ArtSchool Catalog - Summer 2012

ART CLASSES

The ArtsCenter

summer 2012

for adults and youth

digital arts

writing

drawing & design

painting & mixed media

ceramics & sculpture

jewelry making

photography

applied arts

theatre

dance

music

health & healing arts

MARILYN PENRODArtSchool Student for 14 years

Love the front cover?Meet the artist in her own words...

“I took my first painting class at The ArtsCenter in 1998 and have taken classes there ever since, hav-ing studied with at least 5 excellent art instructors. Each instructor has played an important part in devel-oping my style and providing a con-tainer for creativity. The piece of art on the cover was done under the tutelage of Luna Lee Ray.

Art has been with me all my life—taking different forms and guiding me into ever-new arenas. In academic settings, I directed art and managed creative staff—but I didn’t practice fine art again until I retired . . . until I discovered The ArtsCenter. And I haven’t stopped. Fortunately, there is no termi-nal degree in the study of art at The ArtsCenter, so I am free to re-enroll as often and as long as I want. I have no desire to grad-uate. How does one graduate from the pursuit of creativity?”

The ArtsCenter Always Inspiring.

CLASSES FOR SUMMER 2012

Adult Classes by Day of the Week. . 4

ArtSchool for AdultsFine Arts Classes Digital Arts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Art History . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Writing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Drawing And Design. . . . . . . . . . . . . . . . . . . . . 8 Certificate Program Information . . . . . . . . . 9 Painting And Mixed Media. . . . . . . . . . . . . . . . 9 Ceramics and Sculpture . . . . . . . . . . . . . . . . .11 Jewelry School. . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Applied Arts Classes . . . . . . . . . . . . . . . . .18

Performing Arts Classes Theatre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Dance . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . .20 Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Health & Healing Arts . . . . . . . . . . . . . . 22 Cuisine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Youth Courses Information . . . . .23-25

About The Instructors . . . . . . . . . . . . 25-30

ArtSchool Registration Form . . . .31

YAC Registration Form . . . . . . . . . . . . .32

Adult and Youth Scholarship Application . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

WELCOME!ArtSchool at The ArtsCenter is Orange County’s most comprehensive non-prof-it resource for continuing education in the arts on a non-degree, community ba-sis. Opportunities abound for students of all ages—toddlers to seniors—to try their hand at a variety of artistic media or to increase their skills in intermedi-ate/advanced classes.

SCHOLARSHIP INFORMATION

A limited number of scholarships, based on financial need, are available. Please ask for an application at The ArtsCenter front desk. Scholarships are considered on a first come, first serve basis, so please turn in your application promptly.

SCHOLARSHIP FUND The ArtSchool Scholarship Fund is in need of contributions! Please help make it possible for those with finan-cial need to have access to the benefits of taking an ArtSchool course. We’ll gratefully accept your tax-deductible donation in any amount.

THANKS!Thanks to Marilyn Penrod for the use of her painting “Cottage Garden 2” for the cover of this catalogue.

The ArtsCenter receives financial support from the North Carolina Arts Council.

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4 • Summer 2012 Register on-line @ www.ArtsCenterlive.org

Question about an ArtSchool class? Contact Phaedra Kelly at 919-929-2787 x207

MONDAYS

TUESDAYS

WEDNESDAYS

3016. REPORTAGE Page 93019. OIL PASTEL TECHNIQUES Page 103020. INTRO TO ACRYLICS Page 103023.FIGURE PAINTING Page 103029. CONCEPTUAL FACIAL SCULPTING Page 113031. CERAMICS OPEN STUDIO Page 123034. EXTRUDE IT! Page 133035. GUIDED CERAMICS STUDIO Page13 3039. METALSMITHING: SOLDERING Page 14 3048. PHOTO PORTFOLIO BUILDING Page 16

3049. BEGINNING B&W DARKROOM Page 163050. THE FINE PRINT Page 163058. SEWING FUNDAMENTALS Page 183059. SEWING KNITS Page 183066. INTERMED. IMPROV Page 203067. ADVANCED IMPROV Page 203077. BEGINNER HIP-HOP DANCE Page 213078. ADV / BEG HIP-HOP DANCE Page 213082. WEDNESDAY SWING (EAST COAST&BLUES) Pg 22

3002. INTRO TO ADOBE PHOTOSHOP Page 63003. INTRO TO ADOBE IN-DESIGN Page 63008. WRITE A CHILDREN’S BOOK I Page 73009. WRITE A CHILDREN’S BOOK II Page 73010. SHORT SUBJECT SUMMER CAMP Page 83013. FIGURE LIFE DRAWING I Page 83014. FIGURE LIFE DRAWING II Page 83021. CLASSIC OIL PAINTING Page 103024. SUMMER WATERCOLOR Page 113027. FUN WITH MIXED MEDIA Page 11

3028. FIGURE AND CONCEPT SCULPTING Page 113031. CERAMICS OPEN STUDIO Page 123033. WHEELTHROWING Page 123055. PHOTO MINI WS: BASIC COMPOSITION Page 173062. INTRO TO LAMPWORKING Page 193063. GLASS BEAD ON THE TORCH Page 193070. INTRO TO BALLROOM DANCE Page 203071. BEGINNING BELLY DANCE Page 203072. BOLLYWOOD DANCE Page 203073. BHANGRA DANCE Page 21

3001. MAKE A MOVIE IN 7 WEEKS Page 63015. PORTRAIT DRAWING Page 93017. COLOR EXPLORATIONS Page 93018. INTRO TO PASTEL PAINTING Page 93022. FROM DRAWING TO PAINTING Page 103031. CERAMICS OPEN STUDIO Page 123033. WHEELTHROWING Page 123037. BEG METALSMITHING: BASIC TECHNIQUES Page 133038. BEG METALSMITHING: COLD CONNECTIONS Pg 133040. METALSMITHING: COLD CONNECTIONS II Page 14

3045. BEG PHOTOGRAPHY: FILM OR DIGITAL Page 153047. ADV. PHOTO TECHNIQUES Page 163061. BEG/CONT STAINED GLASS Page 183069. SHAKESPEARE AND YOU Page 203074-3076. TAP DANCE Page 213081. TUESDAY SWING (LINDY HOP) Page 223083. BEGINNING GUITAR Page 223084. INTERMEDIATE GUITAR Page 22 3086. INDIAN COOKING Page 22

3004. WEBWEAVING I Page 63005. WEBWEAVING II Page 73007. WHO WERE THE MAYAS? Page 73011. BASIC DRAWING AND DESIGN I Page 83012. LIFE DRAWING STUDIO Page 83031. CERAMICS OPEN STUDIO Page 123033. WHEELTHROWING Page 123036. INTRO TO METAL CLAY Page 133041. JEWELRY OPEN STUDIO Page 143044. INTRO TO DIGITAL PHOTOGRAPHY Page 15

3046. ADV DIGITAL PHOTOGRAPHY Page 153051. COLOR PRINTING IN THE DARKROOM Page 173054. PHOTO MINI WS: USING YOUR FLASH Page 173056. PHOTO MINI WS: EASY EXPOSURE Page 173057. PHOTO MINI WS: MACRO DIGITAL Page 183061. BEG/CONT STAINED GLASS Page 183068. THE ACTOR’S CRAFT Page 203079. INTRO TO BREAKDANCING Page 213080. SALSA/LATIN DANCE Page 21

THURSDAYS

Classes by Day of the Week

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Register on-line @ www.ArtsCenterlive.org Summer 2012 • 5

3025. CONTINUING WATERCOLOR Page 113026. ALTERED BOOKS Page 113031. CERAMICS OPEN STUDIO Page 123032. HANDBUILDING Page 123039. METALSMITHING: SOLDERING Page 14 3042. CYANOTYPES Page 15

3043. TOY CAMERA WORKSHOP Page 153052. PINHOLE PHOTO WORKSHOP Page 173060. STAINED GLASS CRASH COURSE Page 183062. INTRO TO LAMPWORKING Page 193065. A DAY OF IMPROV Page 193085. T’AI-CHI Page 22

SATURDAYS

SUNDAYS3006. ABODE PHOTOSHOP LIGHTROOM Page 73011. BASIC DRAWING AND DESIGN I Page 8

3030. SUNDAY CERAMICS STUDIO Page 12

3064. IMPROV CAMP (ADULTS) Page 19YAC.301 IMPROV ACTION (GR 6-12) Page 24YAC.302 GLEE WORKSHOP (GR 6-12) Page 24YAC.303 ROCK BAND (GR 6-10) Page 24YAC.304 ADVANCED DRAWING (GR 6-10) Page 24YAC.305 10 BY 10 BY TEENS (GR 6-10) Page 25

YAC.306 DARK FICTION (GR 6-10) Page 25YAC.307 ON-CAMERA ACTING I (GR 6-10) Page 25YAC.308 ART JOURNALING (GR 6-10) Page 25YAC.309 FASHION ART (GR 6-10) Page 25YAC.310 ON-CAMERA ACTING II (GR 6-10) Page 25

“CAMPS” FOR ADULTS AND YOUTH(CLASSES THAT MEET EVERY DAY OF THE WEEK FOR ONE WEEK OR MORE)

Classes by Day of the Week

FRIDAYS

3031. CERAMICS OPEN STUDIO Page 12 3053. MANUAL EXPOSURE WORKSHOP Page 17


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Our digital studio has four G5 Macintosh computers, a color printer and a scanner.

3001. MAKE A MOVIE IN 7 WEEKS!This course will teach the basics of video production. Students will learn skills to use 3-chip digital video cameras, tripods, profes-sional lights and audio equipment. Students will also learn basic shot composition and digital editing techniques. Throughout the 7-week course, students will pick a subject or an issue to focus on, and produce, de-pending on the size of the class, a number of short group projects, which will be pre-miered on The Peoples Channel. No ex-perience is necessary, just a willingness to play and learn. Once the course is com-pleted, students will be certified to use The Peoples Channel’s equipment for further productions as long as pieces are able to air on the public access station. For more information about The Peoples Channel, go to: www.thepeopleschannel.org.$5 fee for one 60-minute MiniDV cas-sette, paid to instructor at first class. The last two classes will be held at The Peoples Channel.W. Axel Foley of The Peoples Channel uTuesday, 5:30-7:30pm, June 19-July 31(7 weeks) $154 public, $139 Members

3002. INTRO TO ADOBE PHOTOSHOP cert. coursePhotoshop is the industry gold standard for digital image manipulation. Whether you’re preparing photos to post to online galleries or use in websites, or repairing scanned negatives and old photos, Pho-toshop will make the process infinitely easier and faster. This class will get you over your Photoshop fear by covering the basics of using Photoshop and the features from Creative Suite 3 up to CS5.5. We will focus on learning the workspace and in-terface, creating and fine-tuning selections, photo retouching, turning photos into flat graphics using paths, masking, non-de-structive editing techniques, and exporting for print and the web. The instructor will also give an overview of 2D design prin-ciples, typography, and color theory as well as an introduction to Adobe Bridge, and some of Adobe’s online tools.Students are encouraged to bring a laptop of their own to the class. If you do not own a copy of Photoshop, you can download a free evaluation copy from Adobe to use during the class. Please let us know when you register if you are bringing in your own laptop.Participants using the lab’s computers should have a rudimentary understanding of Macs. Christopher DonalduMonday, 6:30-8;30pm, June 11-July 16 (6 weeks) $132 public, $119 Members

3003. INTRO TO ADOBE INDESIGNAlthough it’s possible to do some page layout in programs like Microsoft Word, there is only one application that is used by the majority of industries for every-thing from business cards, to brochures, to magazines and books. Adobe InDesign works seamlessly with the rest of the Creative Suite, so this is the program to use if you are preparing work for print or electronic publishing. We will learn about good print design, typography, using images in your layouts, and publishing standards. Starting with one page design, we’ll look at

two-sided brochures and multi-page docu-ments. We will learn about the tools at your disposal to create digital documents as well as print ready work. You will also learn how to optimize your files so that they are significantly smaller, saving you storage space and allowing you to distrib-ute them more efficiently.Students are encouraged to bring a lap-top of their own to class. If you do not own a copy of InDesign, you can down-load a free evaluation copy from Adobe to use during the class. Please let us know when you register if you are bringing in your own laptop.Participants using the lab’s computers should have a rudimentary understanding of Macs. Christopher DonalduMonday, 6:30-8;30pm, July 23-August 27 (6 weeks) $132 public, $119 Members

3004. WEBWEAVING WITH ADOBE DREAMWEAVER AND FIREWORKS ICreate a basic Web site using industry standard software. We begin with a peek behind the scenes to develop an under-standing of how the Web works, then ex-amine the core principles of visitor-friendly page design before we begin bringing your vision to reality. Using Dreamweaver’s friendly interface, we create a site, home page and a few content pages complete with images and links. We use Fireworks to prepare and create images and learn how best to present them on our pages, gaining in the process a better understand-ing of image file formats and resolution.Participants using the lab's computers should have a rudimentary understanding of Macs. Please let us know when you register if you are bringing in your own laptop.Elizabeth “B” HolroyduSection A: Thursday, 6:30-8:30pm, June 14-July 19 (6 weeks) $132 public, $119 MembersuSection B: Thursday, 5:30-7:30pm, July 26-August 30 (6 weeks) $132 public, $119 Members

digital arts3000. DIGITAL ARTS

OPEN STUDIOThe Digital Arts Open Studio is avail-able to all students enrolled in digital arts courses. Patrons not currently enrolled in a digital arts course can purchase Open Studio time for $32 a month at the front desk of TAC. Ac-cess to the Digital Studio is limited to the open studio hours. These hours are posted on the door of the Digital Studio at the beginning of every month. Some computer experience is required in order to purchase open studio time.

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3005. WEBWEAVING WITH ADOBE DREAMWEAVER AND FIREWORKS IIImages and code take front stage in this class as students explore Web creation be-yond the basics covered in the first course. Increase your familiarity with the HTML codes that underlie every web page. Learn how to identify and manipulate blocks of content using cascading style sheets and behaviors, easily controlling the look of an entire site from only a few files. Incor-porate video, audio and objects from the Internet in your pages. “Right-size” your images, create and add graphic buttons to your pages, and explore layer-based and GIF animation.Participants should have a rudimentary understanding of Macs (if they are using the lab's computers) and a basic under-standing of Dreamweaver.Please let us know when you register if you are bringing in your own laptop.Elizabeth “B” HolroyduThursday, 7:30-9:30pm, July 26-August 30 (6 weeks) $132 public, $119 Members

3006. ORGANIZING AND MANIPULATING IMAGES WITH ADOBE PHOTO-SHOP LIGHTROOM—at the Century CenterOnce in a while a new computer pro-gram comes out that is both relatively easy to learn and has the power to make a tremendous change in what we can accomplish. Lightroom is such a program for casual, amateur and pro-fessional photographers. It is tailored to the needs of the photographer, han-dling their worfklow needs from the time they attach their camera or memory card to the computer through sorting, organiz-ing, editing, preparing for printing, slide shows and web publishing. After covering important concepts of “workflow” (every-thing that you do from when you take the picture till you have the desired result), we will demonstrate key features of Light-

room. You can download a trial version of the software to use during the class. Just watch and take notes or bring your Mac or Windows laptop to class and “play along”. You will find Lightroom to be a time-saver in managing and presenting your pictures, whether you take a dozen pictures a month or a few hundred in a day. Please note: This class takes place at the Century Center at the intersection of Weav-er and Greensboro Streets in Carrboro.Cosponsored with Carrboro Recre-ation and Parks DepartmentDilip BarmanuSunday, 12:30-3pm, July 15-August 19 (no class August 12) (5 weeks) $118 public, $106 Members

3007. WHO WERE THE MAYAS? LATIN AMERICAN ART BEFORE COLONIZATION

NEW! Predictions of a new era or even a world apocalypse are wide-spread on the internet and in popular media due to the so-called end of the Mayan calendar. But who were the Mayas? This course of-fers a perspective of the culture and art of the Mayas, as well as the Olmecs, Aztecs,

Incas, and other pre-conquest cultures in what is today Mexico and South America. This class is also an introduction to art history, and no prior experience is neces-sary. Come and learn about our American neighbors and the background for all this talk about 2012! Klint EricsonuThursday, 6-8pm, June 14-August 9 (no class July 5) (8 weeks) $160 public, $144 Members

3008. I’VE ALWAYS WANTED TO WRITE A CHILDREN’S BOOK IFor years you have dreamed of writing a children’s book. You even have a vague idea for one. But how do you give that

idea the strength and structure it needs to become a real story? Susie Wilde, children’s book columnist for the Raleigh News and Observer, brings together her 30 years of writing and reviewing experience to reveal the steps to give your story form. This class focuses on fiction, from creat-ing original characters to developing their motivations, conflicts and finally resolutions. The class blends hands-on exploration of children’s books with writing exercises and opportu-nities to share your writing and ideas. Susie WildeuMonday, 7-9pm, June 11-July 16 (no class June 25 and July 2) (4 weeks) $82 public, $74 Members

3009. I’VE ALWAYS WANTED TO WRITE A CHILDREN’S BOOK IIHow do you get the idea for a children’s book down on paper? What makes for a book that sparkles with style? Susie Wilde, children’s book columnist for the Raleigh News and Observer, brings her 30 years of writing and reviewing experience

writing

art history

Aztec Calendar Wheel


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to reveal the steps to make your story sing. Wilde focuses on fiction and covers the all-important writing elements needed to craft a strong story—images, dialogue, vivid verbs, and more. The class blends hands-on exploration of children’s books with writing exercises and opportunities to share your writing and ideas. Prerequisite: Part 1 of this course or instructor approval. Susie WildeuMonday, 7-9pm, July 23-August 27 (no class Aug. 13) (5 weeks) $101 public, $91 Members

3010. SHORT SUBJECTS SUMMER CAMP: EXPERIMENTS IN WRITINGStart the summer with a workout for your imagination. Short Subjects Summer Camp is a three-session intensive in writing. Ex-periment with storymaking, explore ele-ments that go into the writing craft and tone up the creative side of your brain. All in-class, no homework. (Although you might find yourself wanting to go on later with some idea that has emerged for you!)No writing experience is needed: Both experienced and beginning writers wel-come!Bring along your favorite writing imple-ments, and if you want to bring a snack, that’s fine.Joyce AllenuMonday, 6:30-8:30pm, June 11-June 25 (3 weeks) $62 public, $56 Members

3011. BASIC DRAWING AND DESIGN Icert. course Develop your observational abilities and rendering skills in this intro-duction to the principles of drawing and two-dimensional design. Use pencil, char-coal and other media while learning the fundamentals of composition, perspective,

line and space. Begin to develop your own unique drawing style through quick sketches as well as technical rendering. You can draw!Obtain materials list at The ArtsCenter front desk, prior to first class.Carrie Alter & Klint EricsonuSection A (Ericson): Sunday, 2-4:30pm, June 17-July 29 (7 weeks) $174 public, $158 Members uSection B (Alter): Thursday, 6:15-9:15pm, June 28-August 2 (6 weeks) $179 public, $161 Members

3013. FIGURE LIFE DRAWING Icert. course Heighten your visual awareness with tools and exercises designed to access the creative (right) side of your brain. We will draw from the model, focusing on process (skill-building) more than product. This is a high-energy class! It will help you loosen up as your drawing skills improve. Dem-os, lots of practice and individual guidance are provided. Ideal for beginners as well as practicing pro-fessionals! Limited to 12 students.Tuition includes models’ fees.Bring an 18 x 24” newsprint pad and soft/medium vine charcoal to first class. Instructor will discuss

other materials at first class meeting.Stacye LeanzauMonday, 6:30-9pm June 11-July 16 (6 weeks) $187 public, $174 Members

3014. FIGURE LIFE DRAWING II—at Focal Point Gallerycert. course This class is for people who have completed the basic Figure Life Draw-ing class and want to continue honing and practicing their drawing skills. We will go into more detail, studying foreshortening, setting, heads & hands and different media. Three class sessions will focus on anatomy (body, hands & feet, and heads). We will review and use the skills learned in the ba-sic class. This is another high-energy class with demos and individual instruction.Tuition includes models’ fees.Please bring drawing materials to first class.Obtain a map to Focal Point Gallery at The ArtsCenter front desk,.Stacye LeanzauMonday, 6:30-9pm, July 23-August 20 (5 weeks) $157 public, $146 Members

drawing & design

3012. LIFE DRAWING STUDIO

This is an informal weekly session geared for individual development in drawing, with nude models. No instructor provided.

Tuition includes models’ fees.

uThursdays, 6:15-8:15pm, ongoing

Punch card may be purchased for $52, allowing attendance at four sessions over a three-month period, with expi-ration date fixed at time of registration. A punch card is given to you when you register at the front desk. Please call the ArtSchool Director at 929-2787 x 207 for more information.

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3015. PORTRAIT DRAWINGcert. course Correct proportions, val-ues, perspective, composition and likeness are areas of concentration in this course on portraiture. Beginners and interme-diates are given individual instruction at their own pace.Models’ fees will be split amongst stu-dents at the first class.Obtain materials list at The ArtsCenter front desk, prior to first class.Herb SlapouTuesday, 6:15-8:15pm, June 12-July 17 (6 weeks) $120 public, $108 Members

3016. REPORTAGEcert. course This drawing class is not for the faint of heart! Reportage is a high-energy, high-speed attempt to capture the essence of an event—or moment—in a sketchbook. It is an incredibly dynamic way to record your experiences out in the world without using a camera. We will start in class, drawing from the model, covering skills and techniques needed to have a re-warding, expressive, journaling experience. In later classes, we will venture out into the real world where you will get to experience the thrills and challenges of reportage and likely produce some very raw and expres-sive gems! It is recommended that you have some figure drawing skill / experience before taking this class; it is not for beginners.Tuition includes models’ fees.Obtain materials list at The ArtsCenter front desk, prior to first class.Stacye LeanzauWednesday, 6:30-9pm, August 8-Sep-tember 12 (6 weeks) $167 public, $152 Members

3017. COLOR EXPLORATIONS (DRAWING AND PAINTING) cert. course This class is designed to give students a solid foundation and deep-er understanding of color. We will work with a variety of color concepts includ-ing color mixing and matching, creating variations of color through tinting, ton-ing and saturation, creating a consistent composition through the use of various palettes, and how to create a sense of light. Students will strengthen and develop both their use of color and drafting skills through color exercises and drawing ob-jects, outdoor scenes, and any subject mat-ter of the students’ choice. We’ll view and discuss professional samples in each class. Students are free to choose their media (no oils please).Obtain materials list at The ArtsCenter front desk, prior to first class.Annette deFerrariuTuesday, 6:30-9pm, June 12-July 17 (6 weeks) $150 public, $135 Members

3018. INTRODUCTION TO PASTEL PAINTING cert. courseEnjoy the world of soft pastels with this informative and structured class designed to give you the opportunity to learn how to combine your drawing and painting skills to create successful pastel paintings. Pastel painting techniques, an overview of materials, attention to shapes and values, use of hard and soft edges and implement-ing color theory will be included in this course. Students new to pastel painting, as well as returning students are welcome.Obtain materials list at The ArtsCenter front desk, prior to first class.Kim WerfeluTuesday, 6:30-8:30pm, July 24-August 28 (6 weeks) $120 public, $108 Members

THE ARTIST AT WORK CERTIFICATE PROGRAM

Discover your inner artist! The ArtsCenter offers two certificate pro-grams in the fine arts: the Certificate in Drawing and the Certificate in Oil and Acrylic Painting. Artists enrolled in the

programs will learn technical skills in their discipline and will devel-op their own personal style of expres-sion as they create their own port-folios. Each Certificate Program will culminate in the Critique and Portfolio course, where students will discuss and critique each other’s portfolios as well as get advice and criticism from professional artists.

Certificate in Drawing:Basic Drawing and Design Intermediate Drawing Figure Life DrawingDrawing with Color Art History (can be taken concur-rently with any other certificate class)Critique and Portfolio + 36 hours of electives

Certificate in Oil and Acrylic Painting:

Basic Drawing and Design Introduction to Painting Intermediate Painting or Painting StudioFigure Life Painting OR Landscape Painting

Color Theory and Abstract Painting Art History (can be taken concurrently with any other certificate class)Critique and Portfolio I Critique and Portfolio II + 24 hours of electives

Electives: Any ArtSchool class marked as a certificate class may be taken to fulfill elective hours, so long as the class is not a required one in your curriculum. If you are unsure whether a class fulfills the elective re-quirements, or if you have any other questions about the Artist at Work Program, please contact the ArtSchool Director at [email protected].

Certificate courses are labeled “cert courses” in the catalog.

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3019. OIL PASTEL TECHNIQUES NEW!

—at Focal Point Gallery cert. course Relax, and rejuvenate while exploring the creative potential of the enigmatic oil pastel. (Is it drawing? Is it painting?) Learn techniques and tools to use for any kind of self-expression. We will cover blending, overlaying, carving and us-ing solvents. We will also cover the prac-tical basics of color-mixing as they apply to the medium. While the class focuses on technique, we will also draw from life each week, in order to practice the skills learned. This is a process oriented class; there will be demos and lots of practicing, experimenting and fun! No experience or art background is necessary!Obtain materials list at The ArtsCenter front desk, prior to first class.Obtain a map to Focal Point Gallery at The ArtsCenter front desk,.Stacye LeanzauWednesday, 6:30-9pm, June 13- July 25 (no class July 4) (6 weeks) $150 public, $135 Members

3020. INTRODUCTION TO ACRYLIC PAINTINGcert. course This class primes you and your canvas with the basics of how to get started painting. Explore the fundamentals of acrylic painting, including color-mixing, underpainting, glazing and washing, dry brushing and use of the palette knife. Dis-cuss the principals of composition, line, color, value and texture. While structured lessons in various techniques are an im-portant part of this class, experimentation and the development of your own person-al style is encouraged, and individual at-tention is given to each artist. This course includes regular demonstrations of mate-rials, techniques and applications. Obtain materials list at The ArtsCenter front desk, prior to first class.Paige ChildsuWednesday, 6:15-9:15pm, June 13-July 25 (no class July 4) (6 weeks) $179 public, $161 Members

3021. CLASSIC OIL PAINTING: AN INTRODUCTIONcert. course This class provides a com-plete introduction to oils, allowing students to discover the distinct expressive possi-

bilities of this truly classic medium. No painting experi-ence is required! We will cover fun-damentals such as composition, color, tone and line, as well as the tradi-tional techniques and processes involved in mak-ing an oil painting. Students will learn skills such as un-derpainting, glaz-ing and scumbling, as well as how to mix and use medi-ums. This class will emphasize painting

from life, but stu-

dents will have the opportunity to choose their own subject for a final project. Obtain materials list at The ArtsCenter front desk, prior to first class.Steven WallsuMonday, 6:15-9:15pm, June 4-July 9 (6 weeks) $179 public, $161 Members

3022. FROM DRAWING TO PAINTING NEW! cert. course What is painting, what is drawing and where do they meet? Some-times decisions for using color can be daunting. Regardless of your drawing ex-perience, we will learn some effective ways to plan your work and add color. We will use sketches to learn how to translate ideas and be able to figure out the dynam-ics of a finished piece. This studio class will focus on the interdependencies of drawing and painting with studio time, discussions and examples. All skill levels and all media are encouraged.Keeping a sketchbook is required. Obtain materials list at The ArtsCenter front desk, prior to first class.Jason WhitleyuTuesday, 6:15-9:15pm, July 24-August 28 (6 weeks) $179 public, $161 Members

3023. FIGURE PAINTING cert. course Learn to paint the human

figure from life! While we will address anatomy, proportion, and other life draw-ing topics in this class, our focus will be color concepts–mixing flesh tones, paint application, and color’s relationship with value. Students will create fast, high-energy sketches as well as more refined paintings from progressively longer poses. Explore the use of historical and contemporary color pallets, painting methods, and com-positional tools. Enjoy demonstrations and plenty of individualized instruction. Students may work in oils, acrylics, or both. Drawing experience is encouraged. Obtain materials list at The ArtsCenter front desk, prior to first class.Tuition includes models’ fees.Brian KueblerArtSchool Student in painting class

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uWednesday, 6:15-9:15pm, July 25-Au-gust 29 (6 weeks) $224 public, $208 Members

3024. SUMMER WATERCOLORcert. course This course accommodates both beginning and continuing students, with an emphasis on developing a better understanding and mastery of basic wa-tercolor techniques. The instructor will discuss various watercolor and composi-tional issues at the beginning of each class. The studio session will begin with a brief warm-up exercise, and students can then paint from their own projects, photo ref-erences, or instructor-guided exercises as desired. Obtain materials list at The ArtsCenter front desk, prior to first class.Julie EastmanuMonday, 7-9pm, July 16-August 20 (6 weeks) $120 public, $108 Members

3025. CONTINUING WATERCOLORcert. course This course is for intermedi-ate to advanced level students who want to continue to be stimulated and inspired by creative challenges and focused cri-tiques. The emphasis is on experimenta-tion and individual interpretation of the projects. Please bring your painting materials to the first class.

Luna Lee RayuSection A: Satur-day, 11am-2pm, July 7-28 (4 weeks) $120 public, $108 MembersuSection B: Sat-urday, 11am-2pm, August 4-25 (4 weeks) $120 public, $108 Members

3026. ALTERED BOOKS NEW! In this workshop, we

will use collage and em-bellishment to turn old books into interac-tive works of art. Each student will make a reference book so they have a permanent record of the techniques demonstrated. The instructor will show various ways of doing backgrounds to get color and texture on a page. We will do pockets, slits and pull-outs, tip-ins (add in pages), niches, windows and drawers, transparencies, and many dif-ferent kinds of pop ups. The instructor will discuss glues, paints and the types of books that work best–everything a student needs to get started in this art form.Obtain materials list at The ArtsCenter front desk, prior to first class.$5 materials fee, paid to instructor at first class.Carol OwenuSaturday, 10am-4pm and Sunday, noon-4pm, July 7 & 8 (weekend workshop) $112 public, $101 Members

3027. FUN WITH MIXED MEDIA cert. course NEW!

This mixed media course is for people who want to explore and experiment with combining a variety of different mediums, such as charcoal / paper collage or oil pas-tel /watercolors. Composition and con-trasting /complimentary juxtapositions will be discussed. We will also research and discuss some different mixed media artists. Obtain materials list at The ArtsCenter front desk, prior to first class.Paige Childs

uMonday, 6:15-9:15pm, July 23-August 27 (6 weeks) $179 public, $161 Members

3028. FIGURE AND CONCEPT SCULPTING Explore your creativity through the use of chavant clay. Chavant clay is oil based and remains malleable, reusable and rework-able for extended amounts of time making it a favorite among animators and special effects artists. Students will design a con-cept they would like to sculpt over the course of the semester. After learning to make armatures, the students will sculpt their concepts using the chavant clay to block out general shapes. These shapes will then be refined into accurate portrayals of the original concepts.Obtain materials and tools list at The ArtsCenter front desk, prior to first class. These will cost approximately $40.$50 fee for chavant clay, paid to instruc-tor at first classPlease Note: This class is NOT held in the Ceramics Studio, and Ceramics Open Studio hours are not available .Nadjib AssaniuMonday, 6:30-8:30pm, July 2-August 20 (8 weeks) $160 public, $144 Members

3029. INTRO TO CONCEPTUAL FACIAL SCULPTING NEW!

Each student will first brainstorm a bust to sculpt, be it cartoonish or realistic. Next comes blueprints of front and side profiles. Students will then be introduced to chavant clay and its properties. In the following weeks, students will explore basic forms, gradually establishing landmarks (ears, eyelines, mouthlines, nose) until they have a bust that resembles their original concepts.Obtain materials and tools list at The ArtsCenter front desk, prior to first class. These will cost approximately $40.$50 fee for chavant clay, paid to instruc-tor at first class

Altered Book by Carol Owen, ArtSchool Instructor

ceramics & sculpture


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Please Note: This class is NOT held in the Ceramics Studio, and Ceramics Open Studio hours are not available .Nadjib AssaniuWednesday, 6:30-8:30pm, June 6-July 18 (no class July 4) (6 weeks) $120 public, $108 Members

Please note: tuition for clay courses includes one bag of clay and studio fees, unless other-wise noted. If student wishes to use more clay, bags may be purchased for $20 each. Tuition does not include cost of tools. Please click on “Adult Classes” at www.carrboroclay.com for info about tools.

3032. HANDBUILDINGIn this class we will focus on functional forms and slip decorating techniques. We will cover plates, bowls, mugs, pitchers and jar forms. Techniques will include slab building, drape molding and free draping. Students will have the chance to make their own forms for plates as well as work with existing plaster “hump” molds. Decorating techniques will include feather combing, scrifitto, stamping, marbling and slip trailing. Each week, we will focus on completing one form as we work towards more and more complex vessels. Students will be encouraged to think in terms of themes when it comes to their decorating and to develop specific ideas about how their decorations relate to the form and function of their work.Tuition includes materials fees, but not tools. Please click on "Adult Classes" at www.carrboroclay.com for info about tools.Christopher DonalduSection A: Saturday, 10am-12:30pm, June 16-July 21 (6 weeks) $165 public, $152 MembersuSection B: Saturday, 10am-12:30pm, July 28-September 1 (6 weeks) $165 public, $152 Members

3033. WHEELTHROWINGThese introductory wheelthrowing classes are open to both beginners and advanced beginners. Beginners will learn to center the clay and throw basic utilitarian forms. More advanced students will improve their throwing skills, enabling them to work with larger amounts of clay and cre-ate more complex, assembled pieces. All students will learn to work with glazes and other decorating methods that will result in lovely, functional pieces of pottery.Tuition includes materials fees, but not

3031. CERAMICS OPEN STUDIO Open Studio enables students to prac-tice techniques, pursue individual skill development and enjoy the community of other potters; no instruction is pro-vided. Open Studio is open to currently enrolled ceramics students. A two-week grace period is allowed after the end of class in order to complete proj-ects started in class. Previous students (only) may enroll in Open Studio by the month. The monthly fee includes 25 pounds of clay, firing fees and the use of all glazes. Please bring your own tools. Cards can be purchased at The ArtsCenter front desk. $70 / monthuMonday: 9am-noon; Tuesday: 9am-noon;Wednesday: 9am-noon; Thursday: 9am-noon; Friday: 9am-noon and 6-9pm; Saturday: 1-4pm; Sunday: 10am-4pmPlease Note: Open Studio times are subject to change. See www.carrboro-clay.com for the most updated schedule.Please Note: There will be no Open Studio on July 4.

3030. SUNDAY CERAMICS OPEN STUDIO (SUNDAYS ONLY)For those with limited time and a tight budget, Sunday Open Studio allows students to attend ONLY the Sunday session of Open Studio. Cards can be purchased for a month’s use of the stu-dio at The ArtsCenter front desk. $45 / monthuSunday, 10am-4pm

Please Note: Open Studio times are subject to change. See www.car-rboroclay.com for the most updated schedule.

Students in Wheelthrowing Class

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tools. Please click on "Adult Classes" at www.carrboroclay.com for info about tools.Jason Abide, Rebecca Clewell and James WarduSection A (Abide): Monday, 6:30-9pm, June 11-July 16 (6 weeks) $165 public, $152 MembersuSection B (Ward): Tuesday, 6:30-9pm, June 12-July 17 (6 weeks) $165 public, $152 MembersuSection C (Clewell): Thursday, 6:30-9pm, June 14-July 19 (6 weeks) $165 public, $152 Mem-bersuSection D (Abide): Monday, 6:30-9pm, July 23-August 27 (6 weeks) $165 public, $152 MembersuSection E (Ward): Tuesday, 6:30-9pm, July 24-August 28 (6 weeks) $165 public, $152 MembersuSection F (Clewell): Thursday, 6:30-9pm, July 26-August 30 (6 weeks) $165 public, $152 Members

3034. EXTRUDE IT!The clay extruder is an instant gratification tool that allows you to create a variety of forms. This introductory-level class will ex-plore using the extruder to create mugs, plates, handles, spouts and slabs. We’ll explore alternative ways of draping clay which allow you to create forms incredibly fast as well as ways of creating detail and forms which are difficult, if not impossible, to do without an extruder.Tuition includes materials fees, but not tools. Please click on “Adult Classes” at www.carrboroclay.com for info about tools. Christopher DonalduWednesday, 6:30-9pm, June 13-July 25 (no class July 4) (6 weeks) $165 public, $152 Members

3035. GUIDED CERAMICS STUDIOIs there a class we offered that you wish you could have taken? A topic we have never covered? A ceramics technique you have always wondered about but never had a chance to try? Well then this class is for you! Each student will have the chance

to choose their topic of study for the class and then receive focused instruction to-wards meeting their goal. Someone might want to do beads; someone else may want to learn how to make lidded jars . . . the sky is the limit! Please contact the instructor by email at [email protected] before registering just in case the technique you are inter-ested in requires equipment we don’t have available! No experience required; all levels wel-come. Tuition includes materials fees, but not tools. Please click on “Adult Classes” at www.carrboroclay.com for info about tools.Christopher DonalduWednesday, 6:30-9pm, August 1-29 (5 weeks) $143 public, $131 Members

3036. INTRODUCTION TO METAL CLAY Metal clay is pure metal suspended in a binder. It works very much like ceramic clay: when fired in a kiln, the binder burns out, and pure metal remains. Learn about the tools used to sculpt and cre-ate jewelry with this clay. The class will cover making your own texturing plates, imprinting, forming, firing and finishing. Each student should be able to make one ring and several small pendants, charms or earrings. $10 studio fee paid to instructor with exact cash or check at first class.Tool kits are provided for use during class. Please wear clothes you can get dirty or bring a “craft “ apron to wear.A 25 gram package of silver PMC metal clay costs $60 at the time of printing. That is the minimum amount needed. Most stu-dents end up buying 50 grams of silver for the four week class.Base metal clay, either bronze or copper, will also be available for prices starting at

$11 per 30 gram package at the time of this printing.Findings, wire per inch, and cubic zirco-nias will as be available for purchase. Most students end up buying 60 grams for the four week class.Monica HunteruThursday, 6:30-9pm, June 28-July 19(4 weeks) $101 public, $91 Members

3037. BEGINNING METAL-SMITHING: THE FIRST STEP—BASIC TECHNIQUESThis class is the first step into the creative world of metalsmithing. In this class, stu-dents will learn basic techniques and tool care, and projects will start with metal preparation, design layout and sawing. Students will learn filing and sanding tech-niques and finally how to apply a texture and final finish and/or patina. A copper or brass pierced pendant, earrings or key chain will be made. Students will be expected to follow along with the class projects.$12 studio fee and an $8-$20 materials fee, based upon current market prices of metals, paid to instructor at first class.This is a prerequisite to all other metalsmithing classes. Chrissy Jahnes uTuesday, 6:30-9pm, June 12-July 3 (4 weeks) $101 public, $91 Members

3038. BEGINNING METAL-SMITHING: COLD CONNEC-TIONS—WIRE AND TUBE RIVETSCold Connections is a great next step for beginning jewelry makers. Without having to solder or use a torch, you can create high quality pieces that you will be proud to wear. Once you learn some simple ways to join metal, you will be able to fash-ion a wide array of jewelry using tools that are inexpensive and readily available. The riveting techniques that you will learn al-low you to join different metals and incor-porate “found” and non-metal accents into your pieces that would not be able to be

jewelry


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soldered. A pin or pendant in copper and/or brass will be made. Students will be expected to fol-low along with the class projects. $12 studio fee and an $8-$20 materials fee, based upon current market prices of metals, paid to instructor at first class. Students wishing to use sterling silver in their projects can obtain a list of suppliers from the instructor. PREREQUISITE: Beginning Metal-smithing: The First Step—Basic Techniques.Chrissy Jahnes uTuesday, 6:30-9pm, July 10-31 (4 weeks) $101 public, $91 Members

3039. BEGINNING METAL-SMITHING: SOLDERING—SWEAT SOLDERS AND BUTT SOLDERSSoldering, a technique used for thousands of years, employs heat and solder to join pieces of metal together. It is the most commonly used technique for joining met-al. In this class, students will learn torch use and safety and some basic soldering skills such as sweat solder joins, butt sol-der joins and the use of sheet and wire solder. Students will make either stacking silver rings or a copper and silver bracelet. Students will be expected to follow along with the class projects.

At the first class, students will pay the instructor a studio fee of $14 plus an additional fee for the materials (between $8 to $35), based upon current market prices of metals. PREREQUISITE: Beginning Metal-smithing: The First Step—Basic Techniques.Susan WalseruSection A: Wednesday, 6:30-9pm, July 11-August 1 (4 weeks) $101 public, $91 MembersuSection B: Saturday & Sunday, 10am-4pm, July 14 & 15 (weekend workshop) $120 public, $108 Members

3040. CONTINUING METAL-SMITHING: COLD CONNEC-TIONS II —ADD DIMENSION TO YOUR DESIGN NEW!

In this class, we will be building on our wire and tube riveting skills. We will be using spacers to build a three dimensional project. This allows you to show more texture and/or piercing in your bottom layer or even make a scene with a fore-ground and background. Students will complete a pendant.PREREQUISITE: The First Step—Ba-sic Techniques AND Cold Connections.Students will be expected to fol-low along with the class projects. $12 studio fee and an $8-$20 materials

fee, based upon current market prices of metals, paid to instructor at first class. Students wishing to use sterling silver in their projects can obtain a list of suppliers from the instructor. Chrissy JahnesuTuesday, 6:30-9pm, August 7-28 (4 weeks) $101 public, $91 Members

3041. OPEN JEWELRY STUDIO: CONTINUE WITH YOUR OWN PROJECT NEW!

Students who have completed the First Step—Basic Techniques and other Basic Metalsmithing classes (Cold Connections and/or Soldering) OR Beginning Metal Clay will be able to continue working on a project of their choice. Projects must be based on previous class instruction. Each student must contact the instructor prior to class to discuss their project and their material and tool needs. PREREQUISITE: The First Step—Basic Techniques and either Cold Connec-tions or Soldering OR Beginning Metal Clay.$8 studio fee, paid to instructor at first class, plus materials costs for project pur-chased from the instructor. Students must contact instructor with project ideas and materials needed at least two weeks prior to class.Monica Hunter & Susan WalseruThursday, 6:30-9pm, July 26-August 23 (5 weeks) $125 public, $113 Members

photography

DARKROOM RENTALThe darkroom is available for rental to experienced developers. Please inquire at The ArtsCenter’s front desk for more information. Rental is $35 per month ($30 Members) or $85 for three months ($70 Members).

Our newly remodeled Jewelry Studio

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3042. CYANOTYPES NEW!

The cyanotype, also known as the “blue print” or “sun print” provides a fun, easy and non-toxic exploration into the ori-gins of photography. The basic cyanotype recipe has not changed very much since Sir John Herschel introduced it in 1842. It is often the first alternative process that people try because it is quite beautiful and expressive and can also be seen as a gateway to further exploration of historic photographic methods. In addition, it gives experienced photographers and artists a great excuse to take their eyes off the computer screen and get their hands dirty. Unlike photographs set in silver, as in black and white photography, cyanotypes are us-ing a solution of iron compounds. The pho-tograph can be taken with a camera, even a digital camera, and the resulting photo turned into a negative that can be used to make a cyanotype. Also, objects like flow-ers, lace or practically anything can be used to produce a photogram. $20 for chemicals, paper and digital negative film, paid to instructor at first class.Bryce LankarduSection A: Saturday & Sunday, 1-4pm, June 16-24 (4 classes) $120 public, $108 MembersuSection B: Saturday & Sunday, 1-4pm, July 21-29 (4 classes) $120 public, $108 Members

3043. TOY CAMERA WORKSHOP NEW!

Toy plastic cameras are simple and inex-pensive, yet are full-fledged cameras that manage to function with a body made of plastic, a spring for a shutter and minimal adjustments. Made in China, Holgas (the most common toy camera) have boomed in popularity since hitting the fine art scene in the 1980s. An excellent introduction to medium format photography, a break from super-techy digitals, and a cheap toy to play with and shoot with abandon, the $20-$30 Holga is both a toy and a serious photo-graphic tool, and it’s a heck of a lot of fun!

Let go of complete control and allow the magic to happen.Some basic darkroom experience is required.Please bring your toy camera and film to the first class. There are many types, including your grandpa’s brownie, that will work, but a holga or Diana are recom-mended. Recommended: text: Plastic Cameras: Toying with Creativity by Michelle BatesBryce LankarduSection A: Saturday & Sunday, 1-4pm, July 7-15 (4 classes) $120 public, $108 MembersuSection B: Saturday & Sunday, 1-4pm, August 4-12 (4 classes) $120 public, $108 Members

3044. INTRO TO DIGITAL PHOTOGRAPHY—at the Century CenterDo you have a digital camera and want to learn how to use it more effectively? In this class, we will talk about general photographic technique such as framing, composition and lighting, as well as gen-eral photographic terms that you should be aware of to use to take great pictures such as focus, depth of field, lens speed, aperture, shutter speed, effective ISO/ASA, white balance and continuous high-speed shooting. In between classes, you will have shooting assignments, and we will review what you did in class. We will also delve into features specific to digital photogra-phy, such as suggested best practices for storing and archiving digital images, shoot-ing in RAW vs. other formats, panoramic shots, and sound and video capture. It will be a fun class that will help you to become a better master of your digital camera.Please note: This class takes place at the Century Center at the intersection of Weav-er and Greensboro Streets in Carrboro.Cosponsored with Carrboro Recre-ation and Parks DepartmentDilip BarmanuThursday, 6-8:20pm, July 19-August 30

(no class Aug. 9) (6 weeks) $140 public, $126 Members

3045. BEGINNING PHOTOG-RAPHY: FILM OR DIGITALFilm or digital, the elements of a good photograph remain the same. Understand these elements, and learn how to use them to create what your eye sees. Learn what to expect, from what your camera tells you to the final print. Weekly assign-ments will emphasis the concepts.Students must have a film or digital SLR (single lens reflex) camera with lens, or a camera that can control exposure manually. Todd E. GauluSection A: Tuesday, 6:30-8:30pm, June 12-July 3 (4 weeks) $82 public, $74 Mem-bersuSection B: Tuesday, 6:30-8:30pm, August 7-28 (4 weeks) $82 public, $74 Members

3046. ADVANCED DIGITAL PHOTOGRAPHY: COMPOSI-TION AND EQUIPMENT—at The Century CenterAre you familiar with basics of photogra-phy, such as effectively composing images, using aperture- and shutter-priority, the exposure triangle and depth of field? Are you also comfortable with digital photog-raphy with some understanding of work-flow, file formats, white balance and color management? In this 4-week class, we con-tinue with more compositional consider-ations in creating artful images for effect, such as balance, symmetry and asymmetry, golden ratio, golden spiral, triangulation, and avoiding “mergers.” We consider color theory to help in creating pleasing images. We problem-solve several potentially chal-lenging shooting scenarios. Also, we dis-cuss equipment choices that you may want to make, including tripods, monopods, and other portable stabilizing devices. For Dig-ital SLR (DSLR) users, we consider types of lenses that may be useful for you. We discuss shooting in fully manual mode as well as “RAW” mode and present trade-offs of RAW vs. JPG photography.


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Please note: This class takes place at the Century Center at the intersection of Weav-er and Greensboro Streets in Carrboro.Cosponsored with Carrboro Recre-ation and Parks DepartmentDilip BarmanuThursday, 6-8:20pm, May 31-June 21 AND Saturday, 11am-1:20pm June 30 (5 classes) $116 public, $104 Members

3047. ADVANCED PHOTO TECHNIQUESMastering photography takes an under-standing of how light and your camera work together. In this course, we will dis-cuss different types of light: natural light, man-made light, flash and studio lighting. We will also explore camera techniques with long exposure, multiple exposure and other trickery. This will be a very hands-on class, so expect to shoot a roll per week (or digital equivalent), as each student will be asked to present one or two photos for discussion in every class.Students need an SLR camera, either film or digital, with a hotshoe and external flash.Todd E. GauluTuesday, 6:30-8:30pm, July 10-31(4 weeks) $82 public, $74 Members

3048. DEFINING YOUR STYLE AND VISION: A PORTFOLIO BUILDING CLASS NEW!

Many artists are defined by a signature style. This style can be demonstrated by subject choice, artistic technique or other conceptual and presentational methods that make their work easily identifiable. This course will mature your vision and guide you to produce work that repre-sents your personal style. Create a cohe-sive body of work by evaluating and edit-ing your work. Examinations of signature styles of master photographers will help bring your personal vision into focus. In addition to your best work, we may review your related outtakes including contact/thumbnail sheets, work prints, and/or digi-tal files. We will encourage you to create new work or print new discoveries that fit

your vision and theme. Students are not required to produce new work, but may use the darkroom or digital lab to add to or refine their existing body of work. By the end of the course, each student will create a 12-15 image portfolio and artist’s statement representing their photographic style. This course is the perfect next step for students who are ready to pursue a portfolio project. Bryce LankarduWednesday, 6:15-8:15pm, June 20-August 1 (no class July 4) (6 classes) $120 public, $108 Members

3049. BEGINNING BLACK & WHITE DARKROOMEver want to make your OWN prints? Develop your OWN film? Take control of your artistic vision with a basic introduc-tion to black and white darkroom photog-raphy. Take one roll of black and white film completely through the steps needed to go from film to print. Process your film, make a contact sheet and a final print, while gaining solid understanding of the process behind the process.Recommended but not required: Begin-ning Photography or similar experienceBring a roll of exposed/undeveloped 35mm standard b/w film. Sorry, no APS or C-41 process film.

$15 materials fee for chemicals, paid to instructor at first classTony BakeruWednesday, 6:30-8:30pm, June 13-July 11 (no class July 4) (4 weeks) $82 public, $74 Members

3050. THE FINE PRINTThis is a great follow-up course to the Be-ginning Black & White Darkroom course or equivalent experience. Improve all your printing techniques including exposure, contrast control, dodging, burning, toning, retouching and framing. This is a repeat-able darkroom course in which you will gain skills that last a lifetime.Some darkroom experience is strongly recommended.Required: processed, ready to print, 35mm b/w negatives and a 25-sheet pack-age of 8” x 10” RC Photo Paper$15 materials fee for chemicals, paid to instructor at first classTony BakeruWednesday, 6:30-8:30pm, July 25-Au-gust 29 (6 weeks) $120 public, $108 Members

“Trike” (cyanotype) by Bryce Lankard,ArtSchool Instructor. See his class on p.15.

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3051. COLOR PRINTING IN THE DARKROOM NEW!

There is perhaps no other aspect of pho-tography more commodified than the color print. Who doesn’t have hundreds of 4”x 5” prints from countless snapshots that you had printed at a pharmacy some-where? Before the mini-lab and before the advent of digital photography, laser print-ing and photoshop, people made color prints the same way we make black and white ones—in the darkroom! The truth is that Type-C (or chromogeny) printing is like any other art form—simple in concept yet skill and knowledge-based in practice. In this class, not only will we learn the darkroom skills necessary to take the ar-tistic process of vision to reality, but also explore the aesthetic and conceptual use of color in film photography. Previous darkroom experience is pre-ferred, but not required. Materials needed include a 35mm or medium format camera, color print film and a pack of Fuji film Crystal Archive 8”x 10” paper.$15 materials fee for chemicals, paid to instructor at first classAdam DoddsuThursday, 6:15-8:45pm, June 21-July 26 (6 weeks) $150 public, $135 Members

3052. PINHOLE PHOTO-GRAPHY WORKSHOPThis is a one day workshop teaching the basics of pinhole photography. You will build the camera, shoot images with it and develop prints you take in the darkroom, all in an afternoon. We will cover construc-tion basics, shutter techniques, developing, and more.$10 materials fee, paid to instructor at beginning of classPlease bring a light-tight container to be your camera body. An empty Quaker oats container is a popular one.Please contact the instructor before the class with questions.Todd E. GauluSaturday, 11am-3pm, June 30 (one-day workshop) $46 public, $42 Members

3053. MANUAL EXPOSURE AND SHOOTING WORKSHOPDo you have a digital SLR and want to move beyond photographing in an automatic or semi-automatic mode? You are a lot smart-er than your camera, and, with a little guid-ance, you can guide it to an exposure that you like more than it might come up with on its own, particularly when you are pho-tographing a scene with significant dynamic range. We will decide as a group where we are meeting, perhaps at an area garden or woodlands. We will review why and how you might want to shoot in manual mode and arm you with strategies for quickly ex-posing a photograph to achieve the way you want it to look. Then you will get to prac-tice and get feedback. Bring your digital camera and accesso-ries (such as tripod and flash) with which you are familiar. Dilip BarmanuFriday, 5:30-7:45pm, June 22 (one-day workshop) $23 public, $21 Members

3054. USING YOUR FLASH (FOR DIGITAL CAMERAS)Overcome your Flash fears now! Using your camera's built-in flash, you will learn how to achieve proper exposure under all conditions. You will also learn how to freeze the action so you do not have blur-ry action shots any more. You will learn about flash exposure compensation, "X Synch" speed, the Inverse Square Law of Light, and how to bounce your flash. Vari-ous diffusers and light modifiers will be demonstrated so that you can judge their effects before buying them. We will also critique student images taken in class, an invaluable way to learn good techniques and how to correct for bad ones. This is a hands-on class for DSLR and point-and-shoot cameras.Bring your camera, its manual, empty memory cards and plenty of fresh batter-ies.$15 materials fee, paid to instructor at beginning of classTheodore Salamone

uThursday, 6:30-9:30pm, June 14 (one-day workshop) $43 public, $39 Members

3055. BASIC COMPOSITION (FOR DIGITAL CAMERAS)Learn how properly to compose photos to tell a better story. You will learn in-camera as well as post-production com-position techniques (editing software). Starting with the basics, you will learn to avoid cut off feet and too much headroom. You will then learn about simplicity, fram-ing, mergers, lines (diagonal and converg-ing), the Rule of Thirds, patterns, repetition and Dutch angles. This is a hands-on class with practice sessions.Bring your camera (DSLR or point-and-shoot), its manual, flash, memory cards and fresh batteries. $15 materials fee, paid to instructor at beginning of classTheodore SalamoneuMonday, 6:30-9:30pm, June 25 (one-day workshop) $43 public, $39 Members

3056. EASY EXPOSURE AND OTHER TRICKS AND TIPS (FOR DIGITAL CAMERAS) This course will teach you how quickly to achieve proper exposure under a wide range of lighting conditions. You will also learn a wide variety of other tips, tricks and techniques that the instructor has picked up over a lifetime of photograph-ing nearly everything! These proven short-cuts will help you achieve better exposure faster and more consistently; better com-pose your photos; improve your posing skills; streamline your workflow and even help you shoot better in low light and high speed situations. Also comprised of cri-tique and question & answer sessions, this a hands-on class for DSLR and advanced point-and-shoot cameras (with shutter, ap-erture and manual modes).Bring your camera, its manual, flash, memory cards and fresh batteries. Op-tional: bring your external flash and its manual.$15 materials fee, paid to instructor at beginning of class


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Theodore SalamoneuThursday, 6:30-9:30pm, June 28 (one-day workshop) $43 public, $39 Members

3057. MACRO DIGITAL PHO-TOGRAPHY FOR UNDER $20!Do you like to take close-up images of flowers, insects and other items? Well, do not be fooled by the Tulip Macro icon on your lens or camera—it does not let you take real macro images! However, by en-rolling in this course, you will learn how to take real macro photos (life size or larger) for less than $20. You do not need to buy an expensive macro lens costing thou-sands of dollars or more. You will learn how to use your existing lenses, turning them into real macro tools with a few, simple inexpensive items that can be pur-chased in advance of the class. This way, you will gain hands-on experience with your own gear under the guidance of an experienced macro photographer. This is mainly a hands-on class that also has cri-tique and question & answer sessions.For Digital SLR cameras. Bring your camera, its manual, memory cards and fresh batteries. Optional: Bring your ex-ternal flash, its manual and fresh batteries.$15 materials fee, paid to instructor at beginning of classTheodore SalamoneuThursday, 6:30-9:30pm, August 9 (one-day workshop) $43 public, $39 Members

3058. SEWING FUNDAMENTALSStudents will develop basic construction techniques and learn to use a home sewing machine. The goal of this course is to de-velop a working knowledge of construct-ing garments. Terms, layouts, marking, construction and finishing methods will be explored. We will sew two complete garments. Obtain materials list at The ArtsCen

ter front desk, prior to first class.Lauren ForduWednesday, 6:15-8:45pm, June 6-July 18 (no class July 4) (6 weeks) $150 public, $135 Members

3059. SEWING KNITS NEW!

In this course, students will learn techniques specific to cut-and-sew knits. Emphasis will be on soft silhouettes and garments that drape and stretch. The variations in style will expand students’ creative and technical skills in garment construction.Obtain materials list at The ArtsCenter front desk, prior to first class.Some basic sewing skills are required.Lauren ForduWednesday, 6:15-8:45pm, July 25-August 29 (6 weeks) $150 public, $135 Members

3060. STAINED GLASS CRASH COURSE —at the artist’s studioIf you have always appreciated the beauty of stained glass, come find out how it’s done by doing it yourself. In a completely relaxed and ca-sual atmosphere at the artist’s studio in Mebane, overcome the intimidation of breaking glass with your bare hands (and a few handy tools). This one-day work-shop is designed for complete beginners, but is also perfect for those who need a quick refresher course or want to gain more experience. We will cover all the basics of the copper foil method, including glass cutting, grinding, foiling and soldering. Students will be allowed to choose from several patterns and glass combinations in-cluding seasonal, traditional, contemporary and whimsical. This is a fun and fast-paced

day with a 30-minute break for lunch. Each student will complete a small panel, orna-ment or sun catcher and will leave with suggested reading, resource information and a wealth of knowledge and experience that prepares the student for the interme-diate copper foil level.This class only employs the copper foil

method.Students will be charged an estimated

$40 for materials, paid to instruc- t o r on the day of the workshop (cash or check only, please). Students should bring a bag lunch and bottled drink.Dress should be casual with closed-

toe shoes.Please obtain directions to artist’s studio at The ArtsCenter’s front desk or contact the instructor at [email protected] AustinuSection A: Saturday, 9am-5pm, June 16 (one-day workshop) $105

public, $94 MembersuSection B: Saturday, 9am-5pm, July 21 (one-day workshop) $105 public, $94 MembersuSection C: Saturday, 9am-5pm, August 18 (one-day workshop) $105 public, $94

Members

3061. BEGINNING / CONTINUING STAINED GLASS—at the artist’s studioIf you have always appreciated the beauty of stained glass, come find out how it’s done by doing it yourself. In a completely relaxed and casual atmosphere at the art-ist’s studio in Mebane, overcome the in-timidation of breaking glass with your bare hands (and a few handy tools). Beginning students will learn glass cutting basics and the terms and techniques of stained glass using the copper foil method. Students will be allowed to choose a medium sized (roughly 17” x 22”) pattern from several styles and glass combinations (prices vary on glass types). The instructor will assist and supervise students with previous ex-

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Lauren Ford, sewing and fashion design instructor, in a dress of her own creation.

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perience who have ideas, personal projects or ‘works in progress’. Students will not be required to purchase expensive equip-ment–only materials that are used in the creation of the project. Beginners will gain experience that prepares them for the intermediate copper foil level, and Inter-mediates will leave ready for the Design & Leading Class.This class only employs the copper foil method.Students will be charged an estimated $85 for materials, paid to instructor at first class meeting.Intermediate students should bring pat-terns and ideas for planning purposes.Dress should be casual with closed-toe shoes.Please obtain directions to artist’s studio at The ArtsCenter’s front desk or contact the instructor at [email protected] AustinuSection A: Tuesday, 9:30-11:30am, June 12-August 14 (no class June 26 & July 24) (8 weeks) $155 public, $140 MembersuSection B: Thursday, 7-9pm, June 14-Au-gust 16 (no class June 28 & July 26) (8 weeks) $155 public, $140 Members

3062. INTRODUCTION TO LAMPWORKING—at the artist’s studioCurious about hot glass? Wondering if lampworking is for you? This half-day in-troductory class provides you the oppor-tunity to try your hand at lampworking on a table-top propane/oxygen fueled torch. Students will learn basic information about safety, the use of the torch and other lamp-working equipment, and an introduction to some basic glass beadmaking techniques. There will be plenty of torch-time—class size is limited to 4, so every student gets use of their own torch!$10 materials fee, paid to instructor at first classNote: Students must be at least 16 years of age. Please wear cotton clothing (long pants and sleeves) and closed-toed shoes with long hair tied back. Safety

glasses provided. Please bring water.Please obtain directions to artist’s stu-dio at The ArtsCenter front desk.Sandra BeemanuSection A: Monday, 10am-1:30pm, June 18 (one-day workshop) $67 public and MembersuSection B: Saturday, 10am-1:30pm, June 23 (one-day workshop) $67 public and Members

3063. GLASS BEADMAKING ON THE TORCH—at the artist’s studioThis is a comprehensive beginning lamp-working course. Students will learn about safety, lampworking and beadmaking equipment, glass properties, beadmaking technique and annealing. Using table-top oxygen/propane fueled torches and soft glass, students will learn to make wound glass beads of many shapes; the use of shaping, raking and poking tools; surface decoration; pulling and using stringers; and basic encasing. Class size is limited to four—so every student gets use of their own table-top torch and plenty of individ-ual attention from the instructor.Introduction to Lampworking is not re-quired before taking this class.$40 materials and equipment fee, paid to instructor at first classNote: Students must be at least 16 years of age. Please wear cotton clothing (long pants and sleeves) and closed-toed shoes with long hair tied back. Safety glasses provided. Please bring water and lunch both days if attending Section B.Please obtain directions to artist’s stu-dio at The ArtsCenter’s front desk.Sandra BeemanuMonday, 10am-1:30pm, July 9-30 (4 weeks) $247 public and Members

3064. IMPROV CAMP FOR ADULTS!Back by popular demand! Have you ever wanted to learn improv theater? Do you wish adults had a place to play and have fun in the summer like kids do? Are you ready to become a more spontaneous and cre-ative person? Well, this week-long impro-visation immersion is for you! In this class, we will meet nightly to play games and build imaginary worlds without the use of props. We will create interesting charac-ters in a moment’s time through body and voice and have lots of fun while learning all about improv. The week will end with an informal performance celebration for friends and family!Transactors Improv Co. is the South’s oldest improv company. For more infor-mation, please visit http://transactors.org/. No experience necessary. Anoo Brod of Transactors Improv Co.uMonday-Friday, 7-9pm, June 11-15(one-week workshop) $101 public, $91 Members

3065. A DAY OF IMPROV: BE THERE NOW! NEW!

Come immerse yourself in a full day of improv! This one-day workshop is for all levels. Focus will be on play, learning and deepening into basic skills to bring ourselves into the present moment. Ex-ercises and games will be aimed at helping students be fully present on stage and in life through focus on their scene partner, environment and physicality, Tools used include mirroring; saying “yes” enthusiasti-cally; body awareness and vulnerability on stage. If you are ready to have fun, go deep and be here now, then this workshop is for you!Transactors Improv Co. is the South’s oldest improv company. For more infor-mation, please visit http://transactors.org/. No experience necessary.

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Anoo Brod of Transactors Improv Co.uSaturday, 11am-4pm, July 21 (one-day workshop) $62 public, $56 Members

3066. INTERMEDIATE IMPROV This is for the improvisor who has already learned the basics and wants to deepen into the improv experience! Focus will be on creating believable and interesting characters on stage in a moment’s time, saying “yes” to your teammates’ offers and developing greater confidence on-stage as a performer. Come join the fun and bring some more play into your life! Transactors Improv Co. is the South’s oldest improv company. For more infor-mation, please visit http://transactors.org/. “Intro to Improv” or equivalent experi-ence is required for this course.Anoo Brod of Transactors Improv Co.uWednesday, 7-9pm, June 20-July 18 (no class July 4) (4 weeks) $82 public, $74 Members

3067. ADVANCED IMPROV This class is for those who have taken the equivalent of Intro and Intermediate Im-prov and want more! In this session, we will delve deeper into scenework while staying rooted in the basics of “yes, and;” full commitment; and creating a believ-able environment through spacework. Emphasis will be on creating characters that come alive through strong vocal and physical choices. Become a more confi-dent performer, get anchored in the pres-ent moment, and take your play seriously! Come join the fun!Transactors Improv Co. is the South’s oldest improv company. For more infor-mation, please visit http://transactors.org/. This class is for those who have com-pleted Intro and Intermediate Improv or have equivalent experience. Anoo Brod of Transactors Improv Co.uWednesday, 7-9pm, July 25-August 15 (4 weeks) $82 public, $74 Members

3068. THE ACTOR’S CRAFT Students will express their creativity and imagination while exploring basic acting fundamentals. This class uses scene-study, monologues and related exercises to de-velop each actor’s ability to listen, live in the moment and trust one’s instincts. Students will explore analyzing text and approaching a role while focus is placed on each actor’s ability to empathize with the character’s impulses and intentions. Through various theatre exercises, im-provisations, and script work students will explore character development, analyzing text, and discovering specific actable ob-jectives while enhancing their confidence on the stage. Ideal for beginning actors or actors interested in enhancing or honing their acting skills.David McClutcheyuThursday, 7-9pm, June 21-August 23 (10 weeks) $197 public, $177 Members

3069. SHAKESPEARE AND YOUNEW! Come engage with Shake-

speare! Students will gain understanding of the language of this period, as well as work on meter, diction, deportment, voice production and character interpretation. Several scenes will be practiced, and there will be a final presentation on the last day of class. Individualized attention will be provided to each student, and this class is open to both beginning and more experi-enced actors.Please bring a sonnet and a favorite play or scene of Shakespeare’s to the first class.John ChaseuTuesday, 7-9pm, June 19-August 7 (8 weeks) $160 public, $144 Members

3070. INTRODUCTION TO BALLROOM DANCELearn to dance fun, easy, basic steps in Rumba, Swing, Waltz and Tango.

Shoes make a big difference. They must stay firmly on the feet and have leather or leather-like smooth, hard, non-stick soles with moderate, not-too-high heels for wom-en (but no flats, please). Please, no sneakers, hush puppies or other soft soled shoes.Jon Paul McClellanuSection A: Monday, 8:30-9:30pm, June 11-July 2 (4 weeks) $64 public, $58 MembersuSection B: Monday, 8:30-9:30pm, August 6-27 (4 weeks) $64 public, $58 Members

3071. BEGINNER / INTER-MEDIATE TRIBAL FUSION BELLYDANCE: BEYOND THE VALLEY OF THE SHIMMIESWhat makes bellydance so beautiful? More than just the movements, tribal fusion bel-lydance is about fluidity and emotion. In this class, we will cover the fundamental moves (with layering for intermediate students) as well as presentation and the connection between movements, so all participants will be dancing and challenging themselves from the first week! Emphasis will be on technique as well as personal expression of the dance. Please wear comfortable clothing.Dancers of all levels and abilities are welcome! Maqui OrtizuSection A: Monday, 6:15-7:30pm, June 18-July 9 (4 weeks) $57 public, $52 MembersuSection B: Monday, 6:15-7:30pm, July 16-August 6 (4 weeks) $57 public, $52 Members

3072. BOLLYWOOD Bollywood dancing is a fun, high-energy and contemporary form of Indian dance. It combines the styles of classical Indian dance, belly dancing and hip-hop with a hint of mystique. This class will provide a great workout while exposing you to a cultured dance form. Come and learn the sensual and breath-taking moves that have captured the eyes of Bollywood cinema

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lovers worldwide!!No experience is necessary. This is designed as a beginner level course. Come dressed in comfortable clothing that is easy to move in.Bianca PateluMonday, 7:30-8:30pm, June 18-July 23 (6 weeks) $68 public, $61 Members

3073. BHANGRA DANCE Bhangra is a traditional Indian dance form from the state of Punjab. It is very up-beat and energetic and will never have you bored! The rhythm of bhangra music lends itself to mixing with hip-hop and very popu-lar beats. It is the perfect cardio workout, so come learn an exciting new dance form that will leave you feeling great every time!No experience is necessary. This is designed as a beginner level course. Come dressed in comfortable clothing that is easy to move in.Bianca PateluMonday, 7:30-8:30pm, July 30-August 27 (5 weeks) $57 public, $52 Members

TAPPIN’ IS A BLAST!Nothing is more fun than tap dancing, and these classes are off the hook! Choose a level and stay in it until you feel ready to move on. Members will enjoy these jam sessions while exploring such moves as: brushes, ball-changes, flaps, time steps and much more. These classes are a blast that all ages will love. Rachel Kiel

3074. TAPPIN’ IS A BLAST (BEGINNING LEVEL)uSection A: Tuesday, 6-7pm, June 19-July 24 (6 weeks) $68 public, $61 MembersuSection B: Tuesday, 6-7pm, July 31-August 28 (5 weeks) $57 public, $52 Members

3075. TAPPIN’ IS A BLAST (ADV / BEG LEVEL)uSection A: Tuesday, 7:15-8:15pm, June 19-July 24 (6 weeks) $68 public, $61 Members

uSection B: Tuesday, 7:15-8:15pm, July 31-August 28 (5 weeks) $57 public, $52 Members

3076. TAPPIN’ IS A BLAST (INTERMEDIATE LEVEL)uSection A: Tuesday, 8:30-9:30pm, June 19-July 24 (6 weeks) $68 public, $61 MembersuSection B: Tuesday, 8:30-9:30pm, July 31-August 28 (5 weeks) $57 public, $52 Members

3077. BEGINNER HIP-HOP You don’t want to miss this popular class! Enhance your coordination, rhythm and strength while learning basic hip-hop moves. This is a beginner to advanced be-ginner dance class that includes a warm-up, combination drills in place, as well as a dance that we add to each week, followed by a cool down. Be prepared to sweat and have fun while finding your own style and increasing your dance skills. It’s a blast. Come and join us!Jose VelasquezuWednesday, 6:15-7:15pm, June 20- August 15 (no class July 4) (8 weeks) $90 public, $81 Members

3078. ADVANCED/BEGINNER HIP-HOP Back by popular demand, this class is a great way to challenge you to explore more complex moves, upbeat tempos and more complicated, faster-paced choreog-raphy. Students will experience a warm-up, combination drills in place and across the floor, as well as a dance that we add to each week, followed by a cool down. Be prepared to sweat and have fun while finding your own style and increasing your dance skills. It’s a blast. Come and join us!Jose VelasquezuWednesday, 7:30-8:30pm, June 20- August 15 (no class July 4) (8 weeks) $90 public, $81 Members

3079. INTRODUCTION TO BREAKDANCING NEW!

Break-dancing, or bboying, is a blend of martial arts, street dance and gymnastics. In this class, you will build your strength, stamina and flexibility, as you learn how to get up and get down. You will also practice visually impressive moves, including power moves and poses, and eventually put all of these techniques together to develop your style and create your own combination of moves. No experience is necessary, and the progressive nature of this class makes it great for both beginners and more ad-vanced students.Jose VelasquezuThursday, 7:15-8:15pm, June 14-August 2 (8 weeks) $90 public, $81 Members

3080. SALSA / LATIN DANCELearn salsa, merengue, bachata. For begin-ning and continuing students. No partner needed. Please wear dress shoes.Each section has different steps. Michelle “La Rubia” DraughonuSection A: Thursday, 8:30-9:30pm,June 14-July 19 (6 weeks) $74 public, $66 MembersuSection B: Thursday, 8:30-9:30pm, July 26-August 30 (6 weeks) $74 public, $66 Members

SWING DANCE WITH Richard Badu

PLEASE NOTE: You may now register in advance for a month’s worth of swing (either online or through our Box Office). However, to buy a single class, you must purchase at the Box Office shortly be-fore the class begins. Check Swing flyers available near The ArtsCenter box office, or contact Richard Badu at 383-7054 or [email protected] for specific information on monthly classes since the class content or level may change.No partner necessary.

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Lindy Hop—originally was the energetic form of partnered swing dancing that be-gan in Harlem in the late 1920’s and con-tinues to thrive today. Lindy works well with big band or jazz and can be danced to slower music as well. It takes a bit longer to get started as the basic is technically more difficult for both the Leader and the Follower, but the result is worth it as this dance has many fun variations.

East Coast Swing—the most popular swing dance in the area and the easiest one to learn. Recommended if this is your first partner dance. Originally danced to Rock and Roll and Rhythm and Blues in the 1950’s, this style can be danced to many different kinds of music.

3081. TUESDAY SWING:June 5-12uBeginning Lindy 6: 6:15-7:15pm (Beg. Lindy 1-5 or equivalent required)uIntermediate Lindy: 7:15-8:15pm (at least 4 months of Lindy required)uAdvanced Lindy: 8:15-9:15pm (at least 6 months of Lindy required and permission of instructor)Two 1-hour classes: $22 public, $20 Members and college students with ID; single class: $12

3082. WEDNESDAY SWING:June 6-13uIntermediate East Coast Swing: 6:15-7:15pm (beginning with Blues) uAdvanced East Coast Swing: 7:15-8:15pmTwo 1-hour classes: $22 public, $20 Members and college students with ID; single class: $12

3083. LET’S PLAY!: BEGINNING GUITAR NEW!

If you are a beginner with a year or less experience, bring your guitar and explore the fundamental and different technical

approaches to playing. This enjoyable and satisfying course not only covers all the basics of tuning, stringing and guitar main-tenance, but gives you the musical tools and know-how to embark on your gui-tar journey with confidence! Emphasis is placed on strumming and developing pick-ing techniques; the use of guitar tablature and chord diagrams are also introduced, along with some music theory. Popular songs, as well as folk, rock, blues and classi-cal tunes, will be explored.David RichteruSection A: Tuesday, 7:30-8:45pm, June 12-July 17 (6 weeks) $84 public, $76 Members uSection B: Tuesday, 7:30-8:45pm, July 24-August 28 (6 weeks) $84 public, $76 Members

3084. LET’S PLAY MORE!: INTERMEDIATE GUITAR

NEW! This course is designed for those completing the Beginning Guitar course, or for those who already have some working knowledge on the guitar (chords, strumming, etc.) but who would like to take their playing to more com-petent, expressive and satisfying levels. Emphasis will be given to honing students’ playing and performance skills through in-dividualized attention within a classroom atmosphere. Learn to really play the songs that you love to listen to the most.David RichteruTuesday, 6-7:15pm, July 24-August 28 (6 weeks) $84 public, $76 Members

3085. T’AI-CHIT’ai-Chi, an ancient Chinese art based on natural laws, teaches relaxation, erases tension and boosts energy. It works for all, regardless of age. Re-gard the art as a walk into your in-scape, a dance of circles and a superior

form of moving meditation. An added bo-nus is that T’ai-Chi may add to your sense of emotional well-being.Frank WonguSaturday, 10-11:30am, June 16-July 28 (7 weeks) $103 public, $93 Members

3086. INDIAN COOKING—at the Century CenterThere are many varied flavor combina-tions throughout India, with dishes vastly different between the north and the south. Learn about the many ways of cooking the traditional and ethnic fare of India. Cook exotic foods filled with fresh produce and herbs, delicate spices, hot curries, home-made dairy products and semi-homemade ingredients. The cuisine is not only tasty, but nutritionally balanced. The course in-troduces students to ingredients for mak-ing both vegetarian and non-vegetarian recipes, main and side dishes, and desserts. Students will learn how to make “Dosa,” “Sag Paneer,” “Chicken Curry,” “Chicken Biryani,” rice pudding and more.$30 for food, paid to instructor at first class.Please note: This class takes place at the Century Center at the intersection of Weaver and Greensboro Streets in Car-rboro.Cosponsored with Carrboro Recreation and Parks DepartmentRani ImandiuSection A: Tuesday, 6-9pm, July 17-24 (2 weeks) $62 public and $56 MembersuSection B: Tuesday, 6-9pm, August 14-21 (2 weeks) $62 public and $56 Membershealth &

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YOUTH ARTS COURSES

MISSOULA CHILDREN’S THEATRE PRESENTS:

The Tortoise Versus the Hare

Monday, July 23-Saturday, July 28 $150 public, $140 ArtsClub Members

MCT returns for an eighth summer to produce a musical featuring 60 local kids. This time the classic story of competition receives an update and comedy ensues. Somewhere in desert country, preparations have begun for the highlight of the year – the annual race between the Reptiles and the Mammals. The TV news team covering the event discovers a passionate rivalry between the brown animals and the green animals that threatens their peaceful coexistence. How can this interspecies ani-mosity be resolved? Can the animals see beyond their differences and find common ground?

Roles available for rising 1st-12th graders. No previous theatre experience required. Email [email protected] for more information.

youth classes

24 • Summer 2012 Register at the Box Office: 919-929-2787 x201

Question about a Youth class? Contact Louise Tremblay at 919-929-2787 x204

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YAC.301 IMPROV ACTION (grades 6-10)—at Univ. SquareStudents practice the techniques of Improvisational Theatre in a safe and fun environment that fosters teamwork and creativity. Through games and exercises students learn commitment, skills to build a scene with a partner, and how to create characters in a moment’s time – all without a script! The class presents a final performance, open to the public, at the end of the week. This class is at University Square, 123 W. Franklin St.,Chapel HillAnoo Brod of Transactors Improv Co. & TBAuMonday-Friday, 9 am-4 pm, June 11-June 15 (one week) $250 public, $230 Mem-bers

YAC.302 GLEE WORK-SHOP: SHOW CHOIR REVUE (grades 6-10)—at Univ. SquareFashioned after the TV show, Glee, this workshop will teach the tech-niques for a successful show choir. Students will work on a medley of show tunes, as well as popular mu-sic from pop and rock genres. The workshop focuses on vocal tech-niques, as well as jazz and hip-hop choreography, and culminates with a final performance, open to the public, at the end of the week.This class is at University Square, 123 W. Franklin St.,Chapel HillErin Casanega &

Jil ChristensenuMonday-Friday, 9 am-4 pm, June 18-June 22 (one week) $250 public, $230 Mem-bers

YAC.303 ROCK BAND (grades 6-10)—at The ArtsCenterStudents will play with other musicians, improvise in a band, and write songs while also learning the skills to promote their music. Morning sessions focus on projects like establishing a web presence, develop-ing a strategy for booking shows, and cre-ating a brand through logo, photographs, fliers and t-shirts. During afternoon re-hearsals, the band will play classic and modern rock songs, along with original music. The band will present a rock show, open to the public at Cat’s Cradle, at the end of the session. Requirements: prior experience play-ing your instrument, as well as having ONE of the following: Guitar (w/strap, amp & cable,) Bass Guitar (w/strap, amp & cable,) Drums (kick/bass drum, kick pedal, snare, hi-hat w/stand,) OR Keyboard (w/stand, amp & cable.) For the vocalist no equip-ment is required, but you will need to learn to set-up and take down equipment.Billy Sugarfix & TBA

uMonday-Friday, 9 am-4 pm, June 25-July 6 (two weeks, no class Wed. July 4) $430 public, $390 Members

YAC.304 ADVANCED DRAWING (grades 6-10)—at The ArtsCenterDrawing is about sight and expression. This workshop is for experienced artists looking to develop their drawing skills and push themselves further. We will cover the basics of drawing techniques and more, of-fering in-depth technical instruction and longer, more focused drawing activities in a wide range of media including charcoal, ink and pastels. Workshop participants will practice composition, shading, spatial relationships and texture by working with subjects like landscapes, animals and por-traits. Only like drawing from your imagi-nation? We’ll be doing some of that, too! Whether you are an artist working from life or fantasy, this class is bound to inspire you and add some impressive pieces to your portfolio.Laura RitchieuMonday-Friday, 1-4 pm, June 25-June 29 (one week) $145 public, $135 Members

Summer Youth Workshops

From Duo, in 2011’s 10 By 10 in The Triangle,

Spaces are limited, and early reg-istration is strongly encouraged. Workshops with low enrollment may be cancelled two weeks prior to the start date. Please register at least two weeks before the start of the class.

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Question about a Youth class? Contact Louise Tremblay at 919-929-2787 x204

Register at the Box Office: 919-929-2787 x201 Summer 2012 • 25

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YAC.305 10 By 10 By TEENS (grades 6-10)—at Univ. SquareA new workshop inspired by The ArtsCen-ter’s annual short play festival, 10 By 10 in the Triangle, which celebrated its tenth year last summer. Teens with an interest in play-writing and acting will create plays using the exciting and dynamic short play for-mat. Participants will spend the first week developing their scripts in a workshop set-ting, balancing writing with script readings (all work will be read aloud in class) and play analysis, while focusing on creating roles to be played by classmates. During the second week, writers will become ac-tors, and rehearsal of each piece will take place in a high-speed rotation, focused on a final performance on The ArtsCenter’s stage on Sunday, July 22 at 7 p.m. This class is at University Square, 123 W. Franklin St.,Chapel HillMark Cornell & Leslie CloningeruMonday-Friday, 9 am-4 pm, July 9-July 20 (two weeks) $475 public, $435 Members

YAC.306 DARK FICTION (grades 6-10)—at The ArtsCenterThis writing workshop celebrates the grotesque and the weird, embracing the spirit of Gothic masters like Edgar Allen Poe and Shirley Jackson. Participants will learn the basic elements of storytelling with a possible emphasis on world build-ing, character development, scene-setting, and establishing tone. The workshop will explore and encourage experimentation in multiple genres such as horror, fantasy, sci-fi, and speculative fiction. Activities may include group readings, brainstorming ses-sions, and sharing in-class writing. Both new and seasoned writers are welcome, so long as they are willing to take a trip to the dark side.Jennifer JulianuMonday-Friday, 1-4 pm, July 23-July 27 (one week) $145 public, $135 Members

YAC.307 ON-CAMERA ACTING I (grades 6-10)—at Univ. SquareStudents will learn specific techniques

for on-camera acting and will apply those techniques to exercises, improvisations, monologues and scene work. The minimal-ism of film acting will be the primary fo-cus requiring the actor to tap into greater concentration and inner-life. Students will learn the difference between close-ups, over-the-shoulder, medium and long shots, along with techniques for hitting marks, continuity, and staying in frame. Scenes will be rehearsed, framed, and taped in a series of camera set-ups. This class is at University Square, 123 W. Franklin St.,Chapel HillIsrael SavageMonday-Friday, 9 am-4 pm, July 30-Aug 3 (one week) $250 public, $230 Members

YAC.308 ART JOURNALING (grades 6-10)—at The ArtsCenterArt journaling is a method of creative per-sonal expression that combines elements of both writing and visual art. Students in this workshop will learn how to illustrate their personal experiences on the page us-ing mixed media techniques such as draw-ing, painting, collage, and creative lettering. Emphasizing creativity over craft, while en-couraging experimentation, this workshop creates a safe environment for students to launch their journal into a new dimension.Jennifer JulianuMonday-Friday, 1-4 pm, July 30-Aug 3 (one week) $145 public, $135 Members

YAC.309 FASHION ART (grades 6-10)—at The ArtsCenterFor the artist interested in exploring the world of fashion, this workshop will be a crash course in transforming inspiration into clear designs presented with flair. Stu-dents will learn to communicate ideas in fashion sketches on a female fashion fig-ure, or croquis. We’ll focus specifically on a swimwear project in which students will learn to use art inspiration and feedback from class critiques to further their design development. Students will create a small line of swimwear that they’ll present to the group on presentation boards. This is

a great chance to build your design portfo-lio. (This workshop is focused on drawing/design and does not include sewing.)Lauren ForduMonday-Friday, 1-4 pm, Aug 6-Aug 17 (two weeks) $250 public, $230 Members

YAC.310. ON-CAMERA ACTING II (grades 6-10)—at Univ. SquareThis workshop will explore the challenges found in on-camera acting. Designed for students who are serious about devel-oping their skills in front of the camera, the course will concentrate primarily on scenes with partners. Classes will include lecture, videotaped examples of perfor-mances, discussion and analysis. Outside viewing of films and television programs will be encouraged. This class is at University Square, 123 W. Franklin St.,Chapel HillIsrael Savage uMonday-Friday, 9 am-4 pm, Aug 6-Aug 10 (one week) $250 public, $230 Members

Jason Abide is the Mississippi-born child of two artists and the brother of another two. He is passionate about clay as an artistic medium and finds the special requirements and stages involved in working with clay to be conducive to artistic creation and expression. When his hands aren’t in clay, he customizes open source software to create easily updated websites for himself and other artists. See examples of his ceramic and design work at reallyprettycardi-nals.com.

Joyce Allen has taught writing classes and work-shops at the ArtSchool, Duke Continuing Stud-ies and elsewhere since the early 1990s. Her publications include novels, short stories and essays. Her most recent publication is Those Who Hold the Threads (Wolf’s Pond Press, 2012) which is a young adult fantasy involving Greek

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mythology and computer hacking, the first of a trilogy. Her last novel for adults: Hannah’s House (Wolf’s Pond Press) came out in 2008.

Carrie Alter grew up in Miami, Florida. She re-ceived a BFA from Ringling School of Art and Design in Sarasota, FL, where she studied Draw-ing and Painting, and a BFA from University of Tampa, where she concentrated on Art His-tory. She also studied art at Skidmore College in Saratoga, New York and Bennington College in Vermont before coming to UNC-Chapel Hill where she earned her MFA. With an obvious love for school, she went on to teach Drawing and Painting locally through the Friday Center’s Continuing Education Program, Durham Tech-nical College and Elon University. She was a Visiting Lecturer in the Art Department at UNC from 2010-2011 and has worked at the Carrboro ArtsCenter since 2008. Carrie Alter always has a sketchbook within reach. She is an oil painter who strongly believes in the founda-tion of drawing. As a teacher, she feels a respon-sibility to nurture and respect the individual’s view of the world—while offering the tools and lessons to aid them in their own artistic journey.

Nadjib Assani was born in France and traveled extensively as a child; spending time in Benin, Ivory Coast, Canada, Maryland and finally North Carolina. Everywhere he went though, he always had a sketchpad with him. As a result, Nadjib developed a passion for illustration and telling stories. When choosing a career, he decided on NC State’s Design School, subsequently earn-ing a B.A. in Art and Design. Afterwards, Nad-jib traveled to California to take classes at the Gnomon School of Visual Effects. Once he fin-ished there, he worked as a freelance artist, do-ing illustrations, graphic designs and animation both 2d and 3d. But Nadjib couldn’t abandon his passion for creative art that displays a positive message (through stories, animations or sculp-tures), so he decided to come back to NC to found a company that would allow him to do just that!

Jennifer Austin has been working in stained glass since 1995. She received instruction in the Tif-fany/Copper Foil method at the former Stained

Glass Art Design Studio in Durham, NC. Ad-vanced instruction in Design and Leading was acquired through the Durham Arts Council. She holds a diploma in Interior Decorating conferred by The Professional School of Inte-rior Decorating, Atlanta, GA. Her studio, “The Kaleidoscope,” is located near her home in Me-bane, NC. She teaches both privately and pub-licly. She has taught for the Alamance County Arts Council and CCCC in Pittsboro, NC. She also enjoys designing for private commission, experimenting with hot glass and 3-D stained glass creations and painting children’s murals.

Richard Badu has been teaching classes and workshops in the various forms of swing danc-ing—Lindyhop, East and West coast swing, St. Louis shag and Cajun jitterbug—in the Tri-angle since 1989. He is a founder of the Tri-angle Swing Dance Society and teaches Lindy in the dance program at Duke University. He attended the Berklee College of Music. Richard also teaches T’ai-Chi, locally and in workshops for dance camps and co-founded the award-winning music group Big Zucchini Washboard Bandits, learning Cajun dancing during the band’s annual tours to the Bayou. Since 1988, Richard has studied lindyhop with Frankie Man-ning, choreographer for Whitey’s Lindyhoppers during the 1930s. Movie credits include dance consultant to choreographer Toni Basil and ac-tress Julia Roberts for the film Something To Talk About; and choreographer and featured dancer in Chesterfield, a Black Mariah feature film. He co-founded Swing Steppin’ and Swing Feats, two performance groups for schools and special events. Since 1993, Richard has been teaching workshops and dancing in Europe, Mexico and Canada, as well as around the US.

Tony Baker has solved problems with the pho-tographic tools at hand for more than 25 years. His mottos: “You don’t need to make it too complicated. Not every negative is perfect. Vi-sualize what is possible and work toward that goal.”

Dilip Barman is President of the very active Triangle Vegetarian Society (TVS, www.triang-levegsociety.org). He is a Vegetarian Union of

North America (VUNA) counselor; a teacher of courses ranging from film studies to com-puter science, cooking and photography and is a senior software engineer. He has spoken on vegetarianism and given cooking demonstra-tions in many venues across the United States, Canada, Europe and Brazil, including as an in-vited presenter for multiple World Vegetarian Congresses and the first annual Cooking Show in Raleigh in 2003. Dilip has published cooking articles in a number of books and newspapers and has taught vegetarian cooking for several organizations. He has a keen interest in pho-tography, which he has been involved in since elementary school. A photographic portfolio of Dilip’s can be found at dilipb.smugmug.com; he occasionally photographs weddings and has had some of his nature photography published in books. You can visit Dilip on the web at his homepage that he has maintained since 1994, www.dilip.info.

Sandra Beeman lives and maintains a glasswork-ing studio in Southwestern Orange County. After 11 years as a professor of social work, she left behind the academic world to pursue art full-time. She has taken courses in photog-raphy, drawing, painting, printmaking and color theory at the Minneapolis College of Art and Design and botanical drawing, colored pencil and watercolor at the Minnesota School of Bo-tanical Art. Turning to glasswork in 2003, Sandy has taken glass courses with Malcolm Potek, Doni Hatz, Andrea Guarino, Amy Johnson, Kate Fowle, Stephanie Sersich, and Kara van Wyk. She is a member of the Orange County Art-ist’s Guild and the International Society of Glass Beadmakers.

Anoo Brod has been performing improv pro-fessionally since 1997. She is a current member of Transactors Improv Company, performing locally and nationally. She teaches improv and life skills to people of all ages in a variety of venues. She is passionate about fun, play and liv-ing a deeply soulful life and inspiring others to do the same!

Erin Casanega received her BFA and NC teach-ing licensure in Dance from UNC-Greensboro.

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With a focus on release technique, improvisa-tion and somatics, she has a wide range of expe-rience teaching creative movement to children and dance technique to adults. Her choreogra-phy has been performed locally and out of state. She has taught as a guest artist and continues to teach around the triangle area. Erin has per-formed in dances at UNCG, Greensboro Fringe, Goose Routes Festival in West Virginia, Patch-work Arts Benefit , ACDFA, and other local arts based performance events. She continues to dance for local choreographers in the commu-nity and is working to share her emerging voice as an artist through dance.

John Chase is passionate about words and the English language. His love of Shakespeare devel-oped at an early age, encouraged by his mother, who would read passages from the plays and poems. He has a classical education, having gone through the “Great Books” program at St. Johns College. He earned a Master’s degree in drama from Tulane. He began acting in grade school and went on to make a career of it. He studied at the Bristol Old Vic Theatre School in Eng-land and with various teachers in New York. He has played a variety of roles, including Macbeth and Richard II. He loves sailing and the State of Maine. John still performs occasionally and gives dramatic recitals and poetry readings. He is also a writer. John is a resident of Carrboro.

Paige Childs is originally from Georgia, where she attended and received her BA in Studio Art from UGA. After graduating, she traveled and lived in Oregon, Colorado, New Hampshire and New York, where she pursued an MA in Art Ed-ucation at New York University and worked for a time with the Guggenheim Museum’s Learn-ing Through Art program. After a few years in the NYC and ready for a change of pace, Paige and her husband moved to NC, bought a dog, a house and had a baby—all the while Paige con-tinues to make art and pursue artistic endeav-ors as much as possible!

Rebecca (Becky) Clewell is first and foremost a scientist, with a sense of curiosity that extends well past her day job. As a potter, she’s amazed (still) that it is possible to take a handful of clay and create a beautiful, useful and enduring piece

of art. During her time at UNC, Becky found working with clay to be a much needed depar-ture from the routine of graduate school. Yet, over time, it became clear to her that science and art are not quite as different as they may seem—the process of creating is in itself an ex-periment. Becky has had the pleasure of work-ing at The Arts Center for several years and learning under the instruction of very talented potters, and she welcomes the opportunity to share what she’s learned with others who want to experiment with their own artistic tenden-cies.

Leslie Cloninger holds a B.A. in Dramatic Art and a B.A. in Psychology from UNC Chapel Hill. Living in New York City, she worked in the theatre as an actor, producer, and director. Af-ter moving back to the area she worked with children in The ArtsCenter’s Afterschool Art Immersion Program. Last year, she directed a piece in the annual ten-minute play festival, “10 By 10 in the Triangle.” She is currently earning her Masters in Social Work from NCSU.

Mark Cornell has written over 45 plays and his work has been produced around the coun-try. Plays include “Sprucehaven B,” “The Killing Room,” “Duped,” “The Inciting Incident,” “All the Answers” (nominated for Best Play by the Central Ohio Theatre Critics), “Tate,” “Med-als,” “The Rental Company, “ and “The Retreat” (Richard Eshleman Playwriting Award, Marty Klein Comedy Writing Award), among others. He has an MFA in playwriting from UCLA.

Annette deFerrari is a visual artist, graphic de-signer and illustrator. Her visual art encompass-es both representational and non-representa-tional works, has been exhibited throughout the eastern US, and is included in numerous private collections. Her design clients include North Carolina Museum of Art; W.W. Norton Co.; Princeton University Press; and American Scien-tist Magazine. Samples of her work can be seen at deferraridesign.com and annettedeferrari.net. Her teaching philosophy is that each person has a unique way of perceiving the world and an individual voice to discover, and so she sees teaching as helping students develop skills along with finding their own creative paths.

Adam Dodds is a local photographer hailing from northern Mississippi. He studied at Memphis College of Art for two years and has been pro-ducing work both personal and commercial for the better part of a decade. His photographs have been exhibited locally and featured in sev-eral publications statewide and beyond. Film is central to his aesthetic, so he wishes to preserve the principles of the medium yet instill the notion that photography is as much about spontaneity and imagination as it is about knowing what you are doing. This carries over into the darkroom where creativity is only just beginning.

Christopher Donald received his BFA in Ce-ramics from the Center for Creative Studies in Michigan and has been a ceramic artist for 20 years. He was the head of the Greenfield Vil-lage and Henry Ford Museum of Pottery which produced reproductions of Early American ce-ramics. He has worked as a production artist making both wheelthrown and handbuilt ceram-ics and most recently taught ceramics at Boston University. A sample of his ceramic work can be seen at: http://www.chrisdonald.net/ceramics/index.html.

Michelle “La Rubia” Draughon entered the world of Latin night club dance in 1991 after years of ballet, ballroom and swing dance train-ing. She was official instructor for Salsa Carolina for nine years. She has studied with a multitude of salsa professionals around the country, and she has taught and/or performed at hundreds of events at schools, universities, festivals, parties, clubs and private affairs, as well as appeared on local television. She can be contacted at [email protected].

Julie Eastman grew up in Illinois and received her B.A. from Kalamazoo College in Michigan. Over the years, she has explored many forms of visual expression. While living in the Boston area, she took watercolor classes from Linda Bond and a plein air workshop with nationally known watercolorist Betty Lou Schlemm, AWS. Since Julie’s move to North Carolina in 1997, she has taught watercolor at both the Sertoma Art Center and Pullen Art Center in Raleigh and also at CCCC in Pittsboro. Julie now paints in watercolor and acrylics. She exhibits regu-larly in the Triangle area.



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Klint Ericson is an artist and art historian. He received his B.A. in studio art and has contin-ued to practice as a painter while earning his M.A. in art history from UNC Chapel Hill. He is currently a Ph. D. candidate in art history and working on his dissertation in Latin American colonial art and architecture. He enjoys the relationship of art history with studio practice, and works to make art history accessible and interesting. He sees teaching as an opportunity to guide students in articulating their world, whether it is through visual experiences and cultural history, or through discovering and de-veloping their own voices as art makers.

W. Axel Foley was born and raised in New Jersey and attended Rutgers University before making the leap to the big city of Manhattan. Axel worked in journalism for 6 years before starting his own video production company, Fifth Column Films. In 2006, Axel switched gears and taught High School video production at a Charter School in Manhattan. New to the area, Axel and his wife moved to Durham in early 2009.

Lauren Ford graduated from the Fashion Insti-tute of Technology in New York with an Associ-ates in Fashion Design in May 2011. She worked in NYC in fashion design and technical design before returning to Carrboro to make clothing on her own. She got her BA at UNC Chapel Hill in English and Spanish and taught English as a Second Language in the US and Argentina for 6 years to students ranging ages 3 to 80 be-fore embarking on the fashion road. She also co-founded Nightlight, a music venue in Chapel Hill, in 2003.

Todd E. Gaul is a local photographer specializ-ing in music and event photography. His works have been published internationally by National Geographic and seen in various local art shows and openings. He has been experimenting with photography since he made his first camera from the center of a Ranger Rick magazine when he lived in Bangkok, Thailand.

Elizabeth “B” Holroyd began as a print journalist and became an information delivery specialist

during the course of her writing career. She now helps individuals and small businesses with computer and software issues and develops a wide range of informational materials, both text- and image-based, including patent draw-ings, Web sites, instructions, directions and pro-motional communications.

There are some things that can only be created by hand–like great dentistry and creative jew-elry. Monica Hunter is a licensed general dentist and has filled many teeth in her lifetime. As she slowly bids farewell to fixing teeth, she is allow-ing for a different craft in her life thanks to the generosity of Fran Schultzberg. Monica has been taking classes and making jewelry for the past several years under Fran’s tutelage. It is time to share the knowledge accumulated thus far and continue growing as a goldsmith. Her other in-terests include painting, ceramics, snow skiing, scuba diving and being at peace.

Rani Imandi has a Bachelor’s Degree of Arts from Garhwal University in India. She has studied art and crafts in many forms and media like oil, acrylic, glass, nib painting, pot decora-tion, block printing with vegetables and making models with recycled materials and dry leaves. She has been teaching arts and crafts for over a decade. She loves Indian folk art and has been drawing Rangoli, a traditional Indian method of drawing using rice flour, since she was a child. Rani would like to increase awareness of Indian folk art in today’s world. Besides Rangoli, she also loves the art of Henna and Indian cooking. and teaches classes in these subjects. Rani has been cooking and serving for a decade and loves to teach her cooking skills to new students.

Chrissy Jahnes finds great joy in making fun and unusual Art Jewelry and loves infusing that pas-sion into her students. Her interest in jewelry making began with a metals class in Connecti-cut in the 80’s. She rekindled that interest with classes at The ArtsCenter with Fran Schultzberg in 2003. She has continued learning from some of the most talented jewelers in the area and nationally known jewelers through many classes at The ArtsCenter and other classes and work-shops sponsored by the North Carolina Society

of Goldsmiths, Pullen Arts Center in Raleigh and Warg Enamel and Tool Center in Scarborough, Maine. Chrissy is currently a board member of the North Carolina Society of Goldsmiths and a member of the Chatham Artists Guild. She shows her jewelry on the Chatham Studio Tour, at Frank in Chapel Hill, the North Carolina Museum of Natural Sciences in Raleigh and the Arts Incubator in Siler City. She has lived in Chatham County for 18 years.

Jen Julian graduated with a BA in Honors English from the College of Charleston, South Caroli-na. In the summer of 2007, she studied British children’s literature abroad at King’s College in London, and in 2010, she received her MFA in Fiction from UNC at Greensboro, where she worked as editor for The Greensboro Review. She has been published in Press 53’s 2010 Open Awards Anthology, and she currently teaches Eng-lish at Johnston Community College in Smith-field.

Rachel Kiel is a tap dancer, songwriter and musi-cian. She started tap dancing with Gene Medler at the age of 5, and traveled in her teen years with the NC Youth Tap Ensemble, performing all over the United States and Europe. Rachel graduated with a degree in music from Wesley-an University in 2007, and moved back to NC in 2009. In addition to teaching at The ArtsCenter, she has also taught tap at Ninth Street Dance, The Ballet School of Chapel Hill, and The Sey-mour Center.

Brian Kuebler received his Bachelor of Art de-gree in Studio Art, with an emphasis in paint-ing from the College of Charleston. In 2005 he earned his MFA in Painting from New York Academy of Art. He was awarded a scholar-ship award from the faculty members and re-ceived The Vasari Classic Oil Colors Award. He has shown in several galleries in and around New York City, receiving painting and sculp-ture commissions for private collectors. He has completed ceiling murals and other large decorative works throughout the United States and internationally. During his travels abroad, Brian has studied art in Venice, Rome, Paris and Amsterdam, among other European cities. His



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studio practice is informed by historic tradi-tional methods, and he explores this technical narrative in a largely representational oeuvre. He enjoys sharing his own research and studio methods with students while allowing them to discover their unique creative visions. Brian has recently moved to Raleigh with his wife and newborn son.

Bryce Lankard’s career has been immersed in photography from nearly every angle. He has been an art director, curator, educator, creative director, arts administrator, designer, and editor. An acclaimed editorial and fine art photogra-pher, his work has been exhibited around the globe alongside such luminaries as Henri Cart-ier-Bresson, Andres Serrano, Bruce Davidson and Robert Frank. A native of North Carolina and UNC alumnus, he has spent significant time in New Orleans and New York City. In 1995 he was a co-founder of Tribe Magazine in New Or-leans and served as Creative Director for the celebrated publication. He went on to work for 9 years in New York City and has photographed for publications ranging from the New York Times Magazine and Newsweek to High Times and The Village Voice. In late 2006, following Hur-ricane Katrina, he returned to New Orleans and co-founded the non-profit New Orleans Photo Alliance which hosts the PhotoNOLA festival.

Stacye Leanza is a professional muralist & il-lustrator, with a BFA from Parsons School of Design in NYC. Her cartoons for kids have been published locally. She has taught drawing and art to grown-ups and kids, privately and in classes and workshops in both instructional and therapeutic settings. Her focus in the drawing class is on learning how to see, by accessing the creative, perceptive Right Brain. The immediate result is the ability to draw more realistically. Another result is that the capacity for abstrac-tion is embellished by the increased “vocabu-lary” of images gained from drawing what you truly see, instead of what you think you see. This enriches the art-making process, whether your goal is to draw realistically or to deepen your abstract work.

Jon Paul McClellan has taught hundreds of people to dance in the Triangle over the last 20 years.

Originally from Michigan, David McClutchey is thoroughly enjoying his fourth year here in the south. Born and raised in northern Michi-gan, David attended Central Michigan Univer-sity receiving degrees in English, Interpersonal Communications as well as Theatre. After graduation, he continued his graduate studies in Communications, but found himself ducking into the theatre every opportunity he got. In addition to teaching public speaking, debate and Speech 101, David has also taught or co-taught interpretation, acting and stage combat.

Maqui Ortiz has been spreading the “bliss gos-pel” of bellydance as a performer since 2003, with a dance style distinguished by her joyful presence and fluidity of movement. As a teacher, she focuses on creating a supportive environ-ment within which all people can enjoy and feel beautiful. She performs solo and with the De-voted Bellydance Collective, and is a member of the Association of Central Carolina Middle Eastern Dancers. “My whole-hearted mission is to share the physically and emotionally transfor-mative power of bellydance!”

Carol Owen has been a full time artist for over 30 years. She was a weaver for a long time before switching to handmade paper and then mixed media. Altered books has been her pas-sion for the last ten years. She has exhibited her work and taught workshops in many parts of the United States. She and her husband now live in Fearrington Village where she has a studio in her home.

Bianca Patel is a Senior student at UNC-Chapel Hill and has been dancing since a young age. Her passion for dancing has developed ever since and has led her to become captain of “Bhangra Elite,” a dance group on the UNC campus. She has also been performing Bollywood dances since a young age, accompanied by a love for Bollyood movies. In addition, Bianca has been classically trained in Indian dancing for five years and has participated in Indian folk performances (Garba/Raas) for ten years.

Luna Lee Ray received her BFA from the Pacific Northwest College of Art in Portland, Oregon in 1988, in printmaking. She has lived and shown

her work in Oregon, Hawaii, Arizona and New Mexico before relocating here in 1998. She now focuses on mixed media drawings and paintings, and shows her work locally at Frank in Chapel Hill.

David Richter has performed to critical acclaim throughout the USA and Europe. His live, solo performances have been broadcast on televi-sion and radio nationwide by NPR’s Perfor-mance Today; CBC’s Arts National (Canada); RAI Television’s In Concerto (Italy) and the Hungarian National Television. A four-time First Prize winner in competitions, including the 20th International Guitar Competition in Milan, Italy and the National Wurlitzer Artist Competition, USA, David has also been recipient of numer-ous awards and grants, including a Solo Recit-alist Grant from the National Endowment for the Arts.

Laura Ritchie is a visual artist and curator who has been a part of The ArtsCenter’s team since 2009 as the Gallery and 2nd Friday Artwalk Co-ordinator and as an instructor. She has taught art classes to children and adults at several studios in the Triangle. Laura received a BFA in painting and art history from UNC-Chapel Hill and studied drawing and oil painting at Studio Arts Center International in Florence, Italy. She has worked with the Ackland Art Museum and the North Carolina Museum of Art, and is now the co-founder and director of the Carrack Modern Art in Durham, NC. Laura enjoys oil and acrylic painting, pattern design and figure drawing. She loves teaching children and be-lieves art is an invaluable resource for people of all ages; art is a vehicle for cultural and intel-lectual growth and teaches us about ourselves through personal expression.

“Ted” Salamone is an experienced photog-rapher who enjoys teaching a wide variety of photography and related software subjects. Getting his professional start doing aviation and naval stock photography, Ted has mastered many types of photography and software applications. His passion for photography and the use of soft-ware as his digital darkroom is matched only by his love for teaching. Ted has had the pleasure of teaching photography through various school



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systems in California, plus he has led his own environmental Photo Tours, given field and stu-dio workshops, and has even done one-on-one training.

Native North Carolinian, Israel Savage, has worked in New York for the past 15 years. As an actor, director & career coach, he has a proven track record utilizing techniques developed by the production company he founded, Life Art, to produce innovative material by youth and adults. Israel holds an undergraduate degree in Radio, TV and Motion pictures from the Uni-versity of North Carolina at Chapel Hill, and a MA in Psychology. He attended an acting con-servatory in England and training extensively in improvisation at The Upright Citizens Brigade. He’s also the Founder & Managing Editor for Im-provisationNews.com, a professional network-ing site and news source for actors.

Herb Slapo has been painting and teaching por-traiture for twenty years, receiving top awards in various arts organizations. His work is in private and public collections from Florida to Canada.

Billy Sugarfix is a songwriter, teacher and all around entertainer who has been performing music for over two decades as a solo artist and with numerous bands. Additionally, he runs a songwriting business, Custom Serenade, which has landed him work writing everything from commercial jingles to personalized gift songs. Under the name “Bill McCormick” he was once a full time elementary school teacher, and cur-rently has devised a songwriting curriculum that has been shared with students in numerous set-tings.

Transactors Improv Co., founded in 1983, is the South’s oldest improvisational theater, and it has developed a national reputation for excellence and innovation. The company tours mainly in the Southeast, performing and teaching in a wide variety of venues.

Steven Walls was born and raised in California. His earliest recollections involve drawing, paint-ing and a pronounced interest in hand-made objects. A bookshelf full of Monographs fueled

his interest in visual art and his involvement in southern California’s surfing, skateboarding and indie-rock culture, led him further into pursuing creative expression and aesthetic experiences. He received a BA in studio art and art history from San Diego State University in 1996 and an MFA in painting from Yale University in 1999. His work has been exhibited in solo and group shows internationally. Steven’s work stems from an interest in meshing seemingly con-tradictory modes of representation. He has a background in traditional naturalistically repre-sentational painting, but intuitively gravitates to-wards the paradox of painting. Specifically, the suggestion of space on flat surfaces. He wants the people and objects in his paintings to exist in a state of suspended animation somewhere between the infinite space of a Tiepolo sky and the impenetrable surface of Mondrian.

Susan Walser, an avid purchaser of jewelry, de-cided to try her hand at designing her own jewelry in 1999 under the guidance of Fran Schultzberg and has continued honing her skills through workshops and classes at The ArtsCen-ter, Pullen Arts Center and NCSG. Susan works in silver, copper and PMC. She is a member of the North Carolina Society of Goldsmiths and the PMC Guild. Susan received her PMC Cer-tification in 2007. She lives in beautiful Orange County with her husband and three dogs.

James Ward was drawn to clay in order to make pots for his many Bonsai trees. Since taking his first wheelthrowing classes some five years ago, he has been intensely studying pottery tech-niques and is currently an instructor at The ArtsCenter. Along with taking care of his many trees, James enjoys reclaiming clay scraps and trying to fashion them into functional forms. He throws daily on an old kick wheel that he has in his shed next to his home on the north side of Chapel Hill where he hopes to one day create the perfectly imperfect tea bowl.

Kim Werfel has been painting in pastel since 1999. She has won awards for her paintings of animals and children’s pastel portraits. She holds her BFA from NYIT and her Masters in Art Education from LIU, C.W. Other work-shops include those with Sally Strand, Doug

Dawson, Dawn Whitelaw, Susan Sarbach, and Christine Debarry, among others. Kim has taught art in both public and private schools in Cary and Apex, NC, as well as workshops at the Cary Arts Center. When not painting in pas-tel, she occasionally works in acrylics and oils. Since moving to Pittsboro, Kim is now a juried member of the Chatham Artists Guild and Fe-arrington Artists. She is also an active member of the Pastel Society of NC and belongs to the Fine Arts League of Cary.See examples of her work on her website: http://www.kimwerfel.com and follow her latest work on her blog at http://www.kim-werfel.blogspot.com .

Susie Wilde has reviewed children's audios and books for twenty-five years. Currently, she writes a monthly column for Raleigh’s News and Observer and reviews and interviews for Audio-File Magazine. Her published works include a picture book, Extraordinary Chester, and a book for teachers, Write-A-Thon! How to Conduct a Writing Marathon. Presenting has led Wilde from continuing education classes at Meredith College to workshops in Cardiff, Wales. Wilde is a teaching artist who has spent the last fif-teen years encouraging children and adults to think and write like writers. Wilde is an expert at making her work fun, but it’s taken her a lot of work to learn to have fun in her leisure time. To learn more about Wilde, visit her website: ignitingwriting.com.

Jason Whitley has been an exhibiting oil painter, courtroom artist, editorial illustrator, interac-tive illustrator/developer, animator, comic-book artist/writer, comic-strip artist/writer, children’s book illustrator and book illustrator—all of which he continues to pursue at www.under-currentart.com. Jason taught figure drawing in Cortona, Italy, with the University of Geor-gia, where he studied studio art. He has also coached many designers and illustrators in both private and public sectors. Jason is approachable and assistive in helping students achieve their goals.

Frank Wong studied t’ai-chi under the world-renowned grand master Cheng-Man Ch’ing. He has been teaching in the Triangle since 1975 and is the author of several articles about t’ai-chi.

REGISTRATION INFORMATION:* Please register in advance to ensure your enrollment. Courses with insufficient enrollment may be cancelled up to 72 hours in advance of the first class meeting. See below for info about our day-of registration fee. TAC will contact you if your class is canceled.* All courses are open to adults and teens ages 15 & up unless otherwise noted. Thirteen and 14 year olds may be admitted to many courses— please check with the instructor prior to registering.* All materials fees are paid directly to the instructor at the first class meeting (please bring exact change), except where otherwise noted in the course description.* You may register in person at The ArtsCenter front desk; by mail with the registration form below; or by phone (929-2787 x 201) with a credit or debit card. You may also register online at www.artscenterlive.org. * The ArtsCenter front desk is open 11am-5pm weekdays and noon-4pm on Saturdays.*Please make checks payable to The ArtsCenter. There will be a $25 service charge on returned checks.*College students with ID are eligible for Members’ prices on up to two courses per session.*Material lists are provided to students for certain classes. Students may wish to wait until their class has met its minimum enrollment before purchasing their materials. TAC is not responsible for materials purchased for a class that is canceled. Please contact the front desk to inquire if your class has met its minimum.*Beginning summer of 2012, students registering the day a class begins (or after class begins) will be charged a $5 late fee. (Swing Dance registration is the exception to this rule).

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If under 18 years old: Age _____ Parent’s Name ___________________________

Address ____________________________________________________________________________________

City/State / Zip _______________________________________________________________________________

Day Phone _____________ Night Phone ______________

E-Mail Address _________________________________________________________________________

Become an ArtsClub Member of The ArtsCenter and receive discounted prices on ArtSchool Classes!

$ 100 + up ______ amount (Minimum individual contribution is $100).

#1 Course # ______ Section _____ Start date ____________ Fee $________

Title ___________________________________________

#2 Course # ______ Section _____ Start date ____________ Fee $________

Title ___________________________________________

Subtotal $________Note: All materials fees are paid directly to the instructor unless otherwise indicated.

Why not round up your tuition payment, and let the balance benefit scholarship students! Contribution to ArtSchool (Your donation to this fund may be in any amount over $1) Scholarship Fund $________

CREDIT CARD # _______________________________________________/ (expiration date) __________ CASH CHECK #_______________ Total Amount Enclosed $________

Students are requested to register early! Insufficient registration could cause cancellation of some courses, in which case tuitions will be fully refunded. There will be a $5 fee for all day-of registrations except for Swing Dance. Students may register in person at The ArtsCenter, by mail, by phone (929-2787 ext. 201) or on our website at www.artscenterlive.org. Registration constitutes enrollment. Checks should be written payable to The ArtsCenter. Mail completed registration to: ArtSchool at The ArtsCenter 300-G East Main Street, Carrboro, NC 27510.

NO TUITION REFUNDS ONCE A COURSE HAS STARTED.

ArtSchool registration policies and registration form

The ArtsCenter300-G East Main Street, Carrboro, NC 27510919.929.2787www.ArtsCenterLive.org

Adult and Youth Scholarship Application

Applications will be processed only after all information is submitted and the application is filled out com-pletely. Please return this application with requested support materials to The ArtsCenter Box Office during business hours, or mail to the address above.

Please provide all requested information on this form so that The ArtsCenter can grant scholarships in a fair and consistent manner. All information provided herein is kept confidential for The ArtsCenter’s use only and is used solely to determine eligibility. Please bear in mind that scholarships are limited and available only to those who express significant financial need. The ArtsCenter reserves the right to determine criteria for scholarship awards. Many scholarships are partial and require some financial participation from the family.

In the Chapel Hill-Carrboro City School District (CHCCS) eligibility for free or reduced school lunches is based on gross monthly income and family size. For our Youth Scholarships, The ArtsCenter has taken CHCCS guidelines and expanded them so as to increase eligibility. Meeting these guidelines does not guarantee a scholarship. In addition to income and family size, scholarships are awarded based on the information you provide on this application and the order in which we receive requests. We are rarely able to fulfill all scholarship requests.

To process your application, please attach one of the following: - (for youth scholarship only) award letter from school district indicating student’s eligibility for free or reduced lunch or - copy of your most recent tax return or - copies of the last two pay stubs for all adults contributing to household expenses or - copy of your current Medicaid Identification Card (MID)

Today’s Date: _____________________

Student’s Name: ________________________________________________________________

Address: ______________________________________________________________________

City: _______________________________State: ______________ Zip: ___________________

Daytime Phone: _________________________ Evening Phone: ___________________________

Email address: _________________________________@__________________________

If Youth Scholarship, Student’s Age: _______ ; Student’s Grade:_______; Student’s School: ________________________

If this is Youth Scholarship, Parent/Guardian’s Name(s): __________________________________________________

Please list the program(s) for which you are requesting assistance in order of preference.

1. ___________________________________ 3. ___________________________________

2. ___________________________________ 4. ___________________________________

Employment Information (Parent’s Employment for Youth Scholarships)

Employer: _________________________________________ Work Phone: ________________

Position: ____________________________________ Length of Employment: _______________

Full-time: _________ Part-time: ________ (If Part Time, do you work another paid job? YES NO)

Are you a full time student? YES NO If yes, where?_______________________________

Spouse/Partner Information (If applicable:)

Spouse/Partner’s Employer: __________________________________ Work Phone: _______________

Position: ____________________________________ Length of Employment: _______________

Full-time: _________ Part-time: ________ (If Part Time, does s/he work another paid job? YES NO)

Is your spouse/partner a full time student? YES NO If yes, where?____________________________

HOUSEHOLD GROSS MONTHLY INCOME*: $__________________________*Including child support, government assistance and combined income of all adults sharing household expenses

Total number in household: _________

Does your family receive child support? YES NO

Does your child receive free or reduced school lunch? YES NO

Do you receive government assistance? YES NO

How much tuition can you afford to pay? $ ________________

Is there anything else you would like us to know when considering this application, particularly about your financial situation, the reason you are applying for scholarship assistance, or if this is a youth scholarship, information about the student?

_____________________________________________________________________________

_____________________________________________________________________________

_____________________________________________________________________________

_____________________________________________________________________________

I verify that all the information submitted is correct and accurate. If I submit inaccurate information, I understand that I will lose my scholarship and be charged the full price for the class.

________________________________________ _______________Signature of Applicant (or Parent, if Youth Scholarship) Date

BOTTOM ROW: Julia Clift, Phaedra Kelly and Jeri Lynn Schulke. SECOND ROW: Brooke Kesterson, Louise Tremblay, Adam Dodds, Mandey Brown, Brad Porter and Julie Tomkovich. BACK ROW: Tracy Thomas, Tess Mangum Ocaña, Natalie Griffin, Heather Gerni, Adam Graetz, Shirlette Ammons and Jay Miller.

Shirlette Ammons, Youth Arts Coordinatorext. 209, [email protected]

Mandey Brown, ArtSchool Assistantext. 208, [email protected]

Adam Graetz, Marketing Directorext 240, [email protected]

Natalie Griffin, Accounts Directorext. 211, [email protected]

Phaedra Kelly, ArtSchool Directorext. 207, [email protected]

Brooke Kesterson, School & Family Performances Coordinator ext. 214, [email protected]

Tess Mangum Ocaña, Concerts and Facility Directorext. 206, [email protected]

Brad Porter, Operations Directorext. 205, [email protected]

Jeri Lynn Schulke, Director, ArtsCenter Stageext. 221, [email protected]

Tracy Thomas, Arts in Education Coordinatorext. 400, [email protected]

Julie Tomkovick, Development Directorext. 213, [email protected]

Louise Tremblay, Summer Camps Coordinatorext. 204, [email protected]

Also pictured are Will Clinton, Adam Dodds and Heather Gerni, our Box Office Staff.

Documents

ArtSchool Catalog - Summer 2012