Art Photography Subject Area Catalog

8/8/2019 Art Photography Subject Area Catalog

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Art & PhotographyU N I V E R S I T Y O F O K L A H O M A P R E S S


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Art UNIVERSITY OF OKLAHOMA PRESSOUPRESS.cOM 800 627 73771

Wildlife in American ArtMasterworks from the National Museum

of Willife Art

By Adam Duncan Harris

$55.00s cLOTH 978-0-8061-4015-5

$35.00 PAPER 978-0-8061-4099-5

320 PAgES 9 12 135 cOLOR ILLUS.

The National Museum of Wildlife Art in

Jackson, Wyoming, has assembled the

most comprehensive collection of paintings

and sculptures portraying North American

wildlife in the world. Wildlife in AmericanArtpresents for the rst time a generous

sampling of the museums holdings,

charts the history of this enduring theme

in American art, and explores the evolving

relationship between Americans and the

natural resources of this continent. More

than 125 full-color illustrations highlight

the entire range of the museums collection,from the western wilds of George Catlin to

the desert drama of Georgia OKeeffe.

Art


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The Masterworks ofCharles M. RussellA Retrospetive of Paintins an Sulpture

Edited by Joan Carpenter Troccoli

$65.00s cLOTH 978-0-8061-4081-0

$39.95 PAPER 978-0-8061-4097-1

304 PAgES 10 12 133 cOLOR ANd 81 b&W ILLUS.

In the decades bracketing the turn of the

twentieth century, Charles M. Russell

depicted the American West in a fresh,

personal, and deeply moving way. To this

day, Russell is celebrated for his paintingsand sculptures of cowboys at work and

play, his sensitive portrayals of American

Indians, and his superlative representations

of landscape and wildlife. This handsome

book showcases many of the artists best-

known works and chronicles the sources and

evolution of his style.

Charles M. RussellA cataloue Raisonn

Edited by B. Byron Price

$125.00s cLOTH 978-0-8061-3836-7368 PAgES 10 12 170 cOLOR ANd 65 b&W ILLUS.

Charles M. Russell is our most beloved

artist of the American West. His paintings,

sketches, sculpture, illustrated letters, and

stories are an unequalled legacy. Lavishly

illustrated with more than 200 color and

black-and-white reproductions of Russells

greatest works, this beautiful volumefeatures essays by Russell experts and

scholars who address important aspects of

the artists life and career.

Bnu eature:

Inside the book is a unique key code that

allows purchasers to access a private online

catalogue (www.ruellranne.c) of

more than 4,000 works Russell created andsigned during his lifetime. Original owners

of the book will have unlimited access to the

site once a user name and password have

been created.


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In Contemporary RhythmThe Art of Ernest L. blumenshein

By Peter H. Hassrick and

Elizabeth J. Cunningham

$34.95s PAPER 978-0-8061-3948-7


One of the founders of the Taos Society

of Artists, Ernest L. Blumenschein (1874

1960) was perhaps the most complex and

accomplished of all the painters associated

with that pioneering organization.

This volume is the denitive work onBlumenscheins life and art, reproducing

masterworks from a new exhibit along with

additional works and historical photographs

to form the most comprehensive

assemblage of his paintings ever published.

In Contemporary Rhythm describes not only

his place in the Taos colony and western

art but also his far-reaching inuence onmainstream American art and national

aesthetic developments.

The West of the Imagination,Second EditionBy William H. Goetzmann and

William N. Goetzmann

$65.00 cLOTH 978-0-8061-3533-5


For many people, western art immediately

conjures images by Frederic Remington

or Georgia OKeeffebut theres so much

more. This new edition by the Pulitzer Prize-

winning historian and his son is signicantly

expanded and updated and shows that theWest is a vibrant mirror of American cultural

diversity. Through 450 illustrationsmore

than half of them in colorthe authors

trace the visual evolution of the myth of

the American West, from unknown frontier

to repository of American values, covering

popular and high arts alike.

An unrivaled survey, The West of the

Imagination is an immensely informative

and pleasurable volume for anyone with an

interest in the regions creative legacy.


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Julius Seyler and the BlackfeetAn Impressionist at glaier National Park

By William E. Farr


German Impressionist artist Julius Seyler had

already made a name for himself in Europe

when America beckoned. While in St. Paul,

Minnesota, he encountered Louis Hill,

head of the Great Northern Railroad, who

wanted to encourage travel to Montanas

newly created Glacier National Park. Tothat end, Hill enticed the adventuresome

Seyler to visit this majestic landscape and

to see the Blackfeet Indians who lived there.

This book marks both an appreciation

of Seylers unique art and a fascinating

glimpse into the promotion of a national

park in its early years.

Charles Deas and 1840s AmericaBy Carol Clark

$39.95s cLOTH 978-0-8061-4030-8


Charles Deas (181867), an enigmatic gure

on the edge of mainstream artistic circles in

mid-nineteenth-century New York, went west

to explore new opportunities and subjects

in 1840. From his adopted hometown of St.

Louis, Deas sent his iconic paintings of fur

trappers and Indians back east for exhibition

and sale, briey winning the recognition thathad earlier eluded him.

This handsome volumefeaturing more

than 150 illustrations, 70 in coloris the

rst book exclusively devoted to Deas. In two

major essays, Carol Clark presents Deass

haunting biography and complex artworks

that embodied Americans uncertainty about

the future of their rapidly expanding nation,

especially in the contested spaces of the West.


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Sculptor in BuckskinThe Autoioraphy of Alexaner

Phimister Protor

Seon Eition

Edited by Katharine C. Ebner

$45.00s cLOTH 978-0-8061-4007-0


This new edition of Proctors autobiography

provides a thorough introduction to

a distinctively American artist whose

monumental sculptures and statues adorn

parks, public buildings, and museums, aswell as private homes and businesses across

the country. The text takes the reader on a

far-ung journey from his birth in Ontario

and childhood in Denver to his travels as a

young man throughout the United States

and eventually to Paris. A new selection

of more than 125 illustrationsmany in

full colorincludes historical photographsand reproductions of Proctors sketches,

paintings, and sculptures, tracing the

development of his magnicent artistry.

Follow the SunRoert Louhee

By Don Hedgpeth


dISTRIbUTEd FOR dIAMONd TRAIL PRESS

cOMINg jANUARY 2010

A quiet, condent man dedicated to

painting, Robert Lougheed was born in

1910 and grew up on a farm in Ontario,

Canada, the reins of a working horse in one

hand and a drawing pencil in the other.This is the rst book to showcase the full

breadth of Lougheeds artistic legacy. More

than 400 full-color reproductions trace

his trajectory from early Canadian studies

of working horses to commercial work to

western scenes and timeless plein-air oils of

European subjects, with much in between.

After earning a place among renownedillustrators, Lougheed joined the Cowboy

Artists of America and helped found the

National Academy of Western Art. Both

honored him with multiple awards.


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Sentimental JourneyThe Art of Alfre jao Miller

By Lisa Strong

$45.00s cLOTH 978-0-88360-105-1238 PAgES 10 11 100 cOLOR ILLUS.

dISTRIbUTEd FOR AMON cARTER MUSEUM

Over the past two decades, much valuable

scholarship has emerged on how western

American art has reected American

nationalist or expansionist ideologies. In

Sentimental Journey: The Art of Alfred Jacob

Miller, Lisa Strong takes a new approach byexamining how Miller tailored his western

scenes to suit the specic needs and interests

of local American audiences.

An outstanding achievement. Strongs book

is a major contribution to studies not just of

western art but American art in general.

Ale Neer, Professor of the History of

Art, Yale University

Sentimental Journey will set a new scholarly

standard for monographs on western art.

Wlla H. Truettner, Senior Curator at

the Smithsonian American Art Museum

EarthlingsThe Paintins of Tom Palmore

By Susan Hallsten McGarry


dISTRIbUTEd FOR TOM QUAId PUbLISHINg

Born in Ada and living in Oklahoma,

Palmore emerged from the 1970s

Photorealist movement as a maverick. His

career includes more than a decade on

the East Coast, where he rened his skills

at the Pennsylvania Academy of Fine Artsand exhibited in New Yorks prominent

contemporary galleries. Palmore used his

technical virtuosity to explore his passion

for the animal kingdom. Then as today,

his monumental paintings received critical

acclaim, and his incongruous juxtapositions

of realistic primates in silk-and-velvet

interiors earned him the nickname GorillaMan. In all cases, Palmores paintings loom

large not only in scale but also in raised

consciousness of the earthlings with whom

we share this planet, as he says.


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The Fred Jones Jr. Museum of Artat the University of OklahomaSelete Works

By Eric McCauley Lee and Rima Canaan

$59.95 cLOTH 978-0-8061-3673-8

$39.95 PAPER 978-0-8061-3680-6


This beautifully illustrated catalogue

highlights 101 works of art from the Fred

Jones Jr. Museum of Art at the University

of Oklahoma. Combining full-color

reproductions with explanatory text, thecatalogue presents signicant examples

of Asian, European, American, American

Indian, and contemporary art from the

museums permanent collection. For

visitors to the museum and art acionados,

these pages offer a tour of the museums

exceptional paintings, sculptures, works

on paper, and photographs. Arranged inchronological and thematic sequence, the

catalogue entries focus on single works, each

by a different artist.

A Western LegacyThe National cowoy an Western

Heritae Museum

Introduction by David Dary

$59.95 cLOTH 978-0-8061-3728-5

$29.95 PAPER 978-0-8061-3731-5


The National Cowboy & Western Heritage

Museum commands a rare view of the

American West. In half a century it has grown

from a Hall of Fame honoring the American

cowboy to a world-class institution housingextraordinary collections of art, artifacts, and

archival materials.A Western Legacycelebrates

the ftieth anniversary of this premier

museum, offering both an institutional history

and a captivating collection of photographs

representing its extensive holdings.

A Western Legacypresents for the rst time in

one volume numerous color images of the

museums signature artworks and artifacts,

selected for their rarity, superior quality, or

historic importance, each accompanied by an

interpretive essay.


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Treasures of GilcreaseSeletions from the Permanent colletion

By Sarah Erwin, Anne Morand, Kevin Smith,

and Daniel C. Swan

$39.95 cLOTH 978-0-8061-9955-9

$19.95 PAPER 978-0-8061-9956-6


dISTRIbUTEd FOR gILcREASE MUSEUM

In 1938, Thomas Gilcrease, a native of

Tulsa, Oklahoma, opened the rst museum

devoted to the art of the American West. A

true visionary, Gilcrease was ahead of histime in understanding the importance of

Americas own heritage. His passion for art

and history, his Native American ancestry,

and his oil revenues coincided in a rare

alignment. His legacy is an astounding

collection of paintings, sculptures, artifacts,

rare books, and documents. This lavishly

produced book, featuring nearly twohundred color reproductions, tells the story

of Gilcrease and of the renowned museum

that bears his name.

Charles Banks WilsonContributions by Randy Ramer, Carole

Klein, Anne Morand, and Carol Haralson

$19.95s PAPER 978-0-9725657-3-8200 PAgES 9 10 97 cOLOR ANd 97 b&W ILLUS.


Charles Banks Wilson is one of Oklahomas

most beloved and accomplished artists.

Known for his portraits and murals honoring

great Oklahomans and Oklahoma history,

and for his career-spanning series of

portraits of Native Americans, his place inthe history of American art is assured. This

stunning book, featuring nearly two hundred

reproductions of his works, celebrates both

his life story and his artistic legacy.

The contributors to this book reveal

Wilsons devotion to American heartland life

through detailed analysis of his works, many

from the Gilcrease Collection, created over

nearly seven decades of the artists life.


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Art of the Oklahoma State CapitolThe Senate colletion

By Bob Burke



Exploring Oklahoma through paintings and

sculpture,Art of the Oklahoma State Capitol

examines the history of the state from

the Indian territorial period through the

twentieth century and beyond. Focusing

on the art collected by Senator CharlesFord and sponsored by the Oklahoma State

Senate Historical Preservation Fund, it

revealsthrough the vision of talented artists

from around the statethe personalities of

those who have shaped Oklahomas past

and present. Showcasing works by Charles

Banks Wilson, Mike Wimmer, Linda Tuma

Roberston, and many others, this bookhighlights some of the more prominent

contemporary artists working in Oklahoma.

Willard StoneBy Randy Ramer, Carole Klein, Kimberly

Roblin, and Regan Hansen,



This lavishly illustrated volume presents

the life and work of Cherokee woodcarver

Willard Stone. Four authors, including

staff of the Gilcrease Museum and one of

Stones grandsons, provide insight into the

artists biography, his carving techniques, hissources of inspiration, and his legacy as an

Oklahoma artist.

Referring to himself as a folklorist in

wood, Stone carved his philosophy of life

into his works, creating stories that glowed

with universal truths and resonated with his

own personality. In addition to his ability

to create beautiful forms, it is his gift of

storytelling that lends the carvings of Willard

Stone their profound mark of distinction.


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Thomas GilcreaseContributions by Randy Ramer, Carole

Klein, Kimberly Roblin, Gary Moore, Anne

Morand, April Miller, and Eric Singleton

$24.95s PAPER 978-0-9725657-7-6



The story of Thomas Gilcrease (18901962)

is the story of the worlds rst oil boom,

of a young state in its formative years, of

marriages and fortunes made and lostbut

most lastingly it is the story of how theGilcrease collection came to exist, and how

Gilcrease Museum became an unparalleled

treasure house now owned by the citizens

of Tulsa, Oklahoma. With over 500,000

artifacts, pieces of art, and archival gems, it

is a testament to one mans dedication and

vision. In Thomas Gilcrease, the man behind

that museum is revealed.

Uprising!Wooy crumos Inian Art

By Robert Perry


dISTRIbUTEd FOR cHIcKASAW PRESS

The life of Woodrow Woody Crumbo

(19121989) parallels the twentieth-

century evolution of American Indian art.

An accomplished Native dancer, utist,

silversmith, and poet, Crumbo is perhaps

best known today for his oil paintings andsilk screensrevolutionary artworks that

were denigrated by some critics at rst but

that helped move Indian art to museums

of ne art, as well as its markets. Now the

life story of an Indian artist who often went

against the grain is told by an accomplished

Indian storyteller.

Uprising! Woody Crumbos Indian Arttells a

compassionate and inspiring story as it

lls a gap in the historical record regarding

indigenous artists of the century just closed.


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They Know Who They AreElers of the chikasaw Nation

By Mike Larsen and Martha Larsen



In August 2004, Oklahoma Centennial

project artist Mike Larsen approached

Chickasaw Nation leaders with an idea to

honor living Chickasaw elderssages of his

own tribe. He wanted to learn about their

families and hear their stories. Larsensvision was to paint a series of portraits of

these elders.

Accompanied by his wife, Martha Larsen,

the two listened and learned what it

means to be Chickasaw. Larsens carefully

rendered sketches progressed from paper to

canvas to yield the 24 remarkable paintings

reproduced in this volume. Martha Larsen

has written a richly detailed narrative, based

on each elders interview, documenting his or

her cultural beliefs, experiences, and history.

Art from Fort MarionThe Silerman colletion

By Joyce M. Szabo

$49.95s cLOTH 978-0-8061-3883-1$29.95 PAPER 978-0-8061-3889-3


During the 1870s, Cheyenne and Kiowa

prisoners of war at Fort Marion, Florida,

graphically recorded their responses to

incarceration in drawings that conveyed

both the present reality of imprisonment and

nostalgic memories of home. Now a leadingauthority on American Indian drawings

and paintings examines an important

collection of these drawings to reveal how

art blossomed at Fort Marion.

The Silberman Collection is an unusually

complete group of images that illustrate the

artists fascination with the world outside

the southern plains, their living conditions

and survival strategies as prisoners, and their

reminiscences of pre-reservation life.


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Blackfoot War ArtPitoraphs of the Reservation Perio,

18802000

By L. James Dempsey

$45.00s cLOTH 978-0-8061-3804-6


When the Blackfoot Indians were conned

to reservations in the late nineteenth

century, their pictographic representations

of warfare kept alive the rituals associated

with war, which were essential facets of

Blackfoot culture. Their war ethic served asa unifying force among the four tribes of the

Blackfoot nationSiksika, Blood, and North

and South Piegan.

In this visually stunning survey, L. James

Dempsey plumbs the breadth and depth

of warrior representational art. Filled with

160 images of startling beauty and power,

Blackfoot War Arttells how pictographs

served as a record of both tribal and

personal accomplishment.

After Lewis and ClarkThe Fores of chane, 18061871

By Gary Allen Hood

$24.95 PAPER 978-0-8061-9959-796 PAgES 9 12 67 cOLOR ILLUS.

After Lewis and Clarkhighlights more than

sixty paintings, drawings, and prints in

the collection of one of Americas nest

museums of American art, the Gilcrease

Museum in Tulsa, Oklahoma. This richly

illustrated book presents and places in

aesthetic and historical context many of thepriceless portraits, striking scenes, and grand

landscapes inspired during the sixty-ve

years after the Corps of Discovery completed

its epic journey. It features the works of

notable artists of the nineteenth-century

American West, including George Catlin,

Karl Bodmer, Alfred Jacob Miller, Charles

Bird King, Paul Kane, Seth Eastman, CarlWimar, John Mix Stanley, Albert Bierstadt,

and Thomas Moran.


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Thomas MoranArtist of the Mountains

By Thurman Wilkins

$39.95s cLOTH 978-0-8061-3040-8464 PAgES 7 10 8 cOLOR PHOTOS

ANd 35 HALFTONES

The American West was the subject of

Thomas Morans greatest artistic triumphs

Yosemite, the Grand Canyon of the

Colorado, Zion Canyon, the Virgin River,

Colorados Mountain of the Holy Cross,

and the Grand Tetonsbut his travels withFerdinand V. Haydens geological surveys of

the Upper Yellowstone were matched by trips

to his native Britain and to Venice, Florida,

the Spanish Southwest, and Old Mexico.

These scenes inspired memorable landscapes

and seascapes, as did the sojourns of the

Moran family in Pennsylvania, New Jersey,

and East Hampton, Long Island, when theyretreated from the demands of the New York

art scene.

The Lithographs of CharlesBanks WilsonBy David C. Hunt and Charles Banks Wilson

$95.00s cLOTH 978-0-8061-2151-2280 PAgES 9 12 121 b&W ILLUS.

Although known primarily for his

illustrations, murals, and portraits, Charles

Banks Wilson thinks of himself chiey as

a lithographer. Lithography, he says,

is what made an artist of me. The 118

lithographs collected here, each reproduced

from an original print in the artists owncollection, represent fty years of experience

in the medium.

True to the American regionalist tradition

that inuenced him, Wilson has used

his own surroundings as subject matter,

producing an intensely personal record of

his own time and placean Oklahoma of

varied landscapes and of farmers, cowboys,

miners, and Indians. The prints reproduced

here are a representative sample of Wilsons

long and prolic career in lithography.


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Redrawing BoundariesPerspetives on Western Amerian Art

By Denver Art Museum

$21.95 PAPER 978-0-8061-9970-280 PAgES 9 12 90 cOLOR ILLUS.

dISTRIbUTEd FOR dENVER ART MUSEUM

In this volume, seven distinguished

specialists on art and popular cultureBrian

W. Dippie, Erika Doss, Peter H. Hassrick,

Patricia Limerick, Angela Miller, Martha

A. Sandweiss, and William H. Truettner

survey the terrain of western art in thetwenty-rst century, tracing and rening

its boundaries in the areas of aesthetics

and national identity. Their sharp-eyed

observations support a newly emerging

history of western art that places it in a

social, psychological, and politicalas

well as aestheticcontext. The result is

a refreshing, vigorous, and substantialcontribution to American art history.

Sweet on the WestHow cany built a colorao Treasure


$21.95 PAPER 978-0-8061-9969-680 PAgES 9 12 68 cOLOR ANd 13 b&W ILLUS.


William and Dorothy Harmsen were true

American entrepreneurs whose ice-cream

store, founded in 1949, grew into the wildly

successful Jolly Rancher Candy Company.

This volume highlights the Harmsens

legacy as Colorado businesspeople andphilanthropists.

Bill and Dorothy lived their passion for

the West, among other ways, through art.

Beginning in 1967, they built a collection

that broadly encompassed the American

West. They bought works by recognized

masters of American western art such as

George Catlin and Ernest L. Blumenschein,

but they also acquired works by artists

exploring contemporary approaches to time-

honored western themes.


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West Point Points WestBy Denver Art Museum

$21.95 PAPER 978-0-8061-9968-9

80 PAgES 9 12 50 cOLOR ANd 36 b&W ILLUS.dISTRIbUTEd FOR dENVER ART MUSEUM

During the nineteenth and even the twentieth

centuries, military ofcers were expected to

sketch battleelds and design fortications.

Ofcers of the Army Corps of Topographical

Engineers, which organized exploring

expeditions, were asked to return with the

information needed to map the expandingAmerican West. Thus, the Military Academy at

West Point incorporated art into its curriculum

within a year after its creation in 1802.

West Point Points Westcelebrates the

conuence of military mission and artistic

pursuit. Five distinguished scholars

B. Byron Price, David Reel, John Pultz, Roger

Echo-Hawk, and Joan Carpenter Troccoli

offer varying perspectives on the seminal role

played by West Point and the U.S. Army in

the development of western American art.

Heart of the WestNew Paintin an Sulpture of

the Amerian West


$21.95 PAPER 978-0-8061-9971-9



Because western art is by denition topical,

it is also by necessity representational,

and often narrative. Western artists must

therefore rely on a certain degree of realism

to express themselves visually. While thistendency toward realism is out of keeping

with abstract impressionism, it resonates

positively with todays audiences.

Since the early 1990s, the Denver Art

Museum has collected and exhibited

the works of living American artists

who celebrate western themes through

representational forms of creative

expression. Heart of the Westpays tribute to

those artists, in particular to the remarkable

George Carlson. Their images embody the

essence of the evolving American West.


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ColoradoThe Artists Muse

By Natasha K. Brandstatter, Meredith M.

Evans, Peter H. Hassrick, and Nicole A. Parks

$22.50 PAPER 978-0-914738-60-2



Colorado has been a mecca for painters

since the beginning of the nineteenth

century. This latest volume in the Denver

Art Museums Western Passages series

celebrates a diverse group of painters whofound special allegiance to the Rockies and

to the human history of Colorado.

Many who ventured into Colorado in the

1800s sought inspiration in the land. The

state attracted such masters of landscape

painting as Thomas Moran, Albert Bierstadt,

and Thomas Worthington Whittredge.

So pervasive and popular were images of

Colorados peaks that some art historians

have dubbed those who portrayed these sites

as the Rocky Mountain School.

Charles M. RussellBy Peter H. Hassrick

$34.95 PAPER 978-0-8061-3142-9


In 1880, Charles M. Russell headed west to

Montana, where he worked as a wrangler

and chronicled in paint, ink, and watercolor

the West and its people. For his splendid

depictions of bronco riders, roundups,

and everyday ranch life, Russell soon

became known as the Cowboy Artist.

Yet this Cowboy Artist also spent muchtime among the Indians and developed

a sympathetic understanding of and

appreciation for their efforts to preserve their

way of life. Russells memorable paintings

and drawings portray a frontier that was

vanishing, not only for Indians but also for

cowboys.

Peter H. Hassrick discusses Russells work

in the context of the artists experiences in

the West and the people who inuenced his

artistic style.


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Recollections of Charley RussellBy Frank Bird Linderman

$19.95 PAPER 978-0-8061-2112-3


This skillfully written and delightful small

book utilizes material which has been

available to no other Russell biographer.

Frank Linderman and Russell were

close friends and kindered spirits, and

Linderman obviously recognized early in

their association that Russell was not only

an enormously talented artist but also avery uncommon man. The recollections are

random, full of nostalgia, and they are often

as revealing of Lindermans sensitivity as they

are of Russells character.The American

Behind Every ManThe Story of Nany cooper Russell

By Joan Stauffer

$19.95 PAPER 978-0-8061-3952-4384 PAgES 6 9 40 b&W ILLUS.

After Nancy Cooper married Charlie Russell in

1895, she helped turn a journeyman cowboy

and ranch hand who sketched and sculpted

in his spare time into a full-time artist who

sold and exhibited all over the globe. In Behind

Every Man: The Story of Nancy Cooper Russell,

Joan Stauffer offers the rst biography ofthe person whom Charles Russell called the

best booster and pardner a man ever had.

Stauffers portrait, evoked in the voice of its

subject and based on a decade of research,

offers readers both a complete life story of

Nancy Russell and creative insight into her

thoughts and feelings.


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Charles M. RussellThe Life an Leen of Amerias

cowoy Artist

By John Taliaferro

$19.95 PAPER 978-0-8061-3495-6

336 PAgES 6 9 22 b&W ILLUS.

This rst comprehensive biography of

Charles M. Russell examines the colorful

life and times of Montanas famed Cowboy

Artist. Born to an afuent St. Louis family in

1864, young Russell read thrilling tales of the

West and lled sketchbooks with imaginedfrontier scenes. At sixteen he left home

and headed west to become a cowboy.

In Montana Territory he consorted with

cowpunchers, Indians, preachers, saloon

keepers, and prostitutes, while celebrating

the waning American frontiers glory days

in some 4,000 paintings, watercolors,

drawings, and sculptures. He was revered asone of the countrys ranking Western artist

with works displayed in the nest galleries,

his romantic vision of the Old West forever

shaping our own.

Water Mills of theMissouri OzarksBy George G. Suggs, Jr.

Paintings and Illustrations by Jake K. Wells

$16.95 PAPER 978-0-8061-2432-2


Until the early twentieth century, water mills

were the center of the economic and social

life of many small communities throughout

the nations calm rural backwaters. In this

book, George G. Suggs, Jr., presents the

stories of twenty Ozark water mills, andJake Wells illustrates these vignettes with

drawings and beautiful watercolors.

In introducing his historical sketches,

Suggs traces the transatlantic origins and

development of water mills, describing

their spread throughout Western Europe to

North America and noting early American

contributions to water mill technology. In an

epilogue he emphasizes the economic and

social roles of the mills in the early life of the

Missouri Ozarks.


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George Miksch SuttonArtist, Sientist, an Teaher

By Jerome A. Jackson

$29.95 cLOTH 978-0-8061-3745-2288 PAgES 6 9 28 cOLOR ANd 13 b&W ILLUS.

George Miksch Sutton (18981982) is

revered by bird lovers everywhere for his

beautiful paintings. A Victorian gentleman,

adventurer, and raconteur, he was trained

in the sciences but felt equally at home in

the arts.

Jerome Jackson, a friend and colleague of

Sutton, draws on extant correspondence,

interviews, and personal knowledge to offer

a portrait of the artist that will surprise

those who knew him only in his later

years. Capturing a superb ornithologist

who worked under the most inhospitable

conditions, from the arctic to the tropics,

Jackson shows us a person who guarded his

privacy and struggled with uncertainty.

MaraThe Potter of San Ilefonso

By Alice Marriott


Mara: The Potter of San Ildefonso is the story

of Mara Martnez and her husband, Julin,

who revived the ancient Pueblo craft of

pottery-making and stimulated interest in

Southwestern Pueblo pottery among both

white people and Indians.

Margaret Lefrancs many accurate drawings

of actual pieces of pottery provide an almost

complete documentary history of the craft

and show some of the nest examples of

Maras art.

Miss Marriotts literary style is superb. She

has caught the beautiful, measured pace of

Indian talk and, without seeming to make anyconscious effort, has written Maras story

with simplicity and understanding as if Mara

herself were living her life before you.Wll

Dadn in the Chicago Sunday Tribune.


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20

Fire LightThe Life of Anel de cora,

Winneao Artist

By Linda M. Waggoner

$34.95s cLOTH 978-0-8061-3954-8


Artist, teacher, and Red Progressive, Angel

De Cora (18691919) painted Fire Lightto

capture warm memories of her Nebraska

Winnebago childhood. In this biography,

Linda M. Waggoner draws on that glowing

image to illuminate De Coras life andartistry, which until now have been largely

overlooked by scholars.

Waggoner brings her broad knowledge

of Winnebago culture and history to this

gracefully written book, which features

more than forty illustrations. Fire Light

shows us both a consummate artist and

a fully realized woman, who learned how

to traverse the borders of Red identity in a

white mans world.

Patterns of ExchangeNavao Weavers an Traers

By Teresa J. Wilkins


The Navajo rugs and textiles people buy today

are the result of many historical inuences,

particularly the interaction between Navajo

weavers and the traders who guided their

production and controlled their sale. John

Lorenzo Hubbell and other late-nineteenth-

century traders were convinced they knewwhich patterns and colors would appeal to

Anglo-American buyers, and so they heavily

encouraged those designs. In Patterns of

Exchange, Teresa J. Wilkins traces how the

relationships between Navajo weavers and

traders affected Navajo weaving.

Enhanced by numerous illustrations, this

volume traces the intricate play of cultural

and economic pressures and personal

relationships between artists and traders

that guided Navajo weavers to produce

textiles that are today emblems of the Native

American Southwest.


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The Navajo and PuebloSilversmithsBy John Adair


The analysis of the economic aspects of

the craft is painstaking and well carried

out. Reading between the lines one must

inevitable envisage the long weary hours

spent in traveling to the isolated hogans

and trading posts in quest of these data.

This is no armchair compilation, but onethat carries with it the tang of juniper wood

burning in winter hogans, of the wet earth

after a sturdy he rain and the odor of coffee

and mutton cooking over open res. It is a

labor of love plus a lot of sweat.New York

Herald Tribune.

Silver HornMaster Illustrator of the Kiowas

By Candace Greene


Plains Indians were artists as well as

warriors, and Silver Horn (1860-1940),

a Kiowa artist from the early reservation

period, may well have been the most

prolic Plains Indian artist of all time.

Known also as Haungooah, his Kiowa

name, Silver Horn was a man of remarkableskill and talent. Working in graphite,

colored pencil, crayon, pen and ink, and

watercolor on hide, muslin, and paper,

he produced more than one thousand

illustrations between 1870 and 1920.

In this presentation of Silver Horns work,

showcasing 43 color and 116 black-and-

white illustrations, Candace S. Greene

provides a thorough biographical portrait

of the artist and, through his work,

assesses the concepts and roles of artists in

Kiowa culture.


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22

Gifts of Pride and LoveKiowa an comanhe crales

By Barbara A. Hail

$29.95 PAPER 978-0-8061-3604-2136 PAgES 9 11 53 cOLOR ANd 78 b&W ILLUS.

We look at this cradle as representing a particular

family; we see that someone took time to create it;

we feel the love that it expresses; it speaks to us; it

tells us of our past.Phlp Bread

This book, a beautiful homage to the

artisans who crafted cradleboards, includesa history of the origins of lattice cradles

as well as essays by eleven descendants of

cradle makers. Forty color and over eighty

black-and-white photographs vividly display

the creativity and imagination found in these

lovingly produced cradles. Reminding people

of the Kiowas and the Comanches long,

arduous struggles to create and maintain a

viable identity, the cradles featured in this

book connect us to the past.

American Indians in British Art,17001840By Stephanie Pratt


Ask anyone the world over to identify a

gure in buckskins with a feather bonnet,

and the answer will be Indian. Many

works of art produced by non-Native artists

have reected such a limited viewpoint. In

American Indians in British Art, 17001840,

Stephanie Pratt explores for the rst time anartistic tradition that avoided simplication

and that instead portrayed Native peoples in

a surprisingly complex light.

Pratt places artistic works in historical

context and traces a movement away from

abstraction, where Indians were symbols

rather than actual people, to representa-

tional art, which portrayed Indians as actors

on the colonial stage.

We look at this cradle as representing a particular

family; we see that someone took time to create it;

we feel the love that it expresses; it speaks to us; it

tells us of our past.Phlp Bread


24/36


Images of Penance, Images of MercySouthwestern Santos in the Late 19th century

By William Wroth


In part 1 of this study, William Wroth traces

the origins and growing importance of

penitential practices in the early Christian

church, through medieval Spain and colonial

Mexico, to New Mexico and Colorado. In

part 2 a vivid description of the rituals and

social functions of the Brotherhood by MartaWeigle is followed by Wroths catalog of the

expressive and moving santos in the Taylor

Museum of Southwestern Studies, Colorado

Springs Fine Arts Center.

Wroth skillfully illuminates the meaning

behind this religious art, examining the

Catholic concept and practice of penance

among early Christians in Medieval Europe

and Spain, in colonial Mexico, and in

Cathloic Brotherhoods still extant in New

Mexico.Choice

Aztec ArtBy Esther Pasztory

$36.95 PAPER 978-0-8061-2536-7


This is the rst comprehensive book on Aztec

art: eleven chapters illustrated with seventy-

ve superb color plates and hundreds of

photographs, supplemented by maps and

diagrams. Temple architecture, majestic

stone sculpture carved without metal tools,

featherwork and turquoise mosaic, painted

books, and sculptures in terra cotta and rarestonesall are here.

Pasztory has placed these major works of

Pre-Columbian art in a historical context,

relating them to the reigns of individual

rulers, events in Aztec history, and the needs

of different social groups from the elite

to the farmer. She focuses on the little-

known aspects of the aesthetics, poetry and

humanity of the Aztecs.


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24

TiwanakuPapers from the 2005 Mayer center

Symposium at the denver Art Museum

Edited by Margaret Young-Snchez

$45.00s PAPER 978-0-8061-9972-6



In 2005, the Denver Art Museum hosted

a symposium in conjunction with the

exhibition Tiwanaku: Ancestors of the

Inca. An international array of scholars

of Tiwanaku, Wari, and Inca art andarchaeology presented results of the latest

research conducted in Bolivia, Chile, and

Peru. This copiously illustrated volume,

edited by Margaret Young-Snchez of the

Denver Art Museum, presents revised and

amplied papers from the symposium.

Bringing together current research on

Pucara, Tiwanaku, Wari, and Inca art

and archaeology, this volume will be

an important resource for scholars and

enthusiasts of ancient South America.

Asia and Spanish AmericaTrans-Pai Artisti an cultural

Exhane, 15001850

Edited by Donna Pierce and Ronald Otsuka

$39.95s PAPER 978-0-8061-9973-3



The Denver Art Museum held a symposium

in 2006 to examine a little-known aspect

of globalization in the early modern era.

Specialists in the arts and history of Asia

and Latin America came from Europe, Asia,and the Americas to present recent research

on connections between the two areas.

This volume presents revised and expanded

versions of the papers presented at the

symposium.

An interdisciplinary study bringing

together scholars from two elds of art

and addressing a variety of artistic media,

this beautifully illustrated volume will be

an important resource for scholars and

enthusiasts of Asian and Latin American art

and history.


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25UNIVERSITY OF OKLAHOMA PRESS

OUPRESS.cOM 800 627 7377

P

ho

togra

ph

y

Faces of the FrontierPhotoraphi Portraits from the

Amerian West, 18451924

By Frank H. Goodyear III

With an Essay by Richard White

$45.00s cLOTH 978-8061-4082-7


PUbLISHEd IN cOOPERATION WITH THE NATIONAL

PORTRAIT gALLERY

Faces of the Frontiershowcases more than

120 photographic portraits of leaders,

statesmen, soldiers, laborers, activists,criminals, and others, all posed before the

cameras that made their way to nearly every

mining shanty-town and frontier outpost on

the prairie. The names of some are familiar

Teddy Roosevelt, Mark Twain, Sitting Bull,

Annie Oakley. The names of others may be less

well known, but they played a signicant role

in re-creating the American West. These are allpeople of the West, and their portraits give us

a unique glimpse into a lost time and place.


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26

Peoples of the PlateauThe Inian Photoraphs of Lee Moorhouse,

18981915

By Steven L. Grafe

$29.95 PAPER 978-0-8061-3742-1


The photographs in Peoples of the Plateau

capture the lives of Pacic Northwest Indians

at the turn of the twentieth century. By

the late nineteenth century, after the U.S.

government had conned these Indians to

a reservation, their lives began to changeirrevocably. Major Lee Moorhouse served

as an Indian agent during this period.

Believing that these Indians were a dying

race, Moorhouse was driven to collect their

artifacts and take their photographs.

This book marks the rst major examination

of Moorhouse and his work. Featuring

eighty exquisite plates, it not only showcases

Moorhouses extensive photographs but also

tells the story of the man and of the world in

which he lived and worked.

Lanterns on the PrairieThe blakfeet Photoraphs of

Walter Mclintok

Edited by Steven L. Grafe

$60.00s cLOTH 978-0-8061-4022-3

$34.95s PAPER 978-0-8061-4029-2


In 1896, a young easterner named Walter

McClintock arrived on the Blackfeet Indian

Reservation. A forest survey had brought

him to Montana, but a chance encounter

with a part-Blackfeet scout led him insteadto a career as a chronicler of Plains Indian

life. McClintock is now well known as the

author of two books about his experiences

among the Blackfeet, but only a few of his

photographs have ever been published.

This volume features biographical and

interpretive essays about McClintocks

life and work and presents more than onehundred of his little-known images.


28/36


OUPRESS.cOM 800 627 7377Photography

A Danish Photographer ofIdaho Indiansbeneite Wrenste

By Joanna Cohan Scherer

$29.95s cLOTH 978-0-8061-3684-4

160 PAgES 9 11 176 dUOTONE ILLUS.

ANd 2 MAPS

WithA Danish Photographer of Idaho Indians,

Joanna Cohan Scherer rescues from oblivion

a remarkable photographerBenedicte

Wrenstedwho greatly contributed to the

visual legacy of the Northern Shoshone, Lemhi,and Bannock American Indian tribes. This

volume reproduces a number of Wrensteds

photographs including the names of the

subjects, their biographical data, and an

ethnographic analysis of their Native attire.

A Danish Photographer of Idaho Indians redresses

decades of neglect by restoring both Wrensted

and her Indian subjects to a place in history

Wrensted as a distinguished photographer

and her clients as named persons.

Placing MemoryA Photoraphi Exploration of japanese

Amerian Internment

Photographs by Todd Stewart

Essays by Natasha Egan and Karen J. Leong

$34.95 cLOTH 978-0-8061-3951-7

132 PAgES 12 9 62 cOLOR

ANd 40 b&W PHOTOS, 10 MAPS

When the U.S. government incarcerated

120,000 Japanese Americans as domestic

enemy aliens during World War II, most

other Americans succumbed to their fearsand endorsed the connement of their fellow

citizens. Ten relocation centers were scattered

across the West. Today, in the crumbling

foundations, overgrown yards, and material

artifacts of these former internment camps, we

can still sense the injustices suffered there.

Placing Memoryis a powerful visual record of the

internment. Featuring Todd Stewarts stunning

color photographs of the sites as they appear

today, the book provides a rigorous visual survey

of the physical features of the camps.


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28

A Northern Cheyenne AlbumPhotographs by Thomas B. Marquis

Edited by Margot Liberty

Commentary by John Woodenlegs

$29.95 PAPER 978-0-8061-3893-0


In 1878 the Northern Cheyennes left what

is now Oklahoma, where they had been

incarcerated, and began an epic journey

back to their homeland. They suffered

great losses, but a small group of survivors

reached its destination in southeasternMontana in 1879 and eventually won the

right to a reservation there.A Northern

Cheyenne Album presents a rare series of

never-before-published photographs that

document the lives of tribal people on

the reservation during the early twentieth

centurya period of rapid change.

For anyone interested in seeing a cultural

transition chronicled in pictures and

narratives, this book is a gold mine.

Rchard E. Lttlebear, President of Chief Dull

Knife College

Gypsy Horses and theTravelers WayBy John S. Hockensmith

$49.95 cLOTH 978-1-59975-597-7184 PAgES 9 12 255 cOLOR PHOTOgRAPHS

dISTRIbUTEd FOR jOHN S. HOcKENSMITH

On the rst weekend of every June, Gypsies in

northern England honor a tradition more than

three centuries old. Having traveled for days

and dozens of miles in ornate wagons pulled

by colorful short-legged horses called cobs,

they converge on the township of Appleby tobuy and sell horses. This remarkable journey

and its culminating celebration at Appleby

Fair are seldom witnessed by outsiders to the

Romani Gypsy culture.

Hockensmith traveled as a guest of

prominent Gypsy families on the back

roads and highways leading to Appleby

and recorded the drama of the gathering of

people and horses as can be seen only from

inside this guarded clan.


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Spanish Mustangs in the GreatAmerican WestReturn of the Horse to Ameria

By John S. Hockensmith

$49.95 cLOTH 978-0-8061-9975-7

204 PAgES 9 12 275 cOLOR PHOTOgRAPHS

dISTRIbUTEd FOR jOHN S. HOcKENSMITH

Horses are an integral part of the American

experience. They are so tied with the

development of the nation and its psyche,

it is impossible to imagine history without

them. Yet prior to the arrival of Spanishexplorers in the 1500s, horses had been

absent from North America for millennia. In

this beautifully illustrated volume, celebrated

equine photographer John S. Hockensmith

reveals how the return of horses with the

conquistadors both altered American

Indian cultures and later supported

the development of the United States.Gracing these pages are stunning full-color

photographs of modern horses that carry

the distinctive traits of their Spanish, Arab,

and Barb forebears.

ChickasawUnonquere an Unonquerale

By Jeannie Barbour, Dr. Amanda

Cobb-Greetham and Linda Hogan

Photography by David G. Fitzgerald

$34.95s cLOTH 978-1-55868-992-3



The story of the Chickasaw Nation is

one of survival, persistence, triumph,

achievement, and beauty. It is the story of

a people determined not only to survivebut to prosper and live well. Built with this

fundamental ideal, Chickasaw government

stands on a foundation that serves its

people with the ebb and ow of historys

events. It is a chronicle of unsurpassed

natural splendor and spiritual connectivity

to the land that can never be permanently

separated from the hearts of Chickasaws.Bll Anatubb, Governor of the Chickasaw

Nation


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30

Chickasaw RenaissanceBy Phillip Carroll Morgan

Photography by David G. Fitzgerald



When Oklahoma achieved statehood

in 1907, the U.S. government declared

Chickasaw titles to tribal lands null and

void. The Chickasaw Nation was, in effect,

legally abolished. Yet for the next sixty years,

the Chickasaws struggled to regain theirsovereign identity, and eventually, in 1970,

Congress enacted legislation allowing the

Five Tribes, including the Chickasaws, to

elect their own governing ofcers. In 1983,

the Chickasaws adopted a new constitution

for their nation.

In Chickasaw Renaissance, Phillip Carroll

Morgan proles the experiences of the

Chickasaw people during this tumultuous

period in their history, from the dissolution

of their government to the resurgence of

their nation.

OklahomaA Portrait of Ameria

By Libby Bender, Carl Brune, and Scott Raffe


dISTRIbUTEd FOR bILLY bOOKS

This collaborative work is an ode to the

forty-sixth state, to its stereotypes and its

surprises. Yet it is still a young and raw and

evolving territory, a mosaic that morphed

into a state just one hundred years ago.

From the Native Americans who roamed the

plains with the buffalo to the cowboys who

came with the cattle, from the oil barons to

the outlaws, the settlers and Sooners, the

proud African Americans who believed this

was their Paradise Found, and all the others

who came to make a new life in this territory,

all together form the very center of the

United States. They are depicted here in 350

photographs.


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Pilgrim EyePhotographs and text by David Halpern

$50.00 cLOTH 978-0-9788165-0-6

168 PAgES 10 12 28 cOLORANd 100 b&W ILLUS.

dISTRIbUTEd FOR gNEISSLINE PUbLISHINg

David Halperns life and career span

remarkable developments in the history of

modern photography, from the introduction

of Kodachrome lm in 1936 to the current

digital era. As a ne art and commercial

photographer, Halpern has embraced eachnew technology and applied them to a wide

range of subjects.

In Pilgrim Eye, Halpern provides a revealing

glimpse into his lifelong journey of self-

discovery. The book showcases 128 color

and black-and-white photographs made

over more than fty years of pilgrimages

across America.

Route 66The Hihway an Its People

Text by Susan Croce Kelly

Photographic essay by Quinta Scott

$19.95 PAPER 978-0-8061-2291-5


[Route 66s] appeal lies in the graceful way

it explores the impact of that long black

ribbon on the lives of the people who lived

beside it and in the books explanation of

how U.S.66 became a highway the country

could not forget....Today, as this bookstext and photographs emphasize, theres

not much left besides the legend. But while

the new interstates are faster and safer,

it is impossible not to miss old Route 66.

Fortunately, the words and pictures of this

delightful book preserve the memories of a

road that ran through everyones life.

Wall Street Journal


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32

American WindmillsAn Alum of Histori Photoraphs

By T. Lindsay Baker

$34.95 cLOTH 978-0-8061-3802-2168 PAgES 9 9 179 b&W ILLUS.

From the earliest days of European

settlement, Americans have cherished the

sight of a windmillan instantly recognizable

feature of the American landscape. Boasting

nearly two hundred striking images, this

book is the rst devoted to photographs

illustrating historic wind machinesthroughout North America.

T. Lindsay Baker, an expert historian on

windmills, has written about wind-power

history for twenty-ve years. His album

contains historic images captured by

professional windmiller B. H. Tex Burdick

and from corporate archives of windmill

manufacturers. It depicts windmills in a

wide range of settings and usesnot only

on ranches and farms but also alongside

railroads, in industry, and even in urban areas.

A Texas JourneyThe centennial Photoraphs of Polly Smith

By Evelyn Barker

$49.95 cLOTH 978-0-9800557-0-2248 PAgES 10 10 80 b&W ILLUS.

dISTRIbUTEd FOR dALLAS HISTORIcAL SOcIETY

In 1935, Texas was preparing for a worlds

fair to commemorate the centennial of its

independence from Mexico. Centennial

ofcials eager to publicize the event needed

an abundance of photographic images that

would put the state in the best possiblelight. They hired a young photographer,

Polly Smith, who had recently returned

from studying in New York, to travel the

length and width of the state. Her mission

was to capture the people and places that

made Texas unique.A Texas Journey: The

Centennial Photographs of Polly Smith is the

rst examination of Smiths life and work.The images presented here offer a revealing

portrait of the Lone Star State in 1935.


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Where Custer FellPhotoraphs of the Little bihorn

battleel Then an Now

By James S. Brust, Brian C. Pohanka, and

Sandy Barnard

$26.95 PAPER 978-0-8061-3834-3

240 PAgES 9 12 217 b&W ILLUS., 15 MAPS

The Battle of the Little Bighorn has long held

an eminent position among the chronicles of

the mythic West. None of the men who rode

with Lieutenant Colonel George Armstrong

Custer to his Last Stand survived to tell thetale, but this stunning photography book

provides a view of the battleeld as it must

have existed in 1876.

To create Where Custer Fell, authors James

S. Brust, Brian C. Pohanka, and Sandy

Barnard searched for elusive documents

and photographs, made countless trips to

the battleeld, and scrutinized all available

sources. Each chapter begins with a concise,

lively description of an episode in the battle.

Yellowstone and the Biologyof TimePhotoraphs Aross a century

By Mary Meagher and Douglas B. Houston

$19.95 PAPER 978-0-8061-3006-4

304 PAgES 11 11 287 b&W ILLUS., 13 MAPS

Established in 1872, Yellowstone National

Park is the oldest and one of the largest

national parks in the world. In this

remarkable book, scientists Mary Meagher

and Douglas B. Houston present 100 sets of

photographs that compare the Yellowstoneof old with the park of today.

Most of the photo sets include three pictures

with many of the original views dating back

to the 1870s and 1880s. Meagher and

Houston rephotographed the scenes in the

1970s, and then, following the great res of

1988, again in the 1990s. The result is an

illuminating record of Yellowstones dynamic

ecosystem and its changes over time.


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34

Magnicent FailureA Portrait of the Western Homestea Era

By John Martin Campbell

$19.95 cLOTH 978-0-8061-9964-1$14.95 PAPER 978-0-8061-9965-8


In words that are as clean and precise as his

haunting, starkly beautiful photographs,

John Martin Campbell vividly recreates the

life and times of the western homestead

era, the period from about 1885 when the

prairie lands lying west of the longitude ofthe western Dakotas became available to

pioneering farmers. More than 70 black-

and-white duotone photographs, with

detailed captions, record bleak landscapes

and abandoned farms, outbuildings,

farm implements, and hand toolsmute

testimonies to the failed hopes of several

million families who settled on these aridand semi-arid lands.

U N i v E R s i T y o f o k L A H o m A P R E s s

oRDER By PHoNE:

800-627-7377

or 405-325-2000

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ON the frONt: cHARLES dEAS, dETAIL FROM Long Jakes, theRocky Mountain Man,(1844). OIL ON cANVAS, 30 25 IN.cOURTESY THE dENVER ART MUSEUM ANd THE ANScHUTzcOLLEcTION.

ON the back:EVELYN cAMERON, seLf-poRtRait on natuRaLbRidge. cOURTESY MONTANA HISTORIcAL SOcIETY RESEARcHcENTER PHOTOgRAPH ARcHIVES.


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Art & Photography

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Coming Spring 2010

Visions of the Big Sky

by dan Flores$45.00 cLOTH 978-0-8061-3897-8


Documents

Art Photography Subject Area Catalog