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The Art of Error Correction Emilia Siravo - E-TAS Professional Day - Zug, Switzerland September 2016 "There is nothing either good or bad, but thinking makes it so" Hamlet (Act II, Sc. II). 1

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Page 1: Art of Error Correction - ETAS Learning Journal The Art of Error Correction ... Dictogloss The Art of Error Correction Activity: ... Promotes listening,

The Art of Error Correction

Emilia Siravo - E-TAS Professional Day - Zug, Switzerland – September 2016

"There is nothing either good or bad, but thinking makes it so" Hamlet (Act II, Sc. II).

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Overview

TerminologyIssues

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Terminology Group Work H:1

The Art of Error Correction Definitions: Lyster, Ranta (1997)

Work alone, then in pairs to define the following relevant terms (3 min)

Scenario 4: ____________________Student: I’ve worked here since 2 years.Teacher: for 2 years.Student: Ah, yes. For 2 years.

Scenario 5: ____________________Student: I’ve worked here since 2 years.Teacher: What preposition do we use when we talk about a period of time ‘since or for’?

Scenario 6: ____________________Student: I’ve worked here since 2 years.Teacher: 2 years? I worked here …. 2 years? What do we use?

Scenario 1: RepetitionStudent: I’ve worked here since 2 years.Teacher: I’ve worked here since 2 years.

Scenario 2: ____________________Student: I’ve worked here since 2 years.Teacher: No, that’s incorrect. You mean, ‘for 2 years.’

Scenario 3: ____________________Student: I’ve worked here since 2 years.Teacher: Excuse me? I didn’t understand.

1. Repetition2. Recasts3. Metalinguistic cue

4. Explicit correction5. Clarification request6. Uptake7. Elicitation

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Terminology Group Work

The Art of Error Correction Definitions: Lyster, Ranta (1997)

Work alone, then in pairs to define the following relevant terms (3 min)

Scenario 4: Recast & UptakeStudent: I’ve worked here since 2 years.Teacher: for 2 years.Student: Ah, yes. For 2 years.

Scenario 5: Metalinguistic cueStudent: I’ve worked here since 2 years.Teacher: What preposition do we use when we talk about a period of time ‘since or for’?

Scenario 6: ElicitationStudent: I’ve worked here since 2 years.Teacher: 2 years? I worked here …. 2 years? What do we use?

Scenario 1: RepetitionStudent: I’ve worked here since 2 years.Teacher: I’ve worked here since 2 years.

Scenario 2: Explicit CorrectionStudent: I’ve worked here since 2 years.Teacher: No, that’s incorrect. You mean, ‘for 2 years.’

Scenario 3: Clarification RequestStudent: I’ve worked here since 2 years.Teacher: Excuse me? I didn’t understand. How many years?

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Issues: Pros/Cons Error Correction H:2

The Art of Error Correction

In pairs identify 1-2 pros/ cons surrounding Error Correction (2 minutes)

Pros Cons

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Issues: Error Correction in Perspective

The Art of Error Correction

Nelson Brook (1960) – “Like sin, error is to be avoided and its influence overcome..”

Audiolingual Approach

1960s

1970

Communicative ApproachChastain (1971), “More important than error-free speech is the creation of an atmosphere in which the students want to talk.”

Krashen:Comprehensible input hypothesis

(1977-2010)

Swain:Output

Hypothesis (1995)

Long:Interactive Hypothesis

(1996)

Schmidt:Noticing

Hypothesis (1990)

Debate

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Issues: 5 Questions

The Art of Error Correction

Hendrickson’s 1978 (Error Correction in Foreign Language Teaching)

Was there an error? (Fanselow, 1977)Students want correction

(Oladejo, Carthcart and Olsen)Student characteristics (DeKeyser, 1993)

01 Correction

Should we correct?

When?

Immediate vs Delayed(Hattie & Timperley, 2007)

02 Timing

Which errors?

Impede meaning, stigmatized, frequent (Ferris, 2005)Phonological, Syntax, Lexical, Orthographic, Cohesive

03 Selection

How?

Explicit vs. Implicit(Sheen, 2007)

04 Method

Who?

TeacherSelfPeersAutomated

05 People

"But, for my own part, it was Greek to me". -(Julius Caesar Act I, Scene II).

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Issues: Effectiveness?

The Art of Error Correction Lyster & Ranta (1997) 18.5 hours / 4 French immersion classrooms / Grades 4-5

Errors, Feedback and Uptake

Errors with feedback

63%

No feedback

Feedback

Uptake55%

No Uptake45%

Uptake

Repair27%

Needs repair

Repair

However, research is often incomplete, flawed, often not longitudinal, and rarely comparable.

"The devil can cite scripture for his purpose". (Merchants of Venice, Act I).

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Recasts

IssuesActivity

Recasts: most frequently used error correction technique yet least effective (Lyster & Ranta, 1997)

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Video: Recasts

The Art of Error Correction

Read transcript (H3), make additional notes on (1) how the teacher provides feedback: recasts, repetition, prompts, praise and (2) if teacher gives opportunity for uptake.

Minute 0-1:22 https://www.youtube.com/watch?v=DVjeee6qKuk

Watch video, make notes on (1) does the teacher correct (2) if so, how does she correct (3) do you think effective?

With your partner, discuss and compare notes.

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Transcript: Recasts H:3

The Art of Error Correction

T: Where do you work?S: I work at StarT: Starbucks. S: Starbucks T: Very good. T: Where does she work? Where does she work?S: She works at T: (Whispers) Starbucks. S: Starbucks. T: Ok. Good. Very good, everyone. T: Where do I work? (Pointing to herself) I, I. Where do I work?S: IT: (Pointing to student’s book) The second one S: You work in Starbucks.T: Very good. You work at Starbucks. Ok let’s turn to the next page.

(Recast)(Uptake with repair)(Praise)

(Provides answer)(Repetition/ Uptake with repair)

(Praise)

(Praise) (Recast) (No opportunity for uptake)

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Recasts: Pros and Cons

The Art of Error Correction

Time saving, less disruptive to communication, focus on meaning (Loewen, Philp 2006, Long 2006)

Allow teacher to remain in control (Loewen, Philp 2006)

Juxtapose incorrect/ correct info (Saxton, 1997 in Loewen and Philp 2006)

Ambiguous, unclear, inconsistent (Fanselow 1977, Lyster & Ranta 1997)

Work done by teacher, no opportunity for repair (Swain 2000)

Most used, yet least effective (Lyster & Ranta, 1997)

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However, recasts can be effective if there is …

The Art of Error Correction

Combined with repetition(Doughty & Varela, 1998)

Multiple feedback moves(Loewen, 2002)

Shorter, fewer changes(Egi 2004, Philp 2003)

1-2 words (Loewen & Philp 1996)

Salience, consistency(Loewen & Philp 1996, Hans 2002)

Lexical / Phonological items (Sheen, 2007, Mackey 2003)

ExplicitnessDevelopmental readiness, advanced learners, low anxiety (DeKeyser, 1993, Mackey & Philp, 1998, Hans, 2002)

Readiness

Opportunity for uptake(Oliver, 1995)

Wait time (Rowe, 1996)

Opportunity

Go wisely and slowly. Those who rush stumble and fall. (Romeo and Juliet)

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Activity: Improving our recasts H:4

The Art of Error Correction

Work with your partner to identify some potential issues with these recasts. (e.g., not explicit delivery, students not ready, no opportunity for repair) (5 minutes)

Scenario 3: (B2 level)St: This man was mobbed at work.T: harassed. Ok, let’s move on.

Potential issues with recast:____________________________________________________________________________________________________________________________________________

Scenario 2: (A2 level)St: If I would have money, I stop to work.T: If I had money, I’d stop working. Next student.

Potential issues with recast:____________________________________________________________________________________________________________________________________________

Scenario 1: (C1 Level)St: I went to dinner with a good colleague of mine from school.T: I went to dinner with a good friend of mine from school. Ok, next.

Potential issues with recast:____________________________________________________________________________________________________________________________________________

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Prompting

VideoWhen to use what

Prompting: not frequently used yet most effective (Lyster & Ranta1997, Lyster 2004)

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Activity: Prompts Review H:5

The Art of Error Correction

Identify what type of correction technique the teacher uses with this C1 student: e.g., Explicit correction, Clarification request, Metalinguistic cue, Elicitation (Question, Gestures, etc) (3 min)

Student: I research the use of blockchain. (pronounced by student as blɔg ʤeɪn(blog jane) instead of blɑk ʧeɪn (block chain))Teacher: Excuse me? I didn’t understand. _________________________Student: Blog jane – it’s a complex algorithm and database. It’s the future of our internet. Teacher: But why is it called Blog Jane? Is it a blog written by Jane? ________Student: No, no it’s not a blog. It’s a ‘blog’ like a brick and a ‘jane’ like that metal that binds a bike so that no one steals it. Teacher: Oh, you mean Block Chain? ____________________Student: Yes. Isn’t that what I said?Teacher: Ok, look at my mouth (teacher gestures ʧ sound)- Chain. _____________Student: Chain.

Then discuss with your partner: do you think this was effective for the student or not? Explain.

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Prompts: Pros and Cons

The Art of Error Correction

Effective (Lyster & Ranta, 1997, Lyster 2004 )

Explicit (Sheen, 2007)

Self discovery

Takes time, interrupts communication

Generally form focused

Difficult to do on the spot

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Video: Eliciting using Cuisenaire Rods

The Art of Error Correction

Minute 0-0:57 https://www.youtube.com/watch?v=RaQzlkm5ZsA

Read transcript (H6) make additional notes on (1) how the teacher provides feedback: recasts, repetition, prompts, praise and (2) if teacher gives opportunity for repair.

Watch video, make notes on (1) does the teacher correct (2) if so, how does he correct (3) do you think it is effective?

With your partner, discuss and compare notes.

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Transcript: Eliciting using Cuisenaire Rods

The Art of Error Correction

T: Ok, Gabriella. Can you show me, I’ve got 2 green rods?

S: Ok. (Takes 2 green rods from pile of Cuisenaire rods and places them on the table).

T: And say the sentence.

S: I’ve got 2 green rods.

T: What do you think, is that good?

Sts: Yeah.

T: They’re on the table. Has she got them?

S: Not got

T: Can you try again?

S: (Takes the 2 rods in her hand). I’ve got 2 green rods.

T: Ah. So they’re yours now. That’s a good answer. Ok, let’s try another one. All the orange rods are in the box. All the orange rods are in the box.

(Elicitation, Question)

(Elicitation with CQ and Cuisenaire)

(Uptake)

(Opportunity for repair)

(Uptake with repair)

(Praise)

H:6

(Elicitation, Question)

https://www.youtube.com/watch?v=RaQzlkm5ZsA

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Resource: When to use what

The Art of Error Correction

Clarification RequestsPronunciation, Vocabulary, GrammarEx: Sorry, I didn’t understand. Please repeat.

Cuisenaire rods/ Gestures:Tangible Meaning, Word OrderEx. You speak very well German. T: Uses last 3 fingers to indicate error in order.

Elicitation / CQ (Workman, 2007)Vocabulary, Grammar meaningEx. You worked here …… 2 years?

Metalinguistic CuesGrammar (Sheen, 2007)Ex. What’s the past tense of go?

For more ideas on how to use Cuisenaire rods: Zakhareuski, busyteacher.org

What prompt(s) would you use to correct these students’ mistakes? Combine as necessary.

1. Please send the email until Monday.2. Yes, I’m looking for Jackie – spelled

J, A, C, K, E, EH3. My work at the moment is very

heavy.4. He explained me the issue.

H:7

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Student learning journalVideo message

Seeding the task

Communicative Correction Activities

Lyster & Ranta (1997) “ teachers might want to consider the whole range of techniques they have at their disposal rather than relying so extensively on recasts.” (56) 21

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Student Learning Journal

The Art of Error Correction

What was said:____________________________________________________________________________________________________________________________________

Explanation:____________________________________________________________________________________________________________________________________

Correction:____________________________________________________________________________________________________________________________________

New Vocabulary:____________________________________________________________________________________________________________________________________

Translation:____________________________________________________________________________________________________________________________________

Learning Journal: things noticed in class____________________________________________________________________________________________________________________________________________________________________________________________________________________________

Date: _______________

Used in every classKept as journal, repeatedTeacher keeps similar journal, uses errors to structure future classes

Self correction, recastsDelayed Repetition or what student notices

Metalinguistic information

Completed at end of task or class

H:8

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Activity # 1: Video Messages

The Art of Error Correction Activity: Adapted from Michael Berman, Guerrilla Pronunciation Teaching TESOL 2016

Think 1 thing love / 1 thing change about SwitzerlandMake a short 30 second video on your phone (in your 2nd language) on topic.

Discuss: What would you have done differently had this been a real assignment. Practiced several times or recorded just once?

Feedback: Repetition + Recast (Video/ Written)Students: Repeat activity

Homework Assignment: Promotes self correct through repetition and recasting, self, peer and teacher correction

Give task to be completed by video message

Self correction

Feedback, opportunity for

uptake

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Activity # 2: Dictogloss

The Art of Error Correction Activity: Adapted from Scott Thornbury (2006), Grammar, OUP.

Promotes listening, writing and grammar and self correct through repetition and group work

Students then write down everything they remember.Compare notes with peersText is read 1-2 more times. Students amend text.

Group work

Students are asked to compare their text to the original (written on board) and highlight difference.

Errors are corrected (use student learning journal). Personalize task to focus on grammar.

Feedback, opportunity for

uptake

Listening task

Read text to students. Students mustn’t write.Text < 100 words

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Activity # 2: Dictogloss

The Art of Error Correction Activity: Adapted from Scott Thornbury (2006), Grammar, OUP.

Promotes listening, writing and grammar and self correct through repetition and group work

Dictogloss Notes

__________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

Three men were stuck on a desert island and a fairy came along and offered them a free wish each. ‘I wish I was back with my family and friends,’ said the first man, and in a flash he disappeared back home. ‘I too wish I was back with my family and friends,’ said the next man, and he too disappeared. ‘It’s very lonely here,’ said the last man. ‘I wish my two friends were here with me….!’

(Taken from Brough Girling. The Great Puffin Joke Directory. Puffin Books, 1990) in Thornbury, S. 2006, Grammar. OUP

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WritingSupplement

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Teaching ESL Writing is no joke

The Art of Error Correction

De-Cluttering/ EditingContent

Cohesion

Organization Register

Thornbury, 2005, Zinsser 1976

While also dealing with L2 issues

Audience

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And we tend to focus on L2 issues

The Art of Error CorrectionWriting correction code taken from: https://www.teachingenglish.org.uk/sites/teacheng/files/code.pdf

That can be self corrected

And are not considered by students (Cohen, 1998)

And there is debate as to effectiveness: Ferris vs Truscott

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Correcting ESL: How to minimize L2 issues

The Art of Error Correction

1. Error Analysis: Set goals based on students’ error needs, take samples

2. In class: Focus on form(s):

Beneficial and necessary (Doughty & Williams, 1998, Ellis, 2002 in Ferris, 2005)

Mini-grammar lessons: prior to /after writing assignments based on students’ work (Ferris, 2005)

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Correcting ESL: How to minimize repeat L2 issues

The Art of Error Correction

Individualize feedback:

Students create their own corrective checklist based on learning journals, teacher feedback

Teachers try to conference 1:1 with students if possible

And then: Get them to do it again!

Issue Self Correction

PeerCorrection

Teacher Correction

In my last assignment I made the following mistakes:

In class I generally have issues with:

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Thank you

The Art of Error Correction

Emilia [email protected]

Twitter: esiravoBlog: emiliasiravo.com

Allow students’ to see, to work with and to own their errorsGive students’ time for uptakeMake message explicit, but process implicitRepeat, recycle, reviewAnd don’t forget to use errors for future lesson planning

The fault, dear Brutus, is not in our starsBut in ourselves (Julius Caesar, Act 1, Sce. II)

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The Art of Error Correction, References

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