-
8/3/2019 As Kipper 40
1/18
Manchester Book Fair
The Moving Finger writes; and, having writ, Moves on:Design and
print a l imited edition run o hand printed posters, using hand
drawn letters.Using Typography Gallimaury a brie written by Ken
Garland, during TypographySumm er Sch ool 2011.The vertical
progression throughout the poster shows how the two hundred year
quotehas reached the present day, with type rom pre, during and
post 20th Century.
Hand Printed
Two Colour PosterA manual two colour blend, screen printed
poster, using uorescent pink and orange.
OUGD301
Aaron Skipper
Brief05-Page
01/02
-
8/3/2019 As Kipper 40
2/18
Manchester Book Fair
The Moving Finger writes; and, having writ, Moves on:
Hand Printed
Two Colour PosterHand rendered type produced using a stage o
sketches, beore scanning in to digitally compose thelayout, beore
producing the fnal layout produced by hand.
OUGD301
Aaron Skipper
Brief05-Page
01/02
-
8/3/2019 As Kipper 40
3/18
Visiting Proessionals
Studio Talk PostersDesign and print a promotional poster or
weekly visiting proessionals. Eachproessional must be contacted in
order to adhere to any content or direction within theproessionals
practice.
Ric
BellA poster which looks purely at contemporary type and layout,
along with the consideration o colour.Overlaying body copies shows
a chronological journey and the studio talk circle, oers a platorm
orweekly posters.
OUGD301
Aaron Skipper
Brief06-Page
01/02
-
8/3/2019 As Kipper 40
4/18
Visiting Proessionals
Studio Talk Posters
Generation
PressUsing the existing brand identity and taking it to a three
dimensional level, to incorperate a unctionalposter rom two dierent
angles on the course notice board.
OUGD301
Aaron Skipper
Brief06-Page
02/02
-
8/3/2019 As Kipper 40
5/18
Bespoke
TypeacesDesign a series o typeaces specifcally or particular
bries and/or clients
Flower/Corsano/Hejnowski
Vinyl Cover TypeA geometric type ace exploring the relationship
between the two key members o the band,who or this recording have
drawn upon another party.
OUGD301
Aaron Skipper
Brief07-Page
01/03
-
8/3/2019 As Kipper 40
6/18
Bespoke
Typeaces
Louise Tiler
Surace Pattern BrandingTwo proposals looking at a handwritten
and a classical option. Both can be applied acorass a range
oproducts, with the incorporation o graphic elements denoting the
particular product.
OUGD301
Aaron Skipper
Brief07-Page
02/03
W A L L PA P E R C O L L E C T I O N
W A L L P A P E R
C O L L E C T I O N
W A L L PA P E R C O L L E C T I O N
G I F T C A R D C O L L E C T I O N
S T AT I O N E R Y C O L L E C T I O N
C U S H I O N C O L L E C T I O N
A C C E S S O R Y C O L L E C T I O N
A C C E S S O R Y C O L L E C T I O N
C U S H I O N C O L L E C T I O N
W A L L PA P E R C O L L E C T I O N
W A L L PA P E R C O L L E C T I O N
S T AT I O N E R Y C O L L E C T I O N
G I F T C A R D C O L L E C T I O N
-
8/3/2019 As Kipper 40
7/18
Bespoke
Typeaces
Charles Dickens
200th Anniversary TypeaceA bespoke san-seri typeace, heavily
inuenced by Caslon Egyptian, the frst ever (what we now knowas a)
san-seri typeace to be cut, in 1812 - the year o Dickens birth.
Further bespoke display versionswere created to use or the main
branding and text highlights throughout. These were based on
threedimensional wood cut type o the time, with the diagonal
partitions creating a modern spin, suggestingthe development o the
two hundred year legacy.
OUGD301
Aaron Skipper
Brief07-Page
03/03
-
8/3/2019 As Kipper 40
8/18
Leeds College o Art
SymposiumDesign a series o products or a collge symposium
Programme, Leaet
& PostcardsA set o ephemera which comuincates the promotion
and organisation o the symposium. The twoelemnents o the same event
are communicated by a reversal in reading, where each piece o print
readrom ront to the middle, rom each end.
OUGD301
Aaron Skipper
Brief08-Page
01/01
-
8/3/2019 As Kipper 40
9/18
Shore Book
PublishingTypeset multi-page novels and reerence books, and
design artwork or covers.
Stand
& DeliverTypeset a reerence book, using, tabbing and margins
eectively to allow or a complex arrangement obuleted lists.
OUGD301
Aaron Skipper
Brief09-Page
01/02
-
8/3/2019 As Kipper 40
10/18
Shore Book
Publishing
Stand
& DeliverCover design, which typographically represents the
title and typeset pages using Avenir Book Regular.
OUGD301
Aaron Skipper
Brief09-Page
02/02
-
8/3/2019 As Kipper 40
11/18
Web
DesignDesign, code and develop ully unctioning, multi-page
websites or mysel and a musicmanagement company.
Sounds Unique
EntertainmentSix page website eaturing text, navigation, images,
videos and links to multiple media platorms.
OUGD301
Aaron Skipper
Brief10-Page
01/02
-
8/3/2019 As Kipper 40
12/18
Web
Design
Personal
WebsiteThree page website, with a contemporary layout across a
vast artboard. Along with a drag and dropunctions on all images,
the audience can interact with the website in the same manner o
which it wasoriginally constructed.
OUGD301
Aaron Skipper
Brief10-Page
02/02
-
8/3/2019 As Kipper 40
13/18
Wven
BrandingBrand identity proposal
Concept #01
LogoA bespoke produced typeace, based on Neutra Bold, but with
modifcation suggesting the owing,interlocking nature o the
directional/locational inuences within the brand, rom both the
productiono the abric and the locational interest rom Scandinavian
inspiration to production and sales. The logoitsel could come in
various weight options, or could have one fnal option decided
upon.The key element in this concept is how the crossbars o the A
and E create a symmetrical weave inand out o whole word.The ring
above the A and its woven crossbar could also unction alone, and
become the brands symbol.
OUGD301
Aaron Skipper
Brief11-Page
01
/06
-
8/3/2019 As Kipper 40
14/18
Wven
Branding
Concept #01
Application o LogoThe brands symbol oers a strong visual, to
apply to clothing elements, particularly that othe oten embroided
part o the jean back pocket. The woven crossbar o the E could oer
asymmetrical counterpart or the opposite pocket.The same could be
applied to the chest o a pocket tee, a garment which seems to be
currentlyon trend.The brand symbol could also unction at dierent
sizes and style variation depending on theuse o the logo throughout
the brand.
OUGD301
Aaron Skipper
Brief11-Page
02
/06
Denim Pockets with gold embroidery T-shirt pocket with white
print
-
8/3/2019 As Kipper 40
15/18
Wven
Branding
Concept #01
Garment sizingThe as a letterorm, lends itsel potential to
suggest the shape o a pair o jeans, and alongwith the ring above
it, this combination seem the perect platorm to create sizing
signifers.The keyline o the ring could simply be in staged widths,
to denote the sizing, and each vericalstroke o the could be
manipulated to orm a suggestion o the cut o each jean.The options
above, show how the could be manipulated in two dierent ways - one
adhereingto the nuances within the construction o the letterorm,
where the sizing modifcations onlyhappens to the lower hal o the
letterorm and the other where the sizing variation begins inthe
vertex o the letterorm. Both could work with or without the woven
crossbar.
OUGD301
Aaron Skipper
Brief11-Page
03
/06
Skinny Regular Bootcut
-
8/3/2019 As Kipper 40
16/18
Wven
Branding
Concept #02
LogoA bespoke produced typeace, based on Neutra Bold, but with
modifcations looking at the angleo each letterorm and its curved
underline, suggesting the depth and dimensionality nature owoven
abric.This interesting angular approach could be taken across the
brand, with products, such as swingtags, and look books, being
heavily considered around this particlar angle.
OUGD301
Aaron Skipper
Brief11-Page
04
/06
-
8/3/2019 As Kipper 40
17/18
Wven
Branding
Concept #02
Photography and Garment sizingThe angular direction o the brand
materials could be eveident in the all brand photography aswell,
All images could be shot rom this angle, creating an image where
the viewer is looking up atthe jean product, suggesting the
superiority o the brand.The curved underline romt he logo, could
oer a systematic appraoch to sizing, where the tighterthe curves
are together the slimmer the jean product.
OUGD301
Aaron Skipper
Brief11-Page
05
/06
bootcut
regular
skinny
-
8/3/2019 As Kipper 40
18/18
Wven
Branding
Concept #03
LogoA completely bespoke logotype, which uses a geometric,
almost zig-zag like construction, whichcreates a set o letters
tightly interlocked, like that o the construction o denim.The
largest option above is arguably unreadable, but with the
interesting subject area o locationand language, there is potential
to create a brand identity, which is almost creates a
symbolicimage, until the letterorms are more apparent, upon closer
inspection.The smaller three options are similar to the larger, in
the terms that each letterorm is constructed
OUGD301
Aaron Skipper
Brief11-Page
06
/06
