He wears a long

purple tunic with sandals and a gold headband.

3.3

ABIJAH: A man of 30 to 60 years who has a long full beard and is very serious and pious. He wears a long white tunic which has a large scarlet waistband. A blue and white linen cap shaped like a calyx is donned. A waist-length, blue outer tunic is worn covering his shoulders, and he has simple sandals. He reads the prophetic Scripture from a scroll.

SERVANT: A young man in a simple gray, calf-length tunic, sandals and a purple

headband. JOSEPH: A young and strong, but sensitive man of few words. He wears a tunic of

coarse, earth-tone material, a brown sash and headband. His outer tunic is darker, coarse and worn, and he has simple sandals. He has a thin dark beard.

MARY: A sweet young woman who exudes a gentle and noble character. She wears

a long, light-colored or pastel gown, and a headdress. JESUS: A large doll the size of an 18-month-old infant represents Jesus. He is

wrapped in coarse cloths and is sleeping and/or in Mary's arms. ANGEL: A young man dressed in a pure white tunic (white T-shirt and pants

underneath) which is ankle-length. He has a white headband and sash. Position him on a platform or side/end of the stage so that a transparency projector can be shone to illuminate him from the back. A light coat of silver or gold glitter paint on this costume will add to his dazzling appearance.

ANTIPATER: A man of 40 years with graying, short dark beard. He is brash and proud. He

wears the priest's outfit from Act III, Scene 3. WOMEN (1-6): Young women with long gowns and flowing headdresses. They have woven

belts worn below the waist across the hips and simple sandals. A total of six women and children are desirable and at least three required.

MALE CHILDREN: Use dolls of varying sizes wrapped in cloths. A large doll could be dressed

and hand-held like a toddler behind one of the women. Having children play these roles is strongly discouraged due to the stark emotional nature of Act IV, Scene 4.

HUSBAND: A young man with a sparse beard in attire similar to that of Joseph.

3.4

PROPERTIES FOR ACT III Stage: A size of 25 feet across and 15 feet in depth is desirable. Most altar areas,

which are cleared, will do. Lighting that can be dimmed or lowered is important. This is especially

desirable for Act IV, Scene 1 where the house is well lit, then suddenly becomes very bright as Jesus appears, being held by Mary.

A desert canvas backdrop can help set the mood for most scenes (except

inside the royal palace). Sparsely set palms and desert plants around the stage will draw attention away from surrounding objects not in the production. A small amount of incense burning in the auditorium (use frankincense) will heighten the ambiance.

Scene 1: The Magi meet in front of a light brown cloth backdrop representing a tent on

stage-left. They sit on cushions. A starry night sky will arch over the right side facing the audience to form a high canopy that touches the floor. The canopy is made from a canvas or sheet dyed black. Stars are simulated by spattering bright white paint on it with a brush. The canopy is suspended in several places with fishing line. Purplish mountains are painted to delineate a night horizon. Just above this horizon is mounted a 15 watt miniature light bulb protruding through the canopy, fixed on a pole out of sight. It is flipped on to represent the Star of Jacob.

Scenes 2 &3: Herod's casual quarters have a balcony, a throne, Oriental (Persian) rug, and

a pillow couch. The balcony is quartered mostly toward the audience. Use an arched wood frame covered with cardboard or foam blocks painted to represent a stone masonry balcony. It spans from the floor to a height of 7 feet. The chair for Herod is a low upholstered chair draped with purple linens, having gold foil legs and gold highlights. Use large pillows to form a couch. (An audio tape which lasts 30 seconds is made of a crowd/commotion and played at the appropriate time.)

Scene 4: Casual dining area in the royal palace. Place a fine ivory linen cover over a

long, low coffee table. Set it with silver goblets, pitchers, and pastries on silver trays. Cushions and pillows are set around the table and Herod's chair is placed there. A statue on a pedestal is situated in the dining room. Dim lighting is used as the Magi emerge from the palace. A ceiling-mounted spotlight directed below to either a concealed container of dry ice or a mist atomizer will simulate the Shekinah.

3.5

PROPERTIES FOR ACT IV

Scene 1: Inside the home of Joseph, Mary and Jesus. There are bowls, pottery,

and a few cushions and bags scattered about. Mary will begin packing these at the end of the scene. A bedchamber is partially surrounded by a thin cloth, enough to hide Mary and Jesus from the Magi as they enter. Their bed is a blanket covering straw. The gifts of the Magi are carried in sacks, or alternatively, decorated medium-sized boxes or old saddlebags. They are substantial and not small, hand-held gifts. Use sand to simulate weight of gold, and gold-painted metal pieces imitating gold ingots. The frankincense and myrrh are crystalline and are simulated with flour (for weight and bulk) and raw sugar and rock salt for the respective gifts.

Scene 2: Simple desert backdrop, dim lighting. Scene 3: Herod's casual quarters. Have decorative items which he can smash

with his scepter. Scene 4: Desert backdrop. Use the Magi's tent from Act III, Scene 1 as the staging

area for the murders, which are hidden from the sight of the women and the audience. The slain children will be retrieved from behind this. Stones for the women and later for Joseph and Mary to sit on are helpful but not essential, as they can sit on the ground.

Scripture: All Bible verses are from The New American Standard Bible.

3.6

Act III

Scene 1: One Arabian Night Set: The Magi-Kings: HEMAN, CALCOL and DARDA, are seated in a

semicircle facing the audience, engaged in a scholarly discussion. Just behind them is a tan cloth draped and supported to represent the back of THEIR tent, with ETHAN hidden behind it listening attentively. Stage-right is the backdrop of the starry night sky.

HEMAN: It is good we meet together again to promote the welfare of our

peoples and consider the sacred writings of the prophets--an added blessing to the traditional gathering of our tribes for the Holy Days.

DARDA: Many generations have passed since our ancestors settled in this

land from Persia, Samaria and Judah. HEMAN: Yes, the Lord our God has blessed us as we have breathed in the

fragrance of the riches of Arabia and benefited from the seclusion of this vast desert.

CALCOL: Trading has been superb in my district of Qataban. Hardly a month

passes between the caravans of our Nabatean friends. HEMAN: The traders tell of the continued dominance of the Jews by Roman

governors and kings. One can only wonder if there will ever be a king to whom our people can bow the knee.

CALCOL: Let us then remain hopeful and true to the ancient visions of the Chief

Magi, Daniel, as the Son of Man was presented before the Ancient of Days and "given dominion, glory and a kingdom that all the peoples, nations, and men of every language might serve Him." (Dan. 7:13-14)

HEMAN: Calcol, tell us more of your interpretations and mathematical

calculations of Daniel's prophecies. CALCOL: We know that from the command of Artaxerxes to the rebuilding of

Jerusalem was 49 years. Daniel's seven weeks must, therefore, be each seven years in length.

3.7

DARDA: And I thought that to God a thousand years was as a day! (sarcastically)

CALCOL: Hear me out, Darda, and you, Heman, as well. The additional 62

weeks he envisioned would be as 434 more years, very near the moment in which we now live. The fullness of time for Daniel's foreseen Messiah the Prince must now be our fervent expectation.

DARDA: Your theory is intriguing and passion compelling, but unless it

coincides with a sign in the heavens, I remain skeptical. CALCOL: Darda, true science must never be opposed to the revelation of God. HEMAN: (Looking at CALCOL) Darda still holds literally to Balaam's prediction

of the Star of Jacob. This, so a man of science can see proof in the stars of heaven he so diligently studies. For me, I will hold to seeing the glory of God resting upon Messiah Himself.

DARDA: (ETHAN stumbles noisily, betraying HIS presence. DARDA now

speaks in a loud whisper.) An enemy spy! Quickly, men, unsheathe your sabers!

ETHAN: Abba! Abba! It is me, Ethan! ALL THREE: (Laughter) DARDA: (Brings HIS son, ETHAN, in) So, my son seeks to join the council of

Kings and Magi of his people? And some day he may, but for now we shall set our sights on the expanse of heaven. Come, Ethan. (ETHAN takes HIS FATHER’S hand and THEY stroll outside and look upward to the stars. Meanwhile, CALCOL and HEMAN continue the discussion in mime.)

DARDA: (Pointing) Can you name for me some of the stars in the west as I

have taught you? ETHAN: (HE points to each one.) There is Orion, and Sirius, the Nile star. . .

and Pleiades, the beautiful, which only the Lord can bind. . . Arcturas . . . There are Castor and Pollux, the guardians of navigators.

DARDA: Excellent, Ethan! You are a good pupil. Remember that God Himself

named the stars and taught them to Adam and Seth even before Noah's flood.

3.8 ETHAN: Abba, what is the Star of Jacob?

DARDA: Many generations before our time, just after Israel was delivered from

Egypt, a prophet . . . . ETHAN: (Interrupting) Balaam! DARDA: You do listen closely! (Playfully chiding) Yes, Balaam, a prophet and

Magi of old, said, "A star shall come forth from Jacob, a scepter shall rise from Israel." (Num. 24:17) The birth of Israel's Messiah will be proclaimed by the appearance of a unique and great star, out of Jacob.

ETHAN: Where is Jacob? DARDA: (Pointing) It is to the west, the land of our people, Abraham's seed,

and Jerusalem where the Temple of God is. Come, let us return to the tent. (DARDA turns and begins walking away. Suddenly, the Star of Jacob appears rising from the western horizon.)

ETHAN: (Excited) Abba! Abba! Come back. DARDA: (Still slowly walking away) Ethan, enough. Come with me. ETHAN: Abba! I see the star, the Star of Jacob! DARDA: What?! (HE turns around) What? . . . What a glorious sight . . . . It is

exactly as the Law has spoken, "out of Jacob." (Yelling) Calcol, Heman, come quickly outside and look to the sky! (THEY come out swiftly.)

HEMAN: What?! Is something wrong? (THEY then glance westward to the sky

to where DARDA is pointing.) . . . Praises to Almighty God, what can this mean?!

CALCOL: I tell you the Messiah's star has appeared at the time appointed by

God through Daniel. We must make plans to travel to Jerusalem to worship our King.

HEMAN: I will believe it when I see Him.

3.9

CALCOL: As we return to our districts, let us prepare for this journey and meet here as usual just before the month of Tishrei. And we must bring Him the finest gifts of Arabia, fit for the King of Kings. Heman, you come with the fiery gold of Sheba, I will carry the frankincense of Qataban, and you, Darda, have the finest myrrh in Hadramaut.

DARDA: It will be a tremendous caravan, including all of the wealth and

learned Magi from our lands joining the celebrations in Jerusalem. ETHAN: Can I come too, Abba!? DARDA: Not if we don't hurry and get to work! Shalom, my brothers! (THEY

exchange shaloms and side-to-side embraces before exiting stage.)

3.10

Scene 2: One Proud King Set: HEROD is seated on his throne in his casual quarters, with NICOLAS

of Damascus reclining on a couch. HEROD: (Rising from HIS chair to look out of the balcony) Though age has

dimmed my eyes, the Temple gleams like a crowning gem over my architectural projects . . . the amphitheater, aqueduct and pools, . . . Antonia Fortress, Herodium, Masada, even my own port Caesarea Maritima. Was not Augustus envious when he honored me with his visit? I have transformed the peasant village of Jerusalem into a most worthy testament of Greek and Roman culture, and ensured my enduring legacy.

NICOLAS: Truly the proverb of our time is, "He who has not seen Herod's

Temple has never seen anything beautiful." HEROD: The Temple's majesty has not endeared me to the hearts of my

ungrateful people. My lineage offends them. Well, this so-called Idumean half-breed has eliminated all potential rivals to his dynasty. Little do they realize how my loyalty to Augustus has secured for my kingdom the land which Joshua conquered and the boundaries established by David. If only I could destroy the genealogies in the temple and reclaim the priesthood wrested from my family!

NICOLAS: My King, it is unlikely that the scribes can manufacture an heir to

challenge you. And the priesthood is as much political as religious tradition. In any event, they would be unwise to underestimate your power . . . and resourcefulness.

HEROD: Yet, in my final days, I am preoccupied with determining my

successor. Not an easy task with this scheming lot of wives and their spoon-fed sons, though I do find utility in attrition. As I learn of their selfish disloyalty, I shall execute them and their mothers until only one heir remains--the same fate as befell Alexander and Aristobulus and their mother, Mariamme . . . . I do miss Mariamme.

NICOLAS: Has not Caesar himself said, "It is safer to be Herod's swine than his

son."

3.11

HEROD: Aren't we quick with the proverbs today! You are fortunate that I

applaud a good rascal (pokes HIM with HIS scepter) as well as wisdom mingled with a little insolence. So . . . who shall be my heir? "And who knows whether he will be a wise man or a fool? Yet he will have control over all the fruit of my labor for which I have labored by acting wisely . . . . " (Eccl. 2:19) (HEROD returns to HIS throne contemplating, while NICOLAS looks out the balcony. Then the crowd/commotion--audio tape--begins.)

HEROD: What insurrection is this?! NICOLAS: None, my King, but a large caravan of traders has entered the

Gemath Gate and there is much commotion. HEROD: Nicolas, get me a report at once. (NICOLAS bows the knee and

hurries off, while HEROD proceeds to the balcony.) O' Jerusalem, one day I will be acknowledged as your King-Priest, just as my supporters recognize my dynasty has brought the Messianic deliverance from Rome longed for by these people. Blind zealots are those who think of my reign as divine judgment and objected to the golden eagle on the Temple peak. Cherubim they cried for. One day my image will dwell upon it and they will come to revere me as they do Caesar in Rome. (NICOLAS scurries in, bowing HIS knee, with ARCHELAUS just behind.)

NICOLAS: My King, I have intercepted Archelaus on my way and he has seen

the caravan and heard a report on our visitors. HEROD: (Eagerly) Approach, my son. (HEROD embraces HIM.) What

business have these wayfarers? ARCHELAUS: They appear to be Persians who have come from afar saying,

"Where is He who has been born King of the Jews? For we saw His star in the east and have come to worship Him." (Matt. 2:2) All of Jerusalem is abuzz and wondering if this could herald Messiah's birth.

HEROD: Excellent work, Archelaus! Stay alert and inform me as to their

business dealings and discussions with any in Jerusalem, especially with the religious leaders. (ARCHELAUS kneels, kisses HEROD'S ring and leaves.) He has been born King of the Jews and no other. Do you suppose the Magi have traveled for 17 years? (sarcastically)

3.12

NICOLAS: Ha! (Going along with HEROD'S little joke) HEROD: All so very intriguing but easily handled with some clever and decisive

action. Nicolas, gather together the chief priests and scribes early in the morning and have them determine the time and place of Messiah's birth. (HEROD promptly leaves.)

3.13

Scene 3: One Minor Prophet Set: In HEROD’S informal quarters with HEROD, NICOLAS and ABIJAH

present. HEROD: What are the deliberations of the chief priests and scribes, Abijah?

Where is the Messiah to be born and when? And what of this star seen by the Persian Magi?

ABIJAH: (Very pious) As to when the Messiah is to be born there is much

controversy, and we cannot say. We are not astrologers who divine from the stars of heaven, but those who are given to the Law and the Prophets. No Messiah will appear in Israel unless the Lord announces it to the pious ones of His people (gestures to HIMSELF). We can, however, say where Messiah is to be born as has been written by the prophet Micah: "And you, Bethlehem, land of Judah, are by no means least among the leaders of Judah; for out of you shall come forth a ruler who will shepherd my people Israel." (Matt. 2:6)

HEROD: Abijah, tell the elders of their King's sincere gratitude for the thoughtful

consideration of my request. (ABIJAH bows head only and leaves.) Nicolas, we must meet with this band of Magi and see if there might be some conspiracy to usurp my throne and eliminate my heirs.

NICOLAS: Let us wait until dark, my King, so that we neither arouse suspicion

amongst the religious leaders nor give credence to speculation with the people.

HEROD: Yes, summon their leaders this evening and we shall meet in my

informal dining room for a friendly visit. The King's kindness, along with my choice food and "a little" wine, will be irresistible. They should tell all they know!

3.14

Scene 4: One Pillar of Light

Set: A table (low coffee table) covered by a linen cloth, with elegant

settings of goblets, cakes of bread and casks of wine. Seating is of cushions/pillows. Herod's throne is slightly off to the side. NICOLAS greets the MAGI as a SERVANT leads them in.

NICOLAS: Welcome to the Royal Palace of Herod, King of the Jews. I am his

loyal servant and advisor, Nicolas of Damascus. HEMAN: My name is Heman and these men are Darda and Calcol. We have

journeyed from our homes in Arabia, along with the magi and chief men of our people, to worship He who has been born King of the Jews.

NICOLAS: The favor of our great King to you, our Arabian friends. Please, be

seated and enjoy the choicest wine of Sebaste and cakes of delicious bread from the King's finest stores.

HEMAN: You are very gracious . . . , but we cannot defile ourselves with the

King's wine. We eat only simple foods and do not want to seem ungrateful to you and your King. If God would grant us favor in your sight, please excuse your servants from partaking of the King's wine and food.

NICOLAS: As you wish. (HE signals for the SERVANT to clear the table, which

HE quickly does before HEROD'S appearance.) The King should be arriving soon.

HEROD: (HEROD enters the room and NICOLAS bows the knee, while the

MAGI stand and bow THEIR heads only.) Perhaps our visitors are ignorant of the greeting due Kings.

NICOLAS: My King, these men: Heman, Calcol and Darda, are Magi from

Arabia, here at your request. HEMAN: Forgive your servants, King Herod, but we worship the God of

Abraham, Isaac and Jacob, and bow before the Lord our God and Him only. We assure you of our sincere respect of your authority, as "No ruler attains his office save by the will of God." (Quote from Josephus, Antiquities)

3.15 HEROD: Your pledge of loyalty and respect is accepted. I sense you are

indeed wise men, and for this reason I value the insight and

knowledge you have in regard to this mysterious birth of a Messiah. The chief priests and scribes shed very little light, and I am baffled by this perplexing riddle of a star which has been seen from the east.

DARDA: It is the Star of Jacob prophesied long ago and predicted by the Rab

Mag, Daniel. The star appeared briefly and was unlike any other star seen before by men.

HEROD: We have inquired and know of no such sighting among men of

science and substance throughout this land. Exactly when did this star appear? Do you know where this Messiah was to have been born? There has not been a son born to me since Archelaus some 17 years ago.

CALCOL: We ourselves assumed that the birth would have been widely known

in Jerusalem and are, therefore, as perplexed as you, King Herod. The star, though, did appear to us an entire year prior to Tishrei past, during the Holy Days of our people.

HEROD: The religious leaders in Jerusalem claim the prophets speak to

Bethlehem as the birthplace of the Messiah. I believe that God has given you the interpretation of these recent events and it is with great anticipation I await its revelation to me.

HEMAN: Then, with your permission, may we depart for Bethlehem and

continue our quest? HEROD: With my blessing! "Go and search carefully for the Child; and when

you have found Him, report to me so that I, too, may come and worship Him." (Matt. 2:8) You see I am now old and feeble and the lack of a suitable heir has consumed my peace. Come to me rejoicing and I will receive you back to Jerusalem in a manner worthy of princes and kings! (The MAGI leave, bowing THEIR heads.) What do you think, Nicolas?

NICOLAS: Their lips say, "We are of Arabia to the east." But their dress is that of

Persian Magi. I heard they arrived from the north, moving south down the King's Highway which begins in Damascus. I suspect they are Jews of the Babylonian exile and possibly spies for Parthia across the Euphrates, enemies of Rome. They were not even prepared to present worthy gifts to my Lord! (Gestures to HEROD)

3.16 HEROD: Quite perceptive, Nicolas. While I, too, am suspicious, I think their

service will be valuable. The religious leaders are not so trustworthy. I

must at all costs prevent them from seizing and crowning this one small king in place of my son, the rightful King of the Jews. The Magi are certain to come back through Jerusalem. Then we shall see whom they have found and make the sacrifice necessary to preserve my kingdom and throne. (yawning) A good day of scheming makes my eyes heavy.

NICOLAS: Peace and rest be yours, my Lord and King. (Lights dim very low as

HEROD and NICOLAS exit. Then the MAGI emerge from the Royal Palace.)

CALCOL: (Looking up as HE walks backward in front of the OTHERS) This

palace, while not as impressive as the Temple, is a marvel of engineering. I hear King Herod has built a magnificent fortress and palace near Bethlehem.

DARDA: Let us not lose sight of our mission in Bethlehem, Calcol. Besides, I

am very uneasy with this Herod, and the sinister intentions he may be harboring toward a rival King of the Jews. (Suddenly a bright heavenly light appears in front of THEM.) Look! The star has reappeared right before us. Praise to our Lord. (THEY join in awestruck joy.)

HEMAN: It is a pillar of light; this must be like the Shekinah that led the sons of

Israel through the wilderness by night. See it move before us in the direction of Bethlehem. We must go there at once!

CALCOL: Isn't science full of wonder?! DARDA: And timing, God's timing is everything! HEMAN: I'll believe it when I see God's glory resting upon this little Messiah

Himself!

3.17 Act IV

Scene 1: One Dream Come True Set: Inside JOSEPH’S and MARY’S home. It has sparse furnishings and

a drape around the bedchamber. JESUS is in bed with them, held by MARY during most of this scene. The scene begins with the sudden bright lighting of their home.

JOSEPH: Mary! Mary! (loud excited whisper) It has become as daylight in this

house. (HE opens the drape and comes out of the bedchamber and looks out of a window.) Incredible! The rest of Bethlehem is in night darkness, but we . . . we are in this indescribable light!

MARY: I am flooded with a sense of complete peace and joy in this light, as if

we are in the very presence of God. Could this be the glorious sight which surrounded the shepherds the night Jesus was born? (SHE picks up JESUS, kisses and cradles HIM.)

JOSEPH: You are right, Mary, but this time there is no chorus of angels but the

sound of animals and I know not what else. (HE peeks out the door as MAGI begin to appear on the set.) Mary, there must be a company of 20 or 30 men and countless camels . . . an entire caravan!

MARY: Hurry, Joseph, find out what brings them here. Perhaps they have

been drawn to this glorious light. JOSEPH: (Steps "outside" speaking to a large company) Welcome, sojourners,

to my home! I am Joseph, son of Jacob, a Bethlehemite of the tribe of Judah. This is the dwelling of my family, my wife, Mary, and her son, Jesus.

HEMAN: You have a son?! A very young boy? JOSEPH: Yes, His name is Jesus, barely one year and a half, born in the month

of Tishrei, a very special son. (MAGI look at ONE ANOTHER with astonishment.)

3.18 HEMAN: We have come on a long journey starting when a glorious star

appeared to us in the east, the Star of Jacob. At once we made preparations, and in the same month of Tishrei, the following year, we began the trek to Jerusalem to worship the newborn King of the

Jews . . . . JOSEPH: (Interrupting) Please come into my home, those who are your leaders.

(HEMAN, CALCOL and DARDA enter in.) HEMAN: In Jerusalem we were told by Herod to go to Bethlehem, where,

according to the prophets, Messiah was to have been born. As we set out, behold, the glorious star reappeared and went before us until it rested over your house, Joseph. May we see . . . (MARY comes out from behind the bed curtain holding JESUS--the room lighting intensifies. The MAGI are awestruck, drop to THEIR knees and prostrate THEMSELVES. JOSEPH and MARY kneel also.)

HEMAN: (As HE drops to HIS knees) I have seen God's glory upon Him. I

believe, I believe, I believe! ALL OF THE MAGI: (Alternating, THEY offer these individual praises.) O’ Lord, I am not

worthy to behold you. Praise be to the God of our Fathers. O' Messiah Prince, you are glorious and full of light. Be the King of my heart, Lord Yeshua. Lord, I behold your salvation and kingdom. Glory and honor be to our Savior God. (The light dims after worship and the MAGI gather on THEIR knees around MARY and the CHILD.)

ALL OF THE MAGI: Isn't He beautiful?! King of the Jews, Son of Man, Son of God, King of

Kings! CALCOL: We have gifts to present to the King! (The MAGI rush out of the house

and bring the sacks, opening them to show the treasures as THEY announce them.)

MARY: (Quietly to JOSEPH) Gifts? HEMAN: (THEY quickly scurry in lugging the gifts which THEY display as

THEY speak.) The purest gold from Sheba! CALCOL: Frankincense of Qataban, fragrance of His holiness!

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DARDA: Hadramaut's eternal myrrh! "For His Holy One shall not undergo

decay" (Acts 2:27), nor shall there be an end to His Kingdom. CALCOL: Surely God's hand has been upon you and us! We must return to

Jerusalem and will camp just outside of Bethlehem this night. We bid you farewell. Shalom, Joseph. (THEY hug side-to-side.)

JOSEPH: Shalom, brothers! MARY: Joseph, (rubbing HER eyes) was I dreaming or is God not great! JOSEPH: The Lord our God has amazed me with the gift of, and testimony to,

His Son. I scarcely know what it all means, and just look at these treasures.

MARY: None as sacred as the treasures of Jesus He continually stores within

my heart, dear Joseph. Goodnight, my love. (THEY embrace and go with JESUS to the bedchamber to lie down--lights dim completely and there is a silent pause of 15 seconds or so, after which the ANGEL appears.)

ANGEL: Joseph! "Get up! Take the Child and His mother and flee to Egypt and

remain there until I tell you; for Herod is going to search for the Child to destroy Him." (Matt. 2:13)

JOSEPH: (HE suddenly awakens.) Mary! Arise! We must leave now! MARY: Joseph? (groggy and almost complaining) What are you saying? It is

night and the baby and I are sleeping. JOSEPH: An angel of the Lord has just appeared to me and warned us to flee

the wrath of Herod, for he is going to try to kill Jesus! We must leave for Egypt.

MARY: (Fully awake) Oh no, no, no! How shall we make such a journey? JOSEPH: Begin packing our necessary belongings and I will see if our Magi

brethren can help us. (MARY starts packing the household hurriedly as JOSEPH puts on HIS cloak and rushes out.)

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Scene 2: One Divine Coincidence

Set: Under dim lighting with desert backdrop, JOSEPH and DARDA

hurriedly approach each other from opposite sides of the stage. DARDA: Joseph? JOSEPH: Yes! Shalom! DARDA: (With urgency) I was just on my way to your home. We have had . . .

or rather, God has changed our plans. He spoke to me as I slept and warned us not to return to Herod. At morning light we journey on a different route, south beyond the Salt Sea, then northeastward along the Wadi Sirhan and the Arabian Plateau. Joseph, I fear for your family now.

JOSEPH: I, too, this very night, have been warned by an angel of the Lord to

flee to Egypt, as Herod will try to kill the Child. DARDA: Please, let us help you, Joseph. We have extra camels to carry the

Child, Mary and your belongings. JOSEPH: You would take us to Egypt? DARDA: If it pleases our God, how could we withhold anything from you. He

has warned us to avoid Herod and return home. We do not wish to endanger the Child or you and Mary. The day before we met Herod, a caravan of Nabatean traders left Jerusalem for Egypt. We have dealt with their leaders and people extensively and they are trustworthy men. If we hurry, we can intercept them by the Sabbath and ensure your safe and swift passage to Egypt. Afterward, we will set out for Arabia.

JOSEPH: (Looking up and raising HIS arms in praise) How excellent Thou art,

O' Lord! Truly He has sent you to bless us with His protection and care!

DARDA: We shall arrive at your home before morning light and vanish before

Bethlehem awakens.

3.21 Scene 3: One Evil Plan Set: HEROD in HIS informal quarters as NICOLAS approaches, bowing

the knee. HEROD: Nicolas, what have you heard in regard to my message for the Magi

to swiftly return to Jerusalem? It has been one week since they left for Bethlehem.

NICOLAS: Master, the Magi have disappeared without so much as a trace, while

the centurion at Herodium knows nothing of a caravan camping in Bethlehem.

HEROD: (Getting more tense and angry as NICOLAS was speaking, HE is

now enraged and smashes HIS scepter against nearby objects, causing NICOLAS to cringe.) Those imbeciles!! Those deceivers!! Dispatch a centurion with chariots to the King's Highway toward Damascus and bathe the camels in their Magi blood!

NICOLAS: They shall quickly overtake and destroy your enemies, O' King! HEROD: And this one small king shall be anointed in His own blood! NICOLAS: Yes, my Lord, He shall be; but we must use discretion lest it cause

further trouble for you and Archelaus. HEROD: Absolutely correct! There has to be a way to search out the entire

Bethlehem district for Him, even execute all male children under two years, and be sure that it draws no attention to me. If it be uncovered, I shall have to dispose of the culprit who perpetrated this deed upon the innocents of Bethlehem . . . yes . . . Antipater! The only one who could possibly challenge Archelaus and help me solve two problems at once. Splendid, splendid, splendid! (looking pleased with HIMSELF) Nicolas, confer secretly with Antipater and devise a plausible scheme with him to carry this out. Do emphasize my debt of gratitude to Antipater as I finalize my last will.

NICOLAS: (Bowing the knee) I will not fail you, my King. (HEROD clenches HIS teeth and displays a brief fit of anger.)

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Scene 4: One Small King

Set: Desert backdrop with an earth-tone drape over a backstage alcove or

supports to mimic a tent. ANTIPATER is in priestly garb. NICOLAS: The midwife in Bethlehem told me of seven male children born in this

area over the past two years. One was born to sojourners and—imagine this--in a manger! Some royal birth from such humble beginnings. (scornfully) Fortunately, she has agreed to the secret and sacred nature of this mission. The men will be out in the fields and pastures knowing nothing.

ANTIPATER: So there will be six? NICOLAS: Yes! I hear all the women are ecstatic at the prospect of their own son

being anointed as future King. Have you hidden the dagger in the tent?

ANTIPATER: Count on it, Nicolas. (Bluntly) This had better prove my worthiness

over Archelaus to my father. He is far too young to be King and is even more cruel and cunning than I.

NICOLAS: Be not anxious, Antipater. I will testify of your works personally. Look,

the women are coming, yes . . . all six of them! (The WOMEN, carrying THEIR CHILDREN, enter the stage and gather in front of the MEN.)

ANTIPATER: Women, let me have your complete attention! I am Joel, a chief priest

of Israel, sent to you by the High Priest in complete secrecy. You have been asked to consecrate your sons so that I may bring them into the presence of the Lord and anoint the one who will someday become King. Herod is now old and frail without a suitable heir to reign over this land. At the appointed time, God will raise His anointed King, as He did David in place of Saul, to drive out these Romans and reestablish the supremacy of Zion. I will retreat to yonder shelter and my servant will bring your sons before me. While you stay here, I will wait upon the Spirit of the Lord to tell me to anoint the One. (ANTIPATER turns and goes into shrouded backstage tent.)

3.23

NICOLAS: Who shall be first? WOMAN #1: Here, take Eliab. (NICOLAS carries HIM to the tent.) WOMAN #2: (Turning to WOMAN #3) My Shammah is going to be chosen, I just

know it! (NICOLAS receives HER BOY.) WOMAN #3: Well, God does the choosing and there are many of us. Abinadab has

as good a chance as any. We shall see. (NICOLAS takes ABINADAB and afterwards the rest, staying behind in the tent.)

WOMAN #2: (The WOMEN are seated and after 15 seconds of waiting, SHE

speaks.) I wonder why Mary of Nazareth and little Jesus are not here. WOMAN #3: I haven't seen her in over a week. What a sincere and Godly woman.

If none of our sons are chosen, then I shall mention hers. After all, He may be like Jesse's remaining son, David, out tending the sheep.

WOMAN #2: Let's not invite more competition shall we, since, like I said, they are

Nazarenes. (The WOMEN become more anxious while THEY wait without dialogue.)

WOMAN #1: What is taking so long? Little Eliab will be getting hungry soon. WOMAN #3: (Excitedly) It's so quiet over there, they must be fine. I wonder when

the priest shall appear to proclaim who has been anointed. (HUSBAND OF WOMAN #2 walks onto stage and approaches HER.)

HUSBAND: Rachel, there you are. I was returning from the fields when two men

on the King's horses raced by. One looked like a noble, but this is what dropped from his horse. (HE shows HER the priest's hat and the WOMEM gasp and look in disbelief. WOMAN #2 bolts to the tent, followed by the OTHER WOMEN. Haunting screams of grief and anguish continue as the WOMEN clutch THEIR CHILDREN in THEIR arms and flee through the aisles of the auditorium. RACHEL, WOMAN #2, stops by HER husband and THEY wail and cry together, walking off the stage. Screams of anguish continue into sobs, becoming more distant. A full 30 seconds of absolute silence elapses prior to the appearance of JOSEPH and MARY, walking together onto the stage.)

3.24

MARY: Joseph, let's stop and rest awhile. (THEY sit together.) What a relief

to be off of the camel for a time, though it seems to sway Jesus to sleep.

JOSEPH: The desert is so barren. Do you realize we are retracing the steps of

our people whom God delivered out of Egypt--or possibly, the Midianite caravan that carried Joseph to the slave markets there?

MARY: Joseph, I don't feel so well. (SHE puts HER head in HER hands.) JOSEPH: Are you thirsty? Here, have something to drink. (HE offers HER the

flask.) MARY: No . . . I feel an overwhelming sadness and a ringing. . . as screams

of anguish in my ears. Comfort me. (JOSEPH puts HIS arms around HER.)

JOSEPH: Be not afraid, Mary; the hand of God is upon us. After we pass

through Goshen and arrive in Alexandria there will be many of our brethren to be with until such time as the Lord calls us to return home.

MARY: I was beginning to feel accepted again in Bethlehem before Herod's

wickedness and jealousy of Jesus drove us out. I hope we can go back there.

JOSEPH: Come, Mary. (THEY get up and slowly walk for the rest of dialogue

and exit after the final line.) What Herod has meant for evil "God meant for good in order to preserve many people alive." (Gen. 50:20 paraphrased)

MARY: Now I remember what Simeon proclaimed, "Behold this child is

appointed for the rise and fall of many in Israel, and for a sign to be opposed--and a sword will pierce even your own soul, to the end that thoughts from many hearts be revealed." (Luke 2:34-35)

JOSEPH: Mary, I think I hear the cry of . . . (MARY interrupts.) MARY: Yes, One Small King!

3.25