Art Models Livro 1

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Art ModelsLife Nudes for

Drawing Painting and Sculpting

In all my years as a student, professional artist, and an instructor, I have never seen apose file, or reference book that is in any way comparable to this volume. I am high-ly recommending this book to all my figure drawing students

- Michael A. Buffington, university art instructor

he DVD arrived today. Been browsing it and I must say Im impressed. Definitelyworth every penny. Cheers from a happy customer.

- Cindy Dukino, artist

Images of the human form that come as close as possible to what you would see, ifyou were observing the models directly with your own eyes.

- Butch Krieger, author, instructor and artist

I think its a great idea and a unique expansion on the basic nude reference books.- Felix Eddy, artist

I believe there is a valuable place for your work and as photographic references go,yours is one of the best Ive seen.

- Stuart Mark Feldman, year veteran sculptor

he authors are to be congratulated for putting this great resource together. I know Illbe encouraging the art and photomedia students at the college I run a degree programat to buy this book and I hope you do too. A very highly recommended resource.

- Wayne J. Crosshall, art instructor

he lighting is beautifully simple and reveals physical contours and volumes that Ineed to see to learn from.

- Joan Wraxall, artist

Your reference books really are wonderful. I like the northern neutral light on the mod-els, it really stresses the subtle forms and makes the painter and sculptors really lookat the figure.

- Daniel Horne, years experience as a cover artist


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Copyright 2006 Maureen Johnson and Douglas Johnson. All rights reserved. No part ofthis publication may be reproduced or transmitted in any form or by any means, electronicor mechanical, including photocopy, recording or any other information storage and retrievalsystem, without prior permission in writing from the publisher. However, you may createoriginal artwork by handfrom the photographs contained herein. If the artwork is used inany commercial product we require that you credit the source either on the product or at all

points of sale.

Published byLive Model Books LLC#128, 215 South BroadwaySalem, New Hampshire 03079.Foreword, A Second Renaissance by Butch Krieger

To receive a free pose, visit this page: http://www.livemodelbooks.com/bonus/

ISBN-10: 0-9764573-5-0 Hard Cover with DisketteISBN-13: 978-0-9764573-5-0ISBN-10: 0-9764573-3-4 Soft Cover with DisketteISBN-13: 978-0-9764573-3-6ISBN-10: 0-9764573-4-2 Hard Cover without DisketteISBN-13: 978-0-9764573-4-3ISBN-10: 0-9764573-2-6 Soft Cover without DisketteISBN-13: 978-0-9764573-2-9LCCN 2005907110

Publishers Cataloging-In-Publication Data(Prepared by Te Donohue Group, Inc.)

Johnson, Maureen ., 1964- Art models : life nudes for drawing, painting and sculpting / [by Maureen and Douglas Johnson] ;

foreword, A second Renaissance, by Butch Krieger.

p. : chiefly ill. ; cm. + 1 video disc. Includes indexes. ISBN: 978-0-9764573-5-0 ISBN: 0-9764573-5-0

1. Human figure in art--Pictorial works. 2. Figure drawing--Models. 3. Figure painting--Models. 4.Figure sculpture--Models. 5. Artists models--Pictorial works. I. Johnson, Douglas A., 1969- II. Krieger,Butch, 1945- Second Renaissance. III. itle.

N7570 .J64 2005

704.942 2005907110

Printed in Korea

Although the author and publisher have made every effort to ensure the accuracy and completeness ofinformation contained in this book, we assume no responsibility for errors, inaccuracies, omissions, orany inconsistency herein. Any slights of people, places, or organizations are unintentional. Te viewsexpressed herein are those of the individual contributors and do not necessarily reflect the views ofLive Model Books or its employees.

Visit us on the web at...


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Photo ContentsChapter 1

Jennifer

Contents 9 A Second Renaissance 15 Photographs11 About the Artists 157 Index

13 WhyArt Models


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Chapter 2

Bennett


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Chapter 3

Susan

Chapter 4

Andrew


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Chapter 5

Ximon

Chapter 4

Andrew


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Chapter 7

Jessica, Jennifer andFrank

Chapter 6

Ylana


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Chapter 8

Chanelle & Mary


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9

A Second Renaissanceby Butch Krieger

We, the artists of the st Century, live in themost exciting time in the history of art.Beyond a reasonable doubt, we see the dawn of theSecond Renaissance of Representational Art and ris-ing with the New Dawn is a resurgence of tradition-al figure drawing, painting and sculpture. he class-room studios and the marketplace of the s heldprecious little warmth for the human figure in art.During those bleak decades, the art establishmentsuppressed the human figure (unless it was somehowmangled or desecrated) and oppressed those few who

stubbornly refused to abandon the traditional humanfigure to the darkness. But now, that desolate centu-ry has passed and the human figure once again takescenter stage, as it should, in the warm glow of thespotlight.

As the figurative artists of the Second Renaissance,we enjoy many technological advantages unknown toour first Renaissance predecessors. Not the least ofthese advantages is photography. As a visual referencefor figurative artists, photographs provide extensivebenefits.

Photographing a figure model is quite cost effec-tive. You can take scores of photographs of many dif-ferent poses and many variations of each pose withinthe time it would take for just one good rendering ofone pose and position from a life model. he cost ofphotography is minimal especially when comparedto the expense of repeated modeling sessions. In

addition, you keep the photosthereby storing theimage of the model for future use.Human forms in photographs are totally subser-

vient to your own timetable and convenience. hisenables you to make art without having to coordinateyour schedule with your models. Your photographedfigures, moreover, never need to take breaks. heyhold their poses unwaveringly and untiringly forever.If you do not have a pool of people willing to posenude for you, or if you cannot attend organized lifedrawing sessions, these photographs become indis-

pensable.If you choose to work from photographs, you can

take the pictures yourself or obtain them from profes-sional sources such as this book. One advantage ofprofessionally produced photo references is increasedcost effectiveness. It would take many days, cost hun-dreds or thousands of dollars and require finding andhiring many models to produce the images you findin one Live Model volume. Another advantage is thatyou will find a wider variety of poses than you wouldlikely think of yourself along with multiple views ofeach pose.

he use of photographed models is not withoutits gainsayers. he most often cited shortcoming ofphotography is its distortion of tonal contrasts andhues. Improvements in modern photographic tech-nology significantly reduce this problem so that it isno longer the major issue that it once was. Further-


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more, the authors of Live Model Books have usedthese improvements to produce images of the humanform that come as close as possible to what you wouldsee, if you were observing the models directly withyour own eyes.

his is not to say that photography has displaced

the use of live models. It has not yet and it never will.here will always be a good purpose for live models,particularly in the training of artists. But, here too,is an application for photographic references suchas this book. hey can act as visual encyclopediashelping you choose poses for your live models. Andbecause a picture is indeed worth a thousand words,you can show your models the position you wantthem to assume, thereby making it easier to directthem.

You can likewise use Live Model Books as ency-clopedic references even if you prefer to take yourown photos. Simply pick out a pose that you likeand show it to your model, and then adjust it toyour own vision. For instance, you may want to usedifferent illumination, such as a trap-door lightingeffect. Or, you may want to see a slight variation in apose. Using visual sources as idea books is especiallyimportant if you plan to market your art and youwant the figure imagery to be unique to your owncreation.

he use of photographic references (particularlythose of the non-pornographic nude figure) will cer-tainly be a part of the Second Renaissance and willlikely precipitate a boom in figure art. he NewDawn has broken and pioneering publishers, such asLive Model Books, are helping to bring the grace ofthe human figure back into the light. It is an ideawhose time has come.

- Butch Krieger,

About Butch KriegerButch Krieger is a noted portrait and figure painter.He conducts portrait workshops on flesh tones andgetting a likeness. He is a regular contributor to theDrawing Board section in he Artists Magazine, inwhich he focuses on teaching the essentials of portrait

and figure drawing. He also contributes to the Pas-tel Journal, Watercolor Magic and he PortraitSignature.

Krieger taught Painting and Art History at Pen-insula College in Port Angeles, Washington. He haswon many awards and his work appears in Best ofPortrait Painting. For years he drew courtroom artfor clients that included CBS Network News, CNN,AP, UPI and USA oday. During that time, he sentover , sketches out over the airways.

Kriegers first book Watercolor Basics: Peopleteaches beginners and advanced artists the essentialtechniques for mastering the clothed figure and por-trait in watercolors.

Portions of this foreword are excerpted and adapt-ed from his second book on figure drawing whichwas in progress at the time of this printing.

You can visit Kriegers web site at...


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About the Art i s t s

David J. VanderpoolDavid is married with two sons. One, just out of highschool, has been in the Army National Guard Reservessince he was . he youngest shows a passion formusic and the oldest for arttalents that come fromboth their parents.

David is largely self-taught with some collegeexperience. His earliest memories include sitting ina room and drawing what he saw in front of him.His preferred medium is pencil drawing and hispreferred subjects are portraits and human figures.He enjoys rendering the male form for its strong

shapes and dramatic shadows and the female formfor its beauty and grace. He tells us that one of themost challenging aspects of his art is drawing hands.hey require patience and a good understanding ofanatomy, especially the structure of the numerousbones.

One of his biggest professional challenges, asan artist who sketches the human figure, is gettinggalleries to show his work. hey tell me they love mywork but want to see what else I can do, as if drawingis just a start. David hopes one-day to open a gallery

for pencil artists that features their work and providesa welcoming studio and retail space.

One of the things David said about this projectwas that he enjoyed working with some of the bestmodels I have come across in a long time. Easy tocapture and the poses are perfect to draw. Not thestandard boring poses you find in other modelbooks.

David works as a graphics designer and ad layoutartist for The Bakersfield Californian. One of the topremaining family owned newspapers in the nation.He has won awards from the CNAEA for his adlayout and special projects. His pencil drawings arecurrently offered as prints in Europe and can be seenon his own web site.

See more of Davids work at...

Dee OverlyDee Overly studied Art and Film at the University

of oledo and Architectural Design at OwensCommunity College. Clearly, Dee is passionate aboutart, she aspires to create works of art in herlifetime. She also enjoys photography, archery andgolf. She spent ten years designing irrigation systemsfor golf courses and years working with neon glass.

Now that her two children are grown, Dee isable to pursue her art goals more seriously. She wantsher work to constantly show growth, so that meansmuch practice. She tries never to allow a day to go bywithout drawing something.

Dees preferred medium is watercolor with penand ink (several examples can be found in this book)but she also enjoys graphite and pastel. Her preferredsubject matter is figurative drawing and portraits. Shealso enjoys carving and would like to do the humanfigure in wood. She says, with the multiple viewsavailable of a given pose in this project, Im lookingforward to giving -D a try.


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One of her biggest challenges as an artist isPutting that first line down on a blank piece ofpaper. Once Im past that, everything seems easier,things start flowing.

About this project she tells us What a wonderfulopportunity. Having multiple views of the same pose

gave me so many possibilities for practice as well asways to compose a finished piece of work. Also, thehuge photos on my computer screen were great towork with. So, Im not just looking forward to thefinished book, but to the disk thats part of the project.Its been downright fun. (hanks Dee!)

See more of Dees work at..

Jack WilsonJack is a bit reticent about talking about himself buthe did share a bit of information.

He is married with two kids. During this project,he was attending college as an Art/Art Educationmajor. He enjoys figurative, classical and neoclassicalart as well as Greek mythology and fantasy art. Hisstrongest medium is paint; oil, acrylic, or watercolor.

About this project, Jack told us What I like bestis its versatilityyou can take a model and drop him

or her into any situation that suits you. Or they canstand on their own in a simple figure study.

See more of Jacks work at../.

Gianluca Poda

Gianluca lives is in Italy and was married during thisproject. He currently works for the government andhas been studying art for three years. He is not onlyartistic but also athletic with an interest in soccer andtennis. He also enjoys modeling military aircraft.

Gianlucas preferred subject is the human figure.I think a woman is the greatest expression of naturesbeauty. he challenge is to draw what I really have inmindthe expressions of the models body (I thinkevery human body speaks to us). I really trust in thelanguage of the human body. His biggest challenge iscapturing that essence and character in a drawing.

About the project, he wrote hey esteemtheir customers and pay attention to any requestsor suggestion. heir pictures are very beautiful andinteresting with lots of variety.

It is a joy to admire with our eyes and paintwith our hands the beauty of nature and the humanbody.

Patrick Keithruly a Renaissance artist at heart, Patrickbegan his art at an early age sculpting anddrawing. He has studied and crafted art, music,sculpture, photography, cinematography andanimation in a desire to develop a variety of skills,interests and techniques.

Patricks interest in Goddess representationalart helped inspire the statue shown here. hroughGoddess art, Patrick explores traditional techniquesto revive an interest in the mythological and spiritualquest in all of us. Patrick seeks to craft visions oflong forgotten personas to preserve the heritageand awareness of ancient cultures. His personal

projects in figurative sculpture andpainting explore these themes.

See more of Patricks work at..

The Offeringhis statue by Patrick Keith is an excellent example ofthe three dimensional work that can be created from ourphotos.

he Offering won 2ndplace in an Art of the FemaleForm contest hosted by epilogue.net.


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Why Ar t Mode l s?

Few subjects challenge and fascinate artists more thanthe nude human figure. Yet very few photographicreferences exist that study the figure in full color, highresolution, and with careful lighting. Our goal was tocreate a reference that does just that. We wanted a rangeof poses from classical to modern photographed in highresolution so the photos on disk could be zoomed infor extreme detail. Do we intend to replace models?Certainly not! But we do hope to be a valuable tool inthe artists toolbox.

For schoolsand professors,Art Modelsprovides asupplement to traditional books- we take many classicsand bring them up to date with contemporary models.For example, Bennett a model with modern bodyshape and style, interprets The Dying Gauland Susanreproduces Venus, Naiad and Diana with Hound (toname a few). Some professors have told us these full

poses may be beyond introductory classes. However, byzooming in on the high resolution photos on disk,ArtModelsalso has a vast array of hands and feet and otherdetails to practice. Finally, with views per pose thedisk offers extensive material for assignments.

For hobbyists, who may have limited access tolife models,Art Modelshas over poses to practice.Some decidedly contemporary poses, such as Jens work(inspired by th century art and icons) or Ximonsdramatic poses, provide variety for everything fromillustration to comics and graphic novels. he artwork

demonstrates what other hobbyists and students havedone from the photos and is meant to be an approachablestarting point for beginning practice.

Professionalswill hopefully find a few new poseideas or inspiration and material that can be used inmodeling or illustrating.Art Modelscan also be used asa workbook to, for example, plan compositions or helpdirect models in the studio.

Virtually every time we showed an artist the bookduring development, they came up with new ways itcould be useful. Since our goal was to provide a trulyuseful reference for artists of all kinds, this was verygratifying.

One important difference this book has over otherreferences is we encourage the use of our photos as thebasis for derivative art. See the copyright page for details.In fact, contributor David Vanderpool already offers hiswork for sale on his web site.

About the lightingPeople who draw or paint know that lighting is criticalto a composition. However, we did not intend thisbook to contain final composed pieces of art. Rather,it is a starting point- with enough uniform light toprovide details in the shadows.

We certainly did not strive to provide lightingcomparable to the Dutch Masters. We felt that to doso would rob the artist of the chance to provide theirown interpretation of the poses. In addition, deepshadows would hide the details needed by -D artistssuch as sculptors. herefore, we encourage you, theartist, to use your own inner eye to turn the rawmaterial presented here into art- complete with yourown vision of lighting.

For reference: most poses are lit with a primarybright light above and to the right of the model with

fill lighting from below and to the left.

Layout and OrganizationWe took over photographs for this project.Obviously, we could not fit large photos in anyreasonably sized and priced book. Instead, we choseto print four views in the book and put the remaining


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photos on a companion disk. his still resulted in theselection of over photographs.

It is in the nature of photographing from mul-tiple angles that there be some wasted space from cer-tain directions. When designing the book, we tried toarrange the photos so that they were as large as pos-

sible while also providing a consistent organization.For example, we occasionally combined two standingposes on one page. his reduces the number of pagesand therefore the cost of the book while allowing theinclusion of as many poses as possible.

he poses have been given names to make themeasy to remember (lookout, our dry sense of humoroccasionally sneaks into the naming) and they alsohave a name for reference to the files on the compan-ion disk.

We have found that people tend to have favoritemodels and so we organized the chapters by modelwith each one marked by a color-coded tab visiblewith the book closed. By popular request, we alsoincluded a chapter of non-nudes containing variedexpressions and a few costumed poses. o keep page

count and price down, we often printed just one anglefor the expression poses. he remaining views are onthe companion disk.

We like to hear comments and suggestions andwe follow as many as we can. Please write to us.

- Maureen and Douglas Johnson, @.

Too Sexy?While the models are attractive, we certainly did not intend this book to be inany way prurient. o achieve a more conservative appearance we consideredadding a bit of modesty screening. Tis was impossible for the male modelswithout large obtrusive censoring. For the female models, we did add a littleblurring in the printed book but left the companion disk untouched. Wehope this achieves the proper balance of sensitivity to those who might beuncomfortable with full nudity, for example in a classroom environment, whilealso allowing individual artists to decide what is appropriate through the use of

the companion disk.

AcknowledgementsWe would especially like to thank the models andartists who contributed with their time and creativityto this project.

Female Models:Chanelle CamireJen HoughtonJessica ReganJenniferMary dEntremontSusan SnyderXimon DunedainYlana Stafford

Male Models:Andrew TompsonBennett HarringtonFrank Cugliata

Contributing ArtistsDavid J. VanderpoolDee OverlyGianluca PodaJack WilsonPatrick Keith

Tank You,Maureen and Doug


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by Jack Wilson

Jennifer Houghton

Jennifer HoughtonI plan to move to California and attend San FranciscoState University. I want to enroll in their journalismprogram and hopefully have a successful career as awriter. I would be so happy if I could also find moretime to fit in my passion which is traveling. hat bugis in me and I dont think Ill be able to settle down inone place for too long.

I got involved with Live Model Book becauseit was such a unique but much needed idea. It feelsgood to be a part of a creative project like this. I wasespecially proud when I got to see some artwork onthe web site that came from a pose I did with Jessica.How exciting!

- Jennifer Houghton,


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Worn Outj enh014


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Worn Out j enh014


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Fixing Her Hairj enh012


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Elegancej enh017


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s Flashback j enh009


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Morning Dovej enh011


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Walking j enh010


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Morning Stretch j enh022


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top, Dress Shirt I:j enhh001bottom, Pensive:j enh008


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Seatedj enh013


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Listening to the Sermonj enh015


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Listening to the Sermonj enh015


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Sea Shorej enh021


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Sea Shorej enh021


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Waiting j enh019


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Waiting j enh019


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Arches j enh018


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Arches j enh018


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Loungingj enh016


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Lounging j enh016


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top, A Little Suspicious:j enh006bottom, Proud:j enh004


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Bennett Harrington

by Dee Overly

Bennett HarringtonI have always been an artist of many sorts, includ-

ing painting, drawing, singing, acting, writing andcomedy. o turn each of these vocations into sepa-rate and thriving careers is definitely an overall goalthat I continue making strides toward daily.

I have an Associates degree in Visual Arts fromNorthern Essex Community College. his school-ing acquainted me with many new artistic ideas andaffirmed that my goals are to communicate with oth-ers vocally or through visual art. I chose not to con-tinue on to a 4-year art school to pursue acting.

My passion is absolutely to communicate. Few

things are more enjoyable in life than meeting newpeople, conversing with old acquaintances, and basi-cally creating and polishing personal relationships.Who doesnt love gaining new friends?

Modeling is something that I had always wantedto do and something I always found myself doing inmirrors. I basically fell into professional modeling inMarch of 2005 when I submitted my headshot to a

photographer who was looking for male models. Heselected me, which was such a shock, and I ended

up working with him several times. I was able to getsigned to one of Bostons larger modeling agencies inJune, 2005.

his book is the only nude modeling I have everdone. I actually did not realize when I respondedto their model call that it was for nude modeling.I learned that information just before meeting withMaureen and Doug for the first time. I consideredcanceling that preliminary meeting, but decided itwould be a fun thing to try.

Besides working with Maureen and Doug, my

favorite part was coming up with unique and inter-esting poses while on the rotating platform. It wassuch a creative experience and was definitely worththe next days muscle strain.

hank you for showing an interest in our art andthe furthering of your artistic training and apprecia-tion.

-Bennett Harrington, 2005


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he Writer bennet t 003


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he Writer bennet t 003


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wist bennet t 008


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wist bennet t 008


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Waiting for Friends bennet t 009


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Waiting for Friends bennet t 009


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top, Relaxed Standing: bennet t 012 bottom, houghtful: bennet t 013


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Bennetts Passion bennet t 016


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Walking bennet t 015


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Razzle Dazzle bennet t 014


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by David Vanderpool


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Satyr bennet t 011


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Sword Swing bennet t 005


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Lounging bennet t 020


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Dying Gaul bennet t 017


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Dying Gaul bennet t 017


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Country Boy bennet t 021


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Super Surfer bennet t 010


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Swimmer bennet t 019


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by Jack Wilson

Susan Snyder


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top, Venus: susans205bottom, Warm-up: susans204


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top, Dancer: susans202 bottom, Calliope: susans203


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Diana with Hound susans201


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Getting a Book susans206


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Reading a Book susans210


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Reading a Book susans210


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Relaxing with a Book susans212


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Relaxing with a Book susans212


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Amazon Stringing Her Bow susans209


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Amazon Stringing Her Bow susans209


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Loading the Arrow susans208


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Modified Marilyn susan214


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Modified Marilyn susans214


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Modified Marilyn susans214


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Mother and Child susans211


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Mother and Child susans211


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Naiad susan213


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Naiad susans213


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Susan in Nature susans207


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Andrew is a professional art model. He has numerous clients in themuseums and universities in and around Boston, Massachusetts.Andrew also plays guitar and works as a disk jockey.

Andrew Tompson

by Dee Overly


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I Want You andr ewt 006


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I Want You andr ewt 006


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Standing with Bow andr ewt 002


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andr ewt 002

by Dee Overl


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Bow With wist andr ewt 003


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Bow With wist andr ewt 003


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Hard Landing andr ewt 009


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Hard Landing andr ewt 009


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Simple Seated andr ewt 007


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Simple Seated andr ewt 007


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Kneeling andr ewt 005


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Kneeling andr ewt 005


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With Guitar andr ewt 008


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With Guitar andr ewt 008


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Wrestler andr ewt 010


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by David J. Vanderpool

Ximon Dunedain

XimonI am a performance artist, dancer, and fine artist,and the sole proprietor of Icon Alchemy fine artand performance productions. I am also a partnerin the Art-in-Gaming company Owl and Crow, a

founding staff member of the empleCon gamingconvention and a founding member of the AtomicImmersion Collaborative, creators of installationand interactive performance art events. Oh, and Imodel too!

he majority of my modeling is done for localcolleges and universities, as well as local artists groups,although I work with a variety of photographers as

well. My preference is fine art modeling, but I liketo be versatile and open to new ideas.

I frequently create my own costumes formodeling and performing and I love modeling inunusual settings. Modeling allows me to interact

with other artists and feed our mutual creativity ina very direct way.

I loved working on the Live Model Book projectbecause for me, modeling is a way of giving backto the artistic community, helping other artists tomanifest their own creativity, and this book gives somany artists so many creative possibilities.

- Ximon Dunedain, 2005www.musecube.com/ximondunedain.


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Looking to Heaven xi mon007


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Looking to Heaven xi mon007


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Bather xi mon020


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Bather xi mon020


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Stretching xi mon011


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Stretching xi mon011


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Super Spider xi mon010


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Super Spider xi mon010


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Crouching xi mon006


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Crouching xi mon006


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Ximons Variation on hreading the Needle xi mon021


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Ximons Variation on hreading the Needle xi mon021


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Sword Play One xi mon019


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Sword Play One xi mon019


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Danaid xi mon009


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Danaid xi mon009


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Sword Play wo xi mon017


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Genie xi mon012


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top:Dancer xi mon022, bottom:Unpleasant ask xi mon014


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Ylana Stafford

Ylana StaffordI have worked as a hostess, bartender, manager andas an assembler, technician, engineer. I am single andhave no children but I have a great extended family.

I have spent my entire life learning and seekingeducation. My varied work history is a direct result ofmy diverse educational experience. I started modelingand acting about years ago. Now I mostly do com-mercial modeling and acting.

I liked the fact that these photos may be used tocreate -dimensional art. I also liked the idea of, in asmall way, experiencing what models did for paint-

ers two hundred years ago. o really hold a pose is noeasy feat.

My passion is to appreciate the beauty that sur-rounds us all. If I am granted an opportunity to con-tribute, I should embrace it.

I feel my look and physique has suffered the pass-ing of time {editors note- we dont think so, look howcute you are!} but a skilled and sincere artist can makebeautiful all things that are natural. hats exciting.

Maybe some day my educational ventures willhave me use the book myself.

- Ylana Stafford,

by David J. Vanderpool


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houghtful yl anas003


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houghtful yl anas003


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Kneeling yl anas008


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Kneeling yl anas008


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Simple Sitting yl anas004


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Simple Sitting yl anas004


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Stargazer yl ana006


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Stargazer yl anas006


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Angel yl anas005


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Angel yl anas005


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Water Bearer yl anas011


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Eve yl anas009


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Hey! yl anas010


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Jessica, Jennifer, Frank

by Dee Ove


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Kneelingj essi car 202


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Kneelingj essi car 202


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by Dee Overly

by Jack Wilson

Print made from Copper Plate Etching

Jessica in

Cool and Warm


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Reachingj essi car 201


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Reachingj essi car 201


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Makeupj essi car 008


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by Dee Overly

by Jack Wilson


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Stretchingj essi car 002


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Stretchingj essi car 002


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Frank and Jessica f r ankj essi ca001


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hinker f r ankc001


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by Gianluca Poda


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Jennifers Davidj enni f er s001


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Prayingj enni f er s006


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Sleepingj enni f er s007


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Sleepingj enni f er s007


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Batherj enni f er s002


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Chanelle & Mary Expressions

Chanelle CamireI have been modeling for two years and prefer highfashion and artsy. I also intend to pursue an actingcareer. I have worked for several years in the restaurantindustry and eventually would like to own my ownfine dining restaurant. I majored in Business at NorthShore Community College but shortly switched todrama. I enjoy yoga, kwando, reading, knitting, danc-ing, and dining.

My father is French and grew up in Massachu-setts. My mother is Korean. hey met while my fatherwas in the service. I am not married and I do not have

any children.Working with the costumes was fun and it would

be great if someone finds something interesting aboutme and uses me for a piece of their work.

- Chanelle Camire,

Mary dEtremontI attend North Shore Community College and planto further my education at Emerson College, HarvardExtension, and UCLA. I dont have any children nordo I plan to. And no marriage either.

Recently I have gotten involved in New Englandsfilming community. I just finished filming the shortcomedy, American Jesus. My next hopeful project isthe intense drama, A errible Darkness. In the pastI was involved in theatre. I worked on Four By Ivesand he Complete Works of William ShakespeareAbridged. Im currently writing my own screen play.

I have been modeling for about three years. Onthis project I enjoyed the challenge of capturing rawand real emotion on camera. I learned more of myselfand of my passion to perform. I think the best part ofcollaborating on this work is the reaction the artistswill have and how I will be perceived.

- Mary dEtremont, 2005

by Dee Overly


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Royalty I chanel l ec011


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Royalty II chanel l ec013


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Sword Practice I chanel l ec018


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Sword Practice II chanel l ec019


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Intensity chanel l e004 Surprise chanel l e002

Quiet chanel l e005 Wistful chanel l e006


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Regal chanel l ec015


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Portrait chanel l ec008


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Karate Practice chanel l ec017


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Content mar yd014 Wistful mar yd015

Crying mar yd002 Angry mar yd006


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Anguish mar yd004


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Overdue mar yd003Excited mar yd011

Important Issues mar yd007he Look mar yd012


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Index

Te following Index by ype is intendedto aid in finding poses or postures ap-propriate for particular compositions.For example, if a classical standing poseis needed, several can be found in theStanding category in the Classical sub-type. General categories are printed in bold.Within those broad groupings subtypesare indicated by italic. Some poses fitmore than one category and thereforeappear in several groups.

After the Index by ype, an Index byitle and Index of Artists provide addi-tional views into the book.

Index by TypeCostumedKarate Practice, Regal, Royalty I, Royalty II, Sword Practice I, Sword Practice II,

CrouchingCrouching, Crouching Overhead, Genie, Hard Landing, Hard Landing Overhead, Loading the Arrow, Super Spider, Super Spider Overhead, Super Surfer, Sword Practice I, Wrestler,

ExpressionsAngry, Anguish, Content, Crying, Excited, Important Issues, Intensity,

Overdue, Quiet, Surprise, Te Look, Wistful, ,

KneelingKneeling, , , Kneeling Overhead, , , Loading the Arrow, Praying, Royalty I,

Royalty II, Stretching, , Stretching Overhead, , Sword Play One, Sword Play One Overhead,

ProneDanaid, Danaid Overhead, Relaxing with a Book, Relaxing with a Book Overhead, Sleeping, Sleeping Overhead,

Swimmer, Waiting, Waiting Overhead,

RecliningClassicalAngel, Angel Overhead, Dying Gaul, -Naiad, Naiad Overhead, Other

Lounging, , Lounging Overhead, Modified Marilyn, -Modified Marilyn Overhead, Sea Shore, Sea Shore Overhead, Stargazer, Stargazer Overhead, Waiting for Friends, Waiting for Friends Overhead,

SittingClassicalTinker, On ChairFixing Her Hair, Seated, Simple Seated, Simple Seated Overhead, Susan in Nature, Worn Out, Worn Out Overhead, On Chest

Bather, Bather Overhead, Elegance, Listening to the Sermon, Listening to the Sermon Overhead, wist, wist Overhead, Waiting for Friends, Waiting for Friends Overhead, On StoolAmazon Stringing Her Bow, Amazon Stringing Her Bow Overhead,

Hey!, Morning Dove, Reading a Book, Reading a Book Overhead, Te Writer, Te Writer Overhead, Toughtful, Toughtful Overhead, OtherFrank and Jessica, Looking to Heaven, Looking to Heaven Overhead,

Makeup, Reaching, Reaching Overhead, Simple Sitting, Simple Sitting Overhead,

StandingDancingDancer, , Warm-up,


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StandingClassicalBather, Calliope, Diana with Hound, Eve, Jennifers David,

Satyr, Unpleasant ask, Venus, Water Bearer, DramaticDress Shirt I, I Want You, I Want You Overhead, Regal, Unpleasant ask, Wrestler, OtherA Little Suspicious,

Karate Practice, Morning Stretch, Pensive, Proud, Razzle Dazzle, Relaxed Standing, Te Look, Toughtful, Walking, , With Propss Flashback, Bennetts Passion, Bow With wist,

Bow With wist Overhead, Getting a Book, Standing with Bow, Standing with Bow Overhead, Sword Play wo, Sword Practice II, Sword Swing, With Guitar, With Guitar Overhead,

SupineArches,

Arches Overhead, Country Boy, Mother and Child, Mother and Child Overhead, Stargazer, Stargazer Overhead,

YogaXimons Variation on Treading the

Needle,

Ximons Variation on Treading theNeedle Overhead,

Index by Titles Flashback, A Little Suspicious, Amazon Stringing Her Bow,

Amazon Stringing Her Bow Overhead,Angel, Angel Overhead, Angry, Anguish, Arches, Arches Overhead, Bather, , Bather Overhead, Bennetts Passion, Bow With wist, Bow With wist Overhead,

Calliope, Content, Country Boy, Crouching, Crouching Overhead, Crying, Danaid, Danaid Overhead, Dancer, , Diana with Hound, Dress Shirt I, Dying Gaul, -Elegance,

Eve, Excited, Fixing Her Hair, Frank and Jessica, Genie, Getting a Book, Hard Landing, Hard Landing Overhead, Hey!, I Want You, I Want You Overhead, Important Issues,

Intensity, Jennifers David, Karate Practice, Kneeling, , , Kneeling Overhead, , , Listening to the Sermon, Listening to the Sermon Overhead, Loading the Arrow, Looking to Heaven, Looking to Heaven Overhead,

Lounging, , Lounging Overhead, Makeup, Modified Marilyn, -Modified Marilyn Overhead, Morning Dove, Morning Stretch,

Mother and Child, Mother and Child Overhead, Naiad, Naiad Overhead, Overdue, Pensive, Portrait, Praying, Proud, Quiet, Razzle Dazzle, Reaching, Reaching Overhead,

Reading a Book, Reading a Book Overhead, Regal, Relaxed Standing, Relaxing with a Book, Relaxing with a Book Overhead, Royalty I, Royalty II, Satyr, Sea Shore, Sea Shore Overhead, Seated, Simple Seated, Simple Seated Overhead, Simple Sitting, Simple Sitting Overhead, Sleeping, Sleeping Overhead, Standing with Bow, Standing with Bow Overhead, Stargazer, Stargazer Overhead, Stretching, , Stretching Overhead, , Super Spider,

Super Spider Overhead, Super Surfer, Surprise, Susan in Nature, Swimmer, Sword Play One, Sword Play One Overhead, Sword Play wo, Sword Practice I, Sword Practice II,


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Sword Swing, Te Look, Te Writer, Te Writer Overhead, Tinker, Toughtful, , Toughtful Overhead,

wist, wist Overhead, Unpleasant ask, Venus, Waiting, Waiting Overhead, Waiting for Friends, Waiting for Friends Overhead, Walking, , Warm-up, Water Bearer, Wistful, , With Guitar,

With Guitar Overhead, Worn Out, Worn Out Overhead, Wrestler, Ximons Variation on Treading the

Needle, Ximons Variation on Treading the

Needle Overhead,

Index of Artists and ArtKeith, Patrick

about, Te Offering,

Krieger, Butchabout, A Second Renaissance, -

Overly, Deeabout, -Andrew Portrait, Andrew with Bow, Chanelle Composite, Jessica, Jessica II, Jessica Cool, Jessica Warm, Metallic Man,

Poda, Gianlucaabout, Jennifer in Nature,

Vanderpool, Davidabout, Satyr Pose, Ximon, Ylana,

Wilson, Jackabout, Jesscia, Jessica as Diana, Minoan Villa, War and Peace,


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More Art Models

You can ask your bookseller to orderArt Modelsusing the productcodes below. Or, visit us on the webwww.livemodelbooks.com.

Art Models

Softcover book 9780976457329

Softcover book with disk 9780976457336

Book On Disk 9780976457367Art Models 2

Hardcover book 9780976457374

Hardcover book with disk 9780976457381

Book On Disk 9780981624907

Art Models 3

Hardcover book with disk 9780976457398

Book On Disk 9780981624914

E M WFeatures

Find new models and poses, including ones not appearing inany book.Be the first to see the newest poses.Get the latest information about the Art Models project.Get instant download access to any finished pose in ourcatalog.Discover new and upcoming projects.Send us your thoughts with the feedback form.

Visit us on the web atwww.posespace.com.

Books

he art models series provides hundreds of poses with a wide vari-ety of models, lighting, and styles. Each book has a different focus,for exampleArt Models 2showcases classically inspired poses, theposes inArt Models 3are the favorites as chosen by our customersand the firstArt Modelshas a broad selection of poses printed in asmaller format.

Books On Disk

Books On Disk (BOD) offer the complete print book in ebook formatplus the entire Companion Disk all in one convenient and affordablepackage. All of the poses from the book are shown from 24 angles inhigh resolution, providing thousands of finely detailed photos. Zoomin on eyes & ears, fingers & toes and any area requiring a closer look.

With the Book On DiskZoom in for fine details.Find exactly the right angle.Print just the view you want.Project the photos for a class.View in High Definition, and much more.

In addition, the BOD shows some poses from different angles, suchas overhead looking down. For their full-size high-resolution detail,360-degree views, and low price, we recommend the Art Models BookOn Disk as a must-have supplement (or cost effective alternative) tothe print books.

Poses have 24 Views on Disk

valentine0


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Documents

Art Models Livro 1