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7/14/2019 Art Pepper Solos
1/78
?ryruvc e L L . T t )lV***w,
Photc. by Laurie Pepper
HeI LnoNART).ffi,9#ffiHryf;flit,il.iii,,:::l,3g ;ii
7/14/2019 Art Pepper Solos
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gFORE
is not often that a musician can disappear'from the jazz world for a number of yearsand then make a spectacular comeback.For someone to do it twice is a miracle.Art Pepper may be the onlY mqor iazzvoice that did just that. A major soloist
with the Stan Kenton Orchestra and one of the leadingvoices in the West Coast jazz scene of the early '50's, his
drug addiction stalled his career and created a lot ofnegative publicity. He came back hotter than ever, made aclassic series of jazz albums, and then suddenly left again
for an even longer period of time. When he re-emergedin the late'70's, he returned to stay. By the time of his
death in 1 982, he'd proven that he was otre of thegreatest voices in the history of jazz'
Art Pepper's life is chronicled in detail in hisautobiography STRAIGHT LiFE - The Story Of Art
Pepper, perhaps the most candid autobiography by anartist in any field. Art believed in the truth, in lie and his
music, so it was typical of him ihat he did not spare him-self in telling his tale. The volume you now have beforeyou celebrates his music. lt is made up of solos on AltoSax and Clarinet from the years 1952 thru 1980, andchronicles the long and precarious path that Art's music
took. And yet there are a few constants throughout hiswork; no matter how 'out' Art could get in his soloing, heGalwaysEtiessed melody and beauty in his music making
His ballad playing is one of the treasures that he left us;gorgeous, often effusive, and yet funky at the same time.
And when the tempo was fast, his invention wasunflagging; he matured in the era of jazz where musicians
had to prove ihemselves constantly against thecompetition. Art was always ready to show a troublesomerhythm section that he could hold his own and 'cut' them
if necessary. His wife Laurie has wrien that he oftenplayed better under such pressures, that ultimately he
loved noihing better than to be challenged. He spent hislife showing listeners that he deserved their attention, andhe experienced their love and adulation many times over
in the years before his death'
- -:-' -:i-f'. 'r l.: :::.:::;..;]:W O;'R D;:'!-r:' .':1.I ': Rntn6ithord often associated with Art's music is- - ,..; r:I consisiency. No matter how bad he might have feli when
he recorded, his work does not show it. Aiternate takesnow available show what a resourceful and hard workingsoloist he was, making every note and phrase count. Hewas fortunaie that he was affiliated with the Contemporaryand Fantasy labels, with sympathetic label heads LesKoenig and Ralph Kaffel. His years at Fantasy fill over16 CD's! Yet there is noihing in that collection that wouldbe thought expendable, even when Art worked withsomeone where the rapport was missing.
;, And it was Kaffel that gave him what he mostwanted; a ballad album with strings. WINTER MOON has.-lnow jdined the ranks of only a handful of 'soloisi withstring' lbums that really work. lt is understandable that' 'f. lArt thought it was his finesi album.1 ,, ..,' This book starts with solos from the the yearsright after he left Stan Kenton and played with such lead-' ers asshorty Rogers and Shelly Manne, as well as lead-ing'hii own groups. PEPPER RETURNS signifies thefirst comeback for Art, and STRAIGHT LIFE begins a
. selection of solos from his classic Contemporary albums.From OPHELIA onward, these solos are from his last'matur period. Art composed many new pieces during' l-.ihis time, and he often returned to composiiions from hisearlier years. As a bonus, we have included two versionsof SURF RIDE, the firsi from 1952, the second from1979. The similarities and differences are strikingbetween the two, as even a casual look will show.
lf music was truly Art's life, then this book is asupplement to his autobiography. I'm sure it would givehim a kick to know his music was being played andstudied. I hope you have fun playing it.
Jeff Sultanof
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CONTENTS
TITLEART S OREGANODIANELANDSCAPELAS CUEVS DE MARIOMAKE A Lls-r IMAKE A wlsH)MR. BlG FALLS Hls
i----------------'G:HAND
oPHELIAPEPPER RETURNSsoMErlMESTRAIGHT LIFE
suRF RIDE (l)suRF RIDE (il)THAT:S LOVETHE TRIPWALTZ ME BLUES
ALBUMSURF RIDEGETTIN TOGETHERLANDSCPESMACK UPSTRAIGHT LIFE
ON E SEPTEMBER AFTERNOONLIVING LEGENDTHE RETURN OF ART PEPPERLANDSCPEART PEPPER MEETSTHE RHYTHM SEC-rIONSURF RIDESTRAIGHT LIFEwlNrER MOONTHE TRIPART PEPPER MEETSTHE RHYTHM SECTION
PAG Elo'R50e16274.)+t+46
20o
56
39
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6
Alto SaxVery Fast./G6
h/^f, -G6 E;ttlx lAll" *_---- =__
sflRF Rrritr (r)= 216
(w/ Bass + Drums.) -
D+7(b9)
cf" G6tD.--lD) ,.-;>
2/7 /52Surf RideWritten by ART pEppER
E7(b e)
AmiT AmiT.,---].. D+7(b9)
E G9 FmiT.---i.
BmiT(b5) E7
C$mi7
AmiT
E7(be)
DmiT EmiT
Copyright @ 1954 ARTHUR pEppER MUSTCCopyrighr Renewedlntcmational Copyrighr Secured All Righrs Reseed
D7(b e)
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Aml / D7(be) c6E
D7(b
EbmiT DmiT G7(b9)
D7(be)
Bbmi6 AmiT
D7(be)
EbmiT DmiT G+7
BmiT
Me) G67(be)
D7(be)
AmiT
BmiT
AmiT
-G64q
D7(be)7(be) G6
7/14/2019 Art Pepper Solos
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G6mt
C7;\ F;A AmiT D7(be)
AmiT
GmaTlD
AmiT D.S. (w/ Repeat) al.$D7(be)7(be)
W;AD7 ------------'tGe(c11)---+-\\ e
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Photo by Laurie PepPer
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l0Alto Sax AR.T'S ORtrGAJ{OFast J = 200(Unaccompanied)
B7(b' EmiT/A A7(bs) DmiT
D9 lEll G6-----l--l) .--T>-- AmiT
Coplrighr O 1954 ARTHUR pEppER tvtusICCopyrighl RenewedInremational Copyright Secured All Righrs ReseNed
GmiT _ Gmi6 Fgmi7 F7lB''-\----'*^rr'' -bt^i :-=---:>
EmiT A7 F{mi7 B7
12/27 /53
EmiT
EmiT EbTtA,{\
E7trT>t
,_fI Tenorl
D6xtr--lI t utttlEf
G6 AmiT D7 BmiT E7 AmiT,----.*+; !.- a
E7(b\ AmiT/D D7ft GmiT Cmill cm);;;fmi6 BmiT BbTtEAmiT Ab7/D
D+7
G DmiT G+7rlN EmiT A7r-------..--
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EmiT Eb7lA DmiTmaT Fmi6miT C7miT G7
ED6
CmaT Cmi6
---- ^-)
BmiT Bb7lE AmiT Ab7lD
FFfimi7 B7 EmiT,
7/14/2019 Art Pepper Solos
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B7(be) EmiT
F$miZ B7 EmiT A7
Cmi6
//----'1--.
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l6Cmi-----:-=-- >,-{-=----.
f"-Dmi A7l-r .C-t
Ge(f 11) c13(be)
D7(be)
A7(be)
GmiT
Lmt/
F6 DmiT GmiT C7
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11
Bb6
')
F6r.-_ ;llJolo reaKl
-'-a.D.
r--Jl
-I
I tl
fF6 al,f,oq
Dmi
^7(be)
GmiT C7(b9)
AmiT
Gml /
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l8@ Dmi6
(vITlI /
Ab e(f l1)
c7(re)
Abo GmiT
/--
c7(be)
Ab")- GmiT Abo
A7(be)
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F6 L7 EmiT A'7_-----:-. t;---_-l| ])ms.l.lj+
A,I
@F6D.S. w/ repeat al CodaW*')
CODAS Bbe(g11)Epe ^I so'l pe1X111
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20Alto Sax STR.AIGF{T LIFtr
---\Cmi(ma7)
VeryfastJ:fAtr*TD-ilI 19:-Art Pepper Meets the Rhytlm Sectir-:Written by ART PEPPER.
Cmi6
E7
%E CRhyhACma7E--
Dmi6
EmiT
il)\
Copyright O 195 ARTHUR PEPPER MUSICCopyright RenewedIntemational Copyrjght Secured All Righls Resened
G7(be)
87(be)
Ab7
Cmi6
BbmiT
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Cmi6
G7(be)
Cmi6
EmiT
D13(be)
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22Cmi6
CmaT CmiT
l-; /-;\G6G6 . | ,---\
fG6
D13(be)
GmaT G9
Ami6
Go
Db9
87(b e)
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/JBmiT Bb mi7
f^----llutns.l
f-=.---------;--lftano Sotol I Bass Solo Pickuos I|'-,----=fE^'iildl,1Jl
G(t)i
Dms. Solo Break 4
3' 6;il A9 T;--llJdx.l
t- lI JA.T.i;tI rJolC6 Cmi6
Cmi6
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D13(be)
C6
BmiT
Bb mi7A,N
D13(+l l)
D.S. rv/ repeat al FineDb9
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Photo by Laurie Pepper
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26
Alto SaxWAL'T'Z Mtr BLTTES
= 180
I Jar. IG7(f e)E r)----.n) \
tr;r D;A(c)
AmiT
CmiT BmiT
Bb7({e)
omil ^f
F;;A rr@ r*
Bbmi7 Bbmi6 AmiT==:>- ------AmiT
1/19t5'.1Art Pepper Meets the Rlythm SectionWritten bv ART PEPPER and PAUL CHAMBERS(c{") _-----=-lqo^*b- - - -EmiT C ATIC* D7
AmiT
BmiTT;IIAJ I
tp.- t.-.
Copyright O 1956 ARTHUR PEPPER MUSICCopYrighi RenewedIntemational Copyrighl Secured Al RiShts Reseed
7>2:G
Mf--:--lT^-;t I bass Jolo IlA /l - | Dms. SololIA XIu_t:l
D7(be)
GmaT
7/14/2019 Art Pepper Solos
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27tAqlFrrd: 'la- ---:--=: -'-->\
- _@G
f,p--
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28AIto Sax DAhIE
G13(bsXbe)t_-f;-;;--r| arraal ECma 2/29/60Gettin'TogetherWritten by ART pEppERAmiT
FmaT
CmaT
Cma9/G
r_ J ______r G7(be)
G13(be)
G9/13
FmiT G13(be)
AmiT Abmi7 GmiT
Bb 13/F
Copyright O 1956 ARTHUR pEppER j\{USICCopyrighr Renewedlntemalional Copyrghr Secured All Righrs Reserued
AmiT Abmi7 GmiT
Gr3(f 11)
Eb7(re)
G13(# 11)-.-l---
Db7(be)
Gb9/13
---'-----
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29
fz-(-ll ts lTl /ILI
G7f s(fle)
Ami(ma7) AmiT
AmiT
AmiT AbmiT GmiT Gb7
Gl3 |1mt / EbmiT DmiT
Piano Solo - Double Time
t-J _J
Fmil1/Bb
BmiT
ma/
Lma /
G7(f e)
Gl3
G7({s,fl9)
G7(#sXbe
Cma7
Cma9
Db7(be)
[___ltJd,Y.lGb7
Bb r3({ r 1)
BmiT E7(b e) Ami9 (Double Tme)
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it,
DmiT DmiT:---G]>-. a---. ,--E\7(f s,f 9)
lbtl cmae
Cma9--\
FmaT
CmaTlG Dmi9/G
AmiT AbmiT GmiT. r>---
7/14/2019 Art Pepper Solos
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Alto Sax LAS CUEVAS Dtr MAR.IJ =roo7 +1(Bass)(+Dms.)4
DmiT Gz---.
Gun$.
'-*/DmiT
GmiT C7?n-Eb 7({ e) D7(f e)
@ Copyright 195 ARTHUR PEPPER MUSICCopyright recwedInremational Copyright Secured All Rights Reseed
(uns v,/tpt.) DmiT Gf; --'T--.
DmiT Gl-: .---."..--.
C7w)
3110/24t60Smack UpWritten by ART PEPPER
,h0.4' GmiT,"-*-Jr-----"'7pt)
:-tT----DmiT
Ers;(+Piano)3
C7
:EbeT--;-----I Jdx. I
t;;-------;;---lKhythm yamp II
@c DmiT G? '-:C7 /;\
DmiT
9
I rpr I t-l| (\va)l
7/14/2019 Art Pepper Solos
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C7
Gl-t',J,
DmiT
GmiT
DmiT,'---
GmiTl\
'j'G DmiT G DmiT
DmiT
DmiT DmiT
EG
Eb9 D7(f e) /> \-
rGDmiT
7/14/2019 Art Pepper Solos
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33(rIIll / GmiT
DmiT Eb9
i-".......-\
DmiT
(llll /
D7
/+\D.S. altf(with repeat)r--.:;----:---.;;-lI K4,lhnt Yontp I4W. S"t"]Q Choruses)tr24 fPrr" sadfz Choruses)tr- 24:---:
o Piano at'p
Eb7(fle)
-
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34Alto Sax
J=roo
Cf mi7 Ffi7))^) i
ta ll=--..'.-- >
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35
J'813(be)
Ami2 \t/
G7)
G7)
Bb ma7lFh/.\Cfmi7 F+7(bs)rh' /nlCfimi7)
q)
DmiT)
F$7)CmiT
)
^)CmiT)
BbmaTlF)
E13(be)@v*p;;llDmll G7 Db7(b9)
DmiT)
Ami9
\'-lE/F$ 13 Cf mi7(b5)/G F# 13
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BbmaTlF
BbmaTlF
F#7(bs)
A6/9
;-\ \
Er3(b 9) Am6/9>/i
BmiT(b5) E13(be)
@^s@;a
Am619
(Rough)
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Dmi1l (whole-tone scale)
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Very rough ad lib. (2 measures)
C$mi71add F{ F$71bsth' /^Cflmi7(add Ff,)) F#7(b s)b/nl
Ami2
CmiT(add F) Fl3) )^oCmiT(add F) F13
lh/' / nlDmiT(add G) G13
) )^)Cmi9)
Cmi9/F /i/-/
7/14/2019 Art Pepper Solos
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Alto Sax JazzWaltzJ =tSAA9
T'I{E T'R.{PBb 13 A9
Bb13 |srl fil aq (sim.) Bb 133.-\.(misterioso)
Eb 13
---/
Bb 13 A9
tl'----___-lll.
-Bb13 Eb13 |l//'
,.L- 3 --)
Eb 13
399il 5t76The TripWritten by ART PEPPERBb 13
Bb 13
I cTl as
Bb 13 A9 Bb 13mp (ntsterioso)
copyright lq) ls66 ARTHUR PEPPER lvlUSICCopyright Rcncwcdlntcmafional Copyright Secured All Righls Rescrrcd
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G13
Fil t3
Bb 13
Bb 13
(P iutto So lo cotltnues)
r-;.-'r >----BmiT
Bb 13(ntislerioso)
A9
Bb r3
----\---+\AfTr1",I
Bb 13
Wtt- V"^r=, tr",r, Srta
Cf mi7
A9E (enctpianoSoto) Fy'wryt r't1 Bb 13
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Bb r3
Bb t3
Eb 13
Bb 13
/,,_\
Bb 13
Bb 13
Eb13
Eb 13
Eb 13
Eb 13
Eb r3
Bb 13
Eb r3
Bb 13
D9E
At;;1ILJI
Bb l3
Bb 13
{9mf
r- J -------1
Bbr3 Ebe
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Dmi9 C{mi7
Bb 13
F# r3_ -:--;-a(nf).tr(ojlL-T-* -:-- fEl3
Ar3
Cf mi7
----=:
Fft3(be)
Bb 13
BmiT
fJtI'jl-49-- nlp
Bb 13 Bb 13
Bb r3 /--.a^ F\FTJ b)Bb 13 Bb 13
Gt3
T;;II rrl {9
A9
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A9
-i;r A9
Bb 13\
Bb r3
Bb 13
A9
Bb r3 Bb r3
Bb r3/*,*--- !,-----Bb 13;=---\--- -^) -< \
:--l---:
Bb 13
fBb 13
Bb r3
-+ -l
A9Noodle wildly!Bb 13
A9 Bb 13
Bb 13_------->- ,,G\Bb 13 Af-=:ltF\ll'"1;--)--r .-----:-
Bb 13
(mseroso)Bb 13
Bb 13
Bb 13
ryp
Noodle wildlYl
Bb7
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.+.1trl A7(f e)
Bh l3+'-T\.
Bb 13
A9
Bb7 Bb7
v -r-_/
Bb 13
Bb 13
Bb l3 split tone
Bb 13
Bb t3
Bb 13
Bb 13^f
Bb 13
49n
Bb 13
Bb 13
A7(#e)
Bb 13
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Bb r3
Bb 13 T;;]lfvlA9 Bb 13
Bb r3
Bb 13
A9
Bb 13
Bb t3
Bb 13b 13 lFtols Bb 13
Bb 13
Bb 13 Bb 13
Al3 (split
dint.
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46
flb t lannel
CmiT
)=ttz
Ex G9 GmiTFl3
c11
SOMtrTIMtrWrrtten bY ART PEPPERlSolo breakl ,
Bblc cr3(b9) Fl3 c7
Bb6t9
7,16,79Landscape
Bb7
Gmi9/C
clt
Copyrrghr t 1q79 ARTI1UR PEPPER MUSIC'Copyrrght Rcnc*ctlInrcffrxrionl ( trr'ght Sceurcri A1l Rights Rtscnccl
Eb9tDb
c7(f s,b e)
F13 86tC Cl3(b9) Fl3
Bbma9
F6IC Eb9/Db D9
E"nCmiT
Bb7
Fr3(be) F7(fs)
7/14/2019 Art Pepper Solos
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0Gb7(f e) F6 t;-- --tt,50lo ht eok)nriT/CGmiT cil
( ml/
GmiT
BbmaTIag--,----
CmiT
Bb6
c11
Fl3
c#o
MG9
Bb ma7U Db mi7
Eb9
CmiTlEb
Bb7
CmiT/F F7(#5,f9)
Bb6
F7(f s,f 9)
c7(f e)
Eb9tDb cll C9
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l.:---:-----:-----;-lF,l3 | Solo hreak | ,N/ t | ; ,A ^ >
trc7(f s,#9)
Gb7(fe) F6(e)
lag---------
CmiT-z.--- ..1,_-.
cr r c7({s.f e)
Fl-1([9
DbmiT CmiT8ra-.--
G9
Fl3
Bb ma7
F6IC Eb9
('ml /
cil
IBt ce
cr3(be) F6
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o F6(9)
EG9 BbmiT AmiT
C13(b9) Fma9,=_> --/Ei 13
cl3(be)
Clat'. Caden;ao Quickh'
-_-umr/
El3l3tr
Eb l3
Eb9
D7(f,e)
Dl3 ^''zl
D7(f e)
A little.slutt'er:--
GmiT
G9
c'/amiT/C
F6 FailiQuicklyr rj-r 3
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LAI{DSCAPE176F#mill(simile)j"----.
Emill
50
Alto SaxNledium Groove J =Emill(toircdutlounhsl
(Emi11) Ff mil l
' l6 -9Landsc a pcwrirrcn by ART PEPPEREmil I
AmiT/'=--' .-{Emil l Ff mil I
Ff mil I GmiT/C
mv---ll;f=Emill F$ma7 GmaT Emill Ff ma7 GmaT Emitl
EmiT.4Zrrtmill f l-)..Cf mi7
Copyrighr ( |s79 ARTftUR P[:ppER NtUSt(lnlchtronal ('opvriet Securcd All Rights Rcscrlcd
F$mi7
(N.C.)
F#mi7lB
Ff mil l Ff mil I
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Ff mil I Emil I
F#mill Db9 C9
Emil l>
Emil I G13 C9
Emil I
Fflmill Emill Gmill F{mill) N)I"-$mil l
Ffimil I AmiT
Ff mi11
Ff mi7
F*mi7 Emill
F#mil l Emill
El3 Bb9(f,11) AmiT
FfmiT(bs) B7(be) Emill FSmill)n -. -: ;-T---
t\
Emill Ffmill Emill,---,,,_\-
2'. Ff mil l Emil l :------.-\
--
Emill Filmill Emill Emil1 Ffmi11 Emill)N) ) L__
Emill
B7(fs,fe)
Ff mi11
F#mil I
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Ff mil I
r,---: Emil I Ff mil I Emil IlA5l
Emill Ff mil l/?G,
BmiT CmaT Ami6
B7 Emillloc'o _/--- Dmill EmillZa
>-,-r- Ff mi7 87(be)
Gmil I
Em9 Db9(#ll)
Ff mil I
Emi6
F#mill
F*mil l Emil l
Emi1l Fflmill
Dmill
Bb mil1 AmiT
Db 13
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B7(f,5,f9)
Emil I
DmiT Db 13
mt /
lol.11
Ff mi11 EmillA
Ff mit I
Emil I
E7(be)
B7(fe)
B9 Fe({ l 1)
-------_\>
zf:>
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Emill->: 4a-=:--EmiTM. l>\ t1DInI/
Ff mi7
B7(fs)
(Trade./burs v;/Dms.) Ff mil l Emil l>
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(Amil l)
Emil I
CODAqr.7
E;,t*;;rt trb]|Emi9(ma7)
Ff mill Gmil I
Emil I
B9sus Ff mi7-.'-----
Lmt/\
1Dns.1
t;-__lI t)tn.\
B7(f s) Emil I C94
87( $ 5,# 9)D.C. al $(w/repeat)t^--l
um.\. 4
w)Emi( ma7)
Amill
Ae(f n)
-
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SIJRF RIDtr ITI) \t^./ Sill 79Alto Sax r;;------------:, Straight Lif!FastJ =2ooc6 ;#^:il:*iX,--}-. E7(be)
D7(f 5, b 9)
GmiT C7
BmiT
l.G6
FmaT
AmiT---:- D7(fls,b e)
FmiT---:-
S o-,,maT
DbmaT=--AmaT
(otlriqhr r lqrJ ARTf{LR pEppF_R \IUSICCoprnsht Rtnt'rre!llcrrronl (irprright Sccurcd .{ll Rrshr\ Rcscr\cd
DmiT c7(f 5,b9)
BmiT Bb mi7
AmiT D7(b9)
_;l G6l^Ll
AmiT D7(fls. b e)
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.-
D7( b 9)
G6 sz( b s) AmiT
Eb9
G6iD
Amt/
D7(*s) Gr3 -f:
D7(be) G6
G7(f,s,b e)
cf'
D7(#5,b9)
cf" G6iD
cfo
DmiT
E7(be)
C7
G6/D C7 BmiT
Ami9 D13( cl3e)E
AmiT D7(b9)
E7(#e)
Cf,' G6/D D9 DmiT G7(b9) C7 cf'
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E7( b 9) \mi7
D7(be)
C9'--:\ - :---->-
'--T--
c{o G6/D C9 BmiT
'---'T--c$' GiD
D+9 G6 E7(f5,b9) Ami9
-----
.-G-;-.
EbmiT DmiT Gl3(b9)
Bb7--.-'^' z ll a\
EAmiT Abl3 Gl3
AmiT
E7(fie)-=-:---EDr3(be) G6 G7
-:---=--
c$"
/--T.\_
>-
D7(b e)
G13 Gl3(b9) Ce
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Eb9-- j ----.--]
cf.
D7(be) Gma9 MG6 G9 cf'Gr3(b9)
AmiT
BmiT Bb7 AmiT Ab7---T-
\mi7
D+9
AmiT D7b9
G13r\c#'b
G6ID
BmiT E7( b 9).C
C1-----.
cfo
AmiT/D
^l.-?
AmiT D+7
E7(#e)
D7tb9)r-:F--.-Eb9 Dmig Db9 C9
AmiT EbglBb AmiT De(fl 1 1)
cfo G6/D.-----C7
D7(#e)
BmiT BbmiT AmiT
,.-...:\
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EGG7 @r,,r,t S,tl,t
, --_----Trude 4's w/Dnts.
G6
AmiT
AmiT D7(#9)bo-^-fp -f
5 chot'use.t
Cf " G/D DmiT-----...,...'.---\
AmiT D7(be)
-/--->.G6EX__rlDms.l
E Gr3 ID;;
GILlJ I Ba.s.s S,r/,r IL(7 choru.ses)
G6laUJI
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E7(b e)T;___lI Dn6.lA9(bs) D7(fs,b9) G713(b 9)
cfo^--.
E7(re)
D7-G6 C7 cfo G/D EbmiT
D9/'-a-tE7(be) AmiT
E7(be) AmiT_-.,---\'-+ t \ D.S. w/ repeat al S:----tI Dms.l3
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ozAlto Sax
G13
MAKtr A LIST (MAKtr A WISH)Latin .l(unis.
rl>..
= 144 (even Sths)wth piano)a----:, .----\|) L-]
CopyriSh! ('r 1980 ARTHUR pEppER VUSICntema!ional Coprighr Secure
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l''o,a Gr3 ,--]rt'orI lst time onlylE A13
pluy otr D.S. onh,
G13 --.a
@dA13 Tmprou6si,lEilar:
FPAl3 Gl3 Al3
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64
_ Al3tru
(split pitch)
-;1 Al3I l-, tlt-=_tl agradualb) louder and more urgenl
G13-----/
7
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_Ar3trl
A13
A13 6--
Al3n41
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loc'o\ l3
Ven' rough al lib (ot,erblcv.')
G13 , ,At3| tr11tL,l
Al3- - -\ r;--::--=-=-
_ Al3trll
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Ar3 Gr3 Al3 Gt3
(gr tt d u a I l r- d i m i n u e n d o )
G13 A13
G13 A13 Gl3
Al3
Al3
Al3
G13
r;---t-';tI LOWD?U I
G13
Gl3
Gl3
Al3
^Bavampl Gr3
Gr3
A13
D.S. w/repeatut, SCODA (Vamp)0 Ar3'
lDrums and LatinlIPercussion solo | 2 s./. srcs-t t--lrl 20
-T
Al3
Gl3Intprov.)
G13 Al3 G13
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Al3
Gl3
Al3
Gl3
Gl3
Al3
Gl3
At3
Al3
Gl3
413lip slide
Al3
G13 413
Gr3 Al3
---.\"- _;
Gr3
Gl3 EJI arl3 At3\-/_
Al3
;-cl3 At3 Gt3
Al3
Gr3
At3 Gr3 Al3 Gl3 At3
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I'i:..:,a:iilrlil'a;t.. '
iii'.;
Photo by Laurie Pepper
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70Alto Sax
Slow Blues (J.f^-tlJlgs. l
= 76)3
813
THAT'S LOVtr
De A7(#s) De
9 '1, 80Winter MoonWritten by ART PEPPER
AmiT
D9)
A7(f s) DeI ht/ / ^/' A13A7(fs) De
x slightly higher in pitch Copyrighr e 1980 ARTHUR PEPPER VUSICInlemational Copyrighr Secured Ail Rights Rescned
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I l tmel-- (Dl3) Al3 Verv rottgh ad lib -----..---_-)
E7
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72
At3 E7(fs,#e)EmiT At3ll/ )'^)
Al3)
Al3)
--]--
Ar3)
AI3 F9
At3br/ n//'
EmiT) simileD9
A9D9>
E9
?*-* --
At3 F9 E9 413\ G
,---
EmiT At3I ht/ / ^,t'
Rough ad lib
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.47- -\
A)trBb 13
Gl3 Ff 13 F13
@d;;;rhAl3l3 rbl] Dr3 Db13 Cr3 Ar br/-/-rT rTn
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MR. BIG FALLS HIS J. G. HANDMedium BluesG7
74Alto Sax 9i -i180One September AftemoonWritten by ART PEPPER
----T--r
(quartal over C)
WV*p;qG13
Copyright :e 1980 ARTHUR PEPPER IIUSICltemalional Cop!.ight Securcd All Rights Resened
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(Gt3) N..'---l. --\
-Rll Gl3| "" I
8va---
(verv rough)
---
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EGl3za-.
C/D T;lCt3lrJ-.-,--\ re, t ta;S;;l (2 C ho rLts s)
| tr, | | Dass Jqto II -- l
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c13
D9I,t
G9EG9
::--T-: 2--.' -r----.----
---=--.''...S---G7(#e) A9 Ab9.
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Photo by Laurie Pepper
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Photo by Laurie Pepper
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TTRNSCHIPTIOIffi
Arlist lronscriptions ore outhenfc, nole-for'note lronrcriplions of lhe hottesl orlisfs in iozz, pop, ond rock fodoy. Ihese oufslonding o((urole 0rr0nure in on eosy'lo-reod formot whith includes oll essenfiol lines. Artisf Trons