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Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

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Page 1: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

Arthur Miller and the Red Scare

Introduction to The Crucible: Part Two

Page 2: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

OBJECTIVES

I will be able:

Examine the features of communism and the Red Scare in the United States

Assess Arthur Miller’s authorial intent

Evaluate the relationship between the Salem Witch Trials and the Red Scare

Page 3: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

The Lives of Others

https://www.youtube.com/watch?v=Veag-ptUkXI

Describe the society of East Germany in the early 1980s. What would be the possible problems with this type of society?

Page 4: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

Crash Course: Capitalism and Communism

Features of Capitalism

•System of government is democratic

•Property is privately owned

•Driven by free enterprise

•Wealth distributed unevenly

Page 5: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

Features of Capitalism

•Education and health care provided by private entities

•Class distinctions: upper class, middle class and working class

•Freedom of the press

•Focus is on the individual and his/her own progress in life

Page 6: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

Features of Communism:

•System of government is totalitarian

•Property is owned by the state

•No free enterprise is allowed

•Wealth distributed equally

Page 7: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

Features of Communism:

•Education and health care provided by the state

•Press controlled and owned by the state

•Classless society: all members of society are considered to be equal

•Focus is on the progress of the community as a whole

Page 8: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

The Cold War

After World War II, the United States and the Soviet Union emerged as the world’s superpowers. They soon became embroiled in what is known as the Cold War.

The Soviet Union (U.S.S.R.) was trying to influence countries in Eastern Europe and around the world to become Communist.

The United States was trying to influence countries in Western Europe and around the world to become Capitalists.

Page 9: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

STOP COMMUNISM AT HOME!

Many Americans were afraid that America was going to become Communist.

Others were afraid that there were Communist spies in America trying to steal America’s secrets!

Page 10: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

Capitalist vs. Communism

Page 11: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

Containment

The U.S. wanted to stop the spread of Communism at home and abroad so they developed a new policy called Containment.

The idea was to “contain” communism and not let it spread to any more areas in the world.

If you were the U.S. government how would you contain communism?

Page 12: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

Propaganda against Communism

What is this poster trying to say about Communism?

Page 13: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

Joseph McCarthy

Senator Joseph McCarthy of Wisconsin started a hunt to find Communists in America.

His goal was to put people that supported Communism in jail, or get them fired from their jobs.

Page 14: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

Joseph McCarthy

McCarthy said he had a list of people that were Communists. Many on the list were actors, politicians, and business leaders!

McCarthy investigated various government departments and questioned a large number of people about their political past. Some people lost their jobs after they admitted they had been members of the Communist Party.

McCarthy made it clear to the witnesses that the only way of showing that they had abandoned their left-wing views was by naming other members of the party.

Page 15: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

McCarthyism and the Red Scare

• This hunt and anti-communist hysteria became known as McCarthyism or the “Red Scare.”

• McCarthy promoted unfounded accusations and suspicions of communism in many quarters, most prominently within the entertainment industry through the House on Un-American Activities Committee (HUAC).

Page 16: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

McCarthyism and the Red Scare

• HUAC investigated communism within Hollywood, calling a number of playwrights, directors and actors known for left-wing views to testify.

• Some of these, including film director Elia Kazan, testified for the committee to avoid prison sentences, but the Hollywood Ten, a group of entertainers, refused to testify and were convicted of contempt and sentenced to up to one year in prison.

Page 17: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

McCarthyism and the Red Scare

• Over three hundred other entertainers were placed on a blacklist for possible communist views and were thus forbidden to work for major Hollywood studios (many of these were writers who worked under pseudonyms at the time).

• Arthur Miller was one of the blacklisted artists.

Page 18: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

McCarthy’s Fall

McCarthy was not being truthful. He fabricated most, if not all, of the list. He was eventually caught and was forced to leave the Senate.

However, he destroyed many people’s lives. Why do you think he was so successful?

Page 19: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

Arthur Miller

Arthur Miller was born on October 17, 1915 in New York City to Jewish immigrants. His father owned a women's clothing manufacturing business employing 400 people. But in the Wall Street Crash of 1929, the family lost nearly everything and moved to Queens.

Miller began writing at a very early age and by the time he graduated from the University of Michigan, he had begun to receive recognition as a playwright.

Page 20: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

His play All My Sons (1947) received the Drama Critics’ Circle Award and his play Death of a Salesman (1949) won the Pulitzer Prize.

In 1953, Miller wrote The Crucible. Miller was concerned about what was happening in the United States where the “Red Scare”, initiatedand fueled by Senator Joe McCarthy, had Americans frightened of their neighbours.

In order to vocalize his criticism, he selected an era in America history — the Salem Witch trials of 1692 —which he believed paralleled the McCarthy era.

Page 21: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

Definition: Crucible (n)  1) A severe test of patience or belief; a trial.  2)A place, time, or situation in which powerful intellectual, social, economic, or political forces meet. 3)A metal container used to heat material to a very high temperature.  4)A hollow area at the bottom of a furnace where metal collects.

Page 22: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

• Miller was refused a passport by the State Department to attend the opening of The Crucible in Brussels in 1954. The reason given was, “the applicant was suspected of being a supporter of the Communist movement.”

• He was called upon to testify before the Committee on Un-American Activities, but refused to “name names.”

• He was convicted of contempt of Congress in 1956.

• The conviction was overturned by a higher court in 1958.

Page 23: Arthur Miller and the Red Scare Introduction to The Crucible: Part Two

Miller’s characters struggle with power conflicts, personal and social responsibility, the repercussions of past actions, and the conflict between hope and guilt. He once said he believed theater has a unique ability to “change the world.”